#the reboot AND the original are about as good as each other so i can watch either one and stay hapoy

[glitch-the-rat-daily]

21) donnie mardo ft. sticks

[absolutelynotsanebaby]

So I sat down the other day and went through the crane wives albums and some other songs to assign to Ninjago characters and I've finally sat down and decided to write the post out. The content are going to be under cut because this post will certainly be too long. I'm going to go album by album here starting with Coyote Stories and ending Here I Am: From The Listening Room.

(any and all "(X)" are simply links to the songs <3)

okay, here we go!

Coyote Stories

Keep You Safe: in some ways, I like to interpret part of this song as relating to Nya's perfectionism, especially within Possession. The bridge especially and lines "What if the steps I take turn out to be mistakes? How can someone like me learn to say "come what may"?" (X)

Allies or Enemies: this is Jay and Cole to me from Rebooted to ToE. Specifically, from Cole's perspective. The song has a lot of regret and bitterness in it that I just think fits so well. The first verse and second verse ("you owe me ears from dropping eaves"), and the bridge are all so clear to me. The bridge, "what happens now? do we have another go (oh) do we bow out and take our separate roads, I'll admit I've had my doubts (oh) but I want to be let in not out (oh) I want to be let in now out", reads to me like Cole's sudden giving in and desperation in their match in ToE. (X)

Hard Sell: this one's a little loser but it reminds me of Lloyd struggles to keep himself strong and straight with everything that gets thrown at him, all the stress. To be The Green Ninja (X).

Little Soldiers: Young Garmadon and Wu, I think. It's their doomed brotherhood, the way they loved each other clearly as impulsive youth ("on the broken backs of all the words we spared, like little soldiers in the trenches, it was a march we made through ruin and despair but we held hands all the while") but ultimately Wu couldn't keep his brother. The bridge reminds me of the war. (X)

Metaphor: Harumi, obviously. There's really no debate, it's her fake mask as the Jade Princess, it's her relationship to Lloyd even. "I've gotten good at leaning on metaphors, I've gotten good at leaning on someone else's page, I cut my teeth on second hand sentiments, you can't trust a single thing I say" -> princess era. It's a sweetly bitter song, chalk full of implications of trauma. The line "but I always dig up bones in your sympathy, I can't trust a single thing you say" is relevant to her relationship with Lloyd, I feel. (X)

Of Everlong: This is a lovely and very soulful song, short and sweet. It's reminiscent of Pixane, to me, specifically from Pixal's perspective. There's a certain connectiveness in being in someone's head. "and if my lover will not hear it take my voice and take my spirit leave weakened and dig my hole only my lover not I can keep my soul" vs "I do not know if there is anything after this life for beings such as you or I, but if there is, I will find you there. Goodbye my Zane." (X)

New Discovery: Fairly simple and not to deep, but this is a Misako song. Adventurer and explorer, and all (X).

The Moon Will Sing: I want to preface two things, A) this interpretation is very much looser and a little less connected t the full original meaning of the song and a little more based in reworking it to fit the characters and B) Wu haters will be stabbed by my mighty and large sword. This is Morro and Wu, on a level. "I shine only with the light you gave me", the light here i the green ninja prophecy,something Morro latched onto to prove his wroth, who is, who is to Wu. The entire song as an air of bitter grief I think fit's Morro and Wu's story. Morro could've grown up and been something more than a half baked angry ghost chasing a dream from 40 years ago, but he wasn't, "I could've been anyone, anyone." (X) (X) (<- an extra link to the demo of the song!! I find it rather lovely)

(Extra note on The Moon Will Sing, I could also see this being a song about Zane/The Ice Emperor and Vex.)

Rockslide: this is about to be very unsurprising, I associate this with Cole! There's obviously the title but generally I think the energy of the song is very Cole-like, in the fun sense. There's also the lines about feeling the "quakin honey I feel it deep" which is rather self explanatory. (X)

The Hand That Feeds: I'm shaky on this one simply because I don't remember or know her character very well, but Akita. Has a lot of mention of wolves and is a very angry song against systemic oppression (though, in the song it's anti-capitalism lol). (X)

Sleeping Giants: another Cole song, mostly based on the presence of mountains, and the 'calling' aspect of the song. I also tend to associate songs with strong drums like in this with Cole (like Drumming Song by Florence and the machine) (X).

Never Love An Anchor: I've seen this song go around actually, mostly with Misako. Which, I agree with! However, I consider it a dual song with her and Garmadon. Specifically, their season one selves. It's Misako leaving Lloyd at that boarding school, it's Garmadon being so absent even though he so clearly loves his son (and despite his evilness, he doesn't seem to wish Lloyd to follow in his footsteps). The first verse really resonates with me as being Misako, clumsy hands and trying her best, and all. The last verse however, is Garmadon ("I am selfish I am broken I am cruel") and so is the line "With this heart of mine that's guilty not remorseful." If you haven't heard this song, I truly, truly recommend it, it's gut wrenching imo. (X)

Okay! We've reached the end of Coyote Stories. That's 11/12 songs out of the albums, the best ratio we have on this listing I believe. Moving onto Foxlore now!

Foxlore:

Nothing At All: when I was looking at this song, trying to decide who to apply it to, I ended up getting kind of emotional. It's Zane, post Ice Emperor specifically. In his self-dehumanization. I'm just going to list out the lyrics that made me incredibly sad lol. "Happy is the man who wants for nothing happy is the lair happiness itself is desire", "heart broken men long to feel nothing to free themselves from strife handle pain, pain doesn't define a man it sure lends an hand getting measured in the sweeter parts of life". (X)

Down The River: Lloyd, post Garmadon revival and Crystallized. All his bitter feeling towards his father, and the angry abandonment issues. The first verse ("I've been wishig that you'd prove me wrong, that you'd come clean and rue the damage done, restore my faith in you, but you've got no reaosn to") and fifth ("Now, tell me, when you start again where will you house your skeletons? Or will they stay behind? Your settlement in kind?") especially. (X)

Can't Go Back: Zane, post Ice Emperor, again. It's that guilt man, I don't really have more to explain but know it makes me Sad. (X)

Turn Out The Lights: Jay, this is mostly about an anxiety head-canon lol, considering the song is about a racing mind. (X)

Ribs: this song is so Nya it hurts. It pretty strongly connects to her arc over the seasons about self independence, identity, and misogyny. It's her finding her place as who she is, and taking back things as her own ("It is mine, it is mine). Verse three I like to connect to her element being of Wojira's and how that is so symbolic of her place in the team (and why she reflect Morro so well in a lot of ways but I won't get into that), "time has changed the metaphor, now, dust is not the orgin of bone, little girl don't let them sell you any armor all your ribs are still your own". There's also the main chorus, which, god I got sad when I looked at it from the angle of Seabound. "The dark doesn't frighten me I chose to close my eyes, it is mine, it is mine, the night doesn't frighten me I chose to let it thrive, it is mine, it is mine." (X)

Not The Ghost: perhaps a little literal but, Cole in his Day Of The Departed era. Though, it connects to his feelings at the time more than his literal ghost-hood. It pretty strongly captures the depression, low self esteem, and growing urgency (around the Latter half of the song). You could also read some of the lyrics as paralleling the events of DOTD itself. (X)

And that's it for Foxlore, that is...6/10 I think, so not the worst either. Fun fact, this next section is my favorite album as a whole :)!

The Fool In Her Wedding Gown:

Icarus: now who else would this be about if not the doomed siblings of the series? Of course it's Wu and Garmadon. I think of this pretty strongly as paralleling their 'adventures' as young children, and then the war. "Oh my brother, oh my brother, oh my brother, who have you become in the wake of all that's happened here", yeah. The entire energy of the song has that weird sad, yet hopeful regret Wu seems to carry around with him in regards to Garmadon, it's a very loving song. (X)

Fangs: Nya, the entire song carries the desperate anger she has, the longing for independence and strength. It's bitter too, in a way that reminds me of her from Rebooted to Skybound. "I am not your highness, a damsel left helpless by fright, I am a lioness, fierce as I walk through the night", "a man will never know his bride"...and well, she was a bride once, wasn't she? (X)

That's it for TFIHWG actually, I know, sad sad ratio but I am also not suprised because a lot of the songs on this album are rather specific.

Safe Ship, Harbored:

New Colors: this one is really simple, Lloyd, and only because it reminds me about how consistently stressed he is lol. (X)

The Crooked, The Cradle: This is a Morro song, to me. The idea of were you doomed from the start (the cradle), or was this purely because of the choices you made? The line "can anyone hear me? The crooked are smiling, they know me the best" strongly reminds me of him and the Preeminent. (X)

(Additionally, this came to me as i was writing this section but I could also see this song being Garmadon coded.)

