#the pilgrims episode?? WHY

[anthrofreshtodeath]

On the one hand I… am a stodgy old lady when it comes to people who write about sports and get it wrong. I know that in the end it doesn’t really matter and I’m like one of three people who care. I accept this about myself. But on the other hand, like… you don’t have to. Especially if your writing makes you money. You don’t *have* to do it 😭

[mimiscappinisideblog]

I started watching Scott Pilgrim Takes Off and then left in episode 3 and started watching The Nanny instead... ADHD am i right?

Anyway I am down bad. Here are doodles to prove it, so the judge will take my side and arrest Jason Schwartzman for all the damage he did to my mind :)

Inspo:

[slymanner]

You know since there actually is a lisa cameo in the show i really expected a small scene of her being absolutely fucking DUMBFOUNDED seeing her friend from highschool just randomly get a fucking MUSICAL about his story out of nowhere 😭😭😭 INCLUDING KIM TOO SHE IS IN THE BANNERS OF THE MUSICAL

she really didn't??? Like??? Go and find scott and kim and ask about it??? give them a lil congrats maybe if she even knew they were in town??? SHES A ACTOR FOR CRYING OUT LOUD THIS WOULD BE A WHOLE ANVIL SLAMMING ON TOP OF HER OF SURPRISE DNDNDBDB

I'll headcanon and say since she didn't know they were in town or not, i bet she actually just attended the musical just to support her besties, even if she didn't know they were there. <3

[apilgrimpassingby]

I thought today - the TV show I'd really like to see is one about a medieval monastery.

You could have all kinds of characters: the pious guy who joined because he wanted to serve God, the son born out of wedlock sent there to cover up his parents' shame, the geek who wanted to study Latin but couldn't afford to go into university, the former knight sick of violence and afraid for his soul... Plus monasteries were centres of pilgrimage and places where criminals could take refuge, so we can have a lot of characters who crop up for a few episodes and leave.

Some plotlines I thought of:

Our relics aren't bringing in the pilgrims the way they used to - what do we do?

A women fleeing an abusive marriage has taken shelter in the monastery - how will the brothers respond to having a women in their midst?

One of the monks wants to leave - will the abbot accept or not?

A murderer has taken refuge in the abbey, and the abbot decides to try and save his soul - what will happen?

People are coming to the monastery for food during the famine, but the monastery is itself short of food - how will this be dealt with?

War has broken out between two local lords, and the monks attempt to broker a treaty - will it work?

I've already mentioned some reasons why I think this setting would lend itself to television, but I'd also love to make it for two other reasons:

Get people to understand how weird medieval religion could get, but also that, within its own frame of reference, it was a reasonable and consistent belief system.

Show people that the Middle Ages consisted of more than just muddy people stabbing each other and burning scientists at the stake.

[prophetkristy]

holy shit this almost redeemed the fucking google ai.

ALMOST.

this is so funny god bless the west wing for fucking up googles dumbass ai overview

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[moosegbt]

Happy one year anniversary to my Over the Garden Wall VHS tape project!

I made it in both orange and black. I like black more, but orange really feels more in the spirit of the season. I used the shell from a VHS copy of the Rugrats movie.

I made the box art using various screenshots from the show, as well as some promo art. The description was taken from the DVD release, and the description title “will you take a peek?” was the tagline during the promotion of the show.

The back also has a fun little easter egg: the barcode is for candy corn!

What’s more is the tape has a special cut of the series that I made myself. I cropped every single scene in every single episode to make sure it naturally fit in a 4:3 aspect ratio, and I edited the episodes together to flow as if it were one movie (the pacing is a little like Babe). Additionally, I added trailers for movies that give me the same nostalgic vibes (The Last Unicorn, Princess Mononoke, Steven Universe: The Movie, and The Iron Giant). I also added the Warner Brothers and Cartoon Network title cards.

