#their relationship isn't ambiguous at all

[ultramarine-spirit]

OKAY HI I'VE BEEN SHAMELESSLY SEARCHING THROUGH YOUR ACCOUNT DIGGING FOR ANSWERS I COULDNT FIND ANYWHERE ELSE (Ik I'm late asf but I hope you still answer questions related to wmmap seriously I'm desperate lmao) So I've read the entire novel and there wasn't any mention of their marriage (Lucas and Athy) 😭 IK THERE IS A BRIEF MENTION ABOUT "SOME" MARRIAGE In BOTB but all the translations I've read haven't specified who she decided marry at the end when she turned 26 💀 how is everyone so sure it was Lucas and did they decide whose gonna rule the empire in the end? I think from Hari's pov, it was yet to get decided later on, and a prince consort was chosen again, I wanted to clarify if it was really Lucas and I don't think there was any mention of her having kids except for in that one parallel dimension.

I mean, WMMAP and BOTB explicitly take place in the same world (they aren't parallel universes, there are no "what-ifs" or anything similar), Athy even meets Cabel and Hari (indirectly). Indeed, the marriage mention is in BOTB, not WMMAP, but it's pretty obvious the groom is Lucas, even if he isn't mentioned by name. Athy also isn't mentioned by name, Hari just says it's the wedding of "Obelia's princess". Considering the novel ends with Athy kissing Lucas, and that they keep dating during the side-stories, it would be very strange that she didn't marry him. As you say, LP! Lucas even sees their future daughter (granted, that could be a different world, but even so, he says that Athy is always with Lucas in all the worlds he visited except one).

I guess it's technically possible that the groom isn't Lucas, but considering that Athy was dating him and that she explicitly rejected Ijekiel, it's incredibly unlikely. What would be the other alternative, Athy marrying a random guy?

Regarding how they decided to rule the empire, there's no direct answer to that question, but Claude said that Athy would be the next empress and she knew that the day would come when she had to rule Obelia. BOTB's novel says that the prince consort (actually, there's no mention of the term "prince consort" as far as I remember, but I'll use it since that would be the title used for Athy's husband/husband-to-be) married into the royal family, not the other way around (naturally, since Athy is the powerful one of the two from a political standpoint), and that's about it. It isn't that the prince consort was going to be decided "later on" after the wedding, that's not how it works, Lucas (or whoever the mysterious guy is, but he is totally Lucas) most likely got that title after the wedding. I think it's safe to assume they rule together but Athy is the one with the most power and doing the most work (I can't see Lucas being very interested in ruling lol). This is the most logical explanation of post-canon's events, but the reference to Athy's wedding/future is pretty brief. Take a look at @lithi's translation.

[snowshinobi]

bickering is a love language and baby. Kaveh and Alhaitham are tongue kissing about it. metaphorically

[sukibenders]

Looking back at Girl Meets World, it will forever irritate me especially for how they handled/treated Angela. Oh this show really hated black women because how do you not only 1.) describe her, one of (correct me if I'm wrong) only few black and MAIN characters of the og show, as a "concept" 2.) have characters show obvious disgust at the small mention of her name 3.) depict her as a homewrecker for a new relationship that, really, shouldn't have ever happened 4.) have her old friends treat her like dirt and her old lover like she is the root of his problems, when there was nothing but positive love there 5.) reuse all the concepts from said previous love story just to elevate the new ship with a yte woman and 6.) compare her to Hurricane Katrina, one of the deadliest hurricanes that caused significant numbers of death, harm, misplacement, and trauma to people, largely of whom were black? Mind you, all these points I mentioned were toward the only main black character of the OG show before the spinoff, and the only, from what I can remember, black female character of the spinoff who didn't even stay long. Not even getting into the racist drama with some of the members on set, but you cannot look me in the eye and tell me that the way the show handled Angela, her story, and her relationship with the other characters + Shawn wasn't fucking disrespectful, you can't because I won't believe you.

[danmeichael]

i need to work on my chengxian fics....

[francesderwent]

I figured it out. actually only the first two seasons of Greys are good.

[jennycalendar]

coming up with a better idea for jenny's relationship to magic after making jenny's lack of magical talent a consistent through-line in what you make. i am going to lose my shit

[idkimnotreal]

i think a bi guy might want something from me. i don't know if he's closeted.

[weedle-testaburger]

You know, since it's Pride Month (and also I miss them), I feel like reminding everyone how fucking important Ruby and Sapphire were.

The way they were both unambiguously conceived as queer characters and let the writers make an established character queer retroactively. The fact that as soon as they share the screen, they immediately show how in love they are, without any ambiguity to please the censors, and they do that almost every episode they're in.

How their relationship isn't always 100% perfect, and they do conflict and fall out, but make up in the end because they genuinely love each other. How they were allowed to be iconic parts of the show, not just through being the focus of two of its most famous songs (Stronger Than You and Here Comes A Thought) but also through the book version of The Answer.

The fact they got the first gay kiss...

...and the first gay wedding in the history of kid's TV.

The way their reception showed networks that yes, people do enjoy media with queer characters, and so they contributed to many other series with prominent LGBTQ characters getting greenlit.

I honestly don't think it's exaggerating to say they're among the most important queer characters in the history of fiction for all that. And people need to say it more, and demand stuff like them more.

[celestialholz]

Live long and fuck in Hondas (or 'why that Vulcan salute is way more significant than you think it is')

Hey. Hey Holz. Did you know Deadpool and Wolverine fucked in the Odyessy? Did you know that they now live in a one-bed with Blind Al? Did you know that -

Yes, friend. I know all of it. And you're all super fucking valid for pointing it out.

... But maybe all of you aren't seasoned Trekkies like me. Maybe not all of you gorgeous people understand the true significance of this.

Or maybe you just want a definitive way to win the argument of "are these two fucking?"

But either way, I'm here to help, and to tell you why, amongst all the absurdly homoerotic text of this film, this moment? Might be the gayest of them all.

