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killjoyhistory · 2 years ago

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Official Danger Days Press Release from Warner Bros. Records

Sometimes, in order to grow, you need to tear down everything that came before. And, if you’re My Chemical Romance, sometimes you have to do it twice.

The Jersey band had conquered the globe with their platinum-selling third album, the bombastic and bleak The Black Parade, but two years of touring took their toll.

Every night the band strapped on their monochromatic uniforms, show after show frontman Gerard Way inhabited the skin of the album’s protagonist, the sickly, spiteful “Patient.” In every country visited, thousands of fans flocked to stadiums but with them came disturbing stories of violent confrontations on the city streets, of persecution based solely on their choice of clothes and professed passion for My Chemical Romance.

By the time the band reached its professional peak – headlining Madison Square Garden in the spring of 2008 – they were personally exhausted. “We saw the world and the world saw us,” says guitarist Frank Iero. “It was fun but it was grueling. That was a dark record to relive every night.”

At the end, “it was acrimonious, it was empty,” explains Gerard. “The album had become so misconstrued I felt like all I was doing was defending or apologizing for things. Speaking for kids who were victims of hate crimes. None of it had to do with music.”

And outside of the arenas, the band was changing too. The four core members – Gerard, his brother, bassist Mikey Way, and guitarists Iero and Ray Toro – were approaching 30 and all had either gotten married or were about to. The Black Parade – its darkness, its pomp and circumstance – was a triumphant struggle but the internally the group was ready for a different sort of battle.

“I wasn’t that person anymore,” Gerard says. “I don’t think anyone in the band was that person anymore. We looked like a bunch of guys in black. A bunch of really tired guys in black.”

And so The Black Parade was laid to rest. But not with a Busby Berkeley-esque funeral, like the one seen in MCR’s breakthrough video for “Helena” a few years back. No, it died suddenly and without ceremony.

Gerard decamped to Los Angeles with his wife, Lindsey, and their baby daughter Bandit. There he threw himself into Hollywood, working on translating his successful comic-book The Umbrella Academy for the screen. “Everybody needed to normalize and be a human being,” says Mikey, who spent time addressing the well-publicized anxiety issues that had plagued him during the Black Parade tour. “We all learned that it’s ok to enjoy things. You can smile. You can have fun and not be such a defeatist.”

But in 2009, when it became apparent that it was time to make music again, the old stresses quickly returned. Gerard set down a reactionary mandate: no concepts, no costumes. “It was going to be quick, stripped down, and raw,” Mikey explains. “A punch in the face without allegories or stories. Just a comet, a real fast hit.” Gerard and Ray traded inspirational mixtapes featuring the raw power rock of Iggy and the Stooges, lyrics were written about cars and kung-fu. “The sound was in opposition to what we had done on Black Parade,” Ray says. “But we had put all these walls up: what we could do, what it should sound like. It really limited what the band is capable of doing. We were going through the motions.” And yet, slowly, an album was made and mixed with producer Brendan O’Brien at the helm.

It was only then, at the 11th hour, that the frustrations and doubt that had lived beneath the recording process like an unwelcome squatter, began to squawk. “We kept saying ‘we’re going to have fun,’” Mikey says. “But we didn’t realize that it hadn’t been any fun.”

Gerard is more blunt: “If you’re guarded when writing music then the music’s not very good. That first attempt at an album was the sound of someone who didn’t want to open their mouth.” Disillusioned and depressed, he and his wife took their first vacation in years, decamping to the desert that surrounded their new hometown. And it was there, amidst the red rocks and cacti, the strange and primal nature that lurks and threatens just outside the man-made metropolis of Los Angeles, that Lindsey let her husband have it.

“She said, ‘look, you’re an artist and you’re trying not to be an artist,’” Gerard remembers. “I had started the band after 9/11 when I hated art. Black Parade had been about hiding and punishment. I couldn’t tell the truth so I’d talk about cancer instead. I had to put on a mask to show people who I really was. But now it was time to own it. To be who I was before this band started. And I had something in my back pocket: this song, ‘Na Na Na.’”

Back in Los Angeles in January of this year, the band regrouped at the home studio of Black Parade producer Rob Cavallo. “’Na Na Na’ really opened our eyes,” remembers Ray. “We’re all creative guys and Gerard is about ten times more creative than everyone else in the band. His brain is always firing. To limit that had been the worst thing we could do. It’s like clipping the bird’s wings.” The song is, in Gerard’s words, a “nail bomb”: an utterly outrageous explosion of every quirk, kick and punch the band had been holding in for years. Gone was the dark poetry, the gloom and doom.

