#the quote also applies to what you get excited about *for* other people

[brown-little-robin]

I am trying to become

easier to impress

[sy-on-boy]

My 2 cents on the plot / thematic relevance of Ch 95

This is not about advancing Plot B or showing Anya's school life (which is still true but has been discussed), but rather the overall theme of education and war. There was an excellent post about how Eden is at the frontline of the cold war and it is subtly shown through the innocent lens of the first graders (I can't find it now, would link it if I could). And I think that perfectly applies to Ch 95.

Quick recap on some references about education/students/war throughout the series (that I remember at the moment):

Sylvia gravely condemning the Berlint University Student Terrorists during the Doggy Crisis arc (Ch 20) and saying "did you learn nothing about war at your university?"

Henderson talking about his experience as a history teacher (Ch 27.5, Short Mission 4) and quote: "Yes, well, I have always maintained that there is nothing to be learned from the memorization of time lines. From the grand efforts with which our forefathers crafted society to the foolish notions that sent them racing to war, to not study the human element at history's root is to not understand history at all"

Note that Damian's best subject has been established to be history, and his family (father) has been involved in war, at least Donovan was PM during most of the war (established by Melinda in Ch 91). Donovan is also a graduated Imperial Scholar (Ch 64).

The Red Circus group started out as a peaceful student demonstration "advocating for peace and quality" (Ch 72) and "speaking out to protect the weakest members of our society". And Billy Squire said, "We were a respectable movement that fought for our cause with respectable means. It was the state that turned violent against us. So I'm not taking criticism from a member of the establishment (referring to Henderson, an educator). I'm gonna see to it that they reap what they've sown." Billy's daughter Biddy was killed by the state at a protest.

Less of a point, but Becky is the daughter of the CEO of a major military manufacturer. Despite their very likely involvement in military conflicts because they sell arms, the Blackbell cohort has been depicted positively so far: Becky being a kind, wonderful friend to Anya, Becky's father doting on her, and Martha again being kind and dignified (and also being an ex-soldier and acquainted with Henderson).

Eden Academy is a major setting for SxF and the themes of politics, education, and war are embedded in it. The students involved in protests/groups are older (the university students, Billy's daughter), but the political implications remain even among the youngest of the students— the first graders.

Hence, Ch 95. When mere first graders are shown to fight to gain connections, which can be political as pointed out by Henderson: "In the world of politics, dances serve as major social events". But of course, they are kids, so they see it more playfully and innocently, especially Becky with her shipper lens on.

Of course, there is also the aspect of getting to know other people better out of interest (the boys asking Anya and Becky to dance because they were impressed after the bus hijacking). But as people have mentioned, nobody mentions this to Damian despite him being equally involved in saving the class (all three of them got a star). The girls aren't interested in Damian as a person, they're interested in him as an asset because of his family and their power.

And I can see the teachers trying to diffuse the tension and create camaraderie with their friendly competition. To me, this reads as the teachers fully realizing "the battlefield of political maneuvering", and they want to remind the kids to have fun, to show good sportsmanship, to unite the kids, to operate as a class and be friendly with one another, and overall make it more lighthearted. It's nice to see the classes work together and get excited / win as a unit, especially compared to the more "individual" bits of fighting for a dance partner later.

We get a bit of comparison between Bill and Damian, with Bill showing good sportsmanship while Damian scoffs at him. But Damian ends up becoming ultra competitive and telling his classmates to not screw it up.

Like the Dodgeball chapter, Damian is clumsily attempting to lead the class by doing good in his quiz, while getting stressed and yelling at his peers when they don't succeed like he did. So he's not really a good leader. Like how him being good at history does not necessarily mean he is good at being peaceful (Short Mission 4 ends with Henderson staring in exasperation at Damian + Anya bickering with each other). But obviously, he is merely a child, and he is naturally immature.

At first Loid is all for advancing Plan B and analysed Anya's suitors in a rational (reductionist?) way by ranking them in terms of gaining intelligence, but he remembers this is just a dance, Anya is a kid, and she should do whatever she wants. Loid (and the adults) are very aware of the political side of the gala, but ultimately they want the kids to have fun and not worry / worry less about politics.

Because they're kids! They'll grow up and learn more and be politically active later, but right now, they're just kids. Kids who don't know much about the world but are eager to make the world a better place.

In the end, we get a panel of Anya and Loid "teaming up" to win Damian's hand for Plan B / world peace. The Damian-Anya dynamic is cushioned with the silly crushy feelings, but underneath it, Operation Strix continues to be a core motivation.

I find it interesting that Endo chooses to focus on the first graders and their innocent view of the world / politics. It's embedded everywhere and especially in a prominent school like Eden, but the kids don't really realise it / realise the severity of it. Heirs and heiresses are educated at Eden and grow up to have incredible influence and the power to shape the world. Our protagonist's best friend comes from a family that manufactures arms. Henderson mentions the importance of learning history to avoid making the same mistakes (ie. war).

So Ch 95 is a cute prom chapter. But I think it also helps to show the themes underneath the fun, bubbly interactions.

[pippin-katz]

I understand being upset that Mary & George is about filthy sex vs. RWRB but also... As a queer person, straight people have shows like GoT which are mostly filthy hetero sex so we can have the same.

People had sex for power throughout history, that's just how it is. And George was mentioned in the RWRB novel by Henry specifically so to have Nick portray him in this show is pretty cool.

You misunderstand me.

I have absolutely no qualms about Mary & George being the show that it is. I have no problem with it being raunchy and sex-filled. I'm entirely for variety of content and genres for all groups of people.

What I was pointing out is that this show is truly getting attention. There's interviewers, articles, social media posts, etc. that are all buzzing about it. It's not just a niche group of book fans that are anxiously awaiting the adaptation. There is a lot of hype, and one of the first things everyone mentions when discussing this show is the sex.

That's all completely fine, but I can't help but feel like this excitement and anticipation would not have applied to Red, White & Royal Blue, even if it had gotten the promo it should've.

People love getting excited/flustered/teasing/curious over sex on the screen, particularly if it's dirty and/or kinky. "Sex sells" is a saying for a reason.

It hurts to finally get a movie like Red, White & Royal Blue, that is beautiful, hopeful, funny, happy, and unapologetically queer, without it being the center plot point, and know deep down that it would never get as much praise or attention as something like Mary & George would.

The painful truth is that for the general masses, gay relationships boil down to sex. It's what they think of first. It's what some of them only think about. When a ship/pairing is proposed, what's one of the very first questions asked or teased about?

"Who's the top and who's the bottom?"

It is treated as something that they are expected to share based on how casually it's asked. You would never ask that question to a heterosexual couple even though those terms can be applied to them too. It's all they want to talk about, and yet they're also oblivious and ignorant. I mean, for fuck's sake, at least 75% of the viewing population of RWRB, even those who would consider themselves dedicated allies, did not know that men could have missionary sex. All they picture when they think of gay sex is rough, back-to-chest sex where they aren't facing each other. It did not even occur to them as a possibility that men could have gentle, face-to-face sex.

Loving sex is rarely depicted between queer couples on the screen, which is what made Red, White & Royal Blue so different and important.

The film is also not centered around their sexualities. They are contributing factors to the plot, but they are not the focus the way it is in movies like Love, Simon. Taylor recently quoted Matthew with this phrase: "It is not a gay love story; it's just a love story."

Henry and Alex's relationship is depicted no differently than any heterosexual romcom couple. If you switched one of them to a woman, you could play the plot out the exact same way; all you would change would be the scrutiny based on their sexualities, which can be substituted for class differences, race, or literally anything else that the public could hold against them.

And to clarify again, there is nothing wrong with showing the other side of this. I have no problem with it whatsoever!

It is just disappointing and frustrating to see how fast and easily the media flock to a show like Mary & George because it's so "outrageous" and "sexy", while Red, White & Royal Blue has practically been brushed off only six months following its release after it dominated the worldwide charts for several weeks.

I know what people will say: "Oh, the window for promo has passed!" "Oh, they're still talking about it a bit!" "Oh, it's because of the strike!"

Yes, it was, but I cannot shake the feeling that even if it hadn't happened, Red, White & Royal Blue would have still gotten the short end of the stick compared to something like Mary & George, or The Idea Of You that's coming out later. I'm pushed more towards that mindset after RWRB lost the SAG award the other night even though it was easily the best one on that list.

RWRB is treated as inferior and has already suffered from homophobic Hollywood standards multiple times, but I almost guarantee you that M&G will receive mountains of praise and awards, despite being way more explicit than RWRB is.

That is what I have a problem with.

[indiaalphawhiskey]

Hii India

You already said a few things about Harry taking a break.. now that the last show is over and Harry saying goodbye over Instagram, what do you think?

A lot of people have the opinion he’s going to be gone for quite a while now. Whatever it is I’m glad he’s taking the break. For me it’s a confirmation that he’s still dealing with the mess that fame is in a healthy way and I’m going to be here for when he decides to come back. I’m going to miss him so much though.

And I would love to hear your take on things. Do you think this is a goodbye for a longer time period? Or is it more an goodbye for him, to be okay with the fact that things might never be the same as they were during this tour? That his fame is changing and he accepts that he doesn’t have to control it?

Hi, love 🩵

Hmm. So, I can’t believe I’m actually going to say this, but practically speaking, for the first time, the set up of a new stunt is a hopeful sign. If they’re finding a way to keep Harry in the press, however low the profile (🤞🏼), it’s for a reason. My hunch is that he is tying up with Loewe in some way, and in that sense, I don’t think it will be long ‘til we see him again, physically (however infrequently).

