#the questions will be posted separately!

[albaake]

Hiiiii um completely OBSESSED with your au and the lamb trio I fell my insides scratching JUST FOR MORE LORE

SO I HAVE SOME QUESTIONS

How does Narinder acts on the new feelings of regret, fault, and possibly care/love for the lamb? Does he have some kind of "inside thinking" where he realizes things or he just prefer to ignore them? WOULD WE SEE SOME CUTE SOFT MOMENTS OF THEM WITHOUT ANGST?

I'm sad I want then to be happy but also want Narinder to suffer and seek forgiveness

Also does the lamb have other brothers? Would we get to see more of his past now that Crowne is making more apparitions?

You don't realize what you miss till it's gone.

Full explanation:

Narinder starts to feel the weight of the consequences after really understanding how much the Lamb has lost since their resurrection and how much damage his betrayal has done to them.

The genuineness when they speak to him feels off and he can't fully get a read of what they're thinking anymore. And that bugs him. He thought he would love their absolution and full loyalty, putting him on a pedestal like they should but he doesn't. He actually dislikes it. The distance they made between the two of them, to separate God and Vessal was infuriating to him. He realized that he missed the two of them talking as they were equals, that they didn't see him as a god but as a friend.

But it was too late. The damage was done and Narinder doesn't know how to fix it. Thus his guilt grows and so do his feelings. All he can do is follow the Lamb around like a lost kitten, hoping to see just the smallest glimpse of their old selves. Helplessly pinning for the relationship they used to have.

Hope you enjoy the narilamb crumbs :)

To summarized his feelings, it's basically full of regret and helpless pinning of the past. Narinder realized he always had feelings but was too hung up on his goals to fully recognize them till it was far too late. His own ego was his downfall and was the knife that severed the relationship he had with the lamb. Looking at them will always be a constant reminder of that...and a certain crown will always drill that fact into his head.

[i-heart-hxh]

So, a few days ago I found this post on Reddit from 2 years ago (that sadly barely got any attention at the time) that sheds a ton of light on the separation scene between Gon and Killua, and my mind is blown! I've known for years that there was some sort of Togashi "coding" in the dialogue and it was always like I could get halfway to understanding, but this post gives the rest of the puzzle pieces that I was missing, and ties into other scenes that I was uncertain about the meaning of as well. It's heartbreaking, but also hopeful for their future! I had to share it with you all. Please read it!

The original Reddit post has been deleted, but here is a link to the author's Reddit profile. (I received permission from the original author to post this here.)

In-Depth analysis on the Hidden Reasons behind Gon & Killua's separation scene (ep 147) Why Gon is 'Number 2'

The translations across the separation scene in both manga (chp 338) and the anime (ep 147, 2011) have some shortfalls. These dialogues are vital for understanding even the first layer of reasons behind this separation.

REASONS FOR KILLUA'S DELICATELY PLANNED SEPARATION 

1. WHEN -

There are very important reasons why Killua picked a specific timing to tell Gon about Alluka. It was Killua's plan all along, to only tell Gon at a moment's notice, to make sure Gon won’t get time to ask any DETAILS. He is deliberately downplaying the seriousness of everything he’s been through to heal Gon, so it will have less impact on Gon, and at the same time, avoid Gon asking details. Prior to healing Gon, Killua specifically asked Morel and Leorio to promise not to tell Gon that he saved him. After Gon was healed, there was a scene in the anime (ep 148) which showed the three spent a night together before reaching the World Tree. During that time, Killua still haven't said anything. It wasn't until the moment when they were literally saying the last goodbye, Killua casually brought up:

“Oh, by the way, this guy healed you."

I want to emphasis the word Killua used to address Alluka was “こいつ”. This is a very light and overly casual word used to address someone you know, and usually a playful guy friend (e.g. “This guy used to be my neighbour.” type of feeling). The manga and anime translation, “She’s the one that healed you,” did not clearly depict the intentional casualness.

2. WHAT was SAID -

If Killua just doesn’t want to burden Gon with guilt and responsibility, then why not just keep his mouth shut and say nothing? That’s because Killua found a better option than not telling Gon anything. Killua shifted the “priority of reasons” a bit, so the VERSION OF EVENTS he told Gon, was PRIORITIZED on Alluka’s rescue rather than healing Gon. This way, they will also get to THANK Gon, and put an emphasis on thanking Gon because Killua make it SEEMED like it was more important to rescue Alluka, that the INITIAL REASON for Killua to go home, was to rescue Alluka. Only AFTER Alluka was freed, they came to the hospital to heal Gon, out of convenience, since only Alluka has the ability to do so, and since she’s now outside. The MAIN motive for these past events has been delicately swapped around by Killua, so the focus switched to the rescue of Alluka, rather than healing Gon. Hence Alluka is “No. 1”, Gon is “No. 2”. Downplaying it so healing Gon was just a bonus convenience (ep 147, 19:12 to 19:51).