I printed this cut into the tape by integrating a VCR into my PC setup. If you want to see more about this project, I have a few videos about it on my TikTok @MooseGBT, or you can check out the main one right here!

The video has an earlier version of the tape, which is why the actual tape doesn’t have a real label (it’s kind of just a piece of paper slapped on upside down with tape). The content on the tape, however, is the same.

This was a really fun project, and I’ve already started working on a VHS cut of Scott Pilgrim vs The World, Steven Universe: The Movie, the Star Wars Sequel trilogy (I have 1-6 on VHS, and I also want 7-9), and the other Star Wars movies (the Christmas Special, the Clone Wars, Solo, Kenobi, and Rogue One). I also have plans to begin editing and printing the FNAF movie, the spiderverse trilogy (once ATSV pt 2 comes out), and Don’t Hug me I’m Scared.

[nitw]

OKAY REAL TALK. i'm on episode 5 rn. if this keeps up the way i think it is then this show is such a fucking genius adaptation, and i never would've seen it coming

like yeah, an animated scott pilgrim series authentic to the comics and the story bryan originally wanted to tell would've been amazing too. but when you think about it, SCOTT'S story has already been told to us more than a few times now. even if the live action movie took a different turn by accident, the overall message of "well-intentioned people can still make, and should still take responsibility for, mistakes that hurt those who care about them, and indifference will only end up hurting them back" still sticks for the most part.

but it's mainly been from scott's perspective. which makes sense! he's the main character, so, obviously!! but here's the thing: ramona has ALWAYS served as a reflection of scott's issues. ngl i think this is one of the most consistent things in the entire franchise, and it's why i love ramona so much. as we dive further into her backstory we learn just how much of a wall she's built around herself, how she's afraid of trusting people, but especially that, as sympathetic as she is, she's also caused so much (unintentional) damage herself. although she's introduced as someone literally too good to be true and unreachable by scott's standards, it becomes more and more apparent how similar scott and ramona are, and so they're perfect for guiding each other towards a brighter path.

and what better way to highlight this than to flip the tables completely, putting RAMONA center stage aka making the audience intimately familiar with her immediately, making SCOTT the mysterious damsel in distress/goal at the finish line instead, driving ramona to face the 7 evil exes and making amends with them in a way scott never could???

also can i just say. HUGE SHOUTOUT to the marketing team for hiding this reveal SOOOOO well. like seriously, i was worried they were showing TOO MUCH in the trailers BUT I WAS WRONG. WE GOT PLAYED SO HARD

[tiredmoonslut]

I saw someone else say it and I really do think this was meant to be Billy's trial, not Agatha's.

It just makes sense. Billy and Tommy were born in the 70s era of WandaVision. Their teen years WOULD have been in the 80s, hence the style of this episode. Agatha has no connection to the 80s. If it was really her trial I bet they'd all be in pilgrim fits.

The aesthetic was a teenager's sleepover. The only teen here is Billy, and of course he'd want to have a sleepover with these women. He's a huge fanboy for them. I bet Billy was the one meant to lead the seance. The board jumped out when he came near it, after all. He read the rules off for it. If he'd led the seance, then who knows, we may have heard from a certain red-haired woman he has connections to.

But because he didn't, the trial had to adjust itself. It created a situation in which the whole coven turns on Agatha, the exact opposite of what Billy would want. All unity and cohesion won was lost, the very thing he'd been most hoping to achieve with them. This puts him where the trial needs him, however. He's the only one opposed to what's going on, the only one (well, except Rio ofc) who's completely not listening to Evanora, and so he notices when Nicholas starts communicating through the board. The criteria successfully having been met, the trial ends, and Billy's sigil wears off, no longer needed. Cue the big ending sequence.

