#the worst part is the writers for this show are MORE THAN AWARE

[jaybirdscoffee]

the wild and unyielding pain that slaps me in the face when they take an obvious ship and have them call each other “brother.”

[cripplecharacters]

Does Your Scarred Character Have to Hate Themself?

[large text: Does Your Scarred Character Have to Hate Themself?]

(TLDR: no. literally no.)

A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?

*- rhetorical question. I promise I know the answers, but I'm not sure if writers do.

It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.

“But trauma!”

[large text: “But trauma!”]

Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences!

“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.

“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?

Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.

And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this! "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis", not all facial differences are "traumatic scar with somehow no nerve damage".

The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.

Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama! Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?

Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.

To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.

Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.

Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.

Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?

The Masterpiece

[large text: The Masterpiece]

From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.

“My Face is a Masterpiece”

Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing!

But why do I bring this up?

Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust. 

Why can’t writers keep up? Why are you still stuck decades behind?

Is this the only reason I bring it up?

The Call to Celebration

[large text: The Call to Celebration]

FEI, the org behind organizing it, asks a very simple question (emphasis mine):

“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries.  You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”

Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.

The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.

For once, celebrate us. Happy Face Equality Week!

mod Sasza

[call-me-strega]

Dc x Dp Prompt #20: Wishes of a Secret Romantic

Jason doesn’t really advertise it but he’s a romantic at heart. He craves having his own cliche romance with someone who will actually care about him. Sometimes he indulges in his fantasies by reading romance novels or setting up at-home dinner dates that he takes himself on. He often finds himself sighing and wishing he had someone to relate to, that would give him unconditional care and enjoy going on romantic dates with him.

~~~

Desiree doesn’t quite know how she ended up supervising this beautiful mess but she’s not complaining. If anything she has some sweet gossip to share at girls night and a story for Ghost Writer to obsess over.

~~~ It starts like this:

Ever since Frostbite had taken to teaching the young ghost boy lessons on the Realms Culture and Ghost Biology he’d made great strides in his diplomatic and medical skills. His fighting skills were already impressive but were refined under the tutelage of the warriors of Far Frozen. Personally, she thinks he is grooming the Boy to join the Council of Ancients which have taken a more active role in governance now that Pariah has been defeated for a second time.

The boy has been going around and creating treaties with his enemies in which he finds them another outlet for their obsessions. He has already worked out deals with the likes of Technus, Amorpho, and oddly enough a joint deal between Penelope Spectra and Walker.

Technus was allowed to indulge in his technological creation so long as he was supervised by the Pharoah boy or doing on of the preapproved tasks of mischief, such as causing mild inconvenience to the bastards in white.

He had set up Amorpho with a “Cosplay TikTok” on which he was able to show off his different forms and get recognition for them. He’d amassed a large following thespians and costume artists who greatly admired him.

Due to his position on the Council, the Boy managed to get Spectra and Walker to agree to take part in the new justice system the Council had been setting up. Walker could run his prison so long as he abided by the rules and scentence lengths set by the Council. And Spectra was free to torment those whom the council deemed the worthy of the worst punishments. Many ghosts had grievances against living and non-living menaces, last she heard, there was a whole list for Spectra to go down. Currently, she was in another universe tormenting a man named Eobard Thawne, who went by a ridiculous name called the Reverse Flash. Once she had her fill of torment, they would be taken to Walker’s prison.

The Ghostling continued to do this with many of his former adversaries until he came knocking at the door to her lair. She was well aware of what the GhostBoy would want, and was curious as to what he could offer her.

She granted him the grace of her presence and was charmed by his earnest nature. He genuinely wanted to know her story and obsessions so that he could find the best way to help her. She revealed to him it was not Desire as many people assumed but Fulfillment. She wanted to people to attain their desires in place of how she had been unable too. But there are consequences to wish granting so there’s only so much the Boy could do.

The ghostling had been unbelievable smug when he wished that her wishes wouldn’t have catastrophically negative outcomes. When she granted and skeptically tested this wish she found it had worked. The boy grew even more smug.

Of course balance had to be maintained so her power became not weaker per say, just more indirect. During their trial run, Desiree was granting the wish young boy had wished for a large cookie. Instead of instantly summoning a 50 foot tall cookie as she would have previously done, she simply caused his mother to have the desire to bake cookies and then had two of them fuse together in the oven creating one larger cookie.

A bit more round about than she prefers but it got the job done.