But, I also think touring is tougher than he makes it seem, physically, mentally and emotionally. I think all the things he realized during COVID, about being a better son/brother/friend (and partner) is a driving force in this seemingly more urgent need to find balance. It’s certainly a shift from the way he was working/talking during Fine Line, but I also think that’s the point.

He’s now in a very rare “natural” break in his career as a musician. We haven’t had any confirmation that he’s re-signed with Columbia (although I have no doubt that he has), so for all intents and purposes, he’s currently publicly free from professional obligation for the first time in a long time (at least in terms of his music) and that is going to feel very, very odd for someone who’s been working essentially non-stop (whether in the spotlight or behind the scenes) for over a decade. I think that novelty and sense of impermanence is something he’s trying really hard to embrace; to meet with excitement rather than fear. So, for the most part, I stand by my original thoughts.

But, if I can add:

I think Harry is the kind of person that is very aware of the gravity of fate and sheer magic that has gone into his success. You can see it in the way he talks about there being “no reason he should be getting to do this instead of anyone else” and how “we’re all the same” and “this doesn’t happen to people like me very often”. In this way, I think there’s a constant groundedness about his person and an acceptance of the vulnerability of his career and his success — in other words, he knows that lighting really might not strike thrice, and I think he’s preparing himself for that. There was a moment on the last Late Late show, when he was comparing himself to Will Ferrell and he said something like “Will has longevity and I’m more a flash in the pan” (untrue, but I digress) and what struck me about that line was how acutely aware he is that things can change for him at any moment. It’s similar to his “whatever people say about you, it’s not true. If people say you’re the best thing ever, it’s not true” quote on Howard Stern; like I think it’s one of the themes of his life, having to have a firm hold on reality so that the ‘inevitable’ crash is manageable.

He also seems to be trying to learn from the lives of other musicians/celebrities, and take those lessons to heart by applying them to his life and his work. in the end, I think what he’s trying to do is just accept that there are no guarantees; that he doesn’t know and has no control over whatever happens to the world while he’s away or what he’s returning to. I think the reason it sounds so definitive and scary and existential is because it is all of those things, for him. This is a big change, and he’s giving it its space and weight for the first time, because it is the first time he’s been able to say a proper goodbye (1D hiatus was rushed, HS1 went directly into FL, FL ended abruptly during COVID… there’s a pattern.)

Bottom line though, is that I know for certain Harry fucking loves music and touring. It’s a compulsion, for him. It’s in his DNA. And that’s why I’m not scared that he’ll leave forever, because I’ve always hard the feeling his music nourishes him just as much (if not more) than it nourishes us. He does what he does for himself, and we’re a bonus, and as an artist, that is the best reason to do anything and the only reason to keep coming back to it, regardless of the uncertainty that awaits him.

Not to make this novel any longer than it is, but I’ve also had a recent thought that occurred to me: Harry is 29, which means he’s currently going through his Saturn return.

I’ve asked my therapist (who is also an astrologist) for a bit more literature on Saturn returns, cause I’m super curious about how that might be affecting him. (For background, all my friends got married around the times of their Saturn return, and both my best friend and I picked up and moved halfway across the world during ours so at least for the people in my life, it seems like it is consistent with big change, and from the way Harry is talking, it seems it might be affecting him the same way.) I’ll get back to you. 😉🪐

[scienter]

Oh wow. I have so many thoughts about Wind and Truth chapters 3 & 4.

Who or what the fuck is the Wind? 🤔

“Is the wind a god?” Kaladin asked.

“When this world was created,” Wit said, long before Honor, Cultivation, or Odium arrived, Adonalsium left something behind on it. Sometimes it’s called the Old Magic. Sometimes that term is applied to the Nightwatcher, who came – with Cultivation’s efforts – from one of those ancient spren. Listen to the Wind when it speaks, Kaladin. It’s weaker than it once was, but it has seen so very much.”

Now I just want to go back through the series and note every passage mentioning Kaladin and the wind or a voice in the wind. I know there's a lot of them there.

Also, I've seen people mention this quote from the series:

"We took them in, as commanded by the gods . . . For their betrayal extended even to our gods: to spren, stone, and wind."

 So the wind is . . . a deity?

I kept thinking about Syl's explanation of the wind at the beginning of Oathbringer. She said something about honorspren being connected or related to the wind, and that the wind had been with Kaladin since his childhood. 🤨

So much to think about . . .

“Listen,” Wit said. “Everything you’ve done—Kal, everything you’ve been—has prepared you for what’s next. It’s going to be hard. Fortunately, life has been hard, so you’re working under familiar constraints.”

Kaladin glanced to the side, where Wit was staring off into space, idly spinning the red flute in his fingers. Something in his voice… his face…

“You’re talking,” Kaladin said softly, “as if one of us won’t survive this.”

“I wish I were optimistic enough to think one of us would survive.”

NO, NO, NO! 🙈🙉🙊

I hope to god all the Kaladin-is-going-to die foreshadowing is a red herring. I don't want Kaladin to die an early death. Not after he struggled so much with suicidal ideation. It'd be a shitty end to his story if he dies as a hero/martyr after overcoming his self-destructive impulse to kill himself. Please be a misdirect! 🙏

“Simply trying to give you a proper send-off,” Wit said. “We’re at the end, Kaladin, and you are needed. I want you to march off to your divine destiny with a spring in your step.”

A PROPER SEND-OFF?

A DIVINE DESTINY?

What does that mean!?

Does Kaladin die? 😭🤬

Does Kaladin ascend? 😯🫨

Does Kaladin merge and/or bond with the wind?? 🤔🤯

“You know what first drew me to you, Kaladin?” Wit asked. “You did one of the most difficult things a man can do: you gave yourself a second chance.”

Wit gets it.

“I took that second chance… maybe a third,” Kaladin admitted. “But now what? Who am I without the spear?”

“Won’t it be exciting to find out?” Wit said. “Have you ever wondered who you would be if there was no one you needed to save, no one you needed to kill? You’ve lived for others for so long, Kaladin. What happens when you try living for you?”

Oh, I am SO ready for this next step in Kaladin's journey. I'd love to find out who Kaladin is beyond the battlefield. There is more to Kaladin than just being a soldier or a hero. It's one of the reasons why I want Kaladin to survive this book. I want to see Kaladin living for himself.

And yeah, I need to go back through and give all the wind references another look. I thought it was noteworthy before, but I believed it was just connected to Kaladin being a windrunner. But it looks to be something more than just that. Is it connected to the Stormfather calling Kaladin "Son of Tanavast" or Kaladin's "divine destiny"?

[rainbow-starlight]

time for EVEN MORE CHARACTER ANALYSIS 🎉

(this time, with enneagrams!)

So, I love a good personality test, as I know many Tumblr users do. I’m particularly fond of Enneagram, because I feel like it gives a lot more insight into someone compared to, say, MBTI.

So, of course, I sat down and took the test twice: Once for canon Sun, once for canon Moon. A lot (and I do mean a lot) of this is based on speculation, so if you disagree, please let me know why!

I mostly did this because, y’know, there isn’t a lot of characterization for these two, and I wanted to see if I could gain any new knowledge from this. (Which, yep, it absolutely worked.) Hopefully this can be useful for anyone who wants more perspective on writing these two in a more day-to-day sort of setting. It’s almost all speculation, but I found it really interesting.

So, drumroll please… 🥁🥁🥁

Sun is a 2w1, and Moon is a 8w7!

Pretty different from what I found for them online (Sun as a 7w6, Moon as a 1w2). Thoughts on what these mean under the cut.

Most of my information comes from here! Some paraphrasing, some direct quotes. I won’t be directly citing everything because this isn’t an essay.

Sunny

The biggest and most interesting takeaway from Enneagram, to me, is the core hopes and fears.

Sun’s primary hope is to feel loved, and his secondary hope is to be good, have integrity, and be balanced.

Sun’s primary fear is of being unwanted and unworthy of being loved. His secondary fear of being corrupt, evil, or defective.

This is really interesting to think about in the context of the virus. He’s scared of being left behind, maybe doesn’t even understand why Moon is acting the way that he is and is terrified something’s just wrong with them. This could even apply in regards to being moved from the stage to the daycare, in a way.

His main motivations are to express his feelings for others and be needed and appreciated. His secondary motivations are to improve everything and be beyond criticism so nobody can say anything bad about him.

When going through a period of stress, Sun would become more like Moon’s worst traits. He’d be more proud, egocentric, confrontational, aggressive, dominating, vengeful, and demanding of obedience. If he were in danger during this period of time, he’d likely become destructive in his attempts to get out of it, even if that’s not the best way to handle it. He’d also likely become depressed, moody, irrational, hopeless, and ashamed of himself, more prone to self-destruction. He’d probably chase away people who try to help him and self-isolate.

I think that can definitely be seen in the ruin part of HW2 with Sun’s voice lines to the player, as well as how harsh he is on the player during arts & crafts.

When going through a period of growth, Sun would be creative, self-aware, introspective, gentle, compassionate, excitable, spontaneous, cheerful, and productive. He’d be able to be vulnerable yet emotionally strong, grateful for what he has, and excited about just existing. Very much like fanon Sun, honestly.