EDIT: Alternatively, it's also possible the trial's natural course couldn't be followed because Billy's sigil was preventing it, and so the trial had to occur differently and in a way that would destroy the sigil. If this trial was meant to illuminate new truths by speaking with the dead, maybe those intended truths were blocked by the magick of the sigil, and so it had to find some way to course correct. This would be especially interesting if the theory I've been seeing about Billy actually putting the sigil on himself is the truth. He's been tampering with this whole process without even remembering it was his doing. Maybe that's why the trials always seem to harm him. The first two drew his blood, and this one led to the sigil being destroyed. All very fascinating things to consider.

[sun-of-4-gun]

reeding your Six ear backstory I'm curious on what the jttw gang thought of him? where they like:

"that monkey looks a lot like you"

SWK: yeeAhh how much of a coincidence O﹏o

hahah essentially!

Tang: Why did he look like you?!??

Monkey: No idea (lie), but I am flattered! Not happy about everything else though.

it was a very "Fuck You. Random Chimp Event 🫵" moment because to the pilgrims, Six seemingly came out of nowhere and took Monkey's place after he was banished. later on they thought they had him back but it was an imposter! I'd imagine it was Sandy & Horsie who were suspicious of "Monkey", because Pigsy & Tripitaka were thinking of him as being much better than before, except it isn't really Monkey or Stick and neither were being aggravatingly annoying or frustratingly aggressive!!

Monkey only realised what Six was when he was just about to destroy him. with the No Killing Rule by Tripitaka, and Buddha & Lin's sympathy for him 500 years ago, he gives it a second thought to not kill this guy, who to his understanding is basically just a younger version of himself under different circumstances. in a way maybe it would've been like killing himself, or at least these negative aspects within that manifested to ruin his own life, metaphorical &/ literal self-sabotaging & harm if you will. because "Six" was initially pushed away & buried to the back of his mind, but bottling up ruins you, and that's exactly what almost came to be

so he does it again, but this time with a positive outlook and hope this six-eared macaque will understand that what he did was wrong during timeout. just as Buddha did for him once!

there isn't much to think of for the others since it was all so chaotic & confusing. one moment Monkey killed a bunch of guys and claims he didn't, and after being banished by Tripitaka for "lying & murder", he came back to apologise because apparently he did kill people! but it turns out no, he didn't, because that was the six-eared macaque who framed him, stole his identity, & almost got away with their luggage if it weren't for the real Sun Wukong! I don't think Monkey even tells/confirms to anyone about the fact that technically he created Six, so this is all his fault for not talking about his feelings 5 years ago, and he's still not going to talk about this maybe after 1,000 years because it's just so out of the blue!

Pigsy assumes that was just a rogue hair clone, he teases how more pleasant & tolerable Six was compared to the original, and prefers a quiet Stick. this earns him a bonk in the head

Tripitaka hopes that Monkey keeps his promise to free Six in 500 years & give a chance to redeem himself like he has for him. he's glad his youngest disciple didn't kill the specious macaque & is being considerate of other's feelings

Sandy was absolutely furious about fighting his own shadow, as Six borrowed it to match his prowess when they battled. I'd think he has ideas of his origin but it remains a quiet understanding and unspoken secret between him & Monkey

Horsie prefers the original and did not like Six even when he was in disguise. I imagine he instantly sensed it wasn't his friend but couldn't understand what was different. the vibes were just off but again, didn't say anything

and so after that kerfuffle, they'll carry on their journey like nothing happened to the next episode!

[newkatzkafe2023]

Hey, so I know there's already a Pucca request but that's for who would be Pucca and who'd be Garu, but what if the Monkey King met Reader who had the same abilities as Pucca? You know, strong enough to probably split mountains, fast enough to know one run and swim across the sea but split like Moses, is very Durable like not even a giant boulder could stop and would crumble into pieces, and could blow everything away like how the big bad wolf does (but IS able to blow away bricks, trees and probably giant boulders too).