In its place was unadulterated exuberance: Batman is namechecked, jazz hands are celebrated. Those who have spent time with Gerard know he has a wicked sense of humor and an innate love of showmanship. “Na Na Na” blasted through the frustration of the past year like a circus stuntman out of a cannon.

From there, it was off to the races. “We worked for two or three weeks undefined,” Gerard says. “We didn’t know if we were making a new album. Rob was working for free. He just knew there was magic happening and he kept capturing it.”

Among the rules that fell by the wayside was the band’s self-imposed strategy to work with a new producer everytime out. Though they had enjoyed their time with O’Brien, returning to Cavallo was, in Mikey’s words, “that clichéd thing where the beam shoots from the sky and the clouds open up. It was like going to war and coming home. It became this huge art project and we were all involved.”

“The one thing we kept saying is: we’ve got to bring the color back,” Frank says. “It’s hard to wear black all the fucking time. You want moments on your record where the brightness can shine through.” And if “Na Na Na” opened the door then it was the creation of “Planetary (GO!)” (“you keep eternity / give us the radio”) that knocked down the walls completely, letting all the wonderful Technicolor weirdness in for good. A four-on-the-floor glam-disco stomper, the song was a victory for recovering Britpopper Mikey.

“Being able to write a song like that for MCR was so liberating,” he says. “We realized we really can do anything. The rules were gone and anything could be on this album.” By the time they’d cracked the slow-burning, inspirational “Sing,” – another left-field improvision cultivated at Chez Cavallo – the band knew they were starting over. Gerard turned to Mikey with a smile and, almost by accident, named the new album: “Danger Days, here we come again!”

“The thing about the first try is that it was a perfectly normal rock record,” Gerard explains. “We looked normal. Short black hair. No more makeup. Perfectly tailored suits and leather jackets, perfectly made for the red states. And then we destroyed it. The question we faced was: would you destroy something perfect to make it beautiful? And that’s exactly what we did.” A straightforward song from the early sessions called “Trans Am” was ripped apart then tied to a rocket, re-emerging from the sci-fi ether as the worldbeating “Bulletproof Heart.” Motor City rave-ups like “Party Poison” were re-recorded and re-energized by the new direction while late-night experiments took on lives of their own.

The epic “S/C/A/R/E/C/R/O/W” (Frank: “that’s a weird one, man”) started as a chorus and then a song was built around it out of original loops, a haunting fortress constructed, brick-by-brick from sonic scraps. “A friend of mine told me that when Scorsese finishes a film the first thing he does is locate his best scene in the raw footage and cut it,” Gerard says. “We couldn’t fuck around with the past. We had to keep going.”

Out of the album’s chaotic creation, a concept came together, one loosely inspired by a comic-book project that dated back to the band’s earliest days criss-crossing the country in a beat-up van. “Sonically, we were trying to make stuff from the future,” Mikey says. “We imagined California in this post-apocolyptic 2019. These were all songs that would fit into that world.”

Bit by bit, pieces were added to the puzzle: the new songs were being broadcast by a pirate radio DJ, Dr. Death Defying, whose transmissions were a lifeline for the Fabulous Killjoys, a gang of dystopian rebel-kids attempting to survive a bleak maybe-future where art and color were illegal. But that’s as specific as the guys want to get. “A Killjoy is everybody,” Gerard explains. “It’s the band, the kids, the artists. Where I went wrong on Black Parade was trying to dicate the outcome. I can’t do that. The world is big, metal and chaotic and we’re just fragile little insects – one wrong move and you could get crushed. This is just a big pop art project.”

“If you want to know what a Killjoy looks like then go into a costume shop and put it together yourself,” Ray says. “On The Black Parade things got misconstrued. There is no enemy this time. Be creative. Use your voice, your community. Art is the only weapon.” With a familiar swagger returning to his voice, Gerard adds: “Rock and roll is old as hell and I’m not saying we’re gonna save it. We’re not trying to. We just want to make it beautiful.”

No song sums up the gleefully creative explosion that is Danger Days as well as “The Kids From Yesterday.” Recorded in May at the very end of the process, after Frank had already flown back to New Jersey to be with his expecting wife (they welcomed twin girls in July), the track is fresh yet immediately familiar, a bracing blast of invented nostalgia and misremembered memories.

