#the really basic stuff

[dandylovesturtles]

100 Feet and A World Away Lore Post

I said before if I won the first round of the TMNT AU Competition I'd put up a lore post of my separated (kinda) AU called "100 Feet and A World Away," which is really more of a reward for myself because now I get to ramble about my babies.

This is an AU I've been building in my head for some time and do eventually want to write a fic about. When? I do not know I have soooo many things I'm in the middle of right now but! hopefully! eventually!

So for now here's just some lore because I can't contain myself, I have to talk about this eventually haha. Like releasing a pressure valve.

without further ado

100 Feet and A World Away (a separated (kinda) AU) (aka the Shape of Water AU)

cw: dehumanization, child abuse (not by a parental figure), brief dismemberment (caused by Donnie, not TO him)

Backstory

quick note: in this AU the age gap between April and the boys is bigger than in canon because it just made things logistically easier; April is 20 and the boys are their S1 ages (15/14/13)

everything up through Lou Jitsu escaping with the boys from Draxum's lab happens as in canon

a few years later (when the boys are about 5/4/3), Splinter goes out to get supplies, leaving the boys in what he thinks (hopes) is a safe place (he doesn't have a lot of choices). He comes back to find the boys have disappeared.

he won't know what happened to them for 10 years

they were spotted by a human sanitation worker, who called animal control, who were like "what the hell is this" and got a Shady Military-affiliated Corporation involved. The boys are taken to a lab to be studied and, once their sturdiness and combat potential are observed, trained to be used for combat by the US Military.

the boys didn't go quietly, at least not Raph and Donnie, who viciously bit and tried to run; they were shocked and sedated. Leo, who had Mikey, saw this and decided to comply because he didn't want them to hurt his little brother. Mikey was too young to understand what was happening so his reaction was mostly just to cry.

Splinter had told the boys never to talk to humans, and the boys take this to heart, hushing up and never speaking to the humans even once they're taken to the lab. As a result, the humans know they have large brains but still assume they only have the intelligence of an ape at best. They treat them like animals, really the comparison I keep thinking of is the raptors in Jurassic World lol: something scary but with the hopes that they will eventually act like attack dogs.

to be clear revealing they could talk wouldn't have helped them much so it's for the best

the boys are given serial numbers when they arrive at the lab but the scientists call them by numbers as a shorthand based on the order they were processed in:

Mikey is Turtle 1

Leo is Turtle 2

Raph is Turtle 3

Donnie is Turtle 4

because Raph and Donnie acted aggressively, the scientists were afraid they would attack each other as well as Leo and Mikey, so they decided to isolate the two of them. On the flip side, because Leo and Mikey were more docile and Leo kept holding onto Mikey, they decided to keep the two of them together. An experiment in isolation vs socialization

as a result, the boys have not seen each other for the last decade, with the exception of two Incidents that I won't be detailing in this post (gotta keep a few secrets lol)

the boys are put through harsh training in an attempt to "tame" them and train them to attack/kill soldiers as ordered. they're also run through tests to determine things like their mental capacity and problem solving skills. there's no like medical testing/experimentation on them in this AU though it's mostly like if they do bad they get shocked and also the scientists/trainers don't really have compunctions against hitting them or muzzling them.

when not in training they live in their own zoo-like enclosures inside sterile rooms, much like the one in Shape of Water which is part of why the AU is the Shape of Water AU lol

MEANWHILE

April is an aspiring investigative journalist who just saw her first success uncovering some shady dealings in a supposedly non-profit organization

she receives a tip about something strange happening in an otherwise normal lab and testing facility just outside NYC's city limits

she's expecting to find illegal animal testing or bioweapons research

instead she finds Turtle Four

Donnie

has been isolated this whole time and as a result is more than a little feral, but not so much that he can't talk. he just has absolutely no sense of social etiquette (my inspiration is the bit in Rat Flu where he says "Make him say yessssah" and HEY BOY IT'S ME THE PS5-)

also he's still autistic but he hasn't learned to mask at all so he acts in a way the humans find weird and unsettling

thinks the humans around him are all idiots and he's so much smarter and better than them. basically his canon superiority complex has ratcheted up to 100 because he has no respect for these guys at all

makes regular escape attempts so lab security just keeps adding more and more obstacles (like an electric fence around his enclosure and steel doors to the room)

probably could have escaped by now but he always doubles back for his brothers and that's how he always gets caught by The Hunter

not as good with tech as his canon counterpart but only because he hasn't been allowed to read or study anything while he's been stuck here, so he only knows as much as he's pieced together messing with things in his enclosure and observing the humans. he's learned a LOT even this way (which is why he knows he's a genius!) but his thirst for knowledge is immense and he wants to get out so he can read books! break things and put them back together! use the internet!