Killua then goes on another level to make this version of events seem even more realistic, by saying “….You owe me a lot now,” in a teasing and playful tone of voice. This is to again, downplay the seriousness of everything he’s been through, to comfort Gon that "Yes you owe me one now, but don’t you worry! I will make sure you pay it back okay?! Hehe!”

3. WHY -

The fight with Pitou allowed Killua to witness Gon's ultimately immature mind set when it comes to “repaying someone, and redeeming himself.” Kite lost an arm and his life to protect him. So Gon gave his life and was even more happy when Pitou took his arm too. Gon will always want to “match” what was sacrificed by another, by throwing away AT LEAST the same. Not “sacrificing”, but THROWING AWAY. It’s so immature, so dangerous, no one will be able to keep up with him. Killua was very confident with how much he could take, but even Killua himself is at limit. This ultimate baka!! (ep 136, 17:50 - 20:17)

If this is how far Gon will go for Kite, he can only imagine what Gon would go recklessly into if he knew the DETAILS. This is when Killua decided on a way to part with Gon the way they did, and to PROVIDE him a particular REASON.

“I’m prepared to spent the rest of my life protecting her.” 

This is the reason Killua wants Gon to know, but NOT what he actually wants to do with his life. Although it’s true he feels responsible and genuinely wish to protect Alluka and Nanika, but it’s not what he ultimately WANTS to do. He NEEDS to protect Alluka, but he WANTS to spent his entire life by the side of a certain baka…

After the previous events, Killua was traumatized, especially when he saw Gon's twisted decaying arm. That was a breaking point for him, after that, the only thing that matters THE MOST for him is for Gon to be safe. He also realized that in order to protect this baka... it’s better if he keeps a distance for now, until he finds a solution to keep Alluka safe from Illumi and his family.

4. THE PARTING -

By planning this parting with Gon, Killua hopes Gon will become detached from him. And that time and distance will slowly render him less important to Gon. So if he was to die... (because Illumi is hunting them down) he did for Alluka, he did it for the vow to protect Alluka, not Gon. We knew Killua always plans ahead, and here, he plants this reason for Gon in the future so he won’t need to feel responsible if he was to die protecting Alluka (or die with Alluka while Illumi is hunting them). This is what’s going through Killua’s head:

“If I die, you’re not responsible for anything. You don’t owe me anything, so NEVER throw your life away again. My only one wish, is for you to be safe. So here I am. I’m parting ways with you... Because I SAID you are only ... No. 2 ... I SAID you are not the most important to me.. So don’t think of me as the most important to you too….”

This, is Killua’s eternal Devotion. 

5. THE RESULT -

As a result of this deliberate planning by Killua,

Gon was made to believe:

While I was recovering in hospital Killua had to go home and rescue his sister 

Alluka is such a cute sister and she can grant Killua any wish?!!! Wow…that’s one cool sister…

Well… no wonder Killua thinks his cool sister is more important than me, it’s only natural. 

Looks like Killua finally found what he wants to do. He will enjoy traveling the world with such a cool sister, it will be so much fun. I should be happy for him, I can’t hold him here... I have to let him go…

VS

The DETAILS omitted:

Gon was not recovering at all in the hospital. Killua RESORTED to USE Alluka in order to heal Gon. 

Alluka’s blood stained dark past and the risks and uncertainty that still involves.

Baka Gon is always No. 1 !

Killua and Alluka are desperately trying to find a way to out of Illumi’s grasp. Illumi is hunting them down and trying to make Killua his puppet again. And this time it's not going to be just a needle in the head... Killua can feel it. And if things doesn’t work out, he will just kill Alluka.

These Reasons are the core of the separation. We have a song named “Reason”… aren’t the lyrics shedding a new layer of light now?

6. IMPORTANT WORDS ALLUKA USED TO FACILITATE A BETTER RELATIONSHIP AFTER REUNION -

Killua promised to “always be together” with Alluka.

But to this promise, Alluka’s response was always silent (episode 145, 3:32 to 4:19). She looked at Killua with deep thought. Because even in such a short amount of time, she realized Killua is doing all this to ALSO or MORE SO protect Gon. It was never just for her, it will never be just for her, and there will never be anyone more important than Gon for Killua. She’s moved by Killua’s devotion and resolve, and she can also feel his sadness…   

If, the situation was different, if Gon was never there to begin with, and Killua just happened to solely come to Alluka’s rescue, and then make a promise to stay together with her forever, Alluka’s natural reaction will be melting with happiness, she’d be crying tears of joy, and hugging Killua. But in this instance, she was composed, she sensed her brother’s deep seriousness and sadness. That’s why later on, she reassured the two at parting, that they will see each other again, without disclosing Killua’s true REASONS. 

The Exacted words Alluka used (Manga chpt 338, 2011 anime epi 147)

a. Manga translation: “I’m going to HUG my brother for a while and then I will LET HIM GO.”  

b. Better translation: “I’m going to have my brother all to myself for a while and then I will let him free.”                            

c. The exacted phrase: “I’m going to Monopolise my brother Exclusively for a period of time, then I will Release him.”

