#the trauma will be very real

[cb-writes-stuff]

I have so many fun ideas for Too Many Hats :3

[baker-chan-senpai]

dumb doodles

merry christmas, people

[bbygirl-aemond]

harwin you ARE the father

[vaguely-concerned]

can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.

this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.

tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[naamahdarling]

You know what? You know what I think?

I think that if we lived as we were meant to, in larger intimate ("extended family") groups and with more shared labor and time to do it (UBI NOW) people like me would not feel so useless and burdensome because there would be people around to help and to do what neurodivergent people can't while making valuable space for the neurodivergent to do what they ARE good at.

The way we live right now, all right, the way we live right now forces units of two adults to be able to do EVERYTHING or PAY to have someone come do it for them. I have to do the housework. I have to do it! But I am having to do a million different things and most of them I am not good at. I suck at them.

I wouldn't feel like shit, okay, if I had more than one other person around who was not a child and who could do the things I can't, like do the yard and cook and do repairs and basic maintenance; and someone else to split everything else that I like but is too much for me. It would free me to do what I am good at and enjoy. Cleaning, as in the sink and toilet, the windows, the blinds. Taking out trash. Folding, hanging, and sorting laundry.

But because all the shit I can do often relies on other shit being done first, and I can't do or have trouble doing those things, the shit I can do often can't be done. And even the shit I can do, I can't do ALL of it. So I can't keep up, and things get very bad.

We aren't meant to live like this. We are not meant to live like this.

That thought hurts so much because being able to flee the birth family is integral to survival for so many people. I'm so afraid that living in larger family groups would create more opportunities for, say, queer kids to be isolated, rejected, bullied, and abused. But if we gave people enough money to survive, and stopped considering children the property of their parents with no system in place to help them escape bad situations except a system that is often just as bad, just different.

I'm aware that communes and collectives aren't all that successful and are kind of a joke. I don't mean that. I mean a fundamental shift to multigenerational families where taking in "strays" (which my family did) is also normalized so people escaping abuse into existing households was accepted, with these families centered in maybe a couple of different larger residences so not everyone has to buy and maintain their own fucking washing machine and vacuum cleaner, and so people can benefit from large group meals that yield leftovers, and so child and elder care can also be centralized.

Then disabled people and the neurodivergent and sick and injured people, and pregnant people, and grieving people, would not have to either labor through all those stressors or consign themselves to living off an unlivable pittance or being put under legal guardianship.

I'm not saying anything new. People live like this in other parts of the world and maybe it sucks and I am wrong. But I'm just really mad right now because I can either do laundry or clean the sink but not both, and I really think we could improve society somewhat by making it so I did not have to choose one without sacrificing the other.

[fuckedupwizard]

putting my twt thoughts here bc i went into more detail there:

i was never really able to explain why the "yqy adopts sy as his son" or "yqy takes sy as a disciple" or "yqy becomes protective over sy for xiao jiu reasons (they look alike and yqy wants to do right by him this time)" AUs rub me the wrong way until now but i realised: i think it's actually the opposite of what yqy would do, because for one thing it would be way too cruel to shen jiu and yqy recognises that. i feel like it's such an inherent betrayal to shen jiu for yqy to be like "i'm taking in this child who resembles you and has your surname, projecting your child self onto him, because this one hasn't been abused so i can use him as a replacement and pretend it doesn't matter that you were and you turned out like this." i don't think yqy thinks of sj as replaceable or that his trauma can be in any way mitigated or erased for yqy by getting a Do-Over Xiao Jiu - which he also doesn't want because shen jiu is shen jiu and yqy loves him. both of them would rather be stabbed than have sj witness his child self be forgotten/left behind all over again :)

[turtleblogatlast]

[ cw: nightmares / trauma / ]

Post-invasion, Mikey sneaks into Leo’s room and when asked by Leo what the problem was, Mikey just smiles and says since he’s awake and knew Leo would be too, he didn’t want either of them alone. Leo laughs and lets Mikey stick around, both of them clumped together on Leo’s bed, watching grainy compilations of old Lou Jitsu commercials on Leo’s phone.