has built up an entire imagined scenario of how things will be once he finally does break himself and his brothers out of there and I'm sure that everything will go exactly how he's expecting and there will be no hiccups at all :)

no longer has any attachment to the name Donatello and thinks of himself as Turtle Four, though he does remember being called Purple too

thinks their dad has abandoned them and doesn't really have any hope that he's looking for them

has a lot of scars on his body from his many many escape attempts and punishments, but most noticeably a scar along his jaw on the left side of his face

Leo

has been with Mikey this whole time so is still much more socialized, lucid, and "human" acting compared to Donnie

has poured all his energy since coming here into being Mikey's Big Brother and making sure things are safe and comfortable for him, being upbeat and positive for his sake, trying to make him laugh and keep him happy to the best of his ability, and generally just doing his normal canon thing but pushed to 11

this façade is the only thing keeping him going and god help him if it cracks

the scientists realized early on that it's easier to get Leo to comply if they threaten/hurt Mikey so Leo is scared of going out of line and just a big ball of guilt 24/7

due to An Incident he has a scar on the right side of his face that matches Donnie, and he doesn't particularly trust Donnie as a result. wishes he would stop his escape attempts because it makes the scientists cranky and they take it out on him and Mikey

still insists their dad is coming for them, if only to keep Mikey's hopes alive

inwardly pretty sure they're going to die here

is the only one who has seen Raph since their initial separation and refuses to talk about it

I'll Keep These Feelings Inside And Then I'll Die

still fully associates with the name Leo

Mikey

fully aware that Leo's putting on act for his sake, but if being a Big Brother is what he needs to keep going then he'll be the Little Brother he needs

knows it's unhealthy but what are they supposed to do?

feels guilt for being used as leverage against Leo

fascinated by humans even though he knows they hurt him regularly

once he saw a scientist doodling and his mind expanded by 1000%. the scientist drew him eventually and he's wanted so bad to do art ever since

the previous bullet point sounds like it's leading to a wholesome interaction but it is not, I'm sorry I mislead you

not as sure that their dad will save them as he lets Leo think he is; he has faith that their dad loves them and is still looking for them but also thinks Donnie is right that they should be helping themselves so they can get back to him

generally has more faith in their brothers than Leo does

can destroy you but chooses not to

still fully associates with the name Mikey

Raph

has gone full savage; it's a defense mechanism

his memories are still there, but they're so deep in his mind he currently only accesses them as vague feelings and sensations

still knows his family by scent, if not by sight

gentle giant when he's surrounded by Familiar Smells, very very aggressive when surrounded by Unfamiliar Smells

he's so dangerous the scientists don't interact with him much, which doesn't help the situation

thinks of himself as "it," when he thinks of himself at all

uncovering the real Raph would take a safe place and time and patience and he isn't getting any of that here!

April

was just trying to live her life man

dating Sunita but presently bummed that Sunita has rejected her suggestion that they move in together (it's because Sunita hasn't broken the whole "I'm actually a slime monster" news to her yet and isn't sure how, but April doesn't know that so she just thinks Sunita isn't as serious as she is)

when she meets Donnie he scares the absolute shit out of her at first

her first instinct is to get away from this whole mess ASAP, but then she realizes Donnie is just a kid and she can't just leave him in there

then he reveals he has 3 brothers and no he is NOT leaving without them

what has she gotten herself into...

is undoubtedly and irrevocably Big Sis April by the end

Splinter

never once stopped looking

finally found a lead that seemed legit but would need a human to help him get inside

found out about a young intrepid reporter looking for tips........

and that's all I'll say now ;)

The Hunter

basically the evil Robert Muldoon (from Jurassic Park)

I haven't named him yet sorry

his job is to catch the turtles if they escape, and he also participates in their training

fully aware that the turtles are more intelligent than they let on, thinks this just makes them more exciting to hunt

Donnie is basically his archnemesis (having a 14-year-old archnemesis is kind of cringe though bro)

will hurt them and doesn't feel bad about it

is missing a finger thanks to Donnie (I did say this was a Shape of Water inspired AU lol)

This was probably a little thin in places so if you are interested and have questions ask me! Wheeeeeeee~

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[pigeonstab]

@somegrumpynerd :3c Cross getting his first toy ever

I think it's the kind of thing he brings everywhere cuz it's his comfort item.. and he's never had a comfort item before

[alicenpai]

princess tutu: die jahreszeiten 🌸

kind of a companion piece to my 2022 ptutu drawing | it's on inprnt

this print was at anime north; next con is otakuthon!

oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)

as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!

both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.

this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.

the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.

