#the way they wrote this scene is interesting to me

[shelandsorcery]

an aside on our eyes and relative colour

I wrote a HUGE post on digital camera white balance, and this is just a little excerpt on one of my favourite aspects of colour: how slippery it is!

So!

If you light a scene with a flame, say in a campfire or on a candle, you know it’s giving everything a warm glow, right? The way it’s doing that is: the light produced by the flame is itself made of mostly red and yellow wavelengths of light. It’s not producing any light on the blue wavelengths.

The way we, or a camera, perceive color is by coloured wavelengths being reflected off the object we’re looking at. The object doesn’t create the coloured light, it requires light of the right color to hit it for the colours of the object to be visible. Sunlight, white light, contains the full spectrum of colours, and so in bright sunlight the light itself shows us all the potential colours – which means it changes none of them, which means the light itself feels white.

When the flame on a candle produces light, it’s mostly producing red and yellow light, which means if it encounters a red object, it shows us the red, but if it encounters a green object, it can only show us the molecules inside that green color that are yellow, and the molecules inside that green that are blue don’t reflect any light. To our eyes, this tints the object yellowish in the candlelight.

However, if you stay a long time in a room lit only by candles, you probably feel like you can see green and blue and purple colours a little still. As I understand it (and my neurologist family members will I’m sure be haunted by this maybe oversimplified info so please follow the rabbit hole here if you’re curious, it’s really interesting stuff!) this is your brain compensating for the tinted information by shifting your identification of colours, maybe to try and help you discern as much information as possible from the limited visual data. You don’t stop knowing it’s warm light, but you adjust to it.

As an example, and here I’m talking about your eyes, remember, not the camera tech yet (we’ll get back to it shortly), here is a photo of a candle.

First off, let me assuage your dress-related paranoia – this is a teal candle.

To me, looking at the photo, this is clearly a teal candle. You can see it’s a lovely seafoam green at the top where it’s warmer and glowing through the melted wax, and a much more vibrant blue farther down, away from the flame.

So let’s take a closer look at these colours! I have isolated a few into bigger dots and overlaid them on the image where they were eyedroppered from:

And here are the same colours just on a neutral 50% grey background.

Here I have eyedroppered that brightest blue in the dots, the one on the bottom right of the image. This is how blue it is: not very blue! Pretty green still! Because that candle’s light cannot show us blue and purple wavelengths, we end up with an image where a cold green-grey starts to feel blue.

Our eyes work to compensate in limited-colour situations. We’re actually really good at it! And anyone who makes art commercially, anyone who designs colour for film and tv, advertising, fashion, games, etc? They all know this and use it when creating images. It’s why, given full colour vision, at a candlelit dinner, you can still tell your green veggies from your red ones.

And it’s not at all new! You can see this in Georges de La Tour’s famous candlelit paintings. The brightest light feels white, and colours still have some vibrance to them, and the scene feels rich, but, there’s no actual blues on the canvas, even though we have no trouble identifying the woman’s dress as light blue:

If you want to read more about how this applies to white balance settings on your cellphone or digital camera, the rest of the post is here:

[mvmnbnv]

If only shipping was enough for me to overlook the questionable writing choices. It would make watching this show the easiest thing ever.

What also just really sucks about being a fan of Vi, is that 99% of Vi’s fanbase can’t see her existence outside of Caitlyn. I do like Caitvi, but there is zero interest in other parts of her story or her overall character outside of Caitlyn. Even her relationship with her sister is of zero interest to the majority of her fans.

I pretty much noticed only a certain demographic of niche Vi fans took issue with the awful writing and balant disrespect to her character.

Watching act 3, Vi really felt like a side character. I had to do a double take in what I was watching because it had become completely unrecognizable. Vi’s writing was just really upsetting to me. It just sucks that not only did the show trash her character, but that most of her fans don’t care about her personal feelings or the trauma she went through. They just expect her to be magically cured and care about nothing else in her life, only her girlfriend.

Really unfortunate that the shipping version of her character became canon. When I watched act 1 I was like, “It sounds like a shipper wrote this”, then I remembered resident shipper Amanda Overton is in charge of writing her character and Caitlyn’s lmao.