It’s already the band’s favorite song on the album and, perhaps, in the entire My Chemical Romance catalogue. “Lyrically, I felt I had to write that song to be complete with the album,” Gerard says. “What it means to me is: I’m a grown-up now – we all are – and that’s cool. We’re a generation of wild artists, free thinkers, crazy people. We’re not going to lay down and have a boring life because we’re supposed to. ‘The Kids From Yesterday’ are the the adults, the ones who never forgot the feeling of holding onto a chain link fence yelling at the top of their lungs.”

The song completes the circuit from the last album’s fearful, freaky “Teenagers.” Gone is that song’s paranoia and fear of the future. In its place is hope. “Part of accepting being a grown-up is trusting the kids, our fans,” Gerard says. “My band is not leading you. Anything can be art. Anything can be self-expression. Now you take the weapon and run with it. Don’t be an easy target. You don’t always have to wear black. I feel like by adding color we’re handing off the keys to the fucking rocket!”

Danger Days: The True Lives of the Fabulous Killjoys is the album My Chemical Romance have been building towards their entire, nearly decade long career.

From soaring sentiment (“The Only Hope for Me is You”) to bare-knuckled brawling in the streets (“DESTROYA”) it defies lazy labels and demolishes expectations. Beholden to no scene, credo or code it’s a rock’n’roll album from the future aimed directly at the dead-hearted present.

“Next year it’ll be ten years since we’ve been together,” Frank says, “that’s a long time to stay in one shade. And I think if you’ve been a fan of our band for a long time then you need these different feelings in your life, these different emotions to come through. And I know that because it’s what we need right now.”

“Black Parade was asking for a lot of misery and punishment. Danger Days is asking for a big hyperspace adventure,” Gerard explains, finally, with a wink. “We’re not saying we deserve it. We’re just asking.”

(Source: 1)

#spelling and grammar errors are not mine lol #marketing #gerard way #mikey way #frank iero #ray toro

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lavoixhumaine · 1 year ago

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tag 9 people you want to get to know better

tagged by @randomnon911stuff

(hello there, random!)

favorite color: red

currently reading: henry james collection

last song: (music) igor stravinsky’s “firebird suite” but if it absolutely must be a song then “burn” from the hamilton mixtape performed by andra day

last series: umbrella academy (i am sooo late to this i know)

last movie: suzume no tojimari (2022)

sweet/savory/spicy: sweet and savory and never spicy (too sensitive for it)

currently working on: irl i’m currently looking to acquire a commercial property to develop that i hope will make for a good present for my husband in october • online trying to finish my massive bathena fanfic and this is more important than my irl goal really

(i don’t know anyone here save for one person and they’re not even part of the weewoo fandom so i will tag whoever i can recognize as frequent flyers for bathena)

no pressure tagging: @mattoidmeerkat @moghraidhs @dawntainbobbynash @tenntalker1 @sweetsummerhaze @athenagrantnash @talywu

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snowviolettwhite · 1 year ago

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My Fandoms:

Stranger Things

Wednesday

Addams Family

Captain America

Percy Jackson

9-1-1

9-1-1: Lone Star

Interview With A Vampire

Twilight

Harry Potter

The Umbrella Academy

Sweet Tooth

The Last Of Us

Bridgerton

The Sandman

What We Do In The Shadows

A League Of Our Own

Paper Girls

The 90's Show

Brooklyn Nine-Nine

Abbot Elementary

Night Court

Good Omens

Daredevil

Barbie

The Marvelous Mrs Masiel

Julia & The Phantoms

I Am Not Okay With This

Star Vs. The Forces Of Evil

Gravity Falls

Disney Descendants

Edward Scissorhands

Beetlejuice

2 Broke Girls

Schmigadoon!

----------------

To Television Watch & Catch Up On:

(Subject To Add To List & Cross Out What Has Been Watched)

Yellowjackets

Suits

The Bear

Hello Tomorrow!