独り占 (Monopolise Exclusively) 

Very strong characters with Explicit meaning. Have it all to oneself. Same characters and meaning used in Chinese as well. （独占）

解放 (Release) 

This is much more formal and serious than “let go”. It implies the subject was initially bound/locked/restricted. Also the same characters and meaning used in Chinese.

Alluka employed these words to imply a forceful lead in this “deal” of owning Killua exclusively. These words have an underlying tone of enslavement. 

Why? Because Alluka knows, the harder she IMPOSES herself on Killua during their time together, the more effective it would be on the easing of Killua’s own guilt. 

Killua felt immensely guilty.

No one will enjoy a relationship bound by guilt. 

Alluka knows clearly that part of her brother’s promise, was formed with guilt, from using her and Nanika, that he was having fun with Gon while Alluka was literally forgotten. Although it's true that this was largely due to Illumi's manipulation, but the fact that he did just left her in the basement all this time was both unacceptable and unforgivable to Killua himself (episode 138, 13:28).

Therefore apart from protecting Gon, this was the other important reason for this separation. Almost as if Killua has accepted this as a befitting price to pay in order to redeem himself as a brother.

Alluka and Nanika have no condition nor demand in return for Killua’s requests. But Killua imposed a price on himself for having Gon healed. Out of guilt. Alluka knows, Nanika knows. That’s why Alluka used the word 解放 (release), because it will make Killua feel better, that he has complied with her ‘enslavement’, so when the time comes, Killua will be able to release HIMSELF from guilt, and go back to Gon, properly. Alluka loves her brother, and she’s prepared to help him towards a better relationship with Gon in the future, by helping him to eliminating this chain of guilt.

lol Alluka totally ships Gon and Killua ! XD

Thank you for reading.

[airenyah]

Episode 6: FadelStyle vs. Beginnings and Endings

In the past one and a half-ish weeks we've discussed at length just how good the last scene at the diner is and how Style drawing tears on Fadel at the rock concert was foreshadowing to Fadel ending the episode crying real tears. What I haven't seen discussed yet, however, is how that ending scene is actually a counterpart to Fadel and Style's conversation after the rock concert. And I think that makes the scene in the diner even more poignant. And it also makes the scene at the rock pub even more painful as well. Because they are basically the same scenes, just flipped. And I desperately need to talk about it or else I'll explode.

Part 1: "Tonight I am very happy"

In this scene Style knows something that Fadel doesn't: This will most likely be their last chance to be happy together like this. Tomorrow Fadel will go on his mission where the police will be waiting and then Fadel will be taken away from him.

But Style already loves Fadel, he is already worried about him and he really does not want to lose him. So he keeps trying to subtly talk Fadel into staying home from the mission and spilling the beans about the mission so he can explicitly ask Fadel not to go. But Fadel keeps his mouth shut. And as happy as Style is together with Fadel this evening, he is also very upset. He doesn't want the night to end, but there's no way around it. For Style this is a goodbye.

And for Fadel? Fadel went from I'll tell her this will be your last job to Ruerat is the last jerk we have to kill. After that, we can live however we want. Even in this episode, right before he goes to the concert with Style, Fadel tells Bison "Once we’re done with Ruerat, I’ll talk to Mother again", when Bison says it's time for them to quit. Fadel is on the same page as Bison now. Ruerat is their last victim and after that Fadel wants out. For Fadel, this is the last night where he's still stuck in his hitman life, but once he is done with his mission the weight will be off his shoulders and he can finally truly be with Style. For Fadel this is the opposite of a goodbye.

In the words of my mother: For Style, when the night is over life will end. For Fadel, when the night is over life will begin. Style is ending something and Fadel wants to begin something.

And another thing my mom pointed out is how they're standing in front of a pink sky:

And at what time of the day is the sky pink? Either at dawn or at dusk. The beginning of the day or the end of the day. And for Fadel this scene is only the beginning of the day while for Style this scene is the end of the day.

Part 2: "I think I already love you"

In this scene Fadel knows something that Style doesn't: Style has played him, has made him lower his protective walls, has made him fall for him only to turn around and betray him.

Style told Fadel he hoped that Fadel wouldn't get any more scars and yet here Style is, stabbing Fadel right in the heart and jeopardizing his life. Here Style is, bursting Fadel's bubble that he's finally started daring to dream about, a dream of a future where he wasn't lonely, a future where he was happy and himself with someone, Style, by his side. Style is a danger to him. Style can't stay. As happy as Fadel has been together with Style, he needs to let go of him. For Fadel this is a goodbye.

And for Style? He has just spent a full week worrying sick about Fadel after his mission went wrong and went completely MIA. Style has likely (definitely) spent a week checking the restaurant every single day for any sign of Fadel's return, not giving up hope of seeing him again. And then Fadel is back. Style is overjoyed. The heavy metal concert wasn't their last day together, Fadel is pulling through on his promise to have many more nights like that with each other. The concert may have been the end of the day, but now against all odds a new day has come. For Style this is the opposite of a goodbye.