Yeah they massacred her all season really. She never makes any choice for herself in act 1, is pretty much a side character in act 2, and act 3 just made me think they hate her...sex in a prison cell where one she never gets pleasure herself and two when they didn't even have the decency to explore her trauma at all beforehand. That same genuine care that cait had for her in s1 is just not seen anymore. Meanwhile they give Jayce these poetic speeches about how he just wants his partner back and it's not even romantic, but way more thought out than whatever they did with caitvi. Vi calling herself the "dirt under caits nails" too??? My god...like I get that means you can't get rid of her but the least they could do after not giving a fuck about her all szn, not having cait give any cares about her aside from what we heard from other characters, and a gross sex scene, was NOT compare her to dirt of all things...like atp i'm convinced they fucking hate her and want us all to know it bc wtf, and how anyone can be okay with this is beyond me

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[thavron]

Regarding the modern day trip to Edinburgh, I have a hunch that there was more to the sequence than met the eye. What’s the opposite of dramatic irony? Arguably the flashbacks that he had there were extremely important to the narrative, and for understanding Aziraphale’s character, but wasn’t the purpose in universe. It feels a little contrived and considering the number of continuity blips that occur there, it sets off my spidey sense. But I don’t have a theory beyond that other than some plotful scheme. The way Crowley meets with Shax and keeps his ear to the ground like he’s waiting for something. This isn’t just general anxiety, he’s waiting for something to happen and I have no doubt that they have a plan (which will absolutely fail but in the best possible way.)

I’m totally on board with the missing scenes during the last episode. I actually wrote a short meta about the editing of the metraton appearance and f15 way back when I first watched it. Further watches has probably given me a more nuanced view on the characters but I think my views on the edit stays the same, it points to events being cut out for a later flashback. Having read a bunch of your meta I do think we have very similar views on what is going on there.

Honestly, I would kill for the sort of cold open you describe. We will definitely get a shielding each other flashback and all my fingers are crossed for a vavoom. It would fit perfectly and hold the audience in suspense. God imagine the pain. Right now the f15 symbolises a lost potential, but what if they have lost that much more than that. Make us wait for the resolution for the big damn kiss and just kill is with feels when they show us how desperately they were for each other. I wanna scream just thinking about it.

Interesting point about the ticking time bomb. I had a similar discussion the other day. I remember him saying that he wrote the ending first just in case something happened to him. I think at the time we were thinking along the lines of him being hit by a bus but with this new context I think he might have been worried about being behind bars.

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[sensitivehandsomeactionman]

[o-uncle-newt]

I just got a bit more time in my schedule and I'm hoping to get started on a Sayers-and-Jews reading list, if anyone has any suggestions! I just really feel like I've never seen anyone talk about how WEIRD the apparent received wisdom is of "Sayers was in a relationship with a completely secular Jew who tried to convince her to have premarital sex she was religiously uncomfortable with, which NATURALLY made her start writing about Jews, but a totally different kind of basically fetishized ultra-conservative type than Cournos was." There are clearly missing links there- not an obvious or intuitive connection at all- and I have my own ideas of what they are and am so curious if it's already been written about.

[disposal-blueeee]

really really small guys

edgar belongs to jhonen vasquez

scriabin belongs to @zarla-s

png ver. for some reason

andddd the sketch. for some reason too

[intothemertensverse]

Thanks for tagging me! :)

How many works do you have on AO3?

118

What's your total AO3 word count?

1,507,734

Your top 5 stories by kudos:

Gustave Daae's Daughter

Pilgrim Soul

The Nanny

A Love There Is No Cure For

The World's More Full of Weeping Than You Can Understand

Do you respond to comments? Why or why not?

I eventually respond to comments because I love reading the comments and would like to talk with my readers but I am also very socially awkward and shy with not great time management skills, so there's often a delay :')

What's the fic you've written with the angstiest ending?

Eggs and Toast. It's the only phic of mine so far to take place *after* the canon Events of LND. Echo In This whisper was also pretty angsty

What's the fic you've written with the happiest ending?

I feel like they (almost) all end up pretty happy tbh! Maybe Tread Softly was slightly happier than most

Do you write crossovers?

The closest thing to a crossover I'll probably write is Like a Wheel, Like a Wind, which is a PotO au set in the Stephen King multiverse. Other than that, I mostly do AU mashup versions as opposed to actual crossovers (ie Evita au where Christine *is* Evita, not an au where Evita and Christine both exist)

Have you ever received hate on a fic?

hmmmm :') fun fact: ffn does Not remove comments from fics, regardless of what the comment says :0 I received direct hate and even some personal accusations over my portrayal of an ace Erik, which was super interesting because the person in question then proceeded to continue to read and subscribe to my other stories lmao. I also got some bigoted comments over ace headcanons in more private settings as well, even from "allies". Someone got very flustered over the singular gay Erik I wrote once. Gustave Daae's Daughter got some upset comments because it was... a lil darker than what I normally write. Someone had an absolute fit over Christine's choices in Pilgrim Soul in a way that was slightly funny looking back at it ^^; That said, I've also received so many touching and wonderful comments that remind me why I write <3

Do you write smut? If so, what kind?

this is a constant source of disagreement between me and my beta reader ahaha I would say "no" and she would. point to the many Scenes :''') I do have occasional explicit moments in my stories, but I don't consider it smut necessarily as the Scenes aren't the main focal point, and the explicitness of them is usually to (try to) convey something other than eroticism. If the thing I'm trying to convey (awkwardness, vulnerability, shame, desire, angst, being conflicted, etc) would be showcased well by an explicit moment, I'll include it to an extent. Otherwise, no

Have you ever had a fic stolen?