Dickinson

Rise Of The Pink Ladies

Lessons In Chemistry

Our Flag Means Death

Hacks

Shinning Vale

Emily In Paris

Wolf Pack

Chucky

First Kill

Ginny & Georgia

Pretty Little Liars

Russian Doll

Julia

The Boys/Gen V

The Gilded Age

Loki

The House Of Usheer

School Spirits

Only Murders In The Building

Doctor Who

She-Hulk

Daisy Jones & The Six

Ms. Marvel

Fanfic

Mayfair Witches

The Witch Lotus

Ted Lesso

Shrinking

Films To Watch & Catch Up On:

(Subject To Add To List & Cross Out What Has Been Watched)

Lisa Frankenstein (Go See It In Theatres)

Taylor Swift Concert Movie

Wonka

Bottoms

Priscilla

Pearl

SpiderMan: Across The Spider-Verse

Do Revenge

Bridesmaids

Elemental

Fear Street

Asteroid City

Promising Young Woman

Theatre Camp

Ruby Gillman, Teenage Kraken

Weird Al

Blue's Big City Adventure

Joyride

Megan

Disenchanted

Dora & The Lost City Of Gold

Unpregnant

Not Okay

Princess

Rosaline

Mixtape

Birds Of Prey

Moxie

Plan B

Flower

Palm Springs

Eighth Grade

Ghost World

The Fabelmans

Permanent

The Broken Heart Club

Scoob!

Scott Pilgrim vs. the world

We Can Be Heroes

Mama Mia 2

(500) Days Of Summer

Bill & Ted Face The Music

Lightyear

Portrait Of A Lady On Fire

The Hunger Games: The Ballad Of Songbirds & Snakes

Fantastic Beasts: The Secrets of Dumbledore

Power Rangers

Cinderella

Juno

Ghostsed

Carrie

Vampires Vs. The Bronx

Poor Things

Mean Girls Musical

(Based On My List Feel Free To Reblog Or Recommend Films Or Television Shows.)

(If Anyone Has Shows Or Films Or Books That Are About People In Their Mid-Late 20s Or Entering Their Thirty That Would Be Nice. Most Media Is Either About Teenager And College Kids Or Mid-Age Adults Having A Midlife Crises.)

#fandom #movies #television #film #watch list #movie list #tv list #television list #tv

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personal-reporter · 1 year ago

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The Weeknd: La storia di Abel Tesfaye

Abel Tesfaye, meglio conosciuto con il nome d'arte The Weeknd, è uno dei musicisti più popolari e di successo al mondo. Il suo stile musicale, che combina elementi di R&B, pop e musica elettronica, ha conquistato il pubblico di tutto il mondo. Tesfaye è nato a Toronto, in Canada, nel 1990. Ha iniziato la sua carriera musicale nel 2010, pubblicando musica su YouTube e SoundCloud. Il suo primo mixtape, "House of Balloons", è stato pubblicato nel 2011 e ha ricevuto il plauso della critica. Nel 2012, Tesfaye ha pubblicato il suo secondo mixtape, "Thursday", e il suo terzo mixtape, "Echoes of Silence". I tre mixtape sono stati poi raccolti in un album, "Trilogy", che è stato pubblicato nel 2012. Tesfaye ha pubblicato il suo album di debutto in studio, "Kiss Land", nel 2013. L'album è stato un successo commerciale, raggiungendo il numero due della classifica Billboard 200. Nel 2015, Tesfaye ha pubblicato il suo secondo album in studio, "Beauty Behind the Madness". L'album è stato un successo mondiale, raggiungendo il numero uno della classifica Billboard 200 negli Stati Uniti e in altri 20 paesi. L'album ha prodotto tre singoli di successo, "Can't Feel My Face", "The Hills" e "Earned It". Nel 2016, Tesfaye ha pubblicato il suo terzo album in studio, "Starboy". L'album è stato un altro successo commerciale, raggiungendo il numero uno della classifica Billboard 200 negli Stati Uniti e in altri 20 paesi. L'album ha prodotto due singoli di successo, "Starboy" e "I Feel It Coming". Tesfaye ha pubblicato il suo quarto album in studio, "After Hours", nel 2020. L'album è stato un successo commerciale, raggiungendo il numero uno della classifica Billboard 200 negli Stati Uniti e in altri 20 paesi. L'album ha prodotto due singoli di successo, "Blinding Lights" e "Save Your Tears". Tesfaye ha pubblicato il suo quinto album in studio, "Dawn FM", nel 2022. L'album è stato un successo commerciale, raggiungendo il numero uno della classifica Billboard 200 negli Stati Uniti. Tesfaye ha vinto numerosi premi, tra cui otto Grammy Awards, tre American Music Awards e due Billboard Music Awards. È stato anche nominato per un Academy Award per la migliore canzone originale per "Earned It". Il successo di The Weeknd Il successo di The Weeknd è dovuto a una serie di fattori, tra cui il suo talento musicale, la sua presenza scenica e il suo marketing. Tesfaye è un cantante e compositore di talento. Ha una voce potente e versatile che è in grado di spaziare tra diversi generi musicali. È anche un autore di testi abile, che scrive canzoni che sono sia personali che universali. Tesfaye è un performer carismatico. Ha una presenza scenica potente che è in grado di catturare l'attenzione del pubblico. È anche noto per i suoi spettacoli dal vivo, che sono spesso spettacolari e coinvolgenti. Tesfaye è un esperto di marketing. Ha creato un'immagine di sé che è sia misteriosa che affascinante. È anche bravo a usare i social media per connettersi con i suoi fan. Il futuro di The Weeknd The Weeknd è uno degli artisti più popolari e di successo al mondo. È probabile che continui a avere successo in futuro. Tesfaye ha già iniziato a lavorare sul suo sesto album in studio. L'album è previsto per il rilascio nel 2024. Tesfaye è anche interessato a recitare. Ha già recitato in diversi film e serie televisive, tra cui "Uncut Gems" e "The Umbrella Academy". È probabile che continui a recitare in futuro. The Weeknd è un artista versatile e talentuoso. È impossibile dire cosa gli riserva il futuro, ma è certo che continuerà a sorprendere e deliziare i suoi fan. Read the full article

