#the sounds 1x07
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Top job, Sister!
Sister Boniface Mysteries (2022â), 2x01
#Sister Boniface Mysteries#Sister Boniface#Sam Gillespie#Lorna Watson#Max Brown#sisterbonifacemysteriesedit#tvedit#tvshowedit#tvfilmsource#filmtvcentral#cinematv#perioddramaedit#Sister Boniface Mysteries 2x01#my gifs#funny how Felix didn't receive the same sound effects from Sam#when Sister Boniface said 'drum roll please' in 1x07
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Gotham Knights - 1x07
#gothamknightsedit#dcedit#gotham knights#harper row#stephanie brown#fallon smythe#that sounds even more like a superhero name#anna lore#gotham knights 1x07#harper x stephanie#sharper#femslash related stuff#but subtext#this was super charged right!#I watched this live on tuesday nigh instead of a certain apple show and it was a great decision#I only started this show for background watching but I like these kids!#and I was pleasantly surprised they held off on the romance as long as they did#of course in the last ep there was that moment with turner and stephanie#but this...after their also very charged bickering from the start#I dunno guys... I dunno
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x files 1x08 âiceâ was so fucking funny for having mulder make a joke about the size of his dick in front of two other men, and scully touch a womanâs chest as part of a medical exam, then immediately share a lesbian look with her, that has nothing to do with said medical exam
#they both give off intense gay vibes iâm always saying this#even when theyâre in a relationship together theyâre gay hope that helps <3#theyâre so bi4bi coded#also lesbians#also trans#theyâre every letter <3#what the absolute fuck did they put in these two characters in 1993 theyâre like crack fr fr#theyâre one of those âstraightâ pairings that were made for gay people except it was a accident imaooooo#anyways iâve been in love with scully since i was a child and iâve even more in love with her now#i love her and her fuckass bob <3#mulder my best friend mulder#girlboy supreme#the fucking thing he says in the jersey devil ep where heâs like âmillions of years of evolution and sheâs the same as you or meâ#iâm paraphrasing obviously imao#and i know hes supposed to mean the jersey devil girl isnât different from them because sheâs still a person etc#but it also just makes it sound like mulder is calling himself a girl#also his whole thing with jerry in 1x07#âwe worked together.â âworked together? we were partnersâ cue extremely awkward mulder face#just the way he is with jerry the entire time and seems to go beyond being ex partners in the regular sense#something something do you think they explored each otherâs bodies#and in true bury your gays fashion jerry dies in the same episode#IMAOOOO ANYWAYSSSSSS#i love you goofy 90âs alien show <3#gwen rambles#gwenposting#gwen watches stuff#(gay se)x files posting
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the absolute tragedy of realizing the new streaming site i've been using since soap2day closed has the shitty streaming site versions of s1 w/ all the wrong music :( i knew the good quality was too good to be true. i want my shitty dvd ripped versions with the right music !!!
#i found another site w/ the right ones but it's kinda hit or miss like some eps are the right ones and some aren't. ugh.#i noticed it bc the music felt SO off in the last scene of 1x11 where meg bleeds that trucker to make her call#i was like. this sounds.....like some replaced music#then checked the last scene of 1x07 which i remember had some classic rock song and yup. wrong music.#it just. completely changes the tone and vibe !! why do they do this (i know why)#stupid capitalism and streaming rights and legal mumbo jumbo#just keep the music the same. idc abt ur reasons. art is more important
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"As Time Goes By" Henry and Millie's song
also as time goes by... spn episode where we meet henry winchester.
Yep.
#the winchesters#spnwin spoilers#the winchesters spoilers#brain was like... why does that name sound familiar!? flips thru spn knowledge rolodex... gasp. NO.#spnwin 1x07
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not schue being like 'thanks sue for pointing out the minorities in glee club' and then proceeding to make a number like all the rest with rachel and finn as mains and everyone else as fuxking back vocalsđ
#you learm nothing dude#justice to mercedes#i dont even remember how kurt voice sounds#glee#glee 1x07
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Chapter 17 And now we are one
Chapter 17 of Moonlight
A/N- Peak soulmatism unlocked: Both having mommy issues
Warning- Swearing, talks of pregnancy, blood, violence, death, ANGST!!, FLUFF!!, SPOILERS, LONG CHAPTER.
Pairing- Aemond Targaryen x Velaryon!fem-reader, Cregan Stark x Velaryon!fem-reader
Episode- 2x08 & 2 scenes used from 1x07
(If you want to be tagged let me know)
ââââ
The truth lies behind that door. With her, the Red Priestessâor more so the fire is imbued with the wisdom of the past, the future, and every single second that lives around you.
You need to know if itâs true that Addam and Alyn are your grandfather's bastards, and you know he wonât tell you so you have to go to the one person who will. ButâŠa part of you does not want to find out. You'll undoubtedly get the truth when you ask, and when you find out then you will be plagued with the fear that yet another title will be taken from your grasp.
Then again you also wonât rest easy if you donât know, it will be like a splinter in a finger, you canât get it out but you feel it embedded under your skin. Itâll be pestering, so you need to know. You must.
But you need to know alone.
âStay here, Serâs,â you order your sworn protectors, but as easy as it is for Ser Jason to listen, Ser Cane is not as obedient, in the sense that heâs overprotective.
âReally, I will be fine she will not hurt me,â you insist and step back towards the house with the red door, but Ser Cane still does not seem convinced in letting you enter that house alone.
Thus you try to ease that furrowed brow. âGive me ten minutes. If I am not out by then you can go in after me, hm?â
Ser Cane's pierced glare drifts to the red door and he hesitates before he groans and nods in comprehension, letting you let out a deep breath before you turn on your heels and approach the red door. Albeit when youâre standing in front of that door, you raise your hand and fist it, but donât let your knuckles rap on the door.
You hesitate and nervously watch the door with deep breaths escaping from your lips. In that moment, focusing on a rather insignificant detail on the door to distract yourself from whatâs to come, which is the chipped red paint unveiling white wood.
White wood like the one you find from Weirwood trees. Itâs unmistakable.
Huh.
âHow odd,â you muse and brush the tip of your finger on the softened wood.
Youâve never seen a door made of weirwood.
A sharp cry of a babe then breaks the silence behind the chipped red door and pulls you back to why youâre here, and itâs not to study this beautiful door. Youâre here to see Kinvara, so you draw out a deep breath and announce your sudden visit with a knock.
A minute of silence passes before a familiar voice invites you inside. A voice you want to question, but it also captivates you right away so you let it lure you in, finding that Kinvara does not come to welcome you inside, you just mindlessly open the door.
Once youâre inside youâre not greeted by the cold abandonment, a cozy warmth radiating from two tall fire columns at either side of the red door welcomes you inside, not Kinvara, sheâs nowhere in sight. Yet the cries of the babes still echo from a nearby room, and sniffles now accompany it, as if the person who invited you inside is crying with the baby. But who is it?
âKinvara?â You call out and close the door behind you without looking back. You just close the red door behind you and your feet follow the cries of the babe until you walk past long red drapes, and reach a hall with a single white-wooded table in the center and on top of it a fire bowl with an intense fire dancing within.
âKinvara?â You call out again and look around the hall, but darkness seeps out of every corridor you look at except for the corridor you just walked down, forcing you to stay put where you stand and wait?
She did call you in. Or someone did.
The babe is still crying, and sniffling and soft weeping make their way into your ears, but now it sounds louder. As if youâre in the same room, but where are they? Thereâs nothing here but the white-wooded table and the fire.
âKinvara, whereââ
âLaenor?â
Every muscle in your body paralyzes, and your breath catches in your throat.
Did you just hear right? Did someone call your father's name?
Your eyes frantically search the hall, but all you find are shadows and specks of dust that float within the light that reflects on every wall.
âRhaenyra!â
ThatâsâŠyour fatherâs voice. No matter how long youâve lived without him you will always recognize his voice, itâs recorded in your memories forever, so you know right away that you hear your father call out for your mother from inside the flames.
Thereâs no mistaking where the voices come from, they donât echo off the walls anymore. It comes from the flames and no amount of warnings that your mind throws at you keeps your eyes from flying to the fire.
You focus your gaze on the fire and right away you forget who you came in search of, you forget the reason you even came; the truth you seek, and entrap all your attention in the flames that paint a vivid image of your mothers old quarters of when she lived in the Red Keep. Itâs unmistakable, you see every detail clearly, not misty, or blurred by some dreamy screen, itâs as if youâre actually standing inside, living in the moment that the fire conjures up for you.
But what moment is it? There are some items in the room that you no longer recognize. Itâs decorated a bit differently since you last remember, and a cradle sits in the room. People are inside as well, one you recognize as Grand Maester Orwyle, and an armada of handmaidens and wet nurses frantically pacing all over the room, but mainly they gather around the bed, blocking the view of the one theyâre tending to.
âA girl,â your father's voice travels out from the group around the bed and catches you by surprise again, but this time rather than being struck with disbelief, youâre completely captivated with relief and awe that you get to hear his voice again. Itâs been so long since youâve heard his sweet voice. You missed it so much.
All you want to do now is follow it, so you do as if entranced by his voice, and once you're past the sea of bodies you come to find your mother on the bedâŠ
âMama,â your voice trembles, but she does not hear. No one does, life is moving all around you. Itâs like youâre a ghost watching over this moment in time when your mother is not the woman that you know now. This version of her is still her but sheâs younger in appearance. A lot younger, but still very beautiful. She actually looks around your age.
She probably isâŠ
Which means that the bundle sheâs cradling in her arms isâŠyou?
You notice specks of silver-white hair peeking out of the blanket, but thatâs all, everything else is covered with the blanket. But you donât really need to break your head to know it must be you, your mother was young when she had you.
âShe,â your mother cries as she rocks you to try and calm you down. âShe was not breathing when she came out. She-sheâŠâ she trails off and once again her weeping fills the room.
This time though she does not cry for long, sheâs quickly cooed at. âSheâs breathing now. Look at her, she's crying now. She's okay. Sheâs alive. Our girl is alive.â
It's your father, you see him now. You were so focused on the image of your mother that you did not notice him sitting on the edge of the bed until now. Heâs here, and just like your mother, heâs younger too, but unlike before now tears slowly escape out of your eyes and roll down the curve of your cheeks, whilst a smile trembles on your lips.
âFather,â you whimper and walk closer to him.
Albeit just as you put your hand out a louder voice catches your attention. One you recognize right away as your mother's voice, but not the voice that greeted you inside, this one sounds more mature, like the voice that belongs to her now. âI need you, Uncle.â
Just like before youâre entranced to follow the voice with little control of your own body, finding yourself approaching the balcony of your mother's room.
â<I cannot face the greens alone. They are already sending my only daughter away from me,>â your mother's voice continues to travel out, but this time her words are in High Valyrian and full of desperation. â<Let us bind our blood, just as Aegon the Conqueror did with his sisters.>â
You want to stop approaching the balcony as the words she says push out that bliss you were just overcome with and instead start filling you with anxiety as you donât know what youâre walking to exactly. Yet your feet keep moving towards the balcony.
â<With you as my husband and Prince consort, my claim would not be so easily challenged.>â
Your breathing punctures as her words hit your ears and your mind slowly finds the meaning behind them.
â<The Velaryons are of the sea, but you and I are made of fire.>â
NoâŠnoâŠplease.
You finally reach the balcony doors and no matter how much you want to stop and stay inside secured by the safety of the unknown, you walk out and right away youâre transported to a vast scenery; one with open water stretching out for miles, a boat sailing away in the distance with three dragons accompanying it, while there before you stands your mother as you know her now, and Daemon Targaryen overlooking the beautiful sea.
â<We have always been meant to burn together>.â
âWe could not marry unless Laenor were dead,â Daemon breaks his silence to remind your mother of a cruel wicked fact. A fact sheâs not phased by. A fact that you see did not slip her mind.
âI know,â she mutters.
It seems that she had already thought about it herself before Daemon even spoke it out loud for her and the sea to hear.
âI will not be a tyrant and rule through terror,â your mother continues to say, and your mind continues to unravel what all this means. Your heart tries hard to keep you from taking it all in, but your mind is persistent in hurting you.
âA tyrant rules only through terror,â Daemon clarifies for her. âIf the King isnât feared he is powerless. If you are to be a strong Queen, you must cultivate love and respect, yes, but your subjects must fear you.â
âI do love Laenor. He gave me my daughter.â Your motherâs words now also tug at your aching heart, making it start to bleed.
âThen grant him this kindness. Set him free,â Daemon says, making you shake your head and back up with disbelief now also consuming your heart.
âThis will cost Lord Corlys and Princess Rhaenys their only remaining child,â your mother keeps feeding into this evil idea.
She is the one who brought it up but you still want her to refuse it. She needs to. PleaseâŠ
âAnd it will cost my daughterâŠher father,â she tears at your heart now, making streams of tears flow down your face.
âShe will be away by then,â Daemon attempts to comfort your mother who has her head down to watch as she fiddles with her rings, and hides tears that are born for you and the pain that she knows his death would cause you.
âThe realm will whisper that I was somehow responsible,â your mother brings up, and Daemon is quick to retort.
âLet them whisper.â
But she couldnât have. She wasnât the one whoâŠwhoâŠkilled your father. No. It was always just supposed to be Daemon out of selfish greed. It was always just supposed to be him.
âWe will know the truth of it,â Daemon continues. âAnd our enemies wonât.â
âThey will fear what else we might be capable of,â your mother adds and only reassures your bleeding heart that sheâthat she always had a hand in taking your father away from you. She worked with Daemon to get rid of your beloved father, sheâs the reason you knew heartbreak, sheâs the reason you mourned alone, why you hated singing for five years of your life, sheâŠ
And all to marry some old man! All just to be with him!
Yes, you heard her reasoning, but you canât accept it. You canât accept it over your sorrow and new coming grief. All you know now is that she killed your father just to be with Daemon. SheâŠ
Why are you seeing this?! Why?!
âLet me out!â You beg and plead with all your might, but you linger there in torture. âLet me out! Please,â you whimper and turn away to stop seeing the horrible sight, but rather than seeing some stone wall, suddenly the day is swallowed by the night and youâre no longer on a stone bridge. Now youâre standing on sand, covered in darkness, looking at a cloaked man loading a boat thatâs waiting to reunite with the ship in the distance. It seems like itâs just you and the distant stranger, but only seconds later youâre proved wrong when hurried footsteps approach.