Not that I'm aware of, though I'm sure with all the AI scraping etc it's gone... somewhere

Have you ever had a fic translated?

Yes, several! I get why some don't like it, but I love seeing my stuff in other languages and as long as someone asks first and links back to me I think it's really cool!

Have you ever co-written a fic before?

Not exactly! But Rat au and Gremlin au were both originally made in close collaboration with/big inspiration from Ms_Myth, in fact she even wrote a rat au prequel! I've written a few things based off of prompts others have come up with, too, and those phics are typically gifted to the person on ao3

What's your all-time favourite ship?

Erik and Christine

What's a WIP that you want to finish but don't think you ever will?

I would like to think I will finish them all, one day :') I do have a few aus I've shelved for various reasons tho

What are your writing strengths?

Angst lol.

What are your writing weaknesses?

I misspell "Christine" twelve different ways and at this point I can't tell the difference ;-; Pacing can also be a struggle

What's a fandom/ship you haven't written for yet but want to?

LotR or Star Wars, but both are so expansive and I'm afraid if I get started in them I won't finish my poto wips... So maybe one day, idk. A ship I'd like to write is Erik/Carlotta lol

What's your favourite fic that you've written?

This is so hard to choose lol omg. I'm currently really enjoying my hotel au, which is only an unpublished wip at the moment except for this. But as far as finished/published stuff, I'm going to have go with Boulevard of Broken Dreams

Fanfiction Author Interview Game

Thank you @brendadaaedestler for the tag!

How many works do you have on AO3?

30 as it stands!

What's your total AO3 word count?

591,986

Your top 5 stories by kudos:

Sticky Notes and Serendipity // collab with @brendadaaedestler // Erik/Christine long-fic // 224 kudos

Say You'll Share With Me // oneshot collection, mostly Erik/Christine // 143 kudos

Our Little Home // oneshot // Erik/Christine // 139 kudos

Starting Fresh // twoshot // Erik/Christine // 99 kudos

my heart is home when my hand is in yours // oneshot collection, collab with @brendadaaedestler // mostly Erik/Christine // 83 kudos

Do you respond to comments? Why or why not?

I always do! I love seeing readers interacting with my fics and sharing what they enjoyed about them, and I always want to show my appreciation for those comments. The only reason I wouldn't is if I missed it somehow or if my frequent co-author has beaten me to the punch and replied already.

What's the fic you've written with the angstiest ending?

It's probably Sleep So Long Awaited, which is a play on the end of LND where Erik dies instead of Christine. It's sad, it's got sad Gustave, a moment of peace between Erik and Raoul, and...well, Erik dies. It's not a happy story.

What's the fic you've written with the happiest ending?

I would definitely say Sticky Notes and Serendipity! The epilogue hasn't gone up yet, but it's super fluffy and sweet, and the entire fic just came to such a happy, wonderful ending. You'll see what I mean on Saturday 😉

Do you write crossovers?

I don't, no. I might write fics inspired by another piece of media, but I wouldn't think I would ever write a proper crossover.

Have you ever received hate on a fic?

Not direct hate? I once received some criticism that was DM'd to me that was definitely not asked for and unnecessary, so that sucked. It was really a big blow to me, and I considered taking down that fic after receiving that comment because it made me super insecure about the entire format of the fic. It came from a person who had been very supportive of my stories for a long time, which made it even worse. Thankfully, my best friend convinced me not to take the fic down, and my critic has now been exposed for not being a good person, so it all worked out in the end.

Do you write smut? If so, what kind?

I don't write it and I won't be writing it.

Have you ever had a fic stolen?

Yep, I have had my fics scraped and posted on other websites at least twice, either by bots or by another user.

Have you ever had a fic translated?

I have not! Someone offered to translate Like Father, Like Son, but my coauthor on that story was not keen on the idea. It's something I would have to consider because I think I would worry too much about my style and plans for the story being lost in translation and I wouldn't be able to really tell. I wouldn't totally write it off, though!

Have you ever co-written a fic before?

Ohhhh yes! Like Father, Like Son was my first collaboration, and I write probably about half of my fics these days with my best friend @brendadaaedestler. We have something in the works for NaNoWriMo as we speak!

What's your all-time favourite ship?

Definitely Erik/Christine, I love writing with them and reading about them so very much.

What's a WIP that you want to finish but don't think you ever will?

It's not one that I don't think I will ever finish, but I think it will be a while before No Need For Goodbyes ever gets finished. I would love to go back to it, but I've been away from that cast of characters for so long that it can be hard to slip back in. My coauthor also no longer has the time to work on it with me, and it is a very time-consuming project, so I'm not sure when I will get back to it.