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jaytodd1129 · 4 years ago

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BROKEN BOY SOLDIER: A NUMBER FIVE MISXTAPE [SPOTIFY] [YOUTUBE]

A G E T H I R T E E N , S T R A N D E D I N T H E F U T U R E i. LITTLE SOUL - H2O4 just a little soul on my own again

S U R V I V I N G I N A N E W W O R L D ii. IRON - woodkid from the dawn of time til the end of days / i will have to run away / I wanna feel the pain, the bitter taste / of the blood on my lips, again

S O L I T U D E M A D N E S S iii. PACKT LIKE SARDINES IN A CRUSHD TIN BOX - radiohead after years of waiting / nothing came / as your life flashed before your eyes / you realize / i'm a reasonable man / get off, get off, get off my case / I'm a reasonable man / get off my case

A C C E P T I N G T H E H A N D L E R ‘ S P R O P O S I T I O N iv. YOU SHOULD SEE ME IN A CROWN - billie eilish you should see me in a crown / i'm gonna run this nothing town / watch me make 'em bow / one by one by, one / one by one by one

A S S A S S I N Y E A R S v. COUNTING BODIES LIKE SHEEP TO THE RYTHM OF THE WAR DRUMS - a perfect circle I'll be the one to protect you from your enemies and all your demons/ I'll be the one to protect you from a will to survive and a voice of reason

B R E A K I N G T H E C O N T R A C T vi. BROKEN BOY SOLDIER - the raconteurs I'm child and man and child again / the boy never gets older / the boy broken toy soldier

2 0 1 9 / A D J U S T I N G vii. BLACK SHEEP BOY #4 - okkerville river bleeding black sheep boy / mirror in pieces / turn the receiver / trace the police station / line to my number / and number my reasons / for this paranoia / for these accusations

F A M I L Y F I N D S O U T F I V E I S A N A S S A S S I N viii. BLACK EYES - radical face I couldn't count on anyone to stand there behind me / and keep the dogs from dragging me off with them / while I slept you crept in and pulled the rug right out from under me / then the rain stole away and took the parts that kept me functioning

T R Y I N G T O S T O P T H E A P O C A L Y P S E ix. NEVER TOO LATE - three days grace now and again we try / to just stay alive / maybe we'll turn it all around / 'cause it's not too late / It's never too late

F I V E O P E N S U P T O H I S F A M I L Y ( A L I T T L E ) x. ALL THESE THINGS THAT I'VE DONE - the killers another head aches, another heart breaks / i am so much older than i can take / and my affection, well it comes and goes / i need direction to perfection / help me out

#the umbrella academy #number five #number five mixtape #number five fanmix #the umbrella academy fanmix #the umbrella academy mixtape #tua #tua fanmix #tua mixtape #vanya hargreeves #klaus hargreeves #ben hargreeves #diego hargreeves #allison hargreeves #luthor hargreeves #reginald hargreeves #my fanmixes

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doyoueverstopandthink · 3 years ago

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luther: who's that?

klaus: special agent vohlers. united states secret service.

luther: do you just constantly have your own little side adventures?

klaus: yep.

luther: me... too!