Now, we must start by saying that although you wouldn't know it from the bullshit Abrams films, these two:

Are the fathers of gay fanfiction. Spock and Kirk here are the reason you're living in the fantastic timeline where you can write/read men fucking without any other shred of plot and that this is a legitimate and normalised internet experience - everyone say thank you, iconic papas. These guys were so homoerotically coded that even in the 60s, the era of wondrously overdramatic performances of all kinds and fairly prevalent homophobia, The Girlies still took notice, still started mailing each other fics and making zines and being just hugely excited at the thought of these two getting space-married. They are fandom as we know it today's beginning, and seventy years later they're still an enduringly popular ship on AO3. (You should all go and watch Amok Time, by the way. Contains the Honda Odyessy scene of the 60s, except there's weird biology and wrestling and just go and put it on your screens, thank me later. They fucked on that planet.)

Anyway, these two were as close as early colour TV could ever allow two men to be, deepening their *coughs* friendship almost every single episode or film - Trek's creator Gene Roddenberry even gave them a unique word in Spock's Vulcan language, with the meaning of 'friend, brother, lover.' (And if that isn't ringing any Poolverine bells, I'm not actually sure what you want out of this post. Enjoy it anyway, love you.)

... And then we get to 1982's The Wrath of Khan, and to that moment that every iconic screen couple must face - the ol' classic, it's you or me and I won't let it be you.

Sure, the set-up's a little different here - the chamber Spock's in is filled with radiation, and the scene's quieter, softer. And Kirk isn't a mutant so he can't smash his way in, he can just sit there and inwardly die as his emotional support Vulcan does.

... But you get where I'm coming from here. Ryan Reynolds doesn't take a million other potential love scenes from across the cinematic ages - no, he takes this. What is for many the romantic acknowledgement of a whole generation. The humble and desperately sweet beginning of it everything we fans know and love nowadays. The most ambiguously romantic homosexual relationship in television, directly comparative to what is now arguably the most ambiguously romantic homosexual relationship in cinema. And lest we forget, Wade doesn't believe in a fourth wall - this is a conscious choice, both in canon and in the writer's room.

Oh it's so clever and so beautiful a girl could weep. Ryan just introduced the MCU to the gays, just as Kirk and Spock did all those years ago to the masses of the time.

And then there's what it means.

This is the Vulcan salute, created to mean either 'live long and prosper' or 'peace and long life' - it's used more or less interchangeably.

But part of that's irrelevant when you're as immortal as these two.

So we're left with the sentiments of prosperity and peace, given to a man who up to this point can't imagine ever prospering again, is the furthest thing away from being at peace. Wade gives Logan the opportunity to go on, to find the things he's been lacking for so long now - things he has already helped him find. Spock tells Kirk during The Wrath that 'the needs of the many outweigh the needs of the few,' and that's exactly what Wade's doing here - sacrificing himself for the greater good of his friends and his newly beloved, however much it will hurt them all.

And that's lovely, and poignant, and character-growing, and I think we all would have been content to leave it at that and have our noble sacrifice, however much we would have wept. Kirk goes on to find the remnants of Spock's soul in the next film in the series, to bring him essentially back from the dead because he felt it was more than his own soul's worth not to have done... which, again, ringing a bell anyone?

Because Logan, in not so many words, tells dear Wade to fuck right off, and we get this.

What we've got here is a direct translation of one of cinema's gayest moments, made somehow infinitely more gay. A true achievement here - I genuinely think I spontaneously acquired tetanus in the cinema for a good minute, my jaw dropped so hard on seeing this. The pillars are the same colour as Kirk and Spock's original uniforms, for fuck's sake. I'm dying out here.

What we've done here is create narrative equality. The whole film's kinda done that leading up to this anyway - they're both mentally fucked up men who can't die, who are constantly dying anyway, who are evenly-matched in battle and both enjoy Honda fucking, who have forged a real love even as they piss each other off at every turn.

But here, they place one another in narrative equality for the first time. It's not about a sacrifice, not now, even though they're assuming it is one - it's about what should be done. It's about righting wrongs, being heroes, being together because every option other than that is unacceptable, because neither understands quite how to lose anyone else. They've both made the same choice, and that's not to let the other die alone.

It's about holding hands and loving and never letting go, even if it kills them.

... It's just about the most romantic and gorgeous thing I've ever fucking seen.

There are no more instances of masks, once they're done in this station. They don't need them any longer; they will never need them again.

And that's only emphasised by the parting shot we get of this... almost directly after Vanessa and Wade share a final sweet look.

I don't know, man. It's almost like the true conclusion is hidden behind the acceptable masquerade. Imagine that in the MCU, folks.

They've taken one of the most intimate and sweet moments in screen history, and made even more glorious.

They did The Wrath of Khan better than The Wrath of Khan did it.

And that's... that's gay. That's just about the gayest thing they could ever have done, and I adore it to the smallest pieces.

So remember, the next time your friends disbelieve you... show 'em this. Show them that they redid the very beginnings of slash fandom, and did it better.

(And then you can add on that they now live in a one-bed with their grandma, daughter and dog, and will do for the rest of their lives. Kirk and Spock didn't even get THAT shit.)

[cup-o-stars]

Relativity Falls Lore Concept- The Oracle and Bill

The Oracle:

I was initially inspired by the Twitter user @SUwu159's depiction of the Oracle in their take on Relativity Falls, and made my own adaptation as I learned about her in canon.

(Assume she can change colors because I couldn't pick what I liked most)

This version of The Oracle isn't malicious per se, and does not desire the same conquest or chaos sought out by Bill. But she likes universes to be organized and quaint (or answers to another high power that demands it), and finds fulfillment in achieving these goals through any means necessary.

The Oracle and Dipper:

(Sorry if this dialogue tastes like a corndog in your mouth. I just needed to write a semi-resolution to Dipper's side of the relationship, ha.)

Getting into the real struggle with the Pines family. Dipper and Mabel don't fight and hold grudges like the Stans (that we've seen of), so my opinion is that they drifted apart in their late teens and twenties, both feeling pressured to be less attached at the hip. My current belief (though I'm very willing to rewrite this section) is that Mabel and Dipper both poured a lot of energy into pretty niche fields, and being very busy meant very short and rare windows to reach out. Both assumed the other was doing bigger and better things and felt self conscious / childish for wanting eachother's company.

I'm still considering Mabel's backstory, since I think she probably hit lower points than Dipper. You know. Starving artist, lol. But Dipper entered into paranormal investigation, pest control, etc. before his ghost + monster catching went far enough for his name to gain some notoriety. Hell, maybe Pacifica's family reached out to him to take care of "rats" that were actually ghosts, cementing his interest in Gravity Falls and giving him a window inter supernatural work.