What are your writing strengths?

I think that dialogue is definitely my strength. It comes very easily to me and it's something that I always enjoy getting to write.

What are your writing weaknesses?

Getting lost in the dialogue! Sometimes I get so caught up in what the characters are saying and the emotions that they're expressing that the writing can get dialogue-heavy. I always have to make a conscious effort to include scene descriptions, settings, and descriptions of the character's bodies and expressions.

What's a fandom/ship you haven't written for yet but want to?

This is an interesting question that I honestly don't think about a ton lol? I've always been pretty content writing Phantom fic and don't really have the inspiration to jump into other fandoms. Shipwise, I've only written sporadic Meg/Erik fic and only a long time ago, so that one could be fun to explore. There is angst there.

What's your favourite fic that you've written?

It was Like Father, Like Son for the longest time because it was my first Phantom of the Opera fic, my first long fic, I loved the characters, etc. I'm still super proud of that story, but I think Sticky Notes and Serendipity takes the cake. It's my first true multi-chapter fic since LFLS, and I can just see how much my style has changed, how much my writing has improved, and it makes me feel really good about myself. I am in love with the versions of the characters that we wrote, and getting to work so much with Erik's anxiety and making it feel so authentic was a crowning achievement for me. Also, seeing all of the love for the story that Chloe and I have written together makes me feel so amazing. Sticky Notes is my favourite for so many reasons.

Tagging: @starlitexpress @intothemertensverse @sloanedestler @ablatheringblatherskite @shinyfire-0 @paperandsong @jennyfair7 and anyone else who wants to play!

[sysig]

The brainworms are winning, clearly (Patreon)

[aria0fgold]

Two birds, One Stone, and Me

A Persona 5 snippet starring Akechi ft. Kaito Kuroba (Magic Kaito) and Asuka (an oc by @misty-wisp)!

Akechi massaged his temples as he walked through the station after having just gotten out of the train. It was headache one after another for him nowadays, the matter with Shido's jobs combined with the emergence of the so called Phantom Thieves of Hearts, not to mention the return of that pesky thief Kaito KID in Japan after doing heists overseas. His first problem is easy to deal with, as something he had gotten used to doing, his second problem was coming along well enough as he already has a good idea on who the members of the Phantom Thieves are, and the third problem is the biggest headache of all as Kaito KID has been a consistent problem for years now. Disappearing in the past only to have a come back years after and no one has any idea how to deal with him.

There's already even a police force specifically designed to capture that thief and yet there's no progress at all anyway. And for some goddamned reason, Akechi was also tasked to help with that too!

If a police force dedicated to capturing that thief can't even handle it then what else can I do anyway? Detective Prince my ass, if only those people know the truth they wouldn't add on to my mountain of problems something nearly impossible to achieve!

Figuring out the identities of the Phantom Thieves were easy with how sloppy they were at keeping it hidden in the first place but figuring out the identity of a criminal that's most likely been at it for more than a decade isn't something Akechi should be doing in the first place. That should fall on the hands of the adults instead.

Ah but of course! Adults are practically useless, good for nothing fools who's only good at hurting others and getting children to clean up after them, OF COURSE! WHY ELSE AM IN THIS WHOLE MESS ANYWAY IF NOT FOR THAT!

Akechi let out a small quiet sigh, it's best for him to retire for the day and take a rest, although, just as he rounded the corner, he was met with a particularly familiar face that had immediately fallen into a frown the split second she noticed Akechi.

“Ah, Asuka, yes?” Akechi put on his usual polite smile, the face of the exemplary Detective Prince.

“Riight, yeah.” She averted her eyes from him, it was obvious it wasn't out of embarrassment, “Excuse me.”

Akechi could just let her go, but a thought formed on his mind, “Wait, if it's alright with you, could you spare some of your time to have a short chat?”

Asuka attends the same school as Akira. In fact, she attends the same school as most of the members of the Phantom Thieves. There's a possibility of her being involved with them, it's better to check just in case.

There was also... That... Although it doesn't seem to be relevant at the moment, it was still a particular pattern to keep in mind.

Asuka looked back, her eyes squinted slightly, though it was still a frown, Akechi can feel the sharpness of a glare hidden behind a thin veil of public civility. “Unfortunately, no. Goodby—”

“Isn't that…”

Just before Asuka could finish her sentence, a person by the distance caught Akechi's attention. And as his gaze fell on the figure's back, the person turned to meet his eyes.

It was Kaito Kuroba. Someone who's close to Akira.

Asuka followed Akechi's sight with a glance and it was at that moment that Kaito beamed at them before waving his hand as he approached the two.

“Oh hey! You're that so called Detective Prince, aren't you?” He smiled so brightly at them Akechi felt blinded and very much so annoyed.