Technically, Mikey didn’t lie. He just didn’t explain everything that led him to Leo’s room. He didn’t explain the nightmare of his arms burning up too bright, too fast, destroyed before Raph and Donnie have a chance to help. He didn’t explain how he woke up with a wail caught in his throat, phantom pain in his arms and chest alike chasing away any semblance of exhaustion. He didn’t explain how his mind made sure he knew, vividly, that if one thing went wrong with his portal, then he would have never seen Leo again.

He didn’t explain, and he didn’t have to. Leo knows his brothers better than he knows himself, and Mikey has always been easy to read. So it’s no trouble to let Mikey know that he’s still with them, that Leo is here and alive with everyone else. And when Mikey finally regains his exhaustion and falls asleep leaning against Leo, Leo simply maneuvers him into a more comfortable position and stays by his side.

He doesn’t move, doesn’t go to sleep - not that he could, anyway. He just mindlessly scrolls on his phone, the soft snores of his little brother filling the room. He stays in place, awake, because he wants to be sure that when Mikey wakes up again it’s to the immediate sight that Leo is alive and well and home.

And, if Leo’s bring honest, that’s a reminder not just for Mikey’s sake.

[jetkast]

Listen I know there have been approximately a billion posts about the Divorce but I had to add to the noise.

This conversation really is such a succinct breakup with so much to it. Jayce finally has his moment to say something to Viktor after not knowing if he may ever get the chance at all, only for it all to come out scrambled. I just know he was punching the air at 3am redoing this conversation over and over.

Meanwhile Viktor was acclimating to the sheer body horror of being alive after dying, his own form nearly completely unknown to him, with this "recursive charge" thrumming in his skull that drives him to the most destitute part of the city.

Jayce (ready to beg like his life depends on it): I have royally fucked up and I will be seeking atonement forever for it, please please please love me, don't leave, guilt guilt guilt I'll die from guilt and failure right here on the floor

And my favorite part: 👹 where are you going 👹

I have been obsessed with the delivery of this line because it is exactly the phrase and tone used towards someone you are painfully intimate with and experiencing a rupture (aka divorcing). The panic of 'I cannot let you leave' with 'I'll die' and 'you're not allowed' while also so emotional that all that comes out is a sad anger. Like I can't even capture it. It's about the ownership or entitlement. It's not just "why are you exiting this conversation, that's rude and this is important" but something darker and more pathetic. I DON'T KNOW I JUST RECOGNIZE IT and wanted to ramble about it. Perhaps oddly, it is actually this line (juxtaposed with "it was affection", I'm suffering so much) that locked in them as already being intimately involved for me, beyond friends or lab mates.

These two are just on two entirely different planes of existence in this scene and it's so LAYERED AND UUHHGGFJH this show is going to drive me into my own recursive whateverthefuck.

Jayce is flooding with too much everything, love, fear, desperation, anger, hope, dread, etc, and looking for someone to hold it with him. And Viktor is a husk. And yet, they miss each other, not balancing one another, because they might as well be talking to each other through the looking glass. IT'S JUUUUST AHHHHHHHHHHHHHHHH lmao

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

[First] Prev <–-> Next

[the-magpie-archives]

I gotta be honest if some random guy approached me in the street and asked me to tell him my paranormal trauma I'd literally just tell him? Like he wouldn't have to compel me I'd like to share. Free therapy for me, free story for him! Not my problem if it feeds an otherworldly overlord.

[didderd]

MY BELOVED—cough cough I mean uh...

Crack, sweetest boi, I would like to know what kind of food is absolutely your favorite 🫶

Crack: Heh.. Hey Lex.

Ah... favorite? Don't think I could chose. I love most things.

..... If it's meat.. 's long as 't's not bloody... or real obviously an animal... 'n' sometimes I jus' avoid it completely... Found some vegan places I really like in some AUs over time. Love a good vegan burger.

[deadchannelradio]

my fanfiction abortion morgue is gaining another jayroy victim that is not long enough to clean up for ao3. this was going to be a very long and meandering noodle about in the river that is jason's mental health and trauma and relationships of all types and healing and the asexual/aromantic spectrum (not that that's the verbage jason would use or language hes even aware of) and low sex drives all that beautiful muck and mire but i have not put a single word on it in well over a year now. so i'm letting her go. be free little fish.

