#their relationship isn't ambiguous at all

[the-sinful-voice-witch]

Ok there seems to be some people still unconvinced with having a reverse crush with Sonic and Amy so Im going to give my input about it, in my opinion it's even logical at this point:

The Sonic from the videogames and the Sonic from the live action movies are obviously different, Videogame Sonic is often portrayed as someone very confident, someone who is already a hero, too cool for school, someone so free that even though he has a lot of friends he seems to like and treasure his time alone, also it's been confirmed that SEGA doesn't like Sonic having strong emotions, also he has already knowledge of his homeworld and was never surprised to see other people of his kind and the first portrayals of Amy were too pushy, stalky and obsessed with him, he was annoyed by her and it was doom to be a one sided crush until the recent changes in her behavior that as simple as she is still openly in love with him but she isn't forcing it on him and as a result he is more comfortable with her and he doesn't reject her as much as before or at all so we don't have a relationship confirmed but we got a ambiguous relationship like: "yes there is something cooking but you only get to smell the food, you'll never eat it"

Then we have the Sonic of the movies, this Sonic barely knows nothing about his homeworld aside the parts his caretaker who was an owl and not his biological mom allowed him to be and is also aware of the echidnas because he was attacked by them before coming to earth. Then on earth he was heartbreakingly lonely for years and that made him be socially awkward and clumsy even though he is an extrovert even pretending he was familiar with Tom and Maddie before he actually became their "son" , this Sonic had to learn to fight on the way through the movies while dangerous things just suddenly kept happening to him, he wasn't a match for knuckles at the beginning because knuckles was already an expert fighter and Sonic wasn't, he wasn't immediately accepting with Tails because he was not confident enough to trust someone he just met even though Tails was helping him and he almost killed Shadow on a fit of vengeful rage, this is not how videogame Sonic behaves, he isn't this much awkward and emotional teenager, movie Sonic is more energetic than Sonic Boom's Sonic and just as chatty as Sonic prime's Sonic and almost nothing like SonicX's Sonic (I don't know the other series he has), also Shadow is literally the first other Hedgehog he ever saw in his life. Also movie Amy is already a badass fighter, that comes from his homeworld, she probably already saw other hedgehogs, also I'm sure she has also the Tarot cards skills she has in the games (and that's why she is there), THIS is the Amy that presents herself to Sonic: a badass female hedgehog that saved him under the moonlight, the second Hedgehog he meets but specifically the FIRST FEMALE hedgehog he ever sees! So given the clumsy wannabe cool dork teenager personality he has, being the first time he sees a female of his species, saving him with such a badass move, an encounter alone in the night... Do you really think is realistic to expect him to be cool and collected about it? This is a huge deal 😂😂, there's no way logically speaking this Sonic isn't going to be nervous and awkward, is impossible to think he is not going to be into Amy 🤣🤣 after that.

But I don't think this is a "reverse crush" I totally think that obviously Amy is going to have a crush on him too, just not as outrageously obvious and obsessive, I think is going to be: "he acts clumsy, she thinks he is cute" and then she'll fall harder once she sees his heroic side, something like: "he fell first, she fell harder" what do you think?

Also, I just noticed that Shadow is kinda in the same situation as Sonic... I mean this time he isn't a creation but a finding inside a meteorite... He has never seen a girl hedgehog either right? Anyway giving his personality I doubt he would be a clumsy dork with her like Sonic would be... I mean it's Shadow 🤷�� but maybe she is a bit into him and Sonic gets jealous... Who knows 😏 a bit of Shadamy doesn't hurt.

But again, don't expect anything canon canon, it's probably going to be as I said before: "something is cooking but we only get to smell the food and never eat it"

[27spoons]

Dizzy on the Comedown | Natalie Scatorccio

summary: Denial is a river in Egypt.

pairing: natalie scatorccio x fem!reader

based on: pretty girls - reneé rapp

warnings: smut (afab!reader), internalized homophobia (nat), period typical homophobia (if you squint), ambiguously queer!reader, angst in my pants, I know nothing about soccer

a/n: technically you can read this part without reading part one but you should read part one anyway <3

wc: 5540

part one / ao3

The chair next to you is empty. 

Again.

It's been empty all week, and despite your best efforts at convincing yourself that it's fine, you can't stop the void from weighing on your conscience. Sure, missing one day was fine. Normal, even. It isn't Natalie if she doesn't miss at least one class a week. 

But there's something about how she's been dodging your calls, the fact that this is the second day in a row she's conveniently missed the one class you two share, and the nagging pit in your stomach that says this absence feels different. 

You try to focus on the lecture—something about the economic structures of ancient civilizations—but the professor’s voice fades into the background.

You knew this would happen. You knew it would end up hurting one or both of you. For once, you're grateful your seat is in the back of the lecture hall because it lets you close your eyes and press your head into your palms in frustration.

The remainder of the lecture is spent in thought, wondering how the hell you're supposed to repair a relationship when the other person doesn't even talk to you.

Ugh.

By the time the lecture ends, your head is far too busy, wondering why the hell she's avoiding you instead of just talking about whatever—

Nope. Actually, that's perfectly in character, now that you think about it. Why talk about things when you could just wall yourself off and refuse to converse over what you deem problematic?

With a roll of your eyes, you stand up from your seat and throw on your backpack, making record time back to your dorm. 

Your first order of business? The soccer schedule Nat gave you at the start of the season.

She has a game tonight. 

Perfect.

If she won't talk like adults, you'll ambush her after her soccer game ends. Either way, you two will talk about this, whether she likes it or not.

You glance down at your watch as you arrive at the soccer field.

4:50, the analog clock flashes back at you—ten minutes to match start.

Truthfully, you've never been that big of a soccer fan. Despite attending most of Nat's soccer games since high school, you don't understand the game. You just know she kicks a ball around a field over the course of an hour and a half. Should you have learned a thing or two by now? Probably. Oh, well. That's a thought for another night. You don't need to understand the game's dynamics to understand that more goals equals win, and winning is good.

Rather than sitting in your usual spot, right behind Nat's bench, you sit in the middle of the bleachers, right in a mess of people, out of view unless you're actively searching the stands for someone. 

When the teams come out onto the field, your eyes find Nat immediately jogging out behind some girl with black hair and tan skin. Instinctively, you shrink further into the crowd as if she would even end up looking your way—because why would she? You know the areas that her friends usually sit in—and you're far from any of them. Regardless, you tug your hood up all the same and hunch over slightly in your seat. 

Right after halftime passes, you make the mistake of stretching your arms above your head in an attempt to relieve the tension that's started building in your back since you began hunching your back. And, of course, that just so happens to be the exact point of time Natalie looks up into the stands as she sets her water bottle down.

Good going. Your one goal was to be stealthy.

You tense slightly, and you honestly don't know what you were expecting, but it wasn't her just… glancing away and heading back out to the field. Or… maybe you should have expected it. She has a game to win, after all. What was she supposed to do? Ditch the game and start talking to you?

Either way, you notice she doesn't play nearly as well as she did in the first half. A part of you wonders if you're partially at fault for that.

By the time the game ends, the team manages to come out on top, one to nothing. You're not that big of an asshole that you'd interrupt a post-game celebration, but the second you see the team part and head to the changing rooms, you try and make a beeline for the familiar mop of bleach blonde hair mingling in the mess of soccer players. Yet, she's gone before you can grab her shoulder and talk.

Goddammit.

You suppose she doesn't play soccer because she's slow. 

But you'll be damned if she manages to slip past you again tonight.

You spend a good thirty minutes pacing outside one of the entrances to the locker rooms, already knowing that you could have very well missed her by now if she slipped out the opposite exit, but that's a chance you're willing to take.

She usually takes a shower after a game, anyway. It's not odd for her to spend a little longer in the showers, but thirty minutes is a little excessive. 

Still, in all your wisdom, you decide you'll wait an hour at the most. Not like you have anything better to do tonight, anyway.

By the forty-five-minute mark, you start debating your sanity.

By the fifty-minute mark, you start debating leaving—

The door opens. "Natalie!" You say immediately, pushing off the wall and walking in quick strides towards her, "Nat! Hold on!"

The girl scoffs and keeps walking away, shaking her head in annoyance. "Oh my God. I knew you were gonna try something when I saw you in the stands today."

"You've been avoiding me!" You yell back, "What the fuck was I supposed to do? You haven't been showing up to class, you've been avoiding my calls… I mean, what the fuck was I supposed to do?"

"I don't know!" She calls back, not bothering to stop and look at you, "I think that maybe you should have waited until I came to you!"

"We both know you wouldn't have, Natalie! You would—" You quicken your stride again, "Fuck! Would you slow down for two seconds?! Or at least look at me when I'm talking to you?"