Hell, I've seen an episode where a dude had powerful portal scissors (or something like that) that only he could lift and while others struggle to even get it off the ground, but Pucca picked them up with ease. So could you imagine what the Wukong's reactions would be if not only did he see reader do all those things listed before but also saw her able to LIFT HIS STAFF? Just a reminder, staff is 17,550 LBS AND IS A ORIGINALLY A GIANT PILLAR.

I heard somewhere that Pucca means Goddess in the English language.

(Lmk Wukong) You are a huge anomaly. Your Mk's adopted mother and have been taking care of him ever since he was a baby. Wukong liked you from the start, but you have some very unusual quirks to you. For example, Wukong was testing Mk on his strength and throwing a large rock, but he totally missed it, and it headed towards you while you were surfing the web. Wukong paled, and Mk tried to get your attention, but the Boulder broke right on top of your head!!! You were so unbothered that you didn't even look up from your phone. Wukong's jaw dropped, and Mk fainted. Later on, you continued to scare your son and boyfriend. When Mk and Wukong were racing each other, you some ran up to their speed And What blew their mind was the fact that you were running on water and making a large spit in the middle. Wukong is so perplexed that he and Mk flew into some trees. Then the final straw was when Macaque tricked Mk and stole his power, which left Mk pinned under his staff and you were so pissed that you took the heavy staff tight off of Mk and swung it like a damn jump rope As you wasted no time beating Macaque's ass🤣🤣🤣. Wukong was at a total loss . Seriously, what are you?! Wukong was not only impressed but greatly frightened.

(HIB Wukong) Oh boy, do you frighten him. You guys met when you were helping Luier and Silly girl find him at his mountain prison. And ever since you got together, you have demonstrated your abilities and powers. For example, when Wukong had a hard time getting out of the mountain, you punched it so hard you broke it in half, which made Wukong's jaw drop. Then another time was that fight with the dragon Wukong had to fend it off but Silly girl got in the way, and which scared Luier but you ran at the speed of light to catch her And His mind was blown when he found that you were running on the water and rescue Silly girl. Wukong paled further as you blew him and pigsy's mind. It gets This crazier with the final showed down against Hun Dun when Wukong thought he lost Luier. You took this time to jump and rescue the 2 children you broke through the ruble and rescued Luier and Silly girl. your face was red in fury meanwhile Wukong was destroying Hun Dun and you finally arrived and grabbed Wukong's staff and gave Hun Dun a ass whooping so bad Wukong very low key felt bad for him😬😬😬 After everything Wukong was low key terrified and turned on by you.

(MKR Wukong) Holy smokes, you would have him wrapped around your finger. Before the journey, Wukong asked his master to bring you his wide along since he left you at flower fruit mountain. The monk sighed but agreed, and you showed your abilities to the max when you broke through mountain paths and running on the water to complete tasks. The pilgrims start to see why you and Wukong are together for this long. Especially when you punched through a mountain when the group got ambushed by some stray demons. One time their was an⁰ avalanche And a bunch of boulders landed on our head but each of them cracked and broke on your head And you weren't even affected you were more worried about Wukong and Fruity then yourself. Then things got more and more unnatural when you helped Wukong fight the demon king and his army, and you yourself had used his staff during the fight too and release your demon forms together. After all that, the monk and pigsy learned to respect you. If They know what's good for them and Wukong was more in love with you than ever.

(NR Wukong) You were a bazaar entity, more so than him. Your skills and abilities were left unknown to Li, Su, and somehow Wukong. It all started when Li was being trained by Wukong and, to an extent, you. Li lost control a few times, but you weren't affected by his fire as you helped put him out. Wukong tends to make metal float in the garage a lot so you would get hit sometimes, but it never effects you in the slightest. In fact, you would leave dents in some of them sometimes. During the fight with the dragon king you Wukong saw you running on the water looking for Li and it almost caused him to crash in shock Because you are running so fast, The water split in half as you look for your newly adopted son and Daughter Li and Su. And finally he fell on his ass when you yanked his staff away and help Li with the final battle and Li even told Wukong that he got a glimpse of you whispering to Nezha when he finally Accepted his identity. Wukong realized that 500+ years of marriage, and he doesn't know a damn thing about you😦