-

They’re better now, anyways, better than they ever were before. Jason had a crisis a few months back, stopping himself from reaching reflexively for his phone to give Dick a call about- nothing important. And then he had realized that he had reflexively gone to call Dick about nothing important, and had gone and stared out the window for 15 minutes, trying to work himself into a different, less horrifying conclusion than the one gathering in his brain like an avalanche. Roy had come home in the middle of it, taken one look at his face and dropped his bag on the floor with a thunk.

“Holy shit,” he said. “Who died?”

“I like him,” Jason said, somewhere between incredulous and horrified. “That cunt, that motherfucker- he made me actually like him-,”

“Who?”

“Dick!” Jason had shouted. “That piece of shit, I want to spend time with him, hours out of my actual human life that I can’t get back-,”

Roy had proceeded to laugh in his face for a solid ten minutes, positively gleeful about Jason’s horrible emotional crisis. “He does that to you, man,” he said once they’d settled in, still chuckling as he cracked open a can of soda, posted up on their couch with Ethiopian takeout in his lap. “One minute you’re sitting there thinking oh my god, this guy, he’s so loud and annoying-,”

“And he never fuckin’ stops moving,” Jason groaned from his spot laying on the floor below him. “His body or his mouth. And he chews loud, he’s obnoxious on purpose, and he’s a model and dated Kory but half the time he dresses like something a goodwill dumpster threw up-,”

“Have you seen his new shoes?” Roy asked. “I dress like dogshit, man, but those things-,”

“Wally got them for him,” Jason said, and then immediately slapped his hands over his face, horrified that he knew that. Roy laughed again. “He’s constantly in your fuckin’ business! Constantly! Last time I saw him he knew the social security numbers of the baristas in the coffee shop I’d been going to-,”

“He gets enabled,” Roy muttered, shoveling injera into his mouth.

“He gets enabled!” Jason said. “Everyone enables him! I enable him! And god, his fucking- puns, man, his quips, we’re all guilty of it but this is a fight, not comedy hour, and even if it was you’d get booed off the stage-,”

“He texted me what he said to Mr. Freeze two weeks ago and I wanted to eat my phone,” Roy said. “It’s amazing no villains kill themselves after he hands their asses to them, I would be humiliated.”

“He sucks!” Jason snapped. 

“He sucks,” Roy agreed. “And then you look around one day at your life-,”

“And you go oh shit, I think this motherfucker’s alright!” Jason mimed hitting himself in the face with Roy’s abandoned house slipper. “Fuck! What’s fucking wrong with me?”

Roy laughed at him, again. “Dick Grayson Derangement Syndrome gets us all in the end,” he said. Jason curled a hand around his bare ankle, and Roy looked down to smile at him, the smallest touch making his whole face bloom open like a rose. Jason had to look away from it, wanting to say: stop. No. You know I’m not enough. You know I’m not like you. You know I can’t give you enough.

He’s been wanting to say that a lot, these days. Toss Roy off the sinking ship with a lifeboat before he has to wake up one day, years on, and realize he’s wasted years with Jason, who can’t love that loud.

He wanted to call Dick about it, which was another horrible realization. Hi big bird, I’m having boy problems. Dick would probably tell him that it means more that Jason has to try, that wanting to try for it is selfless, makes it more significant, which is the kind of thinking that lands a motherfucker in bed with Barbara Gordon, who is enough like Jason to warrant a comparison, but not enough to call her and ask what he should do. Babs loves like the Bolton Strid, and sometimes Jason isn’t sure he loves at all. Not like that.

Jason isn’t nearly as selfless as Dick is convinced he is, not deep down. Because he doesn’t want to let Roy go at all.

It’s late, well into the witching hours, and they’re laying in bed in what was formerly Roy’s bedroom but now holds them both, blinds cracked to let the streetlights through. Jason doesn’t like the dark. Roy’s threatening to buy an eyemask. Jason thinks it’s stupid to blind yourself to potential attackers. Neither of them have brought up going back to sleeping separately. Roy’s nose is pressed between Jason’s shoulder blades, breath humid through his shirt. Not asleep yet, but close. Jason’s books are proliferating on Roy’s shelves, his boxers in Roy’s laundry basket, garrotte wires coiled next to bow strings on the desk that has framed photos, past-Jason’s mouth a little white slash in the bar of orange streetlamp.