"If you can't say what you need to say while I'm walking, then it probably isn't even worth saying!" She responds with a humourless chuckle, "Not like I'm running away! Just walking!"

You huff at that, forcing out air through your nose. "Natalie." She keeps walking, "Natalie!" You finally snap, reaching out to grab at her wrist, "Stop fucking walking for a minute!" A beat, "Please." The last comment comes out slightly more desperate than you intend it to, but you don't know what you'll do if she doesn't talk about this with you, "Please, Nat." You breathe out, fully leaning into the desperation at this point, "Fuck, I… I can't lose you over something like this."

That makes her pause despite her initial struggle when you grabbed her wrist. She still doesn't face you, but she does stop walking. 

"You…" You can see the way her face contorts in an expression similar to pain, "You aren't gonna lose me over this."

"Then just…" A shaky sigh, "God, Nat. Just talk to me. Please. Stop… running—literally—just… just talk to me." You release her wrist after a moment longer, drawing your hand back to your side. 

"I can't." She whispers, "God… I just… I can't, okay?"

"Why not, Natalie?!" You can't help how your voice breaks on her name, "Why not?? We used to tell each other everything! When did that change?"

"It hasn't, okay?!" Nat snaps, turning around to look at you. "It hasn't changed! I'm just not ready to talk about this right now! Why can't you accept that?!"

"Because I know you! And I know that you'll just keep fucking avoiding this until it kills us!"

"Oh, wow." She scoffs, immediately throwing up those barriers you've become so accustomed to. "Y'sure think real highly of yourself, huh? That us not talking would kill me? Wow."

"You know that's not what I meant!" You hiss out as you take a step forward, "You know damn well I meant "killing our relationship," not… literally killing us!" You throw your hands up in equal parts frustration and confusion as to why she's acting like this, "Natalie, you have to know I'm not about to force you into a role or something—"

She slaps a hand over your mouth, "Would you lower your voice?!" She hisses at you, glancing around the area to see if anyone overheard, "Fuck! And, no, you aren't forcing me into a "role" because I'm straight!"

You yank her hand off of your mouth, "Natalie, you—!" You two enter a whisper-yelling competition, "Natalie. In case you fucking forgot, you were—" You glance around the area briefly, still focusing on watching your voice, "—tongue-fucking-deep in my fucking vagina the other night!"

Nat blushes furiously at the comment, jaw-dropping, and her entire body freezes. 

But, hey, you're already on a roll. "And, as far as I'm fucking concerned, straight chicks don't spend hours fucking her "best friend"—who is a woman—and fucking enjoy it!"

Her jaw remains on the floor as you finish speaking, and you really don't know what to do from here, but you really don't want her to walk off yet, so you do the reasonable thing.

You grab her face and draw her in for a kiss.

The kiss lasts about five seconds, in which she doesn't kiss you back at all, so you release her face and take a step back, swallowing down the lump in your throat. "I—"

Her hand connects with your face with a loud THWACK, causing your head to flick to the side in shock, despite it not being that hard or hurtful.

Your hand moves to the cheek she hit, and it's your turn to drop your jaw. "Did you just… hit me?" You ask in equal parts, shock and reluctant arousal. 

Nat's mouth opens and closes a few times—as if she can't believe what she did either. "I… yes?"

A beat, an exasperated huff, "You don't even know if you hit me??"

"No! I mean… I know I hit you! I just…" She presses a hand to her head, just as confused as you are, apparently. "I didn't expect to hit you!"

"Well… you did??" You blink a few times as you try to recollect yourself, "Why??"

"I don't know?!" She yells back, "I don't know, okay?! I just—!" She groans in frustration, throwing her hands in the air. "Fuck, you piss me off!" And you think that she's about to storm off or hit you again, but she does something very unexpected and very appreciated— 

She grabs your face and kisses you. Properly this time. You hesitate only a moment before you return the kiss, hands immediately wrapping around her waist to draw her closer to your body.

The kiss is short-lived but intense, tongues pressing against each other in a flurry of want, Nat pressing up onto her toes to deepen it further, body pressing flush to yours as her arms wrap themself around your neck in a tight hold.

When the kiss breaks, her face remains close to yours. "Take me back to your dorm." She murmurs against your lips, warm breath fanning over your face. 

You hesitate for a moment, shaking your head minutely. "Nat, we… we need to talk about this—"

"Later." She cuts you off, "Please, later. I promise I'll talk about it with you." A beat, and she looks up at you with wide eyes, "You know I'm good on my word."

And, for all Nat is, she is good on her word. If she says she'll do something, she'll do it.

Another moment of hesitation, a quiet breath leaving your lips, "Y-yeah. Yes. Rachel is always at her boyfriend's place, anyway. We'll have the place to ourselves."

A small grin quirks on Natalie's lips, "Oh, boy. A twin-sized bed in a dorm with walls thinner than paper, all to ourselves. I can't wait."

You scoff and roll your eyes, detaching yourself from her hold, "You're the one that suggested my dorm room, asshole. We could have gone to yours."

She gives an exasperated pout, "But my dormmate is always home. And she snores."

You nudge your head in the general direction of your dorm, "Whatever. C'mon, before I change my mind."

"We both know you won't do that, though." She hums alongside you.

The second you two are in your dorm room, your backpacks are on the floor, and clothes are being quickly discarded.

"For the record," Nat murmurs as she throws her shirt off over her head, "I'm not—"

"Nope!" You cut her off as your hands move to your belt, "Don't wanna hear you say some shit like "I'm not gay" again after the conversation we just had."

The blonde scoffs and rolls her eyes, "I wasn't gonna say that." She falls back onto your bed and wiggles out of her pants, "I was gonna say "I'm not sure how much fun doing this in a twin-size is gonna be" if you would have let me finish."

A grin crosses your face, "Oh, trust me. I fully plan on having you finish multiple times tonight." You shoot her an overexaggerated wink, which earns you a (barely restrained) giggle and eye roll, with her pants being thrown at you. "Hey!" You catch her pants as they hit your chest, "You walked into that one. Only person you can blame is yourself."

"You talk so much, you know that?" She props herself up on her elbows and looks over you, "And you still have far too many clothes on. That needs to change."

"Yeah, I would have been more naked if someone hadn't thrown her pants at me." To tease her a little more, you spend your time folding her pants and delicately placing them on a chair, then do the same with her shirt that was discarded on the floor.

"Dude." Nat groans, "Seriously?" You see her kick her leg out at you through the corner of your eye, and a smirk twitches its way onto your lips as you continue the methodical process of folding clothes. And, much to the dismay of the half-naked girl on your bed, when you start stripping, you give your clothes the same treatment.

"You're fucking with me." She deadpans, eyes narrowed. "You have to be." 

You hum, "I'm just ensuring our clothes don't get wrinkled." 

Nat looks at the unfolded, clean laundry sitting in a heap at the foot of your bed, then back to you. "You have to be fucking with me."

"What can I say? I've decided I should start changing my habits. Starting now."

You get the sense she wants to give you a smart comment but then decides that if she did that, it would likely result in more of your teasing, so she opts for a frustrated huff instead. "Asshole." She grumbles under her breath, crossing her arms petulantly as she collapses back onto the mattress.

You grin as you pad back over to the bed, now in nothing but your underwear, "Yeah. But you knew that before you came back with me." You clamber onto the bed so that you're hovering over her, caging her to the bed. "So, once again, only yourself to blame."

"Yeah, I know." She murmurs, reaching up to wrap her arms loosely around your shoulders, "I seem to be making a lot of interesting choices lately."

"Interesting, but not bad?" You begin to press kisses to the side of her neck, slow and exploratory. 

"Mmm…" She moves her hands, one tangling in your hair, the other coming to rest on your shoulder, "No. Not bad. I make a lot of bad choices, but…" She hesitates, a soft sigh escaping her lips as she bares her neck for you. "No. I don't think this is one of them."

The grin that crosses your face is inevitable, and you pause your actions briefly as you reflect on the comment. "Good." After a long moment, you whisper against her skin, "That's…" You smile wider, pressing your forehead to her shoulder. "Good. That's good. I'm happy you think that."

"You're so cheesy." She pushes your shoulder back slightly so she can see your face, and a smirk appears when she sees your soft, warm smile. "And you're grinning like a dork."

"Can I be happy for thirty seconds? Is that allowed?" You run your hands up and down her sides, which immediately turns into her giggling and trying to get away from you, swatting at your hands. "Oh? Ticklish, Scatorccio?" 

"Asshole!" She laughs, trying to grab your hands. "S-stop! You know I'm ticklish!"