(Netflix Wukong) Your cute face and personality were what cause Wukong to underestimate you heavily. You were Lin's neighbor and have taken the liberty of taking care of her, and because of that, Lin considered you an older sister. Wukong hand made fun of us a lot, but then he got into trouble with Dragon King and Heaven. During the fight with Dragon king, Wukong saw you run on the water and spilt the ocean in half as you went and help the villagers and What scared him was how You moved at the speed of light and grabbed everybody leaving no one get hurt in the crossfire then you punch through giant mountains and helped him battle the dragon king. Wukong was kinda glad to have you as back up Especially when heaven's officials show up. You took Wukong's staff and beat the crap out of both the dragon king and buddha as they bought harm to him and Lin. In the end, Wukong found himself blushing hard when you smothered him with kisses as the end of both fights.

FEEL FREE TO REBLOG❤️‍🩹

[flower-boi16]

Thinking about this further, Viv could have made good use of the eight episodes she had if she just chose to take the time to rework the story and actually knew how to pace things. Cuz here's the thing, there are other seasons of TV shows I've seen that have had just as much if not LESS time to tell they're stories but are better paced and structured than HH.

The third season of The Owl House had only three episodes to tell it's story. Two of those episodes are 44 minutes long and the last one is 55 minutes long, so it's at least 6 and a half episodes of TOH and Hazbin Hotel, since both shows have similar runtimes. That is LESS than what Hazbin has, which is eight episodes.

There's also Scott Pilgrim Takes Off, a show that, like Hazbin, has eight episodes, so it has the exact same amount of time that Hazbin does to tell its story (I've seen the first six episodes of the show and it's already better paced than Hazbin).

The thing is, the reason why these things have better pacing than Hazbin despite just as much or even less time to tell their stories as Hazbin is because the writers of those shows actually knew how to pace things out and which things to focus on for the story. Viv clearly doesn't know how to pace things and it results in a mess.

And, mind you, The Owl House specifically got its third season cut short by Disney, so Dana and her crew were forced to completely rework 2B and whatever plans they had for season 3. They made sure every second counted when writing TOH season 3 knowing of the short time limit they had. And, the season ended up being an absolutely phenomenal conclusion to the show that provided a satisfying end to the story & characters, and it also ended up being better written, and better paced than Hazbin, despite having less time to tell it's story.

Hazbin could've had decent pacing if Viv didn't try to cram so much into eight episodes because it makes the show feel cluttered and unfocused. The show was already renewed for a second season, why not save all the big stuff for it? I don't know why Hazbin had eight episodes and who made that decision, whether it was an executive or Viv herself, but either way, she should have made good use of the time she had...but she didn't.

And, ultimately, it resulted in everything feeling rushed.

[hellishfig]

just finished listening to episode 34 of worlds beyond number, "something to remember you by," which is the end of arc 3 of the wizard, the witch, and the wild one, and i feel sick from how incredible it was. the physical reactions my body made to some of the words and music in this podcast really took me by surprise. i'm still reeling.

some thoughts:

i'm so happy that suvi is questioning the citadel, her reaction to silver's letter was inspired, and i LOVED her interactions with the quartermaster. she's so clever and intimidating (holy shit that was HOT), but i'm worried about what's happening to silver. i have an inkling that the witches may have already started making moves alongside the man in black, and i wonder how that will affect suvi going forward. and going to try and save silver before returning their "precious cargo" to the citadel... i hope suvi can keep questioning, and that whatever she faces, she doesn't let the justification machine run its course any longer.