Something is clawing at the inside of Jason’s chest, scrabbling like a wild little animal. Trying to dig its way through his spine, into Roy. It hurts.

He shifts, turns over, pushes Roy over onto his back and rolls on top of him, propped up on his elbows to look down at him. Roy grunts, half-awake and confused, but takes his weight. He blinks blearily up at Jason, a crease between his eyebrows- Jason must look intense right now. “Jaybird?” he starts, quiet.

Jason knows this feeling- as all-consuming as it is- is fleeting. It’ll be gone in the morning, and he’ll forget it was ever here. He won’t be able to recall its bite until it comes back around again, like Halley’s comet. He should say something now, while he has it. While he feels it. So Roy can know it’s real. He just doesn’t know how to describe it.

“Jase,” Roy says, sounding more concerned, “Jason, what’s-,”

“Something in here,” Jason interrupts, putting a hand on his own chest, a thudding sound of muscle on muscle, “Wants to eat you.” God, he feels dumb. He’s not good at this, he sounds so much better in his head. His words come out of his mouth sour and curdled and stupid, there’s a reason he doesn’t try to talk about this shit-

Roy lights up, slow at first, then all at once, his face creasing up in his smile like old paper, following familiar folds. Jason feels his toes curl next to his calves, his feet pointing and flexing in excitement. Jason wishes he could make himself smile back, anything other than the dead-eyed concentration he knows he’s wearing right now, but the weight in his ribs is too real and too wild for that- if his teeth come out this might get literal. He wants to crack open Roy’s sternum with his bare hands, climb in like a contortionist and slam it shut behind him.

“Really?” Roy asks, small and soft and giddy. Jason nods, serious. Roy’s teeth dig into his bottom lip, smiling so wide his nose is wrinkling up, little inky lines in the artificial twilight. “Cool,” he says. 

Jason’s hands spasm in the sheets next to Roy’s head. “Roy,” he starts, “Can I-,” stops. Doesn’t know what he wants. Maybe just to look at him until the sun comes up, just to watch the light turn his freckles from a smear in the dim to pinprick-sized marigolds. Maybe to go to sleep on him like this, the thunder of his heart under Jason’s cheek. Maybe he wants everything. Maybe he wants to be the greediest son of a bitch in Gotham. 

“You can do anything,” Roy promises, and the sincerity in his voice makes the thing chewing on Jason’s lungs shake. “Anything you want. I’ll let you do everything.”

Jason drops his head against Roy’s chest with a grunt like he’s just been punched, unable to choke it back. He pushes himself up- Roy makes a quiet, sad noise, grabbing for him- and fumbles the bedside lamp on. He wants to see everything. Roy’s pupils are huge, even in the light he’s flinching from, irises that strange half-color, too dark for blue or green and too flat for hazel and too light to be brown. His cowlick’s sending his hair in every direction at the left temple, and he’s still smiling at Jason, like he can’t help it. Jason doesn’t know what to do, now that he’s here. A restaurant with an infinite menu. What he wants is strange, probably. Not how normal people want things, not what they want. Jason is off-putting, sometimes on purpose, frequently not, and he doesn’t know how this will come across. But Roy said he could have anything. Whatever he wanted. Giving up all of himself, for nothing. For free. 

Jason should take it. Roy will stop him, if he needs it. He puts his mouth on the cowlick, not a kiss, tucks his nose into Roy’s hair and breathes in deep. The nothing-smell of hair that’s not clean but not dirty. Roy’s hands are pressing into his lats, his legs spreading and crossing behind Jason’s thighs, holding him there. Jason curls both his hands around Roy’s skull, presses gently, cradling his head- all of Roy is in there, somehow, and he needs to be careful with it. His skull feels too small to hold something so important, too fragile. 

Jason drags his thumbs over his eyebrows, presses a thumbnail into the scar bisecting the left one- string snap, Roy told him, nearly took that eye out. Roy’s looking up at him still, and they’re close enough that Jason could count his eyelashes, if he wanted. He runs his fingers over Roy’s ears, feeling the cartilage, gently pinches the flesh of his earlobe, over the hole where he used to have gauges. He moves down to Roy’s neck, puts his hands around his throat, doesn’t squeeze. He feels it when Roy’s breath hitches. Roy shuts his eyes, swallows, his Adam's apple moving under Jason’s palms. 