You shake your head, the grin now becoming more unhinged, "Nope! This is what you get for not letting me have a moment! I was trying to be cute!"

"N-no!" She laughs louder, eyes squeezing shut as her attempts remain futile. "I'm sorry! I'm sorry! I t-take it back!"

You laugh at that, enjoying the way she's squirming under you. And… it's nice. It's really nice, actually. Because this feels more like how a situation with your best friend should be, not… whatever happened at that party.

In your slight haze of thought, you pause long enough for Nat to shove you off of her, pinning you down instead. "Yes!" She laughs triumphantly, grabbing your wrists and holding them to the bed as she straddles your waist, "My turn!"

"Not ticklish, Scatorccio!" You laugh, shifting your hips up under her, both trying to get her off of you and trying to grind yourself against her. "But you're welcome to try!"

"Everyone is ticklish!" She lets go of one of your wrists, moving her hand to your waist and beginning her assault, "I'll prove it!" She laughs, warm and happy.

Admittedly, it's a sound you've missed. You've missed hearing her laugh.

But you still aren't ticklish.

You lay there and let her try, to no avail. "You're so fucking boring." Nat murmurs once she realises she won't be getting you to crack, and she collapses back onto the bed beside you. 

You turn to face her, propping yourself up on an elbow, your free hand trailing to rest on her stomach, "No, I'm just not ticklish. Hell, I touch you the wrong way right now, and you're gonna be giggling." You almost prove your point, but Nat glares at you and grabs the hand you have on her stomach, her expression telling you No.

"Mmmmm… but I'm feeling nice right now. So I won't. Because I'm nice." You grin down at her, and she rolls her eyes and releases her hold.

"Good. Because I'll kick your ass, I still have my cleats in my bag, don't make me use them." A quick glance at her soccer bag, and you briefly consider how long it would take Nat to push you off of her and grab her cleats, holding up her end of the promise.

Until she grabs your face with one of her hands, making you face her. "I'm joking." She murmurs, thumb brushing against your cheekbones. "Didn't I say you think too much?" And she pulls you in for a kiss, far more tender than you would have imagined it to be. 

"Also said I talk too much—" You mumble against her lips, which earns you a harsh pinch on your hip, a clear sign to shut up and kiss me, if you've ever seen one. 

So, you do. What can you say? You're a people pleaser at heart. 

Her lips part to make way for your tongue, and the kiss quickly escalates from there.

Natalie’s hands slide from your shoulders to your back, pulling you closer to her as her lips move against yours with increasing urgency. Her nails dig lightly into your shoulder blades, seeking a path downwards to the clasp of your bra. The second she gets it off, her hands shift to your front, squeezing your breasts greedily.

You smirk into her lips as your tongue presses against hers, saliva mixing together as your right hand flattens against the smooth expanse of her stomach, index gently tracing a small scar just below her rib cage.

She tenses slightly when you brush against the scar and immediately grabs your wrist and guides it lower, down to the waistband of her panties. You hesitate somewhat, but when she squeezes your wrist, you take that as encouragement and dip your fingers below the waistband, fingers quickly beginning to circle the area around her clit, but not quite touching it.

Blunt nails dig into your wrist, but she never breaks the kiss, despite the apparent frustration with your teasing in the way she grabs at you. A smirk makes its way onto your face as you detach your lips from her mouth, attaching them to her jaw, then slowly trailing them down her neck, savouring how she tilts her head to give you better access.

The second you bite down on her neck, attempting to suck a mark into the pale skin, you feel her tug your head back, "N-no. No marks." Nat mutters breathlessly, "Please. Just… nowhere visible." 

"Nowhere visible?" You parrot, considering that for a moment, "I can work with that." Continuing to press kisses to her neck, you agree to her terms and don't leave any marks, but you can't find it in yourself to remove your lips from the smooth expanse.

She seems pleased with the fact you're being so agreeable about that and lets out a quiet sigh, "Good. Now stop teasing."

A laugh is pulled from your throat, "Remember what I said last time? Gotta build that tension. Makes the release ten times as good." But, once again, you are a people pleaser. Specifically, a Natalie pleaser, and you let your fingers brush against her clit once, twice, then you start properly playing with the bundle of nerves.

Nat lets out a hum of appreciation as her fingers come to tangle in your hair, encouraging the way you press your face into the side of her neck as your fingers move, attempting to find a suitable rhythm. Once you do, you let out an appreciative groan at the way her hips grind down into your hand, trying to chase whatever you can give her. 

"Fuck," You murmur against the side of her neck, "God, you're so fucking wet." A shiver makes its way down your spine at the wet sounds you're pulling from the region, coupled with the short, sharp breaths Nat is taking. 

The breathless moan that parts from Nat's lips has you closing your eyes and focusing on your movements, brows furrowing in concentration. Your fingers leave her clit, sliding down through her wetness, then you're sliding two fingers into the warm opening, "Oh, God." You breathe out as your fingers sink down to the knuckle, "You feel so good."

"Not so bad yourself." Nat tries to quip back, but it comes out far too breathless to land the way she intends it to. "You're, ah, good at this." She murmurs out, almost like an afterthought, and you scoff and roll your eyes at the comment.

"Thanks." You mumble back, "I aim to please." 

And, well, you sure as hell aim for that goal.

Two fingers turn into three, Nat's breathless gasps and small whimpers pull from her throat at an increased rate, and it's not long until her nails are digging into your wrist hard enough to sting. 

You get the message pretty quickly. 

"Yeah—" You exhale, mouth trailing back up to her lips, "Wanna feel you come on my fingers." A kiss to the corner of her lips, "Wanna fucking feel you come on my fingers."

A small whimper leaves her lips, and her back arches, "F-fuck, keep doing that, and I will—"

You press your lips against hers, all teeth and tongue and oh god she's whimpering against your lips and—

You feel the way she clenches around your fingers in pulsations, the way her entire body tenses, then slowly relaxes as the pulses subside.

Before you can stop yourself, you retract your fingers from her and immediately press them into your own mouth, making a show of cleaning off the digits, pulling them back with a thin string of saliva connecting them to your lips.

Natalie, for the record, seems to find this very attractive. If the way her jaw goes slack and her eyes darken in hunger is any indication, "Jesus Christ." She stares at you, chest heaving with exertion (despite not doing anything other than lying there), and she's dragging your head back down to lock your lips together, desperate and eager. 

One of her hands curls around the nape of your neck, fingers tugging gently on the strands of hair at the base of your head. Her tongue presses itself past your lips, seeking yours, tasting the remnants of her release on your tongue. A gentle groan parts from her, and after a moment, she draws your tongue into her mouth, sucking on it, and whether she's chasing the taste on your tongue or just doing it because she can, you really don't care. It's hot.

She moves to turn onto her side, facing you, and one of her hands moves to rest on your hip, the other remaining at the base of your skull. Nat slowly rocks her hips into yours, "My turn." She breathes out against your lips, the hand on your hip beginning to trace itself lower with clear intent. 

The blonde hesitates slightly when she pulls back, eyes wide and pale cheeks flushed a shade of red. Her tongue peaks out to lick at her lower lip before she speaks, "I… I want you so bad…"

That comment makes you hesitate momentarily; even Natalie senses it wasn't entirely her to drop something like that. You give her a slight look of confusion at her attempt at being sultry but choose not to comment on the out-of-character line.

"Yeah," You breathe out after a moment, deciding just to move on, "Yeah." And you're kissing her again.

Nat moves her fingers under the waistband of your underwear, moving with purpose to find your warm heat, only slowing for half a second when she feels the wetness at the tips of her fingers. She hums into your mouth, seemingly in approval of her findings.

Unlike you, Natalie doesn't tease. Maybe it's because she already knows you're worked up from getting her off, or perhaps she just prefers getting right into the action, but either way? You're not complaining.

No, it's hard to complain when her fingers play with your clit like it's the most fascinating thing in the world to her, flicking the bud and rolling it between her pointer and middle finger with a satisfied grin on her face.

You push at her shoulder when you feel the grin against your lips, "Stop acting all smug." Comes out in a petulant huff, earning you a small giggle and a few quick circles of your clit.

"What? Am I not allowed to be happy I'm making you feel good?" She teases, voice laced with faux sadness.

"You just started, ass." Your hand moves from her shoulder to the back of her neck, "Don't get ahead of yourself."

"Hardly ahead of myself," she muses, fingers starting to move in smaller, controlled circles. "Just remembering what you did last time we did this. You seemed…" She hums to herself, pressing a kiss to the side of your neck, "pretty into it."

A scoff, followed by a squeeze of her nape, "Yeah, hard not to be into it when you have a hot chick's hand between your thighs."