eursulon meeting up with tefmet was really cool. i enjoyed the return of the strongest man in silbury immensely. it was extremely funny. and then, when eursulon asked to help and succeeded on his persuasion checks, it was solemnly touching. i love eursulon's power being in steadfast support and protection, and how to him, it's not about opposing the citadel in its entirety, it's about saving spirits, great and small, from those who would use them. and that's something he can do while still protecting his true friends.

ame let the chaos OUT this episode, and it was delightful and nerve wracking and thrilling to listen to. she's very bossy and it's so funny to hear how immediately eursulon goes along with it, despite not knowing what "it" is. growing up watching grandma wren, she seems to have gained a natural authority that makes people who love her listen to her when she asks them to perform innocuous menial tasks. but that's also interesting, because her chaos is focused, if imprecise. she knows what she needs to do and will do it, damn the consequences. as long as she can get away, who cares what she leaves in her wake? that's a problem for future ame.

they stole some brass knockers and a lion! they kidnapped nif to save her from being killed by indri! tof burned bright to free a vrock! suvi heads to war, eursulon and ame TO TOMA! (i almost cried when eursulon said those words and the music swelled. what the fuck, lou. what the FUCK taylor and jared. i'm not okay!!!)

and then of course, brockvale. holly hill. the resting place of sir curran of the hawthorn, who unknowingly sent eursulon on a quest that would lead him to our story. the man in black, the pilgrim under stars, the king of knight, the stranger, holds sir curran's shield. he comes to make an offer. will this poor old guard bid a weary traveler to step over this threshold?

this is why worlds beyond number feels so different to me from other dnd shows and podcasts. these artists have come together with the shared goal of not just playing a fun game that they all enjoy, but with the express aim of crafting a brilliant story. i love a goofy campaign full of shenanigans as much as the next person, but i adore how every choice in this show is given weight and meaning. there are no decisions made for laughs. it doesn't feel like playing a game. it feels like living in the story.

and there are also moments like the ending of this episode. a snapshot of elsewhere in the world, something the players don't know, but the audience gets to. it fills out the edges of the story and provides a richer tapestry of lore and reasoning behind the machinations of those who oppose our heroes. it gives life to the tale.

my heart is beating so fast. this show is incredible. thank you, @worldsbeyondpod , for the world you're creating.

[menaceoffandoms]

LMK analysis rant: Mei

I said I was gonna do this and I'm keeping to my word! The only thing that may stop me is my procrastinating... and the fic I'm slowly writing but uhhhhh-

ANYWAY- We're here to talk about Mei, our favourite white horse dragon pepper girl!

Mei stands out as the most different from her inspiration, something the writers perfectly portray in the yellow-robed demon episode of s4, which is likely to do with how little they had to go off of. Despite being one of the pilgrims in jttw, Ao Lie dose very little in the novel. His most notable chapters being when he's introduced and when the group faces the yellow-robed demon, which is why we met him in that memory in the scroll. Combined with my belief that Mei isn't a reincarnation of Ao Lie -- just his descendent -- means that Mei is one of the most unique characters in the entire show.

There's just less source material for her to draw from, it let's the writers have more fun and do more things. It's not that they don't make the others characters unique -- they like to play very fast and loose with things over all -- but Mei feel like her own complete and original character. She's inspired by Ao Lie in the same way Mk is inspired by Monkie King basically and she all the better for it.

Being the female lead (isn't it interesting how most of the female characters in this show are villans?), Mei is a refreshingly strong, confident girl who begins the show as the most powerful cast member. Being a descendent of the great dragon gives her amazing powers that no other cast members have, a birth right that leads to her being the most protective of her friends and the first to help out in any fight.

What she has in power, however, she lacks in experience. Mei has no mentor -- other than her parents, but I believe its safe to assume they weren't very focused on teaching her combat -- which leads her to trust her gut more, rush into things and learn through observation, like when she mimics what her great x1000 uncle did in s3.