Dipper was taken on as something of an apprentice to the Oracle 30ish years before canon as word of his good and dangerous deeds spread. However, what was at first a personal dream come true (saving lives with nerd magic) soon became a personal hell as the Oracle began to overwhelm Dipper with knowledge of various futures and universes where everything he cared about could be destroyed. He's always been over prepared and incredibly paranoid, and became obsessed with protecting the world by acting as a partner to the Oracle.

He ends up doing- or not doing- a lot of morally ambiguous things and gaining a lot of enemies. He is too ashamed to face his family- especially Mabel- with what he's done and burden them, giving the Oracle more to use against him to keep him working for her. Basically "you've already done all this and risked it all, there's nowhere to go if you stop now." Eventually this ends in her seeing him fit for her work and convincing him to hide out in and save other universes, which he gets trapped doing for the next three decades.

Little throw away idea: Pacifica could have been an investor or partner, but left as they uncovered secrets about the Northwest family. Maybe she wanted to undo something (debating making any of the Oracle's powers time related just because I hate time travel) or stop a current show of corruption, but Dipper had to stop her for the "greater good."

In the main universe, Mabel goes to Gravity Falls upon news of her brother's disappearance, searching for any loose end to trace back to him.

I love that in canon, Dipper is willing to do anything for Mabel, and Mabel gives it back. Dipper here spends all of his life keeping as many versions of her as safe as he can, and she spends all her life trying go seek him out- maybe even dropping a larger opportunity outside of Gravity Falls for her art and settling on business at the shack. Dipper wants Mabel alive, Mabel wants them both happy. I like the idea that it's Dipper and Mable vs. The Future but the future is a demon, alien thing.

Which leads me to...

Bill Cipher:

I'm actually gonna cover a couple versions of Bill I think are fitting for this AU, because I initially wasn't sure if I wanted him here at all.

Child Bill:

Pretty straight forward. Bill as a baby, child thing is tempting and this is the au where he'd exist. Personally though, I think Ford's friendship with Fidds would be more enriching to his growth, and Bill's personality is so close to Stan's they would likely be competing to fill very similiar roles. (If Bill behaves differenty as kid, I don't know about it.) Honestly, Bill is super similiar to Ford and Stan, and works better as a kind of foil or antagonist because of that (imo). I do find the mental image of Ford carrying Bill around funny. I do not enjoy human bill like, conceptually, so I'm probably never gonna design one as an adult or child, lol.

It would be cool to see a world where Bill didn't accidentally kill his parents though.

Bill - Reincarnated Original

Technically I guess they could all be reincarneted (especially baby Bill), but this version of Bill experienced and holds memories of the original canon events in GF. Beings like Bill and the Oracle can remember recent/soon approaching lives, and catch glimpses of more distant cycles as well.

What I like about Bill's recent role as an antagonist to Ford and Stan is that he constantly describes them in the terms of their worst traits, and sees them through the lens of the roles the world placed on them. In this AU, Bill is the epitome of the past (in this case a past life) coming back to bite the twins. He rattles their progress in communication as well as their sense of inner peace by bringing old Glass Shard Beach issues into Gravity Falls.

(Depicted here-> moments after Ford summons Bill using the same ritual as Gideon.)

The drawback to this is that it feels a lot like covering old ground.

Simply Bill:

This is pretty much just regular old Bill with the same fresh perspective as everyone else, and also the one I'm going with. He tried and failed to get Dipper's trust in the past and had to lay low at the arrival of the Oracle. Once they left, Bill targeted Mabel. I think it could be very interesting for Mabel and Bill to either have a fresh relationship wherein Bill is actively taking advantage of her desperation to find Dipper, or for Bill to be an old betrayal (not romantic, but not dissimilar to the opportunistic exes Stan and Ford have to be wary of and beat back under the rug regardless).

Either he shows himself to Mable early on, or decides that Gravity Falls is both Oracle-free and worth the time after either Ford or Mable summon him. Afterall, 30 years isn't much to him.

Maybe he exists in the background like he's always done, or the kids (being snoopy and disrespectful of Mabel's secrets) discover what Mabel's doing and run into him on their own.

Whether Bill is aware of the original series or not, I think he could be neat to stick in between Stan and Ford again for conflict. My favorite aspect about Relativity Falls is the prospects of the Stans having a larger support system and better tools to help themselves with. Beating Bill faster and better would be the ultimate testament to Mabel and Dipper's skills as functioning role models, even if Mabel is currently blinded by her focus on Dipper.

Stan and Ford will fight and they will make up, but this time maybe they can overcome it on their own.

I also think a good idea is having Ford and Stan's issues be completely Bill free (outside of like an episode or two's worth of relevance, unless he put them into a particularly stinging situation). It would feel fresher and also streamline the plot, lol.

Overview:

- Dipper is stuck travelling the multiverse with the Oracle and keeps himself sane by thinking of Mabel and protecting various versions of her.

- Mabel is investigating his disappearance in Gravity Falls and is working on a portal/portal equivalent with Bill to bring him back.

- The kids may or may not be aware of this.

Looking at the main series of events, I think it'd be neat go back to the apprenticeship conflict, where Ford could be approached by the Oracle (or something else that makes sense) with the promise of being a "hero," but knows better now because of Dipper and his experiences with Bill. It's kind of a more convoluted version of Ford's proposal to Dipper in canon, and they basically learn the same thing, lol. You can hang out with ghosts if you want, but demons are gonna get you. Maybe being a child with siblings is all you need.

(Stan could also be offered this, given the Oracle already knew he- or at least someone with his face- would beat Bill, but I think it's well established he isn't very interested in doing anything without family.)

All in all, things might be a bit crowded with two antagonists. But I do like the concept of Bill's arrival and subsequent chaos triggering Dipper and the Oracle's return to Mabel's dimension. I also love the idea of Bill, the Oracle, and some secret third thing all trying to pull the Pines family apart, and it's like a Man vs. God turned into a Family vs. Destiny thing, idk. Just trying to make it feel bigger.