Caleb Trask: Oni Lloyd! The entire song is about the concept of having 'bad in your blood' and how you simply have to embrace it. That you cannot let it chain you, that love will bring you back. Reminds me of him. (X)

I Ain't Done: if you look at this from a purely conceptual level and energy wise, this song is very Morro. It's got his vengeful, jealous and vicious return from the dead to wreck havoc vibes lol, the lyrics in a literaly sense, however, do not fit. (X)

We're nearing the end now! kind of! 4/12 ratio.

Here I Am: Live From The Listening Room:

High Horse: Jaya, actually. From Rebooted to Skybound, from Nya's pov. Mostly, I connect it to that weird, unhealthy desperation Jay had for Nya and Nya's desire to be free of it, her own self. "You're a sweet heart, you're a curse, you're a passing grade on a low, low bar, you've got your eyes open, I know your worth, but I've got so many things in my hungry, hungry heart", sums it up pretty well. (X)

Here I Am: This one's Cole, but it's a bit of a mixture on why. First up, it's again DOTD era Cole with all his being forgotten angst and anxiety. Secondly, and maybe more painfully, it really reminds me of his and Lou's relationship early on. Neglected child core, and all that ("I promised myself I'd learn to be the one who leaves, with no more roots to tie me down, it's just a different kind of lonely"). The last verse is strongly reminiscent of his pure stubbornness, too. (X)

Queen Of Nothing: Solidly Harumi, a lot on vibes and mood. It's got a dark, sort of unsatisfied sound to it. The chorus screams her , "Isn't this what you wanted? Time sure feels like it's running out, just finish what you started, queen of nothing wearing such a heavy crown." (X)

Sowing Seeds: this one's a bit more general, it reminds me of Possession, the season. It's also a very moody song, having a tired, haunted sort of energy. It also fits nicely into the theme of consequences in Possession. The first verse ("still as a lake long after the wind is gone, in the face of a thief mashing ground to mud, still as a street long after the work is done, as he gnashes his teeth, as he cuts it up, cuts it up") heavily reminds me of Morro. (X)

Hollow Moon: fairly simple, Hollow Moon reminds me of Cole's fear on DOTD. It's got that spooky and paranoid sort of energy. (X)

The Wolf: this both a Harumi and Morro, bearing that bitter, self destructive energy. (X)

Now, that concludes all the albums thus far, and I know I sad we'd leave off on HIA:LFTLR, however, I am a lair. There's a couple songs that aren't on albums that's be a shame not to mention.

Margaret: this is Misako, in her loss of her husband, and her trails to find a way to fix things. "She's breaking her knuckles on truths that keep her awake, and she's tired but her jaw is set, she won't lose any more of the heart she still has left, so she says a prayer pulls the covers near and waits, Margaret won't sleep tonight." Lovely song. (X)

Scars: this is a newly released song! I believe it connects back to Never Love An Anchor, and as such, it fits Lloyd very well. Specifically in relation to Garmadon, post revival. It so so fits all that anger in him at his dad ("cause I was born with a whole in my heart, yeah, we were fucked from the start, tell me it's inevitable I'd end up with scars from falling down, down, we were always meant to fall apart"). (X) (X) (<- the second is a live audio recording that is personally my favorite!)

Okay, no we're done! Anyways, if you read all the way down here I hope any of this made sense. This is a little bit of a love letter to The Crane Wives and Ninjago, I spent hours doing this lol. If you haven't heard any or some of these songs, please do listen to them!! Every song mentioned should have an accompanying link. Anyways, time to end this stupidly long post, please share if you have any thoughts or connect songs differently!!!!!!!!

[expired-blueberries]

still thinking about bevin and how insanely good it is and how much POTENTIAL it has and how practically nobody ships it. it literally has something in EVERY SERIES.

in original series, ben and kevin almost immediately befriended each other. this is notable because ben, as we know, canonically doesnt seem to have *any* friends before the road trip, and we can assume that kevin doesnt have any either. even after they stop being friends, ben CONSTANTLY and CONSISTENTLY tries to help kevin and CONTINUES giving him chances to get help and get better, even at his own detriment and sometimes the detriment of his family. even outside of these chances, we can see how ben's inability to protect and save kevin affects him through the rest of the series and the way he treats people.

in alien force, especially in seasons one and two, ben ALMOST IMMEDIATELY trusts and befriends kevin, despite the fact that he, perhaps more than literally anybody else that we know of, has the most reason not to do so. he is even constantly reiterating the fact that hes friends with kevin and that kevin is important to him. hell, in the VERY FIRST EPISODE, kevin punches a hole in ben (as swampfire)s stomach, and ben STILL befriends him. and kevin BEFRIENDS HIM BACK!!!!!!! kevin literally joins the tennyson team practically MINUTES after reuniting with them. HE LITERALLY LET VULKANNUS TURN HIM INTO A LIVING TADENITE STATUE JUST SO THAT HE COULD GET THE HOLO FOR BEN!!!!!!!!!

ultimate alien is a mixed bag, i wont even try to argue that. but what we do know is that prior to the ultimate kevin arc, it was KEVINS turn to reiterate how much ben means to him. they have MULTIPLE CONVERSATIONS about it!!! and kevin RISKED HIS LIFE (again!!!) during the ultimate sacrifice just to get ben help when he was trapped in the omnitrix with the ultimates!!! and even AFTER THE ULTIMATE ARC, kevin and ben wordlessly walked off into the sunset TOGETHER. not kevin and gwen. not even kevin, gwen, and ben. it was just the two of them.

in omniverse, there was LITERALLY THE ROOTERS ARC. 12 year old kevin who carried around a picture of ben all the time. from hedorium to eternity, where even when ben and kevin were butting heads the entire time, ben was the first one to jump into action to try and save kevin. ben trusting kevin during the entirety of the rooters arc, from the second he went to warn kevin about the rooters, to he and kevin fighting in the hallway, ben never once gave up on kevin.

even in reboot, when ben and kevin are, again some of each others only friends. its in the way that kevin genuinely seems to think theyre best friends even from the moment we meet them, despite knowing that ben doesnt feel the same way. its in the way ben and kevin eventually end up fighting seemingly out of habit before they just go off to play and have fun and just be kids together. its in the way that kevin and ben always had each others backs when they needed it. its in the way that kevins obsession with ben reads more like a crush he doesnt know how to handle than in a frenemy relationship. its in the way that ben looks out for kevin even when hes told he shouldnt.

LIKE I JUST!!!!!!!! im not going to bash on other ships. i am NOT going to bash on other ships. but i just dont understand how it is that more people dont ship them.

[polygonal-trees]

Welcome new Transformers fans!

You might have seen this Don't Make Me Tap The Sign meme floating around. Transformers One has been out for a little while now so I want to expand on it as well as some other TF fandom things.

What does "Transformers doesn't have a set canon" actually mean?

Essentially, every new Transformers story is a reboot. They might draw from or expand on concepts from previous iterations but canonically each continuity family is separate. This means all lore is extremely flexible - origin stories, relationships, even personalities can change wildly between iterations and while some may be better or worse than others, they are all equally canon.

For example: Orion Pax was a dock worker in G1, an archivist in Prime, and a miner in TF One. None of these contradict each other.

Continuities also tend to share ideas without being directly connected. For example Transformers One draws from Transformers Prime in multiple ways (e.g. it features Airachnid) but it is not a prequel to Prime and in fact directly contradicts it. Yes I know there's a guy on xitter claiming tfone is a prequel to the Bay movies but he's wrong.

What is a continuity family?

Most storylines include tie-in novels, comics, video games, and other shows that all share the same canon.

The Aligned Continuity is the most well known. It consists of Transformers Prime, Rescue Bots, Rescue Bots Academy, Robots in Disguise 2015, multiple video games, and some tie-in novels and comics. They are all ostensibly set in the same canon... except the Aligned Continuity is inconsistent so even its lore is loose :')

My point is that while every continuity is separate, some shows are connected.

(Sorry if this is confusing. It is confusing. You get used to it)

What about fanon?

The Transformers franchise is old enough that a lot of fanon has become so pervasive it exists in a sort of nebulous space where it feels like it could be canon or at least become canon once enough fans are working for Hasbro but essentially: oh boy is there a lot of fanon

For example: seeker trines, doorwing speak, the Unicron Singularity and all forms of robot sex (sorry) are fanon, but they appear so often in fanworks that it's easy to get confused (I know I do!)