The two brokered a deal that would allow Desiree to travel into the mortal realm and grant the wishes she desired to, so long as the wouldn’t cause catastrophically negative outcomes in the future. Young Phantom had even gone as far as to direct her to the so-called Make-A-Wish foundation in which she could find many deserving children to fulfill the wishes of.

~~~

One night Desiree had been flying through the mortal realm to visit a friend, a city spirit she hadn’t seen in ages. As she flew over the city a strong sense of longing and desire resonated with her core. Where there was desire there was someone with a wish. Invisible, she flew down to the source of these feelings to investigate.

She ended up out side the window of a building that held longer traces of death and her friend’s magic. She peered through to see a young man putting the finishing touches on a lavish dinner. She observed as he created a beautiful meal with an air of melancholy before pouring himself a glass of wine and turning on his television to watch mediocre romantic comedies. Intrigued by this young man, Desiree decided to lurk and observe for a while, perhaps he would soon reveal the wish his heart yearned for?

-

Jason sighed into his Osso Bucco as another romantic comedy began to play. Man he really was bumming himself out wasn’t he. He shook his head and took a sip of his wine. He winced slightly as some cringey kids’ movie called How to Build A Better Boy appeared on screen. How had that even gotten in his queue? However, his laziness won out and he made no move to change it, resigning himself to a hour and a half or so of second-hand embarrassment and semi-decent acting.

As he watched the best friend girl make a virtual boyfriend based on her friend, the main girl’s, preferences and huffed to himself. Oh if only things could be that easy. He hummed to himself adding on his own thoughts to the teen girl’s rambling list.

“ If only, sister. I’d wish for a sensitive and sweet guy too. Someone who wouldn’t mind death jokes, or my odd hours. Someone who I could just relax and nerd out with. Someone who’d go on romantic dates with me so I wouldn’t have to sit here eating this nice dinner on my own. Yeah, I’d wish for my perfect guy too.”

Suddenly, a chill washed over Jason and his hair stood on edge. He whipped his head around in search for an intruder only to see nothing there. He scanned the apartment suspiciously before his eyes landed on an open window. He sighed, reassured it was just a draft and turned back to the movie.

~

Desiree was touched by the earnest desires of the young man who was touched by both death and her friend’s magic. It almost reminded her of her own desires for romance while she was still living. Perhaps she would stick around to see how this wish played out for the young man~?

~

Miles away, something sparked in Danny Fenton, helping him make his final decision on which of the colleges that accepted him he should attend.

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[leahrintarou]

✩₊˚.⋆ UNSEE ! - satoru gojo / 10.15 / kinktober

CW: usage of a bullet vibrator, y/n is blindfolded, female anatomy, she/her, tiny bit of cunnilingus, petnames, gojo is smitten, body worship ig u can say as well.

Word Count: 3.3k

Author's Note: made it on time and posted on the correct day lmao. i got writers block at the WORST moment possible so yeah. i hope you enjoy. leave a like or reblog to show support!

“c’mon, angel, just trust me on this,” gojo said, holding out a black silk blindfold with a mischievous glint in his eyes. y/n eyed him skeptically, crossing her arms. “satoru, i’m exhausted. it’s been a long day, and i’m not in the mood for whatever you’re planning.”

he stepped closer, his hand reaching out to gently brush his thumb over her cheek. “that’s exactly why i want to do this. you deserve a little break. you’ve been running yourself ragged.”

she sighed, torn between the desire to sink into the nearest pillow and the undeniable pull of those playful blue eyes. “and the blindfold?” she questioned. “it’s part of the surprise. trust me, you won’t have to lift a finger. i’ll take care of everything.”

“satoru, i’m really not in the mood for one of your games right now…”

his expression softened, his thumb brushing gently against her cheek. “it’s not a game, i promise. i just want to show you how much i appreciate you. let me do that?”

y/n hesitated, feeling the warmth of his hand on her face. as much as she wanted to argue, the sincerity in his eyes made her waver. “fine. but if this gets too ridiculous, i’m stopping.”

he chuckled, clearly pleased with himself as he tied the blindfold over her eyes. “you won’t regret this, i promise.”

she felt him guide her, his hands gentle but firm as he led her backward. the familiar softness of her bed brushed against her legs, and he eased her down, guiding her to lie back. he was uncharacteristically quiet, his touch slower and more deliberate than usual.

“satoru… what exactly are you planning?” she asked, unable to hide the nervous edge in her voice.

“just relax, angel,” he murmured, his voice dropping to a husky whisper. “i told you, tonight is about you. you don’t have to do anything. just feel.”

y/n took a breath, her body instinctively tensing as she tried to adjust to the darkness behind the blindfold. she couldn’t see anything, but she felt every movement, every brush of his hand over her skin, more intensely than usual. it was disarming, almost unsettling, but there was a strange thrill in the uncertainty.

he trailed his fingers down her arm, his touch light and teasing. “you’re always so busy taking care of everything. tonight, let me take care of you.”

she shivered as his hands moved to her shoulders, gently massaging away the day’s tension. his lips followed, pressing feather-light kisses down her neck, and she found herself relaxing despite her earlier annoyance, melting into the warmth of his touch.

“you okay?” he asked, his voice soft, almost tender.

“yeah… it’s just…” she hesitated, unsure how to put it into words. “it’s different, not being able to see you.”

“that’s the point,” he said, his tone playful again. “just focus on what you feel.”

she hummed, surrendering to the sensation as his hands roamed over her body, exploring in ways that made her skin tingle. the darkness heightened everything—the warmth of his breath against her collarbone, the slow, deliberate way his hands traced over her curves.

he shifted, his weight pressing down beside her, his mouth brushing against hers. the kiss was slow, almost reverent, as if he were savoring every second. without the distraction of sight, she was hyper-aware of every detail—the softness of his lips, the way he tasted, the subtle hint of mint on his breath.

“you have no idea how beautiful you are,” he murmured, his voice low and reverent. y/n swallowed, feeling her cheeks heat. “you’re ridiculous, you know that?”

“maybe,” he said, pressing another kiss to her lips, deeper this time, filled with an intensity that left her breathless. “but i’m also crazy about you.”

he moved slowly, taking his time as he undressed her, his hands gliding over her skin in ways that made her shiver. he had never been this gentle, this attentive, and it was almost overwhelming, the way he worshipped every inch of her.

he was right there, surrounding her, and yet the blindfold made it feel like he was everywhere at once, his touch lingering on her skin long after he had moved on. each movement, each whisper, each press of his lips against her body built the tension between them, until she was aching for him in a way that had nothing to do with sight.

“satoru…” she breathed, her voice barely more than a whisper. “shh,” he said, his voice a soft command. “let me take care of you. let me show you how much i love you.”

and with that, he moved over her, his hands and mouth tracing a path that left her trembling beneath him. she was lost in him, surrounded by the darkness and the warmth of his touch, completely surrendered to the man who somehow always knew exactly how to unravel her.

gojo’s lips grazed the sensitive skin of y/n’s neck, sending shivers down her spine. he started with soft, teasing kisses, exploring the contours of her collarbone with an almost reverent touch. each kiss was deliberate, filled with warmth and affection. he paused to suck gently at the spot just beneath her ear, a playful bite that made her let out a long sigh, the sensation igniting a fire within her.

“you’re so responsive, angel,” he murmured against her skin, his voice low and sultry. “i love how you react to me.”

y/n couldn't even respond, breathless as he continued his exploration, trailing kisses down the delicate line of her neck, each one lingering longer than the last. he took his time, savoring every inch of her, as if he were committing the feeling of her skin against his lips to memory. she leaned into him instinctively, feeling the pull of his warmth, every kiss stoking the flames of desire within her.

with each kiss, gojo moved lower, his hands sliding to her waist, fingers dancing along the hem of her top before he slipped it off, revealing her bare skin. he pressed soft kisses to her waist, tracing the curves of her body with his lips.

as he kissed along her waist, he made his way to her inner thighs, taking his time to explore the sensitive skin there. his kisses were feather-light at first, teasing her, making her squirm. y/n bit her lip, trying to suppress a whimper as he pressed a kiss just above her thigh, a deliberate tease that left her wanting more.

“satoru,” she breathed, her voice thick with need, but he simply smiled against her skin, enjoying the power he had over her.

he planted kisses along her inner thighs, each one deeper than the last, building the anticipation. his lips danced around the sensitive area, driving her wild with longing. he could feel her body responding, the way she instinctively opened up for him, urging him closer.

“please…” y/n gasped, her heart racing as he continued to tease her with his kisses, refusing to give in just yet. the sensation of his warm breath against her inner thighs sent waves of pleasure coursing through her.

“just a little longer, angel,” he said, his voice a playful whisper, as he lavished attention on her skin, making sure she felt every kiss. “i want to hear you.”

his kisses became bolder, more deliberate, as he explored every inch of her, leaving trails of fire wherever he touched. y/n could hardly think, lost in the sensations, the way his lips moved against her. he knew exactly how to take her to the edge, to make her crave him even more, and she was helpless to resist, completely surrendered to the pleasure he was giving her.

“you’re driving me crazy,” y/n confessed, breathless and wanting. “good,” he replied, a smirk evident in his voice. “i want you to feel everything. let me take care of you, angel.”

and with that, he pressed his lips to her inner thighs once more, drawing out every gasp and sigh, as he skillfully navigated the thin line between teasing and tantalizing, completely focused on her pleasure.

gojo’s fingers traced along y/n’s body, moving slowly, until he reached for something from the bedside table. she could hear him fiddling with something, a soft whirring sound catching her attention.

“satoru?” she asked, her voice laced with curiosity and a hint of nervousness.

“shh, angel,” he murmured, pressing a gentle kiss to her temple. “trust me, you’re going to like this.”

she felt the subtle vibration against her thigh first, the sensation both foreign and thrilling. gojo’s hand guided the small bullet-shaped toy, moving it in slow, teasing circles. he brought it to the sensitive skin along her inner thighs, just barely brushing it over the places where she ached for him most.

the soft hum of the toy mixed with the sound of her quickening breaths, each gentle press making her toes curl. he dragged the toy along her bud, letting it hover over the most sensitive spot, drawing out a soft gasp from her lips.

“h-holy…” she whispered, her voice trembling as he continued to move the toy in deliberate patterns, sending waves of pleasure coursing through her. she couldn’t see him, but she could feel his eyes on her, savoring every reaction.

“that’s it, angel,” he murmured, pressing the toy against her bud in slow, rhythmic pulses, the vibrations building steadily. “just feel. let go.”

she squirmed under his touch, the sensation of the toy mixed with the warmth of his hands as he held her steady, keeping her close. his lips brushed against her neck, trailing kisses as he gradually increased the intensity, pushing her closer and closer to the edge.

“satoru, please…” she gasped, completely lost in the sensations as he continued his gentle assault, driving her wild with need.

“i’ve got you,” he whispered, pressing one final kiss to her lips as she surrendered to him, the vibrations and his tender touch overwhelming her, pulling her under until all she could feel was him.

gojo kept the toy moving in slow, teasing circles, letting her feel every pulse, every vibration, each one building on the last. his hand pressed against her hip, holding her steady as she began to squirm under his touch, unable to stay still with the heat pooling low in her stomach.

“you feel that, angel?” he whispered, his voice thick with barely restrained desire. “just let it happen. let yourself go.”

he pressed the toy closer, increasing the intensity, letting the vibrations thrum through her most sensitive spots. every time she tried to catch her breath, he shifted, brushing the toy against her abused bud in a way that made her gasp, the sound filling the room. her hands instinctively gripped the sheets, knuckles white as she tried to hold on.

“satoru… it’s… it’s so much…” she managed to breathe, her voice trembling as he continued his relentless teasing.

“that’s it,” he murmured, trailing kisses along her neck, savoring every shiver, every soft whimper that escaped her lips. “i want you to feel every second, angel. just let me take you there.”

he adjusted the toy, moving it with a bit more pressure, finding the perfect spot and holding it steady, his lips pressing softly to her collarbone. he could feel her body tense beneath him, the way her breathing quickened, each pulse of the toy pushing her closer to the edge.

“don’t hold back,” he whispered, his fingers grazing her side, grounding her in the warmth of his touch. “i want to hear you, want to feel you let go.”

she could barely hold on, her body wound so tightly that every tiny movement sent shockwaves through her. the way he was watching her, the way he seemed so focused on her pleasure, only heightened the sensations coursing through her.