Thank you for reading all this. It was a lot to draw. Next time I do anything for Relativity Falls, I'm gonna go back to the smaller things like Mabel bonding with the kids and stuff like that.

[mythalism]

having my regularly scheduled weekly freak-out over "whats the old dalish saying? may the dread wolf take you?" -> "and so he did." -> "i did not. i would not lay with you under false pretenses". i think i could literally unpack this for a thousand years and never be satisfied its so fucking insane. its so full of meaning. its so expertly written. its the kind of thing you'd only expect from fanfiction except its REAL.

the way he acts like he doesn't actually know the saying. but of course he knows the saying. of course he knows exactly how the dalish use his name and legacy as a curse of bad fortune. OF COURSE HE KNOWS THIS. we literally hear mihris say it to his face if you choose to attack her during his very first personal quest. the forced casualness of this line in such an otherwise tense and monumental moment of confrontation, "what's the old dalish saying?" with his sad little self-deprecating smile. its insane that he's saying this. its INSANE that he's bringing this up to her, RIGHT NOW OF ALL MOMENTS?? he's dropped the mask and he is so mortal, he's Chuckles making a wry, sarcastic comment, except its all wrong - because it's not funny and its not lighthearted and its not sarcastic, its carrying the weight of all of his lies and manipulation. how was he expecting her to respond????? certainly not how she does. his tone and face immediately changes when she says, "and so he did." her voice and face reflects the severity of the moment that he was trying to break with his levity, she denies him the break in tension he was trying to create.

"and so he did." "i did not. i would not lie with you under false pretenses". WHAT???????? WHAT!!!!!!!!!!!!!!!!!!!! the way his thought process immediately goes to sex and interprets this as innuendo is I N S A N E. it is such a tone shift from the rest of the conversation to just throw this line out - but it's not out of character. he does make a few similar comments; "getting you into bed is an enjoyable side benefit" and "i do enjoy the heady blend of power and sex that permeates these events" and of course the first haven flirt that always make players go "HUH!? SOLAS FUCKS!??!!?" but this one is just so inappropriate in the context of this confrontation that it speaks to how FUCKED his mindset is in this moment. WHY ARE YOU THINKING ABOUT SEX RIGHT NOW??????????? its so interesting its SO INTERESTING. and the brilliance of the ambiguity of the line makes me go crazy. solas is unambiguously talking about sex. "i would not lie with you" is basically synonymous with "i would not have sex with you". which is especially bizarre because "may the dread wolf take you" isn't necessarily a sexual curse. it seems to be fairly equivalent to english's "fuck you". while "fuck" is a synonym for sex just like "take" is, its not only a synonym for sex. you can say "fuck you" to people and its not sexual, its just a rude curse. the dread wolf curse is used similarly, by mihris, by merrill, by other dalish throughout the series. it's never been explicitly sexual. but when he hears "and so he did" from lavellan's mouth he immediately takes it as sexual? WHAT? and its not necessarily a confirmation that they did have sex.

i know people get confused about this line but it does work with any player headcanon about the nature of the relationship. it can be interpreted as two ways. "i would not lie with you under false pretenses" can mean either "i did not lie with you because the pretenses under which it happened would have been false" or, "i did lie with you, but the pretenses under which i did so were not false, because i love you". it's less about the "did not lie with you" part and more about the "pretenses" part that allows for the ambiguity. are the pretenses he's referring to the lie about his identity? "i refused to lie with you without you knowing the truth about who i am"? or are the pretenses about whether or not he loved her, that "what they had was real" and that they lay together because he loved her, not because he was acting as the dread wolf to trick and manipulate her. lavellan could have meant "and so he did" both ways too. it could have been a "and so he did take me (sexually)" or "and so he did (trick me, betray me, lie to me, catch my scent like the curse implies), but honestly the sexual one doesn't make a lot of sense? the fen'harel myths are not explicitly sexual so there is no reason for her to interpret the curse she would have used and heard all her life in such a way. its really more him taking it in a way it is not intended, and thus revealing a sort of insecurity or at least a sticking point in his mind regarding their relationship, which is fascinating.

whether or not they were intimate is entirely up to the player because of the brilliance of the line, but what's canon in this conversation is his own anxiety about the ethics of sexual consent in their relationship coming to a head in this climactic moment of catharsis. he is so defensive. "I DID NOT." its the culmination and final acknowledgement of the push and pull, indulgence vs. restraint present in every scene of them together. he dives in, he pulls back. he can't help himself, but he can't give in. it would be kinder in the long run, but losing you would-. he's telling her how aware he was of the wrongness of what he did to her while simultaneously trying to defend himself. it shows how much this issue was truly on his mind the entire time, how much the guilt weighed on him to have him acting like this. id also probably argue this could factor into his spirit vs. physical struggles. he is bad at controlling himself physically in this context, even if he knows its wrong. he is off-kilter in this one area of physical intimacy, he is not as in control and composed as he should be. he knows it. he hates himself for it, so much so that he connects this situation to the curse that has been uttered about him for thousands of years with a sad, brittle little laugh. anyway if we get more lines like this in veilguard im so cooked

[tiktaalic]

s1 dean: it's not gay to suck a dick or three or ten you're just making sure you're not gay

s2 dean: getting notes from my team that sometimes it is gay to suck a dick . i would like to formally announce that i never did that. and i never would.and also i'm masc. i'm masc. i'm literally masc.

s3 dean: too busy with dying to think about being gay i'm pretty sure.

s4 dean: really enjoying that cas is unaware of social norms so that dean can oscillate between preening when he teaches him how to be a man (+1 masculinity for being more of a man than cas +1 masculinity for being so much of a man that you can teach others how to do it) and. taking advantage of the no social norms thing to rationalize his OWN behavior with cas because he knows cas isn't going to call him on it not being normal which MAKES it normal because there is no one to refute that.

s5 dean: much of the same but there are now emotional stakes in play because they Are friends he is now Emotionally attached in a real way to this man he was engaging in one way gay chicken with.

s6 dean: mfw my brother tells me to be normal so i marry a woman. ratchets him all the way back to i have never liked a man and i never will.

s7 dean: very similar emotionally to endverse dean / s14 dean in my mind. kind of in the same place as s6 dean but crucially s6 dean was sad and wet and s7 dean is walled off and apathetic. attraction to men does not factor into his worldview.