It's safest to assume something isn't canon unless you've seen it in a show (and even then, it may only be canon to that particular show)

Can I mix-and-match in my own fanworks?

Absolutely! It's very common for creators to set a story in one continuity but transplant a character from another, or use a different backstory, or borrow whole plot points from different canons. Chop up that lore and make a delicious continuity soup.

So why is this important?

It is very, very, very, very, very frustrating to be "corrected" about something that isn't relevant, or to see someone critisize a show based on lore that doesn't apply, or to have a character be called OOC when they're not, etc. I think a lot of fandom slapfights could be avoided if more people understood how loose Transformers canon actually is. Do what you want with your own creations but please be mindful when it comes to interacting with other people's.

This is A Lot

You don't have to know everything about Transformers to be in the fandom and have a good time - if you're only interested in TF One that is perfectly alright, you don't need to watch every show and read every comic and play every game to be considered a fan of something.

But if you want to find out more I recommend checking out the TFWiki - it isn't perfect but it gives a good rundown of most general lore as well as details about specific shows.

That's it from me. I hope this is helpful! It's the sort of thing I would have liked to read when I first joined the fandom haha

[tobiasdrake]

Watching episode 2 of Ranma reboot and it remains like a blast from the past.

Gonna be posting spoilers and screencaps to talk about it, so all of that's after the jump.

I'm sorry that I didn't appreciate the slapstick of the original manga because Rumiko Takahashi is kind of brilliant at it.

This gag sets you up to think Akane's about to hit him for yelling misogyny at her early in the morning, but then out of absolutely nowhere his fucking dad erupts from the aether and clocks him for it instead.

That's fantastic. It uses the familiar language not just of Ranma and Akane's established dynamic but of tsundere romances in general to set the gag up, and then hits it with a startling and unexpected swerve that still pays it off but in a way the audience didn't see coming.

Speaking of Genma, bits like this:

Ranma defeats Genma using the "Look, a distraction!" technique and it's funny because he won with what most martial arts anime would consider a cowardly tactic.

But it's funnier when you know the actual art he practices, 無差別格闘流 musabetsu kakutou-ryuu. Separately translated as either "Anything Goes Style of Martial Arts" or "Indiscriminate Grappling". The latter of which is hilariously specific, as 格闘 kakutou can mean wrestling or grappling but simply refers to weaponless styles of hand-to-hand fighting.

He's a fisticuffs brawler by trade, contrasting the various adversaries he faces throughout the series who are mostly tool- or weapon-based fighters, to varying degrees of esoteric oddity.

But what makes this so funny in hindsight is the "indiscriminate" part. Ranma's martial art is built around the idea that there are no rules and whatever gets you to the finish line is fine. This distraction isn't Ranma being cowardly; It's actually part of his martial art. This is how he was trained to fight. XD

You know, I actually forgot that Dr. Tofu... existed.

But setting that aside, once I remembered who this guy is, I forgot that he's implied to be an exceptionally talented martial artist. Capable of masking his presence so thoroughly that even Ranma can't detect his movements.

That's really interesting. To my recollection, Dr. Tofu never has a single fight in the entire series. Instead, his expertise simply serves as an explanation for his familiarity with all the wild and bizarre mystical maladies that come his way.

It lets him be like, "Oh yeah, the reason you're deathly ill is because someone hit you with the 5,000 year old forbidden Chinese Slow Death Syphilitic Pressure Point technique. Here, let me apply the three-step acupressure reversal technique that was lost to history."

But now I.

I kinda.

Want to see him fight.

(Has this dude been like the DBZA Popo of Ranma 1/2 this entire time?)

HAHAHAHAHAHAHAHA She clocks him with the water kettle to make him respectfully bow.

I did not have the cultural context to understand that joke when I was young.

Rumiko Takahashi is so good at slapstick.

Yeah, okay, I don't remember half of what I said about Akane when I was young but I recant all of it. She is so fucking cool.

Imagine if you had to do this every single morning. Every morning. No exception. Just to get to school. At sixteen.

And keep in mind that this is sexualized violence. These guys are trying to overpower her because they think she'll have to be their girlfriend if they beat her up. Every single one of them is sexually harassing her. With violence.

Fuck this entire situation, y'all. I hope she gives them all life-ruining physical injuries that ruin their ability to get scouted as professional athletes at this critical age and turn them into bitter and misanthropic thirty-somethings whining on the couch about how they peaked in high school.

That's probably not how it actually works in Japan. My American is showing. But nonetheless!

She said "Kuno-senpai". She addresses him formally using his last name because that's a normal thing to do in Japan.

Subtitles, why are you changing the way characters speak to each other? The show is released with a dub and a sub alongside one another. If people are choosing to watching the sub, they don't need you to hold their hand and Americanize it for them.

She correctly calls him Kuno in the dub here. The dub is more accurate than the sub about this line. Don't. Do that.

This guy is such a dweeb he makes Jou-senpai look cool. They nailed Kuno, King Dipshit of the Jackass Mountain Akane has to climb each morning.

This is the guy who came up with the whole "Whoever beats the shit out of Akane may claim her as their trophy" thing. He probably watches Andrew Tate videos and writes internet screeds asking why women don't respect his authority and strength. Fuck this guy.

Seriously. He just. Said this. About some girl in another class. And the boys in the school were all like, "Oh, yeah, that sounds reasonable. First one to break her leg gets the girl! Thanks for showing me the best way to express my masculinity, bruh!"

A wacky setup for Akane's personal background but also a chillingly accurate metaphor for how the Manosphere functions.

For his part, it's pretty clear that what Kuno is attracted to is martial strength. He becomes interested in the "Mystery Girl" that appeared after Ranma "fled" pretty much right after she beats his ass.

He's kind of an interesting parallel to Shampoo in that regard. I never really thought of that before, but both of their interests are predicated on how strong Ranma is.

He also makes for an interesting dynamic for Ranma, from a gender perspective. Ranma's curse and the constant menace of Kuno forces Ranma to endure firsthand the kind of harassment that Akane has to undergo in her day-to-day life.

Of course, this being Ranma 1/2, Ranma's going to be getting that from both genders throughout the series. Rumiko Takahashi created a harem dodecahedron for her story, with Ranma and Akane being beset not just by rival suitors but also by rival suitors for their rival suitors trying to kill them and win the rival suitors' love.

Kuno's just one of the crowd.

But it was nonetheless an interesting choice to give Ranma a toxic male harasser as one of his suitors, that speaks to the interesting gender dynamics at play in the series.

One last thing. Something I really love about Ranma 1/2 is the way it uniquely changes the experience of just. Being around water. Like, the ever-presence of water especially in an island nation such as Japan is a constant threat.

You really don't think about how much water there is in everyday life until you have a Jusenkyou curse.

[resident-idiot-simp]

Haya everyone Resi here

Disclaimer for my account

You can find me here on TikTok, Instagram, Twitter , and Ao3.

My pronouns are She/Her (above 18) and I am somehow not any form of fruity ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯ (well I might be a bit Aro/Ace but I don't really care)

I apologize beforehand because I cannot type dysgraphia is a bitch (I also use voice to type I am not sorry) and I'm also your local Southerner and Christian (tasteful kind) here in the U.S. of A.

I am riddled with the ADHD and I am here to commit arson and have fun.

I love answering asks and questions (especially about my fics) so please shoot me any you have 🩷🩷🩷

Tags on my blog:

#Resi Responds #Resi's breakdowns

#Resi's shorts #Resi's Life

#wendi!verse #Deer!Ghost

#walks up to mic #09 angst

#Deadclaw's Adoption Agency

#Pokémon au

Most current hyper fixation:

🧼Mw💀 & ❤️Dp&W💛

My fics :

DP&W

(how I picture the characters)

Deadclaw’s Adoption Agency- Wade and Logan end up adopting an army of misfits and create a home for those without one.

Meeting the Uncle- What happens when Laura runs into Sabretooth in the void?

What Comes Around Goes Around- The X-Men don't know how to feel about this new logan and have some horrible realizations about their own

Bloodline Spite- Laura doesn't like the X-men because of how they treated Logan

The Spider and The Mini Wolverine- Peter befriends Laura and the Avengers are in for a shock

Past Ghosts- Steve meets a man he thought long dead

What is the Deal With Thoes Two?- Students POV on Deadpool and Wolverine

Aftermath and Consequences- The Consequences of the Odyssey Monologue

COD

(Not a fic but the Captain MacTavish essay also characterization)

The Family Reunion- What if Soap's cousin saw him again after years of no contact?