“satoru… please…” she gasped, her voice barely more than a whisper as she teetered on the brink, the pleasure building so intensely that she felt like she might break apart.

“i’ve got you,” he murmured, pressing a kiss to her lips just as he pushed the toy a little harder, the vibrations intensifying in a way that made her cry out, her body finally surrendering to the overwhelming sensation. her grip on the sheets tightened as the waves of pleasure crashed over her, leaving her breathless and trembling beneath him.

as she rode out the last of it, gojo held her close, his hand gently tracing circles on her skin, soothing her as she slowly came back down. “beautiful,” he whispered, a soft smile playing on his lips as he pressed another kiss to her forehead. “you did so well, angel.” he smiled, a look of unpurity in his eyes from his next actions.

gojo didn’t give her a moment to recover; instead, he kept the toy pressed against her sensetive bud, turning the intensity up just slightly, enough to send another surge of sensation through her already sensitive body. she let out a soft whimper, her head falling back, overwhelmed by the sudden return of the vibrations.

“you thought i was done?” he asked, a playful edge in his voice as he brushed a thumb over her cheek. “i want to see you fall apart for me again.”

her breathing was shallow, chest rising and falling as the sensations built quickly, even more intense this time. her body, still sensitive, responded immediately, each movement of the toy drawing out soft, helpless noises from her lips. she couldn’t form words, couldn’t think, only react as the pleasure mounted, her body instinctively arching into his touch.

“that’s it, angel,” he murmured, clearly enjoying the effect he had on her. “don’t hold back… let me hear you.”

all she could do was let out a broken moan, her hands gripping his shoulders, her nails digging into his skin as she tried to anchor herself. he chuckled softly, pressing a kiss to her temple, never letting up on the toy as he adjusted it, finding that perfect spot once again and holding it steady.

her breathing hitched, eyes squeezing shut behind the blindfold as she felt herself spiraling, her mind hazy, body trembling as he continued his slow, unrelenting movements. every nerve was on fire, her entire world narrowed down to the sensation he was creating, and she was powerless to resist it.

“you’re so beautiful like this,” he whispered, his tone gentle but with a hint of mischief. “completely mine.”

she let out another soft, breathless whine, her body instinctively moving against him as the pleasure built to an unbearable peak, the intensity almost too much to handle. her lips parted, but no words came—only a broken cry as she fell apart again, the sensations crashing over her like a wave, leaving her trembling and breathless in his arms.

as she came down, he held her close, brushing gentle fingers through her hair, pressing soft kisses to her forehead. “i’m right here,” he whispered, his voice a soothing comfort as she tried to catch her breath. “i’ve got you, angel. you did so well.”

as her breathing slowed, gojo shifted, his hands gentle as he moved lower, trailing soft kisses down her stomach, each touch igniting sparks along her already sensitive skin. she shivered, barely able to process what he was doing before he was there, pressing his lips to the inside of her thigh, teasing her with the warmth of his breath.

he paused, glancing up at her with that familiar playful glint in his eyes, his fingers brushing over her skin. “you’re still so responsive, angel,” he murmured, his voice low and soothing.

before she could catch her breath, she felt the warmth of his tongue, a slow, deliberate motion that made her body tense with the renewed sensation. a soft, breathless sound escaped her lips, her hands instinctively finding their way to his shoulders, her nails pressing into his skin as he continued, each motion gentle but maddeningly precise.

she couldn’t form words, her voice reduced to a series of quiet gasps and whimpers as he moved with a steady, unhurried pace, savoring every reaction. his hands held her firmly, keeping her close, grounding her as he worked, the intensity building once more, each soft flick of his tongue sending a fresh wave of pleasure through her.

he took his time, his mouth exploring, tasting, drawing out sounds from her that were barely more than whispers, her head falling back as he continued, pushing her further than she thought possible. the sensations were overwhelming, her body responding instinctively, lost in the warmth of his touch, the gentleness of his lips, the way he seemed to know exactly where to linger, where to press.

her breathing came in quick, shallow gasps, the pleasure building until she could barely think, her world narrowed down to the feeling of his mouth on her, his hands holding her steady, his soft, reverent murmurs between each movement. she felt herself tipping over the edge again, her body surrendering completely, her voice reduced to a single, trembling cry as he took her over once more, leaving her breathless and spent in his embrace.

when she finally came down, he pressed a final kiss to her thigh, looking up at her with a soft smile. “you’re amazing, angel,” he whispered, his hand gently brushing over her side as he pulled her close.

gojo lingered beside her, his hands tracing soothing patterns on her skin as she caught her breath. after a moment, he reached up, fingers gently sliding under the edge of the blindfold. slowly, he pulled it down, revealing her half-lidded, teary eyes, still hazy from the intensity of what she’d just felt.

he paused, taking in the sight of her, a soft smile tugging at his lips as he brushed a stray tear from her cheek. “there you are,” he murmured, his voice tender as he looked into her eyes. “you’re even more beautiful than i imagined.”

her gaze met his, her eyes filled with a mixture of warmth, vulnerability, and the remnants of pleasure that left her breathless. she tried to find her voice, but all that came out was a soft, shaky sigh as he leaned down, pressing a gentle kiss to her forehead.

“you did so well, angel,” he whispered, his fingers brushing back a few strands of her hair. “thank you for trusting me.”

she managed a small, contented smile, her hands finding their way to his, squeezing gently. he stayed close, his eyes never leaving hers, a look of absolute adoration on his face as he held her, grounding her in the warmth of his embrace.

“i’ll always take care of you,” he said softly, leaning in to press another kiss to her lips, slow and tender, as if savoring every second. he wrapped his arms around her, pulling her close, letting her rest against him as the aftershocks faded, leaving only the quiet, shared warmth between them.

as she regained her breath, y/n looked up at gojo with a feigned scowl, brushing her fingers over her still flushed face. “you’re absolutely ruthless, satoru,” she muttered, mock annoyance lacing her words. “not even a shred of mercy… you couldn’t have taken it a little easier?”

he chuckled, a smirk spreading across his face as he leaned down, his hand resting lightly on her waist. “oh, don’t act like you didn’t enjoy it,” he replied, his tone full of playful confidence. “i know you did. i can still taste it.”

her cheeks flushed deeper at his words, and she swatted at his shoulder with a huff, though her lips betrayed her with a small smile. he caught her hand, pressing a kiss to her knuckles, his eyes never leaving hers.

“admit it,” he said, his voice softening as he looked at her with a mixture of mischief and affection. “you loved every second.”

she rolled her eyes but couldn’t stop the smile that broke through. “you’re impossible,” she sighed, leaning into him as he wrapped an arm around her, pulling her close once more.

“maybe,” he replied, pressing a gentle kiss to her forehead, “but you wouldn’t have me any other way.”

♤ likes, comments, and reblogs are appreciated!

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[jinkiezzsstuff]

Met the Devil 2

lucifer x human!reader

sorry this took forever it’s been hectic i guess im in my fanfic writer era of madness happening and mentioning it in the a/n (im joking… unless) anyways lads hopefully this is okay womp womp

Part [1]

Based on devilish folklore and wives tales so lucifer may be ooc!

Warnings: BODYHORROR; DESCRIPTIONS OF TEETH FALLING OUT. Mentions of blood, reader dies a goofy ahh death, lucifer being an unsure wreck, and he’s got no game, reader is perpetually confused, inaccurate descriptions of religion, swearing, not proof read and i don’t entirely know where i’m going with this teehee lmk whatcha think xxx

word count: 3.1K

Three months, it had been three exhausting months since the incident with Lucifer. As if there was some devine intervention, everything seemed to fall at your feet working out for you, while also simultaneously sucking. Career wise, you were doing much better, after working for Marie and watching her house keeping it exactly how she wished, excluding the devil you had intercourse with, she put in a word for you at her and her husbands church, which you ended up getting.

Although not a very important role, it paid well. You were mostly in charge of cleanliness, cleaning the areas in the front where children played, keeping the holy fountain fresh, sweeping the pews and repairing any unbinded bibles. However the staff weren’t particularly fond of you, the nuns avoided you like the plague, and the priest gave you glares. Thankfully you rarely interacted with them if at all.

However, while your career was better than before, your physical health wasn’t. Things tanked once you slept with the devil. It started slow, noticing hues appear in your skin that you hadn’t before. Despite the various skin, and blood tests, and the general run down of different illnesses that cause changing pigmentation, there was no evidence to prove anything was truly wrong, just random hues of pinks, purples and blues showing up like you were some corpse.

The second minuet thing to change was your nails, at first you foolishly wondered if your calcium intake increased causing the thickness in your nails to double, but you quickly scrapped that al when your nails grew more rapidly. You really hadn’t changed much diet wise for that to be true, odd as it was it wasn’t something you hated.

The worst of it was teeth. One night you woke to a horrific splitting headache, it wasn’t just one part of your head either. The pain seared through your jaw, down your neck, up your face through your cheeks and in the back of your eyes all the way to the tip top of your head. You walked half asleep half dazed from pain to the bathroom, once the light blinded you and you got woken up a bit was when your brain registered the feeling.

Your mouth filled with the metallic taste of blood as you tuned into the sound of tapping in your mouth as the loose teeth collided. When you threw yourself over your sink spitting continuously, you immediately began to cry feeling your empty gums with your tongue, and the worst part was it seemed you had swallowed some too as the amount in the sink didn’t amount to how much was missing.

That night you must’ve passed out because you were woken up by your angry family member shouting at you to hurry. The strangest thing was, however you awoke with teeth, sharp as razors, and the porcelain sink that was never cleared of blood or teeth was now cleaned.

Since your teeth, you managed to not lose nor gain any other strange things, and the only people who didn’t seem to look past these oddities were the people who attended the church or worked at it. It was like they could tell you slept with Lucifer, something in their eyes always felt so intense and aware even if they’d never spoken to you before. The strangeness didn’t end with your appearance or career.

You had weird dreams you couldn’t explain, it felt so real but once awake you could only remember how you felt about the dream. You had close interactions with certain animals, like ducks, goats, crows, and insects as well. It was like they sought you out no matter where you were, people would give you looks when you started greeting the goat like an old friend.

So,now three months after Lucifer, you changed a lot. You know it’s because of him, you just can’t figure out why, but soon you’ll know. Walking into your work place on your day off, everybody’s least favourite thing to do, but it had to be done. You saw the father reading a bible off to the side of the room, and so you approached. He gave you a stern look, and you could tell by his stiff and shifty body language he wasn’t too happy with your presence, antsy to see what it is you wanted.

“Good afternoon father, how’re you?” You start, standing in a way you perfected prior to attempt to seem unthreatening. The priest hummed closing his bible to pay attention to you. “Good child, good. How’re you, is there something i could aid you in?” Straight to the point, mentally you cheered happy you didn’t have to waltz around small talk for fifteen minutes.

“Well i’m alright father, thank you. I was actually wondering about, um, the devil?” The priest's head lulls back slightly eyebrows raised as his mouth opens with a silent o. “Is there temptation in your life?” You shifted on your feet at the question. You hadn’t really thought of it before but you suppose you felt more inclined to act without thinking,and indulge especially after Lucifer claimed you.

“Well yes, but i was more so wondering on what the devil is capable of? Like making deals, and stuff…” You trail eyes casted away to the large sculpture of jesus on the wall. “Nothing, the devil isn’t as strong as gods love. And never in the bible does it state the devil makes deals, that is but a wives tale.” The priest spoke sternly, punctuating his words to get his point across.

This was news to you however, you always thought the devil was more of a a character in the bible. “Father one more question?” You say head snapping back to look at him. “If the devil were to have intercourse with a person, what’s said to be the outcome? Will god punish?” The poor priest looked like he’d seen a ghost, yet you couldn’t comprehend why. Although slightly morbid you didn’t think the question was that out there, perhaps it was the monotonous way you’d said it.

“I’m afraid i don’t have the answer to that,” And with that the priest stood, excusing himself from your conversation walking off down the isle. “I heard the devil picks somebody to carry the antichrist.” Turning to the voice, there sat a woman, old looking wearing a light blue dress. “The anti christ?” You repeat mostly to yourself, but the elderly woman hummed. “Yep. Woo’s the target, sleeps with them, and they give birth to the antichrist. Bad things happen once the child’s born.” The woman explained turning to look back at you.