Jason bites him where his neck meets his shoulder, hard. He thinks about being normal, trying to make it a hickey- but Roy jerks hard beneath him with a strangled noise and that thing in Jason’s chest makes him hold that position until Roy stops moving, until the bolt of his jaw aches. He lets go, spit shining around the deep purple indents in Roy’s skin. Roy lets out a shaking breath, eyes still shut.

Roy already knows he’s an inscrutable freak, Jason decides. He’s going to do everything he’s ever looked at Roy and thought about doing, everything he thought might be weird that he’s ever refrained from. Roy won’t run.

If he does, well. Jason will chase him. Roy is the one who said he was locking Jason down, said nobody in or out. He can’t get too mad if Jason takes him up on it.

He presses his nose near Roy’s armpit. The sharp, live smell of his sweat in Jason’s lungs, muted by whatever axe deodorant he uses that always makes Jason think of a cold wet morning. He rubs his mouth over Roy’s deltoid, teeth dragging. Jason pushes up and kneels with his thighs on either side of Roy’s torso, picks up an arm, runs his hands over Roy’s bicep, digs his thumbs into his elbow. Puts Roy’s thumb in his mouth, tastes skin and salt, bites the draw calluses on his fingers, gentle. Does the other arm too, to keep it even. Roy’s breathing slow and even, looking at Jason again as he shoves his mouth into Roy’s wrist until he can feel the pulse against his lower lip. Roy’s trying to caress his face with that hand, can’t quite manage more than a brush of his fingertips against Jason’s ear. 

Jason knows what he should say here. What he hasn’t been saying, because he knows it’s not the same as how Roy will say it, thinking that it will somehow be a lie because the meaning’s different. But it’s words, which are only stories. There is nothing in a story that is a lie, and no analysis that is wrong, with supporting evidence. Which Jason has, which Jason has always had. Roy at his right shoulder. Never wanting anyone else at his back. Saying to Dick: if there wasn’t Roy, there wouldn’t be anybody. The way they keep finding each other at the lowest of lows, facedown in bottles or looking down barrels of guns to see if they can spot the bullet. Standing there feeling stupid in the holes they’ve dug, pickaxes in hand, before turning and finding the other, just as deep as they are. Saying: gimme a boost and I’ll give you a hand.

Even if he doesn’t mean it in the same way, he means it. I want you, I want you, I want you. The inflection changes the meaning, but only by the barest degrees. 

“I love you,” Jason says, and he’s not lying, because he means them, even if it’s not always how he thinks he should.

[nshtn]

I love writing Wesker with a little touch of what he seems to hate so much... humanity.

The one core aspect of his persona is that he was manufactured - abused - created.

The Executive Training School intended to produce sets of controllable psycho-sociopaths - a class worth. Human beings, more complex than tools, rarely turn out how they are meant to - neither Birkin nor Wesker were controllable.

Lisa Trevor was a threat and an intimidation tactic as much as she was an experiment - "this will be you if you don't do what we say", essentially.

Wesker, Birkin, and Alexia were all groomed (literal) under the Doctrine, meant to take over in Spencer's stead when he passed (and meant to fight for the position).

Birkin's hate for Alexia was an intentional machination of Spencer. Wesker was intended to experience it towards Birkin eventually, but ultimately did not.

There is only so much death you can voyeur - unwillingly, willingly, it doesn't change the outcome - until you are no longer empathetic to it.

He's a victim of an insurmountable magnitude of intentional happenings whose scale approaches the Truman trope.

His natural, base inclination is not violence.

Birkin had a much higher kill count than he did in the beginning of his arduous and terrible journey, one that they had both started with the desire for a positive change even after they grew up watching their peers picked off like carrion by Marcus.

Wesker's comment to Birkin after the murder of Marcus is that he does not feel anything - good or bad - and that Marcus was "just another monster".

In RE4, he is more than willing to let people solve his own problems without directly, violently interfering to reach his goals. Only when they require violence does he portray it - his first suggestions aren't needlessly cruel ("ring the church bell", "take advantage of the distraction [Leon] is causing", "use [Leon] to clean up Saddler").