And so we're left with the exact opposite situation from what we had at the concert: Fadel is ending something and Style wants to begin something.

Conclusion

These two scenes go together, they're flipped parallels of each other.

At the concert Style is internally saying goodbye to Fadel because he thinks their relationship will be over when Fadel gets arrested at the mission and the police take him away. At the diner Fadel is internally saying goodbye to Style because he thinks their relationship is over now that he "knows" that none of it was real on Style's part since in reality he was working with said police.

At the concert Fadel is truly happy, because once his mission is over he'll talk to mother and when he's managed to convince her that him and Bison will be out, then Fadel can go and start a new life, a new future with Style. At the diner Style is overjoyed because he thought he was about to lose Fadel, but Fadel has come back and now Style gets a second chance at a future with Fadel.

At the concert, Fadel is happy and he can tell something is kinda off about Style ("What's wrong? You act like we’re not going to see each other again."), but he has absolutely no idea that Style is in the process of bidding him farewell. At the diner, Style is happy and he can tell something is kinda off about Fadel ("You were just calling me out for being affectionate. Now you wanna be romantic?"), but he has absolutely no idea that Fadel is in the process of bidding him farewell.

It's brilliant writing, really. And both scenes are flawlessly performed by both boys.

[radioactive-killjoy]

I’m watching the Final Fifteen and at 40:49 I realize that you CAN actually see Give Me Coffee or Give Me Death through the window (which I’m sure others have pointed out but my understanding of the layout of that street isn’t very good), and then a few seconds later Aziraphale DOES look over at the window. So he knows that’s where the Metatron went and can even possibly see Muriel and the Metatron. In fact, Aziraphale looks to his left (Metatron) six times, plus an additional two when the POV is from behind him.

Then I watched the speech again. Now, I know that Crowley has always been more in tune with Aziraphale than vice versa (“I know what you smell like,” talking about Aziraphale calling for three reasons) but Crowley was not being subtle. He said he wanted to go first AND he says “Really?” when Aziraphale interrupts him. So Aziraphale is choosing to carry on anyway.

I’ve always hated when Aziraphale calls Crowley “the bad guys” because both seasons made it clear that Aziraphale doesn’t really see Crowley as being part of Hell. I thought it was out of character and needlessly cruel. But when Aziraphale says “We can be together…angels” it made me realize that he’s trying to get Crowley to read between the lines. Saying “I need you” was his last resort. Through the rest of his speech, he’s expecting Crowley to pick up on the things he’s not explicitly saying.

Whenever Aziraphale and Crowley have secret codes, Crowley always comes up with them. I’m thinking of “to the world” which is about more than the world. Crowley isn’t picking up on Aziraphale’s pleading because Aziraphale tends to be straightforward with him. Why wouldn’t he take this at face value when Aziraphale is telling him angel or bust?

Aziraphale and Crowley are exposed in the bookshop. This is not a private moment for them. He can’t be honest with Crowley for so many reasons, and this is BEFORE he knows about the real danger. When Crowley doesn’t pick up on what Aziraphale isn’t saying, the only thing Aziraphale can do is push him away. There is no other response he could have given to the kiss if he was under ANY impression that the Metatron was watching.

I don’t know if the Metatron really knows the extent of their relationship, but the moment he brings up Crowley as a sort of ally to Aziraphale, Aziraphale freezes. If Aziraphale showed that he valued Demon!Crowley more than Angel!Crowley, then that would raise suspicions. So he has to play it off like that’s what he would want. He has to say, multiple times, that he wants Crowley back as an angel. Anyone watching the show should know that it’s just not true. It’s Demon!Crowley for him, every time.

[cupid-tune]

YOUR SO SWAG UR ART IS SO SWAG I'M GONNA EXPLODE OH MY GOD CAN WE GET MORE KURLOZ IM BEGGING???????

THANK YOU SO MUCH!!

How about BOTH?

[descendant-of-truth]

If I may throw my hat into the ring here, I think the source of a lot of problems in the writing of Miraculous can be boiled down to its confusion over its target demographic.

There are two very clear audiences the show is trying to cater to:

Grade school girls around 5-10

Teens/young adults around 15-20

And this results in some. unique conflicts in the show's internal logic.

Because it's a superhero show for little kids, it's full of fun, bright colors, wacky villain-of-the-week designs, and the characters are all very straightforward with exaggerated personality traits. The cheerful, clumsy, scatterbrained girl protagonist, her utterly charming and goofy (but slightly clueless) love interest, her cool best friend, her mean bully, etc.

This extends to the romance; the show is so comedic that Marinette's nervous crush and Cat Noir's flirting are played up for laughs. Their more "problematic" behaviors read as cartoon shenanigans first and foremost, which I do think was the intention - they're both shown as being more than a little ridiculous for acting this way, so they're not exactly trying to encourage people to emulate them. They're allowed to be genuinely wholesome, too, because it's nice to give the kids something to go "aww!" at, but it's not meant to be more complicated or deep than that.