An unhealthy Sun would likely be manipulative, inflexible, self-serving, and domineering, able to excuse and rationalize his behavior because he sees himself as a victim. He’d likely be obsessive about others’ imperfections and wrongdoings, perhaps to the point of cruelty. He’d be prone to nervous breakdowns.

An average Sun (closest to what we’ve seen so far) would be people-pleasing, orderly, abrasive, overbearing, impatient, self-sacrificial, and codependent. Full of approval and flattery for others. He’d likely hover and mettle in others’ business and scold others for anything done not to his exact specifications.

A healthy Sun (unheard of so far in the games lmao) would be unselfish, compassionate, caring, hopeful, warm-hearted, forgiving, encouraging, and appreciative. He’d actually take care of himself, too.

To help Sun grow into that healthy category, here’s some stuff that would help…

Addressing his own needs before others’.

Not expecting appreciation for the good things he does.

Asking people what they need from him instead of just assuming and trying to help, and accepting that sometimes people don’t want his help without assuming that they dislike him or are rejecting him.

Not trying to call attention to his own hard work.

Learning to recognize the affection and good wishes of others, even if those things take a different shape than he’s familiar with.

Learning to relax and take time for himself, without feeling like this will lead to chaos and disaster.

Not expecting others to change immediately when he explains something, because what’s obvious to him isn’t always obvious to others and people just don’t typically change right away.

Not getting worked up about others’ (or his own) shortcomings, because frustrated with others gets him nowhere and harsh self-criticism just makes him feel worse.

Getting in touch with his own feelings and needs.

Moon

Now, this one was definitely harder. We get so little characterization for him. And yet…

Moon’s primary hope is to protect himself and be in control of his own life and destiny. His secondary hope is to be satisfied and content, and have his needs fulfilled.

Moon’s primary fear is of being harmed or controlled by others, and his secondary fear is of being deprived and in pain.

This is really telling compared to Sun’s. Moon isn’t scared of some sort of fundamental flaw within himself. He also cares much less about what others think of him, and just wants to be happy and safe.

His main motivations are self-reliance, to prove his strength, and to be important and in control of his environment and situation. His secondary motivations are to maintain his freedom and happiness, to avoid missing out, to keep himself excited and occupied, and to avoid pain.

I feel like this definitely tracks. He’s a gremlin that makes a hobby out of bothering the staff by pretending to be a boogeyman. That’s not “security” work (sorry, Moon).

When going through a period of stress, Moon becomes secretive, fearful, perfectionistic, and critical. He’d be reclusive and out of touch with reality, obsessed with yet frightened by his violent thoughts, and incredibly self-destructive. He’d judge others harshly while rationalizing his own actions and wouldn’t hesitate to punish others to get rid of perceived ‘wrongdoers’.

This aligns pretty well with what we’ve seen of Moon with the virus.

When going through a period of growth, Moon picks up some of Sun’s best traits. He becomes open-hearted, caring, focused, compassionate, encouraging, nurturing, loving, perceptive, curious, independent, innovative, and whimsical.

We haven’t really had a chance to see anything like this with Moon, but it feels closer to popular fanon perceptions as well.

An unhealthy Moon would be ruthless and violent. He’d be reckless about his own safety and straight-up murderous. He’d be impulsive and never know when to stop or when he’s taking things too far, and eventually run out of energy or get too broken-down and just give up on himself.

An average Moon would be self-sufficient, hardworking, hyperactive, self-centered, and proud. He wouldn’t pay much attention to his own emotional needs. He’d be combative and intimidating to get his way, and not shy away from threats to get obedience. He’d always be doing things to avoid boredom and have a larger-than-life persona just for the fun of it.

A healthy Moon (at long last…) would be brave, confident, resourceful, decisive, cheerful, passionate, and assertive. He’d actually be very extroverted and easily excited, which goes against a lot of popular headcanons for him, but then again this is the guy whose entire characterization is one long performance of hide-and-seek/tag with the monster under your bed. I feel like it makes sense that he’d be more social when the threat of his worst fears coming true isn’t looming over his head.

How would Moon reach that healthy category?

Recognizing that he’s at his best when he does things like take charge or help people through a crisis. He needs to use some self-restraint and try to inspire others to do what he wants instead of just forcing them.

Learning to let others have their way sometimes, and recognizing that doing this usually won’t mean sacrificing his power or his real needs.

Recognizing that the world is not against him and letting in the affection that’s available.

Accepting that he depends on others and not alienating them.

Not overvaluing being feared/obeyed, and recognizing that those things are not a stand-in for love.

Learning to be less impulsive.

Learning to listen to others, as well as learning to be comfortable without constant stimulation.

Accepting that he doesn’t have to have everything immediately.

Choosing quality over quantity in experiences.

Making sure that what he wants will really be good for him in the long run.

What do these types mean for their relationship and how they’d interact with each other?

They’re more alike than they initially appear!

Both are action-oriented and want to have a personal impact on their environment.

Both can be sentimental and deeply feeling, with a soft side that isn’t as apparent.

Both can play the roles of provider, protector, caretaker, and nurturer while avoiding or even denying their own needs.

Both tend to overwork themselves and be the ‘strong one’ in relationships, although Sun’s type is more likely to be the power behind the throne whereas Moon’s type is more likely to be the one on the throne, which I found really interesting.

Both are passionate, generous, and have good people skills.

Both are strong-willed and like taking on responsibility, as long as they choose it themselves.

Both easily play the roles that the other needs and wants. They see each other’s best qualities and can be the other’s strongest supporter and admirer. They also have clearly-defined roles, so they tend to not get in each other’s way. They make powerful allies who complement each other’s strengths, particularly the good effects they have on others.

However, they have very different values: Sun’s type is more person-oriented, and Moon’s type is more practical. Sun’s type also tends to be more indirect, whereas Moon’s type tends to be more direct. Sun’s type is much more likely to get attached to people and see things from their point of view, whereas Moon’s type does not.

When they’re not doing so good, they may be prone to arguments over whose views are correct: Moon’s confrontational attitude and tendency to shut others out, or Sun’s possessive and self-sacrificial behaviors. Sun’s type is more likely to get caught in a codependent relationship with Moon’s, becoming an apologist and enabler for his bad behavior.

The breakdown in mutual communication/respect/trust would involve Moon seeing Sun as insincere and manipulative, and Sun seeing Moon as cruel and domineering. They’d both become more controlling and harsh with each other, both prone to paranoia and fear of betrayal.

I feel like that’s kind of where we’re at in the games. Sun chooses not to outright warn people about Moon a lot of the time, and they both try to gain total control of their shared body and shut the other out.

AAAAND… DONE!

I hope this was at least an interesting read for you guys, and offered a new perspective on these characters! I recommend checking out the link for further insights into the personality types, because I tried to just limit it to character motivations and interactions and that alone has been ridiculously long.

hey, sunnie, why’d you do this?

neurodivergency. next question.

[spacefinch]

Star Wars Rebels Incorrect Quotes

Ezra: *pulls out lightsaber* We have ways of making you talk.

Imperial officer: *nervous*

Ezra: *cuts cake*

Imperial officer: Can I have some?

Kanan: Cake is for talkers.

Mart: Big mood.

Rex: What does that mean?

Mart: Well, it kinda means, like, me too, I guess.

Rex: Thanks kid.

*1 week later at a command briefing*

Commander Sato: I’m kind of worried about this mission.

Rex: Big mood, Commander, big mood.

Sato: Mart, what did you do?

Rebel soldier, throwing a detonator: YEET!

Sato: Excuse me?

Soldier: You see, Mart told me—

Sato: WHEN WILL YOU PEOPLE LEARN?

Inquisitor: IS THAT THE BEST YOU CAN DO?

Ezra: Look, I’m 15. I’m trying very hard. You gotta work with me here, bud!

Zeb: Here’s the plan.

Zeb: I go in.

Zeb: I start hitting people hard in the face.

Zeb: And we see where that takes us.

Hera: No.

Kanan: This is not the time for your shenanigans.

Ezra: It was a single shenanigan.

Ezra: I have cat-like reflexes.

Sabine: Prove it.

Ezra: *sees a cat*

Ezra (instantly): I like that cat.

Spaceport desk person: Would a Commander Sato please come to the front desk?

Sato, arriving at the desk: Hello, is there a problem?

Desk person: I believe they belong to you?

Ezra and Sabine, simultaneously: We got lost.

Sato: I didn’t even bring you two here with me.

Ezra: On a scale of one to ten, how bad do you think it would be if—

Kanan: At least twenty.

Ezra: Oh, just so you know, it’s very muggy outside.

Hera: Ezra, I swear, if I step outside and all of our mugs are there..

Hera: [Gives Zeb the Look of Disappointment]

Zeb: [sips coffee from bowl]

Sabine: [locked up by the Inquisitor]

Sabine: [mockingly] Oh look, I’m the Inquisitor.

Sabine [slips metal pin from boot]: I’m a big scary guy with a red lightsaber.

Sabine: [begins to pick the lock on the cell door] I’m going to hunt down all the Jedi and their rebel friends.

Sabine: Gonna lock up the girl instead of killing her because she’s not really dangerous to my evil master plans.

Sabine: [kicks down the door]: Oops, she got out.

Sabine: I have a plan.

Kanan: It can’t involve blowing stuff up.

Sabine: I have no plan.

[Explosion in background]

Ezra [off camera]: This was a horrible idea.

Zeb [also off camera]: THIS WAS YOUR IDEA, EZRA!

Ezra: It’s time for Plan B.

Sabine: We have a Plan B?

Ezra: No, but it’s time for one.