Overall Mei is an excitable, energetic and loving person with a "You only live once" kinda attitude, for lack of a better explanation. Even still, she has her own insecurities and flaws which make her all the more interesting. Due to the shows run time, Mei and many of the other main characters don't really get explored as much as Mk, however what we do see of these struggles and fears is incredibly interesting even on a surface level.

Her tendency to rush head first into danger without first examining the situation or creating a plan, truthfully, tends to work out for her, but it can't always. It's something shown perfectly in s4, when Mei is the only member of the group to not get a star from Master Subohdi, however what a lot of people seem to miss is how Mei actually did earn that star eventually.

When they leave the temple and head to the celestial realm to try and stop Azure, Mei leads them there with no plan at all. As such, they fail and need to be saved by Mk. Faced with proof of Subohdi's criticism, Mei makes the more important amendment to Mk's plan in the s4 special. I don't think we've even seen Mei make a serious plan until this point, which feeds back in to another one of her flaws: being unable to take things seriously.

This isn't something I see said about Mei often, but when watching her character I think it's externally obvious. Don't get me wrong, Mei can be serious, but usually only in moments of vulnerability or high stress. For example: when talking with her pearents, after she gained the Samahdi fire and whilst imprisoned by the Yellow-robed demon.

I think this flaw is Mei's own version of Mk playing dumb. They both behave this way to lessen the emotional impact of serious things, to protect themselves and help those around them deal with trauma or difficult topics. Mei and Mk really are two sides of the same coin and I'd love for them to do more with that in the show.

Going back to Mei's parents, one of her biggest struggles is reconciling who she is with who she's meant to be. She is a noble dragon, a descendent of the great dragon of the West Sea and practically the successor to Ao Lie. It's a lot to live up to and -- evident in episode 3 of season 1; Welcome home -- she doesn't believe she dose.

Mei is confident in her abilities, she's sure of her strength and quick to help those around her, but in the face of her legacy she stands uncertain. It's another thing her and Mk have in common, though in vastly different flavours, and it's interesting how this legacy colours Mei as a character.

She wields the dragon blade, proving herself as a worthy part of her family and gaining the approval of her parents, however the stark difference between her and the rest of her clan is more blatant than ever. We see this perfectly in season 3 when they visit the great Dragon of the East Sea, Mei being put into fancy clothes she instantly ruins in order to have a place to hold her sword. She fights against her uncle, fights against her family, because she knows they'll never understand her. But even still, she knows she's still one of them and she's so proud to be.

Becoming the vessel of the Samahdi fire is only more proof of Mei's legacy and connection to her family. It gives her a moment of pure vulnerability where she vents her frustrations and fears before rushing away, wanting nothing more than to protect the people she cares about.

When Red Son finds her she's still serious, but even with just a basic understanding of the fire within her Mei falls back to her normal nature; a silly excitable girl not taking things seriously. We see this after Red Son attacks her with the spears and when she's eating later on, but even if her attitude doesn't show it, she's still listening and taking the training seriously. She just needs to be silly so she won't freak out again.

Since we're on the topic of the Samahdi fire, I think most people can agree that the way it was handled post s3 was very poor. With only one mention of it in s4, by Master Subohdi no less, I assumed that the fire had been resealed, this time correctly. Something that dangerous should be locked up, even if a capable wielder is around. It would also prevent power creep and stop the show from having another Wukong predicament, by which I mean a character so powerful they need to find a way to prevent them from trivialising whatever threat they have to face in the plot. Wukong will get his own post soon don't you worry...

Instead, we learn in s5 that Mei still has the fire, she just kinda forgot? She learned to fully master it when breaking out of LBDs mech, so since the fire was no longer a raging uncontrollable inferno she just didn't realise it was still there... for an entire season. Yeah it feels lazy and honestly is probably the worse written choice the show has even made. Even still, it dose lead to a very interesting and in character moment for Mei.