s8 dean: he literally was in a foxhole with benny and got a spraytan and had a gay thing. this man begrudgingly puts one (1) rainbow ornament on his christmas tree after sending out christmas cards of him embracing another man while their gay ass dog sits at their feet. the sticking point HERE is "cas doesn't feel stuff like that".

s9 dean: We Cannot Get Into All That but. they literallyyyyyyyyy had to make cas sleep with a woman and get banished forever to sidestep The Implications. which are. dean winchester would fuck the gay angel given the FIRST opportunity. i'd probably fuck cas but my brother is dying so idrc about that rn. etc. this is a man who is conscious of his attraction to 1) men and 2) cas and WOULD act on it given the chance.

s10 dean: this is where it gets love triangle-y with crowley and cas. this is because dean DID fuck crowley and WANTS to fuck cas. textually. this is where he stands. moc dean has sex with men and doesnt care because hes normal. POST moc dean is like. the same sex attraction was a metaphor to show that i was evil and corrupted by the mark.

s11 dean: i'll be honest. i remember fuck all about season 11.

s12 dean: his mom is around which means he will not be out. this is also. iirc? where dabb gets his grubby little showrunning hands on things. which of course. means dabbification. which of COURSE. means destiel eating plain toast and raising a baby domestically. which. of course. translates to dean using cas as a girlfriend stand in. which. imo. is reflected in dean's mindset. like s12 dean is aware that cas is the most important person in his life, and he is not interested in deviating from that formula with a woman at all.

s13 dean: gay man realizing the love of his life is dead and he never said or did anything -> gay man whose love of his life comes back so he doesnt have to grapple with the consequences of never saying anything and they can jump back into pseudo relationship.

s14 dean: this is a gay man coparenting with a gay man and telling his father that he has a family. has accepted his fate as a life long ambiguous bachelor who lives with a man and sometimes sleeps in his bed nonsexually. very much dead inside staring down the barrel of throwing himself on a grenade does not have Time to push the boundaries of his relationship.

s15 dean: too many twists and turns to get into in the stinger of a post.

[sanguineterrain]

I am FERAL over your knight Jason thought. FERAL!!! Okay check this out: so Jason's ignoring reader because he feels guilty right? Maybe he tried to give them back but the king wouldn't allow it. But maybe the reader misunderstands and thinks they're not doing their "duties" so they make dinner and breakfast and wash his clothes and basically act like a perfect spouse. How would Jason react? 👀

Dear god... I feel another series coming on...

Idkidk, their dynamic is just really interesting to me! it's probably gonna be a bit of a slow burn here. Feel free to send more thoughts about them. I am rotating these two like a rotisserie chicken in my brain.

knight!jason todd x gn!reader. ambiguous time period but just assume it's olden times *gestures vaguely*. tw arranged marriage/forced relationship but it's complicated! jason is full of angst and self-loathing but he's a sweetie as per usual. original post for context.

****

The soldier—Jason—has said four words since you've arrived.

The first was "here," which he said whilst handing you a mug of milk. He didn't look at you as he said it, and that morning, he left for a five-day long station. You only know that because he said, after handing you the milk, "I've been stationed."

You realized it was five days when you heard his horse galloping towards the house... five days later.

You haven't initiated conversation because though you're a commoner, and no one ever had much hope for you to become anything but an old spinster, you know not to challenge knights.

But this is fucking ridiculous.

"Do you like veal?" you ask on your fourteenth day here.

Jason is about to leave, his boots half laced. He freezes at your question and looks up.

You stand tall, chin up. This is a normal question. A question a wife would ask her husband, except you're not a wife, and you're pretty sure this soldier isn't a husband either.

"I like veal," he says carefully, slowly. "Would you like me to fetch some from the market?"

Now, this is where it gets tricky. When the king summoned you, he made it clear that you were expected to care for Jason under his rules. You don't know how to navigate this world. You know what couples in your village do, but you don't know what's expected of you here.

"Actually, I..." Jason looks at you. His eyes are very green. He has a surprisingly sweet face under his helmet. "Actually, I was wondering if I could go. On my own."

"Oh."

You brace yourself for arguing or yelling. True, he hasn't raised his voice once, but he also hasn't said much at all. It's like living with a ghost.

"Yes, of course. Of course you can go." He fishes out a pouch of coins and gives them to you. You take it slowly, waiting for him to realize his mistake. He doesn't.

"Thank you," you say.

He nods and watches you walk.

"Wait."

You stop. Here it comes.

"There's a cargo ship in port today. The guards rotate at noon."

He leaves before you can form a thought. You hold the coins, watching blankly as the door shuts behind him. His horse whinnies, and then he's gone.

The market isn't far from the cottage. It's fantastic to be outside again. No one's noticed your absence, clearly, but that's alright. You've never expected more.

You buy a good cut of veal and potatoes and carrots and apples. Jason gave you more money than any cut of meat would cost, so surely he assumed you would buy other food. Why else would he give you so much?

A ship's horn drones in the distance. You're feeling some oranges when you remember his words. A cargo ship.

The sun is almost at its highest point.

"Oi! Either buy 'em or stop feelin' 'em!" the seller snaps.

You roll your eyes and move on from the orange stand. You can see the horizon of where the sky meets the sea from here. Any moment, the guards will change, and the ship will be...

You stop. Was Jason hinting at your escape?

No, he couldn't have been! That's preposterous. Why would he want you gone? The king took you for a reason.

And where would you go anyway? Once you leave, you'd be a criminal forever. You couldn't make a home on your own. And who knows what could happen in between? Pirates, enemy soldiers, anybody could snatch you up.

This must've been a test. A test to see if you would run. That's why he agreed to you going so easily.

No, your escape can't be planned now. Not when you're so obviously uncomfortable, and Jason knows it.

You ignore the ship and go home with your purchases. You spend the rest of the afternoon preparing veal stew. You warm leftover bread over the fire and set a pot of butter on the table.

Jason comes in louder than he has before, humming quietly. You perk up at the sound, happy for the lack of silence.

You set a bowl of stew at his chair and wait by the fire. As soon as he enters the kitchen, the humming stops.

"Welcome home," you say, wringing your hands. "I made supper."

Jason glances at the table, then back at you.