Mart: I have a question.

Wolffe: Okay, shoot.

Mart: [shoots blaster at the ceiling] All right, can I ask it now?

Kanan: Go clean your bunker.

Ezra: [waves hand] I don’t need to clean my bunker.

Kanan: [waves hand] Yeah, you do.

Jonner: Oh, that’s so nice, you brought us snacks!

Mart, holding the snacks close: I never said that.

Sato: What is the proper way to deal with someone annoying you?

Ezra: A lightsaber.

Sato: No.

Ezra: Two lightsabers.

Sato: No!

Hera: I’m leaving. Kanan’s in charge while I’m gone. I’ve left notes for each of you with instructions.

Ezra: Mine just says “Ezra, no.”

Hera: And you can apply that to any situation.

Mart: If you had to separate your Loth-cat from 49 other identical Loth-cats that were all equally excited to see you, how would you determine which one is yours?

Ezra: Easy. I would take all 50 Loth-cats home.

Hera: So how are you and Chopper getting along?

Sato: I think he’s finally warming up to me.

Sato: [sees Chopper rolling by]

Sato: Hey, Chopper.

Chopper: [zaps him]

Sato: It’s a work in progress.

Ezra: Here is my award for the most direct orders ignored.

Kanan: That’s not an award. That is an angry letter from Commander Sato.

Ezra: Well, it says most, so I’m calling it an award.

Zeb: [sitting outside listening to the radio]

[something explodes in distance]

Zeb: [turns up the volume]

Sato: Are you in my ceiling, Bridger?

Ezra [muffled]: No.

Sabine: How’s it going?

Kanan: Fine. Except for this headache that comes and goes.

Rex: [enters the room]

Kanan: And it’s back.

Sabine: [looks right]

Sabine: [looks left]

Sabine: [runs through hallway] I’m such a good spy. I’m so sneaky.

Ezra: [in the vent above her; can hardly keep himself from laughing]

Phoenix Squadron Rule #56: No, the command ship isn’t haunted, it’s just Ezra in the vents.

Mart: I am the most responsible person here.

Gooti: But you just flooded the bunker.

Mart: Yes, and I take full responsibility for that.

[record scratch] [freeze frame]

Mart, narrating: Yup, that’s me. Mart Mattin Sato. Now, you’re probably wondering how I ended up in this situation.

Mart: I have two best friends I go to for advice.

Mart: One rationalizes, uses logic. and the other one hypes me up to do dumb stuff.

Mart: Balance.

Sato: For this mission we need a good pilot. Anyone interested?

Mart: [raises hand]

Sato: [sigh] Someone who doesn’t want to wreck their starfighter?

Mart: [puts hand down slowly]

Wolffe: I thought you said you knew how to fly this thing.

Mart: I said “how hard could it be?”

Wolffe: No, don’t hit the button, just press it, gently.

Mart: I am pressing it gently! It’s not working!

Ezra: You can drink drinks but you can’t food foods.

Kanan: Excuse me?

Sabine: Eza has no survival skills. His need to win has replaced them.

Mart: That can’t be true.

Sabine: Watch this. Ezra, race you downstairs!

Ezra: [shatters the window with his lightsaber] [jumps out the window] [parkours all the way to the ground]

Mart: I see what you mean.

Imperial officer: I have an army.

Sato: We have a Jedi.

Kanan: Let’s go to your happy place. Think of things you love.

Ezra: My family, the color orange…

Kanan: Okay.

Ezra: Loth-cats, Jedi stuff…

Kanan: Good.

Ezra:

The Sith Holocron

Kanan: No!

Zeb: What are you going to do?

Ezra: I don’t know. Something dramatic, I hope.

Wolffe: Do you know how to fly this thing?

Mart: We’ll see.

Wolffe: That’s a yes or no question.

Mart: Yes.

Kanan: Is everything a joke to you?

Ezra: Funny things are.

Rex: Hey kid, have you seen my helmet anywhere?

Ezra [wearing Rex’s helmet]: No. Can’t say I have, sir.

Ezra: So I have some good news and some bad news.

Sato: Good news first.

Ezra: Well, the ejector seats in the A-wings work amazing, sir.

Ezra: [trying to climb onto the roof to do a backflip off the roof]

Kanan: [Trying to stop Ezra]

Chopper: [Cheering Ezra on]

Zeb: [making a bet with Sabine on whether or not Ezra will hurt himself]

Hera, looking into the camera like she’s on The Office: I need new teammates.

[while stuck on Phoenix Nest]

Sabine: I know what to do! We should play another game of hide and seek!

Ezra: Oh no, never again.

Sabine: Why not?

Ezra: You left me in the vents last time!

Sabine: IT WAS ONE TIME!

Ezra: I WAS THERE FOR TWO DAYS!

Kanan: It’s quiet. Too quiet.

[blaster bolt barely misses him]

Kanan: To be honest, I preferred the quiet.

Mart: Four months?

Jonner: What is he talking about?

Gooti: It’s not that big of a deal-

Mart: You stood by and watched me water a fake plant for FOUR MONTHS?!

Hera: I can’t submit this mission report. Who wrote it?

Kanan: Why, what does it say?

Hera: All it says its “Bad guys went pew-pew, we went pew-pew better.”

Ezra: … Was I wrong, though?

Kanan, exasperated, in Ezra’s direction: YOU ARE A BOY, NOT A TREE!

Kanan: [casually blocks incoming blaster fire with his lightsaber]

Sabine: [resting face while throwing a detonator into the stormtroopers’ midst]

Hera: While Kanan and I are gone, you’re in charge, Ezra.

Ezra: YES!

Hera to Sabine: You’re secretly in charge.

Sabine: Obviously.

Ezra: [suspiciously walking away from Kanan’s room, snickering]

Hera: Ezra!

Ezra: What?

Hera: I was just looking for you.

Ezra: Why? I didn’t do anything.

Hera: What?

Ezra: What?

Hera: [gives Ezra the Look] What did you do?

Kanan: [walks in with whipped cream on his face] It’s not funny. I was sleeping peacefully. Very funny, Ezra.

Ezra, laughing: I didn’t.. I didn’t do it.

Kanan: Uh, well, Sabine…. I don’t appreciate—

Sabine: Don’t look at me!

Kanan: Okay, well, Hera!

Hera: Nope.

Kanan: Well, who was it then? I know it was one of you!

Sato: [smiles]

[creature roaring in background]

Ezra: DUDES! YOU’RE ON YOUR OWN! [runs away]

Sato: I am at a loss for words.

[cut to shot of Mart looking straight at the camera like he’s on The Office]

Mart: Despite being at a loss for words, my uncle scolded me for three minutes straight.

Imperial officer: Your insolence goes too far!

Ezra: Wrong. It can go a lot further.

Ezra: [reminds Sato of his younger self]

Sato: I like this kid, he’s my son now.

Kanan: Wha- wait! I already called it!

Sato: Where’s Ezra?

Rex: Doing stuff.

Sato: Then where’s Kanan?

Rex: Trying to stop Ezra from doing stuff.

Sato: So where is Sabine?

Rex: Stopping Kanan from stopping Ezra from doing stuff.

Sato: If they’re doing all that, why are you out here?

Rex: Someone has to keep you distracted, Commander.

Chopper: (translated from droid binary) <I despise you with every inch of my being.>

Mart: Well, it isn’t a lot of inches.

Ezra, barely holding Chopper back: RUN

Mart: THE FLOOR IS LAVA!

Hera: *helps Sabine onto the couch*

Chopper: *pushes Ezra off a chair*

Mart: As you can see, there are two types of people.

Mart: We have good news and bad news.

Gooti: Okay, bad news first.

Jonner: The fire we started in the bunker is out of control—

Gooti: THE WHAT—

Mart, holding a perfectly roasted marshmallow: Wow, so you don’t even care about the good news?

Ezra: I’m in me mum’s car, vroom vroom.

Hera: Get out of me car!

Ezra: Aww.

🎵You are my dad🎵

YOU’RE MY DAD!

🎵Boogie woogie woogie🎵

— Ezra to Kanan

Hera: Let me see what you have!

Chopper: *droid sounds* (translation: A knife!)

Hera: NO!

Ezra: 🎶 I want to see my little boy 🎶

Sabine: *holding Loth-cat* Here he comes!

Ezra: 🎶 I want to see my little boy 🎶

Mart, Gooti, and Jonner (gathered around a lettuce): Cabbasu, cabbasu, cab-a-su, LETTASU, LETTASU, LETTASUUUUUU!

Ezra: On all levels except physical, I am a Loth-wolf. *barks*

Mart: Hey did you hear that Joe contracted ligma? They had to do a surgery on his updog.

Sato: Who’s Joe? What’s ligma? What’s updog?

Mart: *inhales*

Sato's revenge:

Mart: Hey uncle, what are you eating?

Sato: I'm having jogan fruit and amatta. Do you want some?

Mart: What's amatta?

Sato: Nothing. What's ammatta with you?

[alwayschasingrainbows]

What do you think about Anne and Gilbert arriving at their house of dreams after the train ride right after their wedding, having dinner with Gilbert's great uncle, his wife, and Captain Jim, and chatting until nightfall?

I saw in some comments that people didn't like it and found it ridiculous and unrealistic. Do you think so? I'm just curious about your opinion.

0 not

Thank you so much for this question, dear @pinkenamelheart! I feel "tickled as a dog with two tails" (to quote Perry Miller) each time I get to talk about my favourite writer and her books! And Anne-related questions are such a treat since I am rereading the series right now!