“And, what if there’s no anti christ, what if the devil just like…” The old lady cackled looking at your puzzled face. She tsked and ushered you near. When in front of her she met your eyes, again with that weirdly all knowing look on them everyone in the church seemed to give you. Holding out her hand to you, you opened yours holding it out to her.

She placed something in your hand but you weren’t able to know what it was before you dropped it shrieking. It was like gripping a hot coal, you gripped your wrist keeled over trying to breath out the pain. Your eyes briefly glanced over to the floor where the object dropped and sitting there was a gold rosary covered in what was more than likely your blood. Peaking up from your bent over position the old woman had took several steps back from you, hand up to her mouth.

Not knowing what to do, you perked up, thanked her for her input, and sped out to the street. Just like the night you met him, the sky darkened and clashed with lightning, then came the rain. The devil himself must’ve worked through water with the way it was a constant anytime something happened.

Walking down the street at leisure, you inspected the wound the rosary left as rain pelted you like no tomorrow. You sighed brushing your thumb over the large cross shaped gash. Suddenly a crack of lightning came down brightly, it was harsh and so very bright. Then another crack, this time however you felt the harshest pain describable. It was like being lit on fire inside your body, or like your blood was suddenly filled with glass shards and you could feel them coursing through.

You couldn’t scream too in pain, you simply slumped to the floor, the searing pain engulfing your body. As your eyes closed, it felt like the floor was sucking you down, but you couldn’t move. You couldn’t even will your eyes to open as you felt the concrete below you begin to engulf you fully. Your lungs burnt as you couldn’t breathe, but like any other regular circumstance where you’d gasp for breath, you were physically unable to. Like you’re body didn’t know how to breath, so you sat there chest feeling tight, burning and your stomach feeling like it was forcing itself inward but nothing changed.

As torturous as it was, it was short lived and finally you felt freed. The concrete beneath you morphed into something softer cozier, the breathlessness left finally you were able to fill your lungs with air almost as refreshing as a glass of water would’ve been, and when you opened your eyes you were greeted by the sight of a bedroom. It was decorated with whites, reds and golds, around you could see engraved apples and ducks in not only the door frames and baseboards but some of the furniture as well.

You couldn’t will yourself to sit up, you still felt the fire on the inside of your body albeit gentler than before. “Hey cookie.” Cooed a smooth voice, you didn’t have to look to know who it was, but thankfully he stepped in front of you, kneeling down to your laying figure. “How you feeling?” You stared at his face, scanning it over and over, his eyes were hauntingly beautiful. The red irises danced around nervously, you watched intently as his forked tongue brushed against the dryness of his lips.

“You’re beautiful.” You mutter half muffled by the fact you sunk comfortably into the mattress that you lay on. Chuckling quietly the king of hell turned and sat on the side of the bed, petting your head very gently like you were made of glass. “Where am i?” His hand stuttered on your head, and finally you rolled over onto you back to gain the view of him. His hat discarded, his suit jacket gone, he sat only in a vest, dress shirt, and his white suit pants.

“Hell, sweetheart.” It was interesting how warmly he had said that to you, looking down at you with almost a pitying expression. “I’m dead?” You jerked up, immediately regretting it as the pain shot through your body from the top of your head down. Sucking in air through your teeth, clenching your eyes shut Lucifer cooed at you reprimanding you for being too quick. “God must’ve struck you down.” His voice lifted as he let out his attempt at a joke, but you weren’t really in the mood to laugh.

“What happened, with me when i was alive.” You ask looking over to him, the expression he had looked slightly guilty, his eyes casted downward, a frown that tried to be a poker face- but failed. “I, well y’see, heh,” Lucifer fumbled picking at his nails and looking around the room. He bounced himself against the mattress almost like he was amping himself up. “I just wanted to make sure you were okay! So y’know you got some human repellant, claws, sharp teeth, that dead look. Sent some little guardians after you! Too bad you couldn’t meet the snake.” Lucifer tisked mournfully shaking his head.

You smiled at him, oddly enough, it was quite endearing that he set out to do these things to keep you safe. “Oh!” He sprung up meeting your eyes properly. “I also made Marie get you that job, and I forced a good pay, always here to help y’know.” The king briefly pinched your cheek before retracting and standing. He looked frazzled, uncertain, he pulled at his clothes like he was trying to fix them. “Sorry it’s been awhile. Y’know i gave up going to earth in like 1850.” The devil laughed out, scratching the back of his neck.

You scooted yourself to the edge of the bed, Lucifer watching intently. “So, what, well I mean, why…?” You were confused head bobbing as you tried to make sense of everything. Things didn’t entirely add up this you were certain of, and you could tell the king was keeping something hidden from you. “As you know hell is well, it’s hell, and you were so…” He trailed off hands circling eachother as he gazed off into space, attempting to find the right words.

Deflating his body slumped over, in one foul swoop it looked as though he’d lost all the will to keep up his charade. “Look I didn’t think you were gonna shake my hand, but in the moment I was hooked on you. The night you took the apple reminded me of days of my life i can’t go back to. So i may have indulged, but i didn’t expect you to be soooo,”

Your eyebrows pinched together as you watched him with judgement, giving him a look that egged him on, yet warned him. “Captivating?” You ‘hmphed’ at his term, as weak and guilty grin overtaking his face. “Okay okay. I enjoyed our night, you gave me advice and helpful conversation I haven’t gotten in, pfft,” He was now pacing, eyes wide as his arms wrapped around himself as a way to secure him.

“Ever, you were a breath of fresh air! I didn’t expect the deal to go through! I didn’t expect you to grab my hand, so when you sold your soul you started to gain those devilish features. I wanted to make sure you were still safe so I manipulated Marie, got you the job, but nothing else was planned!” He exclaimed hands coming up in defence, although it wasn’t like you were angry, you sat there patiently watching him and waiting for him to finish his explanation at his own pace. Understanding this was probably just as stressful for him, if what he says is true.

Blowing out air the king pulled gently at his hair. “I don’t know what to do from here, I sent animals to protect you, I knew something would happen, damnit!” The short man raged eyes blowing up red, that snapped you up, gently you grabbed his shoulders. “I believe you, I have no idea what’s going on either so it’s okay! I’m terrified, but you don’t look any better. Maybe we can figure it out together?” You suggest attempting to be a voice of reason, watching his eyes hue from bright red to the yellow and red irises you’re more familiar with.

He sighed and nodded looking slightly embarrassed. “Do you think we could set some ground rules?” You quirked a brow at that, watching as he once again began to pace. “My daughter, Charlie, we spoke about her, she can’t know I made a deal with you! And for now, she can’t know i did anything sexual. Oh no no no. NO!” Lucifer panicked, switching between gripping his hair and swinging his arms around. It felt like a stab in the gut, it wasn’t your first time being a secret, but you wish you could’ve kept the promise you made to yourself about getting into another situation where you were just a secret fling.

“I’m not gonna pretend that doesn’t get under my skin slightly, I’d prefer not to be the devil's dirty secret, but I understand what Charlie means to you so I’ll do whatcha need.” Lucifer looked at you sheepishly, it seemed like he slightly regretted the choice of delivery as you crossed your arms across your chest, looking at him with a tinge of disgust in your eye. “Okay next, uh let's see, okay you’ll pose as my assistant and you’ll spend the days with me so I can keep an eye on ya….”

You quirk your head, pondering if you should say what you want to say. Which was questioning him and the motive here, it’s normal to say things you don’t always mean in such an intense moment of sex fueled emotion, but now there’s a big consequence and you’re not sure if he really knows what he wants to do. “Hey,” You say quietly grabbing him from his frantic mumbling that he was doing to himself. He hummed at you, his attention refocused on you as he did. “Do you at all regret the deal.”

Lucifers eyes blew wide, his lips puckering as his fingers fiddled with each other. “Regret is a very loaded work y’know- uh, I think- eh, maybe if- okay so,” He fumbled his wings popping out feathers flying around as they did, they puffed out with stress making you gawk. “Uhm, I wouldn't do it again if I had the choice! But still I would've wanted the sex!” Finally he pumped his chest proudly, meanwhile you rolled your eyes. “That’s what most men would do, yeah.” Your tone was bitter, catching him off guard a bit, to be fair he didn’t know what you wanted from him. Normally deals were two sided, but this one you benefited nothing from, except trauma and an early grave.

“I didn’t mean that,” Damn he really lost his way after Lilith huh, every flirtation came out so naturally but now it seemed it was so unsure, no king of a whole mini word of demons should be unsure, he mentally scolded himself for being so unfit.

“Listen can we figure this out later, I still feel the pain from when I died, so I would love to sleep that off.” You say plopping yourself back on the comfy mattress. “Yes, yes of course go ahead! We’ll figure this out together hm, shedevil? Won’t leave you in the dark!” This time his exclamation sounded certain as he jumped into the bed with you, snapping his fingers so the lights blinked out. You hummed too lazy to respond and crawled underneath the covers, it was nice, warm and smelt like him, underneath the covers you felt him slip in with you, his body heat emitting off of him in waves.

You hoped your mind was less clouded tomorrow, hopefully you could have a better conversation with the king about this deal, get things sorted out.

[guzhuangheaven]

I'm rewatching Ruyi, and all I'm thinking is, "Why is Yanwan such a stupid person?"

She is surviving and thriving because of luck most of the time. How is it that her mother murders his child and Hongli thinks that maybe she is not evil because her mother didn't confess Yanwan's part but he spend over a decade hating on Yuyan because of an accessory and her ambitious son.

I feel the writer faltered and could have made her a more subtle and clever villain. Her only becoming a Consort because Hongli wanted to piss of Zhen Huan, I think sucked the most.

See, here’s where I think the writing is genius in terms of human psychology, because it shows just how utterly narcissistic both Qianlong and Yanwan and how much they see themselves in each other. Yanwan panders to Qianlong’s narcissism, so he literally willfully tells himself that a woman he favours can’t be that bad, to the point that he actually believes it. He wants to always forgive Yanwan whenever she pisses him off, because he can’t admit that he likes or gets turned on or whatever by someone so despicable, because what does that say about himself?

In the situation with Yongjing, he would rather believe astrology nonsense that Ruyi’s vibes killed Yongjing than consider there was foul play. He gets so hyped up with the idea of Yongjing being a good omen that when Yongjing dies he feels like he's losing face to ever have hoped so much. Face is a huge deal to a person like Qianlong, he can't deal with losing face like that so he turns it on Ruyi instead. Later he would rather deceive himself that yes somehow Yanwan’s mother can miraculously pull all off this huge feat of paying off midwives and people both inside and outside the palace to endanger Yongjing and frame Hailan in the process, than admit the obvious that she couldn’t possibly have done all of this without Yanwan’s will or involvement. And some people really are just so narcissistic that they would believe these excuses they tell themselves rather than think that they might be wrong.

Yanwan says it very succinctly in the end, he chose her, he raised her up, if she’s horrible, then what is he? That’s why he can’t ever admit to Yanwan’s worst actions until he can’t be in denial anymore, when it’s all shoved into his face in the end.

Yanwan basically spends her entire time as consort failing up because her benefactor (Qianlong) is too narcissistic to admit he was ever wrong and has the ultimate privilege to get away with that mindset. This happens in real life…

Anyway, I think while Qianlong is aware of Yanwan’s ambition from the beginning from the way she approaches him, and he nurtures that ambition to use her as a weapon against the empress dowager and Ruyi at times, he doesn’t see Yuyan (or do you actually mean Luyun and her hairpin?) in the same way. We see the Yuyan’s scheming private moments but I think for Qianlong, she’s just this plaything gift from a tributary state with a sharp tongue, and she is the equivalent of a sexy lamp to him. So he is blindsided when that toy dares have her own goals and uses her son to push her own gains.

If you mean Luyun, I always thought it was a perfect concoction of coincidences that sets up Qianlong’s suspicion of Luyun, from Langhua suddenly recommending Luyun as the next empress on her death bed even though she hasn’t shown any preference for Luyun before, after Qianlong just learnt that Langhua had supposedly done all these evil things, and then Luyun’s hairpin being found at the wrong place, then suddenly Luyun showing desire to compete to be empress that she didn’t have before and both Yongzhang and Yonghuang who were raised by Luyun acting up at Langhua’s funeral. With his tendency for paranoia of course he would be suspicious of her and he can continue to hold a grudge because Luyun isn’t a mirror to him the way Yanwan is.  