That earns you another giggle, and Nat lets her fingers leave your clit in favour of seeking your entrance. "And, for the record?" She moves her lips to your ear, "It's gonna be a long night."

"That a promise?" You gasp as one of her fingers begins to tease, slowly sliding down, "Or just… a thinly veiled threat?" "Oh, baby." Nat purrs, finger sinking into its destination, "It's a guarantee."

And it sure as hell was.

It's well past noon when you wake up if the light streaming through your curtains is proof enough.

Most notably, there's a warm weight on your chest, and that weight you quickly realise belongs to none other than Natalie Scatorccio.

One hand draped over your waist, head resting on right above your heart. Bleach blonde hair is splayed out across your chest, and a soft smile makes its way onto your face at the sight.

She stayed the night.

The sense of relief that immediately crashes over you is palpable, and you let out a breath that you feel like you've been holding since that night at the party.

You aren't quite sure how long you lay there before you realise she's wearing your shirt like it's the most casual thing in the world, and, specifically, it's the shirt you wore last night. Usually, you're not one for cheesy romantic moments, but that? Oh, that makes you feel real good about yourself. Sure, it could have just been a "this is available" type of thing, but you like to imagine it's something a little deeper than that, even if you are being a little delusional. 

Like all good things, the moment of peace and reflection in the afternoon light comes to an end when Natalie begins to stir on your chest, slowly opening her eyes and coming alive to the world.

"Hey." You murmur out, one of your hands coming up to start playing with her hair, "Good sleep?"

She grunts at that, closing her eyes again and pressing her face back into your chest, "'m still sleepy." 

A warm laugh leaves your chest, and you can see Nat's small smile at your reaction to her mumbled comment, and it makes that fuzzy feeling in your chest return at full force. "Doesn't answer my question, though. Was it a good sleep?"

"Mm." She hums, the hand around your waist tightening slightly. "Yeah, actually. It was." The words come out in a sleepy mumble, and you can't help but feel… content, at least for right now. 

And, honestly? You'd be comfortable letting the silence fester. This is a good silence, not the type of silence that has you begging for an out.

Natalie, however, stirs after a few minutes in silence, giving your waist a soft squeeze. "I…" She sighs, opening her eyes and looking up at you from where her head is perched on your chest,  "Look. I'm gonna be honest with you. I don't…" She removes her hand from your hip and gestures to nothing, "I don't know what I am, alright? I mean…" A humourless chuckle, "I get that I'm not straight. Yeah, I've put the pieces together, but I don't, like, know what I am."

You shake your head, shifting slightly to look at her better, "Hey," you shake your head a few times, "that's okay. You don't need to know right now. It's not like I'm about to make you take a pop quiz on what your assumed sexuality is." The words are light, attempting to convey a joke, but there's also this underlying concern buried underneath. "I'm not about to… force you to label yourself, or anything." A sigh, "I mean… it's… complicated. I dunno. Figuring out who you are." Your fingers continue to run through her hair in a soothing motion, "I'm hardly someone who can, like, guide you down a path of self-discovery, but I'll be here if you need someone to talk to, Nat."

Some of the tension leaves Nat's shoulders at your words, but it's obviously still weighing heavily on her mind. Regardless, she gives you a slight nod and rests her head back on your chest, "Can we just… figure it out later?"

"Yeah." You reply softly, "We can figure it out later, Nat. No rush."

"No rush." She parrots, curling into your side again.

a/n: crush act 2 chapter 1 next trust

You snore when you sleep, by the way." Nat comments after a long few moments in silence.

"What??" You sit up, glancing down at her, "No, I do not." 

She gives you an exasperated huff when you sit up, therefore moving her from her (very comfortable) position on your chest. "Yeah, you do. Now lay back down, asshole. I was enjoying that."

"Not a single person has ever complained about my snoring before."

Nat shrugs, "Then they must not have been paying attention. Because you do." A beat, "And it's loud."

Your jaw drops in shock, and you can hardly believe what she's saying, "I genuinely cannot tell if you're fucking with me or not."

The blonde just shrugs as you lay back down, "Guess you'll have to wait and see, huh?"

"You're an asshole, Natalie Scatorccio."

"And here we are, anyways." She hums, "Here we are."

[ultramarine-spirit]

OKAY HI I'VE BEEN SHAMELESSLY SEARCHING THROUGH YOUR ACCOUNT DIGGING FOR ANSWERS I COULDNT FIND ANYWHERE ELSE (Ik I'm late asf but I hope you still answer questions related to wmmap seriously I'm desperate lmao) So I've read the entire novel and there wasn't any mention of their marriage (Lucas and Athy) 😭 IK THERE IS A BRIEF MENTION ABOUT "SOME" MARRIAGE In BOTB but all the translations I've read haven't specified who she decided marry at the end when she turned 26 💀 how is everyone so sure it was Lucas and did they decide whose gonna rule the empire in the end? I think from Hari's pov, it was yet to get decided later on, and a prince consort was chosen again, I wanted to clarify if it was really Lucas and I don't think there was any mention of her having kids except for in that one parallel dimension.

I mean, WMMAP and BOTB explicitly take place in the same world (they aren't parallel universes, there are no "what-ifs" or anything similar), Athy even meets Cabel and Hari (indirectly). Indeed, the marriage mention is in BOTB, not WMMAP, but it's pretty obvious the groom is Lucas, even if he isn't mentioned by name. Athy also isn't mentioned by name, Hari just says it's the wedding of "Obelia's princess". Considering the novel ends with Athy kissing Lucas, and that they keep dating during the side-stories, it would be very strange that she didn't marry him. As you say, LP! Lucas even sees their future daughter (granted, that could be a different world, but even so, he says that Athy is always with Lucas in all the worlds he visited except one).

I guess it's technically possible that the groom isn't Lucas, but considering that Athy was dating him and that she explicitly rejected Ijekiel, it's incredibly unlikely. What would be the other alternative, Athy marrying a random guy?

Regarding how they decided to rule the empire, there's no direct answer to that question, but Claude said that Athy would be the next empress and she knew that the day would come when she had to rule Obelia. BOTB's novel says that the prince consort (actually, there's no mention of the term "prince consort" as far as I remember, but I'll use it since that would be the title used for Athy's husband/husband-to-be) married into the royal family, not the other way around (naturally, since Athy is the powerful one of the two from a political standpoint), and that's about it. It isn't that the prince consort was going to be decided "later on" after the wedding, that's not how it works, Lucas (or whoever the mysterious guy is, but he is totally Lucas) most likely got that title after the wedding. I think it's safe to assume they rule together but Athy is the one with the most power and doing the most work (I can't see Lucas being very interested in ruling lol). This is the most logical explanation of post-canon's events, but the reference to Athy's wedding/future is pretty brief. Take a look at @lithi's translation.

[snowshinobi]

bickering is a love language and baby. Kaveh and Alhaitham are tongue kissing about it. metaphorically

[sukibenders]

Looking back at Girl Meets World, it will forever irritate me especially for how they handled/treated Angela. Oh this show really hated black women because how do you not only 1.) describe her, one of (correct me if I'm wrong) only few black and MAIN characters of the og show, as a "concept" 2.) have characters show obvious disgust at the small mention of her name 3.) depict her as a homewrecker for a new relationship that, really, shouldn't have ever happened 4.) have her old friends treat her like dirt and her old lover like she is the root of his problems, when there was nothing but positive love there 5.) reuse all the concepts from said previous love story just to elevate the new ship with a yte woman and 6.) compare her to Hurricane Katrina, one of the deadliest hurricanes that caused significant numbers of death, harm, misplacement, and trauma to people, largely of whom were black? Mind you, all these points I mentioned were toward the only main black character of the OG show before the spinoff, and the only, from what I can remember, black female character of the spinoff who didn't even stay long. Not even getting into the racist drama with some of the members on set, but you cannot look me in the eye and tell me that the way the show handled Angela, her story, and her relationship with the other characters + Shawn wasn't fucking disrespectful, you can't because I won't believe you.

[danmeichael]

i need to work on my chengxian fics....

[francesderwent]

I figured it out. actually only the first two seasons of Greys are good.

[marigoldbaker]

coming up with a better idea for jenny's relationship to magic after making jenny's lack of magical talent a consistent through-line in what you make. i am going to lose my shit

[idkimnotreal]

i think a bi guy might want something from me. i don't know if he's closeted.

[weedle-testaburger]

You know, since it's Pride Month (and also I miss them), I feel like reminding everyone how fucking important Ruby and Sapphire were.

The way they were both unambiguously conceived as queer characters and let the writers make an established character queer retroactively. The fact that as soon as they share the screen, they immediately show how in love they are, without any ambiguity to please the censors, and they do that almost every episode they're in.