#this scene just reminded me of s3 of klaus and luther #klaus is dying and just casually figuring out the exact information that everyone needs so that THEY survive #meanwhile luther's falling in love and making mixtapes and just vibing his way through life #in a MUCH more casual way than klaus is #anyways yeah they're fucking vibing man #incorrect quotes #incorrect umbrella academy quotes #incorrect umbrella acadamy #klaus hargreeves #luther hargreeves #umbrella academy #the umbrella academy #tua

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agstricker18 · 4 years ago

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New playlists that I dont know what music to put in them. Comment down below for any songs that remind you of any of the hargreeves children from the umbrella academy. Two of them, I already have music but I would like recommendations.

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marciliedonato · 4 years ago

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leaving y’all my UA playlists if y’all want to check them out as u wait..

- vanya (the one i put most work into/the best one imho)

- klaus (v angst)

- general (kinda meh but the intent is there)

and if u know any cool songs pls let me knoww 🥺🤩

#txt #The Umbrella Academy #mixtape #Playlists #mine #Umbrella Academy #vanya hargreeves #klaus hargreeves #wow anna said something #anna's shitposts #Viktor hargreeves #I stared the Playlist in 2018 for *comic* vanya but it also has Viktor songs <3 <3

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umbrelladude · 6 years ago

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(art not done by me, credit goes to the amazing @reeacat)

sad seance

Otherside

Mr Loverman

Medicine

Goner

5AM

Like It’s Over

Sign Of The Times

Michael

Agnes

Brother

when the party’s over

Scared of the Dark

fun sidenote:

The lyrics to Scared of the Dark

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lahotelbellamuerte · 2 years ago

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𝗧𝗜𝗠𝗘 𝗧𝗥𝗔𝗩𝗘𝗟 & 𝗧𝗛𝗘 𝗙𝗢𝗥𝗖𝗘

masterlist;

(five hargreeves x f!oc/kinda reader)

summary; as the end looms on the world. the umbrella academy must get together to save the world, but they become a mess. five and eight hargreevs must do it themselves. and save their family in the process.

content warnings; suggestive language, brief mention of sexy time, angst, weapons, blood ig, fluff, vulgar language, mention of a panic attack, character death, i think that's it. let me know if you find any more.

notes; eight has powers derived from jean grey/scarlet witch, a mix of them kinda. book is complete, each chapter is scheduled to be posted two days after the other, thanks!!

ivina’s library masterlist — original book cover

— the beginning of a long ass fuckin story 𝗜. 𝘀𝘆𝗻𝗼𝗽𝘀𝗶𝘀

𝗜𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟬. 𝗱𝗮𝗱𝗱𝘆’𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗴𝗶𝗿𝗹

𝗜𝗜𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟭. 𝘆𝗼𝘂 𝗳𝘂𝗰𝗸𝗲𝗱 𝘂𝗽

𝗜𝗩. 𝗶𝗻𝘁𝗲𝗿𝗺𝗶𝘀𝘀𝗶𝗼𝗻 𝗼𝗻𝗲

𝗩. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟮. 𝗿𝘂𝗻𝗻𝗶𝗻𝗴 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝘁𝗶𝗺𝗲