And of course, it's gotta follow a sweet and simple episodic formula! A conflict in Marinette's civilian life, an inciting incident to get a side character upset enough for Hawk Moth to turn into a villain, Ladybug and Cat Noir show up, there's fun banter, Ladybug uses her Lucky Charm to figure out a wacky solution to the problem, and boom! The day is saved, Marinette and/or someone else learns a moral, and we get a cute little end screen showing all the key players of the episode.

The one aspect of the show's setup that's a little more serious is the fact that Adrien has a super controlling and distant father, but even this is something that doesn't necessarily break the kid-friendly tone for the first season or two. Superhero shows in particular like to put in some stuff that's a little more emotionally challenging for the viewers, even when they're mostly comedic, so it's not totally out of place here.

For example, while they tend to have more grounded tones overall, Spider-Man cartoons are aimed at kids and regularly keep the conflict between Harry Osborn and his father, Norman, intact; often including the plot point of Norman being the Green Goblin, a notorious villain. It's a similar deal with Adrien, and his dad secretly being Hawk Moth.

You can easily anticipate drama coming from this, but the show primes you to expect it to work out fine in the end because every other conflict so far has been wrapped up in a nice little bow once the episode's over. Though I will say, the choice to have Hawk Moth be Gabriel instead of his own, separate character is perhaps the first sign of the tone shift to come.

And, uh. it sure is a shift.

See, Miraculous does not start out with what you'd call a... plot. It vaguely alludes to there being more going on behind the scenes, but the only thing it really tries to get you invested in is the Love Square dynamic. Marinette and Adrien dancing around each other while fighting crime IS the plot, and it's clearly going to end with a cool final confrontation with Hawk Moth.

You expect it to end like... well, like the movie. Identities are revealed, Gabriel realizes the error of his ways when he finds out he's been fighting his son this whole time, and they may or may not make up but he almost definitely gets arrested. Marinette and Adrien kiss, roll credits.

This is not what happens, because the plot the writers actually had in mind is complex in a way that I would argue is meant for the same audience as YA novels. And with that plot comes a lot of darker, weightier traits to these otherwise silly characters.

Marinette isn't just scatterbrained and nervous, she has debilitating anxiety and an increasing need to be in control of everything due to the stress she's under. She has panic attacks on-screen. She's not just great at strategizing, she also knows how to manipulate people, and does so with increasing frequency - and to Cat Noir at times, no less. Her positive traits haven't gone anywhere, she's still loving and creative and sweet and doing her best to help everyone she can, she just. has all of that other stuff going on, now.

Adrien isn't just a charming, goofy, clueless love interest with a gazillion skills and a controlling father, he's like. actively being abused, and in some cases straight-up mind controlled. His tendency to heroically sacrifice himself so that Ladybug can do her Cool Protagonist Thing is gradually but unmistakably reframed as being a sign of suicidal inclinations. He has identity issues out the wazoo and he doesn't even know he's an artificially created human yet, because everyone in his life is keeping secrets from him and/or lying to his face about crucial information.

Information like, uh. how his dad died???

Yeah, so we're at a point in the story now where there was no satisfying conclusion to the Gabriel plot, no team-up, no moment where he realizes he's been fighting his son, none of that. He still has something akin to a change of heart, but he also still kind of gets what he wants - the Miraculous of the Ladybug and Black Cat, which he uses to rewrite the universe with a wish. It's just that instead of reviving his wife, he trades his life for Natalie's. Of course, he was already dying anyway, which was his own fault but he did force Cat Noir's Cataclysm onto himself, so, that's another thing poor Adrien is going to have to deal with at some point.

And because there's all these astronomically messed up things in Adrien's life, and Marinette's the one who got to learn about all of it before him, she decides that maybe it would be better if he just. didn't know about it. Which is understandable, if I was 14 and had all this information about my boyfriend's life that he didn't, I wouldn't know how to begin telling him about it, either.

But. can you see how we've maybe lost the plot, here?

Here's the thing: starting with a simple framework and gradually getting more complex and subverting the audience's expectations for how the main villain is going to be dealt with is not a bad thing. The fact that it gets darker over time is not an issue. I actually think that all these developments are, themselves, pretty cool! I'm a sucker for angst and complex character dynamics and the show is absolutely giving me those things.

The problem is that it didn't just start with a simple framework, it started with the framework for a different demographic entirely, and perhaps just as importantly, it never actually... stopped.

For as much complexity and intensity they're injecting this story with, they're still working under the logic of it being "for young kids." We still get goofy villain-of-the-week designs with equally goofy motivations, and the supporting cast is stuck remaining two-dimensional no matter their circumstances. Chloe is the most blatant example of this - she was made to be a simple bully first, so no matter what else they do with her, she has to remain straightforwardly evil.