You donât want to look back when you hear the running footsteps, you fear what you will see, but your head turns and a hooded person runs by not letting you see their face.
You try to quickly walk after them, however, when that hooded person jumps on the boat with the stranger, they rip their hood off and youâre left horrified as you see your father for a second before youâre pulled from the past and returned to reality, causing the once bleeding heart to shatter.
That untouchable, cherished, and glorified image of your father completely crumbles. Love turns to ash and from it rises hate and rage because now you know that your mother did not kill your father, but she did let you grieve for a living man for six years.
After all this time he was never gone, she did not actually kill him, nor did Daemon kill him, he was alive and she knew. She hid the truth to live a happy life with Daemon. And your fatherâŠyouâre ever so beloved father that you loved with all your heart, that you grieved for, never died, heâŠ
HeâŠleft on his own will. He was not forced, it does not seem that way from what you saw. He left because he agreed to. He left youâŠbehind. He left you.
He left. She lied. And they both broke your heart. The people who were meant to protect your heart, who are never supposed to hurt you, betray you in the worst way possible. In a way that even tops what Aemond did.
They broke your heart and youâre left numb now staring at the flames still raging in the bowl.
You canât feel a thing anymore. Not your heart shattering, not your world coming apart, and not your rage pumping through your blood. Itâs all quiet and itâs all dark. You stand in the abyss with only the raw memories of pain surrounding you, belittling you, ripping you apart limb by limb until thereâs nothing left. Itâs what makes it easy to turn your body around and slowly make your way out.
Yet as you reach the door and before you can let your sworn protectors know peace by showing youâre alive and physically unharmed, you come to a sudden halt as agony and despair tackle you before youâre free from the house; weakening you as they come together, leaving you unable to catch a breath even if your jaw goes slack, silencing your sobs even as hot streams of tears rush down your face, and bringing with them, writhing pain.
It hurts. It all hurts so much. The memories and the faces of your mother and your father flash in your head and the pain intensifies. It grows louder, making the rushing blood throb in your ears and tipping the limit you can handle.
It all falls apart. You fall apart and the only way you can let it out is with a heartbroken cry of despair that hurts your throat and sends your body thrashing to one side to express your anger by swinging down the fire column on one side of the door before taking down the other.
You donât stop there, you canât stop there, you try to, you wander around to try and calm down, but it keeps throbbing and it keeps hurting, so when you end up at the hall with the bowl of fire, you hurl it off the table in a blinding rage.
Itâs only after the fire hits the ground and bounces on the long drapes that the anger liberates you, but now your sorrow takes over, and like coming down from an adrenaline rush, youâre left trembling, out of breath, and weak. You think of leaving, but your misery pulls you down to your knees, and has you looking numbly at the rapid fire that does not hesitate eating away at everything in its path. Nor does it debate or wait to combine with the line of fire that the fallen columns created at the entrance.
The fires unite and entrap you in their beautiful destruction before they too begin to eat away at you.
Itâs not like you care though, and itâs not like the fire hurts you. It just eats away at the gown you once loved because it was made from rich fabrics only found in Yi-Ti. You should care for the sworn protectors you forced to stay outside, but that worry does not cross your mind either even if all they can worry about is you.
Once you cried out Ser Jason and Ser Cane rushed to the door to try and go to your aid, but the fire you threw down forbade them from opening the door. And no matter how hard they pushed the door they could not get the column in the way to budge away from the door. They tried yelling at you, but those shouts hit a paralyzed husk of a body.
After a while of trying to get the door open, flames then began to consume the door, creating cracks, but that was not enough for them to take it down. Actually, the fire shoved them away, so they were left desperate, trying to frantically find another way in, but the fire grew quick and blocked any and every entrance they couldâve used, making them believe that they failed at their jobs to protect you.
Whereas Ser Cane stared at the burning house in horror and disbelief, Ser Jason fell to his knees feeling the same emotions but also riddled with terror over one single person; Daemon Targaryen. He would fear Aemond too, he looks at Ser Jason as if he wants to kill him with his glare alone, but in truth, Daemon is more terrifying than Aemond ever could be. Besides Daemon threatened Ser Jason, he demanded to keep you alive or it was head; and as he looks at the fire's rage intensifying and consuming more and more of the house before him, he knows that his death sentence is signed.
Thatâs why he then has the bright idea to escape though. He doesnât want to die, not for your sake. No matter how captivating you are to him, he does not want to die because of something you did. Thus he makes sure that Ser Caneâs attention is still stolen by the burning house before he gets up from his knees and plans his escape through the gathering crowd watching the scene unfold.
Nevertheless, just before he can take his first step the door to the burning house is opened just a little before it crumbles, revealing none other than you emerging from the lively and rageful flames completely unscarred, with all your limbs intact, and with your silver-white hair untouched. You donât even cry out for help, you stop under the blazing doorway with streams of tears marked on your soot-covered face, and a piercing glare that matches the fire's intensity.
At first, no one believed it was really you. Not Ser Jason, not Ser Cane, and not the smallfolk there being nosy. To them, youâre some divine apparition ready to join the gods in the heavens until the sound of a piercing roar breaks through the sky, and moves your eyes up to catch your grand purple dragon emerging from the thick smoke ascending from the burning house.
After that, as your dragon lands on a nearby house not crumbling down by flames, everyone watching knows itâs really you. You're unharmed. Youâre unburnt and only gods are not burnt by fire; thatâs what the smallfolk and Ser Jason think. Thatâs what they believe you are now as the fire burns around you without as much as marking your skin. A terrifying God. So what do you do when you see a god emerging from flames?
Fear them, while also getting on their knees to bow, fearing being damned if they donât.
However, not everyone is riddled with fear, Ser Cane stills in front of the crowd. He sees the distress behind your piercing glare, he notes that youâre completely exposed to everyone watching, so he rips his cape from his back and runs towards you.
You notice his attempt and meet him halfway. When he covers your body that intimidation you just held falters and all he sees is a hurt girl yearning for comfort.
âCan we go home?â You ask hoarsely and avoid looking at everyone behind him trying to gawk at you. âI want to go see Aemond.â
Ser Cane is still baffled by what he saw, by you being alive in general, but he doesnât fret nodding in agreement before he wraps his arm around your shoulders to protect you from the nearing crowd as he guides you back to your horse.
He is completely uncertain how your heart is still beating, how you escaped the fire nude but unburnt, but he does not question it as uncertain as he is. While youâŠwell with all that transcended, after you were swallowed up by the fire, one thing is certain; fire killed the girl, and the dragon has awakened.
Right now itâs just balled up in a corner of yourself, writhing in an agonizing heartache, and unaware and unbothered of the life moving around you. People talk to you when you reach the Red Keep, but even the sweet voice of Vanessa does not penetrate the husk of the body you live in.
People tend to you, your limbs move but with no effort. Itâs almost like youâre not even alive, thereâs no light in your eyes. Theyâre dull like that of the dead, reflecting the darkness that drowns you from within and shoves you further and further down an abyss that doesnât seem to have an escape.
What are you supposed to feel now that you know your father left you? Where do you belong now that you know your own mother lied to you for six years? What is life now that you learned the truth?
Do you go back as you were? Sending your mother secret letters of every plan the Greens make?
You think about it, think about her, and canât imagine pretending like you arenât affected by her treachery. But you also look at where you are and canât imagine even supporting Aegon or what his faction stands for, so where do you belong now?
Do you stand in the middle of the parted line and wait for which arrow hits you first? Do you pretend like you learned nothing?
No, you canât pretend you donât know that your mother lied for six years. You canât pretend you donât know that your father actually abandoned you, because that truth is crueler than any other pain you have felt before; itâs agonizing, and it keeps drowning you in an abyss of hate.
You want to get out. You donât want to hate, you donât want the memory of your father to be tainted, butâŠitâs too late. You look back at every piece of memory you share with him and itâs polluted by betrayalâŠand hate. His face is no longer a comfort, his voice is no longer soothing, and that deep longing to see him again is abandoned.
His name is like poison in your mouth. The love, ash, and those damn colors that remind you of him; the colors of house Velaryon are a reminder of him and you canât stand looking at the gowns you have made of them. You canât look at the sigil proudly. You canât stand it. Itâs mocking you, reminding you that he left and you canât stand it!
Thus in a flash of a second, you rip away from the seat Vanessa guided you toward to wipe the soot off your face and storm over to yank the silver, teal, and sea-green gowns from your trunks and hangers to throw them down the balcony. You take the jewelry with the Velaryon house sigil and throw it in the fire without care.
Every single thing that reminds you of your father is thrown in the fire or thrown off the balcony in a blinding rage and with thick angry tears attacking your eyes.
Vanessa tries to calm you down, she tries to stop you, but you shove past her without a care, as if you are a raging storm; electrifying, and dangerous by the minute as you feed off your rage.
You need salvation and Vanessa can only think of one person that will break the storm apart and bring you peace, but heâs miles away, so she tries to be that peace, but you donât acknowledge her. You actually seem to get worse so it all starts to seem bleak.
That is until the doors are thrown open and in comes Aemond. Yet even when he walks in you fail to acknowledge him. He calls out for you again and again, but you donât stop throwing things in the fire, or yelling what you have been yelling over and over again. âTraitor! Traitor!â
You spin around to grab something without batting an eye at him, so Aemond quickly rushes over to you and attempts to grab you.
âLeave me alone!â You bellow and try to push his hands off your arms, you try to break away from him fearing itâs your own father, but his grip turns firm before he yanks you towards him, causing you to break from your blinding rage and find him like a sunlight breaking through a storm.
âAemond,â you gasp as if heâs your lost breath.
His blue eye searches you for any clue as to why youâre so distressed, finding grief and agony raging within your red and teary eyes.
âHe,â your voice quivers but you canât say more, your lips part but they start to tremble, while the body Aemond holds starts to give out, as if standing was extenuating to your withered heart.
Albeit Aemond holds you up, while you grab ahold of his arms. âTalk to me,â he whispers while your own sorrow begins to hurt him.
And you try, you part your lips to share what you learned, but looking at him now, feeling his comforting hands holding you up only works to make you break down. He is the salvation you cried for, he is the one who pulls you from the abyss that was drowning you, but itâs because heâs here, itâs because youâre under his worried gaze that you let your anger go and just cry.
âAemond,â you whisper, and itâs the heartbreak in your voice that he canât stand anymore so he pulls you in his embrace.
â<My love,>â he coos in High Valyrian and holds you tightly against him as you grip onto him as if he's life support. And in many ways he is. Heâs the only one keeping you upright, keeping you from snapping again, and keeping you from feeling complete isolation. And you couldnât be more grateful that he is here, that heâs holding you ever so tightly without a hint of wanting to let go.
You donât want him to let go of your withered body abused by a cruel truth. You want to stay in the safety of his embrace forever, hearing his heart beating inside of his chest because heâs all you have now. He's all you want now that you feel betrayed by the people you loved the most in this world. And unknowingly he feels the same about you.
Youâre all he has now as he feels abandoned by his own family. Youâre all he wants because you donât make him feel alone, you're his light, as he is yours.
You only have each other in this cruel world. You are each other's sanctuary. Your hearts tangle together becoming one, and sharing a beat now that his own family makes him feel like heâs fighting alone because they canât muster the same will to fight like him, while you feel betrayed by your own family.
How romantic is that? Two broken souls finding solace in each other. Is it bad?
You donât think so. Youâre his solace like he is yours, and he hugs you like heâs trying to seep it all from you whilst also helping you calm down and find the will to share what you know so it doesnât have to be weighing you down a moment longer.
âAemond,â you whisper hoarsely and step away, but keep grabbing onto his arms since you still need him for support. âItâs my fatherâŠâ you trail off and have the need to cry, but you canât shed another tear so you continue with your voice quivering. âHeâŠleft six years ago. He did not dieâŠI mean since Seasmoke has a new rider now, I'm sure he is dead now, but he did not die six years ago. He leftâŠhe left me.â
Aemondâs eye expresses his confusion over what you shared before it comes down and expresses his pity for you.
âAnd my mother knew,â you continue above a whisper and he can see every word is like a stab to your heart. âShe knew for six years. She made me grieve my father for six years and all this time he actually just leftâŠme,â you whimper and look at him now for help.
Thereâs nothing he can do to actually help you, this is all in the past, but you still look to him for desperate help.
âI-I loved him with all my heart and he left me. And sheâŠknew.â
Tears roll down your face. You thought you could not muster a single one but more break out as you share what broke your heart. And what could he say in return? He knew how much you loved your father, how much you cherished his memory. How can he tell you that it will be okay when he knows thatâs a pain that will never mend?
He could say that you do not need them, but it doesnât seem like that will be any help. He can also say you have him and thatâs all you need, but are those words enough?
Not at this instant, so instead he lets the silence mingle and wipes your tears away before pulling you back against him and wrapping his arms around you ever so tightly so you know heâs there for you. So you know with that embrace alone that yes, you have him and you need no one else but him.
He relishes in that thought, in your neediness, and takes advantage of it for his own needs.
â<Please,â you beg in High Valyrian. âNever leave me. Please, Aemond. I canât do this without you. Youâre all I have.>â
His breath catches in his throat, and just as he wants to assure you he stops as heâs reminded of what Helaena just told him on that balcony.
ââŠand youâll be deadâŠyou were swallowed up in the Godâs Eye, and you were never seen again. Your children wonât even mourn you, they wonât cling onto your memoryâŠâ
Those words hit him like ice-cold water, and he doesn't want to believe them. He wants to refute what she said, but he fears that it will be true, and how can he promise something he will only break?
ââŠthe only tears that will fall for you will be from your wife.â
â<Iâm here,â he promises as that last sentence proceeds to echo in his head, assuring him once again that you are all he needs and all he will ever have. âI will always be with you.>â
You nod against his chest and just proceed to nuzzle your face against him to steal more of the comfort he provides.
After a while of being in each other's arms the doors open and Aerionâs wetnurse brings him in, but not asleep, heâs fussy and tired but awake.
âHe kept waking up, so I thought putting him in his cradle would put him to sleep,â the wetnurse says as you walk over to meet her halfway.
âIt's okay, I will take him,â you relieve her of her stress and take your child who happily lets you cradle him. âGoodnight.â
The wetnurse offers you a curtsy before she quickly strides out of the room, letting you turn to your babe who rubs his little eyes.