How their relationship isn't always 100% perfect, and they do conflict and fall out, but make up in the end because they genuinely love each other. How they were allowed to be iconic parts of the show, not just through being the focus of two of its most famous songs (Stronger Than You and Here Comes A Thought) but also through the book version of The Answer.

The fact they got the first gay kiss...

...and the first gay wedding in the history of kid's TV.

The way their reception showed networks that yes, people do enjoy media with queer characters, and so they contributed to many other series with prominent LGBTQ characters getting greenlit.

I honestly don't think it's exaggerating to say they're among the most important queer characters in the history of fiction for all that. And people need to say it more, and demand stuff like them more.

[celestialholz]

Live long and fuck in Hondas (or 'why that Vulcan salute is way more significant than you think it is')

Hey. Hey Holz. Did you know Deadpool and Wolverine fucked in the Odyessy? Did you know that they now live in a one-bed with Blind Al? Did you know that -

Yes, friend. I know all of it. And you're all super fucking valid for pointing it out.

... But maybe all of you aren't seasoned Trekkies like me. Maybe not all of you gorgeous people understand the true significance of this.

Or maybe you just want a definitive way to win the argument of "are these two fucking?"

But either way, I'm here to help, and to tell you why, amongst all the absurdly homoerotic text of this film, this moment? Might be the gayest of them all.

Now, we must start by saying that although you wouldn't know it from the bullshit Abrams films, these two:

Are the fathers of gay fanfiction. Spock and Kirk here are the reason you're living in the fantastic timeline where you can write/read men fucking without any other shred of plot and that this is a legitimate and normalised internet experience - everyone say thank you, iconic papas. These guys were so homoerotically coded that even in the 60s, the era of wondrously overdramatic performances of all kinds and fairly prevalent homophobia, The Girlies still took notice, still started mailing each other fics and making zines and being just hugely excited at the thought of these two getting space-married. They are fandom as we know it today's beginning, and seventy years later they're still an enduringly popular ship on AO3. (You should all go and watch Amok Time, by the way. Contains the Honda Odyessy scene of the 60s, except there's weird biology and wrestling and just go and put it on your screens, thank me later. They fucked on that planet.)

Anyway, these two were as close as early colour TV could ever allow two men to be, deepening their *coughs* friendship almost every single episode or film - Trek's creator Gene Roddenberry even gave them a unique word in Spock's Vulcan language, with the meaning of 'friend, brother, lover.' (And if that isn't ringing any Poolverine bells, I'm not actually sure what you want out of this post. Enjoy it anyway, love you.)

... And then we get to 1982's The Wrath of Khan, and to that moment that every iconic screen couple must face - the ol' classic, it's you or me and I won't let it be you.

Sure, the set-up's a little different here - the chamber Spock's in is filled with radiation, and the scene's quieter, softer. And Kirk isn't a mutant so he can't smash his way in, he can just sit there and inwardly die as his emotional support Vulcan does.

... But you get where I'm coming from here. Ryan Reynolds doesn't take a million other potential love scenes from across the cinematic ages - no, he takes this. What is for many the romantic acknowledgement of a whole generation. The humble and desperately sweet beginning of it everything we fans know and love nowadays. The most ambiguously romantic homosexual relationship in television, directly comparative to what is now arguably the most ambiguously romantic homosexual relationship in cinema. And lest we forget, Wade doesn't believe in a fourth wall - this is a conscious choice, both in canon and in the writer's room.

Oh it's so clever and so beautiful a girl could weep. Ryan just introduced the MCU to the gays, just as Kirk and Spock did all those years ago to the masses of the time.

And then there's what it means.

This is the Vulcan salute, created to mean either 'live long and prosper' or 'peace and long life' - it's used more or less interchangeably.

But part of that's irrelevant when you're as immortal as these two.

So we're left with the sentiments of prosperity and peace, given to a man who up to this point can't imagine ever prospering again, is the furthest thing away from being at peace. Wade gives Logan the opportunity to go on, to find the things he's been lacking for so long now - things he has already helped him find. Spock tells Kirk during The Wrath that 'the needs of the many outweigh the needs of the few,' and that's exactly what Wade's doing here - sacrificing himself for the greater good of his friends and his newly beloved, however much it will hurt them all.

And that's lovely, and poignant, and character-growing, and I think we all would have been content to leave it at that and have our noble sacrifice, however much we would have wept. Kirk goes on to find the remnants of Spock's soul in the next film in the series, to bring him essentially back from the dead because he felt it was more than his own soul's worth not to have done... which, again, ringing a bell anyone?

Because Logan, in not so many words, tells dear Wade to fuck right off, and we get this.

What we've got here is a direct translation of one of cinema's gayest moments, made somehow infinitely more gay. A true achievement here - I genuinely think I spontaneously acquired tetanus in the cinema for a good minute, my jaw dropped so hard on seeing this. The pillars are the same colour as Kirk and Spock's original uniforms, for fuck's sake. I'm dying out here.

What we've done here is create narrative equality. The whole film's kinda done that leading up to this anyway - they're both mentally fucked up men who can't die, who are constantly dying anyway, who are evenly-matched in battle and both enjoy Honda fucking, who have forged a real love even as they piss each other off at every turn.

But here, they place one another in narrative equality for the first time. It's not about a sacrifice, not now, even though they're assuming it is one - it's about what should be done. It's about righting wrongs, being heroes, being together because every option other than that is unacceptable, because neither understands quite how to lose anyone else. They've both made the same choice, and that's not to let the other die alone.

It's about holding hands and loving and never letting go, even if it kills them.

... It's just about the most romantic and gorgeous thing I've ever fucking seen.

There are no more instances of masks, once they're done in this station. They don't need them any longer; they will never need them again.

And that's only emphasised by the parting shot we get of this... almost directly after Vanessa and Wade share a final sweet look.

I don't know, man. It's almost like the true conclusion is hidden behind the acceptable masquerade. Imagine that in the MCU, folks.

They've taken one of the most intimate and sweet moments in screen history, and made even more glorious.

They did The Wrath of Khan better than The Wrath of Khan did it.

And that's... that's gay. That's just about the gayest thing they could ever have done, and I adore it to the smallest pieces.

So remember, the next time your friends disbelieve you... show 'em this. Show them that they redid the very beginnings of slash fandom, and did it better.

(And then you can add on that they now live in a one-bed with their grandma, daughter and dog, and will do for the rest of their lives. Kirk and Spock didn't even get THAT shit.)

[cup-o-stars]

Relativity Falls Lore Concept- The Oracle and Bill

The Oracle:

I was initially inspired by the Twitter user @SUwu159's depiction of the Oracle in their take on Relativity Falls, and made my own adaptation as I learned about her in canon.

(Assume she can change colors because I couldn't pick what I liked most)

This version of The Oracle isn't malicious per se, and does not desire the same conquest or chaos sought out by Bill. But she likes universes to be organized and quaint (or answers to another high power that demands it), and finds fulfillment in achieving these goals through any means necessary.

The Oracle and Dipper:

(Sorry if this dialogue tastes like a corndog in your mouth. I just needed to write a semi-resolution to Dipper's side of the relationship, ha.)

Getting into the real struggle with the Pines family. Dipper and Mabel don't fight and hold grudges like the Stans (that we've seen of), so my opinion is that they drifted apart in their late teens and twenties, both feeling pressured to be less attached at the hip. My current belief (though I'm very willing to rewrite this section) is that Mabel and Dipper both poured a lot of energy into pretty niche fields, and being very busy meant very short and rare windows to reach out. Both assumed the other was doing bigger and better things and felt self conscious / childish for wanting eachother's company.

I'm still considering Mabel's backstory, since I think she probably hit lower points than Dipper. You know. Starving artist, lol. But Dipper entered into paranormal investigation, pest control, etc. before his ghost + monster catching went far enough for his name to gain some notoriety. Hell, maybe Pacifica's family reached out to him to take care of "rats" that were actually ghosts, cementing his interest in Gravity Falls and giving him a window inter supernatural work.

Dipper was taken on as something of an apprentice to the Oracle 30ish years before canon as word of his good and dangerous deeds spread. However, what was at first a personal dream come true (saving lives with nerd magic) soon became a personal hell as the Oracle began to overwhelm Dipper with knowledge of various futures and universes where everything he cared about could be destroyed. He's always been over prepared and incredibly paranoid, and became obsessed with protecting the world by acting as a partner to the Oracle.

He ends up doing- or not doing- a lot of morally ambiguous things and gaining a lot of enemies. He is too ashamed to face his family- especially Mabel- with what he's done and burden them, giving the Oracle more to use against him to keep him working for her. Basically "you've already done all this and risked it all, there's nowhere to go if you stop now." Eventually this ends in her seeing him fit for her work and convincing him to hide out in and save other universes, which he gets trapped doing for the next three decades.

