#the series has existed for a while

[st-hedge]

Sometimes people will say they want a new game within a series but then also say they didn’t like any of the new changes/additions in the existing continuations. U want a remake, not a new game

[hoshizoralone]

reflection

[mobius-m-mobius]

#a man who DESERVES A SLICE OF PIE

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[constellation-sapphic]

Hey I'm fucking tired of people complaining that WL is too different to the other series's. So what. What happened to leaving nice comments on the videos because other people were already being rude to people in the group. I'm sorry that it ain't giving you the narrative drama you seem to think they owe you. It's Minecraft and they're having fun. Fuck off

[todayisafridaynight]

[sparklecarehospital]

Sometimes I wonder how I'm ever gonna be able to work on the other Spinch stories I have, I have so many ideas for things but only so much fixation power

[grapejuicegay]

FAKE TALES OF SAN FRANSISCO

- ARCTIC MONKEYS

[randomnameless]

I seriously hilarious how after a year people are still treating Engage like it burned their spouses and fucked their crops. If they love "moral grayness writing" that much, they have tons of other rpgs with similar themes to play, 8 seasons of Game of Thrones to watch and lots of grimdark fantasy books to read.

Seriously, there's only 3 times (if we want to count 3h that badly) where this franchise has tried to explote more nuanced and complex plots, and those games were the Tellius duology and the Jugdral games. The rest have milquetoast fantasy rpg plots. Why they sticking with FE when it's clearly not the franchise for these kinds remains an enigna.

Mmh,

I wouldn't say GOT's seasons are grim d4rk, imo they're trash in the same vein as the Kadarshians TV show, you're watching it to see how ruined things will be

(c'est quoi l'équivalent US/UK de l'émission "les marseillais"? )

I feel like Martin's books were more in the lines of "deconstruction then reconstruction" of the "traditional" fantasy tropes, with his own choice of depicting very grim and dark things that participate in the "deconstruction" side of his works... even if at times it borders on misery porn and, tbh, misogyny.

Fantasy settings, in general, always have some sort of monarchy and morale of "the good/rightful king returns home and everything is better!" - you can add some twists here and there, but in general, and especially FE, it's that kind of frame. We're not in game where Bob and John feel like Hector charges them too much for the sewer tax, and file a claim to his court to be discharged from paying said tax.

I'm not saying you can't add twists and add some sort of depth to the game, hell the Tales of franchise often tries to add some greater theme to their general "hero with a sword whacks people and is ultimately involved in a greater quest to save the world while eating appel gels", Symphonia tries to tackle racism and how being a victim or racism doesn't give you a pass to create concentration camps to turn people you see as "inferior beings" as fuels/devices to upgrade you and your chosen ones (even if that plot point utterly vanished when the MC goes "i wish we could have been friends" which is, uh, I guess where i found Kishimoto's inspiration for Obito I guess), Abyss tackles the existential crisis of clones/people created to be spares, do they have the right to exist beyond the purpose of their original creation or not? - etc etc.

Funny how you mention Tellius, because IMO, Tellius is even more shaky/wonky than Fodlan (or at least it's a serious competition) with its general message of "racism BaD but miscegenation BaD too" which is, uh... well.

That leaves Jugdral with all of the stuff it wanted to convey - and managed to do while being a SNES duology (I think?) - and yet Jugdral is, at its core, a story of "rightful heir returns to his throne" with some emphasis, especially in FE5, on what "rightful" means but the premise is the same, it's not Dalshin who's going to become the Lord of New Thracia, it's Leif because Leif is Quan'n'Ethlyn's son : his journey in FE5 is all about learning to become a good leader/king.

Back to your post, if people want a game where you "smash the patriarchy" and bring "the revolution"... well, the FE series is not (or wasn't, who knows how it will turn out to be in the near future) for you.

[samarecharm]

geniunely not trying to put words in ur mouth im geniunely asking: what do you actually like about persona 5? from all ur rants im just wondering why you didnt drop the game bc it seems (again, im not trying to put words in ur mouth) that it simply not for you? i geniunely have not felt any of the issues you bring up outside of the writing ones and i cannot tell if i'm just easily pleased and not good at discerning what a good game is or we simply have dif things we enjoy in a video game. i hate getting tone across text but im asking out of geniune curiosity im not trying to attack your opinion (;-;)

Nah, i dont feel like ur attacking me, and I hope u dont feel the same when u see my complaints! Lmao. In my defense, I am replaying the game for the first time after completing my first file back in 2020, so alot of the faults i kinda shrugged off in my first playthrough are now glaringly in my face now that I no longer have the confusion and interest in learning the main story to keep me occupied. The game is clunky all the way through, and at some times, even frustratingly so.