â<Giving your wetnurse a hard time?>â You whisper in High Valyrian as you tap his nose. â<You will have siblings soon, youâre going to have to listen. Be a good example.>â
He lets out a big yawn that crinkles his little nose before he nuzzles his head against you without bothering to care about what youâre talking about.
âDid you find what you needed?â Aemond finally finds the right moment to ask.
You shake your head before you turn and make your way back to him by the hearth with your child in your arms. âNo,â you reveal. âI was welcomed with the knowledge of my father instead.â
He hums and turns away from you to watch the flames eat away the last fragments of the things you fed it.
âWe cannot be sure about Alyn and Addam,â you add and fall by Aemondâs side. âBut we also canât deny that it might be true. And if it is, I'm sure the truth will be revealed sooner or later now that Addam claimed Seasmoke.â
Aemond nods in comprehension before he tilts his head to the side and drops his gaze on Aerion. He watches him not with a soft gaze like he usually does, but something else, like conflict that makes his eye watery.
You notice right away and nothing stops you from turning swiftly to cradle his jaw. âWhat is it?â You ask with concern.
He keeps his gaze focused on Aerion before a small shaky breath is drawn in. You notice that he hesitates to speak, but he then lets go of that captured breath and meets your worried gaze with a tear escaping down his cheek.
âThey wonât fight,â he shares but not with anger or frustration, he sounds almost like you did moments ago. Hurt.
âNot with me. They wonât even try. After I tried so hard to fight for them and for our lives they donât want to fight,â he sneers and leans his face against your touch. âHelaena wonât even come to Harrenhal. They donât want to understand the peril weâre in. They donât understand that theyâthat she canât just sit and watch it all unfold around her. She needs to come to Harrenhal, she needs to fight with us on her dragon because itâs no longer just us against Rhaenyra, itâs us against those bastards she picked up to ride dragons.â
You slide your hand up to gently stroke his cheek as you offer him a sweet and loving look as you hear his desperation and worry for his sister and mother. âOh, my sweet Aemond.â
His eyebrows pinch together for a flickering second before he reaches over and takes your hand in his. âDon't tell me you support their choice? Thereâs seven dragons. Seven against our three if you count Tessarion. You said it, Vhagar alone will not win against their army of dragons,â he hisses but not with much anger, heâs desperate to be understood.
âI understand that,â you give him that comfort, but you then pull your hand away and face the hearth again before you pull yourself down to the ground with Aerion sleeping in your arms. âBut listen, Aemond.â
He hears his name and he knows youâre about to try and be wise to make him see things differently, but he doesnât want to see things differently when their lives are in danger!
âThereâs something you need to realize,â you continue to prove him right. âNot everyoneâs ferocity is the same. Every person shows it differently. Whereas some people use a blade, others use their words. Whereas some people's passion to fight and protect is outwardly shown, others canât express it as easily. And perhaps not fighting back is a weakness, but my love, not everyone is meant to fight like you or me. Thereâs strength in that too, their ferocity is different, but trust me itâs there. Do you understand?â
Aemond drops his hands on his hips and shakes his head, wanting badly to argue, but not finding anything strong enough to contest you. And he doesnât want to sound foolish either so instead he keeps quiet even as upset as he is and just listens to you.
âAnd youâre not alone,â you assure him of something he did not outwardly need reassurance of, but you know him. You saw that fear of being alone in his eye. It screamed its need for comfort.
âYes it may feel that way because you hold the power with Vhagar, the biggest dragon, and she is tough, sheâs why you have this need to prove yourself, to prove you can be reliable, and to prove is a good effort,â you praise him and slowly look over at him, seeing him completely captivated by the words that leave your lips.
âBut my love, this weight is not all yours to bear. Youâre not alone, and sheâs not alone. And so what that Helaena doesnât want to fight? She may have a dragon, but if her spirit is not capable then neither is her dragon. Thatâs why you have armies of men, people you can trust leading them. You have Daeron, excellent minds at your council table, and me.â
He draws in a deep breath and his gaze once hardened with stress now eases as it holds relief and awe for you, while your kind words prove that he can count on you and that he has you. And that is enough to make his heart race madly, while also making it bold.
âI knowâŠâ he lets his heart take the lead since he knows itâs just you with him, but he does trail off to take a seat beside you on the ground. ââŠyour ferocity.â
You can finally stop straining your neck by looking at your side instead of up at his towering figure.
âDo you?â You probe with a flattered smile slowly appearing on your lips.
âItâs your passion.â His words come easy but he still does not meet your gaze; he watches the fire with a soft adoration that is directed at you; that he holds in his growing smile, and in his eye as he thinks about you.
âYouâre driven by your heart in every way. In every choice you make, like choosing what to wear. What to do with your day. In love and hate, and I imagine in battle too because your passion makes you brave and tactful with many things that a princess should not know,â he adds and finally glances at you, catching your captivated gaze and your parted lips caught in surprise.
âBut itâs also what puts you in danger sometimes, and itâs gotten you in trouble.â
You giggle breathlessly and the corner of his lips slowly spread to a grin.
âBut itâs your greatest strength. It keeps you grounded to who you are and I have always admired that because thatâs what lets you push back those who have wanted and want to change you.â
You glance down at your sleeping babe that you cradle in your arm with a wobbly smile before you look over at Aemond and hold his gaze, passing your appreciation and a thousand I love youâs that are not spoken with words, but shared with your love struck eyes before you rest your head on his shoulder.
âIâm going with you to Harrenhal,â you say with no hesitation or deceit. Thereâs nothing to hide because he does have you now. All of you.
The troubles with your mother are conflicting, you donât know what to do. You might still send her letters because you know right between wrong; that judgment is clouded but youâre not blinded. You see the right choice and itâs her. But you also know she lied and you canât let it go, you canât be okay with it, so yes you dedicate yourself to Aemond.
âWe will fight together,â you add, making him press a kiss on the side of your head before he rests his chin against your head, and reaches his long fingers over to interlace them with yours to connect you more as one.
Now rather than walking down parallel lines that kept you just out of arm's reach, you both walk down the same path as one without being wary of any crossroads.
ââ
*THE NEXT DAY*
Now that feeling of not belonging is louder than ever before.
Why did they even try if your father was just going to discard you like a piece of trash? Why even fight so hard to keep you alive if they were going to stay with Jacaerys as heir?
Why, why, and why has been running over and over again in your head. It leaves youâŠlost in your own head, and unaware. So when Aemond places his fingers on your back youâre startled.
âWhat?â You ask for clarification and look at him through the tall mirror you had been in front of.
âYour gown,â he says while he drags his fingers around your waist and drops his gaze to study the beautiful blue winter roses embroidered on the bodice. âThe flower, I do not recognize it.â
You follow his line of gaze and place your hand over his to trail his fingers along the marvelous design. âBlue Winter roses. They grow in the North.â
He hums and his eyes flip up to now study your face as you keep looking at the flower design also on the end of one of your skirts, noticing that your eyes arenât as puffy as they were when you woke up, but a sadness still droops them.
âLike the flower crown that knight gave you in our engagement tourney,â Aemond recalls, pulling your eyes up and bringing a smile to your face.
âExactly!â You grin and turn, making his hand drag around your waist as he does not lose touch. âTheyâre my favorite. Theyâre rare and very beautiful. And Helaena and I wanted to coordinate today, so she's wearing a gown with her favorite flowers on it like me.â
He hums and looks you up and down before letting a smile spread on his face and sealing your distance with a small kiss on your lips.
â<You look beautiful,>â he muses.
You flash him a grateful smile and bring your hand up to stroke his cheek before you fix his eyepatch against his hair and end up meeting his gaze with a deep sigh. âI thought maybe I should go talk to my mother,â you bring up an idea you have been pondering all night. âI mean I believe what I saw. There is no reason why those visions would be a lie, but maybe having her explain it will bring me some peace of mind.â You shrug unknowingly.
But as lost as you are and look, what you said scared Aemond because what if you donât come back? What if they keep you there, or you decide to stay there after your mother traps you in her web of lies?
You already agreed to go to Harrenhal with him, he doesnât want to end up going alone. He wants you there with him. He does not want you gone. He canât risk it even if your mother could offer you that peace to your battling mind and heart.
âI think perhaps itâs best if you stay,â Aemond gives his opinion and brings his hand up to your shoulder, seeing your eyebrows slowly pinch together as he gives you the wrong answerââWhat if she does not let you return?â
You shake your head lightly to try and refute him but his words keep swirling in your ears, and right now theyâre easy to entice you.
âYou know the truth,â he adds. âShe wonât want it spread. And you have a dragon, Daemon will want to decrease our power by taking you captive because he knows you are my weakness and I will not attack her or any of them if they have you.â
That can be true about Daemon. Itâs surprising he did not keep you under lock and key before he left for Harrenhal, but your mother?
She does want you back, she did not even want you to come here in the first place. But would she be as harsh as Aemond says?
You donât think so, but maybe thatâs because he did not really convince you to stay, unlike your mother when she convinced you to stay at Dragonstone before she got attacked. So unless something happens that will convince you to stay you donât really take his words under consideration, you just let him think he was successful in making you stay, and continue to debate it in your head.
If you end up deciding to go talk to her then youâll just sneak out and heâll have no other choice but wait for you to return because you will. Nothing has changed. Not even after he told you what he did at Sharp Point and all those people who lived there and had nothing to do with this war.
Is it cruel? Perhaps, but there was no stopping his wrath. Thereâs nothing you can do now either, so itâs best to leave it be and continue to debate whether you should go talk to your mother or not.
âCan I ask you something about Helaena?â Aemond interjects as he finally pulls his hands off you and steps away to start your journey toward this morning's Small Council meeting.
âI wonât talk to her about joining this fight,â you throw out bluntly and glance over at him as he glances over at you in annoyance.
âNo,â he deadpans and glances at the corridor ahead. âSomething else. Has she,â he pauses and hums before he grabs the pommel of his sword and quietly continues. âEver shared something that hasnât happened yet?â
âHer dreams?â You query as your eyebrows knit in confusion.
âMhm.â
âYes,â you donât find the need to lie. âShe told me I would have twins before I found out. And it was trueâŠwhy? Has she told you something?â You ask with a smile that vanishes as soon as it spreads on your face.
Aemond draws in a short breath and searches the ground you walk over, piquing your interest while also making you nervous.
âAemond,â you call and grab his arm. âWhat did she tell you?â
Aemond blinks and peeks back at the guards tailing you before slowly drifting his eye over to take you in under a fluttering eye which is no consolation.
âAemondââ
â<She said that Aegon has yet to see victory,â he shares in High Valyrian, making you draw in a deep breath, but not because that revelation scares you, but because you thought it was something much worse, like Aemondâs death or something. ââŠShe said he will sit on a wooden throne.>â
You nod slowly as you take in what he shared while not losing touch of his arm.
âDo you trust her?â He fills your silence in the common tongue with a question to follow his comment.
âShe was right about the twins,â you mumble and lose your gaze on your path ahead. âAnd to not believe her would be foolish considering our family is known to have dreamers, like Daenys and Aegon the Conqueror, but the readings of the future are fickle, itâs not set, so it must be taken with a grain of salt.â You share your thoughts and look back at him, catching him looking at you too.
âWeâll be pushed aside again,â he mutters.
You hold his gaze and nod softly, mirroring the realization and the flicker of sadness that glints in his eye at the mere thought.
âBut,â you try to assure him. âWe will still fight, thatâs what matters. And as cheesy as it sounds we will have each other, we wonât know the secluded corner alone.â You laugh softly, while he looks at the ground and huffs lightheartedly.
âHasâŠâ you drag out. âHas she told you something else?â
Aemond looks ahead and draws out a breath before he shakes his head and redirects the question at you. âHas she told you anything else?â
You sigh deeply and share one thing, but donât share what she said about you wearing a crown the day you wear a black veil. âShe told me I wouldnât be alone. I,â you chuckle. âDonât know what that means exactly, but she told me that, so.â
Aemond snaps his gaze to you and his eye lingers on you while the corner of his lips twitch to a frown, but doesnât actually get to form. âHm,â is all he communicates. No further interrogation, no digging for any more possible dreams. Thatâs it.
And even if there was more you do reach the Small Council hall so the conversation comes to an end there, and now youâre reminded of the war, of its cruelty, and that the meaning it once held is faltering under the weight of your troubled mind.
You were once set on having a seat around the table of men to pass their plans to your mother and help her rise to her rightful throne, now you donât know if you should be around the table. In secret or not.
What do you want exactly?
You wanted to get your hands dirty for your Queen, for your mother, but now? With these lies should you let go and leave?
Should you be a target walking down the marked line between both sides? Should you take no sides?
You hear what theyâre discussing, should you take note in your head to send what you heard to your mother later, or let go and let your stance with her falter?
âJust this morning a raven from Ser Tyland came in,â Grand Maester finally voices his news. âHe made an alliance with the Triarchy. They will sail together.â
Aemond fiddles with the marble and scoffs before he retorts. âTheir ships shall arrive in our waters in a few days then?â
The maester nods eagerly. âIf the waters are in our favor.â
âWinds,â you correct the maester and drag your eyes to him. âThe wind aids the ships.â
The maester gets flustered but he nods and corrects himself. âIf the winds are in our favor the fleet shall arrive soon.â
âWell, at least we will finally be able to breathe with the blockade torn apart,â Aemond comments and you slowly sit back and think again about what you want.
The answer should be easy, shouldnât it? Itâs a lie. Thatâs all it is. To protect her stanceâŠand to marry Daemon. A lie should not affect your stance that much should it?
But the weight is heavier than anyone can imagine, and it leaves you troubled about what to do and what you want.
Do you let that lie go and reaffirm your stance? Or do you let it spread its hate and take away your once firm stance right from under you?
Do you want to keep passing her letters? Or completely and wholeheartedly dedicate yourself to Aemond?
What do you want?
Itâs hard to know. You canât decide even if the answer should be easy. You canât choose yet. You need to keep debating even if itâs torture.
Until then you let that part of your day pass even if youâre weighed down by uncertainty, and the words you heard at the Small Council meeting keep repeating in your mind over and over again as if waiting to be brushed aside or written down. You want to keep going on with your day and give your attention to Helaena when it comes to spending time with her, but your mind only distracts you with the agony of the truth. Youâre torn apart, and at multiple places at once but the place you want to be; in the gardens with Helaena.
At least that is until she manages to steal your attention by shaking your shoulder.