An Outsiders Thoughts- What do others see when observing Soap and Ghost

The Uncle- What if Joseph didn't die and Ghost gets to be an uncle

Comfort- Soap gets overstimulated and Ghost helps comfort him

The Loaned Sergeant- Since Soap is so used to Ghost as his LT how would he work with another Lieutenant?

The Old Team- What happens when Soap meets his old team?

Soap and MacTavish- What if Soap meets Captain MacTavish?

Time Kept Ticking- Soap's Family thinks he's dead, but he comes knocking on their door how will they react?

Your a CAPTAIN?!- What if the original 141 were canon in the same universe as their reboot counterparts and Soap with Ghost were using the task force as a cover for their own team?

Don't Dish Out What You Can't Take- Soap and Ghost have a badass kid

Hunger- Ghost is a wendigo because it fits so well!!

The BAU Meet SoapGhost- The BAU deal with John 'Soap' MacTavish and Simon 'Ghost' Riley

The Prince & his Knight- Soap is a prince Ghost is a knight what will happen when Soap I told to court someone?

I haven't Talked to You Since last Year- Simon keeps making jokes and Soap is NOT having it

The Mistake- What if after Roba Tommy kicks Simon out?

Favored by the Crows- Ghost gains an army of crows

Task Force Try Playing Games With Civilians- The 141 play laser tag and paintball with some civilians

What People Around and On Base See- MORE POVS ON YOUR FAVORITE IDIOTS

Alone Time Interrupted by Your Team- Captain MacTavish is rudely interrupted by his team during his not so alone alone time

Cowboy Dan- Cowboy Dan is so Ghost-coded I needed to write a fic so decided to make it sad and about Soap becoming Ghost after Ghost died.

A Little Help- Ghost helps preen Soap's wings

A Little Pick-Me-Up With Company- Soap offers fresh blood to Ghost so they can escape a sticky situation while Price is an unwitting watcher

Jailbirds- Soap and Ghost get arrested on a mission gone wrong

A Preventable Fate- 09 Angst regarding Price not being a good person

What is With Those Two?- Model Ghost and Football player Soap are following each other on social media and the fans just realized

Feeding Your God- 09 Ghost as a lore accurate wendigo (Azilver wrote a story based off of this go read it! Also it has fanart that also works for my fic)

Accidental Mate Acquisition- Seal Mer Soap sees Ghost as his mate what will they do?

The Captain Blowing Off Steam- The Captain has his way with Riley who is just happy to be there

Mama Bear- Mama bear Beth

What do you need?- The Captain has visitors while having his way with Riley

Matching Smiles- Soap has a Glasgow smile

How Did This Snowball so Bad?! - Soap and Ghost experience their first heat/rut together

Relief- Soap with swollen balls needing relief and Ghost offering to help.

Wisper From the Woods - Wendigo Roach activities including but not limited to eating Graves

Mending of Broken Souls - Past meet their future selves (part of this event I hosted)

Love Bites- Vampire Riley getting less traumatized with some TLC from his Captain

Team Bonding- Team bonding over how the 141 imagine Captain MacTavish is like in bed and how badly everyone wants him.

MacTavish and Riley Take on the Apocalypse- Wendi!Verse meets TWD and interacts with the termites (also another small snippet for nine lives)

Feed Your Local Vampire they get Hangry- Vampire MacTavish and willing blood bag Riley

FNAF

Empire of dirt- Ever wanted to know what others in Hurricane thought of the Aftons well wonder no longer!

The Ghost & The Bear- Freddy's POV on a ghost Michael

Final Encore- What would happen if Michael met the crew in Security Breach

[welldonekhushi]

Okay guys, I'm back and.. I needed a short break after what happened in the MWIII campaign. Words can't express how shocked I was when I reached the end of the campaign and.. it left me in confusion, denial, depression and anger.

I'm putting a "read more" below because, if there are people who still haven't played MWIII, I'll keep ya guys safe.

Our theories before were constantly revolving that who's gonna die and what worse is going to happen.. it first pointed towards the fate of Price or Gaz. But, turns out we were jinxed. JINXED.

The campaign was.. okay but at the same time I felt it was small. Quite rushed. I did have a light of concern over their release date when MWII was currently trending. I was reading others reviews of how they felt about the game and yes, I agree with the same. But I wanna talk about Soap's fate this time..

Soap, who JUST started his journey, like, the one who only appeared in MWII and hoped we would see him more develop in the further games to be just.. killed off? When were they moments away from achieving victory?

So only because it's called MW3 ✌🏻 and you wanted to give us all a nostalgic experience you'll.. give them the original plot treatment? Both Soaps in the Modern Warfare universes.. died under the hands of Vladimir Makarov but in different circumstances.

This is where I got a bit angry at Price because, why didn't you kill Makarov instead of taking him in custody in Verdansk?! That guy is a walking grim reaper, and if Price took that action before, not just Soap but MANY more lives would have been saved. Soap was a man who was ready to take immediate action but always got backed off because of being bound to orders.

The end scene when they took out his ashes.. it broke me. Like, how unexpected this can be? Well, though I know Makarov already gave a warning that he was going to kill him off in the heli scene, but.. it's just not it? Like, honestly, I was hopeful Soap would survive.. it's disappointing for me, as someone who loves him so much, like anything.

So ScarSoap's now an angsty ship? Because let it be for both universes — OG and Reboot, Scarlet's going to be left behind? Welp, I'm more sad now, lol.

Otherwise, the expectations I had for the campaign were somehow, not met to the fullest but let's talk about the good things.

Price killing off Shepherd. YES, THAT'S WHAT I'M TALKING ABOUT. I freaking knew that he was going to die and my prediction called itself right. But, now that Price killed a 4-star General, he's gonna go rogue. You mean, batshit, crazy and unhinged Price on the move?!

Julian Kostov. The man. Bro, like, when he was featured in the reveal trailer, I was just hoping that he'd play the role of Makarov well and guess what? He did! I absolutely loved how he portrayed the man and he looked intimidating and twisted like a true psychopath. Truly, he could compete with the OG!Makarov and it's proven! Hats off to the actor, really <3

Price DOESN'T die. Neither in my beliefs, Farah and Alex. A relief. A pure relief, for real. The trailers showed him passing out but glad he's good in one piece. But, did that happen for the cost of killing Soap? :')

Graves and Shepherd betray each other in the conference, LMFAO! Who knew they were going to turn their backs on each other. Graves really had nothing to do with this, he was just a man following orders.. the problem lies with Shepherd, and always has.

Now, these guys said we're gonna release the "full campaign" on November 10. You mean.. the early access didn't show much of the story? So there's hope? OR NOT? Sigh, I don't want to think about it.. I just don't. I've been delulu, haha

Anyways, these are my thoughts for Modern Warfare III! What do you feel about it, let me know in the comments!

[elliespectacular]

Any tips on how to correctly credit clips used in YTP? I'm very lost when it comes to finding copyright info and stuff like that.

The stakes are pretty low for YouTube Poop and crediting clips in the video/description is not standard practice - but it's a good thing to do! That said I am not an authority on this and even my method has some blind spots. These are just some generally good ideas for being a slightly-more-courteous-than-average shitposter.

The acknowledgement is the most important part, stating outright what the names of the sources are. Pay attention to the official titles of what you use and try to trace them to their original form - for example in The Price is Rice COMPLETE I wanted to credit the gamer-themed Dust-Off commercial I used in The Price is Rice Jr. Usually ads are more difficult to track down than other kinds of televised media, so often "___ TV Spot" does the job, but a quick peek at the official YouTube channel reveals that the ad's actual name was How to properly clean your gaming computer.

Then there's an acknowledgement of the owner. I try to list composers for music, directors for film, and of course artists for art. You aren't required to give an exhaustive list of every single contributor to the art you've sampled, but make sure you credit the person/company it belongs to at the very least. Going back to the Dust-Off example, the YouTube video contained a link to dust-off . com which now redirects to falconsafety . com - I lucked out because the top of the page indicates clearly that Dust-Off is a product owned by Falcon Safety Products Inc. but this info is often in the About section of a website or at the bottom of the page.

I like to throw the year on each YTP credit as well. Academic citations usually require a more precise publication date if available. Among other benefits it helps distinguish between things with the same name/owner that were rebooted later - for example there are multiple games called Sonic the Hedgehog owned by SEGA from different years (In fact in this example there are two games from 1991 so it's also important to note what system the game is for!) Generally your source credits should communicate to a viewer where to start looking for a specific thing or who to ask.