Now, about the question. I think that some readers tend to project their own feelings and emotions onto their beloved characters (well, at least that's what I used to do). And so, before I'll give you my own opinion, I'd like to look at the situation from such a reader's perspective.

Maybe I am wrong, but I assume that most newlyweds would prefer to spend the first hours after the wedding party together, just the two of them, basking in the glow of their new happiness and love. Objectively, Anne and Gilbert had experienced a day full of elation, delight, joy, but also nerves. Their wedding reception had just ended: wonderful, longed for moment, filled with stress and excitement. Moreover, their union brought further changes, including the need to leave Avonlea, say goodbye to beloved family members and start a life together in a new place. In short: they had every right to be tired. They had every right to want to spend some time together, learning and teaching each other the secrets of married life.

Readers very often identify with their beloved characters and think: "I wouldn't be satisfied", "I would feel so tired after my wedding", "I would certainly have a headache after such nerves", "I would rather cuddle up with my husband/wife" . In other words, they convey their own emotions, thoughts, dreams and desires to the book characters and since this solution would not suit them and they would like to experience the first moments after marriage in a different way, they assume that it definitely applies to the book characters.

Now the question is, if I were Anne, would I be happy if my husband's relatives came to my new house immediately after the wedding reception and stayed for the next few hours? Well, since I don't have a husband, it is completely hypothetical answer, but I'm afraid I wouldn't. I am a completely different type of person - an introvert who would need to "recharge her social batteries". Naturally, I would appreciate an extremely kind gesture from the people who prepared a meal for me and welcomed me to my new place. But deep inside I would probably feel a bit overstimulated and very tired.

However, I am me and Anne is Anne. Despite her dreamy and slightly pensive nature, she is an extremely sociable girl who thrives in the company of other people. Gilbert is a warm and family-oriented person, always appreciating the kindness of others. They were both touched and pleased by the visit. For them it was a beautiful, new experience that they could share together. First memory of a dinner as husband and wife. They had their whole lives ahead of them: many days and nights together, full of kisses, whispers, tender hugs and caresses. I guess the fact that their longed for "alone time" took place a few hours later didn't make it any less romantic. In my opinion, this dinner was lovely for both of them; they made their first friend in Four Winds, listened to fascinating stories, received support and sympathy.

Moreover, this scene was much more interesting from the reader's point of view. Personally, I really enjoyed it. I also believe that Maud, for obvious reasons, could not have written scenes that are now a popular part of fanfiction. Anne and Gilbert's marriage is described in a very subtle way, yet none of us readers ever doubted that these two shared a deep, passionate love. I think that Montgomery approached the matter very skillfully, describing a scene that was interesting for the reader and (between the lines) she wove a lot of romantic feelings and warmth that the couple had for each other. In my opinion, this is a move that perfectly illustrates Maud's artistic talent and her firm belief that literature would lose its charm if it told the world everything.

That's partly why I really like this scene; it shows how warm, family-oriented and friendly people Anne and Gilbert were. Perhaps other characters, such as Valancy and Barney, would need only each other to be happy. They could have existed in a magical circle created only by the two of them. But... Anne and Gilbert needed something more. They wanted to share their happiness with the world and make the lives of others around them better.

I think that every scene should be assessed not only from reader's own perspective. We always have to take into account the characters' personalities, hopes and dreams. Anne and Gilbert were happy and thriving in this situation and that's more than enough for me.

Thank you very much again for this great and interesting question. I'm sorry that the answer is so long, I hope I won't scare you away :) I will be happy to answer any question about Montgomery's books, which I love!

[taylorswiftstylequestions]

1/2 Hi Sarah! I have seen so much excitement about Taylor's new relationship, and while I'm happy for her, it feels like the Twilight Zone, because this was the vibe during original 1989 when she was with CH. It's been largely rewritten, but people were THRILLED with the photogenic pairing of TS+CH. I remember their awkward AF "one year" video and people saying she looked so happy, and now people joke it looks like a hostage situation and widely hate on CH. I recently saw a sneaky (unethical)

2/2 video of Taylor and Travis where he ignores something she says to him for a while, and I just want to remind everyone that we do not know the inner workings of her life. In the same way, I want to remind everyone that we were all enamored by Joe a few short years ago. His narrative has been rewritten as well, but Joe was the first openly supportive bf Taylor had, and he always looked proud of her on tour and attentive. She deserves even MORE support, but let's all keep perspective <3

—

Hi! Not to be all “I’d very much like to be excluded from this narrative” about this because I’m aware the point of this message is in emphasizing context, perspective, and encouraging a reasonable level of emotional distance over emotional investment due to the para-oh who cares of it all (which is not a bad thing!) and also we’re talking about the *waves arm* general at large feels and if it doesn’t apply to you it isn’t about you … But! Lol. Not all of us were enamoured about either of these relationships when they were happening and still don’t now that they’re over.

I also think some, and by that I mean many, are just happy to be along for the narrative ride of Taylor’s life and feeling feelings over that because we - parachute socialite aside - do care about her and are invested in her life and use her work as a gateway to understanding our own feelings as we relate her music to our own lives. And that includes availing ourselves of the highs and lows and entries and exits of the people closest to her and what vulnerabilities in her story she permits us to know about.

I don’t care to encourage either safeguarding or villifying the histories of these men because they are merely supporting characters in the story that I actually care about and am invested in. And I don’t need to put my energy into their stories because I was never here for their stories. I was here for their role in HER story and then in how her story helped me understand mine. I get that that is my personal experience and I understand if other people have differing levels of interest and act accordingly based on that but just wanted to offer another POV that I think can help w perspective. 💚

(And also fwiw as a She’s The Man-esque completely objective third party with no interest in the matter whatsoever [excellent quote, lives in my head rent free]- neither of CH or JA’s narratives have been rewritten. Their stories just got added to appropriately as things unfolded. That’s how life and time work - constantly adjusting and moving forward).

[presleyannn]

advice from Taz - 9.25.23

One thing about me is that I am a big fan of anime. Not only that, but my brain loves to hyperfixate on things. Therefore, I am often hyperfixated on anime.

My latest hyperfixation is One Piece. It really is crippling in law school when your every waking moment is consumed with thoughts of One Piece lol.

So as you might imagine, as a One Piece fan, I was extremely excited for the live action. I really admired all the time, effort, and love that was put into the show from Oda and the cast and crew, so I could feel it in my bones that it would be good. It was btw. If you haven't seen it, you definitely should. Even if you're not a One Piece or anime fan. I got my best friend to watch it and she loves it. It has been a true joy to see so many new people get into One Piece.

But anyway, being a fan of the live action, I feel that it's only natural that I fell in love with the cast too. The time and energy they put in and the dedication to the accurate portrayal of their characters is extremely admirable. If nothing else, watch the show just for them.

Although I love all the cast members, Taz Skylar really captured my heart. There is so much to love about him. I could go on about him all day, but that's not what this diary is about, so I won't.

ANYWAY, my point in mentioning this is that I booked a Cameo from him awhile ago, and he gave me the sweetest message and advice that really stuck with me, so I wanted to share it here.

I am in law school at only 20 years old, so I am one of the youngest in my class. I know that there are a few other 20 year olds in my class, but I have yet to meet any of them. As a result, I have been suffering from some pretty severe imposter syndrome. I often feel like a baby sitting in class, and I generally just feel out of place.

So, I shared this with Taz, and he reminded me of the quote, "Be less impressed and more involved," which I believe was coined by Matthew McConaughey. He said that he deals with imposter syndrome every day (as many of us do), but he repeats that quote to remind himself to be less concerned with everything that is going on around him, and more involved in what he needs to do to accomplish his goals and truly enjoy the experience.

Specifically, he told me to be less impressed with how smart everyone is around me, and more involved in what I need to do on a daily basis to achieve what I want to achieve. This really struck a chord in me and put things into perspective.

I find myself comparing myself to my classmates all too often. Seeing them seemingly prepared and on top of work knowing that I am behind has only put me more behind. I convince myself that they're already leagues ahead of me and I have no chance of catching up, so why even try?

But this quote really stuck with me and has helped me to detach myself from everything that's going on around me in order to focus on what I need to do in order to do my best on all my exams.

Of course the imposter syndrome has not gone away completely, I still have my moments where I feel like I'm not cut out for law school. But I also have moments where I remember what I'm here for in the first place, and I am able to remind myself that all the other standards I've been setting for myself don't really matter at the end of the day.

All I want is to be is a good lawyer that can help people who need it. However, law school loves to push the competition of it all, and it's hard to not get caught up in it. There's so much pressure to finish at the top of your class, and while that would be wonderful, as long as I can finish school with the ability to successfully represent my clients and achieve their deserved justice, nothing else matters to me. This is what I have to remind myself of each day when I find myself applying too much pressure to be “better” than my peers.

I need to be less impressed with how well everyone is doing around me–because I only end up thinking that I could never measure up to them and should just give up–and the fact that I even ended up in law school in the first place, and instead be more involved in my dreams and what I have to do to achieve them.

If you have a dream, a goal, something that you really want more than anything in the world, you CAN, and you WILL achieve it. Just remember to be less impressed with what is going on all around you (whether it be what other people are doing or even the awe of being in the situation you find yourself in), and be more involved in the work that must be done in order to achieve your goal. If you remain concerned with what people are doing around you or feeling like you are undeserving of the opportunities you are given, and fail to take advantage of those opportunities and put in the required work, then you will remain right where you are while everything else outgrows you, including your dreams.