FLOWER SYMBOLISM:

- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.

- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.

- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.

- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[chalkrub]

new guyyy whom i love from a design trade

he's a demigod cimera knight who was brutally defeated and then spared by a tyrant queen, with the caveat that she cut off his goat head and uses it as a hostage to keep him loyal to her. unfortunate but what are you gonna do

[deecotan]

anyway here's wavewave

[featheredadora]

[deadboyswalking]

Imagine it's like, 10 years later and not only does Sanji realize that Zoro is kind of his best friend, but he also spends all of his time with him??? And he kind of loves him??? And in all of their time together, Sanji has rarely sought out other companionship (rarer over time) and Zoro has never seemed interested in it???

"OH MY GOD!"

"It's not a big deal, cook."

"I HAVEN'T SPENT A SINGLE DAY WITHOUT YOU IN SEVEN YEARS."

"And you've gotten on my nerves every single one of those 2,556 days."

"WE SHARE A BED!"

"I'm almost always on night watch and you're up before anyone else. Waste of space to each have our own."

"BUT WE SLEEP IN IT TOGETHER HALF THE TIME!"

"At least you don't kick in your sleep. And you always bitch about being cold when you're alone, so I'm not seeing the problem here."

"OH MY GOD, ARE WE DATING? WHAT IS THIS? WHAT ARE WE???"

[salamispots]

drew some creatures at the amnh :0

[another-goblin]

Great character introductions continue.

[queenlucythevaliant]

Honesty hours: I've been working a summer job at a bookstore for almost two months now. Here are the books I will discreetly shake my head at customers for buying. My literary red flags, if you will.

Anything tarot

Particular romance and romantasy novels that I've been told are basically just soft erotica (ACOTAR being the most popular)

Harlequins, which apparently still exist

Colleen Hoover

The Colleen Hoover merch we sell for some godforsaken reason

Heaven is For Real, When God Winks at You, and other theologically sketchy but inexplicably popular books. I'm always internally thinking, "oh honey, no!"

Giant stack of self help books combined with books from the business section. This suggests a very particular type of person. This type of person scares me.

Especially that one book we have about how to become a "superior man" (??)

More than one book by James Patterson. One book is forgivable; multiple suggests you follow him as an author

More than one book by Danielle Steel (same reason)

Parents buying their kids books that are just "Adult Thing: For Kids!" Like we have a picture book that's called "A Day at Dunder Mifflin" or the one adapted from the Dumb and Dumber movies and I'm like. Don't you think your kid would prefer something that's actually for them??

That guy who bought the collected writings of Lenin, the poetic writings of Mao, and a giant, thousand-page biography of Che Guevara all in one go. You okay there buddy?

[aardvaark]

i don’t mind suspending my disbelief for leverage’s person-sized ventilation shafts bc that’s pretty standard for the genre, but that doesn’t mean i won’t laugh a bit at some of the egregiously large vents. particularly in the crowning acheivement job (lev: red s2 finale) because - well just look at this lol! harry and parker, two adults, can kneel side by side in those vents. parker can sit upright.

that museum was made for vent crawling purposes. that’s just an extra room in the museum they forgot to decorate. the leverageverse has a thief union that successfully lobbied for a better working environment. these vents double as a playground for museum-goers’ children. i was crying with laughter thinking about this and harry’s vent crisis was NOT helping me remember that there was a serious heist thing going on lol, i love this show.

[plush0fairy]

Wisconsin-ae-Miku

Have to give credit to @thedragonitus for that Culver's cup!

[remxedmoon]

guess who found an extremely janky art program he can draw in!!! this guy!!! i decided to try drawing in someone’s strawpage and it’s really fun i love it. these’re all from the past 3 days!!! not in chronological order because if it were then my awfully jpeg compressed first attempt would be the first thing you see and i just can’t handle that. anyways!!! enjoy my fellas

[blackkatdraws2]

The Main Character.

[Blank Scripts AU]