But he can't quite show such a thing, smile, smile… smile… he needs to smile.

“Ah, yes—”

Kaito then quickly turned to Asuka, her passive aggression towards Akechi was replaced with slight anxiety, “And you… Ah! You're that student Akiki told me before! You sit behind him, yeah?”

She nodded, “R-right…”

. . .

Akechi really hates this guy.

He mentally collected himself, it seems that he'd have to talk to Asuka another day. Though this is an ideal situation of killing two birds with one stone, both of them have possible connections to the Phantom Thieves but right now, he'd rather not deal with someone as obnoxious as that guy.

Kaito clapped his hands, “Hey! Since we're all here, how about a meal? My treat! I'd love to get to know more about Asuka and Mister Detective Prince! It's not everyday an opportunity like this can come by!”

Goddammit, WHY?! “You're right, I'll take you up on that offer then.”

“I'll take my leave instead…”

“Now, now, Asuka. Since this kind person is going to treat us, wouldn't it be polite to accept such an offer? He seems to know someone close to you too.”

FINE! Might as well take this chance! DAMMIT!!!

“I'm not really… close to him though.” Asuka tried to take a step away from them.

“Aww! Please, please, please, pretty please? How about I help you with homework too? Please come with us! The more the merrier after all!” Kaito pleaded with the best puppy dog eyes expression he can muster.

“Exactly!” Akechi added, to which Asuka openly glared at him for.

For a second, the two's expression seemed to telepathically communicate with each other, two different thoughts yet both in sync enough to converse with the other.

This bastard is surely planning something…

If I'm getting roped in with this guy, I'm going to drag you into this one too.

. . .

And so, the unlikely trio sat by the table of a restaurant nearby. One who was visibly dragged in, another beaming with a light as bright as an artificial sun, and lastly someone who deep down wanted to break the glass of water nearby as they waited for their orders.

Dealing with Asuka should be easy enough but this obnoxious bastard has got to be faking this entire overly cheerful personality of his otherwise his entire existence is just gonna piss me off to no end.

“So, you go to Ekoda High, Kaito? That's quite far from here.” Akechi is luckily used to maintaining this image of his, it should be easy to do despite how badly he want to just get out already.

“Nah! So long as you know your ins and outs, it's actually pretty close by!”

“Is that so—”

“By the way, Asuka! Your scarf suits you so well! It even matches your uniform!” Kaito cut Akechi off again.

Deep breaths… This guy… is clearly doing that on purpose!

“Ah… Thanks…” She took a small glance at Akechi and then at Kaito before looking at her scarf, she seemed to be thinking about something.

It's fine, if his goal is to rile me up then let him try, his attempts won't work on me at all anyway.

“Being a so called Detective Prince at that age sure is impressive, huh Akechi?” Kaito threw the ball back at Akechi's court.

“It's nothing I can't handle—”

“Yeah, it must be so hard getting swarmed with cases left and right that you don't even have time to do all of them anymore.” It was Asuka that cut him off this time.

“Pardon?”

“Oh, I'm just saying. In a general sense.” Asuka slightly squinted at him and seemingly rolled her eyes in a subtle manner as she turned to look away. It was as if a switch was flipped and now, instead of Akechi killing two birds with one stone, it feels as though that two birds are killing him with one stone.

. . .

Akechi mentally sighed as he could only freeze his own smile in place to keep it from faltering, he shouldn't have accept this invite.

[laundrybiscuits]

(purify our misfit ways tag | AO3)

So, Eddie goes back to Scoops. What else is he gonna do? He’s not sure if Robin's aware of it or not, but he’s not going to be saying no to her for a while; at least not until he stops feeling guilty about certain things that they’re not ever talking about again.

He looks at himself in the water-flecked bathroom mirror and says, out loud: “He’s just a guy. Just a typical…guy. You can be normal about this. Be fucking normal for once, Munson.” Then he grabs his keys and hurls himself out the front door before he can talk himself out of it.

It’s usually a twenty-minute drive, but he makes it in a tight sixteen. He thinks if he slows down enough to give himself any kind of excuse to weasel out of this, he will. Plus, the less time he spends thinking about it, the less likely he is to fuck this up for Robin somehow. Because—right, yeah, this whole thing is about Robin, and how Steve’s still the kind of asshole who won’t take no for an answer.

Actually, getting mad about that is helping Eddie get a grip on reality. It doesn’t matter how hot the guy is, if he doesn’t fucking listen when he’s told to back off. But it's not like Eddie can come roaring in like a jealous boyfriend, that’ll just make things a million times worse; he’d love to be able to follow Robin’s lead on this, but if he knows her at all, she doesn’t have any kind of plan aside from pointing at Eddie and going see? Not boyfriend material.