[cheeserobin]

Suren Darga deserved better 2.0

clarification: this post is resubmitted because I had already touched this same topic in Spanish, everything is original.

WARNING: English is not my first language, I am sorry for any spelling mistakes that may appear below.

Any DC fan or Damian fan knows the joke about DC forgetting their friends, which is sadly funny. Luckily that's what we ( the fandom ) are here for, to not let characters with potential be forgotten thanks to evil editors.

Now what happened to Suren Darga?. I'm not kidding when I say that the kid seems to have been left in a giant void for everyone after his last appearance, because his wiki the only thing it says about him is this:

"Suren Darga is the son of Den Darga and the prince of the Lu'un Darga."

And I'm not exaggerating

And they also put him as “Supervillain”, ok.

Suren was forgotten and I have a feeling that wasn't the idea mainly, not only because he has a whole interesting past that should have been seen but also his team, trio or whatever he may have had with Maya and Damian looked so…real. They were going to be even if it was allies and great friends.

Plus after his end of the world disaster, showing his very fucked up daddy issues and receiving possibly the most painful punch in the face of his life.

He was to have a long, but sincere arc of redemption.

And let's not forget that Suren at the time helped Damian's development as much as Damian helped Suren's development. He and Maya changed for the better thanks to the fifth Robin in that same comic.

Maya was going to follow her father's path of blood, having Damian as her first victim as revenge. Luckily for both of them, Damian proved that he changed and that she could do it too, preventing her from getting her hands dirty like her father and becoming his older sister.

And I think Suren goes one step further. Maya herself says: “Man, you guys have so much in common”.

Suren was going to do the end of the world to give honor to his family, but also for the infinite and pure love of a child that he had for his father, but Robin knowing that feeling of hunger for affection and family understanding stopped him making him see that there are simply shitty parents who do more harm than good. That he knew what that was like and that he should let go of that toxic environment before he became something worse. They were so alike that Robin just couldn't leave him alone.

In short, I apply the “AMIGA DATE CUENTA” (FRIEND BE AWARE).

And I think for Damian's development it felt good for him to help these characters who were in a dark place like he once was to realize that he really became a better person who wanted to help others unconditionally. that that R of redemption in his chest was for something and worth his effort.

But this does not end happily for Suren. We never knew if he really moved away from the shadow of his family and to forge his own story or if he is still in contact with his only friends until now and if we go further, is he still alive? The worst part of this is that the writers/publishers would have no excuse to leave him behind saying “He's not an interesting character” since his origin story, coming back from the dead which could have caused him another trauma and conflict and his VERY GENIUS connection with magic do make him interesting, VERY interesting.

But DC doesn't agree with that, so the last we have of this kid is this panel of him smiling going on a new adventure, an adventure we never saw come to light.

“It NEVER ends” how funny.

[peachviz]

I finally finished Voyager so you know what that means.

It’s a Voyager Wrap Up and notes party:

(Beware: hot takes ahead)

- I like and I hate this show. It was my slowest watch. I should have probably started with this instead of DS9 bc as you all know nothing can top DS9 and when you start out with the best meal nothing can compare. But tbh I don’t know if it would have made a difference.

- There’s a problem with this show that I’ve noticed that it’s a common problem within Star Trek as a whole. This one was just noticeable. There’s parts where they build up plots and characters and then half way through they just give up.

Kes was the biggest atrocity, they couldn’t figure out what to do with her so they give up on her and replace her with a new shiny toy. Won’t even get into the misogyny of the situation, we are all aware I don’t have to keep beating a dead horse. (Also aware of the hostile situation on set I’m not interested in that debate)

Chakotay is another example. He starts to lose lines and he kind of just floats. Tuvok is another big one. Because why tf did I have to sit through more Neelix focused episodes than Tuvok???????

Like the writers constantly do this but it’s so noticeable with this series. It’s like Patrick trying to open Sandy Cheeks’s door in SpongeBob and he just holds his hands over the door and goes, “Open Seasme!” The door doesn’t open and he shrugs and goes “Well, I’ve done all I can do.” That’s the writers of this show.

- while on the topic of Neelix. Here’s a hot take. What an incredibly pointless and annoying character. He made a lot of episodes unwatchable. Kes and Neelix have to be the worst poison I’ve ever ingested from Star Trek as a whole and I had to sit through TNG sexism and somehow this pairing was the worst. How incels feel about JarJar Binks is how I feel about Neelix. If you like him, great. If you don’t like him, let’s hug.

- there is something about this show that I feel they do better than DS9 and that is mental health episodes. It’s so subtle and there doesn’t have to be a lot of theatrics. While DS9 is good at portrayal, there are things that Voyager does with the Doctor, Seven, and even B’Elanna that I found the most relatable

- which btw B’Elanna is like super relatable it’s almost scary. I love Kira Nerys, she’s still my all time favorite, but I find myself gravitating to being like B’Elanna. I feel like she had the best character development besides Seven. Now granted, she can do some really selfish fucked up shit. Like the Doctor’s holofamily, etc, but I find her character refreshing. This show needed that.

- Seven of Nine. Idk what to say to make everything fit so here’s a lightning round. The cat suit is fucking annoying. We had to have Gene Roddenberry dying to get Deanna Troi in a real uniform and then we have the goodness of DS9 just to have the men be like “we need to bring back sexy” and then bring this wonderful character just to keep her in a cat suit. A suit, btw, that she doesn’t even want to be in bc in all her holo fantasies she’s either in a uniform, pants, or literally anything else. And don’t even get me started on Chakotay and Seven. What an odd paring with zero chemistry. It felt almost fatherly and then that shit happens bc they had to dispel the J/C shit and I think it was along the lines of Beltran getting tired of Chakotay being a “chump”. ??? Idk if that’s the exact quote but like boooooo that’s boring. It’s just ew no thanks.

- but seven is a wonderful character and if there weren’t so many men in the writing room then we could have had it all. Looking forward to seeing what Picard retcons

- Janeway is an amazing captain and I’m glad we have a complicated female captain but this goes along with my first topic. For the first four seasons, until she cuts her hair, there’s still too many cooks in the kitchen. You have her naked somehow multiple episodes per season until 4 (?) and then she has that dumbass governess holo program. Like by the time she has her hair cut, we could have just had all that from the start. Everyone say thank you Kate Mulgrew

- lastly, I’m glad that J/C didn’t become canon while they were away bc sometimes yearning is hotter than having. Kate Mulgrew stating that it was inappropriate for an office place romance bc young girls shouldn’t have to see (once again generalizing a quote) is totally valid. And tbh I feel like it would be a distraction to Janeway specifically

Idk in closing it’s an alright watch. It wasn’t really spectacular to me anyway. There were a lot of good parts, but I feel like it lost steam midway through season 6 and a lot of it was rocky. I could just be getting Star Trek fatigue.

Picard is next and then Prodigy. Probably won’t even go near Enterprise and I’ll be doing an actual rewatch of discovery to finish it. And another rewatch of lower decks bc now I’ll be able to understand it in total. So the Rankings below will exclude prodigy, ent, Picard, and discovery.

Current Series Ranking:

1) Deep Space Nine

2) Strange New Worlds

3) The Original Series

4) Lower Decks

5) Voyager

6) The Next Generation

Current Captain Ranking:

1) Sisko

2) Janeway

3) Pike

4) Kirk

5) Picard

6) Freeman

Anyway, I have two voyager edits to get off the ground and my notes app looks like the Bible so getting this footage is going to be super time consuming.

Now onto Picard

[mywingsareonwheels]

Here be yet more Fred Thursday musings ;-)

[Long post and spoilers for all of Endeavour here.]

So, I was thinking yet again (for the billionth time ;-) ) about Fred Thursday and the three people we see him kill over the course of Endeavour while trying to save someone else:-

Mrs Coke-Norris

Ludo Talenti

Raymond Kennitt/Peter Williams

The show seems to be pointing us into believing that the third of those is somehow much, much worse than the first two and I... have a problem with this.

I mean, in all three cases Fred was responding to an immediate threat to life (of someone he cared about, and in the second and third cases also Fred himself). In the case of Mrs C-N Fred was officially on duty which gives him some extra legal cover, but I'd say no extra moral cover.

I'm no legal expert, but from what I understand, under English-and-Welsh law, none of the three were murders; you're looking at manslaughter at worst, at best a good case for self/other-defence, which... is a grey area but certainly a decent defence lawyer could have had a good go.

(It is worth noting, of course, that this is the morseverse and this is Fred Thursday; he's made so many enemies both in the criminal justice system and among criminals, mostly through doing actively good things, that his chances of either a fair trial or then surviving prison are basically non-existent. I think we have to weigh all of Morse's decisions in "Exeunt" with that in mind because there's no way Morse isn't aware of it. Sam's chances of surviving prison for drug-dealing I think we can assume would also be remote, again due to the enemies Fred has made. And I think again, we have to weigh both Fred's and Morse's decisions with that in mind.)

So... yeah. I think there are only three things that you might consider as making the killing of Raymond Kennitt worse than that of Ludo Talenti or Mrs Coke-Norris:-

the use of the knife rather than a gun, which makes it theoretically possible that Fred could have found a way to end the fight that didn't involve killing Kennitt. That does strike me as something that's probably easier to see from a backseat than if you're Fred in the middle of what's happening, but still.

we know Kennitt's horrifying backstory (not that Fred does), and so feel huge amounts of compassion for him even though he's obviously awful in the "present", and sympathy for the grief that Jakes would feel if he knew what had happened. That's inevitable I think, but, well. Can we be sure that Mrs C-N and Ludo aren't child abuse survivors too? (We do know that Fred and Charley both are, though not the details.) All in all, I think this is a show that wants us to feel compassion for as many characters as possible, and I don't want to assume that Mrs C-N and Ludo didn't end up Like That for no reason.

the fact that Fred kills Mrs C-N and Ludo in defense of Morse (the protagonist, Fred's protege, and a character we all love) and kills Kennitt in defense of Sam (a more minor character, and Fred's son). I would hope that Morse wouldn't see it like that and that neither does Russell Lewis because obviously that's a dreadful position to hold, but... yeeeah. It would annoy me a lot if that's part of the reasoning of the show, but protagonist-centered morality is a flaw in an awful lot of fiction, and while Endeavour mostly doesn't give into it, I don't think any writers are immune. So I do have a horrible suspicion that this is the bit that makes the actual difference, even though I really think it shouldn't be. If Fred had killed Kennitt to save Morse rather than Sam... would we as an audience feel differently? (I ask that of myself as well as of anyone else who wants to ask it of themselves! And honestly, I probably would feel better about the killing if it was for Morse, even though rationally I know it's no different!)

I'd actually say that in the case of the killing of Kennitt there are a couple of minor mitigating factors that the first two lack:-

Fred is in the worst state mentally we ever see him in "Exeunt", and is completely falling apart; earlier in the day he had some form of heart episode or possibly severe panic attack. At any rate: he's going through hell and he is ill as a result.

I can't actually remember if he has his gun with him during the fight with Kennitt, but he certainly isn't willing to use it given the situation; the knife is Kennitt's not his, and a weapon you aren't intending to use is for practical purposes not here, so he's... taken on an armed man while essentially unarmed. Fucking berserker that he is. Rather than two people with guns going up against each other.

you can see a moment of decision in Roger's face for the killings of both Mrs C-N and Ludo; by Fred's own account to Morse (which I think we can take as honest) he didn't make any conscious decision to kill Kennitt (see above re awful mental state).

Honesty? I think that killing in immediate self-defence and/or defence-of-other is however as close to necessary and justified as killing ever gets, and I'm inclined to be extremely forgiving about all three deaths. I'm not sure Fred had a real choice in any of the three cases.

What Fred does do in the third case that really is different of course is the cover-up, in misleading everyone, in being an absolute arsehole to Morse when he comes to check on him that night. In all of it it's massively, massively understandable (as he's a) ill, b) still trying to protect Sam). Morse's sense of betrayal though is also massively understandable. Ugh. My heart hurts. *shakes fist at Russell Lewis, and also at Roger and Shaun for being so amazing*