"You came back," he says.

"Why wouldn't I?" you ask, face neutral as you cut the bread into chunks.

"That—did the ship come?"

"Yes."

Jason sits. His face is dirty from training.

"I bought more than veal," you say, and hand him the pouch. "I hope that's alright. We—there were no more potatoes."

He takes the pouch, rubbing the string tied around the top. "You went to the marketplace... and came back."

It's not a question, but it sounds like there might be one behind it.

"Certainly," you say. "I'm loyal to you, Jason. I serve you."

He looks up, blinking rapidly. Then he looks back at his stew.

Oh, right. He's waiting for you to ask permission to sit.

"May I join you?" you ask.

Jason flinches. "You don't... you don't have to ask. I would never stop you from eating."

The words hang in the air. It's like neither one of you can speak right.

You watch him, and he watches you as you serve yourself and sit on the opposite side of the table. Jason takes the first bite, and you eat right after.

"Is the supper satisfactory? Have I done well?" you ask.

Jason stops chewing and sets his spoon down. You're struck by his shift in demeanor. You worry for a moment you've screwed up something as dim-wittingly simple as stew.

His eyes are sad as they fall on you. It's akin to grief, the pain he wears, but you don't know why he's grieving. You silently offer him more bread, pushing it toward him. He takes it.

"Yes," he says quietly and eats another spoonful. "You did. Thank you for supper."

Jason cleans his bowl three times. You have no stew leftover, which pleases you.

But as soon as Jason finishes eating, he gets up, rinses his bowl, and wordlessly leaves.

You don't see him for the rest of the night.

Somehow, you feel lonelier than when you weren't speaking.

[witchthewriter]

𝐃𝐚𝐧𝐲'𝐬 𝐃𝐫𝐚𝐠𝐨𝐧𝐬 𝐛𝐞𝐢𝐧𝐠 𝐢𝐧 𝐥𝐨𝐯𝐞 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮 𝐰𝐨𝐮𝐥𝐝 𝐢𝐧𝐜𝐥𝐮𝐝𝐞

⤷ female, ambiguous race, and any size reader. Requests are open, thank you for reading!

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

𝑺𝑭𝑾🌿

・There was no fear in you when you were around Drogon, Rhaegal and Viserion.

・The first dragons in hundreds of years and you saw them as puppies. Okay well, truly you saw them as beings to be respected and revered

・But you treat animals with that same respect anyway - usually preferring them over human company...

・You understood that each dragon had a different personality. It defined how you treated them

・Drogon was the most independent; he hated being coddled too much. He just likes to play and explore

・Rhaegal always wanted to keep up with Drogon, but he wasn't fast enough. And he liked being close to Dany.

・Viserion though - he adored being held; soft touches and gentle pets were his favourite. It took a long time for him to realise he was too big to sit in your lap :(

・Dany loved that someone else saw her children the way she did. With dignity and astonishment

・Other people were incredibly shocked to find you laying in the grass with three dragons. All lazily flopped on top of you somehow. Either with their head, wing or foot

・You actually know secrets about the dragons - how Drogon has ticklish feet. Rhaegal likes to be called 'a good strong dragon,' and Viserion sometimes whines for his mother.

・Your relationship with Dany definitely helps as well. You adore her, and she you. You do love her ... as more than friends, more than her being your ruler...

・But you could never admit that

・Too bad though, she herself is deeply in love with you. And it shows - you're allowed alone with her children. Allowed to look after them when she isn't there to

・Like ... another mother to them

・And gods forbid if anything happened to you - the dragons would kill anyone who comes into mere feet of you.

・There's always one of them nearby.

[cherubfae]

𝔠𝔯𝔲𝔰𝔥𝔦𝔫𝔤 𝔬𝔫 𝔟𝔢𝔞𝔰𝔱-𝔩𝔦𝔨𝔢 𝔯𝔢𝔞𝔡𝔢𝔯 || {𝔡𝔲𝔫𝔪𝔢𝔰𝔥𝔦}

ft. laios, marcille, chilchuck, namari, mickbell, & kabru

tags: sfw, bit of blood/gore, alcohol consumption, gender neutral/ implied afab reader (use of they/them), reader wraps their chest!, reader is implied to be a canine-like beast but left ambiguous (wolf, fox, coyote, etc) lovedrunk and flustered babies, pre-established relationship, reader can be interpreted as a beast-man, magically altered being, were-beast, etc!!, they can turn into an actual beast

a/n: I flustered myself writing this lmao, clearly i do not have favorites whaaaa-- haha! it's good to be back. I hope all of you are well and you enjoy this fic!! kabru's got unintentionally longggg <3 -- noah

Laios

Holy crow!! You are so, so, amazing!! This man will watch in awe as you easily strike down your enemy with a single downstroke of your blade. It glides through the monster like butter, a gust of wind from the blow kicking up dirt and debris.

You scoff, nose twitching in disgust as you shake off the bits of blood and gore that cling to the sharp steel. Your eyes drift upwards, ears perking up at Laios's interest. Eyebrow lifting into your hairline in question.

"O-oh, ah, good job!" Laios sputters, a rosy hue coating his cheeks. Lips tilting into a slight smirk you nod in response. You give him a thumbs up, winking your eye playfully at the blonde.

"Happy to help! By the way, why're you all red?"

Laios gulped, "Ju-just kind of warm in here, y'know? M'okay." He tugs at the collar beneath his chest armor for effect, his golden gaze looking anywhere but down at you and your pretty smile. He absolutely doesn't want to fixate how the points of your fangs jut out ever so slightly from beneath your upper lip, and how much he would very much like to touch them.

Marcille

She's no better than a man, she's no better than a man, she's no better than a man--

Marcille, despite the shame that digs deep into her gut, cannot tear her eyes away from you as you wash away the soot and ash covering your arms. Your shirt had been torn by the blast of one her explosive spells, leaving your arms and a bit of your bare torso exposed.

Tracing the path your veins map out, Marcille swallows thickly. Your arms were defined with muscle, not too bulky. You had clearly worked hard to get where you are. A much more experienced and capable dungeon explorer.

"You alright, Marcy?" Your voice floats to her ears, making them twitch. Suddenly bursting into a panic, Marcille blubbers out a screech.