But I believe in you, and I am manifesting it for you. You WILL achieve your dreams. You got this!

And here’s Taz for you :)

[irrealisms]

jun wu or bwx for character asks? 👁️

starting off: hi yen if you're reading this it's got spoilers so pls skip this post ty <3 u can come back to it when u finish tgcf which at your current rate will be in like. a couple days lol

How I feel about this character

Im Normal About Him.

the ending is. perfect. the bamboo hat. it's never too late. when he's defeated he looks relieved. quoting myself from discord:

he cannot face being proven wrong, because it means he’s done terrible things and hurt people when he didn’t have to. he wants so badly to be proven wrong, because it means that maybe there’s good in the world and not just endless crushing pain and evil.

i have a lot of thoughts abt him & the tragedy of him & his entire ideology!!! i am sort of failing at condensing them but i have a lot of thoughts about him .

All the people I ship romantically with this character

hehe. xie lian (i am a sicko). i can also justify this to some extent--jun wu/bai wuxiang (i think mostly bai wuxiang, actually?) remarks positively on xie lian's appearance a notable amount, there's the "makes one ache, makes one excited" bit which i cannot read as anything other than Kind Of Weird And Horny, there's the thing where jun wu tests xie lian's virginity by making him bleed on jun wu's sword (i have another whole meta in my heart about swords as blatantly phallic in tgcf but i assume you do not need to be convinced of this lol)--but honestly i don't fully stand by it. this is a ship i have at least 80-90% because i am a sicko. i hope you can all understand

My non-romantic OTP for this character

ALSO xie lian. im complex. i contain multiple guys. the thing is that i have a beautiful google doc that consists of every time jun wu/bwx is analogized to a parent/teacher and xie lian is analogized to a child and it has . like. 30 quotes? somewhere around there? it's a lot! it's a lot. "i have decided that we are the same guy due to The Parallels but also i am going to enforce this and Make us the same guy by Molding You into Becoming Me" is an incredibly good dynamic whether it is slash or gen, and i do think the "weird forced adult-child relationship going on" reading is in fact more supported by the text than a shippy one. also when i'm not being a sicko about it there's also something deeply beautiful to me about their ending, about xie lian defeating jun wu but also showing him this moment of grace. and of course the Parallels which apply equally when it's slash vs gen. also you may have noticed that neither this question nor the last one do i bring up guoshi. this is bc idgaf about him. sorry mei nianqing . he exists i just Do Not Care

My unpopular opinion about this character

im gonna be so real i have no idea what is and is not popular wrt jun wu. what are the popular jun wu opinions.

One thing I wish would happen / had happened with this character in canon.

once again im kind of at the same place i am wrt mu qing of, like.... nothing, honestly? i am incredibly happy with what we got, i think it's beautifully written and the resolution is perfect, mxtx is a good writer and tgcf is a good book, no complaints

having a bit more of his backstory with mnq might be cool, i guess? we get the huge infodump but it's kind of just an infodump, it is just Pure Exposition, going into that a bit more / more naturally than "guoshi helpfully exposits for us" could be neat even tho i dont think its necessary. as mentioned i'm p much happy with what we got

(ask game, give me a character)

[raytorosaurus]

bit of a weird ask but I saw a twitter post saying they were 'devastated' over what frank said in an interview about performing/writing in ls dunes compared to some other bands (theyre assuming that the 'other bands' means mcr because they cant think of the 20+ other bands that hes been in) and after reading it a second time it doesn't even seem that negative?? it just talks about different processes and his excitement for dunes, but I still feel down anyway now because of that reaction, and it really makes me doubt that part of the fandom's faith in the band and its members im kinda close to quitting the fandom because of this and idk how the tumblr/twitter gang here survives it y'all are troopers, im unsure how to avoid that kind of doomposting

sorry i totally forgot to answer this the other day, i hope you see this!

but yeah, i see the same thing and it is. pretty irritating haha. it speaks to the unrealistic traits and behaviours fandom has applied to these ppl over the years/decades - which are harmless enough on the surface, but left unchecked you end up with doomposting or disproportionate levels of discourse when one of them doesn't behave the way their textpostified personalities would have you believe hahaha. if frank isn't anything but reverential towards mcr then he must hate it. if gerard puts time and work into his artistic and career pursuits that aren't related to mcr he must be giving up on the band like he supposedly did in 2012. if ray, who hasn't done a single interview since 2016, isn't on stage showing frank public affection or admiring him on twitter, he must be bossy and arrogantly taking all the glory for mcr's guitar parts and musicality. if mikey does anything it's gotta have something to do with gerard or mcr because obvs he doesn't exist outside the band etc etc. again none of these things are like. problematic or bad**, just kind of. annoying to engage with as an adult in the space i go to enjoy myself hahaha.

but this specific discussion abt frank implicitly dissing mcr also cropped up after that podcast frank did with travis, where he discussed writing music with ls dunes vs every other band/project he's been involved in. which, let's remember, is a fucking lot. how many albums has frank made or been part of? too many to easily count. only about four or five of those were with my chemical romance. ls dunes is only set apart from the rest because they're currently active after mcr's huge reunion, and they're a supergroup so they're getting a lot of press attention. people have never batted an eye in the past when frank has discussed how great it is to be working with this or that musician on this or that album - it's just the timing of ls dunes and our own high hopes for new mcr music that make people take this one in particular so personally.

on top of that... we've always known mcr has a fraught and stressful writing process??? that is like. a major part of the lore? we're all compelled by the insane amount of unlikely success mcr achieved in their careers, and by the fact that they were always controversial. we reblog quotes about gerard saying mcr's purpose was always to be against something, to undermine expectations, to infiltrate, contaminate etc. i thought this was something we were all drawn to about mcr? so i'll never understand the shock and disappointment when frank makes the simple statement that writing with ls dunes is easier, less stressful, and more lighthearted than writing with mcr. like...duh it is? mcr have always been open about how much they put into writing albums - and also about how they're proud of what they created, and that they consider each other cherished family.

the most annoying part for me is when people take quotes about frank working with travis and twist them into some kind of dig at/criticism of ray. i can only assume these people aren't used to working with others in a creative capacity, especially long term, because i just totally can't understand where it comes from lol. as someone who's read/watched every guitar-related mcr interview i've ever been able to get my hands on: ray and frank have literally never been anything other than fully complimentary of, respectful to, and affectionate with one another. ray was far from the first guitarist frank ever worked with and leagues from the only one. also, creative partnerships are extremely complex and every one is completely unique, with it's own strengths and difficulties. if ray and frank didn't love playing with each other they wouldn't have done it for years and years. that doesn't mean frank can't vocally love playing with other guitarists??? these things are not contradictory and appreciating aspects of one creative partnership is not equivalent to bad-mouthing a different one? like that is just not how it works skdkdjd

anyway i think a lot of it comes down to the fact that, for us, we see these people as parts of my chemical romance. naturally, because that's the reason we know they exist! but all of these people live rich and full and complex lives like any other person. the only parts of those lives that we generally see much of are the my chemical romance parts. we look for mcr in everything they say, which is understandable but unrealistic. all we need to do it keep that in mind imo

**(tho ppl's tendency to pit ray and frank against each other for some reason, which used to be a way common but is unfortunately a sentiment i'm starting to see crop up again in some places, definitely can get. suspicious and uncomfortable. especially considering that frank is the fan favourite so these pointless comparisons tend to err in his favour, and in either direction they tend to be very shallow and uninformed anyway. but that's a separate conversation)

wow i literally did not intend to turn this into a giant essay im so sorry. kudos if you made it this far lol. and i feel you anon, it's discouraging and puts a bad taste in my mouth when i come to this fandom for fun and fulfillment. i wish i had better advice because im feeling a little similar but just try to remind yourself that other people's opinions are just that. i find it helps if you can curate your own dash/feed or make friends in more discussion-friendly spaces like dms or gcs or discord servers. or even a priv twitter account with a few like-minded mutuals where you can vent ur shared frustrations over things without making it a whole big deal HAHAHA. the less time you spend scrolling thru ppl's public posts and the more time you spend diving into interviews, podcasts, videos, the web archive etc to detach yourself a little from group fandom-think the better you'll probably feel about mcr tbh! also long as you have friends or close mutuals that's all that matters imo <3

[nutzgunray-lvt]

An Attempt To Fly Under The Radar - Chapter 2

Chapter 2 is here! Struggled a bit with writers block, but I found that I really love writing from All Might's POV. I also couldn't help but throw a Psych reference in there, as well as a small nod to All Might's canonical 5/5 intelligence rating. Let my man be smart!

Izuku loved his lunches with All Might.

It wasn't just because of the fact that the Symbol of Peace spent one day a week sharing a homemade bento box with him (him! He made Izuku homemade lunches!). In general, it was just nice to spend some time with him outside of training. Sometimes, they talked about One For All, but other times, they talked about anything and everything - from the book series 'Internity' that he'd gotten the older man into, to how his classes were going.

"Present Mic was telling me about how well you did on your last English exam!" The older man said as he held his cup of tea. "You didn't hear this from me, but you were among the only two of your classmates to get both of his extra credit questions right! Great job, Young Midoriya!"

The praise felt nice (it always would, especially from All Might), and he felt his cheeks redden as he shrugged and took a sip of his own tea. "I've been reading some really interesting books, and one of them actually had the second bonus question in it!"