Anyway. Do I have an overall point? Probably: Fred Thursday is a complicated character and I love him and I want to hug him and also throw things at him. He has horrible violent tendencies but he isn't a murderer under English-and-Welsh law, and I don't think s9 makes sense unless we interpret him as very mentally unwell by the end of it. Also: Morse and Thursday both need different jobs, holy shit. Also also: I reckon Morse ended up forgiving Thursday and being in touch with him, because he is pretty fair when given time to process things, and he doesn't have Morse-centered morality. Also also also: Russell Lewis is a meanie and I want more fix-it fics. ;-)

[ekwolfwriter-blog]

I just want to get this out but I am getting tired of people complaining about Live action Katara's lack of rage in the show. Especially because now, because it is missing from the LA show, there is a general trend of people that were annoyed with her behavior before now are defending it being part of her character. And before people think I am hating on them, no. I am not against people defending her rage, as I liked it a lot growing up and watching the show causally just as the next person. Katara was one of my favorite character of being a kind person while also taking names and kicking butt, she was that awesome. So more defense for her the better. Hell, I would say from just the interviews I have seen of Kiawentiio, she has - to me - the Katara sass and I am living for it.

What I am hating on is that the Live action Katara is getting ragged on for a lot of reasons - some valid, but other are (in my opinion) surface level stupid and not knowing of what actually might have been going on during the filming of season and probably the mindset that caused her character to be deflated. Because there is a lot to consider as to why it had to be condensed either for conveniences sake or - in my personal opinion - was done on purpose by two individuals that have a track records of curving that behavior in Katara to their desire.

Also: DON'T use this as an excuse to attack the actress! She is doing her best and giving her all! She is doing her job and any slander on her will be instantly blocked! I will not take any slander on her or any of the actors!

Also, mid spoilers so read at your own risk near the bottom

First thing we should consider: the amount of episodes. Yes, I am aware of the telling and not showing arguments that are being flown around. I get it. Normally, I am one of the biggest supporters that this show needed time to breath and let be to show than telling. If it had more time to breath, Katara's rage might have been more visible and we could have had more time for her arc to improve. And this is not to say that they could not have been able to do it, but I will say that this show NEEDED more than 8 episodes to be able to get as much in (To be clear, there are some shows that this works for - Amazon's Reacher and Legend of Zorro have short seasons and formatted for hour long content. But it makes sense for those shows because they are working within parameters of their medium and are newer (both are adaptions of older stuff but still) shows that can play around with the format better). For as ambitious as this project is, it has a lot to condense. At least that it is a show and not a movie, but still. Let's not forget that it could have been so much worst if it was a movie.

Now some people will say, "Well if they were good enough writers then they could have done more to show than tell," which fair. I will admit that there are infinite number of ways that they could handled some of the topics: such as Sokka's sexism and Katara's rage that everyone is missing. But with the landscape of media as is where you would be damned if you do damned if you don't if you so much as talk about some sensitive topic and you could be canceled for it instantly! Which leads me to the next point!

Second thing to consider: Multiple season renewal was never confirmed prior. Yes, we can all complain that the shows pacing was out of place. Yes, they cut some filler. And yes, it feels like we are getting too much of the world building through talking and now showing. But can you really blame them? To most people, if you saw the reaction of the cast before the news came out, you can see they were saddened by the fact they thought would not get a season 2. They changed their tune when season 2 and 3 was confirmed, and honestly happy for them. But again, that confirms to me that the writing had failed mostly because if they were never going to get their chance, might as well go all out. And with how easy shows can get picked up and canceled, I can see they needed to try and cram it in.

Which also plays into Katara's rage - they did not know if there was going to be a chance for her to grow and get bending abilities or go through her arc as steady as the animated. Again, I am not saying losing it was good, but that we need consider that if they were not going to get another season, they had to progress faster than usual. (Side note, while I like this show, Amazon's Hazbin Hotel has the same problem. We are steam rolling through what could be slow progression and change but can't slow because of episode constriction and no time to sit and allow the show to progress because it is so easy to drop the show for the studios, might as well end it on a note that at least can feel like it was it's own story.)

Speaking of studios, that would be my next point as well: studio and producer control. While I know directors can have a say in it, we should not forget about the studio that is allowing them to make this show in the first place and what they are asking for. As I keep saying, we don't know about what their restrictions are or if they can have more than a certain amount of episodes, and maybe that is a mandate of Netflix or something else, we as the audience don't know. We don't know what happens on set or behind the filming outside of glimpses and interviews, so for all we know, there was some changes to the script or teleplay to make it seem like they needed to cut Katara's rage to make her more meek. Which if this was the whole show, fine, that is a choice but not one I will have to like. But when watching the 3rd and 4th episodes, seeing Katara being a teenage girl and angry for once and even more open about her emotions was possible. Hell, it was the only times she was allowed to snap. And guess what people: it was because of the writing this time. That feminine rage you all wanted - while faint - was there. So clearly Netflix is not solely at fault - they have many mistakes but writing is not one of them.

But it is when you look who wrote what and where and what they were going for that - to me - puts EVERYTHING into place!

Final point: the original creators being brought on.

This might seem weird because one would think having the creators on the original show should be not as bad. The creators of the show is watching to make sure that the show is just right and that the characters feel the same or at least some of the story beats feel similar enough to enjoy. Why would them being on the set cause issues with the pacing and writing?

To a casual fan, yeah that makes sense. But to those that have been in the fandom, have see what they do post cannon to ALL of the characters - especially how they treat Katara in Legend of Korra - then anyone watching might have realized that that should have been a warning sign. Especially with how they would have wanted to depict the characters. And this is also the reason I think Katara's rage is gone: I think they wanted to make her like the comics version of her being a meek and demure girl that while caring was not getting as angry or as passionate about things because that would go against what Bryke wanted Katara to be in the show.

As I mentioned before, Katara's rage or at least genuine anger was only in for about two episodes out of the 8. And if you take out the 5th and 6th where she has been basically damseled with Sokka in the spirit world, that leaves on 4 more episodes to allow her to have her anger. Typically, one can thing, "Okay we can sprinkle it here or there in the other two and it should world". But all it takes is to see who was writing the episodes that truly not only hinder the world building of the show and breaks the rules of show don't tell or crammed it in so blatantly it feels like cringe and got rid of Katara being the one to free Aang because of her anger - was Bryke! They were the ones that were the head writers of the first episode and the 8th episode. The ones that had the most cramming down your throats dialogue, the clunky explaining of Aang's character out of now where and even curving Katara's rage or ability to be angry or snarky like she was in the show. Because Bryke wrote them, and also teleplayed a few - this being like adding notes and what the camera needs to do and how to frame scenes along side the dialogue. Meaning that they had some hand in making Live Action Katara this way.

If you notice in the episodes they didn't write: Omashu and the Cave of Two lovers - they were the only ones where Katara could be a bit more snappy and a bit more annoyed and vocal toward at least Sokka and Jet - not a lot but it was there. And oh would you look at that, the episode that they did not write had HEAVY hints for a certain firebender and waterbender being hinted at and color coded the lovers more vividly. And also, Katara getting to be empathetic while also not over explaining - which many always ragged on her for - where she could be human for once. Those episodes were the ones that they did not write and the story was somewhat better (Not better but I will take it over what we got prior)

And again, casual viewers might not know why this is a bad thing or probably wondering why I am against Bryke. But all it takes is looking at what they did to animated Katara that you all try to say "Was perfect as she was before" without considering what they did to her after the curtain fell. For any fan that has been following the show, you will find that most fans of Katara - the animated one -did not like what they did to her in the comics that continued their story and Legend of Korra, where she was a husk of a shell of her former self. And how she was all about "What Aang would have done, and what Aang did and oh how I missed Aang, he would know what to do". And yet, if she even showed any anger or negative emotions, she was painted as the bad person - easily look up Katara in the comics with a google search and you can see her being pushed around and flattened almost all the time when she is showing negative emotions that are genuine and not the funny mad in the show. Especially in the show as seen through this post, it did not always paint her anger in a natural thing for her or reinforced her angry as more comedic than actually something to consider as important until someone else stepped in to help her see it *cough* Zuko *cough*.

So to all the people that are trying to come after the live action Katara as being "Not the same energy girl power character who was expressive about her anger" you all "loved from the start'', please consider who and what was behind the scenes to make her this way. Especially since the animated show had other writers besides Bryke that understood Katara better if not more. Bryke wanted her to be more demure even in the pilot, and damsel. And yet the other writers gave her an actual story. Byrke have shown time and time again they do not want and angry passionate water bender that wants to be more active in changing the wrongs in the world, they want her to be more meek and docile and not fight back to let others save her in the comics and after. The OG had other writers that gave her her arc and Mae Whitmen give her the sass that we all love.

Live action Katara is no different. She has been trying to come into her own - with limited time to tell a story, limited time to get her arcs in fearful of cancellation, and with different writers, she can work, but not with Bryke. Same goes for the other characters too, not just Katara, but it seems that everyone pokes at Katara more and it is getting frustrating because some of these people just can never be happy with Katara.

Hopefully with season 2 and 3, we can have more time to flesh out the characters and maybe even have more show don't tell moments and being able to explore their feelings more. But only time will tell.

Rant over, sorry for the rambling mess.

[blankd]

DA: dogguard Veilguard opinion (crossposted + expanded from twitter)

I only know about dragon age through osmosis, my friend is playing it while I sit in, and so far my major criticism of VG is that the game is flanderizing its own characters at breakneck speeds and the banter feels incredibly weak DESPITE that aspect being one of the more signature traits of DA

regardless of how the journey ultimately goes, it's an experience that I'm taking notes on as a game/narrative designer for MushRush since you will be carting around a similar number of fantastical companions

read more has more scattershot, but specific thoughts; contains spoilers up to after having JUST finished recruiting all of the companions

disclaimer: I don't know shit about DA LORE, so I'll probably misspell locations, etc., I don't care enough to correct any of it.

the early game has real "shaky first draft" issues where characters repeat themselves or say nothing insightful or at least entertaining. it's gotten better since after the mayor in d'meta, but there have still been some instances of dialogue triggering that makes rook come across as hilariously unobservant such as them noting there are "a lot of undead" in the necropolis you pick up emmrich in. dead bodies in MY NECROPOLIS???

another part that sticks out to me is that the female characters are getting shafted hard since they are all (mostly) introduced before the male characters, so the "1st draft writing pains" get assigned to them

however, neve is unfortunately the Worst Companion so far, followed by harding (will elaborate on her later).

I still don't have a grasp on what neve's companion hook even is- even AFTER letting minathrous get dragon nuked. all I got was "neve is sarcastic and dry and job-oriented, followed around by sprites???" which is a shame since a mage detective should BE ENOUGH but she doesn't have the GRIT of a noir detective or the clever observations of one who is more holmes-aligned. her room does more to characterize her, which is good for the art team but a shame to the writers (even as they try to pepper in more interesting traits about her through other characters)