âHuh?â
Helaena studies you and blinks in confusion before she interjects. âWill you go to Harrenhal with Aemond?â
You nod slowly before looking at the bushes you let your fingers graze over. âThatâs the plan, but I have been debating if I should actually go or not. With Vhagar gone the city will be left defenseless. Astraea and I could protect the city while Aemond is gone.â
Besides perhaps you could tell your mother to come while Aemond is gone. You could be that key like you were meant to beâIf you push your anger aside, that is.
âI doubt he will be gone long.â You finish.
Helaena then suddenly slaps her hands around your arm and digs her nails into your exposed skin to pull you to a sudden stop with her.
âOw,â you laugh nervously and glance at her nails digging into your skin before looking over at her in confusion, catching at that moment fear in her eyes; fear that brings goosebumps to your skin.
âYou must go to Harrenhal,â she insists with her eyes wide and her grip firm.
âBut perhaps I will be better use here,â you try to explain, but she flat-out shakes her head and pulls you towards her, making your heart skip a beat in response to the fear that sheâs spreading to you.
âNo,â she hisses and lets her eyes flicker away before she continues in an ominous demeanor that makes you slowly stiffen.
âI saw you,â she continues. âI saw you fall. You fall with your dragon...â
Your lips part as your breath stills for a moment, whilst conflict and disbelief make your gaze narrow on her for a moment before your face eases as no part of you reacts as one should when one gets told a possible grim future.
ââŠAn arrow hits Astraea and you both drown in a sea of blood,â she finishes foretelling her dream about you and it should scare you to your very core. You should be baffled, but as you take in her words the thought of death isâŠwelcoming.
Your father left you behind and your mother lied to you about it for six years. They chose someone else over you as heir, and you donât know if the babies youâre carrying are Aemondâs or Creganâs, so death is almost tempting.
Helaena notices the fear you were just holding diminish, your body remains stiff, but the fear you should hold after learning something so grievous should affect you, but it does not.
âYouâre not scared?â She asks with slight disbelief as she finally drops that death grip.
You let out a deep breath and mindlessly look ahead before you make your way toward the pond and plop yourself on the edge. Helaena follows you and sits down in front of you more slowly.
âAs of late I have been given reasons why not to fear death,â you admit a bit too dramatically whilst you dip your fingers in the water and swirl the water. âIt may be a comfort. I donât know.â You shrug and glance at your reflection in the water. âIt doesnât scare me, I know it should, but it doesnât. Are you?â You now direct at her as you slowly lift your eyes, seeing her draw out a deep breath before she shrugs.
âEveryone dies, donât they? Itâs life and thereâs nothing we can do to prevent it. It will reach us eventually.â
A smile spreads on your lips and you nod slowly. âSee,â you murmur. âNothing to fear.â
âI suppose,â she agrees softly. âBut I donât want you to die.â
You stop twirling your fingers in the water and offer her a tender smile before you grab her knee and give it a gentle and grateful squeeze.
âYour hand is wet,â she points out and pulls her knee away.
You giggle and dip your hand in the water before you splash her, making her gasp and look at you with a deadpan face before a smile slowly takes over her face, and she ends up giggling.
You laugh harder and she proceeds to splash you much to her initial dislike, letting you feel like a weight lifted off your chest for that moment that you were ignorant ofâŠwell, everything.
It was nice.
ââ
*THE NEXT DAY*
Itâs said that Alicent was not found in bed, she did not break fast with Helaena and has not been seen in any Sept. Sheâs gone, but does it surprise you? Itâs not the first time sheâs left without a word, she just recently had a rendezvous at the Kingswood all by herself. For what?
Only she and the Kingsguard that accompanied her know.
And now theyâre both gone again so perhaps itâs just another rendezvous who knows, and you could hardly care. Youâre just nosy.
Regardless, that's not your focus right now. You should focus on writing to your mother. You should send her what you have heard, that Ser Criston and Ser Gwayne are approaching Harrenhal by the day, and they will be upon Daemon soon.
You should tell her to take advantage of Aemondâs departure and take the throne since Aegon cannot raise even a finger about it, but alas, the ink drips and drips on the paper as you sit in thought and watch Astraea hunting for her next meal in the never-ending waters.
What do you want to do?
Ask for the truth on paper? Tell her what you know and warn her? Or do you go quiet and stop this transaction of secrets?
What do you want?
What do you want?
What do you wantâŠ
You let out a deep breath and drop your eyes from your dragon to try and focus on potential words that could mark the page, but as youâre shifting your eyes you catch your Sworn protector, Ser Jason smiling at Astraea with admiration. And thus your mind uses that as an excuse to avoid choosing.
âMy friend Lord Stark,â your voice catches him off guard. âHad to bribe her to let him pet her. He would offer her fish which is her favorite, but it took many moons for her to warm up to him. So,â you scoff lightheartedly. âIâm surprised she went up to you.â
Ser Jason tears his eyes away from your dragon diving in the water. âPerhaps I smelled like fish,â he says and you try to think if it's real while also slowly knitting your eyebrows together.
Ser Jason sees that you did not understand it was a joke so he quickly counters. âI did not! I did not smell like fish, I donât go on smelling like fish. It was just aâŠjest because she well, you knowâŠâ
You muster a forced giggle and nod slowly, while he parts his lips to continue on rambling.
âBut I mean itâs not like I know why she would go up to me. My mother worked at a brothel, so itâs not like I have special blood from her, and my father, well, I donât doubt being a bastard of Prince Daemon qualifies my blood in any way.â
You drop your quill and your jaw drops at the revelation he just threw at you so carelessly and with no warning.
âYou,â you mouth and slowly stand up without looking away, as if the truth of what he is would vanish the moment you tore your eyes away from him. âYour father is Daemon?â
Ser Jasonâs face goes pale and he gapes like a fish out of water.
âYou,â you scoff and turn around to drop your things on the bench while your mind scrambles what you just got told.
It should not be surprising, even you know that Daemon would frequent brothels when he was young. He had a taste for lustful activities. But! To know, and to have his bastard son be your Sworn Protector is completely crazy!
Did he know?
âDoes he know?â You spat out your question oozing with your shock.
âN-no,â Ser Jason shakes his head and approaches you with fear someone else will hear him. âI never told him. You are the only one who knows.â
The corner of your lips twitch up but your initial shock still doesnât let you display how touched you are that youâre the only one who knows.
âYou are the only one who will ever know,â he says seriously and doesnât go sheepish, his cheeks donât taint with a blush, his gaze is pointed at you, and his lips are pressed in a firm straight line.
âBut,â you whisper as your shock and that rush slowly diminishes. âWhy? Heâs your father. And youâre so close to him. He might as well accept you as his son. You couldââ
âI donât want it,â he cuts you off and is lucky that Ser Cane is not here or else he wouldâve been scolded for cutting you off as bluntly as he did. âAll the riches, the acknowledgment, and the power that comes with being recognized by my father is not what I desire. I know what that all does to men, they get drunk off power and hurt the small folk in turn. Or give us their back to be with the perfumed lords. IâŠdonât crave it. I like what I am now. Iâm content with my role.â
His words sink in your heart and you donât have the will to argue against him to try and make him reach higher. You actually admire him for being so sure about himself, and what he wants and doesnât want. You wish you could say the same in a time like now.
âMany would jump at the opportunity to gain a dragon, to be a Lord. A Targaryen,â you share, making him sigh and nod slowly.
âOnce upon a time I entertained those feelings while I was upset at my mother for hiding the truth,â he reveals, only pulling you in deeper. âI could join him, I could be better than she ever was,â he trails off to his usual soft and careful voice. âI was horrible and then she died. I never got to tell her I forgave her. She died thinking I hated her, that she was not enough for me, and ever since then the thought of being recognized as a Targaryen bastard is like bile in my mouth. It doesnât appeal to me anymore. I detest it.â
You swallow thickly and pity flickers in your gaze, while you also feel a certain spark of connection as you know that youâre battling with lies and forgiveness with your own mother.
âI admire you for it,â you admit, making him blink rapidly while a furious red blush attacks his cheeksââto have that self-actualization. That self-control when many would let their desires for greater things drive them.â
âHe was not there, why should I crave the attention of someone who did not care?â He says and glances at your dragon again before he continues. âIt's true I worked under him, it was a coincidence, fate playing a game. And it turns out he's actually not bad of a man, and the stories are right, he is a great warrior. I want to be as talented as him, but thatâs all. I am content with what I have, I do not want to complicate my life. It was complicated once. I don't wish for that anymore.â
You slowly follow his line of gaze and an idea starts to form in your mind.
âDid you appreciate that your mother told you?â You have to ask for your own sake. âEven if it was later in your life did you appreciate it? Did itâŠhelp you?â
Ser Jasonâs Adamâs Apple slides up and then down slowly before he glances at you and lets his deep blue eyes fall on you. âI think I would have driven myself mad if she hadnât. I confronted her about it, I wanted to know who my father was. I needed to know if it was true so I would not drown in the rushing flood that were my thoughts.â
You snap your gaze to the horizon and think about your own troubles and how youâre in a battle with yourself, how you canât sleep, or stay focused for too long without being drawn back into the storm of your thoughts; of what you want, of overthinking, rage, hate, and insecurity.
You donât want to be troubled in a time like now. You canât afford to with so much on the line. And you donât think you can live in this confusion or it will drive you mad.
So you know what you must do, and you do it even if Ser Jason protests your leave.
You wonât be gone long, youâll be in and out, Aemond wonât know, he doesnât even have to know, and if he does well, he can go after you or stay and wait because you will return with your mind made. Angry or in peace, you will return. You just need to hear the truth from her. It will give you peace of mind.
Thatâs all you want. You canât stand these loud thoughts and emotions, you want silence again. You need it.
Then again what exactly do you walk into?
Aemond doesn't surprise you by coming after you, will he be mad when you return? Possibly, but oh well, youâll make up, so thatâs not why you now start to question your daring act.
You descend and land peacefully, you have no trouble walking in the keep, and the guards know youâre no threat because thatâs what they were told, but as youâre in search of your mother you come across a reason why you think maybe this plan wasâŠa bit overzealous.
It's the man who bonded with Silverwing, he has his feet on the table and a goblet in hand. Giving yet another reason why smallfolk as dragonriders is not a good idea.
âY-YouâŠâ
Gods.
He swings his legs off the table and leaves his goblet behind to come after you. Much to your misfortune.
âYou tried killing me,â he throws out boldly.
âIf I wanted you dead you would have been dead,â you donât attempt to be kind, or apologetic because you could not care. âYouâre a terrible dragonrider,â you grumble and peer over at the horse guards that you pass by as you make your way to the royal apartments in search of your mother.
âGrab her! Throw her in the dungeon, sheâs with the enemy,â the man tries to demand, but the guards donât even move an inch, they stay put and you stop trying to entertain this bad-smelling man.
âIf I were you I would get away from me, Iâm your princess, not some whore or servant you can pester,â you threaten him, but you keep hearing the heels of his boots chase after you in an attempt to match your speed.
âCome backââ
âGet him away from me,â you smoothly give your demand to the pair of guards that you approach, and they actually listen to you. The moment you pass them, they lunge out of their spots and block the old manâs path with their swords.
You peer at him over your shoulder and shoot him a cocky smirk before you disappear around the corner and quicken your pace to reach the royal apartments even faster.
Albeit when you reach your mother's quarters sheâs not there. Thereâs not even guards outside her quarters, so onto the next spot where she might be, but first your cat! You go into your quarters, but heâs not there either much to your luck. But he'll be much easier to find than your mother you assume, considering she hasnât come to meet you.
Actually, in your search, you donât come across anyone. You assumed either your brother or your mother would have found you after they saw your dragon or got told you arrived, but so far itâs been quiet and calm. So far.
After a while, youâre actually relieved to come across Baela of all people.
âBaela,â you breathe out and come to a quick halt.
Said womanâs brown eyes linger on your face before they slowly trail down to the white-silver gown you wear and glimmers under the sunlight capturing your figure, making it appear like youâre wearing a gown made of a thousand tiny diamonds, or thin chainmail, either or you twinkle in your flowy dreamy gown.
And when her eyes go back up to your face she notes that the silver diadem around your head with the thin chains dangling from it really pronounces your title as Princess Regent.
âI saw Astraea and I thought she carried a letter,â Baela finally breaks her silence. âIt's you. Youâre back.â She smiles faintly, but youâre quick to steal that joy.
âNo,â you deadpan. âI came to talk to my mother. Sooner rather than later, hopefully.â
âWhat?â She scoffs. âYou did not ask your husband's permission to go out?â
You sense her hostility toward Aemond, you understand it, but you still donât like it. âI do not need it, I came against his will.â
You would defend him but thereâs no reason to really waste your breath, she doesnât like him so wouldnât understand.
âIs my mother here?â You interrupt her before she comes up with another quip. âI need to talk to her. Urgently.â
Baela draws out a deep breath and answers kinder this time. âSheâs not here. She left at first light for Harrenhal. She did not say why.â
Great.
âAlright,â you nod slowly. âI will wait for her then. And do not tell Jacaerys I am here if he doesnât know. Iâm returning to the Red Keep and he will only make it hard.â
A pointed glare flashes on her face before she sighs and her face softens. âHeâs only worried about you. You donât know how many times heâs wanted to go to the Red Keep to bring you back. He says your place is here now more that youâre expecting twins.â
Your mother told them. Of course. But they donât know that you donât know where your place is exactly. Not at the moment, youâre in a state of limbo. Neither here nor there.
âAnd thatâs why he cannot know Iâm here,â you insist even if what she says really does pull at your heartstrings and makes you want to stay for him. âLet my mother know Iâll be at the Great Hall,â you end the conversation short so youâre not hit with more guilt or pleas to stay with puppy eyes and sweet words.
You do attempt to offer her a smile so she knows this coldness in your demeanor is not directed at her, but your lips hardly tug up; what you need to speak about takes too much from you. And itâs a good thing she doesnât see that trouble so youâre able to walk past her and disappear into the Great Hall where you expect to be on your lonesome, but lying on the stone throne is your cat, Wolf.
âLook at you,â you coo and rush to him. âSo regal.â
Wolf hears your voice and his head shoots up before he lets out an almost huffed meow, letting you know heâs upset you left him behind.
âI know, I know,â you talk to the cat as you walk up the steps of the stone throne to pick him up. âForgive me, we were in a rush, but this time you are coming home with me.â
You lift him in the air and tilt your head down just slightly to make sure heâs still wearing his pearl collarâand yes, he still has it on.