But despite that, i do like this game. Alot! Its probably one of my top games ever if im being honest!

This ended up way longer than I intended, so im putting it under a readmore to keep the post short on dashboards

If i had to describe what I liked about the game in the simplest way imaginable…I think I would say, I like how the game makes me feel :) I like the music. I like the vibe. I like the immersion from city to city, and I like the premise! I like the characters and I like the connections you make with these characters! As im replaying this game, i am most excited to see Akira and his comments about the world :) i like hearing everyones voices, I like their little interactions in Mementos, and I like seeing them fight!

P5 is the first game I played in the series; its the game that introduced me to SMT in the first place! And it (smt) is a series that my longtime best friend LOVES and never thought hed be able to share with me! It is a game i keep very near to my heart; it has influenced me in ways i did not think would happen in the short couple of years since i first finished it. It genuinely keeps me awake some nights thinking about the world this game has created, and I think that is a testament to the impact its had, be it good or bad.

The joke about wishing theyd make a persona game that was Good is that despite all of its numerous flaws, the games manage to snatch your attention and pull you in anyway. Imagine if they made a game that had all of those things that i mentioned I loved, but done Right and executed Properly?? Where I got to have a story that made sense and didnt need to be spoonfed to me (in like an HOUR of dialogue and scenes; an HOUR!), and characters that talked and bonded beyond the tiny snippets of interaction theyre allowed to have in mementos? Combat that let me use PERSONAS i liked instead of BUILDS that stop me from getting instakilled throughout the entirety of the endgame, and a Persona building mechanic that didnt feel like I was shooting in the dark looking for possible fusions that end up not even being useful in the endgame.

Ive mentioned it before, but I complain so much bc I have seen what a good p5 game looks like, and its Strikers almost to a T. Combat is still your typical warriors-esque style combat, but it is at least different from the turn based strategy of the main game. Characters talk to each other freely, they hang out and comfort each other in a way that feels more connected that the base game. Strikers implements the ability to see ALL possible fusions with ALL registered personas, not just the ones in your Stock, so you can fuse easily without having yo consult a guide. The story feels like it makes SENSE with antagonists that feel morally grey and sympathetic. Genuinely, alot of the complaints for p5 I had were almost immediately rectified in this game.

But please also know that the praises I sing for this game is only bc of the groundwork laid by p5 and the world it created. Thats what I like about this game, that it had such a captivating premise and cast of characters, that a DIFFERENT company was able to hit the ground running with them. P5 had alot happening in that game, but i think what it had most was potential. The effort put into this game is astronomical, and the possible connections you can outright MISS if u arent paying attention was worth the money and time to implement; even if it meant that it could be considered a waste of resources to higher ups.

Books and games and part time jobs???!! Silly little cutscenes that add nothing to the game PLOTwise, but define and flesh out the personality of your protagonist. There was alot of love put into this game, and its evident by the fact that we have NOT seen a new persona game released; they bank on existing titles bc they are unwilling to make a game like this from scratch again. They dont want to ‘waste’ resources on good voice acting and a complex, overarching story; they dont want to waste money on scenes a player may never see, on routes a player may never get to experience. Making a game that gives u even the slightest bit of freedom means more money in programming and detailing that freedom. This has been an issue for a WHILE, and its a miracle that the gaming landscape had space for a colossal title like p5!

I complain bc I want better, and I do not think that is inherently at odds with my love of this game. In b4 im told to get good; ive played on hard and tested out merciless (its NOT fun, im making godbuilds again and its boring 😞). Its not the most accessible turnbased rpg; theres no colorblind modes, and the affinity system is convoluted and overwhelming. Combo moves are hard to keep track of and it can be incredibly frustrating to see your turns being skipped or seeing characters take extreme technical damage without understanding WHY it happened. The fact that they KNEW the game was desperate for qol improvements by the time royal came out, and instead of updating the base game to have those improvements too, they just pushed the royal edition out for people to play instead. It sucks! Customers and fans deserve better than being forced to shell out money for a game they already played !