This, I think, is the reason that Gabriel is a more nuanced and "sympathetic" antagonist than her, and why so much care goes into Adrien's character as a victim of abuse while Chloe is just a Problem Child despite suffering similar neglect; she wasn't made to be interesting, and so the show is resistant to changing that. Gabriel and Adrien, however, were already made with nuance in mind, and so they're allowed to develop as characters. And at the same time, it's a kid's show! We need to teach the kids what kind of behavior is acceptable, and Chloe's home life isn't an excuse to treat people badly, so--!

...Oh crap we're supposed to be teaching kids about acceptable behavior. Uh. Um. Quick, bring back the ice cream akuma who cares way too much about his ships so that Cat Noir can learn about consent! Uhh, but don't change his character too much afterwards, he's only marketable because of his silly flirting, and we can't lose that.

Yeah, remember when I said that the romance having problematic elements to it used to work well enough because it was clearly just exaggerated cartooniness? It wasn't free from criticism or anything, but you could see how it was intended to be endearing and silly, right? You were supposed to point and laugh at Marinette's convoluted plans to spend time with Adrien, at Cat Noir's dramatic flirting attempts that Ladybug herself fondly rolled her eyes at.

The tonal shift into deep character exploration kinda paints the previous stuff in a worse light, and to an extent, I think the writers know that. It's hard to laugh at Cat Noir being flirty all the time when he's also supposed to be taken completely seriously, and the more Ladybug rejects him, the more it turns into harassment, and it. kinda just stops being funny, even with the comedic framing.

It's also hard to laugh at Marinette's crush being so all-consuming when they try to tell us (in what I can only assume was an attempt to get people to stop complaining) that she's like this because it's fueled by an event in her past, one that made her so scared of loving the wrong person that she now needs to know Everything about them before asking them out. Her cartoon antics aren't funny under that light, it's just concerning, but they're dedicated to keeping it up anyway.

The show runs on straightforward cartoon logic where you're not supposed to think about it too hard just as much as it runs on grounded, closer-to-real-life logic where people are messy and complicated and actions have consequences. It's so divided that you can hand-pick parts of the story that are influenced by one or the other pretty easily, and depending on the episode you can find instances of both in the same 20-minute time span. Maybe even multiple times!

Neither thing they're trying to go for is bad, and neither is a better approach than the other, but forcing them into the same show makes both sides suffer.

It's not just hard to laugh at the parts I mentioned earlier, it's hard to take Gabriel seriously as a villain whenever you rewatch an episode and remember that he has a once-per-episode pun-based speech that he says so self-seriously that you can't help but laugh at. It's hard to take him seriously when you remember that he repeatedly akumatized a Literal Baby and practically threw a tantrum every time it didn't work, or when he randomly steals (and enthusiastically performs) his nephew's musical dance number, or something similar that you would only do for a cartoon villain aimed at five-year-olds.

And I can only imagine this whole show is a marketing nightmare, too. Hey, little girls, here's your cool role model! She's cute and smart and talented and powerful and can fix anything by shouting the title of the show! Hope you're having fun watching her tell her boyfriend that his newly-deceased father (who used deepfakes of him to sell merchandise that's built to enslave the population and then locked him in a solitary confinement chamber in another country) was actually a hero who sacrificed himself to stop the main villain instead of, y'know, being the main villain! Aren't you excited to watch her wrestle with the guilt of this lie for the next season or so? Doesn't it just make you want to buy her merchandise??

Like. what is even happening right now. what am I watching. how did we get here and why did we start where we did if this was what the story was going to be about

[starflungwaddledee]

Gimme that GOOD shit girlie 💅✨ (Starstruck x Galacta knight)

✧˖°. give up what you love, before it does you in .°˖✧

[coleomegilla-maculata]

Saloon conversations

[dol-dee]

Average day of an average human, terrorizing an average priest

Luci belongs to @getinthefuckingcarkitten <3

[dykedvonte]

Something something perhaps the reason Curly lacks a truly undamaged ID where his face is visible is to represent how much damage Jimmy had already affected on him throughout their relationship and the way Curly obscured part of who he is and what he stood to unintentionally cater to this toxic influence in his life.

[sifloopboning]

pov the cuteness aggression this thing induces in you has reached critical levels. and you're about to do something so very normal about it

[bloo-the-dragon]

A small detail I like that seemed to get overlooked by a lot of people: Moon wasn't trying to keep the lights off to hurt Sun or to hurt children, he wanted to keep them off, because in his corrupted state, light was causing him PAIN! Rebooting them into Eclipse didn't JUST help Sun, we helped Moon, too! All THREE are good bots, your honor and I love them and GHDASJGhj

Yes i agree! I think in the main game it was definitely virus related (since the flashlight, the laser gun and fazcam does nothing against him) but in the DLC its gotten to the point where he has become hyper sensitive to light (either due to the virus still scrambling his brains or the damage both have sustained since or a combination of both) and so it causes him a lot of pain when exposed to it.