Little throw away idea: Pacifica could have been an investor or partner, but left as they uncovered secrets about the Northwest family. Maybe she wanted to undo something (debating making any of the Oracle's powers time related just because I hate time travel) or stop a current show of corruption, but Dipper had to stop her for the "greater good."

In the main universe, Mabel goes to Gravity Falls upon news of her brother's disappearance, searching for any loose end to trace back to him.

I love that in canon, Dipper is willing to do anything for Mabel, and Mabel gives it back. Dipper here spends all of his life keeping as many versions of her as safe as he can, and she spends all her life trying go seek him out- maybe even dropping a larger opportunity outside of Gravity Falls for her art and settling on business at the shack. Dipper wants Mabel alive, Mabel wants them both happy. I like the idea that it's Dipper and Mable vs. The Future but the future is a demon, alien thing.

Which leads me to...

Bill Cipher:

I'm actually gonna cover a couple versions of Bill I think are fitting for this AU, because I initially wasn't sure if I wanted him here at all.

Child Bill:

Pretty straight forward. Bill as a baby, child thing is tempting and this is the au where he'd exist. Personally though, I think Ford's friendship with Fidds would be more enriching to his growth, and Bill's personality is so close to Stan's they would likely be competing to fill very similiar roles. (If Bill behaves differenty as kid, I don't know about it.) Honestly, Bill is super similiar to Ford and Stan, and works better as a kind of foil or antagonist because of that (imo). I do find the mental image of Ford carrying Bill around funny. I do not enjoy human bill like, conceptually, so I'm probably never gonna design one as an adult or child, lol.

It would be cool to see a world where Bill didn't accidentally kill his parents though.

Bill - Reincarnated Original

Technically I guess they could all be reincarneted (especially baby Bill), but this version of Bill experienced and holds memories of the original canon events in GF. Beings like Bill and the Oracle can remember recent/soon approaching lives, and catch glimpses of more distant cycles as well.

What I like about Bill's recent role as an antagonist to Ford and Stan is that he constantly describes them in the terms of their worst traits, and sees them through the lens of the roles the world placed on them. In this AU, Bill is the epitome of the past (in this case a past life) coming back to bite the twins. He rattles their progress in communication as well as their sense of inner peace by bringing old Glass Shard Beach issues into Gravity Falls.

(Depicted here-> moments after Ford summons Bill using the same ritual as Gideon.)

The drawback to this is that it feels a lot like covering old ground.

Simply Bill:

This is pretty much just regular old Bill with the same fresh perspective as everyone else, and also the one I'm going with. He tried and failed to get Dipper's trust in the past and had to lay low at the arrival of the Oracle. Once they left, Bill targeted Mabel. I think it could be very interesting for Mabel and Bill to either have a fresh relationship wherein Bill is actively taking advantage of her desperation to find Dipper, or for Bill to be an old betrayal (not romantic, but not dissimilar to the opportunistic exes Stan and Ford have to be wary of and beat back under the rug regardless).

Either he shows himself to Mable early on, or decides that Gravity Falls is both Oracle-free and worth the time after either Ford or Mable summon him. Afterall, 30 years isn't much to him.

Maybe he exists in the background like he's always done, or the kids (being snoopy and disrespectful of Mabel's secrets) discover what Mabel's doing and run into him on their own.

Whether Bill is aware of the original series or not, I think he could be neat to stick in between Stan and Ford again for conflict. My favorite aspect about Relativity Falls is the prospects of the Stans having a larger support system and better tools to help themselves with. Beating Bill faster and better would be the ultimate testament to Mabel and Dipper's skills as functioning role models, even if Mabel is currently blinded by her focus on Dipper.

Stan and Ford will fight and they will make up, but this time maybe they can overcome it on their own.

I also think a good idea is having Ford and Stan's issues be completely Bill free (outside of like an episode or two's worth of relevance, unless he put them into a particularly stinging situation). It would feel fresher and also streamline the plot, lol.

Overview:

- Dipper is stuck travelling the multiverse with the Oracle and keeps himself sane by thinking of Mabel and protecting various versions of her.

- Mabel is investigating his disappearance in Gravity Falls and is working on a portal/portal equivalent with Bill to bring him back.

- The kids may or may not be aware of this.

Looking at the main series of events, I think it'd be neat go back to the apprenticeship conflict, where Ford could be approached by the Oracle (or something else that makes sense) with the promise of being a "hero," but knows better now because of Dipper and his experiences with Bill. It's kind of a more convoluted version of Ford's proposal to Dipper in canon, and they basically learn the same thing, lol. You can hang out with ghosts if you want, but demons are gonna get you. Maybe being a child with siblings is all you need.

(Stan could also be offered this, given the Oracle already knew he- or at least someone with his face- would beat Bill, but I think it's well established he isn't very interested in doing anything without family.)

All in all, things might be a bit crowded with two antagonists. But I do like the concept of Bill's arrival and subsequent chaos triggering Dipper and the Oracle's return to Mabel's dimension. I also love the idea of Bill, the Oracle, and some secret third thing all trying to pull the Pines family apart, and it's like a Man vs. God turned into a Family vs. Destiny thing, idk. Just trying to make it feel bigger.

Thank you for reading all this. It was a lot to draw. Next time I do anything for Relativity Falls, I'm gonna go back to the smaller things like Mabel bonding with the kids and stuff like that.

[witchthewriter]

𝐃𝐨𝐦𝐞𝐬𝐭𝐢𝐜 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 𝐟𝐨𝐫 𝐅𝐫𝐨𝐦𝐯𝐢𝐥𝐥𝐞 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 🐦‍⬛

⤷ gender neutral, ambiguous race, and any size reader. Requests are open, thank you for reading!

a/n: I've added Victor into this, but I want to have a conversation about if he can be a romantic partner - or he will always be platonic?

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

You're still in Fromville, not having escaped yet but making the best of it.

𝑩𝒐𝒚𝒅 ⋆✴︎˚｡⋆

・Domesticity to Boyd is so much different in this town compared to the 'real' world.

・For example, he would be awake before you, no matter the day just so he could surprise you with your favourite drink and a pastry each morning.

・The chores would be split 50/50, with Boyd usually picking up any slack (he doesn't mind at all)

・He loves doing the laundry, folding your clothes with so much care.

・But here... his actions to show his love are limited and it kinda pisses him off

・But you constantly remind him of all the good he's done here and how he keeps everyone together.

・You celebrate every win, even the small ones.

・Boyd is big on DIY, and loves fixing up things for you. Anything you ask - you want a different type of curtain, or you want part of the window patched up - he does NOT let you do it. That is HIS job.

・Massaging his shoulders at night, feeling how taught he is. This town is so hard on him. It constantly makes you wonder, why him?

・You do have one rule though: last one in bed has to make it!

・Boyd seems like the type of person to keep everything about himself to himself. But that isn't true. He likes telling you things, he enjoys opening up to you.

・One really important factor in your relationship is the challenges of town and its mysteries.

・Many people in town were basically betting how long you two would together.

・But what they didn't know, was that the horrors STRENGTHENED your bond. It made you both rely on each other so deeply.

・Having a partner means so much to him.

・Boyd loves you so much. He would never burden you with what he knows, but he loves when you have random conversations.

・It makes things feel just a bit more normal. It gives him hope.

𝑲𝒆𝒏𝒏𝒚 ⋆✴︎˚｡⋆

・Mornings and nights are especially special to you both

・Slow, careful, mindful, warm and cosy.

・Touching each other in some way - hugging each other from behind, pinkies entwined, cheek kisses, forehead kisses, rubbing noses together - if anyone else saw you too they would gag (ITS CALLED LOVE)

・Kenny LOVES tucking you in at night.

"You comfy now?" As he wedges the blanket under the side of your body.

"Yes Kenny! Now get in bed you loser!" You answer laughing.

"Okay, okay, I'm just looking after the most important person in my life thank you very much."

・You love listening to him; to his stories about his childhood up until he came to town.

・One of Kenny's favourite things is when you read to him. Even if you don't have a book in front of you, he just wants you to recount as much as you can from books you have read.

・Might be kind of painful, but you two like talking about how life would be like together outside of this hell.

・Owning two cats, two dogs, maybe some fish.

・Whenever you hear the creatures screeching, you automatically cling to Kenny, you can't help it. You HATE the noises.

・But you always feel safe around Kenny. Always.

"I've got you. I swear to god I'll never let anything happen to you."