so we have to fall back to what the game DOES tell us, such as approval/disapproval, of the 2 instances of her showing disapproval, we couldn't figure out WHY she disapproved. (1st was doubting varric could convince solas to stop fucking up everything, 2nd was for leaving the mayor in his fucked up town)

my friend and I formed several theories for something internally consistent:

-neve doesn't like it when you assume the worst of people (tall ask considering what solas was actively doing, but it's a BELIEF) -neve doesn't like it when you doubt/question authority/authority figures -neve believes the gods truly override people (my friend joked "SECRET CHANTRY GIRLIE??") -neve doesn't like that we are "being mean to a man" (this is a joke I made) -neve is a contrarian because when you only have two characters, someone HAS to have a different opinion (this is purely meta and still poorly executed)

whatever it is that makes neve tick, we're probably not going to find out since she's HARDENED or w/e because we chose birdbatman over her (my friend was aware of the effects of the choice locking out Neve/Lucanis content, but debated over the choice because of the LORE, the tipping point occurred when I asked if they cared about Neve content which was an obvious NO)

TL;DR: we are currently getting more mileage/chuckles out of "NEVE DISAPPROVES" during choices than from anything the game intends, UNFORTUNATELY

----

next up is harding, harding is a perfectly normal character with some obvious insecurities and now having to grapple with magic. unfortunately the writers have tipped their hand that they care more about harding's LORE ties with the titans/gods than as a character

the most awkward handing of this is when we did harding's personal sidequest of trying to get a handle on her powers (perfectly fine!), but then it just abruptly STOPS because we help some random fucking guy in the forest

the real nail in the coffin came when she (essentially) went "solas seems sad tho )8", despite being the same character that hated she didn't shoot him to stop the inciting incident. I personally would have appreciated if she had more doubts/expressed conflicts about her action/inaction, about it but as-is, the exchange feels WAY too much like the writers taking shortcuts to make solas grey (or god forbid, "GOOD", ACTUALLY). varric is already running interference, having harding do it too just tells me they're willing to throw other characters under the bus to accomplish this annoying goal.

as an aside: when this conversation occurred I said something to the effect of "Harding, no!! Don't make us throw you into the basement with Neve!!!"

----

returning back to the point of how the female characters seem to be suffering a lack of writing effort compared to the male ones- bellera is a noticeable example of this.

her characterization is purely fixated on magictech (fine), she gets more character as soon as emmrich gets introduced (not bad in a vacuum), but despite being present with harding and neve, the most conversation she seems to have is that she can cook different foods and neve wants in on some of the cooking. again it could have been "1st draft" pains, but given how fixed the party is at the start, they should have something more going on, ESPECIALLY since harding and bellera disagree with neve on how the mayor and d'meta was handled! bellera supposedly had people she cared about in this town and she glosses over it fairly quickly. also there's a relative lack of reaction to harding (or neve)'s injuries from the solas event.

----

character flanderization as mentioned WAY back at the start, this problem is (too) quickly made apparent with lucanis

I thought the mention of the coffee (WRT to dealing with spite) was intended as a throwaway line and something that would stay confined to the sidequest, instead it comes up in the banter as well, in addition to him being the demon of whatever (and now having a literal demon, har har). the 'most' interesting banter so far is when bellera asks how lucanis's situation even happened, and it's not BAD but I felt there was flavor missing to the exchange

since both characters are noted to be the "good" cooks of the companions, I thought it could hint at how lucanis's favoring of cooking is NOT out of niceness but because he doesn't trust other people to it since he is 1) a fucking assassin ("he stabs people", I don't care, poison exists and he's the grandson of the crow mafia), 2) was force-fed something that saddled him with spite

like I know there's more parts here, but SURELY something spicier and/or more natural than just the point-blank answer, the man was betrayed and landed in prison for a year AND is supposed to be operating on a lack of sleep because of spite, he can be a little snippy about how his bodily autonomy was violated

----

the last recruits:

davrin (at this time) ends up being on the upper end of characters since he's the MOST GROUNDED/NORMAL. he's fine and closest to what neve was probably intended to be, skeptical, has a dry sense of humor, but can trip up rook (our rook didn't recognize that a name davrin held a grudge against is historical). it probably helps he has assan to bounce off of so he can tread closer to have a 3rd dimension of personality (it's TOO early to tell)

emmrich is a professor of necromancy, he's polite/nice but also has no problems with magicking skellieboys into servitude, I'm hoping this old man has some spice going on. also it's a crime he puts on his human face when he has a SKELLIE FACE. COWARDS. I'll forgive it a little since at least he still gets to be OLD, instead of some freakishly smooth bishonen.

taash is a horse girl(TM) but for dragons. they also have hints of relationship with a controlling mother, I have no expectations of this. I'm hoping this isn't another lucanis flanderization situation but that's probably a different game.

the lords of fortune thing is bullshit however, "yeah we steal items but return cultural artifacts" that better be a PR thing purely b/c rook is in the room, otherwise, holy shit I'm dying. like, writers, I could understand some cultural favoritism, but ALL cultural artifacts? what the hell are you talking about??

---

now a main plot writing quibble, just to round it out:

the treviso occupation is driving me insane that they really said with their full narrative mouth that the place with NO military but an ASSASSIN'S GUILD couldn't figure out how to deal with the MOST hierarchy-based military occupying them??? like I get that wouldn't instantly (or permanently) end it, but it just feels absurd!!! what kind of assassin guild doesn't know how to kill ONE GUY, especially when he gives speeches in open areas!

it's just such a HARD SELL that the assassin guild can be so bad at assassination short of some 5d chess backdoor dealings involving the mindrape potions that the antaam were apparently cooking up while avoiding having it traced back to them or something

as for the minrathous/treviso choice, it feels like a missed opportunity to have the macguffin knife be what actually drives the dragon off

like, I KNOW that rook/the player is the center of the world, but you don't LOSE anything by tweaking that detail either, it just comes off as ridiculous that "3" (1) people really would make a difference

anyway, thanks for reading, that was a mountain, we'll see how DA:VG continues

if there's additional DA LORE you think would season my experience (baffled/piss me off/etc.), feel free to comment!

[userarmand]

so since you watched Portofino and I'm currently going through season 2 (I'm on episode 3) (please don't ask why, the pull that man has on me is truly unfathomable, my dick has led me places etc etc ANYWAY) and I need to talk to someone about it bc I feel like I'm going a bit insane, so I thought I could ask your thoughts on this.

so like, season 1 wasn't like... good... right? like we're all aware of that and I'm fully aware the entire series is built on what I'm gonna call at best shoddily constructed narrative cohesion and probably can't be watched without a huge amount of suspension of disbelief, but I simply can't believe they let this insane mess of a storyline just go to production like that. WHY are these people letting a pacifist doctor join in on the assassination??? WHY is Gianluca suddenly so gungho about Nish either joining in his resistance fight OR straight up leaving him for Lucian??? WHAT IS HAPPENING in that goddamn group of resistance fighters??? IS it a group or are those just four guys who don't have anything better to do??? WHY IS THE WEAPON OF CHOICE A HAND GRENADE?? again WHY ARE WE LETTING THE PACIFIST BE PART OF THIS EXTREMELY DANGEROUS, VIOLENT SITUATION?? you don't bring someone to the shooting range unless you KNOW he can pull the trigger!! he's a DOCTOR, he's the guy that stays behind so that when you guys come back from trying to beat up fascist there is someone there who knows how to patch you up!!!

and worse than all of that!!! is that I can't believe they couldn't come up with something better to put Nish out of commission than this bullshit bit of conflict that they literally fabricated out of thin air!!!

also, there is one glaring continuity error during the first scene in Turin where Nish and Gian have their 'fight' about the letter, when Nish comes in from the balcony where he wears his glasses on the balcony and then three seconds later they're nowhere to be seen. which isn't the worst thing in the world, but MAN if that doesn't summarize how invested they were in this goddamn storyline, I don't know what does.

okay, sorry for that, I'm a bit tipsy, anyway: man this shit sucks, but the worst part of all of it is truly that there are like... TRACES of a reasonably interesting story scattered across the show, but every time I think they're getting close to actually properly engaging with one of them they do a hard left and someone commits a micro aggression.

jesus fuck, this show is awful. that said I AM writing a fix it fic, which is less fix-it and more 'let's try and make this less stupid'-fic

anyway sorry for this, I... am going back to watching...

gianluca definitely didn't know what he was doing but idk if that was intentional on the writer’s part or not. his little anarchist faction was very much in its infancy considering it was literally just him, his two mates, and his extremely reluctant boyfriend. gian knew that nish's heart wasn't it, knew he didn't like conflict, literally said that's why he loved him, but basically pouted about it until nish agreed to join, at no point acknowledging the added danger nish was in as an indian national. neat.

so here we are with gian and his merry band of mugs who instead of digesting any actual communist or socialist theory, decide that blowing up some rando fascist would make any sort of difference in mussolini’s italy. nish had to be directly involved in the grenade shit so he'd get injured which would put him back in lucian’s orbit and reconnect him to the 'main' plot in portofino. the show wasn't wiling to delve fully into what exactly gian and the resistance movement were trying to achieve outside of individual terrorism so that storyline didn't really result in anything beyond establishing that fascism = bad, which, yeah we know :/

also i don't disagree that they were half-assing things but regarding the continuity of nish's glasses: he takes them off when the camera's on gian lol u can see them in his hand

[justatalkingface]

what's your opinion on the big 3? When I was hyperfoxed on this series they were the thing I care Abt the most (I enjoyed season 4, obv I'd change some stuff now but I still remember it being atleast ok)

I hate how dirty they did my girl nejire, as far as I'm aware they didn't even do anything with her after the whole pagent thing she just got a small backstory about how she was sad (don't know all of it I haven't been keeping up that well w the manga)

mirios not having a quirky and having to save eri (a girl who I can't imagine would be that skilled at the age she is and has been training on lizards to give his quirk back all together, I'd imagine it taking a few more months but bnhas time is shit so) and coming back in the war arc to punch one person and then basically do noting iicr

The only decently written one was amajiki, I wish they had more going on I think they have a fun dynamic (w them helping taking care of eri and me rlly liking idk what it's called but I love the fluff it brings) :(

Lots of mixed feelings, in all honesty. Lots of mixed feelings.

I'll admit, a big part of my mixed feelings about them is they showed up as the latest, 'Stomp on Izuku's everything' at the point in the story where it was becoming obvious that there was always something stomping on Izuku, and that gave me a bad first impression on them I've never been able to shake... which isn't helped by how they're connected to the clusterfuck of Nighteye, of all people, which is kind of my whole thing with Mirio (warning; I am biased):

As a person, he's obviously nice, but as a character, basiclly his entire reason for existing was, 'give Izuku an existential crisis' and I don't think I've ever forgiven him for that, really. His entire character is just bigger, stronger, older, happier, more capable, more confident, more successful, more loved Izuku, who had a Quirk his whole life and only had to dig deep to find out how strong it, and he, was all along.

Unironically. It's....

It's a really bad look, to be blunt; he feels kind of like a bad fanfiction character written by a bad writer who wanted to put their super special OC in the story, except he's canon.

Since we've never seen him even think something unheroic, there's really nothing that distinguishes him from that impression factual statement, which, again, makes it hard for me to give a shit about him, or even remember him... which is a problem Hori seems to share, lol. It doesn't help that I loathe Sir Nighteye and that most of his development time is spent admiring him, to boot, and that his parts of the story are either empty or focused on a living plot device I can't quite like no matter how hard I try because of how blatant the emotional manipulation is about the biggest story breaking, SOD shattering plot device until Stars and Stripes showed up.

If he ever got any kind of development to flesh him out a human being rather than being either Izuku and/or a heroic archetype, it'd help, but beyond all of that his biggest personality trait is liking jokes, and that barely even comes up. Or, rather, considering both the Final Arc and his response to Bakugou's name, along with Nighteye's own tendencies, 'jokes', maybe.