When Wesker initially became suspicious of the Arklays, and he looked upon what he perceived was Spencer's goal, he found the idea of it completely revolting even at its' smallest scale. But he could not flee.

The Arklays were meant to produce a viable strain that Spencer could then himself perfect after shedding the Arklays as a testing ground; it was intentionally set up for the event of Raccoon City to occur, but it was not intended for it to occur at the time that it did.

Spencer admits that he - and Project W as a whole - were raised intentionally to produce tools who would become eugenicists in a similar fashion.

Eventually that bitter lie becomes so numb to Wesker's tongue that it begins to taste sweet. "A lie repeated twice is truth" is a known and very evil propaganda tactic employed by cults and fascists - it is called the 'illusion of truth' in psychology, the curse of familiarity.

He was not born evil, and he's a broken dichotomy of a person who is fundamentally incompatible with life.

[robbyykeene]

Anyway I wish this show was actually bold enough to give Miguel an arc exploring his feelings of entitlement over the captaincy spot. Throughout the show Johnny has repeatedly told Miguel that Robby is a lost cause but hey, It’s okay because he has Miguel now. That Miguel’s his champion, his Number One Boy. So how could Miguel not feel at least somewhat entitled to the captain spot? How could he not feel insecure about his place in Johnny’s life with Robby not just back in the picture, but now literally taking the number one spot? When Johnny has repeatedly put into both kids heads that when it comes to his love and attention its one vs. the other, how could there be no lingering feelings of resentment and jealousy?

[afsosville]

Spreading some Shen Jiu positivity coz I need it lol.

You know what's so great about Shen Jiu? It’s that we don’t have a clue what Shen Jiu would’ve been like if he had a chance to heal from his trauma or was equipped to deal with it. (That includes learning coping mechanisms that don’t involve lashing out on other people and getting the TLC he deserves.) We have already seen him at his worst, I wanna know what he’s like at his best!! The world nerfed him with trauma and angst coz it knew a Shen Jiu with mental stability would be a force to be reckoned with. He embodies the quote “Jupiter was meant to be a star but failed.” This is why I love Shen Jiu fics so much (at least the ones where he heals and all that). No coz I'm not getting over the fact that he used a powerful sword flying technique during the burning of the Qiu manor without practicing it first and only saw it once before just straight up pulling it out of his ass like- Or that he become a peak lord despite every fucking disadvantage thrown at him. Also! I'm pretty sure his spirit roots and cultivation talent was equal to, or even greater than Yue Qingyuan as a kid before it got ripped away from him LIKE WHAT- 

Everyone has their own interpretations of Shen Jiu’s character and it's nice to explore. Ofc I don’t like the way he is in canon. If he was a real person, yall would hate him too. I like Shen Jiu for the potential he had as a person and who he could’ve been. And I like coming up with AUs and ideas for how things could've gone differently for him because, for me, there's something so therapeutic about seeing/writing characters break cycles. Shen Jiu not having done so in SV had a narrative impact by emphasising how people display problematic and violent behaviours in response to trauma. That is why the protagonists and male leads of MXTX novels are written the way that they are, to contrast the villains. Characters like Xie Lian, Lan Wangji and Wei Wuxian are examples of people coping with their trauma positively (semi positively if I'm being honest but the point remains). So excuse me for making Shen Jiu the protagonist in practically all the fics I'm working on lol.

Technically you can’t even say Shen Jiu is OOC for these kinds of SJ fics, coz, again, we don’t know what he’s like if he actually got the help he needed. There's this fic called Residing Over Autumn Leaves, where Shen Jiu’s personality is so malleable that he completely reflects the environment he was around in his earlier years. He suffers through a Qi deviation that actually erases his memories and he becomes a white lotus Jiumei. It’s because he was in Qing Jing peak most of the time and all his disciples and martial siblings protected him. And then there’s fics like The Hidden Flower, and the Memories Remembered series. Those speak for themselves. I'm assuming yall read them coz they're pretty much the most popular Shen Jiu fics on AO3 lol. 

Btw, I am NOT looking to argue with anyone over smt like this. Like YES I know what he did, and made sure I had that info (coz the spreading of misinformation is wild).

But I hope it's at least undeniable that he deserved to heal for what the Qiu's and Wu Yanzi put him thru??