Floundering, she squeaks, "Ah! Yes!! I'm so sorry-- your shirt!! I can fix it!" She grasps her staff, crowding herself in front of you. You wave her off gently, patting her shoulder.

You grin, fangs poking out. "Nah, s'alright. Got another one in my pack." You turn your back to her, peeling off the remains of your shirt, adjusting the wraps around your chest and back before kneeling down to rummage in your rucksack for a new tunic. Marcille damn near passes out.

Chilchuck

Normally he hates being shoved out of the way and pushed around like he's some kid, but with the absolute onslaught you bring during fighting, he's glad to have you looking out for him!

You are so many things: strong, swift, quick on your feet, and can be incredibly brutal when you need to be. You aren't just a threat to an enemy you face, you are a promise. You see to it that any foe will not harm your party.

Chilchuck himself isn't immune to the way you seem to get a bit more feral when he is threatened."He-ey!! What are you--!" He can't stop the way his heart leaps into his throat. His surprised gasp cut short when you scoop him up into your arms, dodging a long bow arrow barreling towards him.

With ears ringing at the deep, low snarl rumbling in the back of your throat, Chil blinks owlishly. He follows your gaze to see living armor being taken down by Izutsumi. Sighing in relief, the halfling relaxes in your embrace. He is incredibly lucky to have you looking out for him! Glancing up at you, his face explodes into a red glow upon seeing your tender gaze already transfixed on him.

Yeah, you might end up being the death of him.

Namari

A person after her own heart!! She revels in the rush of adrenaline that courses through her veins when she takes down an enemy, but you're even a step further than her!

Not only are you strong but you are an amazing asset to the team! You're incredibly versatile with weapons: axes, swords, lances, daggers, bows-- you name it! But what's really killer about you are your claws and teeth! How you can turn into an actual beast when angered enough, determined to fight for those you love. Namari has never met someone quite as unique as yourself. She just wished you weren't in Laios's party, but in hers.

You are immaculate, Namari thinks. She can't help but stare at you from across the bar, watching with an immense yearning as you laugh heartily with Laios and Marcille throwing your pints of ale up in a toast.

"Why don't you go talk to them? O-oh shit, here they come!" Chilchuck slurs from behind his own pint, cheeks flushed pink from the alcohol. Namari sighs, too buried in her own thoughts to register her friend's words. Setting down her cup fingers sliding along the lip of the glass. She clumsily reaches over for the pitcher, gasping as it nearly tumbles off the edge of the table. You catch it with ease, smiling with that same kind smile she loved.

Pulling up a stool, you settle down besides the two on the opposite end. Smiling, you refill your friend's drinks before filling up your own tumbler once more. Chilchuck downs his drink in one go, hiccupping softly. Folding his arms in front of him, he rests his head atop them for a quick snooze.

Snickering, your gaze turns to Namari, who suddenly feels like she's sobering up at a rapid pace. You're absolutely beautiful in the orange glow and warmth of the tavern. Drowning out the sound of the drunkards, she can barely focus on the words you're saying, her eyes going cross-eyed as she tries to read your lips.

"Let's get you home, Namari. I think you need some sleep." You gently muse, standing from your stool. Waving over your shoulder at Laios, you help Namari up, leaning her against your body. Marcille lifts Chilchuck up onto her back like a rucksack, despite his protests he ultimately relented. (They totally bickered like a teen daughter and her middle-aged father about wanting to stay five more minutes)

The night air was cool against your flushed skin. Namari shudders, tucking her chin and nose beneath the wool collar of her shirt, pressing herself closer to you and your warmth. Her hand slides carefully into yours, wobbly smiling when you lightly squeeze her hand. Even in her drunken stupor, she can't fight the awe of how easily you sway her stubborn heart.

Mickbell

If Kuro isn't the first to rush to Mickbell's aid, it's you instead. The more you help rescue him, the more he will start to rely on you, so don't you slack off!!

Mick gets an absolute kick out of watching you blast any sort of enemy away with your strength and he'd never admit out loud how much he enjoys the view, especially if you're defending him.<3 it makes him feel all giddy when you swoop in and save him.

Today was no different than before. A morgue of ghosts swarm the immediate area, dropping the temperature down a few levels. Accompanying the specters, is a lone basilisk. It's dual heads watching Mickbell like a lion on a hunt. Warm puffs of breath cling to the air as Kabru readies his sword, Holm making his way to the opposite end of the basilisk, a jar of holy water in his hands.

The basilisk lets out an ungodly shriek and surges forward. Knocking Mickbell back, you press your body over his, effectively becoming a shield over him. You're snarling, teeth exposed with intent to bite. Mick curls his hands against your tunic, eyes squeezing tight and prepares for impact.

"Now Holm!" Kabru slices downwards as Holm slices upwards, decapitating both heads. Mumuring a silent spell, Holm swirls the jar of holy water around like a lasso, shooing away the ghosts.

Gently prying Mick's hands from your shirt, you place a warm palm to his chilled cheek. His downcast green eyes open immediately, and he throws himself into your embrace, winding his arms around your neck. "Gaaah!! That was so scary!!" Over your shoulder, you miss how Mickbell gives Kuro a cheeky grin and a thumbs up.

Kabru

He has met all sorts of travelers and merchants and dungeon experts. While Laios is one that perplexes him, Kabru's curiosity in you reaches a certain level of fondness he isn't quite equipped to deal with. He knows he will be able to rely on you in the heat of battle at any given time. Your strength is plentiful, but even you have your limits.

"Does it still hurt?" Kabru softly asked. He sits beside you on the stone floor, shuddering at the slight chill that seeps in through his clothing. You lift your gaze to him, blinking slow. Kabru notes how your pupils dilate ever so slightly when you face him, something he feels hopeful for. You return your attention to the wound on your leg neatly wrapped in bandages-- a direwolf bite.

Giving a noncommittal shrug, you finish your handiwork, setting the bloodied old bandages ablaze. "I've had worse. If the wolf had broken my bones, that'd be another story. I don't want Rinsha wasting her mana on me. I can keep up just fine, I won't slow us down."

Kabru takes your chin between his thumb and forefinger softly, forcing you to look at him. "I didn't ask if you could keep up, I asked if it still hurt. You got hurt because you saved me from that direwolf, I've failed you." There's a tenderness in his azure stare.