𝑱𝒂𝒅𝒆 ⋆✴︎˚｡⋆

・Every morning he gives you a kiss on the head and 'tip toes' out of the room, trying not to disturb you.

・You usually yell at him to get back in bed

"My looooooove, I have important business to attend to!"

・The bed is pressed up against the wall, and Jade says if someone/something were to enter the room, he would be the first thing they see

・From then he starts his daily ritual of figuring out how to get the hell home

・Jade teaches you A LOT of stuff. And you're always surprised by how well he does at teaching. He's patient (only with you but you don't know that), and takes his time to teach in ways you'll understand (once again, only for you...)

・He is like a walking computer at times. Really good with dates and great with measurements.

・But one thing he is terrible about is the fact that he's a repeat offender blanket stealer. Absolute criminal.

・No matter how much you tug and pull, or wrap yourself in it, Jade somehow unravels you in his sleep and takes the blanket.

・When you both wake up, you've practically snuggled underneath him...

"Babe, what are you doing?"

"You stole the blanket again and I got cold," you reply muffled beneath him. He's very warm.

"Oh god, sorry! We ah, we should probably get more blankets then... god why didn't you wake me?"

"Wake you? Ever since we got our own place, you've slept like you've never done so in your life!"

・It was quiet before he replied, and then he wrapped his arms around you.

"That's because I haven't sleep properly before I met you."

𝑹𝒂𝒏𝒅𝒂𝒍𝒍 ⋆✴︎˚｡⋆

・Your relationship with Randall is one that surprises you. Constantly.

・People don't see him the way you do. At times they start to though.

・But only you get to see his true soft side. The side that moves the hair from your face, kisses your forehead, nudges his nose against your own.

・You are the ONLY person to make him laugh.

・He knows so much about you - the way you like your clothes folded or hung up. He knows which books are your favourite, which song you could listen to on replay.

・Music is a big thing to Randall, and the fact that he can't just randomly play something on his phone gets him really down.

・So one night you guys make a list of every song you like, when you heard it and what it made you feel

・Making each other guess who you were before arriving in hell.

"Hmm... you were ... a ... farmhand on a ranch..."

"What the fuck Y/N."

"What? Were you?"

"Oh yeah sure, you hit the nail straight on the head sweetcheeks," and then he rolled his eyes.

・You laugh, loving when he gets 'annoyed' (you know he can never really be annoyed with you right?)

・You know each other's favourite tv shows, colours, smells, literature and so on. You whisper to each other through the night, trying to take your mind off of the screeching coming from outside.

𝑬𝒍𝒍𝒊𝒔 ⋆✴︎˚｡⋆

・Always the last to get up, sometimes he wakes before you but he'll still lay in bed, watching you sleep. Sometimes blowing air on your face when it's been a few hours and he gets bored

・Leaving sweet notes in unexpected places, they range from:

'hey baby, went down to do some work in the greenhouse, love you xx' to 'yo sexy honey see you tonight ;)'

・And you keep every single one of them. You have a sort of time capsule thing underneath the bed in one of your bags. Just small photos, letters written to each other, etc.

・Side note - Ellis is a cheeky man who loves to rile you up. Push your buttons. Make you red in the face.

・But he knows when enough is enough; he's extremely intune with your moods and doesn't have to ask when the days get too much.

・LOVES MAKING UP RANDOM SONGS ABOUT YOU, they are terrible but they make you laugh

・CONSTANTLY setting up spontaneous things for you guys to do. Seeing a smile on your face is the best thing he has ever seen.

・Literally puppy love.

・You guys seem to be able to talk to each other mind to mind. Glances from across the room are easily read by one another.

𝑽𝒊𝒄𝒕𝒐𝒓 ⋆✴︎˚｡⋆

PSA: As I said above, I'm not sure if Victor can be a romantic partner - I would love everyone's thoughts on it and maybe we can come to some kind of agreement??? Anyway, read this how you like ⟡☾⚝☽⟡

・Home...this town is the only home that Victor had ever truly known.

・How could you show him that the way he'd been living was not normal? That he should be able to feel safe, he should have gone to school - maybe even his drawing could have evolved into something astonishing

・So, in little ways you introduce this life to him

・He can't remember his birthday (so you help him choose one) and the two of you, along with Ethan, Tabitha and Julie celebrate

・...home decor projects are mostly just Victor's drawings. The really scary ones, you ask to be put away and he obliges <3

・Victor is used to living with other being, but not sleeping in the same room as another person.

・You would also need to get used to his blatant honesty. It isn't like he's trying to hurt you but he can just be brutally honest.

・Picnics in your room where you scavenge whatever food you can and talk about the funniest things you've seen people do

"I saw Jim ... trip over today," Victor says in a hushed voice, a cookie halfway to his mouth.

You burst out laughing, even snorting as you imagine the uppity Jim Matthews take a tumble.

"God, I wish I saw that."

・At first Victor didn't want another friend. He didn't want to get close to someone, he knew something would happen to you. You'd be taken away from him.

・But you swore to him that you would always be there for him.

・In town, and when everyone leaves. You've told him that you can be his home, his family.

[tiktaalic]

s1 dean: it's not gay to suck a dick or three or ten you're just making sure you're not gay

s2 dean: getting notes from my team that sometimes it is gay to suck a dick . i would like to formally announce that i never did that. and i never would.and also i'm masc. i'm masc. i'm literally masc.

s3 dean: too busy with dying to think about being gay i'm pretty sure.

s4 dean: really enjoying that cas is unaware of social norms so that dean can oscillate between preening when he teaches him how to be a man (+1 masculinity for being more of a man than cas +1 masculinity for being so much of a man that you can teach others how to do it) and. taking advantage of the no social norms thing to rationalize his OWN behavior with cas because he knows cas isn't going to call him on it not being normal which MAKES it normal because there is no one to refute that.

s5 dean: much of the same but there are now emotional stakes in play because they Are friends he is now Emotionally attached in a real way to this man he was engaging in one way gay chicken with.

s6 dean: mfw my brother tells me to be normal so i marry a woman. ratchets him all the way back to i have never liked a man and i never will.

s7 dean: very similar emotionally to endverse dean / s14 dean in my mind. kind of in the same place as s6 dean but crucially s6 dean was sad and wet and s7 dean is walled off and apathetic. attraction to men does not factor into his worldview.

s8 dean: he literally was in a foxhole with benny and got a spraytan and had a gay thing. this man begrudgingly puts one (1) rainbow ornament on his christmas tree after sending out christmas cards of him embracing another man while their gay ass dog sits at their feet. the sticking point HERE is "cas doesn't feel stuff like that".

s9 dean: We Cannot Get Into All That but. they literallyyyyyyyyy had to make cas sleep with a woman and get banished forever to sidestep The Implications. which are. dean winchester would fuck the gay angel given the FIRST opportunity. i'd probably fuck cas but my brother is dying so idrc about that rn. etc. this is a man who is conscious of his attraction to 1) men and 2) cas and WOULD act on it given the chance.

s10 dean: this is where it gets love triangle-y with crowley and cas. this is because dean DID fuck crowley and WANTS to fuck cas. textually. this is where he stands. moc dean has sex with men and doesnt care because hes normal. POST moc dean is like. the same sex attraction was a metaphor to show that i was evil and corrupted by the mark.

s11 dean: i'll be honest. i remember fuck all about season 11.

s12 dean: his mom is around which means he will not be out. this is also. iirc? where dabb gets his grubby little showrunning hands on things. which of course. means dabbification. which of COURSE. means destiel eating plain toast and raising a baby domestically. which. of course. translates to dean using cas as a girlfriend stand in. which. imo. is reflected in dean's mindset. like s12 dean is aware that cas is the most important person in his life, and he is not interested in deviating from that formula with a woman at all.

s13 dean: gay man realizing the love of his life is dead and he never said or did anything -> gay man whose love of his life comes back so he doesnt have to grapple with the consequences of never saying anything and they can jump back into pseudo relationship.

s14 dean: this is a gay man coparenting with a gay man and telling his father that he has a family. has accepted his fate as a life long ambiguous bachelor who lives with a man and sometimes sleeps in his bed nonsexually. very much dead inside staring down the barrel of throwing himself on a grenade does not have Time to push the boundaries of his relationship.

s15 dean: too many twists and turns to get into in the stinger of a post.

[withercrown]

The worst thing about the reductive argument about whether Vander and Silco are "brothers" is that everyone involved misrepresents what that word actually means, and as a historian I have had enough.

"Brothers" is not meant to evoke either actual brothers (they are just simply not brothers, either by blood or adoption) or brothers-in-arms (this is a militaristic concept which is not appropriate imo).

The kind of 'brotherhood' they share is specifically revolutionary/national brotherhood.