If we look at his two jumpscares also, the one where neither generators have been turned on he grabs Cassie and flies up in the air with her but doesn't outright display any overly violent behaviour so one could almost assume he does try to take her to naptime and maybe drops her in the process (accidently or intentionally is anyones guess)

But when one generator is turned on he is now in greater pain and aggravated so when Cassie approaches him he is far more unstable and lashes out in anger and frustration, especially when Sun also tries forcing him back in.

I do love to think Moon is not intentionally malicious/evil but with his coding scrambled by the virus and neglect and Sun actively fighting him parred with hyper sensitivity to light and both quite possibly being in a near constant state of pain i don't blame him for being so aggressive.

Rebooting him would have reset the messed up coding and helped bring Moon back to a more stable state and while i doubt it would completely fix them mentally (trauma goes brr) at least he and Sun have been brought some peace at last and made whole again. ;;v;;

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[friendlyengie]

can we hear more about anne... love engineers ❤️

Anne was one of tha designs I enjoyed the least when I first put together their references so I definitely used this as a prompt to figure her out some more with shapes adn all that :)

She’s a very normal old woman and she is usually always on the sidelines of her teams bullshit because she has too much sense to try and get between any of them at any given moment. (I imagine most of the mercs think they’re better than most of their team on some level, but she’s the only one who’s right when she thinks that. At least when it comes to common sense skills)

These are just some character building idea doodles… meemaw off the shits I love her!

Being normal but also SO fucked up and upsetting is a Conagher family trait btw. Not exactly sure what all she gets up to but she’s a strange old lady. She’s just really good at not announcing it to the world. It’s simply not your business what crimes against god she’s committing!

[unfinishedslurs]

prank gone wrong (viral!) (steddie)

Eddie’s been someone’s dirty little secret before.

He’s got a type, okay? Unfortunately hot jocks are often the type of asshole to get sucked off behind the bleacher and then turn around and spit in his face about it. Going right back to their friends to talk shit about what a freak Eddie is, never mind the fact that his mouth still tastes like their nasty fucking jizz. He’s used to it by now. Used to people who pretend they barely know each other. He’s not asking they parade their relationship for the whole town to see, just someone who doesn’t pretend they’re strangers. Is that too much to ask? 

He’s so fucking stupid. He really thought this time would be different.

Steve Harrington barreled into his life like a goddamn train and Eddie’s been derailed ever since.

The first time he met Steve he was six. Eddie still lived with his mom, and she took him to the park, where he met a little boy who wrinkled his nose and told him he smelled bad. Steve does not remember this, and turned red with mortification the first time Eddie told him

After that incredible hit to baby Eddie’s self-esteem, they didn’t interact much, existing on the periphery of each others lives. He figured it didn’t matter. Harrington was a year under him, and a douche besides. Was ready to leave town from the moment he learned to walk. As soon as he graduated, he could finally get the hell out of this place and never think about the assholes he went to school with again.

His mom leaves. His dad gets arrested. He moves in with his Uncle Wayne, who only has one bedroom in his trailer and won’t take no for an answer when he gives it to Eddie. 

Eddie doesn’t graduate.

(Harrington comes back to school different after Byers beats him up. Eddie doesn’t notice. He’s got bigger things to worry about.)

They don’t talk in Eddie’s second run of senior year either. He hears the gossip, sees him come to school with stitches in his forehead and no girlfriend. Still, it’s none of his damn business. He rolls his eyes at the rumors and stays far away from Billy Hargrove.

Steve Harrington graduates. Eddie doesn’t.

And this is where his careful distance falls apart.

It’s the mall’s fault of course. What isn’t? Businesses closing down, rent going up, his resolve crumbling. All over some fucking ice cream. God, Eddie should have just turned around. Left the store and the mall and the entire damn town behind. 

He’s aware he’s being melodramatic, but in his defense he’s queer in Indiana. He has a right to be. 

Anyways, the point is that Eddie saw Harrington’s little blue shorts and red lips and cannot be held responsible for what happened after. 

(They fucked. That’s what happened. They fucked, and kept fucking, and then after the mall burned down Steve showed up on his doorstep with suspiciously placed bruises and his coworker and looked at Eddie with pleading eyes. He didn’t even bring Robin home to her parents like a sensible person, just insisted on having her there because they were a package deal now and couldn’t be separated. Like puppies, Robin said when he looked at her. Last he checked, she wanted to bite Steve’s head off, and now they were attached at the hip?

He got used to it quickly. He had to. She comes on half their dates. Steve’s lucky he’s so cute.)

Now, nearly five months after Steve served him ice cream for the first time, he feels his heart shatter in the Hawkins High parking lot. 

“Harrington,” Dustin shouts, and it carries across the empty lot. Steve’s head jerks up and he waves, Robin standing beside him. “Steve, c’mere!”

Steve tilts his head. “What?”

“Come. Here.” Dustin repeats, enunciating clearly. Mike and Lucas look at him like he’s insane. So do Gareth, Jeff, and Chuck. 