Which, yeah, obviously he’s not. He doubts Steve will see it that way, though—probably thinks Eddie’s a perfect freaks-and-geeks match for Robin, with her refusal to be any of the things that Hawkins High rewards. So, Eddie needs a plan, and he needs one fast, because he can't keep sitting in the parking lot like this, stewing in his own indecision.

Fuck it. He'll have to improvise, he's good at improvising. It'll be fine. It has to be fine.

He sidles into Scoops Ahoy, sees Steve and Robin bickering, and doesn't immediately tap out. That's progress.

"Robin," he says, nodding. "And…Harrington."

"Hi. Eddie." Steve looks really fucking uncomfortable, and why wouldn't he be?

The three of them stand there in a weird suspended tableau, until Robin throws her hands in the air. "Oh my god, just get over it already. Eddie got spooked last time when his high school nemesis appeared out of nowhere like a total psycho, and he was too embarrassed to come back until now. Okay? Everyone caught up yet?"

"He was not my nemesis! Christ, Robin!" Eddie sputters.

"Um, nemesis?" says Steve at the same time.

Eddie glances over at Steve, feeling a kind of kinship in the face of Hurricane Buckley.

"I wasn't…your nemesis, was I?" asks Steve. He sounds a little confused, and Eddie wonders uncharitably if he knows what the word nemesis means.

"No, Harrington, you were just generally a dick. My true nemesis is and always has been the collective insanity of Hawkins High itself. The esprit de corps, so to speak."

"God, I see why you and Robin get along so well," sighs Steve. Eddie suddenly remembers that he's here for a purpose, and he currently appears to be failing very badly at that purpose.

"Yeah, well…" he shrugs. "All I'm saying is, I'm willing to live and let live. It's a character flaw."

"So, what, we're just gonna forget high school and be friends now?"

"Whoa whoa whoa," says Eddie, alarmed. He's about to add nobody said anything about friends, but his Spidey-sense is going off. It doesn't actually take fictional-level superpowers to hear the way King Steve doesn't sound as disgusted by that prospect as he should be.

Robin had mentioned something about Steve being sort of a trainwreck, but Eddie had (unfairly, as it turns out) written that off as Robin blowing stuff out of proportion like she does sometimes. He does it too, that's why he knows not to take her at face value too much.

But it seems like maybe if anything, she was underplaying how fucked Steve's life must be right now, to have that poorly hidden thread of eagerness in his voice when he talks about being friends with Eddie "the Freak" Munson.

What the actual fuck.

All of this flashes through Eddie’s head in a jumbled rush, just quick enough to stop him from inadvertently completely crushing Steve’s spirit or whatever, so instead he just says, "I mean, forgetting high school's not so much an option for me. Buckley might not have mentioned, but you're looking at a genuine two-time total failure here, man."

Great. Real smooth move there, Munson. Never a bad idea to announce how much of a loser you are to cute boys as soon as possible. Once his obligation to Robin is discharged here, Eddie is going to move to Siberia and live in a hole in the ground. He bets it's nice and quiet there, with a minimum of indecently tight blue sailor suits that clearly have mind-altering powers.

But hey, on the bright side, he might be able to salvage his primary quest here after all. Maybe if he just leans into what a fuckup he is, Steve will stop seeing him as a viable match for Robin’s genius brain.

"You’re not—" Steve is starting to say, weakly, and good god does Eddie not want to hear how that sentence ends. He cuts Steve off by spinning around, arms outflung, only colliding a little bit with a nearby chair.

"Oh, but I am, Ser Harrington. Scourge of teachers, they call me. Object lesson to degenerate slackers everywhere. Blackboards quake and tender schoolgirl hearts break as I stalk the halls which have ensnared me lo these many years. Decades in the future, my agéd corpse will be found within the walls of Hawkins High while my spectral remains wail: run far away, lest the Munson Curse befall ye too."

Steve stares at Eddie for a second, then bursts out laughing. To Eddie’s consternation, it doesn't sound mocking or derisive at all. "Shit, you're funny, man. You remind me of—of a friend. You would like him. He's kind of a shit sometimes, but you'd like him."

"If you're telling me I remind you of Hagan, I'm gonna drown myself in the Raspberry Ripple," says Eddie, genuinely horrified.

"No! God, no. You're not anything like—no. I was thinking of my, uh, my friend Dustin."

"And…who is this friend of yours who is perchance my long-lost twin?" Eddie frowns, trying to scour his memory for any Dustins at Hawkins High.

"Not—" Steve's going suspiciously pink. He looks away in poorly feigned nonchalance. Eddie wants to dip him in chocolate and eat him with a spoon. "Friend isn’t, I guess…he's really just a kid I looked after for a while. Like as a favor, I mean. I was—it doesn’t matter. Anyway, he's a cool kid, that's all. Kinda hyper, like you."