"It better not have been 'Internity'," All Might teased, grinning at his protégé. "You know I'm one book behind, and if I find out that you went back on our agreement and read ahead -"

"No, not at all!" the teen frantically promised, waving his hands in front of him, unaware that he was reacting precisely how his mentor had wanted him to. "I've been reading other books, I swear! I've been reading the third volume of a comic book series called 'Captain Hero' and another book called 'A Treatise of Human Nature'! The second bonus question was from page forty three of 'A Treatise of Human Nature,' and the quote we had to pick the correct translation from was: 'Reason is, and ought only to be the slave of the passions, and can never pretend to any other office than to serve and obey them.' If you really think about it, that can be applied to the fundamentals of heroics, because a hero shouldn't only save people because that's what they're factually obligated to do, but rather because it's the right thing to do. It falls in line the four virtues as well, as justice is the main virtue a hero should have -"

"Man, no one is better at spouting word vomit than you, kid!" All Might cut in with a laugh. "You sure One For All didn't enhance your speaking ability along with your strength?"

Friendly ribbing aside, as Izuku sheepishly stopped his ramblings and looked up at his mentor, he noticed an unreadable expression on his face. It was the same one he had after he rescued both him and Bakugou from the Sludge Villain last April, and the same one as when he offered to train Izuku to receive One For All that same day.

It said that he saw something in him, something no one else had bothered to see up until now. Something he wanted to help nurture and develop.

"Sorry. I didn't notice I was mumbling again," he mumbled, staring at his lap. "Everyone's gotten onto me about it -"

All Might shook his head and waved him off. "Don't apologize, my prince of nonsense!" He still had that look on his face, and Izuku wasn't sure how he felt about it. "It sounds like it was a really interesting read for you, and it's great to see you so passionate about your studies! Why don't you let me borrow it sometime, and we can bounce some ideas off of each other?"

Izuku immediately nodded, an excited smile growing on his face as the bell rang, making it falter just a little. Realization that he'd have to get back to class and assume his mission of staying under the radar hit him hard, and he slowly set his tea cup on the table and got up, brushing off his pants. Was he stalling? Yes. Would it make him late? Probably. Did he care at the moment? No. He loved these moments with his mentor, and it was up to him to make sure to never take them for granted.

"Sure! It's in my backpack, so I'll lend it to you after training today."

All Might beamed at him, shooting him a thumbs up as he also stood and led them both to the door.

"Sounds like a plan, my boy!"

One Day Later

Toshinori was stupefied as he sat in the teacher's office and flipped through the book Young Midoriya had lent him. 'A Treatise of Human Nature' was an absolute behemoth to read through - 480 pages, with Present Mic's bonus question being on page forty three as stated - and it was littered with post-it notes containing annotations and fleeting thoughts digesting the text, annotations and fleeting thoughts that were surprisingly right on the nose.

This was easily a university level piece of literature, and his fifteen year old protégé had broken down the text to something he could understand and applied his own opinions to it, opinions that could easily be tied back to the original work. Clearly, the work had hit home for him… but this was a university level piece of literature. The green haired boy was a first year high schooler who wouldn't even be taking Philosophy until university if he chose to attend.

Clearly, Young Midoriya was smart.

After getting to know him and even after just meeting him, Toshinori figured out his intelligence pretty quickly; his analysis notebooks were proof enough. His point had only been reinforced by his grades once the school year started - fourth out of twenty in a curriculum as advanced as UA's Hero course was nothing to sneeze at. But yesterday during lunch, as he listened to Young Midoriya dissecting this book like he had read through it a million times (he hadn't - the spine wasn't worn down enough for that), he got an inkling that maybe his boy was even smarter than he initially believed.

But how -

"What do you got there, All Might?"

The Symbol of Peace jumped as he turned around to scowl at the sudden intrusion into his personal space. The source - Present Mic - cheekily grinned at him as he sat at his desk across from him, Aizawa following behind. Nearby, he could hear Midnight and Cementoss's voices approaching as well.

Well, the alone time was fun while it lasted.

"Dammit, Mic," Toshinori muttered, closing the book. "Do you really have to scare me like that?"

"It keeps you on your toes!" the younger man said with a shrug. "And besides, it's not my fault you make it extremely easy and fun for me to want to keep doing it!"

Trying to fight the fond smile growing on his face, he passed the book over to his colleague. Present Mic could certainly be a lot to handle at times, but Toshinori really liked him both as a colleague and a friend. The man just radiated good vibes and positivity, making it near impossible to stay annoyed at him for too long.

"To answer your question, I borrowed this book from Young Midoriya," he explained. "We were talking about his latest English exam, and he had some pretty interesting insights about that second bonus question you gave. It came from this book."

The younger blonde made grabby hands towards it, eagerly flipping through it when he got his hands on it. He had told the older man that he'd seen the inspiration for his bonus question in the paper, and he hadn't really expected anyone to get it right. He had been pleasantly surprised to see both Young Yaoyorozu and Young Midoriya get it correct and plainly said as much while they graded papers together. But as his eyes darted across the annotations written down, his usual easy-going grin slowly morphed into an expression of awe. He let out a low whistle as he closed the book and handed it back to him.

"Well then…" he said, clearly at a loss for words as Toshinori set the book to the side. "Wow… I mean… I had my suspicions about the little listener, but -"

"Wait, 'suspicions'?" The older man asked, maybe a tad too overprotective as he narrowed his eyes ever so slightly. "What are you talking about?"

"Haven't you noticed, All Might?" Present Mic incredulously responded. "Midoriya's smart, like really smart."

Toshinori nodded slowly, not really sure of where the Voice Hero was going with this. "Yes, I have noticed Young Midoriya's intelligence -"

"No, I mean he's really really smart," Present Mic insisted, looking a little impatient that he was being so slow on the uptake. "He's like a little curly haired sponge when it comes to English grammar structure, and you should listen to the way he compares and contrasts it with Japanese grammar structure! Honestly, some of the insights he's told me about are things I saw when studying for the Praxis test!"

"Yeah, the kid's good at English. What's the big deal? Are you just happy to have a student who's actually interested in your class for once?" Aizawa asked, looking and sounding thoroughly unimpressed as he kept his eyes on his computer screen.

Ouch. That stung, and that comment wasn't even directed towards Toshinori.

He saw the split-second hurt flash across Present Mic's face before he immediately masked it and continued on.

Hmm, interesting.

"The big deal is that if he's this smart, why are his grades where they're at right now?"

At both men's confused glances, Present Mic clarified, "I'm not saying that being ranked fourth is bad or anything - it's great! But don't you think he could easily be ranked higher up if it weren't for his grades?"

The black haired man shrugged.

"Then he should study more," he bluntly said. "If he's as smart as you guys say he is, then his grades should reflect that. His Quirk control should reflect that. His decision making skills should reflect that."

The two blondes exchanged dark looks with one another, both silently deciding to ignore the third man from here on out. Their job was made easier by Midnight and Cementoss entering the room, taking their seats at their respective desks after greeting their scruffy colleague.

"Are you saying that Young Midoriya may be deliberately not performing to his full potential?" Toshinori asked, choosing to rephrase what he just heard in a much friendlier way.

Present Mic shrugged.

"Yeah, I mean what else could it be?" he bluntly asked. "I've heard him tutoring his other classmates in things that he'll get wrong on assignments - and it's not like he's telling them the wrong thing or anything. He's teaching them the right things, meaning he knows what he's talking about, but he doesn't apply that to his own schoolwork. If he did, his grades would be way higher, and it's not just me either! Did you hear about what happened yesterday in first period Math?"

The older man frowned and shook his head.

"Ectoplasm had them doing some Trigonometry, and he accidentally made a typo in the equation that he had them solve. He didn't notice it until he was already done writing it out, but he wanted to see if anyone caught it. It looked like Midoriya did, but the kid looked like he was being put in front of a firing squad. Like, he was terrified of pointing out the typo. What's even weirder is that when Ectoplasm checked up on him, he saw that he had the correct equation written down."

Toshinori frowned deeper.

"I'll admit that's strange, but you know how shy Young Midoriya is," Toshinori countered. "I'm not disagreeing with you on what you've seen and heard, but you know that boy avoids the spotlight like his life depends on it."

"Not when doing heroics," Present Mic countered back, leaning forward in his seat. "Not when placed in a life/death situation. You put him in a practical exercise, and his potential is just bursting out into the open. His deductive reasoning, leadership skills, and strategization is in a class of his own. In the classroom, however, he retreats into his shell. It's almost like he doesn't want anyone finding out about his academic potential."

The more he listened to his younger colleague, the more the older man couldn't avoid the realization that he was right. He'd always known that Young Midoriya was shy, but looking back, he saw that something wasn't quite right in regards to his protégé's intelligence versus his academic performance. Last year, Young Midoriya's grades had been pretty bad, putting him twenty seventh out of the thirty students in his class. Seeing both his schoolwork and his natural intelligence and drive, it made something in Toshinori not sit right, but with his boy being hesitant to elaborate on the matter, he let it go. He didn't want to push him into telling him anything he wasn't ready to divulge.

"Look, you knew him before UA, right?" Present Mic asked, not a hint of judgment in his voice. "Why don't you try asking him about it? He likes you, he'll listen to you."

"What about afterward?"

"We talk to the rest of his teachers, and depending on what we see and hear, we get that kiddo an IQ test."