Steve, who is standing a mere 20 feet away, turns to Robin and says something that makes her snort. Eddie can practically hear his bitchy murmur. 

“Is that Harrington’s girlfriend?” He hears Gareth ask. He has to swallow his laughter. 

“Yes,” Dustin says.

“No,” Mike corrects. 

“He won’t admit anything, but he always has a bunch of hickies and stuff after hanging out with her,” Lucas clarifies, because half the time when Steve says he’s hanging out with Robin he's actually with Eddie. The fact that Robin is usually still there is irrelevant. Marking up his boyfriend is one of his favorite pastimes. He refuses to let his boyfriend’s “soulmate” get in the way just because she refuses to sleep in one of the Harrington’s fancy guest rooms like a normal person unless he kicks her out. The way they both pout at him for it is fucking ridiculous. He ends up giving in half the time, and then lies awake and cold on the very edge of the bed because Robin starfishes her way across the rest and Steve is a blanket hog. 

The first time he tried giving Steve a hickey as some kind of dominance move for privacy, Robin stared him dead in the eye and didn’t back down. 

“I can do that too,” she said, and promptly bit Steve on the shoulder. Steve, who was shirtless and already slightly dazed from Eddie’s ministrations, let out an honest to God squeak. Like a dog toy. Eddie and Robin both stared at him before breaking into loud cackles that had a blushing Steve yelling at them before finally burrowing under the covers and refusing to come out. Needless to say, Eddie didn’t get laid that night. 

“Harring-ton,” Dustin whines. 

“I’m literally right here. You come here.”

He did, if only to grab Steve by the wrist and drag him to where everyone else was standing. Steve squawks. “When we’re late for dinner with Ma, I’m telling her it was your fault—“

“I want you to meet everyone!”

“I went to school with them!”

“Yeah, but they think you’re still a dick,” he says, as if they’re not standing right there. Steve is similarly engrossed in their conversation, not even noticing that Dustin’s stopped walking. 

“They can think whatever—“ he walks right into Eddie and lets out a startled oof. Eddie, who let it happen, catches him as he flails. 

“Well hello to you too,” he says, not bothering to hide his amusement. 

Steve looks at him with wide eyes, gaze dropping down to his lips before whirling around and snapping, “Henderson!”

“I didn’t do anything!”

“I didn’t do anything,” Lucas mimics under his breath, ducking behind Steve when Dustin turns around with the fury of a thousand suns in his eyes. 

He just stands there, hands on his hips as the kids bicker around him. 

“Oh, so now we can talk?”

“What’s that supposed to mean?” Steve asks, brow furrowed like he doesn’t know exactly what he’s talking about. 

Eddie can’t help but laugh, a sharp sound that makes Steve jump. “What do you think it means, Harrington? You never want to talk to me in front of the kids! Don’t want to dirty your hands with the Freak in public, I guess.”

“I…what are you talking about?”

[no talkie henderosn]

“What?” His eyes get wide, panicked, as he reaches for Eddie. “Eddie, that’s not—you have to know that’s not what I meant by that. I never meant it like that!”

“Then how did you mean it?”

Steve mumbles something he can’t make out. 

“Speak up, sweetheart.” It comes out mean, he knows it does, but he’s feeling a little mean right now. Lashing out like a wounded animal just because his boyfriend didn’t want to talk to him in public. 

Actually, when he puts it that way, he remembers he’s justified. 

Steve says something again, still incomprehensible. Eddie rolls his eyes. “If you can’t stop mumbling, I’ll just leave.”

That does the trick. “I thought we were playing a prank on Henderson together!” 

Eddie gapes at him. “What?”

“I thought,” he repeats, running an anxious hand through his hair, “we were pretending not to know each other to mess with the kid. Eddie, baby, you’ve gotta know I wouldn’t have done it if I’d known you were hurting. Why didn’t you tell me?”

“Why didn’t I…” This can’t be real. He’s been agonizing for months, and for what? A prank? Just some stupid, shitty prank Steve thought he was in on? He’s going to jump off the quarry. “Why didn’t you tell me? I could have had so much fun with that!”

“I thought you knew!”

“How would I have known? I can’t read your mind!”

“You can sometimes,” he says, pouting. Eddie wishes they weren’t in the middle of an argument, he wants to kiss those lips so bad. 

He groans into his hands. “It’s significantly easier to tell when your boyfriend wants to fuck than it is to read ‘Hey, let’s play a prank on this twelve year old,’ on someone’s face, sweetheart.”

“I guess,” Steve huffs. Then his face softens. Eddie lets himself be drawn in by the wrist, helpless in the face of his sweet smile. “We can stop,” he promises, swaying in close enough for his breath to ghost across Eddie’s lips. “We could walk into Hellfire tomorrow holding hands, if you wanted to. Anything you want, just say the word.”

“How would we walk into Hellfire? It’s at your house.”

Steve pinches him for that. 

[monstrsball]

reigen going to r/AmITheAsshole after his fight with mob