âWell it seems they have been feeding you well,â you comment on his blubber.
Wolf meows nonchalantly and you flash him a grin before you hug him against you whilst you walk down to sit on a cold stone step.
âOh, Iâve missed you too,â you tell him and caress his side. âYouâll have to ride Astraea though, I know youâre scared, but itâs the only way you can come home, so just sleep or somethingâ
Wolf purrs under your touch so you gladly continue to show him some affection while you wait for your mother and get pulled deeper and deeper into the angry storm of your thoughts.
Much like before time is irrelevant, your surroundings blur almost to the point itâs nonexistent, and you get so lost in your mind that you hardly exist which makes time move faster.
You don't know how much time passed between you waiting and your motherâs arrival, but by the time the grand doors open and your mother finally joins you, the sun is lower than it was before. Actually, when you let the cat go and stand up on the step you notice that the beam of sunlight is reflecting on the ground now.
âMother,â you greet but donât share the relief she does when she finds you secluded in the darkness of the grey stone room. You donât smile as wide as she does even as hard as you try to show your joy over seeing her and being in the same room without having to pretend.
When she reaches you she doesnât hesitate or ask you for an embrace. The moment you step down to the ground to let her reach you she wraps her arms around you and pulls you against her. But even if you return her embrace, you donât hold her as tightly, your body doesnât ease like hers does at the feeling of your arms secured around her.
You try, you really do try to forget and bask in the warmth and the comfort her mere presence usually brings, but right now the sight of her is enraging the storm within you.
She doesnât notice though, not yet. And not when she pulls back to let her eyes take you in under the beam of sunlight dancing on your face.
âYou look beautiful,â she offers you a compliment as she gently grabs your arms so you wonât go far, but drops one hand to gently press it against your belly. âI did not get to see you when you were expecting Aerion, I want to make the most of it now. How are you feeling? Do you want to talk to the maester?â
You blink and swallow back nervously before you shake your head stiffly and point your eyes at her Kingsguard a few feet behind her.
Your mother seems to understand what you mean so she looks over her shoulder and with a simple passing look sends them away from the hall. Itâs only once theyâre gone and itâs just you and your mother under the beaming light that you raise your hands and get rid of her touch. And it's at that moment that she realizes the emotions that ride on your face arenât that of pleasure.
She looks at you now, she really takes you in and notes a long-forming frown painting on your face that's thinner than before due to the twins growing within you, taking what they can from you. She sees your eyebrows slowly creasing lines as they come together, and lastly, thereâs flames of anger flickering in your eyes that she did not bother to notice before, but as she sees all of you now she's overcome with worry.
âWhat is it? Whatâs wrong?â She finally picks on the emotions becoming more prominent in your features.
You draw in a deep breath and slowly raise your chin as you gain the confidence to be bold in your anger. âI need you to be honest with me. If you lie I will know, so itâs best if youâre truthfulâŠplease,â that last word makes your voice falter.
âAbout what?â She probes and grows conflicted as well as more concerned.
You blink repeatedly as tears begin to sting your eyes, causing your mother's lips to part in confusion. âDidâŠdid,â you strain to continue as the words hurt to even think about saying. âYou send my father away to marry Daemon? Yes or no?â
A gasp escapes her parted lips, her lashes bat wildly, and her eyebrows crash in the middle for a second as sheâs slammed with shock at the words that came out of your mouth. Words you should not know.
âDid he leave at his own accord or did you send him away?â You sneer emotionally and search her face for an answer. âTell me,â you whisper softly but with desperation.
Rather than answering right away your motherâŠsteps away with tears glistening in her eyes, but itâs with that single action that you know the answer you wanted to refute, that you wanted to believe was a lie or some mind trick played by magic, but the answer is in her glistening eyes and it weighs your chest down while also pulling tears out of your eyes brought by anger and agony.
Yet even then you still want to hear her say the truth so you demand it. For the first time in your life, you shout at your mother and the agony in your voice echoes in the great hall. âTell me!â
Your mother's eyebrows once again meet in the middle as sheâs surprised by your burst of emotions, but she also knows thereâs no more hiding from the truth, so after a deep breath she finally begins to give you what you seek.
âI needed a stronger force behind me in order to defend my claim. We knew it would be contested and it was, so we needed to sendâŠLaenor awayâŠâ
âSo you could marry Daemon,â you finish for her with more tears rushing down the curve of your cheeks.
âBut my Sweetââ she tries to quickly comfort you by trying to grab your arms, but you shove her attempt away and slowly pierce a trembling glare at her, leaving her with no option but to see the tears that run down your face and shine like tiny sparkling diamonds the same way your gown twinkles under the sunlight.
âDonât,â you bark and shake your head at her as it feels like someone pierced your chest. âSave whatever excuse youâre going to give me. I donât want to hear it. You lied,â you throw at her. âFor six years! You let me grieve him for six years! You let me long for his return for six years! Six years,â you sneer your words. âDo you know what itâs like grieving alone? Losing all your joy and having no one to comfort you because youâre being shipped across the country? No, but I do. And now to find out he left and you were behind it is likeâŠlike dying.â
âDonât say that,â she whispers her own heartbreak. âHeâit broke him to leave you and your brothers behind, but he also knew that I needed more than he could offer for our sake. He was selfless. He did it because he loved us, because he loved you.â
âThat doesnât matter,â you mutter as those words donât work to mend your shattered heart or offer any sort of peace to your agony. âNone of it matters because he left and you lied, and now where do I belong? All my life I have fought to prove myself, every step of the way, and now to find out you lied and that my father left makes me feel like nothing. I am nothing.â You sniffle and turn around to pick up your cat off the ground before you face her to utter your last words. âThank you for making that perfectly clear.â
You storm past her and she calls out to you before managing to capture your arm and reel you to a stop.
âDonât,â you quickly counter like your life depends on it. âStop. Iâm doneâŠâ you trail off and step back, having to purposely avert your gaze before you spin around and finish storming away.
This time she doesnât come after you, the Great Hall is silent and you have a clear path to leaveâŠor so you thought until you come across Jacaerys making his own way toward the Great Hall, but stopping as he sees you, the person he wanted to see.
Time seizes the moment your eyes meet. Every ounce of rage falters, and that sense of belonging is found there with him. With your little brother.
Looking at him makes you want to stay, to swallow back all the pain, and stay where you belong, but you canât be so selfless. You choose to be selfish even if taking that route hurts more with him in front of you.
Thatâs why you didnât want to see him, but here he is, and here you are with no strength to say goodbye. That's why you just take a deep breath and raise your chin before you try to walk away. But he steps in front of you to block your path.
âWhere are you going? What's wrong?â He immediately asks as he sees your face pampered with tears.
âIâm going home,â you mutter bluntly and avert your eyes. âBack to my son, back to my husband.â
You try to leave again, but he grabs your arm and pulls you back to argue. âYou cannot be serious? You donât belong there! This is your home, this is where you belong, just bring Aerion and his dragon and come back home. We donât need you in the Red Keep anymore, we have strength here.â
His words only work to hurt you deeper. Itâs like being pierced in the chest again and again, and deeper with each sweet word.
âNo,â your voice quivers. âI belong home. With my son, and Aemond. This is not my home, not anymore.â
He looks back at where you came from before looking back at you in confusion. You donât need to see it to know thatâs what he feels.
âWhat did mother say?â He wants to know more, but you donât give him the context. Youâll let her do it.
âIt doesnât matter now, Iâm leaving, Jace, let me go.â
Yet he doesn't, his grip only tightens and his gaze grows heavy on you.
âSo what? You can go back to them?â He spats.
âTo him,â you clarify. âTo Aemond!â
Jacaerys tilts his head down and you let him find your gaze painted with it all; rage, agony, guilt, and a yearning for comfort.
âWhat of Rhaenys?â He hisses to you. âWhat of Lucerys?â His confrontation falters. âOr do you forget about them while you sleep with him?â
Your bottom lip trembles and your breath shudders, but as weak as you feel you bite back. âI will not stay. You cannot make me.â
âWatch me,â your brother sneers, so you rebuttal by rolling your shoulders back and narrowing your gaze to a glare.
âDo it,â you taunt him.
Jacaerys challenges your gaze waiting for you to falter, but no matter how much you want to give up your fight under his threatening gaze, you muster up your strength and fight back until heâs defeated.
When he lets you free you hug your cat tighter and linger in his presence for a moment longer, but never find the strength to utter that last goodbye. So even with tears welling in his eyes, you leave without saying another word.
Even after that, your mind canât form a single thought. You fly back home in utter, deafening silence, with only the wind howling in your ears. When that too stops the moment you land in that cove behind the Red Keep, you expect to be bombarded with a wave of thoughts, but itâs like your mind stopped working. Itâs quiet, you're quiet, and your cat keeps yelling at you, probably asking why you put him through that flight, but he grows relieved when heâs in the safety of the Red Keep, and then he also grows quiet on your way to your chambers.
The one time you can find the ability to speak words is when you reach your quarters and find Ser Cane outside your doors along with one of Aerionâs sworn protectors. Ser Jason must have taken his leave now that Ser Cane is here.
âIs my husband inside?â You have to ask to know if you should prepare yourself for a fight.
âNo,â Ser Cane deadpans and finds your cat that he has not seen at all in his life until now. âThatâsâŠyours?â
A tiny smile tugs on your face and you lift your fat cat to show him off. âYes, itâs Wolf, donât worry heâs nice.â
The cat meows, and you look at him and smile wider before you take a step forward, making the guards open your doors for you.
âPlease stop wandering off,â Ser Cane says in a very serious voice, and you canât help but flash him a smile since he figured out all by himself that you were not in the Red Keep, or Kingâs Landing at all considering you warned Ser Jason not to tell a soul.
âYou will have to use a ball and chain for that Ser,â you retort, and for the first time since heâs been your sworn protector, he smiles. Itâs faint, the corner of his lips twitch, but you still made him smile and it makes you giddy.
âYou can relax for now Iâll be inside,â you assure him as you put Wolf down before you finally walk inside.
Once the doors are closed the smile on your face falls and still, the thoughts you have been expecting fail to come.
Not that youâre eager to fall into a deeper agony after hearing the truth, you just need the shock to pass. You need to admit the truth of what you want to yourself because you know itâs forming there, in your mind.
Albeit you canât overcome your disbelief or the hurt you received in Dragonstone. Time started moving after your interaction with Jacaerys, but it moves slowly now and because of it your thoughts donât come quick.
Then again you canât rush your feelings, so you take a deep breath and head over to Aerionâs cradle to check on him since he should be taking his nap.
Which reminds you that his wetnurse has not come to meet you, odd, but alas you continue your path towards your child and before you can reach the curtains that lead to your bed, Wolf yowls before he suddenly comes sprinting away from that side of the room.
You quickly follow him with your eyes and your amused smile falls as you catch that he left behind bloody footprints.
âMaci?â You call out for Aerionâs wetnurse with your breaths growing heavy with panic, but thereâs no answer so should you call out for the guards outside your door?
It might be something dangerous or it might be nothing.
The latter seems more plausible so you keep making your way forward with more caution now.
Aerion is not crying, so it canât be anything terribleâŠright?
Unlessâno, itâs not him, but you quicken your pace, and when you reach the curtains you slowly pull them back. When you peek one eye inside your heart drops to your stomach, your breath hitches, and every instinct inside you immediately yells at you to fight, so you do.
Youâre not carrying any weapon with you to defend yourself, and any you have in your chambers are far compared to the distance this scrawny killer is to Aerion, so with nothing but your strength you rip the curtains open, and part your lips to bellow. âGââ
Yet just as your breath comes out with the first word, a dirty hand suddenly slaps over your mouth before the tip of a blade hovers over your throat, forbidding you from alerting any guard and threatening the cloaked killer approaching Aerionâs cradle with a bloody knife.
You try to push away the hand thatâs covering your mouth to try and save your son with a threat, or with a sound ominous enough that the guards will burst through the doors, but the person who is holding you captive begins to drag you away from the bed area of your quarters not caring that youâre kicking, or clawing at his arm.
The other man reaches Aerionâs cradle and you ache to try and reach him, you try to scream, but the person who has you keeps dragging you away until he finally halts and pushes their lips by your ear.
âLong. Live. Queen Rhaenyra,â they whisper in a scratchy voice, and at the sound of those words itâs like a tight grasp wraps around your heart causing it to hurt worse than any other pain.
Yet whatâs that ache right now compared to the threat uncovering Aerionâs cradle and revealing him to the killer? Itâs nothing.
Your heart pounds and every muscle that makes who you are cries desperately in attempts to reach him, but you canât challenge the person's strength holding you against them. All you can do is watch as the man finds your son in his cradle with tears rolling down your face and a horror that keeps worsening.
However, just as the manâs eyes land on Aerion, they then shift to something else, and terror strikes within them.
You stop moving to figure out what he saw, but then Shrykos, the answer to all your questions jumps out of the cradle and perches herself on the edge.
Itâs Aerionâs dragon. Sheâs there, emitting low clicking sounds as she tilts her head and studies the man to figure out whether sheâs seen him before or not.
Yet perhaps your relief comes too soon because the man swings his blade down at the hatchling. You try to scream out in defense of the hatchling, but much to your surprise Shrykos leaps off the edge of the cradle and flies on the man to claw her long and sharp nails in his throat, rendering him silent instantly before she climbs up his face to blast fire at the manâs eyes which causes him to fall back on the ground with a loud thud, and leaving the person behind you paralyzed.
Albeit not long enough because they pay no mind to the hatchling tearing the man's face to shreds. And maybe they have the right idea not to care, youâre not bonded to the hatchling, and unless given the direct command she wonât come to you to defend you like she did Aerion. You have to fight back yourself. Thus since you canât bite the person and you canât outmatch their strength, you kick your foot back as theyâre pulling you back towards the balcony, and manage to hit their crotch.
They react with a groan and loosen their grip just enough for you to shove away their hand with the blade, and twist around. Once youâre facing him, you jab your knee in their arm as hard as you can, managing to break it and unarm him, but also causing him to shout in pain.
Is that enough though?
No, they ignore the pain and pretend theyâre going for the blade, so you reach for it too, but then at the next second they actually swing their palm against your face so hard it stings, and the taste of iron trickles in your mouth through your parted lips, while more leaks down your chin.