You can use Wikipedia to orient yourself if you need a lead on where to start tracking down copyright information for popular media, but make sure you cross-reference what's there with other sources. For Movies/TV I usually just look at the very end of their credits which usually has the copyright info. For music I use Discogs. Sometimes for more obscure or less-documented things I have to do some search-engine sleuthing.

If you're stuck, ask a friend for help! It can be fun and rewarding to track down something that isn't answered by a quick google search, and like most things turning it into a collaborative effort makes it less of a slog.

Copyright acknowledgement is tricky to do correctly and not every Best Practice applies to each situation. There may come a day when MLA-style citations become normal or required even for shitposts and your due diligence will become greater. Do your best, give credit where it's due, and you'll be fine :)

[postmodernmulticoloredcloak]

Supernatural reboot where Sam does not believe in the supernatural when the series starts. Yes the original pitch concept is just soo juicy when you think about it a little too much like I do. This is slightly tweaked.

Sam escapes his family to go to college not because he wants out of the life of the monster-killing business. He escapes them because he thinks they're utterly crazy and there’s no monster-killing business because there are no monsters.

Growing up, John brings Dean along on hunts and leaves Sam sheltered to keep him safe (and keep him away from possible corrupting supernatural influences...) so Sam never really gets to know the monstrous John and Dean go after. If he has glimpses of it growing up, he's ready to dismiss those as deceptions of the brain of an impressionable kid, as tricks of anxiety, of exhaustion, of stress. Maybe even as John and Dean’s craziness rubbing off him, something that scares him, pushing him even more to distance himself from them.

He really does not want to end up like Dean, who has soaked up John’s delusions entirely. He wants to stay sane. He’s worried that the psychosis might be genetic, a weight that’s always in some corner of his mind. He hopes it’s not, and in the meanwhile his best bet is to get away, to live a normal life, to surround himself with normal people.

It works. He goes to college, he lives the most regular of lives imaginable. He has friends and a girlfriend and has good grades and a positive outlook on his future. He never really speaks about his family. His friends can draw some guesses from his vague information—that his mother died when he was very little, too little to remember anything about her; that his father is not exactly winning any parenting awards; that he has a brother who is basically a copy of their father. They can guess that his childhood was not good, but they don’t pester him for details. They know it’s not something Sam wants to talk about. But it’s reasonable. Lots of people have bad childhoods.

Dean doesn’t show up in the middle of the night. He shows up on campus, he joins Sam and his friends for lunch. It’s tense. Sam’s friends’s idea of Dean is not exactly flattering – and it doesn’t help that Dean looks as different as your average nice Stanford student as you can imagine. Leather, tattoos, weird jewelry and creepy amulets. They hope that the thing that dangles from of his earrings and that looks alarmingly like a mouse skull is not authentic. It’s also obvious that the last time the two brothers saw each other didn’t exactly end well.

Dean asks Sam to join him in his search for their missing father. Sam obviously refuses, unwilling to get dragged into his family’s paranoias and delusions. But Dean insists. There’s no girlfriend burning on the ceiling in this version. Sam really does not want to go, his friends and girlfriend obviously back him up. But cracks start appearing into Sam’s opposition to Dean’s request. Deep down, he loves his brother. He starts thinking that maybe, if he goes with him, he can help Dean. There’s a chance Dean might rub his craziness off Sam, but also a chance Sam might rub his sanity off Dean. His friends think he’s out of his mind, he has a big fight with his girlfriend about it, but eventually he decides to give Dean a chance. Only for a little while. Just a toe in the water. Just testing the waters. No getting involved in anything crazy, just making sure Dean doesn’t do anything dangerous.

But then he starts suspecting that Dean has something to do with John’s disappearance. That something isn’t quite right. He starts feeling uneasy. He starts getting scared that his fears are coming true, but also chastises himself for being irrational and swayed by foolish concoctions of the illogical side of his mind.

It definitely doesn’t help that weird things happen around them. He rationalizes them every time, but he’s increasingly unsettled.

He’s torn between trusting his feelings and dismissing them as emotional nonsense. He’s torn between wanting to stay away from Dean for his own sake and sticking with him for Dean’s sake.

It’s only at the end of the first season that Sam is faced by the irrefutable proof that it was all real. And it’s a terrifying journey with a terrifying conclusion – but once Sam is in, something shifts. Because Dean is no longer the crazy brother. Because John’s behavior was never a mental illness rooted in his DNA. Sam sheds a weight, after all. And his relationship with his brother can be built all over again – from scratch, which is anything but easy, but on the solid grounds of a shared experience.

[atopfourthwall]

How would you rank the Ju-On/Grudge movies?

I'm not really a list guy, but quick thoughts on each: Ju-On: The Curse 1/2: It's one movie split in half, though admittedly points to the Curse 2 feeling different than the first by being more a possession movie than the normal format of a Grudge movie. It's clearly just the skeleton of the much better Grudge movies to come, with a few ideas like the multiple Kayakos that would have been fun if done with modern tech and... you know... a POINT but otherwise completely skippable unless you're curious how the franchise started. Ju-On: The Grudge: I know I've watched it, but for some reason I'm struggling to remember my thoughts on it. Not helped by me mixing it up with the remake, directed by the same guy who made this one (he's made the same movie so many times, it's incredible). Ju-On: The Grudge 2: As a sequel to Ju-On: The Grudge it works great, but it is a mess of half-baked ideas and a combination of interesting kills and outright goofy kills like the wig. Kayako wanting to be reborn is fine, but there's a lot of nonsense involved in it and she's still evil after being reborn for some reason. The Grudge: Good remake with some silliness in there and how I originally got into the franchise. The Grudge 2: Garbage. A few good kill ideas and moments (I like the subversion of the classic under-the-covers kill), but it gives an explanation for Kayako's ghostness that's completely unnecessary, Kayako plays dirty pool at a few points, the main character is a plank of wood, but it does have one good line from Kayako's mom that sums up the big issue people don't get when it comes to how they think they can end the curse: "This is NOT about a house!" The Grudge 3: Underrated! I do hate how they abandoned the nonlinear storytelling that's a staple of the series, but the visuals are pretty damn good, the story is fairly solid, and overall just a decent ghost story. Not great, but better than you'd think for a direct-to-video sequel. Ju-On: Black Ghost: Never rises above "okay." There's certainly something there with its premise, but it just feels like a big ol' pile of nothing, especially with an ending where a possessed girl just goes home and punches someone hard enough in the gut to kill them. Ju-On: White Ghost: Your mileage may vary on spooky grandma ghost in her silly Halloween mask carrying around a basketball. It's better than Black Ghost, but has so much silliness in it and there's no reason why either ghost should have Kayako's death rattle since neither was strangled. Ju-On: Beginning of the End: Great movie! A reboot of the series and focuses more on Toshio than Kayako and it works, with some neat twists and good scares. Ju-On: The Final Curse: Running on the much better fumes of Beginning of the End, just felt like a disappointing finale to the franchise, though points for them bulldozing the Saeki house (though as Kayako's mom put it - "this is not about a house!") and the first time in the franchise that two active, conscious people are attacked by Kayako at once (other times with another person they're usually catatonic). The Grudge 2020: Ugggghhhhh, whyyyyyyyyyy. The replacement ghosts are so boring and if you're not going to do anything with Kayako, why even connect it to the series that way? Has a few good moments plus the awesomeness of William Sadler, but it's not nearly enough to save this movie. Sadako vs. Kayako: Underrated! The title fight is too damn short and definitely more of a Ring movie than a Grudge movie, but the Grudge stuff delivers. It is also the only movie in the entire franchise where someone tries to actually do stuff to the ghosts. Like, nobody has ever tried kicking or punching the ghosts (yeah, I know it wouldn't DO anything, but still, everyone's always frozen in terror or running) and here comes our psychic duo to huck a rock and Toshio and for Sadako to actually attack and harm Kayako.

[gryficowa]

Boycott!

Tia… Apparently "Beetlejuice 2" came out (Now there's a wave of it like with everything else), but I don't care, sorry, I'm not a Burton fanatic, a few good jokes and nice shots are never enough for me (That's why I was never fan of the movie "Avatar", for me its hype is too inflated, because the only thing that shows good computer graphics, but the story is meh)

And yes, I grew up watching Tim Burton's Willy Wonka, but even that didn't make me like his work, hello, I didn't even watch "Wendstey" and then everyone was talking about it and making memes out of it…

My taste is specific, I often like things that others don't like (Reboot "Ben 10" and "Be Cool Scooby Doo") and I don't like things that others love ("Rick and Morty" as it was popular, actually, I'm still not a fan of this, sorry, not enough moments that I liked, or "Violetta", someone explain to me why this shit was popular? It was boring and characters as dimensional as Bill Cipher's…)

My taste is simply too different (Maybe because of my origins, but still, it doesn't matter that something is cult if I don't like it…)

And yes, my memories of the movie BJ are so meh, and the end of the movie left me with a bad taste… I don't know, it's just a typical problem with Burton's work, I have the impression that as a director and creator he is overrated (I don't know what word put it here, ok?)