The French flavoring of the show—everything from the graffiti to the architecture of Piltover (it's just Paris, guys) to the revolutionary imagery—is one of the things I love most about Arcane. Fortiche is a French studio. They wove their own history and culture into their work.

What's the single most famous phrase associated with the French Revolution?

"Liberté, égalité, fraternité".

This motto was popularized by Robespierre in a speech he gave in 1790. It encapsulated the spirit of the French Revolution so completely that it became institutionalized as the national motto of France to this day. The concept of brotherhood in an explicitly French revolutionary setting is not ambiguous and we are not going to pretend that it is.

"Men of all countries are brothers, he who oppresses one nation declares himself the enemy of all." -Maximilien Robespierre, speech delivered April 24, 1793

During the Revolutionary period, it was the feeling of belonging to a common struggle among the people of France, all together, united as brothers, by their beliefs and their nationality: This struggle was led internally in France against the absolute monarchy, which had to be toppled. Source: France Diplomacy, Liberty – Equality – Fraternity

We have got to start thinking about why the creators might want to emphasize the revolutionary brotherhood between Silco and Vander so strongly. Fraternité was arguably the most actively dangerous part of the triad:

Fraternité was sometimes styled as “fraternité ou la mort” — “brotherhood or death.” This “you’re with us or you’re against us” mentality, cloaked in the ideals of freedom and enlightenment, would go on to fuel one of the bloodiest episodes in France’s history: the Reign of Terror. Source: Liberté, égalité, fraternité: French Political History and THE PLAGUE

Fraternity is not a toothless concept. This isn't about picking a brother and a sister and maybe a mommy and a daddy. This led directly to the beheading of the King and Queen of France and their son, and to a political slaughter severe enough to be named the Reign of Terror by historians. 30,000 people died, 17,000 by execution. These guys were not messing around. Again: this is France's (and Haiti's) motto today. You can go to France right now and see this all over their buildings and monuments.

Vander and Silco diverged on this point. When they speak to one another, they use the past tense. You were my brother. They no longer see each other as being part of the same vision. They no longer interpret brotherhood in a way that includes one another.

Fraternité ou la mort is practically a thesis statement for Silco's character. He lives and dies on his sense of brotherhood—and in fact, choosing his daughter over Zaun and his sense of revolutionary brotherhood directly and almost immediately results in his death.

(Not so incidentally, in making the choice of Jinx over Zaun, he refers to Vander as brother again, as their visions have finally come back into alignment.)

(they're both still wrong tho)

It's not enough to say they were brothers-in-arms. It's also not textually supported to say they were siblings. Their relationship to one another was defined through their commitment to Zaun, and their relationship with the fraternity promised by that dream.

I think there is a broad scope for valid interpretations of their relationship, btw—from revolutionary brothers to best friends to boyfriends. I am just so tired of seeing the same points repeated ad nauseam about the word 'brother' when it isn't really ambiguous at all what was intended, and learning that information is just France 101.

[sanguineterrain]

I am FERAL over your knight Jason thought. FERAL!!! Okay check this out: so Jason's ignoring reader because he feels guilty right? Maybe he tried to give them back but the king wouldn't allow it. But maybe the reader misunderstands and thinks they're not doing their "duties" so they make dinner and breakfast and wash his clothes and basically act like a perfect spouse. How would Jason react? 👀

Dear god... I feel another series coming on...

Idkidk, their dynamic is just really interesting to me! it's probably gonna be a bit of a slow burn here. Feel free to send more thoughts about them. I am rotating these two like a rotisserie chicken in my brain.

knight!jason todd x gn!reader. ambiguous time period but just assume it's olden times *gestures vaguely*. tw arranged marriage/forced relationship but it's complicated! jason is full of angst and self-loathing but he's a sweetie as per usual. original post for context.

****

The soldier—Jason—has said four words since you've arrived.

The first was "here," which he said whilst handing you a mug of milk. He didn't look at you as he said it, and that morning, he left for a five-day long station. You only know that because he said, after handing you the milk, "I've been stationed."

You realized it was five days when you heard his horse galloping towards the house... five days later.

You haven't initiated conversation because though you're a commoner, and no one ever had much hope for you to become anything but an old spinster, you know not to challenge knights.

But this is fucking ridiculous.

"Do you like veal?" you ask on your fourteenth day here.

Jason is about to leave, his boots half laced. He freezes at your question and looks up.

You stand tall, chin up. This is a normal question. A question a wife would ask her husband, except you're not a wife, and you're pretty sure this soldier isn't a husband either.

"I like veal," he says carefully, slowly. "Would you like me to fetch some from the market?"

Now, this is where it gets tricky. When the king summoned you, he made it clear that you were expected to care for Jason under his rules. You don't know how to navigate this world. You know what couples in your village do, but you don't know what's expected of you here.

"Actually, I..." Jason looks at you. His eyes are very green. He has a surprisingly sweet face under his helmet. "Actually, I was wondering if I could go. On my own."

"Oh."

You brace yourself for arguing or yelling. True, he hasn't raised his voice once, but he also hasn't said much at all. It's like living with a ghost.

"Yes, of course. Of course you can go." He fishes out a pouch of coins and gives them to you. You take it slowly, waiting for him to realize his mistake. He doesn't.

"Thank you," you say.

He nods and watches you walk.

"Wait."

You stop. Here it comes.

"There's a cargo ship in port today. The guards rotate at noon."

He leaves before you can form a thought. You hold the coins, watching blankly as the door shuts behind him. His horse whinnies, and then he's gone.

The market isn't far from the cottage. It's fantastic to be outside again. No one's noticed your absence, clearly, but that's alright. You've never expected more.

You buy a good cut of veal and potatoes and carrots and apples. Jason gave you more money than any cut of meat would cost, so surely he assumed you would buy other food. Why else would he give you so much?

A ship's horn drones in the distance. You're feeling some oranges when you remember his words. A cargo ship.

The sun is almost at its highest point.

"Oi! Either buy 'em or stop feelin' 'em!" the seller snaps.

You roll your eyes and move on from the orange stand. You can see the horizon of where the sky meets the sea from here. Any moment, the guards will change, and the ship will be...

You stop. Was Jason hinting at your escape?

No, he couldn't have been! That's preposterous. Why would he want you gone? The king took you for a reason.

And where would you go anyway? Once you leave, you'd be a criminal forever. You couldn't make a home on your own. And who knows what could happen in between? Pirates, enemy soldiers, anybody could snatch you up.

This must've been a test. A test to see if you would run. That's why he agreed to you going so easily.

No, your escape can't be planned now. Not when you're so obviously uncomfortable, and Jason knows it.

You ignore the ship and go home with your purchases. You spend the rest of the afternoon preparing veal stew. You warm leftover bread over the fire and set a pot of butter on the table.

Jason comes in louder than he has before, humming quietly. You perk up at the sound, happy for the lack of silence.

You set a bowl of stew at his chair and wait by the fire. As soon as he enters the kitchen, the humming stops.

"Welcome home," you say, wringing your hands. "I made supper."

Jason glances at the table, then back at you.

"You came back," he says.

"Why wouldn't I?" you ask, face neutral as you cut the bread into chunks.

"That—did the ship come?"

"Yes."

Jason sits. His face is dirty from training.

"I bought more than veal," you say, and hand him the pouch. "I hope that's alright. We—there were no more potatoes."

He takes the pouch, rubbing the string tied around the top. "You went to the marketplace... and came back."

It's not a question, but it sounds like there might be one behind it.

"Certainly," you say. "I'm loyal to you, Jason. I serve you."

He looks up, blinking rapidly. Then he looks back at his stew.

Oh, right. He's waiting for you to ask permission to sit.

"May I join you?" you ask.

Jason flinches. "You don't... you don't have to ask. I would never stop you from eating."

The words hang in the air. It's like neither one of you can speak right.

You watch him, and he watches you as you serve yourself and sit on the opposite side of the table. Jason takes the first bite, and you eat right after.

"Is the supper satisfactory? Have I done well?" you ask.

Jason stops chewing and sets his spoon down. You're struck by his shift in demeanor. You worry for a moment you've screwed up something as dim-wittingly simple as stew.

His eyes are sad as they fall on you. It's akin to grief, the pain he wears, but you don't know why he's grieving. You silently offer him more bread, pushing it toward him. He takes it.

"Yes," he says quietly and eats another spoonful. "You did. Thank you for supper."

Jason cleans his bowl three times. You have no stew leftover, which pleases you.

But as soon as Jason finishes eating, he gets up, rinses his bowl, and wordlessly leaves.

You don't see him for the rest of the night.

Somehow, you feel lonelier than when you weren't speaking.