Hurried footsteps then strike the ground and seem to be approaching where you are, so while youâre dazed the man grabs the blade and lunges at your belly, but even if your ears are ringing and your eyesight blurs because of that hard slap, you throw your hands down and manage to catch the blade before he could pierce it through your flesh.
In capturing the blade with your bare hands though, now sharp blinding pain spreads throughout your palms.
âDrop the blade!â You recognize Ser Cane shout at the top of his lungs while he and the other knight slowly stalk toward the man.
However, the man manages to slip his hand away from your bleeding grasp and redirects his threat at your belly, at your twins, leaving you paralyzed out of fear the blade will penetrate with a single move of any muscle.
âSer,â you call out to your sworn protector between pants and your voice now trembles with fear.
âNot another step or I gut her,â the man sneers and steps toward you to get closer and make his threat that more dangerous, making Ser Cane put his arm out to stop the other knight from getting any closer.
âYou will be able to go, just let the princess go,â Ser Cane makes empty promises whilst he steps back. And to the ears of a manâs life hanging by a thread, why would he not take the opportunity?
Yet as tempted as the man is, he hesitates and glances at you with panic in his green eyes. âLong live the Queen.â
The man pulls the blade away from your belly and starts to move it up in an attempt to stab your throat, but the moment he looked away from the knights, Ser Cane managed to slide out a dagger so when the man began to scale the blade up, Ser Cane hurled his dagger and with perfect aim hit the manâs throat. Now the threat the man held falls with his blade, and thick crimson blood squirts out from his gash and splashes all over your face, letting you know itâs all over, thereâs no threat looming over you. Itâs all done.
Yet your heart doesnât stop drumming nor does your blood stop rushing with the terror still rattling your body.
âCome with me, Princess,â Ser Caneâs voice travels through your ears and you notice that it's softer than before, but it doesnât make you do as he says, you look at the dead man bleeding out on the ground, and gasp sharply before you slowly sit on the ground with leg flat on the ground, and the other used to prop your arm on your knee.
âGo fetch Prince Aemond,â Ser Cane demands the other knight before sheathing his blade and rushing to check on Aerion.
âIs heâŠâ
âStill asleep,â Ser Cane finishes for you, so you nod stiffly and let that worry go with a deep and shallow breath, but this new shock still leaves you trembling on the ground, trying to convince yourself that what just happened did happen. It was not a dream, it was real, people did try to kill you and Aerion.
Was it in some twisted act for your mother? Were they sent by someone else? Or was it your own mother and Daemon who sent them?
You donât know. You donât know a thing about them and you wonât know because theyâre both dead. All that you know for sure is that you almost died. They were going to kill you!
Gods. Gods. Damn. Damn it!
âLet me see, let me see,â Ser Cane startles you as he crouches down beside you to look at the drops of blood coming from your belly since right now your mind is unraveling what happened and letting that shock go.
âHe just nicked your skin, youâre okay, your children are okay,â he assures you as he meets your eyes.
And even if your gaze is miles away you nod stiffly in comprehension before you blink slowly and get your focus lost on the blood pooled around the dead man, but not with a blank stare now. This time a slow-growing fire is sparked in your eyes, causing your gaze to narrow just enough to spread a menacing look, while your parted lips letting out your shallow breaths still give your disbelief and fear away.
Itâs like you were just hit with a realization because you were. You know what you feel now, and you know what you want. You see it reflected in the pool of blood reaching your foot.
Whether the killers were sent by your mother, by someone else, or they acted alone doesnât matter. The killers dispersed the cloud that was fogging your mind since you left Dragonstone, and itâs all clear now. Thereâs no going back, thereâs no sufficient apologies that can tear down your rage-fueled hate because thatâs what you are. Youâre angry at your mother for lying to you for six years, you hate that she lied, and you donât want to help her anymore because of it.
You tried being good, the perfect princess, and the perfect daughter of a Queen. You risked your life to come here to send her letters of the Greens' plans. You strained yourself to prove something to your mother, to try and be what she needs in this war and as a daughter, but no more. Youâre done trying to bend over backwards to prove something to her.
Youâre done.
Does it mean you will fight for the Greens?
Well, you will get your hands dirty. You wonât hide who you can really be now and you wonât let them diminish you.
You will fight. She will see you fight. She will know your rage face to face. They will all know your rage.
âWhatââ
Aemondâs voice registers in your head, and as you follow where his voice comes from you see him stopped only a few paces away with his eye on the dead man.
âAemond,â you gasp softly, feeling that fear break apart after being penetrated by the mere presence of your best friend and your beloved husband Aemond.
When his eye finds you it widens at the sight of the blood pampered on your face, staining and dulling the white-silver gown that no longer glimmers like shining diamonds. He then sees your hands leaking blood from wounds he canât see, but knows are there due to the blood dripping on the ground, and his rage snaps to the knights meant to protect you, but you call out to him as you see that darkness spark in his eye.
âAemond.â
Said manâs eye falls on your face and he debates still tormenting the knights, but as he sees how you plead for him with your eyes alone, he lets his anger go for now with a deep breath and then falls on his knees beside you.
â<Are you hurt?>â He asks in High Valyrian as he studies you to find his answer regardless of what you say.
â<Just cuts on my palms, but Iâm, weâre okay.>â
Aemondâs eye drifts to the cradle a few feet away and his lips part as he sees Shrykos covered in blood returning to his spot by Aerionâs side.
â<Heâs okay,â you assure Aemond. âHeâs asleep. His dragon protected him.>â
Aemond looks back at you and you both share a soft and relieved breathy laugh at the fact that Aerion did not wake at all through the interaction, and that his little hatchling took down a grown man all by herself.
â<Are you okay?>â Aemond asks again and doesnât hesitate cradling your face covered in blood.
âAemond my faceââ
âI donât care,â he cuts you off and leans in closer to study you with his eye glossy with tears brought by worry. âAre you okay?â He asks, making your bottom lip tremble. You want to lie, but you canât with him looking at you with that tender blue eye filled to the brim with concern over your life, so you shake your head lightly.
Aemond caresses your cheek with his thumb and presses his forehead against yours. âIâm here,â he reassures you before he embraces you against him, letting you sink into his warm and comforting embrace, and become one.
You donât need to prove anything to each other. You donât need to sweat blood to try and be something worthwhile for each other. Youâre enough. Youâre all each other needed when you were kids, and youâre all each other needs now.
Is your rage extinguished? No, itâs still very much alive and it blazes like wildfire as your fire becomes one with Aemondâs, because you both share a similar rage that you want everyone to see. That they will all see.
.
.
.
.
A/N- Iâm afraid Cregan is the only one who can pull you out of this dark corner now.
Tagged- @namelesslosers @stargaryenx @chainsawsangel @lauftivy @winxschester @cloudroomblog @llarue @padsdarlg @sofietargaryen @gracielikegrapes @dreaming-of-the-reality @itzelpeyton @patdsinner33 @mrsdominickstark @elaena-aerrin @todoroki-slut @snh96 @urmomsgirlfriend1 @nifujiswhore @sweethoneyblossom1 @kaetastic @lightdragonrayne @squidscottjeans @oh-you-mean-me @wallacewillow0773638 @icefrye19 @thescottpack @fiction-fanfic-reader @crazymusicgirl104 @r-3dlips @strangersunghoon @just-pure-trash @ethereal-athalia @missyviolet123 @callsignwidow @xunquish-blog @tabathastan @weepingfashionwritingplaid
#fanfiction#damn-stark#moonlight#chapter 17#house of the dragon fanfiction#house of the dragon#Hotd#hotd fanfiction#aemond targaryen x fem!reader#aemond targaryen x velaryon!reader#aemond targaryen x targaryen!reader#aemond targaryen x female reader#aemond targaryen x you#aemond targaryen x reader#aemond targaryen fanfiction#aemond targaryen#cregan stark x female reader#cregan stark x y/n#cregan stark x you#cregan stark x reader#cregan stark x targaryen!reader#cregan stark fanfiction#cregan stark x velaryon!reader#cregan stark x fem!reader#rhaenyra targaryen#jacaerys velaryon#helaena targaryen#baela targaryen
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and there we go! the full Confidential Archive!
here are all the episodes, according to tardis wiki list, including all of the mini specials and chrismas specials and most if not all in good quality! the full list of everything is under the cut because yeah, its a longgg list!
all in order, including some youtube videos and dvd rips hehe, all according the the tardis wiki list
SERIES 1 -
1x00 - A New Dimension (a prolog to season one, narrated by David Tennant)
1x01 - (rose)
1x03 - (the unquiet dead)
1x04 - (aliens of london)
1x05 - (world war 3)
1x06 - (dalek)
1x07 - (the long game)
1x08 - (father's day)
1x09 - (the empty child)
1x10 - (the doctor dances)
1x11 - (boom town)
1x12 - (bad wolf)
1x13.1 - The Ultimate Guide (another little documentary right before
parting of the ways, about key aspects about filming the season)
1x13.2 - (parting of the ways)
1x14 - Backstage at Christmas (the nine minutes they gave us from some of behind the scenes of The Christmas Invasion)
SEIRES 2 -
2x00 - One Year On (a general preview for season 2, including the series 2 press launch, a lot more behind the scenes of The Christmas Invasion and some Torchwood stuff)
2x01 - (new earth)
2x02 - (tooth and claw)
2x03 - (school reunion)
2x04 - (the girl in the fireplace)
2x05 - (rise of the cyberman)
2x06 - (the age of steel)
2x07 - (the idiot's lantern)
2x08 - (the impossible planet)
2x09 - (the satan pit)
2x10 - (love & monsters) - (featuring the winning of the contest of designing a monster)
2x11 - (fear her)
2x12 - (army of ghosts)
2x13 - (doomsday)
2x14 - Music and Monsters (the behind the scenes of doctor who's first music show, including some behind the scenes stuff of The Runaway Bride)
SERIES 3 -
3x01 - (smith and jones)
3x02 - (the shakespear code)
3x03 - (gridlock)
3x04 - (daleks in manhattan)
3x05 - (evolution of the daleks)
3x06 - (the lazarus experiment)
3x05 - (42)
3x06 - (human nature)
3x07 - (the family of blood)
3x08 - (blink)
3x11 - (utopia)
3x12 - (the sound of drums)
3x13.1 - (last of the time lords)
3x13.2 - Children in Need Special (the behind the scenes of the special where 10 meets 5, really cute stuff)
3x14.1 - Kylie Special (series 3 christmas special. version 1 - the full version in less of a good quality i found on youtube, bless this youtube channel honestly)
3x14.2 - Kylie Special (series 3 christmas special. version 2 - the shorter version that was up on iplayer)
3x14.3 - Kylie Special (series 3 christmas special. version 3 - the version i edited to include the low quality parts that were missing with the good quality shorter version)
SERIES 4 (INCLUDING THE SPECIALS) -
4x01 - (partners in crime)
4x02 - (the fiers of pompaii)
4x03 - (planet of the ood)
4x04 - (the sontaran stratagem)
4x05 - (the doctor's daughter)
4x06 - (the posion sky)
4x07 - (the unicorn and the wasp)
4x08 - (silence in the library)
4x09 - (forest of the dead)
4x10 - (midnight)
4x11 - (turn left)
4x12 - (the stolen earth)
4x13 - (journey's end)
4x14.1 - The Journey (So Far) (a documentary about the entire show so far)
4x14.2 - Confidential Christmas 2008 (behind the scenes of The Next Doctor christmas special)
4x14.3 - Doctor Who: Top 5 Christmas Moments (a sort of confidential behind the scenes clip show of all of the episodes set at christmas)
4x15.1 - At the Proms 2008 (behind the scenes of doctor who at the proms 2008)
4x15.2 - The Eleventh Doctor (the special they used to announce Matt Smith as the new doctor who)
4x15.3 - Desert Storm (behind the scenes of Planet Of The Dead)
4x16 - Is There Life on Mars? (behind the scenes of The Waters Of Mars)
4x17 - Lords and Masters (behind the scenes of The End Of Time, Part One)
4x18 - Allons-y! (behind the scenes of The End Of Time, Part Two. version 1 - full dvd version)
4x18 - Allons-y! (behind the scenes of The End Of Time, Part Two. version 2 - shortend higher quality version from iplayer, this version has a song in the soundtrack that is diffrent from the dvd version, this is the most accurate version to what aired on tv at the time)
SERIES 5-
5x01 - (the eleventh hour)
5x02 - (the beast below)
5x03 - (victory of the daleks)
5x04 - (the time of angels)
5x05 - (flesh and stone)
5x06 - (the vampires of venice)
5x07 - (amy's choice)
5x08 - (the hungry earth)
5x09 - (cold blood)
5x10.1 - (vincent and the doctor)
5x10.2 Monster Files: The Daleks (a little documentary about victory of the daleks/daleks in general)
5x11 - (the lodger)
5x12 - (the pandorica opens)
5x13 - (the big bang)
5x14.1 - Monster Files: The Weeping Angels (a little documentary about the weeping angels episodes this season)
5x14.2 - Monster Files: The Silurians (a little documentary about the silurian episodes)
5x14.3.1 - Monster Files: The Alliance (a little documentary about the alliance of monsters from the pandoica opens)
5x14.3.2 - Backstage at the Doctor Who Prom 2010 (behind the scenes of doctor who at the proms 2010)
5x14.4.1 - Charlie McDonnell - Runner (the first Charlle behind the scenes videos, pretty quiet - Currently not up on the archives as Charlie has expressed the need to remove her old videos)
5.14.4.2 - Charlie McDonnell - TARDIS (another Charlie video, she explores the tardis set this time -Currently not up on the archives as Charlie has expressed the need to remove her old videos)
5x14.4.3 - Charlie McDonnell - Decorating Bus (another Charlie video, she decorates the food place with christmas decorations, i liked them Charlie - Currently not up on the archives as Charlie has expressed the need to remove her old videos)
5x14.4.4 - Charlie McDonnell - Christmas Presents (badger) (the famus Charlie video where she brings the cast and crew presents! this is where Matt gets his badger puppet - Currently not up on the archives as Charlie has expressed the need to remove her old videos)
5x14.5 - Christmas Special 2010 (behind the scenes of A Christmas Carol)
SERIES 6 -
6x01.1 - (the impossible astronaut)
6x01.2 - My Sarah Jane: A Tribute to Elisabeth Sladen (a special memorial for the late Elisabth Sladen đđ)
6x02 - (day of the moon)
6x03 - (the curse of the black spot)
6x04 - (the doctor's wife)
6x05 - (the rebel flesh)
6x06 - (the almost people)
6x07.1 - Charlie McDonnell interviews Neil Gaiman (Charlie interviews Neil Gaiman, appewrently causing some ruckes on Charlie's blog at the time hehe - Currently not up on the archives as Charlie has expressed the need to remove her old videos)
6x07.2 - (a good man goes to war)
6x07.3 - The Monster Files: The Silence (a little documentary on the silence, thank god because i needed that)
6x07.4 - The Monster Files: The Gangers (a little documentary on the gangers, my beloveds)
6x07.5 - Charlie McDonnell Becomes A Dalek (the last Charlie video, released late because it had the 1-4 tardis set, also she gets to ride a dalek in this one - Currently not up on the archives as Charlie has expressed the need to remove her old videos)
6x08 - (lets kill hitler)
6x09 - (night terrors)
6x10 - (the girl who waited)
6x11 - (the god complex)
6x12 - (closing time)
6x13.1 - (the wedding of river song)
6x13.2 - The Monster Files: The Antibodies (a little documentary on the antibodies from lets kill hitler)
6x13.3 - The Monster Files: The Cybermats (a little documentary on the little adorable cybermates because awww)
6x14 - The Nights' Tale (a little documentary on on the nights mini episodes! the last confidential stuff ever made rip)
#doctor who#doctor who confidential#dw#dwc#tenth doctor#eleventh doctor#ninth doctor#9th doctor#10th doctor#11th doctor#david tennant#matt smith#christopher eccleston#momo confidential watch#dw cast#rose tyler
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Ok I haven't seen anyone else talking about this yet, but I'm going insane about it so now it's going to be your problem. The question on everyone's mind during IWTV s1 is, "Ok but did you eat the baby, Louis?" and I'm here to tell you that I had an epiphany and I have concluded....