He doesn't deserve it, I admit it, it's not his fault, but I just can't get past that. He also doesn't deserve to just be forgotten until his big moment of a butt joke, but... MHA, everyone. In all honesty, I'd just like him better if his entire story arc didn't exist in and as some of the worst parts of the Overhaul arc, but he's tainted by that fact.

I freely admit that I am unfairly biased against him, so take all of that with a mountain of salt.

As a side note though, god, the story doesn't seem to realize how badly Nighteye is using the poor kid; Mirio thinks Nighteye is training him because he's worthy, while Nighteye mainly seems to be doing it because he's the closest thing to an All Might clone he can get, bar him actually cloning All Might, even if he grew to like him for who he is. I'm not sure Nighteye ever thought of Mirio with just his Quirk as anything more than a temporary situation; even at the start of canon, when on his own merits he's rising to fame with how successful he is, Nighteye's overall focus is still about getting AFO into the kid.

I almost wish I could see Nighteye explaining how all of his training came down to getting All Might's Quirk, just to see MIrio react and tear Nighteye down a peg about it, except Hori's history of handling these kinds of things means he'd never be allowed to be properly offended on his own behalf, the poor bastard.

Moving on, Tamaki. Out of all of them, he's had the biggest of an on-screen story arc, and in a intellectual way his Quirk is easily the most interesting. Unfortunately, while he has a personality, it feels so bland at times that he's far easier to remember for his Quirk than who he is.

I liked his story, really, but at the time it was overshadowed by Mirio and his everything, and by the time he showed back up it was clear how irrelevant it and he was, so it was more about how (admittedly, very) cool he get his Quirk to be than it was about him, and with some brutal honesty, it's probably because his Quirk is so interesting that he even got that much focus beyond that initial arc by Hori.

And... Nejirie.

In a combat sense she's easily the best of them, really; Mirio is almost purely defensive, which limits him (especially if he's not surprising someone with it) while Tamaki's Quirk, while flexible, is so conditional in ways that can easily hold him back (we only ever see him fight with full preparation; if he's not gearing for a fight he'd be easy to ambush), and like a lot of things in the Final Arc, his big laser canon thing is.... questionable.

Nejirie, though, is just simply powerful. In a setting where everyone has one power and one main application of that power, where you either fly or blast things, but not both, she's the closest I've seen to a 'traditional' super hero, like you'd see in Marvel or DC.

At the same time, though, out of the three of them she least has a story, for obvious reasons, and it's a disgrace, really. If Hori had just spent some time on her, on the her backstory that apparently exists (yeah, I'm not sure where that is either), she could have been so interesting... but really, all she is is the Girl Teammate. Her personality traits are The Girl Teammate's personality traits. She's just The Girl Teammate stamped over all of the interesting stuff, and it's such a waste, it really is.

And finally, as a unit? The Big Three is a shiny toy that Hori forgot in the corner somewhere as soon as he got bored with it. He spent a few minutes oohing and aahing over them, focusing really hard on developing interesting powers, how they could be used, and how strong they were, only to start to lose interest as soon as those powers were established, and he was writing the three of them off before their introductory arc was even over.

[canonmisogynyvictimstournament]

PROPAGANDA

MARWA (WHAT WE DO IN THE SHADOWS (TV SERIES)) (CW: Mind Control)

1.) okok so a major character (nandor) uses a genie wish to bring back the 37 wives he had when he was human (he’s a vampire who was turned in the 1400s but is alive in the modern day) to pick his favorite to live with and settles on marwa. she’s established as someone who’s passionate about science and mathematics, but nandor uses his genie wishes to essentially mold her into his perfect woman like a doll, from changing her hair color to making her not want to go to the night market with him to making her like all the things he likes. this culminates in him LITERALLY TRANSFORMING HER INTO A BRITISH MAN NAMED FREDDIE and that is her send off from the show. the treatment of her is disgusting i’m sorry for ranting i love wwdits but honestly the whole thing left a bad taste in my mouth

2.) WHERE TO START my god. Marwa is introduced into the story as one of a crowd of women who are interchangeable to the man summoning them, WHO IS HER CANONICAL HUSBAND but he gives less than half a fuck about her, which is played for laughs. The writers made it completely unclear whether she is a real person or basically a magical simulation with no inner life and did not bother to clarify that at any point. Her plotline consists of her husband using magical wishes to modify various aspects of her body and mind and the writers never explore whether she is aware this is happening or not, much less how she might be experiencing it. It is a terrifying psychological horror story from her perspective but we are not given any insight into her perspective so who cares I guess!! For example, he wishes for her to have a rounder ass and then wishes that all of her preferences align perfectly with his own, so that she'll stop nagging him about wanting different colored flowers at their wedding than him. There are SEVERAL more examples. Her experience of having all of her desires replaced with her husband's desires shows up only for jokes, plus one moment that is used to confirm that her husband's real love interest is one of the other male leads in the show. (I ship the two male characters, I'm not complaining about that, but like COME ON SHE WAS A HUMAN PERSON ONCE AND SHE IS LIVING IN A HORROR MOVIE AND THIS IS WHAT YOU'RE DOING WITH THAT???) THE WORST PART is that when it's time for her to exit the story because her body and personality have already been essentially replaced by magic and she is now a boring toy, she is LITERALLY PHYSICALLY AND MENTALLY transformed into a random British man so that her husband can have that guy as a love interest instead of her. She (he? It? Again it is never NEVER explored whether Marwa is like, alive inside this British man's mind somehow? Or if she was ever really alive in her body?) moves to England to be in love with the original British man she was based off of, so basically her twin. This is also played for laughs. Her entire personality and body are not even killed off with like a death scene but literally ERASED FROM REALITY AND REPLACED WITH A COPY OF THIS SHITTY WHITE DUDE.

3.) (Context: Nandor is a vampire who has been alive for a while. When he was human he had 37 wives. (Btw some of the wives were men but that’s besides the point.))

She was brought back to life (along with a couple others) via Djinn wish just because Nandor wanted to have a ‘wife’ (some of the ‘wives’ are men). After being deemed the ‘best wife’ by Nandor she is the only one left alive. It is clear the entire fourth season that Nandor doesn’t care for her much and she is only there because Nandor wants to be married to someone. He ignores her wants and interests the whole season. Via another Djinn wish Nandor makes Marwa like everything he likes so she is more agreeable with him. Later on, he meets another character’s boyfriend named Freddie. Nandor basically falls for Freddie immediately and via Djinn wish, wishes Marwa to be exactly Freddie. :| With that wish, Marwa is effectively gone. She now looks and acts like Freddie. The two Freddies meet and after freaking out a little (and some magic) they get along because they like the same exact things. By the end of the season both Freddies are sent off to never be seen again. Also, Nandor has some extra Djinn wishes so he could’ve turned Marwa back but he didn’t.

Additional links: Article about the Freddie thing: https://www.themarysue.com/what-we-do-in-the-shadows-missed-hard-with-its-treatment-of-marwa/

She likes what he likes:

Also This:

MIKOKO SAKAZAKI (KAIJI)

1.) She is one of two (2) women with a speaking role in the manga (which has been ongoing since the 90s), and was the first female character to appear at all. She has a crush on the protagonist, Kaiji, but this is treated as a joke/ as gross because of her appearance. She is meant to be ugly because of the size of her nose and lips and therefore is invalid as a person. She has no role other than to pester Kaiji with her crush, and despite him ignoring or acting weirded out around her constantly, her attraction to him never fades. She gets almost no characterization outside of this and is only seen once after Kaiji leaves, where she is drawing a manga where he comes back to her. When she's shown once in a bikini, the sight is so disgusting to the protagonist that he sprints away at full speed. Despite this, she is sometimes used in ads for the series.

2.) Her face looks "too much like her father's", yet he never receives any negativity for it. Every single male character in the manga has the same style of facial features, yet when the creator puts them on a woman it makes her mockable and gross.

[scifigeneration]

An X-Files expert on the show’s enduring appeal – 30 years on

by Bethan Jones, Research Associate at the University of York

On September 10 1993 the pilot episode of The X-Files aired. Thirty years later to the day, I was at a convention centre in Minneapolis with 500 other fans and the show’s creator, Chris Carter, celebrating its legacy.

Ostensibly a show about aliens, The X-Files swiftly became part of the cultural lexicon and remains there to this day. In part its success was down to the chemistry of its two leads – David Duchovny, who played FBI Special Agent Fox Mulder and Gillian Anderson, who played FBI Special Agent Dana Scully. After all, it was the X-Files fandom that invented the term “shipping” (rooting for characters to get together romantically).

But, as I argue in my new book, The Truth Is Still Out There: Thirty Years of The X-Files, what really made the series successful was its ability to tap into contemporary cultural moments and ask us to really think about the times we’re living in.

When the series began in 1993, the US was still grappling with the effects of Watergate and the Vietnam war, but concerns were also rising about the approaching millennium and the economic and cultural divisions within US society. It also coincided with Bill Clinton becoming president – marking the end of more than a decade of Republican leadership.

It’s little surprise that fears about immigration, globalisation, national identity and technology emerged and were adopted – and sometimes foreshadowed – by The X-Files’ writers. Several episodes throughout the first nine seasons dealt with artificial technology, for example, and Eve, an episode in season one about clones, came four years before the birth of Dolly the Sheep.

Critical theorist Douglas Kellner argued in 1994 that The X-Files “generated distrust toward established authority, representing institutions of government and the established order as highly flawed, even complicit in the worst crimes and evil imaginable”. Though I’d argue it was less that the show generated this distrust and more that it leveraged the growing number of reports about the government’s secretive activities to inspire its storylines.

As the public became more aware of the government’s role in – and surveillance of – public life, so too The X-Files considered the ways in which technology could be used as a means of control.

In the season three episode Wetwired, for example, a device attached to a telephone pole emits signals that tap into people’s paranoid delusions and lead them to kill. And in the season six episode, SR 819, a character’s circulatory system fails because he has been infected with nanotechnology controlled by a remote device belonging to a shadow government.

These themes reflected growing concerns about government agencies using technology to both spy on and influence the public.

The X-Files’ enduring appeal

During my X-Files research, carried out with viewers after a revival was announced in 2015, it became clear that the show has remained part of the cultural lexicon. As one fan explained: “The cultural context of conspiracy theories has changed since the beginning of X-Files. Nowadays, every pseudoscience documentary uses similar soundtrack and narrative.”

Of course, the X-Files didn’t invent conspiracy theories, but as one of the show’s writers and producers, Jim Wong, points out, it did “tap into something that was more or less hidden in the beginning when we were doing it”.

The focus on the rise of the alt-right, disinformation and fake news in seasons 10 and 11 seemed like a logical angle from which to approach the changing cultural context the revival came into. Carter and his co-writers dove straight in to what Guardian critic Mark Lawson calls “a new era of governmental paranoia and public scepticism”, fuelled by the 2008 financial crisis, the fall out of the war on terror and scores of political scandals.

Season 10 saw the introduction of a right-wing internet talk show host who argues that 9/11 was a “false flag operation” and that the mainstream liberal media lie to Americans about life, liberty and the right to bear arms. The parallels to conspiracy theorists like Alex Jones and Glenn Beck were obvious.

Carter’s incorporation of topics like surveillance, governments’ misuse of power and methods of social control meant that seasons ten and 11 were very much situated in the contemporary moment. This is perhaps most obvious in the season 11 episode, The Lost Art of Forehead Sweat, which deals with the disinformation of the Trump era head on. The episode’s protagonist, Dr. They, tells Mulder that “no one can tell the difference anymore between what’s real and what’s fake”.

While The X-Files’ search for the truth in the 1990s may have ultimately been a philosophical endeavour, in the 21st century it is a commentary on how emotion and belief can be more influential than objective facts.

Watching the show again while researching my book, I was struck by how it was dated predominantly by its lack of technology, rather than the ideas it expresses. In the second season episode Ascension, Mulder pulls a phone book off a shelf in his search for Scully – now we’d use Google. But in other aspects the show remains as relevant today as it was in the 1990s, encouraging us to think about the big questions relating to faith, authority and truth.