That is…a lot to digest. Eddie doesn't really know where to start, but luckily Robin’s there to pick up his slack.

"Oh my god, are you comparing Eddie to one of the infants you let use the staff corridor last week? Is that what's happening?"

"No!" yelps Steve. "...he's not even in town right now."

"But he is in some way affiliated with those toddlers," drawls Robin, not really a question.

Eddie cocks his head. "I would like significantly more information about any alleged toddlers I may be accused of resembling, please."

"Christ, how are there two of you," groans Steve.

"Man, you keep comparing me to other people and I'm gonna start getting offended," says Eddie. "You've known me for about five minutes at this point. No," he adds, seeing Steve start to protest. "High school does not count. I will bet you a million bucks you don't remember me at all from high school."

Steve frowns. "Of course I remember you. You were kinda hard to miss."

"Fucking liar," says Eddie, rolling his eyes, but he grins so Steve knows it's not that big a deal.

"No, you were in the play, a couple years ago," says Steve. "You were…the magic guy, right? The, uh, elf king."

"Close enough," says Eddie, shoving his hands in his pockets and rocking back on his heels, a little dazed. Because yeah, he'd been Oberon that year, he just—really hadn't thought Steve Harrington had paid any attention to the drama nerds at all, much less remembered the specific part Eddie had played. "Shit. Guess I owe you a million bucks."

Steve smiles, bright and boyish and also kind of annoyingly smug, and leans his elbows on the counter. "Guess so. I'm willing to figure out an installment plan, if you wanna start coming around more often. Bet Robin would appreciate it."

“Right,” says Eddie. “Look. I don’t know what you think’s going on, but Buckley’s like a sister to me.”

“And Eddie’s like a sister to me too,” Robin chimes in, smiling all sweet and venomous.

“Okay,” says Steve. “You can still come visit her, can’t you? Free ice cream samples, man, you can’t turn that shit down.”

This is a trap, clearly, but Eddie can’t find it in himself to do anything but give in.

“Yeah, okay then,” he sighs. “Keep me sugared up and I’ll keep on coming around like a bad penny. You two are gonna be so sick of me by the end of the summer, that’s the Munson Guarantee.”

[kakushigotofanclub]

Scene from my KnY AU which is entitled, “A Couple of Bad Ideas and a Shot in the Dark.”

“Zenitsu?” Tanjiro blinks. “What are you doing outside in the middle of the night?” Zenitsu doesn’t respond; Tanjiro realizes he must be having a sleepwalking episode. “Come on, let’s get you back to bed,” he says gently, putting a hand on Zenitsu’s arm to guide him back inside. Quicker than Tanjiro can process, Zenitsu grabs his wrist, holding it in an iron grip. He still doesn’t turn to look at him. Tanjiro tries to tug his arm back. Zenitsu’s grip tightens. “Hey,” Tanjiro says, brows furrowed in concern and confusion. “Stop that. Let me go, you’re hurting me.” No response. “Zenitsu. Come on, cut it out. You’re freaking me out.” Finally, Zenitsu speaks. At least, it must be him, because there’s no one else around…but it doesn’t sound like him at all. His voice robotic and almost distorted, nothing like Tanjiro’s ever heard from Zenitsu—or...or even a human—before. But what he says is even stranger. “Sleepwalker Agent 038 has been activated.”

Tanjiro feels his heart rate begin to pick up. He tries to unfurl Zenitsu’s fingers tightened around his wrist. Something is not right. Zenitsu faces Tanjiro. His head is tilted to the side and his eyes are all white. His expression is blank, totally emotionless. Tanjiro finally frees his arm, and he stumbles backwards. “What…what’s going on?” That same strange voice, the one that can’t possibly belong to him: “Target identified. Termination to ensue.” “What?” Tanjiro sputters. Zenitsu begins to walk towards him, face completely void of emotion. “Zenitsu! What are you doing? Snap out of it! What the heck are you talking about?” “Any attempts to reach host will be unsuccessful. The Sleepwalker will remain in control until target has been terminated.” Zenitsu stops walking for a moment. Then the porch lights go out, leaving them lit only by the moon, peeking out through the clouds. Electricity crackles around Zenitsu for a moment, indicating he’s charged up. And then he lunges forward with the intent to kill.