[hekateinhell]

The seven deadly sins! Please assign one to Lestat, Louis, Armand, Daniel 🤓

These are not concrete by any means, I just went with my first superficial thought but I'm pretty sure every sin could be applied to each of them in different contexts.

Lestat — Pride

A large part of what keeps him from being vulnerable with those he loves is his pride.

Lestat, on the distance he feels from Gabrielle after they left France:

She must have known what was happening, that we were growing ever farther apart, that my heart was breaking and I had too much pride to say it to her. (TVL)

Lestat, on never being able to listen to other people:

Why didn't I learn from any of them-Gabrielle, Armand, Marius? But then, I never have listened to anyone, really. Somehow or other, I never can. (TVL)

Lestat, on love:

[...] the sheer excitement was excruciating, and the love I felt for him [Louis] was positively humiliating. (TVL)

Lestat, on expressing his love out loud:

And I wanted to call to him [Armand], to tell him that it was a lie I'd spoken to him, that I did love him. I did. But it was my time to be at peace with all things. (TVL)

I took a deep breath and looked away from him [Louis], wishing I could say what I really wanted to say. That I loved him. But I couldn't do that. The feeling was too strong. (TVL)

I wanted to say we all love one another. We all have to love one another. If you [Armand] and I and Louis don’t love one another after all we’ve been through, well, then all our powers mean nothing, and our dreams mean nothing, and so we have to love one another. And maybe I did say this silently and he heard it, but I doubted it. (RoA)

That's enough of Lestat, I'm getting cranky. He could've also been Lust.

Louis — Sloth

Just thinking about him makes me lazy so I'm not going to dig up quotes to justify this. But I don't think Louis has accepted a lot of agency in his life and he doesn't seem to take accountability for his part in the things that happen to him. It has always been Lestat, Claudia, and Armand who have called the shots, more or less. Left his own devices, he sits in a rotting shack with disintegrating clothes.

Sloth.

And also mood, honestly.

Armand — Lust

I feel like Lust is too easy for Armand but the other sins of desire like Gluttony and Greed don't fit as well to me. I'm not necessarily thinking of lust in the carnal sense though it does apply to mortal Amadeo, Armand's relationship with a human Daniel, and the way he drinks from Lestat in TVA.

But rather an intense and covetous longing for love, passion, and connection that takes on many forms (some of them possessive and violent) and stops at nothing.

Lestat did famously call him "the embodiment of thirst itself" (derogatory) in TVL. But because Armand is blorbo, I also have to point out that Lestat later said in PL, "Armand's not without compassion, not without a heart."

Daniel — Lust

Like Armand, he could've also been another sin of desire, I was tempted to give him Greed for variation here but Greed is more for material possessions.

Just thinking about how desperately he wanted to be a vampire, that lust for eternal life before he ever met Armand that was then amplified tenfold and combined with a desire for Armand and his blood.

No, he had never been revolted by Armand, he [Daniel] had to admit it. What he had always felt was ravening and hopeless desire. (QotD)

[septembersghost]

Do you know where Taylor said she was giving up on relationships for a while? I feel like I remember that but can't find it

it was in her rolling stone cover story! (a lot of the press she did at that time is tinged with things that are saddening to revisit, but also clear on what her perspective was. the vogue 73 questions is another one):

"In fact, she suggests, she hasn’t dated at all since breaking up with One Direction singer Harry Styles more than a year and a half ago. “Like, have not gone on a date,” she says. “People are going to feel sorry for me when you write that. But it’s true.” Swift says dating is hard for her. For one thing, there’s the logistics. “Seventy percent of the time, when a guy asks me out, it’ll just be a random e-mail,” she says. Some movie star will get her address from his publicist and e-mail her cold. Usually she politely rebuffs them – but even if someone did penetrate that line of defense, building a relationship is hard. “I feel like watching my dating life has become a bit of a national pastime,” Swift says. “And I’m just not comfortable providing that kind of entertainment anymore. I don’t like seeing slide shows of guys I’ve apparently dated. I don’t like giving comedians the opportunity to make jokes about me at awards shows. I don’t like it when headlines read ‘Careful, Bro, She’ll Write a Song About You,’ because it trivializes my work. And most of all, I don’t like how all these factors add up to build the pressure so high in a new relationship that it gets snuffed out before it even has a chance to start. And so,” she says, “I just don’t date.” (That goes for hooking up as well. “I just think it’s pointless if you’re not in love,” Swift says. “And I don’t have the energy to be in love right now. So, no.”) Truth be told, Swift sounds a tiny bit jaded – which, for a “self-professed hopeless romantic,” maybe isn’t the worst thing to be. “It’s not like I’ve sworn off love,” she says. “My life is just not conducive to bringing other people into it right now. I’m very childlike and romantic about lots of things, but I’m realistic about this.” [....] it’s not bad that I’m not hopelessly in love with someone. It’s not a tragedy, and it’s not me giving up and being a spinster. Although I did get another cat.” She laughs. “I asked around: I was like, ‘Does two cats count as cats?’ But then I thought, what imaginary guy’s perspective am I thinking about this from? Someone is going to think I’m undateable for a lot of reasons before they think I’m undateable because I have two cats.”"

eta: the above still applies, but i was actually remembering her glamour magazine interview with this -

"Yeah, I do feel jaded about relationships, to be honest. I think the media has sent me a really unfair message over the past couple of years, which is that I’m not allowed to date for excitement, or fun, or new experiences or learning lessons. I’m only allowed to date if it’s for a lasting, multiple-year relationship. Otherwise I’m a, quote, ‘serial dater’. Or, quote, ‘boy crazy’. The narrative has been so wrong, every time it was the same. It’s 'Taylor spotted talking to this guy, she’s chasing him.’ They create a beginning to the story that didn’t happen most of the time, so then they have to create an ending. So they always go to the same fabricated ending that every other tabloid has used in my story, which is, 'She got too clingy’, or 'Taylor has too many emotions, she scared him away’. Which has honestly never been the reason for any of my break-ups. You know what has been the reason? The media. You take something very fragile, like trying to get to know someone, and it feels like walking out into the middle of a gladiator arena with someone you’ve just met. And all of a sudden the public and the media are allowed to say thumbs up or thumbs down. So I just don’t try it anymore."

[fedor-bortnik-digital-media-blog]

3. SOURCES - Intertextuality and Transmedia

Intertextuality and transmedia are powerful tools, that allow the consumers to enjoy the same franchise as different mediums. We can not only enjoy the comics about the superman, but also watch the movies about the character, play games as a superhero and so on. This allows us to explore our favourite franchise even further, speculate more with friends about the lore, and generally have more excitement with the franchise. That is what makes transmedia a very interesting and exciting concept.

Henry Jenkins describes transmedia as… “a process where integral elements of a fiction get dispersed systematically across multiple delivery channels for the purpose of creating a unified and coordinated entertainment experience.” (2011) One of the biggest challenges of converting the medium (for example, adapting the movie into a video game), is understanding what made it great in the first medium, and then attempt to make it great in the second one. During the adaptation of the medium, artists must understand that, for example, applying the same rules from movie art to a game art will completely cross out the video game as a medium. 

Andrzej Sapkowski’s (1990) Witcher, as a franchise, is a great example of transmedia - Coming initially from books, then into games, into comics - and then finally into a series. The great fact about Witcher as a transmedia is that no matter which type of medium you choose, you will always get a story-oriented content: No matter if you read, play, or watch a movie - you will always have an opportunity to experience the world that the title is settled in, it’s characters, their level of actions and finally - the setting. Developers of each medium took the Witcher (1990) story as an independent source, ignoring the aspects of the original medium and focusing on the details of a new one. Each medium excitedly experiments with the original Witcher text and its own medium to expand on the existing world from a new perspective, such as an interactive world (video games), deep characters (books), and strong immersion (series). If the consumer did not enjoy one medium from the franchise - they can always try a different one and see if they will like it or not.

When the Witcher TV series (2019) was released, people did not enjoy the fact that the characters did not look familiar as from video games, but I don't think that they had to. Here, I agree with Henry Jenkins one quote where said that “Some have tried to argue that games are a key component of transmedia, but I do not want to prioritize digital media extensions over other kinds of media practices.” (2011), and I agree with this quote, since there are other components of transmedia like books, music, drawings that could also share the transmedia.

My final example of a media, that could support the quote above would be Sonic The Hedgehog (2020) - Coming from the game industry, and being released as a movie - it became extremely popular in the cinemas, claiming the viewer's hearts. What's great about this example is that the viewers do not have to play the game to love the movie. It became popular not because there was a game about the hedgehog or because of a large fan pool from the said game, but because of masterful use of the movie genre, good writing and so on.

Conclusion - Transmedia allows the creators to expand their ideas beyond one medium. With transmedia, people can not only read about their favourite fantasies but also listen to them, play them, and watch them. In other words - enjoy them in the best way they want to. With Transmedia there is only one big challenge -and it is to properly transfer or expand the selected media to a new medium, making sure it will be constructed reasonably and be enjoyed.

References:

Andrzej Sapkowski (1990), Witcher (9 vol.). Poland: SuperNowa.

Sonic The Hedgehog (2020), directed by Jeff Fowler. [Feature film]. Paramount Pictures

The Witcher (TV series), Netflix, December 20, 8:00.

Jenkins, H. (2011) “Transmedia 202: Further Reflection,” Henry Jenkins Pop Junction, 31 July. Available at: http://henryjenkins.org/blog/2011/08/defining_transmedia_further_re.html