#their story makes me cry

[tinylittledeergirl]

I NEED YOU GUYS TO LOOK AT THEM PLEASE PLEAEE IM BEGGING LOOK AT THEM THEY ARE IN LOVE THEY LIVE EACH OTHER SO MUCH

Sorry… my dark side came out for a second there.

Anyways these are my OCs Joseph and Rosie. They’re married and I’ve posted the first part of Rosie’s diary on here. Spoilers for what I intend on writing later I guess, but she gets her happy ending, as promised. Also Joseph is REALLY fun I love them both so much they’re kind of my everything. If you want more information, just ask!(PLEASE ASKE ME ABOUT THEM I NEED TO TALK ABOUT THEM AND HAVE SOMEONE LISTEN SO BAD)

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[contactlessdrivethru]

just finished opla mood

[each-uisge-enthusiast]

the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.

[evannnz]

Telemachus and Uncle Polites bonding time !!

[ Individually cut down beloww ↓↓ ]

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[skunkes]

[nigelgraz]

(OC) Hachiro 🕷💥

I've been falling in love with him all over again and he's been on my mind so much lately it's unreal </3

[jasonsbruce]

[choco-maki-mallows]

Brilliant Minds said "forcing someone to stay alive when there is no reasonable meaning in forcing them to keep living is cruel, and honoring a patient's wishes means that you have to sometimes have to let them do things that you cannot agree with" and it fucked.

[0yorixu]

i am so normal about this story...

[alwayslewis]

just look at them why can't they be friends again💔😭💔😭💔😭💔😭💔

[poorly-drawn-mdzs]

I want you whipped into shape!

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[wecalleverythinglove]

yuri on ice: we were born to make history

[gilded-ghosts]

Premade Makeover: Lilith Vatore

1970s Badass Vamp AU vibes: One way, or another, I'm gonna find ya I'm gonna get ya, get ya, get ya, get ya

Featuring @ice-creamforbreakfast's new Silver Springs dress!

[opal-owl-flight]

3 really despises the fact that people keep using their face…or their idea of their face, for agendas they never agree with. Agendas like making the war theyre trapped in look fun and easy.