And yes, I have ASD (Before someone with Ableism gets away from me, I'm a person with ASD, so I can say that I don't like his work, I'm a weirdo myself and I have strange taste, but it doesn't change the fact that I have problems with his work, I'm sorry, but I won't change it, I can't fully describe what I don't like, because because of ASD I have problems with describing my feelings, so, as I mentioned, I appreciate the look of the shots and a few gags, but even that won't make me love something, I can't be bought that easily, I need honest character dynamics, and this is something what bothers me about his work, I know, We, people with ASD, have a problem with showing emotions in some cases, or with describing them, but something just doesn't feel right to me and I really can't describe it, the only way I can describe it is that it's quite… Stiff? I know, maybe it doesn't fit to describe what I feel, but I don't feel that the characters reflect each other or have any relationship with each other, the only thing they have in common is the script and dialogues… I'm also tired of the fact that sometimes there is a forced romance, I know, a typical problem with hetero relationships in productions, but it just looks like "Hey, he's straight, so don't worry "that he's a hidden gay or something," but okay, it's a common problem, especially in the last century and at the beginning of this one, which doesn't change the fact that I have my problems with Burton, so yes, even reboots that are hated, at least give something in return, i.e. character dynamics, so you understand, it's a problem that is difficult for me to describe as a person with ASD, but even I have something that doesn't suit me…)

I guess the fandom will hate me for having the nerve to talk about the problems I have with something that's iconic in the USA… But I just can't convince myself that I like something because it's iconic, sorry I have different tastes , but it's not my fault, there's nothing wrong with liking something and there's nothing wrong with not liking something, if it makes you happy and helped you get through a difficult period (GF, vocaloid and musical BJ, that happened to me…), then it's ok if they harass you for liking it (Because they consider it immature or cringe) then that's fine it's their problem, not you, it's the same if you don't like something (Sorry, I'm not a Lydia X Beetlejuice fanatic, I don't like a ship based on a long-time demon and a minor character… Relationship? Okay, lovers? sus)

Now that I have your attention:

--------------------------------------------------------------

I'm writing again, it irritates me, I often don't know what to write, which is why I often see the text "Boycott" and a GIF, or I write and I start to worry that the collections won't reach people because they won't read it to the end…

My feelings towards the Beetlejuice/Tim Burton movie will probably also cause a lot of controversy… Eh… It's less of a worry than the fact that the collections don't arrive…

I'm just tired of the fact that many great artists are underrated, and those who often create something bland are the most overrated, we have so many great creators, but they can't stand out and that's something that really depresses me, I want more artists with ASD and they can prove it even to Burton that they know the dynamics of characters, I just want more creators with ASD, give them a fucking chance, why do they have to not have a diagnosis to achieve anything? This sucks…

[bonjas]

blf: la historia continua

having been one of the fans that was counting down the seconds until the new series started, i have a lot of thoughts on the show now that 4 episodes have aired. i've seen each one a few times now but my thoughts will still be a little scattered!

first of all, i LOVE the production quality, and the stylistic choice they took with the aesthetics of this series. it's sharp, artsy, quick, colorful, and very much giving Mode magazine vibes from Ugly Betty! the on screen graphics are a cute touch, Mila's are a little bit extra, but so is she so it's okay. i especially loved the comedic timing of the graphic from the bathroom scene (XL 😆).

for being 20 years later, everyone is FANTASTIC at getting right back into character. having witnessed other shows that were rebooted years and years later and seeing some people not being able to get back into the swing of things, the ability of this cast just really goes to show the caliber of actors they cast in the original. everyone effortlessly slid back into character, mannerisms, voice inflection, chemistry between characters, honestly i have no complaints. i know some people think don hermes wasn't tough enough on mila in his scenes with her, but do yall have grandparents that love to spoil you and let you get away with things they wouldnt let their kids get away with? i'm not surprised at all he's softer with her than he would have been with betty.

so after all that, my problems with the reboot...

episodes 1&2 are bad. just straight up bad, and it's unfortunate that it took 2 out of the precious little 10 we have to find their footing. episode 1 is filled with "dramatic pauses" which honestly just feel awkward, and having come from Gaitan's never ending monologues, it felt like empty air that should have been filled. Gaitan's silences were strategic and emphasized the emotions of the scenes, and actually set up to be pregnant pauses, where this series feels like they just dont know what the character would say, and not heavy with drama like they think it comes across as.

the writing, ohh the writing...

betty's diary was always used as a tool to give us background, give us insight into what betty was feeling/thinking, and give us context or extra info we didnt see on screen. with so little episodes and so little time to explain things, HUH.....WOULDA BEEN HANDY.....

good writing shows and doesn't tell, and what these early episodes do are NEITHER. something mysterious and bad is happening at ecomoda....too bad you dont get to know! camila and betty's relationship is in tatters, betty abandoned them, camily went to ???? for five??? years!! nahhhh, dont tell us anything about it, just jump right to the resentment!??

"mystery is an intellectual process, like in a 'whodunnit'. but suspense is essentially an emotional process. you can only get suspense going by giving the audience information."-alfred hitchcock

the writers made many VERY strange choices in not telling us more about:

what armando and mario did

who exactly is marcela's dude and what he gets out of helping marcela (idfk his name)

giving us background on armando and that lawyer

giving us more background on betty and mila other than just "you abandoned us!" "she's so distant now" where tf was mila and why was she out of the country for 5 years???

why are mila and marce so close??

think back to OG blf...when things were mentioned in passing like the "horrible thing that happened to betty", those werent things that were of importance for that scene/storyline/moment, thats why they were in passing, they just added to the layers of complexity of betty, but it was gratifying when we later found out what it actually was. or think about all the important events that happened because we knew what was going on! imagine if we didnt know what armando's evil plan was, and we saw betty read The Letter and we're not told what it says, and we see betty go through all her trauma and emotions and never finding anything out until she tells armando she knows. there would be no pay off because we didnt know what was happening in the first place so we're not invested! whereas in this series they are just leaving out huge gaps of information needed to feel the anxieties the people we're watching are feeling. we finally find out what armando did during his second time as president at ecomoda in episode 4, and knowing that information from the beginning would have been so much more impactful! we'd be stressed knowing armando fucked up AGAIN, is lying to betty AGAIN, put the company in financial ruin AGAIN, then we would feel the emotion of him finally coming clean to her and telling her he's planning to take full responsibility! there's not as much pay off when learning at the exact same time as betty.

with mila and betty, yeah we can fill in the blanks with what happened to them, but without hearing betty's thoughts or seeing through her eyes how their relationship fell apart, the (majority) of the audience went straight to hating mila and resenting her for their shitty relationship. if we had context around it, the audience would understand her and how everything turned out that way.

episodes 3&4 really found their footing, the humor was back, armando's characterization and development was so nice to see! callbacks to the OG show were awesome, i DIED at sandra yelling at freddy "you're disrespecting the community!!!". i'm worried that mila is manipulating betty with their happy reunion but idk! there's not enough context/foreshadowing/knowledge of mila's character so idk that one's a wild card. but if the rest of the show continues like episode 3&4 i'll be a happy camper, because 1&2 honestly had me really worried.

i wanna know what everyone else thinks! i have tons of thoughts that i already forgot because i dont write things down in the moment lol so i'm sure i'll be back to write some more down the line maybe after a couple more episodes! (new thought i just remembered–why tf is patricia in HR, let alone working? is her old man not rich enough to support her lifestyle? if that's the case, why aren't we told this to have more background on why she's back at a place she very dramatically quit from so we can invest more feelings when she's being "bullied" for having an old husband etc? it's the little things...i dont think i'm asking too much of the writers because other shows do more and more effectively with the same exact run time as this show)

[renthony]

Some recs for adult animation I enjoy:

People always seem to think I only watch kids' shows, so here's a list of animated television shows I adore, that were all made with adults in mind:

King of the Hill - Genuinely didn't think I'd like it, but I actually really love it? I expected something that was basically just The Simpsons or Family Guy, but got a surprising amount of emotional depth from the main cast. Bobby Hill is my son boy.