As the gaming climate gets more and more hostile and unbearable, I think it is good to look at your games critically, and understand why products come out subpar. Persona 5 is a fun game that has a nice cast and an interesting premise, but it is ultimately tied down by its refusal to build on existing building blocks regarding its combat, and it insists on having insulting and downright out of character dialogue and scenes to appease the audience its designed to be targeted to. It is easy to forget sometimes that queer ppl are infact NOT the prime target of these games, its cishet gamer bros from aged 16 to 40 who will laugh at homophobic comments, who drool over a 16 yr old girl with a 16 yr old mindset and a grown womans body, who need to be placated with constant sexual comments to deal with a convoluted story that will inevitably make zero sense until its laid out for you before the literal end of the game.

Its bad. Its good. Its so shallow and its unbelievable that they thought having the plot twist make ZERO sense until they showed CUTSCENES of YOUR character discussing Goro and his connections to the metaverse for endgame SHOCK VALUE was more important than just having your team be smart and piece it together over time. Its shit. Its literally amazing. It let you FUCK your teacher ??????????????what the FUCK. They also let me shoot a god in the face w the best looking ult persona in the world so i can ignore that shit. And ultimately that is how i got through the game. Lol.

[if-loki-was-a-fox]

The one thing about thinking about the clockers is that I don't think they work quite as well as a literal based in concrete canon and every thing that brings with it, so much as they're like. Two steps back looking at the big picture (themes and allegory or something ig. Or an AU almost. Or a story being told inside the story)

Because to an extent I don't think clockers works as well when you try to put them in with everything that happened before Limited Life, unless you see Clockers not as a literal family unit but rather a sort of... Not found family, but constructed family? Like a story they've made up for themselves as an odd round about way to cope with the Death Games.

And this would apply to and explain other relationships that pop up too, like jokes about marriage and divorce. Like Bdubs and Etho in Last Life. Because maybe it's just a bit easier to understand a divorce than it is to understand the world tearing you apart from your closest friend and demanding that you kill or be killed, and it would be so much easier if you were being separated because you were mad at each other, and it was your choice, and you could pretend you have some modicum of control over the situation

So then the clockers, the flower husbands, divorce duo, the ahasbands, would all just be constructed relationships to fill missing holes, to explain their actions and events around them, and to bring some sense of familiarity and stability to this chaos

[trees-to-meet-you]

Btw I’m actually a little behind on the pjo series so I’m only on like. Episode 5. But I’m getting to the end of it and I just wanna say I love Annabeth so much I love her and I love Leah Sava Jeffries they’re both incredible

[just-an-enby-lemon]

I'm having sad thoughts about Jacques again. About how he only seems like someone who has things figured out and is put together because we are seing him by very biased lens.

We are seing him by Lemony's eyes. The eyes of a man who idolized his older brother, who wanted to be like him. The eyes of someone who tends to either be extremely judgy or see everyone as better than himself and idealize them (often both at the same time).

We are in a different level seing him by the eyes of the Baudelraies. But they know little of Jacques and what they know is mostly that this is a man their parents knew, that promises answers and more important an adult that for the first time looks at Olaf in disguize and sees Olaf. Their view is biased at best.

We are also seing him by Quingleys eyes. But for Quingley Jacques was the man who found him lost in a tunnel alone and confused, griving and in danger and gave him something. That gave him some answers and food and a place to stay even if it was the abandoned house of one of his dead friends.

And even by everyone else Jacques is a Snicket, the Snickets are very competent and mostly loyal but also a bit weird. And Jacques is all that. But in comparrison to his sibblings? He has his life put together.

That's to say that Jacques is likely tired, overworked, traumatized and failing apart. But he can keep himself suave, well-read, well-dressed and calculating. He isn't taking obvious risky behavior like Kit. And he certainly isn't just a blurried bunch of trauma in a fedora like Lemony. So he appears to be someone that is fine. And that we shoudn't worry about.

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[thereareeyesinsidethetrees]

ae recently learned that it’s likely that the impact of the meteor itself is not what wiped out the dinosaurs, but rather the meteor essentially disintegrating immediately and polluting the air that killed them

[girlfailurefelix]

i’m so glad we’ve started to open up to the possibility that the MCI is pre-CC bite cuz i’ve been thinking this for a while (yeah kid can be traumatized by his brother being a dick, but still) and while i know no one likes to 1:1 everything, it was really solidified as a concept for me w vanessa’s thing in the movie considering i’m pretty sure the MCI kids are CC’s age so that would be a very intriguing parallel. like william doesn’t need a “good” motive, he can just be awful.