Yes, Louis did eat that baby. Because of Mardi Gras.
I know that sounds crazy, hear me out.
(Contains spoilers for the end of the book series)
First, for those of you who are unfamiliar, one of the most delicious traditions of New Orleans Mardi Gras is the king cake, which is a ring-shaped pastry of sugary, buttery death covered in purple, green, and gold sprinkles. (If you can get your mouth on a good one, it's divine. Mediocre ones are deeply disappointing. This is a case where quality matters. ...I am getting off topic.) Inside the king cake, according to tradition, is hidden a little plastic baby. Whoever gets the slice that has the baby in it is proclaimed the king of that particular Mardi Gras party and is granted certain solemn responsibilities, such as buying the king cake next year. It's not a very large plastic baby (about the size of maybe two jellybeans), so sometimes you find it in your mouth rather than on your plate. So: You eat the baby, you're the king.
Got it? Great.
Episode 1x07 shows us Lestat Very Definitely Eating That (Fake (Plastic??)) Baby, while being King of Mardi Gras, on the Krewe of Raj (which is probably meant to refer to the real-life Krewe of Rex. Rex and Raj both mean king). This is a wild sort of thing to do for no reason (whether Doylist or Watsonian), but New Orleans residents would probably parse this as a gruesome and tasteless perversion of the concept around the king cake tradition. Gruesome and tasteless perversions of ideas are exactly Lestat's type of humor. He knows what he's doing: He's making a Weird Statement about the legitimacy of his "reign".
Still with me? Ok. Here we go, last step.
The penultimate and antepenultimate books of the series are Prince Lestat and Prince Lestat and the Realms of Atlantis, in which Lestat is Democratically Elected (read: strongarmed/browbeaten/guilt-tripped by a jury of his peers) prince of the vampires. He mopes around about this because he doesn't want the job, but ultimately pulls himself together and makes big wet puppy eyes at Louis like, "plz plz plz mon cher plz come be royal consort, i literally cannot cope with this situation unless I have you with me" until Louis agrees to come be royal consort.
Now, the strangely intense and INTENTIONAL ambiguity of "did Louis eat the baby?" in 1x02 -- that is, the way that there is conspicuously no answer as to whether he did or not -- could just be a cool opportunity to make us think about vampires doing shocking, irredeemable things, such as the consumption of infants. But in parallel with 1x07 and the fact that this is New Orleans and Lestat's baby-eating incident was explicitly rooted in Mardi Gras traditions... it strikes me as foreshadowing. It strikes me as a clever little wink of secret jokes by the Unreliable Narration Show which has already established that it loves playing games with the audience and intentionally leaving little hints that pay off later in a BIG way.
It's New Orleans. It's Mardi Gras. The king eats the baby, and Loustat's destined endgame is Royal Power Couple.
Louis ate the baby. One hundo percent, he ate that baby. Five bucks says we find out the truth right around the time Lestat is crying and wailing and begging Louis to run the vampire government with him.
Season 7 when????
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damn ur last pengy smut was đ„đ„đ„ in those 3 imagines with him ive read u write the character so fucking accurate like u actually feel him. can we have more of a needy bird boy? smth with him being all pent up but not wanting the reader to think he only sees her like that? powerful men are hot when vulnerableđ
'CURTAINS,
-GOTHAM!OSWALD COBBLEPOT X READER-
â đđđđđđđđ ; really just oswald and reader fucking.
â tags/warnings. small GOTHAM!oswald x female reader. SMUT!!!! Somewhat of a character study but not really. Oswald wants to be a gentleman so bad. Inspired by Frankie Carbone's death scene in 1x07. Oswald being needy. Bondage. Oswald's canon praise kink. Lots of open-mouthed kisses because he can't help himself.
â« âIt's not over till it's over baby. / I stepped outside myself so transcending. / The lights go dim and every sin, that ever was, will always be a perfect part of me.â Curtains by Jackie Vae
He can't help it. He never can. Deep down he's just a silly, love-starved little boy. You've struck him, amused him, amazed him. How could he not gift you with whatever you wish? His true love. How you stay with him enthralls him everyday. Maybe that's why he can't help himself.
He was raised to be a gentleman. He was supposed to be saving himself. For marriage. He dreamed of that night for so long. Perhaps, it's came a bit early.
Every bit of you is on fire. Your arms tied to the bedframe, chained together by his own sleeve garters. You watched as he took every inch of you in, savoring you like the wine he adores. Enchanting blue-green eyes mesmerized by your every breath, every moan, every sound he elicits with every thrust.
The way he speaks. Murmured praises on his parched lips, aching to speed up.
"Good girl." He whispers, half-incoherently, expression twisted into a grimace of pure ecstasy. His chest rises and falls as he pants on top of you, hanging onto threads of self-control.
"So good to me. So precious, baby. So good." He's babbling, moving as slow as he can, feeling his cock piercing you deep. When you cry out, trying to bounce against him through your restraints, body begging for more friction, he has the kindness to offer you a quick chuckle.
"Patience, my dear." He whispers against your lips, coming down to kiss away your eagerness. His tongue sweeps the bottom of your mouth, begging to taste you. It feels warm and wet, the way he worships you.
"I have no more patience." You whimper, yelping against him and his defiance. He half-heartedly rolls his eyes, clicking his tongue. Such a brat. He thinks. His beautiful brat.
His hand traverses up your body, jaw-clenched tight as he moves against you; still inside your core. He grabs your face in his fingers, offering you just a taste. A particular hard thrust causes the both of you to moan, his hips stuttering. He throws his head back as he groans, taking the time to savor the feeling.
He wants too speak. Talk down to you. Tell you you're behaving like a slut, a hussy, but he knows it'd be hypocritical, seeing as how he's tied you up like his own personal gift. He cringes in pleasure before opting to take the leather between his teeth- keeping eye-contact with you, as he pulls away to untie your restraints. Self-control be damned.
Those big beautiful colorful eyes of his, they never leave your own. Now untied, your hands immediately go to his back, forcing him up and down. His pace finally speeds up.
The world around you is a blur as he cradles your head. He looks down at you, his mouth open and eyebrows together. He pounds into you- and you feel the mattress shake. You watch his face contort in euphoria, and scrunch together with a sharp intake of air as he reaches his orgasm.
As you both cum, sticky ropes filling you up, he leans in. An intimate kiss placed to your lips, slow and all-consuming. And another, placed to your forehead. He rocks back and forth as finishes, gently hushing you and your cries of pleasure through his own shakiness. You feel how he pets your hair, still fucking you through your orgasm.
He finally rests his forehead against your own- breathing against your mouth, still kissing and sucking the ghosts of kisses on your lips.
He can't help himself. He never can. You're too lovely.
#gotham#x reader#gotham x reader#batman#batman rogues#batman rouges gallery#batman x reader#gotham villains x reader#dc comics#oswald cobblepot imagine#oswald cobblepot x reader#oswald cobblepot#oswald cobblepot headcanons#gotham oswald cobblepot#gotham penguin#penguin x reader#oswald cobblepot smut#penguin smut#the penguin x reader#the penguin x reader smut#the penguin gotham
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The truth is through the lens
Just another scene analysis. Right now, I'm obsessed with this scene for the close shot placed on Carmy when Sydney says, Tell Claire I said thank you then. From there, we zoom in on Carmy's face. Remember how close shots can heighten the anxiety?
I love the close shots with Carmy because we catch every nuance in his facial expressions, revealing how he feels whenever he disagrees with Sydney and/or showing us exactly what he feels for Claire.
Usually, Syd and Carmy's disagreements are evenly placed(best I can describe). It's usually a wide shot where Sydney and Carmy are on camera at the same time (ex., the 1x06 argument, the 2x03 argument, and even 1x07).
But this particular camera angle switches between Sydney and Carmy, signaling that their argument has two different sides.
Another similar choice with switching sides and a close-up shot for Carmy and Sydney is 2x10 (refire the sets). Now, what do these arguments have in common? The focus of their disagreement is Claire.
Perhaps this choice in angles shows that Carmy gets anxious when the thought of Claire shows up. Example? A zoom-in on Carmy when Richie and Mikey say they saw Claire. It's the difference between Claire and Sydney, telling us how he feels about both of them.
Another close-up shot regarding claire? The kitchen scene.
This is what pro-Claire/Carmy fans can't get. It's the subtext in the sweet nothings Carmy has to say to her. The contrast in their scenes with zoom-ins and heartbreaking songs elicits a cold and anxious response regarding their relationship (that's the feeling we should get if you're really watching) Ex. of the opposite? The love scene that should have the same sparks flying as 2x05, but instead, we get a song about death and blue lighting.
But I digress.
Here's another thing in common between this argument and 2x10 besides the central focus being Claire and Carmy getting anxious about her? Sydney calms him each time.
Notice it goes back to a wide shot when the argument stops.
Why would the writers contrast how Carmy feels for Sydney vs Claire if this is a strict work relationship between Sydney and Carmy?
This show touches all angles to tell us how Sydney makes him feel.
In a show that mostly tells us of Carmy's emotions through contrast, Sydney plays not just the woman who calms Carmy, but she calms the viewers as we go through this rollercoaster. Sydney's character gets to the heart of the matter, and with her, we hear Carmy's true thoughts even if he is suffering from a panic attack. There's a serenity with Sydney.
The heart of this scene? Since the main obstacle with Carmy is anxiousness, the show tells us Carmy is beating this obstacle with Sydney, the same silence he felt when he focused on cooking in the past and got away from his family. When he focuses on Sydney, everything else fades away and they've told us this through dialogue, cinematography, and sound.
#I almost forgot- there's a close shot between sydney and carmy in 2x02 pasta at the table- this one is different- there's no contrast#there's this asmr thing- carmy making pasta#syd telling a story and being vulnerable- the close shot helps us focus#does this make sense?#carmy x syd#sydcarmy
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re: him potentially healing from burns, he also sounded weak on the call in 1973, didn't he? That could have been just because he was already subsisting on rats or not eating much, but I wonder....
He did.
Rolin said at some point that they didnât burn Lestat in 1x07 because âyou cannot burn him twiceâ⊠and so far we havenât even seen once.
Which is why I think that may have to do with the memory of the tower scene being a fake one (as I donât buy what weâve been shown there).
#anonymous#ask nalyra#interview with the vampire#iwtv#amc iwtv#amc interview with the vampire#lestat de lioncourt#iwtv s3
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Do you guys think they have explored each other's bodies in the quiet of the night inside their shared cadets cabin with the sound of the sea overpowering the sounds of their jagged breaths and hushed groans or what
One piece live action, 1x07
#there isn't a single straight person in this show#welp maybe Usopp#Usopp is like the token straight on thin ice#one piece#one piece netflix#one piece live action#opla#op koby#koby one piece#helmeppo#kobymeppo
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I have Thoughtsâą.
My perspective of Payneland and Cryland, under the cut because knowing me, this is gonna get long probably.
Before I begin, I wanna leave a little disclaimer and say I am not here with the intention of bashing any ship or any character. I love Charles because he's my favorite and that's that. I love Edwin as well. I think Payneland is fantastic and they really carry the whole show. I love it. I also like Crystal and the struggles she's had, the way she's carried them and survived them. I do have a soft spot for Charles x Crystal. I love them all, just to be clear. Not hear to bash anybody or throw shade...okay let's get to the other stuff.
Okay so I've always been one to pay a LOT of attention to the little details that the writers/directors/actors themselves with acting choices etc put into the portrayal of characters. Whether that's body language or dialogue or whatever.
When I think about what incites me to ship or not ship a pairing, I realize that it's a couple of things.
The chemistry that may or may not be there. It could be a pairing that interacts or does stuff together, and if they get along and it just seems so natural and doable, I can see that. This will usually be me thinking "Oh god, these people are perfect together. Look at the way A is looking at B! It's obvious B is in love with A" or whatever.
The circumstances - They could be two characters that the plot itself is driving together. Maybe star-crossed lovers or A pining for B etc.
And then there's the matter of the emotions/reactions that you can see between said characters. Now this fascinates me.
Taking a look at the Charles/Edwin dynamic and Charles/Crystal. I'm not so much intending to compare the two with the end of saying "this one or this one" when you can say "why not both?" Because frankly I love them both but differently. It's more to look at the relationships and those ideas I mentioned above in respect to these characters.
Charles x Edwin
Historically, they have a LOT more time together, by each other's side for 30+ years after Edwin finds Charles on the brink of death in that attic in 1989. Charles isn't ready to go and refuses to leave Edwin alone. From then on, they never part. As for what happens between their first meeting and when the show begins, I'm not extremely familiar because I haven't read the comics and all I do know is from what I've seen.