Futurama - I am legally obligated to list Futurama. I have watched the entire series so many fucking times. I'm going to watch the reboot and we all know it.

Disenchantment - It's more than just "Futurama medieval fantasy" but tonally, they are pretty similar. I enjoy it immensely. Bean is a #bicon, and that's fucking canon <3

Samurai Jack - The original show aired as a kids' show, but the revival apparently put it into the adult category. I haven't gotten that far yet, but holy shit, it's so good so far. Even the "kids' show" part is pretty mature, imho.

Bob's Burgers - I fucking love Bob's Burgers. I need to catch up on the more recent seasons. A sitcom that DOESN'T have parents who clearly hate each other? Whaaaat?

Harley Quinn - I'm not caught up, and there are aspects I have critiques of, but overall, it's been fun as fuck. I LOVE this interpretation of Ivy so fucking much.

Metalocalypse - My dad's a metal musician, so this was on in my house all the time when I was a teenager. I haven't watched it in *years* but I still reference the early seasons in conversation constantly. The Duncan Hills will wake you, motherfuckers.

Big Mouth/Human Resources - They are better than you think they are, and the "ugly style" reminds me of classic Klasky-Csupo. Compare it to Rugrats and tell me it doesn't have similar caricature styles. Story-wise, it nails the exact blend of panicked awkwardness I felt as a disaster tween, it has SO MANY queer characters. They dramatically improved on their more problematic aspects after getting called on it in seasons 1 and 2. And Human Resources made me sob like a little baby in the episode with Kieth from Grief.

BoJack Horseman - Starts off as a goofy gross-out humor sitcom but very quickly becomes a serious drama. Incredibly heavy and dark, but holy shit the catharsis. Delves into a lot of musings about morality, celebrity culture and Hollywood, generational trauma, and the perpetuation of cycles.

Tuca & Bertie - Goofy slice-of-life about characters navigating their 30s. Lots of musings about family, trauma, sexual abuse, queer dating in your 30s, friendship, and trying to survive it all. I relate so fucking much to the main cast.

Magical Girl Friendship Squad - It's a magical girl cartoon about milennials. Their magical girl weapons are birth control pills and a bong. It's fucking amazing. I'm really sad nobody else seems to have heard of it. :(

Little Demon - Sitcom about the Devil's daughter. Unsure if it's going to get a season 2, since it's about to get taken completely off of Hulu. Still worth watching if you can, because it's so fucking good. Centers on a teenage girl navigating Being A Teenage Girl while also dealing with her dad being the Devil and her mom being a traumatized mess who's figuring her own shit out.

Q-Force - The advertising did this show so fucking dirty. It was genuinely fucking funny, and it was clearly made with love. This isn't straight people making fun of us, this is queer people making queer comedy. Watch it.

Arcane - Arcane's politics are all over the place and I am in my "Silco Was Right" corner, which is right next to the "Magneto Was Right" clubhouse. But goddamn, the animation is gorgeous and the story is intense.

The Legend of Vox Machina - I haven't watched Critical Role, so I can say with confidence that this show is fucking amazing even if you have zero interest in the original gameplay streams. Fantasy animation for grownups, where they can show blood and titties, my beloved. <3

[krystal-kade]

You know,the worldbuilding for hazbin and helluva are interesting but at the same time,I feel a bit bored by it. Sorry,it's just it has potential and all of that but hell is just like a nighttown that you can go there and suffered no consequences. And I know helluva is a spinoff to hazbin hotel except it's just destroys the both meanings of it. Especially since hazbin is about redeeming sinners while helluva boss is just don't get mad at me but just soap opera between an elitist with a peasant. I thought helluva boss is gonna be us seeing the IMP doing their missions and encountered many different challenges on navigating a business not seeing a dramatic retelling yaoi festizhization love story of stolas and blitzo. And with hazbin,it's just I wanna see hazbin having different customers and guests and how they interact with the hotel not a literal fight with heaven of all things. What's next? Do I need to get into getting myself info a lore Livestream of Viv telling us? No,I want subtle storytelling not an Italian soap opera,ah man. Ah,now because of this I have to entertain myself with fans making fanmade comics of both helluva and hazbin hotel and I'm not complaining because let's face it,fans does it better than the creator Viv does.

Vivziepop so quickly strays from her original concepts, and it makes both shows difficult to watch. The last Helluva Boss episode that includes I.M.P. going to Earth on a mission to kill someone is episode 5, ‘Unhappy Campers,’ and that was only Millie and Moxxie. The last time the whole team went was episode 4 of season 1! Helluva Boss is now just a show about Viv’s twinks and kinks. I genuinely think I’ve seen enough of Stolas for a lifetime. There’s so much potential with a show like this, and I would have loved to see Helluva Boss explore both Hell and the Human World, but it does neither. There are so many ways this show could be executed to explore the worlds and character dynamics, but we barely even know anything about how these characters interact with each other.

Hazbin Hotel does the same thing. We have the possibility to explore Hell and Heaven, but we don’t. Hazbin Hotel is also supposed to be more about the women characters, but we know very little about Charlie, Vaggie, Niffty, or any of the other women; we instead get episodes about Husk, Alastor, Lucifer, Angel, Vox, and Val. Hazbin was supposed to be about new people coming to the hotel to learn about redemption. The only person we actually get is Sir Pentious, who doesn’t even change or learn anything about virtue and redemption. We also kind of get Cherri, but she isn’t even part of the hotel. 8 whole episodes for two official people in the hotel. I’d rather we see people coming to the hotel and learning about redemption for an entire season instead of the drama we see go down with Adam and Heaven.

Hazbin Hotel and Helluva Boss just move WAY too quickly. I think it’s even difficult for fans to write fanfics and comics about these characters because they have nothing to go off of. Almost none of the characters have personalities, and we don’t know how they interact with each other. However, I do think that Viv’s Hell is an interesting world. I just wish it was explored more. We’ve only see a few of the rings, met a few of the sins, and seen very little of Hell at all. I have no hope that Hazbin Hotel or Helluva Boss will be better shows, the only hope I have is that in 30 years, someone reboots these shows, and actually makes them good.

[tzigone]

Bruce's general path in headcanon reboot

Any long running character has gone through multiple personalities and relationship dynamics. Some I like, some I don't. But for my headcanon reboot, I'm mapping out a general path for Bruce. Pick bits and pieces out of canon and put them into something that works for me.

So, two big point that are so different in the early days and the later days are Bruce's wealth level and Bruce's emotional health.

So, for this story, we start with Bruce as rich, but not a billionaire and as an emotionally healthy superhero. These will both change as the story progresses.

Okay, I'm starting with Bruce becoming Batman as a 24 year old. He's studied and trained (and no one ever thought he was dead) and he's ready to get started on improving Gotham. His Uncle Philip Kane and Great Uncle Silas Wayne and some second cousins live in Gotham, while his Aunt Agatha is an out-of-town relative. Silas is the one running Wayne Enterprises at the time (though maybe not still doing the day-to-day) and owns 50% of Wayne Enterprises. Agatha (Thomas's sister) owns 25% and Bruce 25%. Agatha and Bruce have little to nothing to do with the business.

The Bruce we know then is social and generally pretty happy. Also a determined crimefighter. Superman's already on the scene and others heroes follow. Bruce does, like in the golden age, think of this as a phase in his life and something he'll retire from once he's accomplished his goals.

Gotham is certainly a city with crime and corruption, but it's not a cursed-from-birth-can-never-get-better kind of place. But well, while not nearly all the cops are on the take, there's enough of them that he can't leave that poor orphaned acrobat unprotected. He becomes Dick's guardian, and he trains the boy and lets him do the things he wished he could have done when his own parents were killed.

We'll see the early villains introduced now. While I'm spreading the golden age villains out a bit more than the compressed time of comics allowed for, the Joker and Catwoman still come at about the same time.

Things continue along that line for a while. Dick begins taking cases alone (Star-Spangled-Comics-like). Dick's in the phase of life where he's developing his own way of doing things, but he always defers to Bruce when they work together. They still have a healthy dynamic and Bruce is proud of him and seeing that he can trust Dick to handle things on his own.

Bruce joins the JL. He's worked with some of them before and he and Clark are friends. They have a good team dynamic and mutual respect, though that's not to say no one ever irritates another.

I haven't really worked out Talia. I'd like to use the dislike Dick had of her, but originally that was when he was a college student, but if we look at Damian's age, Dick'd be younger when Bruce and Talia met, and I'm not sure how I'm going to work that out because the dynamic doesn't work the same with a 14 year old Dick and grown Talia.