𝗩𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟯. 𝘆𝗼𝘂𝗿 𝗳𝗮𝘂𝗹𝘁 𝗼𝗹𝗱 𝗺𝗮𝗻

𝗩𝗜𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟰. 𝗱𝗿𝘂𝗻𝗸 𝗮𝘀 𝘀𝗸𝘂𝗻𝗸𝘀

𝗩𝗜𝗜𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟱. 𝗻𝘂𝗺𝗯𝗲𝗿 𝗳𝗶𝘃𝗲 & 𝗲𝗶𝗴𝗵𝘁

𝗜𝗫. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟲. 𝘃𝗮𝗻𝗶𝗹𝗹𝗮 𝗺𝗶𝗹𝗸𝘀𝗵𝗮𝗸𝗲

𝗫. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟳. 𝗷𝗮𝗺𝗲𝘀 𝗵𝗮𝗿𝗴𝗿𝗲𝗲𝘃𝗲𝘀

𝗫𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟴. 𝗲𝗹𝗹𝗮 𝗺𝗮𝗴𝗻𝗼𝗹𝗶𝗮

𝗫𝗜𝗜. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟬𝟵. 𝘁𝗮𝗸𝗲 𝗰𝗼𝗻𝘁𝗿𝗼𝗹

𝗫𝗜𝗜𝗜. 𝗶𝗻𝘁𝗲𝗿𝗺𝗶𝘀𝘀𝗶𝗼𝗻 𝘁𝘄𝗼

𝗫𝗜𝗩. 𝗲𝗽𝗶𝘀𝗼𝗱𝗲 𝟭𝟬. 𝘁𝗶𝗺𝗲 𝘁𝗿𝗮𝘃𝗲𝗹 & 𝘁𝗵𝗲 𝗳𝗼𝗿𝗰𝗲

𝗫𝗩. 𝗩𝗮𝗹𝗲𝗻𝘁𝗶𝗻𝗲’𝘀 𝘀𝗽𝗲𝗰𝗶𝗮𝗹 — mixtape

note; just a quick message on the whole writing on five, i get his actor is a bit on the yougner side. but i've aged them both up. no one in this story should be on the minor side. i wrote this when i was young. original place was wattpad, but the ads have made me pissed off. please let me know if i haven't edited in an area. so if you're looking for an age acurate (13) year old, you won't find it here.

#five hargreeves #five hargreeves x oc #five hargreaves x you #the umbrella academy #five hargreeves smut #aidan gallagher

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salutationsmydude · 2 years ago

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Umbrella Academy’s:

This is a mixtape for the *!?enemy?!*

Should truly become a meme of its own. We simply need the *context*

The possibilities could be endless.

#it’s very…#ooooh gasp energy #the umbrella academy #new meme drop #please it would be so funny to see

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brynfelan · 3 years ago

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umbrella academy season 3 was weird, and i have Thoughts. (spoilers!)

honestly, i liked viktor’s coming-out. i’m glad it happened early, and i’m glad it was so much of a non-issue. i loved luther’s reaction (actually, he was the most enjoyable he’s ever been this season), and i’m really glad that the show went this route rather than having elliott page having to play a woman for the rest of the show. UA gets major props from me for doing that.

that being said, what the fuck is up with alison this season? i think her having an evil arc is good. i love an unhinged woman. but also, i don’t think it was well-done at all - i’d have liked them to show more pushback against her (particularly from luther - especially after the rumour scene). she’s traumatised, let her be unhinged, but i think luther in particular forgave her too easily.

reggie continues to be a very consistently well-written character. i know this guy, he’s a backstabbing son of a bitch that is incredibly charming at times. i rate doped-up reggie, would love to sit and watch trash tv with him.

himbo luther has my heart. i love that he made a mixtape. i wish that would have come up later (maybe when sloane was accusing him of using her? i think that could have been a really cute scene).

i regret that the sparrow academy were full of kinda nothing-characters. i don’t have many thoughts on any of them. aside i would have liked for ben to have a little more development through the season, but really that can be said for all of them. sloane felt kinda nothing-y too, but i’m glad she was the catalyst for Dumb Himbo Luther.

diego and lila are NOT a valid straight couple, but i’m still rooting for them. also yeah, lila’s pregnant and eating sushi (which isn’t recommended in the UK) - but also it’s the end of the fucking universe, let the woman eat the fish.

reggie put klaus best, he is marvellously deranged. and i love him! i also very much enjoyed his scene running from the amish. 100% not where i expected that to go, but i had a good time with it. also, i think his father-son bonding time was excellent.

there are a few plot threads left hanging that i wish they’d delved into more - alison’s hallucinations, what the fuck the jennifer incident is, why chris is a cube to name a few. i wish viktor had played violin at least once this season. maybe when he went to ben’s room, instead he could have found that violin that’s somewhere in the house (if it exists in that version of the universe). i also wish he’d called ben out on the jennifer incident while he was there, since ben had drawings of jennifer all over.

overall, i think this is the worst season so far. i think the writing has fallen off a bit, but it’s still a fun show. i’ll be happy if they renew it, since i’m still invested enough in the plot and the characters to carry on with it for maybe 2 more seasons at most, but i hope the writing improves next season.

#umbrella academy #brainrot #bryn talks UA #umbrella academy s3

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