You can see that there is deep devotion between the two of them. They will protect each other (even if that's mostly Charles taking the beatings to keep Edwin safe) for sure, that notion is there. Edwin knows he can count on Charles and vice versa. Edwin definitely has feelings that he's struggling with through the season (being honest with himself as to what they are and dealing with the impossibly hard to bear burden of keeping those inside his heart bc he, prior to 1x07, doesn't know how Charles will react to this). Charles, on the other hand, cares very, very much for Edwin and would probably tear the universe apart if that was necessary to make sure that Edwin was alive, safe and sound by the end of the day. I've heard different things, but it seems to me that Charles also has these feelings, but it either didn't occur to him before or he didn't know how to identify or put those into words. That's perhaps why he said 'I can't say that I'm in love with you back' not 'I don't love you' or 'I'm not in love with you'. It was definitely NOT a rejection, I don't think so. Anyway, this is thought spilling for another moment.
A particular detail that hasn't left me alone since I saw it pointed out here...the fact that both Charles and Edwin, when they are embraced by other....BOTH of them, in those separate moments lay a hand over their heart. It affects them, they feel something there in the heart. What that is, I have no idea. I really want to know, and it's a delicious left-to-us-to-think-about sort of thing which in a way is much more fun than simply explaining it away with words. But that is contact (which, mind you, in theory, ghosts don't have) they wouldn't, theoretically feel.
And yet. When Charles hugs Edwin, Edwin afterward lays a hand over his heart and reacts as if something happened there, and I'm pretty sure it did. Same for Charles, when he hugs Edwin after they find out they're staying where they are...he feel something there.
Charles x Crystal
I know that this isn't a common ship (at least not nearly as popular as Payneland) and most will look at it from a perspective of "Not possible, he's a ghost, she's a human being. That's going to fall apart at some point". Some would also probably say that it's not something essentially romantic (that's looking at it and saying that what is there isn't love but could be friendship, other third thing whatever). I just want to look at Charles and Crystal as Charles and Crystal and pick apart the stuff we see.
Charles is compassionate, warm and has a big heart. I saw that from the beginning. He's the one who steps up and to Edwin's chagrin, announces that they'd be taking Crystal in until she's recovered. They go off on a walk and he enjoys it, even laughing when she's essentially mocking him, trying to be "mean".
The alley scene
His compassion really just struck a chord with me because of that moment in the alleyway. Now Edwin is upset (and I think he's right to be. Perhaps not in a shouty way but he's a little bit right) because the rhythm he's accustomed to with Charles has been turned on its head with Crystal's arrival. They have a demon to deal with on top of the cases they're working on, inconvenient stuff happens because of the little human being Charles has taken in, despite Edwin's displeasure. (Edwin is dear to me, and I love him. Not trying to bash him in any way...) So he's upset and he snaps, distinctly unhappy with the unnecessary problems the DBDA is met with because of Crystal. Crystal's patience is worn thin (poor girl had a nasty run in with demonic ex-boyfriend only moments before) and she gets mad. She snaps, and walks off. Charles watches her go, and Edwin makes a comment about how Crystal was yelling at "them" but Charles clarifies that it wasn't "them" as in, she wasn't yelling at Charles so much as Edwin. Anyway, all this is besides the point.
My point is that Charles at that point, follows after and listens, attentively, to Crystal relating how she feels that she can't go back to her home, that without her memories, that's how she feels. He looks pensive, considering what to do. What does he do? He wants to show her something. Tells her they need a mirror.
He shows her his parents, there in the mirror, and basically tells her that he relates. He knows what it's like. It just strikes me that he's being a little bit vulnerable here. We later find just how deep that stuff is inside of him, and we even get a little hint of that when he explains that his dad wasn't a very nice person. But he's showing her that he's listening, he knows what she means to a certain degree and just the act of doing that is reaching out, in a way, that's how I take it. His compassion.
The scene outside Jenny's shop
Crystal is shaken from what's just happened, and can't help but remember David and the toxicity of that relationship. Charles is there for her, and as I've said before, I think it's really interesting what he does next. He's sitting beside her on the curb and he just puts an arm around her. This is a comforting gesture, he knows, for her. Can he feel it? Aside from maybe physical pressure, no, not really. He just does it, for her. He doesn't get anything out of that.
The kisses - (or his attempt and her rejection, and the goodbye kiss)
Another point of interest for me was the kisses. It's established, confirmed in the canon by 1x07, I believe, that ghosts can't actually physically feel stuff like touch, a kiss or anything of that ilk. Earlier we see that when Charles tells Edwin he kissed Crystal. Edwin asks whether or not he felt it, and Charles (and this really is something that's been bouncing in my head) points to his temple, and says "...but I felt it here". Emotions? The emotional impact of it, rather than the physical effect it would have on him. Memory? He remembers what it's like to kiss and considers that, but still can't quite feel it.
Then, there's the moment when Crystal wakes up from that nightmare. (Part of me, not going to lie, thought, Charles would never hurt you...I don't understand how he could end up in a dream like that, confused with David the demon, but Crystal's trying to sort herself out). Charles goes in to talk to her, and the first thing he does is lean in as though to kiss her. Again, he's not gonna get anything out of that. It seemed to me like simple affection he wanted to show her, because we know he damn well won't feel anything. Not really. She pulls away because that nightmare really shook her and she's just not ready to pursue anything. (Which was good writing on the part of the show, it's realistic.) Just caught my attention that that had crossed Charles' mind to do that.
And then, the goodbye kiss.
Now this is more of a question from me. Why?
We see clearly that Charles isn't happy to see her go. He cares about her. She's his friend, he just doesn't want her to leave. Like 'he grabs her bags and holds them out of her reach "Nope you're not going"' doesn't want her to go. To his question of "Why does this feel like a goodbye goodbye and not a 'see you in London' goodbye?" she answers with a kiss. Doesn't say anything, just kisses him.
He looks a little confused, uncertain, trying-to-solve-a-puzzle about it. Which I think was an interesting (but not out of character) response to that, because he wouldn't have been able to feel it. But that begs the question, what exactly is it in his head that he does feel...
My final thoughts: I think Charles and Crystal are cute. According to show canon, no, it just can't happen on a logical level, according to where she is in trying to step back into her life and discover herself, and just the fact that he's a ghost. It wouldn't work. As friends, I think it's something sweet and I also think that the affection there is something real, something that they both need. And the characters as well. Affection, love and understanding are things all human beings need, and it's a lovely thing to see that given and received among all of our loved characters.
In the scope of fanfiction and the free creativity there, I'm open to possibilities because of the existence of AUs, different times, different places.
I certainly don't think that there's anything toxic to this relationship, but that's just me.
If you came to the end of this, bless you. Thank you for coming to my Ted talk.
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i hope no one minds if i inconsistently liveblog this bitch: doctor who season one from 1x04
1x04
HELLO??
A WHOLE YEAR???
shit
âyouâre 900 years old?â âyeah.â âmy mum was right, that is one hell of an age gap.â lmfaooo
âiâm the only person who knows it exists.â spoke too soon
damn, he left her. i wonder if the key he gave her was even real.
it was a pig đ
OH NOOOO
every time they get separated, shit goes off the rails
IS HE GONNA KILL HER MOM?!
1x05
girl, FUCK the emergency protocols
âsorry.â đ
that shit was intense
âmy motherâs cooking.â âgood, put her on a slow heat and let her simmer.â CACKLING
i feel so bad for her mom :(
1x06
this episode really isâŠsomething.
why the fuck is the doctor just offering up all of this information???
he really should have seen this coming
*pretends to be shocked*
their cockiness is gonna get them killed
i never want rose and the doctor to be separated EVER again
âwhat use are emotions if you wonât save the woman that you love?â damn
donât know how i feel about this dude joining them
1x07
âheâs your boyfriend.â ânot anymore.â did i miss something???
somethingâs wrongâŠ
is that guy dead?
i donât trust adam at all
rose is so stupid. i could understand if it was mickey she was trusting but she doesnât even know this man
huh, that was unexpected.
what the actual fuck
1x08
this epâs gonna be so sad
the doctor never shouldâve taken her to that day
âalright, iâll tell him youâre not my boyfriend.â obsessed with her thinking that was the issue đ
not important but jackie looks really good with her hair like that
well. that was heartbreaking.
1x09
sorry, but if a kid wearing a fucking plague mask was repeatedly saying âmummyâ in an eerie voice, i would have turned and walked the other way. r.i.p. to rose but iâm different
what part of âdonât answer it.â is hard to understand? lmao
âexcellent bottom.â gross.
i know i sound like a broken record but what the fuck?!
this is one creepy ass episode
this dude is coming on so strong dkgjgks
âfinally, a professional.â rose, be serious.
âtheyâre not dead.â okay.
girl, what the fuck?
1x10
i canât believe that worked lmfaooo
âthose wouldâve been terrible last words.â đ
âhalf this street thinks your missus must be messing about with mr haverstock, the butcher. but sheâs not, is she? you are.â SCREAMING
âi sent it to its room. this is its room.â
thatâs fucking terrifying
âthe first day i met him, he blew my job up. thatâs practically how he communicates.â pls
âokay, so heâs vanished into thin air. why is it always the great- looking ones who do that?â âiâm making an effort to not be insulted.â âi meanâŠmen.â âokay, thanks, that really helped.â fkfhhgdj
i hate jack for interrupting their dance. IT WAS JUST GETTING GOOD.
âcarry on with whatever you wereâŠdoing.â âwe were talking about dancing.â âit didnât look like talking.â âdidnât feel like dancing.â đ
these episodes are so fucking creepy but theyâre definitely the best of the season
oh my God, heâs her son
THEYâRE DANCING đ„č
1x11
i canât wait for mickeyâs reaction to jack
âtrust me, safest place in the universe.â famous last words
i hope the doctor doesnât trust her
poor mickey
âitâs always the doctor, itâs never me.â buddy you shouldâve known you werenât first choice when she left you in the beginning
sheâs an egg đ
1x12
i almost donât want to press play.
lmao, what the hell
it always comes back to floor 500
oh shit, the doctor cause all of that?
WHAT THE FUCK WHAT THE FUCK
rose canât be dead
THANK GOD
i canât believe the daleks actually survived
1x13
iâm not ready to say goodbye to nine
rose is getting a taste of her own medicine with the doctor and lynda djfjgjs
HE KISSED THEM BOTH đ I LOVE JACK
i can feel my heart breaking
who the fuck is bad wolf if it isnât the daleks???
mickeyâs really getting on my nerves this ep
HELLO
âthereâs nothing left for me here.â ânothing?â âno.â sheâs RUTHLESS đ but honestly he shouldnât be surprised at this point
JACK âčïž
âi am the bad wolf.â BITCH???? WHAT????
i got my kiss but at what cost
OH SHIT THEY LEFT JACK
all i feel is pain
thatâs it??? how am i ever going to move on from eccleston? how the hell are you guys strong enough do this every season? cause iâll tell you how iâm doing: not well, bitch!!
#long post#doctor who lb#doctor who#doctor x rose#ninerose#rose tyler#mickey smith#jackie tyler#jack harkness#rose x nine#nine x rose
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underrated claudia moments?
Soooo many. These are just from the top of my head:
2x01:
-When Louis starts shouting at Dreamstat and Claudia barely looks up, like "Oh Louis is Louis-ying again whatevs". Bonus points when she dumps the bags into his hands afterwards.
-When she's so excited about finding a vamp she doesn't even care that Louis hurts her while setting her shoulder, and jumps up swinging the arm around while stumbling around him still talking. She's so excited and optimistic in this scene in a way we haven't seen since 1x04. I can picture Delainey joyfully narrating in 1x04 while trying to discover as much as she possibly can.
2x02:
-When Louis and Claudia are talking about getting a "hard meal", and we cut to Louis and Claudia walking towards their new flat. In the previous scene she was wearing boots, and in this scene, she's in the exact same outfit but in heels instead, clearly stolen from her "hard meal". I like that in this season she's trying to find a look that works for her and is experimenting, as you can see in her fashion drawings she keeps above her coffin. And I believe this is the only time in the series we see her in heels? (tap dancing shoes don't count). From a Doylist perspective I can understand: they want to keep Claudia looking as small as possible so the actress can still look like a child, but from a Watsonian perspective I think that while Claudia is stylish, she is also practical and realistic. She can't travel, explore, and protect herself as well wearing the form-fitting dresses and heel lengths of the period.
-When she throws down the man in the murder mansion scene and shouts "Yes!" It makes me so happy for some reason :)
2x03: "What do they know about Cincinnati?"
2x04:
-Claudia was openly sarcastic in this episode which was both great and sad. "Birdie looooves the breeze" (I can never watch that awful performance again but I remember that line delivery) There's also "Still dressing your windows for your German tourists?", "Sounds like a line", "Tell me again how Sam licks the stage after every show, and I'll tell you a job I'd rather do", and "Tuan could play the part".
-I hate the scene for how upsetting it is, but when Armand shoves her into the wall you can see her clasping his wrist while numbly looking down before looking up and widening her eyes in shock at the treatment. It's a nice bit of acting from Delainey- like there's this automatic tendency to check out whenever someone puts their hands on her, but her realization that it's coming from Armand of all people, the one she thought herself safe from what with him being with Louis and by I'm guessing not showing any violent behaviour until now. Despite the warnings from Santiago and Sam about Armand, it's still a shock.
2x06:
-The way she just stabbed that girl through the neck into the wall with scissors lol. Almost a nice callback to 1x07 when she stabbed Antoinette through the heart (I think?) into the floor. You team up with awful men as a woman to attack women, you're getting stabbed with a sharp implement.
-Her reading "How to Win Friends" while Madeleine's reading her diaries. Then insecurely looking up from said book to say her younger writing may come off shallow and uninsightful. Claudia she's reading your victim's last words lol.
-"Pull up a chair. Let's start again." The way she says it too how many times has Claudia had to be the grown-up here??
-That look she gives Louis that says a thousand words after he says, "Does it matter? Got the result".
2x07:
I'm not ready to rewatch that episode yet (or ever), but I loved Claudia's manic, disbelieving laugh when Lestat says some bs about her "being an artful predator, just like me". I also loved how she kept glancing at Madeleine every so often during the trial to see how she was doing, and I liked when she put her head on her shoulder after she gave that speech about it never being about her :(
#thanks for the ask! <3#claudia#iwtv#iwtv season 2#interview with the vampire#spark in the dark#asks
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