"It hurts a bit," you whisper, unable to glance away. "You never fail me, Kabru." You smile. Kabru looses a small breath.

"I won't let that happen again. You have my word." For a moment, the world stills and the two of you find yourself leaning in. You can feel his warm breath on your lips, hyperaware of his large palm sliding down your arm to rest on your waist. Your hands slid to the front of his tunic, curling your knuckles into the fabric. He gasps softly when you tug him to you, lips almost touching when--

"HEY KABRU!" The shrill voice of Mickbell jerks the two of you apart. You gasp sharply as your leg knocks into the adjacent stone wall. Kabru is instantly at your side fretting over you.

Mickbell stares you two down from the doorway at opposite end of the room, mouth drawn into a confused expression. "Uhh, hey. Just wanted to know what's for dinner. You two good? Why do you look so red?" He shrugs his shoulders half a second later, deciding he really didn't care to know the answer. Wiggling himself between the two of you, Mickbell sighs and folds his arms back behind his head with closed eyes; completely oblivious to the shared flustered looks you and Kabru are sending one another.

|| ᴘʟᴇᴀꜱᴇ ᴅᴏɴ'ᴛ ʀᴇᴘᴏꜱᴛ, ʀᴇᴜꜱᴇ, ᴏʀ ᴇᴅɪᴛ ᴍʏ ᴡᴏʀᴋꜱ ɪɴ ᴀɴʏ ᴡᴀʏ! ɪ ᴅᴏ ɴᴏᴛ ɢɪᴠᴇ ᴘᴇʀᴍɪꜱꜱɪᴏɴ. ᴛᴜᴍʙʟʀ ɪꜱ ᴛʜᴇ ᴏɴʟʏ ꜱɪᴛᴇ ᴡʜᴇʀᴇ ɪ ᴘᴏꜱᴛ. ᴀʟʟ ᴄʜᴀʀᴀᴄᴛᴇʀꜱ ʙᴇʟᴏɴɢ ᴛᴏ ᴛʜᴇɪʀ ʀɪɢʜᴛꜰᴜʟ ᴏᴡɴᴇʀ ᴀɴᴅ ᴛʜᴇ ꜱᴛᴏʀʏ ʙᴇʟᴏɴɢꜱ ᴛᴏ ᴍᴇ © ᴄʜᴇʀᴜʙꜰᴀᴇ 2024 ||

[umbrellajamming]

I feel like whether Tim is on some level suicidal in RR #12 is very open to interpretation, which is part of what makes it fascinating!

because Tim's homecoming to Gotham is the culmination of an upward/self-actualization arc, after struggling through multiple low points/depression/an extended breakdown.

he finally got proof Bruce is alive. managed to claw Tam and himself out of the Cradle and away from the Council of Spiders/LoA by the skin of their teeth. thumbed his nose at Ra's and reaffirmed his own principles by blowing up all the LoA servers. finally kind of processed that Kon and Bart are both alive again - he just tackle-hugged Kon in RR #9 and told him, "when you found me in Paris, I was in a bad place. Now... Now I'm in a good place." he's full of renewed purpose and the realization that he doesn't, in fact, have to do things alone! (team-up Robin ftw!)

so probably not actively suicidal

but then in all of his frantic calculations to thwart Ra's and save each and every person Bruce loved - he doesn't factor himself in. he doesn't put himself on that list of loved ones and set up a contingency for preserving his own life (wtf Tim).

or does he??? that's where the ambiguity comes in for me, because we don't actually see him discussing the full details of his plan with anyone. and he doesn't mention it in his internal narration, either! because his internal narration is always super reliable..... hmmm.....

we know that Dick isn't aware of any other contingencies, or indeed the full details of the plot they were thwarting - after catching Tim, Dick has to ask him, "You want to tell me what that was all about?" and of course "How did you know I'd be there to save you?"

and as I've mentioned before, I don't think Tim had actually planned for Dick to save him, so his "You're my brother, Dick. You'll always be there for me," response is uh, both loving BS and a "genuinely felt expression of retroactive faith", as Silver put it (and which has been stuck in my mind in glowing cursive letters ever since, lol).

but. we do know that as part of his plan to thwart Ra's ninja-assassinate-Bruce's-loved-ones plot, Tim calls all three of his best friends into Gotham. (among all his other rallied allies.) his best friends who are various combinations of flight and/or superspeed capable. and who had each just smugly patched in via comm to confirm that their protection jobs were all successful, meaning Tim knew they were available if he potentially needed them.

the fact that the rest of the Core Four then twiddle their thumbs and let Tim keep fighting Ra's on his own after confirming Alfred/Selina/Barbara are safe, instead of zipping over to have his back (ie punch the jackass through a wall) almost has to be because of: (a) Tim's plan to deliberately stall so Lucius could file the WE paperwork (on the Watsonian level), (b) Yost allowing Tim to have his Final Showdown with the villain of the arc on his own, and also (c) Yost setting up the emotional climax/reconciliation of Dick catching Tim (both on the Doylist level).

like, Tim stalls Ra's for long enough that Dick is able to glide and grapple his way over from his own ninja-busting detail, we don't think the speedster or the Superboy could have gotten there in time?

Dick is the one who caught Tim because it was thematic, it's a motif in their relationship and the resolution of their 12-issue arc, and don't get me wrong I wouldn't change that moment for anything - but! he wasn't the only one around who could have done so.

and Iiiiii have to suspect Tim would know that? there's ambiguity and room for interpretation, of course, especially since Tim doesn't say anything at all or call out to anyone as he's actually falling.

but also. Kryptonian superhearing? Tim's comm which could very well still be connected? could he have been relying on allies listening/clue-ing in, whether or not he actually explicitly sketched out a back-up plan with anyone to come back him up, after Lucius was done transferring WE? all according to (dumbass improvised) keikaku??

idk! seems plausible to me, but it's all so open to interpretation, it makes my brain go BRRRRRR 😊 like you can make a compelling case/headcanon/fic any way you look at it!

anyway. Dick catching Tim is very much The Moment Ever Of All Time <3 but also the thought of Kon just hovering at the ready to grab Rob but spotting Dick!Bats swooping in and being like ":))) oh ok. they both need this." is v. hilarious to me