He and Selina have had their banter in the past, but she was a criminal and he a hero and nothing every really happened. She goes straight and he thinks they'll not be seeing each other again.

Then Silas dies. His own children were, like Thomas and Agatha, never interested in running the business. Bruce feels like he needs to step in and get involved in the company and show some oversight, since no one else is. He's deliberately exposing Dick to the business side of things, hoping Dick will want to take over after college and he'll be able to devote his full time to heroing again.

We'll see Dick (16) join the OG Teen Titans and Barbara become a hero around this time. As with the original story, Dick's more welcoming of Barbara as a hero than Bruce is. This is when we first start to see his desire to be in control of everything, though it's much toned down back in this day and he accepts her quickly enough. He does not train her - she was already an adult and already trained. She works with the two of them sometimes, but mostly alone.

Bruce is getting more and more involved with the company, but beginning to resent the pull it has on his time. Actually, as the 10th anniversary of him donning the cowl approaches, he's starting to feel dissatisfied with his life. He thought he'd have accomplished his goals and be retired and married by now. But there's so much left to do. It seems to him that Gotham has barely improved at all. That's completely false, but he didn't set any actual benchmarks back when he started and now he feels like he's not meeting them. He'll hire Lucius and sort of start off-loading a bit of his Wayne Enterprises load on to him (and getting more eager for the idea of Dick taking over after graduation - Dick's leaving for Hudson). He will date Silver, but that'll fall apart.

Dick becomes much more independent at University. He gets used to doing things his own way. And he starts working with Barbara some. And now it's not just the TT, but his partner he expects to treat him as a equal. He's capable of the schoolwork, but doesn't prioritize it. He and Bruce are both leaning into putting more time in the hero biz right now, and less into other things. And he decides to leave University and spend his time on heroism. This is problematic for Bruce for two reasons. First Dick was supposed to take up the slack so he could do that. But more than that, it really bothers him that Dick doesn't finish college. He considers that a baseline accomplishment for his kid. He's not living up to his potential, etc. Dick knows how much of sacrifice this could be for others and feels fortunate he has a trust fund that enables him to do this and he resents Bruce trying to control his decisions like he's still a kid and that Bruce is doing partially so that Bruce can spend his time doing what Dick wants to do with his time. Since Dick isn't going to be taking over the company, Bruce hands the day-to-day over Lucius, though he maintains overall oversight.

So, this is the beginning of some of their issues that will become more significant over time. Also, Bruce is getting more determined, more driven, more focused, more demanding and more controlling in general. As I said, he feels like he's gotta step it up to save Gotham. We'll seem him start to pull away from his JL buddies, too. He starts to see them as insufficiently focused. And while he's always been confident in his own decision-making, he's getting more into the mindset that his way is the only way.

Dick joins the NTT, and he and Bruce have quite a strained dynamic at the time. Selina become a vigilante and she and Bruce interact more, but it doesn't go anywhere. Though they continue to interact and lust and care.

Then Bruce meets Jason. He does love him and value him, but he's much harder on him than he was on Dick at that age. He doesn't give him leeway to do anything but obey when in costume. Out of costume, he's a pretty good dad. But he's spending less time out of costume than he used to.

Jason's death really messed him up even more. He pulls away even more from the relationships he had, and he doesn't want to form new ones. He's angry and taking it out crooks sometimes. He's barely ever out of the costume. His relationship with Dick continues to get rockier.

After Tim becomes Robin Bruce very deliberately doesn't cast himself as a father (of course, Tim has one). Tim would open up with an emotional discussion with Dick or Alfred long before he would with Bruce. But Tim and Bruce have a good working relationship. Tim looks up to Bruce as almost infallible at first (which isn't really healthy) and he obeys completely, which is something Bruce values.

For a while, Tim is a good bridge for Dick and Bruce. But eventually, after working on his own for a while, and working with others, Tim starts to have his own ideas to believe Bruce is wrong sometimes (see the late 90s and early 2000s when Bruce was awful, though he won't be nearly so bad here) and Bruce isolates himself more. Grandmother Kane dies and he inherits a fortune from her.

Then Damian comes along, and Jason is back and Bruce is terrible at relating to both of them and handles all of it poorly and then is lost in time (or similar).

This experience and the alone-ness and forced time away from being Batman give him too much time to think about his own thoughts, think about his own life and his successes and mistakes and what he wants.

But unlike canon, he decides what he wants is to prioritize the people and relationships in his life more. When he gets back, he starts off working on what's important (but still totally dons the cowl and saves the day, too). He works very hard to build a relationship with Damian (and Dick has made tremendous progress with him) and to repair his relationship with Jason (and Tim had done quite well with him) and to do better about treating Dick, Steph, Barbara, Cass, Clark, and so many others better than he did. And treating the adults like equals instead of thinking he should be the boss of them. And he decides to finally take real shot with Selina instead of back-burnering or being too afraid/pessimistic to try. It does work out. In time, they'll be married and he'll have a good dynamic with family and his old friends will be his friends again.

He'll eventually inherit Aunt Agatha's portion of WE (and a fortune from Uncle Philip) and he'll eventually retire the cape and cowl when he knows he's too old to keep doing the job effectively. But he will know he did good, and he will have faith in the younger generations that they have to and will continue to do so.

[lakecitysilenceme]

my digested thoughts on the reboot trailer!

ALFEA & FAIRIES

Starting off, i want to say that the animation looked very hard, and what i mean by that is that there is a lack of natural motion.

When bloom was riding her bike, it just didn't look very natural;

Also, in this scene the skirts and hair looked very stiff [but i won't take that much into my heart because it's a paused frame]; otherwise, i really love the textures!

And, Stella has her "staff' back! I guess it's not much of a staff now, as it's very small so it would be more appropriate to call it a Wand or a Scepter, but it's there!

I'm a little dissapoited with the background characters here because they all look very bland. Characters in the original were all so fun and unique that even background fairies, who never even spoke, were people's favourites because of their designs.

Through design, we got the gist that they had different personalities and that they all came from different planets all over the magical dimension, where different types of clothing were trendy. It breathed life into the universe without needing tiring exposition about it.

Here, their styles just look very similar to each other, and they all are quite boring.

On another note, i think Alfea looks very stunning as always, and i really do like the design of the castle. I just think it looks a little bit less unique to the original.

Also, this fairy's design looks extremely simple compared to the winx's transformation. This just lowkey makes me upset because, at least for the modern fairy transformations, the background girls always looked top-notch and even had more complex looking desings when compared to the winx.

+ a clearer look of her scepter > I think the intention behind this design was to make it look like the Sovereign's Sceptre with Cross or Queen Mary II's Orb, but the colour choices and star at the bottom make it look a bit tacky. I don't hate the idea of the design, but i think a different colour scheme would have made it look more regal. And I say this because thinking back to her original staff, it was quite sleek and luxurious looking because of it.

THE SPECIALISTS!

The scene where they appear is so blurry and quick that there's not much to talk about, but i definitely enjoyed what could be seen during those 2 seconds.

Brandon being with his full body upside down, you go king! We can't see any of them that well, but Sky looks cute, even if he's blurry, and Brandom, they could never make me not like Brandom. Riven looks like he's scowling, so that's good for him.

Also, I think the details of the uniforms look very cool, but something about the Board is giving plastic toy for me. The ship also look alright and other then that, I love that they had some falir whilst coming out of it.

some quick design commentary

I still don't love their daily outfit designs; actually, i think i'm starting to dislike them even more.

Musa and Stella's faces still look very weird (I think for Stella using yellow eyeshadows really was a BAD choice)

I like that their exploring outifts hate different-looking bottoms and that all of them have their hair tied up in different ways [not sure what's going on with Bloom's bangs tho];

Also still on the exploring scene i love that Aisha is the one leading even tho Bloom is on scene :p

The Trix are honestly so iconic that i get very happy just by seeing them, even though i don't love theirs looks. They still look good, and I like that the bit with their initials looks that way, but something is off about the texture for me.

That was all from me. I didn't want to be very negative, and overall, i do think that it looks fine, y'know. And i do have high hopes for the storytelling and for it to be good!

Also, i don't think it needs to be just like the original series for it to be good, but I have set expectations. Because Winx Club was my childhood show, and now, as an adult looking back at it, I can see so many great aspects of the show that still hold up to this day.

And for me it just doesn't make sense how people back then could do such great things, and nowadays they can't produce something that's up to the same standars y'know [Winx Club Seasons 5-8, I'm looking at you].

Anyway, i'm very excited to watch it when it comes out. What are your thoughts?