[hecksupremechips]

Persona romance routes are all pretty bad but damn they really hit rock bottom with p3p femc route like the misogyny is very blatant and it’s almost hilarious like look at the Shinjiro romance. When you do his social link he’s like very clearly respectful of Kotone as a leader and explicitly says stuff like "oh yeah you’re clearly the best fighter we have, I don’t really know much about fighting like you do, I hope I’m not dragging you down, you’re doing a good job as leader just remember to take care of yourself, everyone looks up to you I know you can rely on them" etc. like he has faith in her leading abilities. But then when you romance him he’s like got dialogue like "bwah bluh i gotta look after you because you’re a GIRL and you need to stick by me, a big strong MAN so you don’t get hurt" and "don’t wear that revealing outfit in front of other guys 👺" and it’s like. Does he respect her or not and also like it doesn’t make sense for him to look down on her for being a girl cuz he literally has never not been led by a girl leader during his time in sees and Mitsuru in particular really has her shit together when it comes to being responsible and a good fighter and she’s always known the most about Tartarus

It’s also like. Idk maybe its just me I’m not a girl so FUCK IF I KNOW but to me the appeal of romancing Shinji is the fact that he’s sweet and sensitive and gentle and has respect for you despite the fact that he acts all scary. That’s like, what made me like this character in the first place. But the writers seem to think what women want is for a BIG STRONG MAN to protect them because they are just DELICATE WOMEN who are inferior in every way it’s like. Shut upppp thanks

[nightacquainted]

Fan video for the episode "Arabesque" from the 80s TV show Beauty and the Beast

[asjjohnson]

Part 9 of my poll adventure fic. Links: the beginning, part 2, part 3, part 4, part 5, part 6, part 7, part 8.

—

"So, Mr..."—Lancer narrowed his eyes—"...Phantom."

"Fantom with an 'F', yes," Dan specified.

"Right." Lancer still sounded suspicious. He typed something on a computer for a few seconds. "Hmm... So your son is in his first year of high school... I think we have room for him here." Then Lancer glanced back at Dan. "If you don't mind my asking, how old are you?"

"Tw— ah, thirty-five."

Dan hadn't put much effort into this disguise. He mostly just changed his coloration to his old human colors.

He'd had to be more creative for his primary disguise. A fourteen-year-old persona couldn't look too much like Danny Fenton, so, no black hair or blue eyes.

Lancer mumbled under his breath, "I wish I'd had that much hair at thirty-five." He cleared his throat. "Do you have young Daniel's school records?"

"He prefers the name 'Dan'."

Lancer nodded. "That's perfectly fine. But I do need those records. As well as his birth certificate, your proof of address, and his vaccination record. ...If you can provide those?" Lancer picked up a piece of paper and slid it around for Dan to see. "You'll also need to fill out this form."

Dan blinked, mouth falling open just slightly.

He had not realized so much would be involved. How would he get a fake birth certificate? Could he just invent an address? Maybe pick a house and take it over?

Dan glanced at the form in front of him.

Phone number. How was he going to get a phone?

Oh well. There was a simple way to handle all of this.

Dan leaped into Lancer and overshadowed him.

"Oh, now I remember," Dan said through Lancer, "you've already shown me everything that's needed. And, well," Dan picked up the form and ripped it in half, "you don't really need this form after all." He dropped the pieces into a trashcan beside Lancer's desk. "What a coincidence that Danny Fenton has the exact same grades as your son up to the CAT. I'll just copy Danny Fenton's information into your son's file, and everything will be finished. Dan Fantom can start school on Monday. Have a nice day, Mr. Fantom."

Dan pulled out of Lancer.

Lancer blinked a few times. "Er... Ah, yes. I believe we're all set here. ...I think."

(This poll's mostly just about what's going through Dan's head and the tone of the next part.)

—

“Alert me when there’s an update” list:

@charlietheepic7, @chrysanthemum9484, @mymadmedleyw, @dp-marvel94, @aikoiya, @whydouwantmyname, @cinturon-cadena, @freakofyournature, @satanicrutialspecialist, @danphantom80, @kaezer

(if you want on the list, specifically ask to be alerted for updates in a tag or comment. Ask again if I forget to add you! If I can’t tag you, I’ll send a Message.)

[natasha-in-space]

Hey so I see you reblogging lots of RE content and I wonder if it's okay to ask if you have any fics for it maybe? It's okay if you don't, just wanted to check in '^^

So, uh, funny answer? Lots and lots in my private drafts. Also lots of RP lately (unironically working on an art piece for it rn bc it's fun). I write for it pretty much daily at this point, haha. RE4R sucked me back in, and I'm staying put so far. But that's all for me because I'm insecure about posting my stuff without heavy tinkering and editing to make it good 💀

But honest answer? I am actually working on a full Leon fic! And yes, this one I do plan on posting once it's done. I have no idea when it'll get finished though, because I am interchangeably working on it along with the Saeyoung one... Also, it's at <3 500 words currently, and I'm only, like, about halfway done through the plot.

For my MM followers: Saeyoung fic is at <4 000 words currently (yes I know, it was supposed to be a drabble. Things went out of control. There's no going back now). I do hope it'll be worth the wait! And yes I am working on it! My love for MM is not going anywhere.

I am a bit of a slow writer, admittedly, and real life has been kicking my butt lately.