When attempting to seal the willow wisp with Red Son, Mei loses her confidence, believing that she lost the Samahdi fire and thinking she's lacking. Mk getting Monkie Kings powers was one thing, but the rest of her friends now having cool weapons and magic? If their all so strong and only getting stronger, then what's the point in Mei? She was the strongest but now she might be the weakest, and that terrifies her cause if she's weak she can't protect people. How can she act when she's powerless to do so?

This dilemma is quickly resolved by Red Son telling her she's had the fire the whole time, amending it's use to Mei's lightning motif she's had since s1 -- I know fire benders in ATLA use lighting but come on -- and basically saying she's been using the fire the whole time. It takes away from Mei's whole struggle to be honest, but I do think there's potential for her to relearn this now tamed Samahdi fire so she can better use it. Just depends if the show wants to do that...

Moving on from my thinly veiled complaints about season 5 (I like it I swear but it is the weakest seasons to me so far), let's talk about Mei's role in the group a bit. Aside from being the token girl, she's also Mk's best friend and the only other character his age and acts around the same age as the shows target audience. Mk's the main character and leader, Tang is the lazy historian smart guy, Sandy the loveable giant, Pigsy the cynical brute and Mei's youthful and silly power house.

I would love to go into some narrative tropes, specifically the 5 man band since jttw is one of the primary bases of the trope, but I've realised I have far too many thoughts about that to fit here. This is the 21sh paragraph and I'm sure at least some of this is a mess, but I hope I'm getting my point across! Overall, Mei is an extremely compelling character how often gets side-lined due to run time and other stuff, but is honestly one of my favourite characters in the show.

[elancholia]

In Early Modern China's nearest attempt at writing a Rick and Morty episode, the lads visit an all-female kingdom and get boypreggers by guzzling from the wrong stream. Luckily,

I see we're leaving nothing to chance here.

Pilgrim Sun suggests that the births, if unaverted, will take place via a painful tearing-open of the armpit, of all places. Journey to the West Research compares the chapter to an episode from the Mahabharata (in which a king mistakenly drinks holy water intended to give his wife a son) and the choice of birth canal to stories of the legendary sages tearing open their mothers on the way out. Compare and contrast.

Oddly, it's sort of unclear why Western Liang is like this. It doesn't seem like a matter of policy, they're not Amazons and they're practically exhilarated to lay eyes upon our boys. Yes, it's a "male-undoing mountain", but there's no other indication that either the stream itself or the women are sex-selective.

As far as I can tell, this place exists so that Tripitaka can refuse to have sex with the most desperate queen alive — certainly a betrayal of his cicada namesake, but a chance to demonstrate his extreme commitment to virtuous celibacy and family-renunciation while playing his general meekness for laughs.

All that notwithstanding, I think the kingdom and its inhabitants are treated with remarkable respect. Yes, yes, they're desperate for the yang, clearly, but it's also a normal, functioning kingdom of impressive wealth. It has women officials who fulfill all the usual functions of a Sinosphere state, and their capacity to do so is not really commented upon or made ridiculous, at least not in any way that's legible to me. It's just that their entire society temporarily reorganizes itself around getting their superlatively beautiful queen into bed with a shy, celibate monk who needs and wants nothing more than to have his passport* stamped. They want him to stay, marry, and be king. He is defined by compulsive journeying and rejection of his role as paterfamilias. Classic comedy. Compared to the Amazon mythos or Lysistrata, the whole thing actually comes across as less pathological.

*Really, it's a travel rescript — a letter presented to the local government and signed to guarantee safe passage. Securing the travel rescript is a convenient device to force the characters to interact with the weird politics of the kingdoms they pass through.

Note also that abortion is presented as an uncomplicated and uncontroversial good, but that's probably the non-Abrahamic default.

Obvious commentary on the ongoing FDA abortifacient controversy.

Fruit baskets!

Always the bloody Daoists

Fruit baskets

After their plan to get the passport signed and leave the bride at the altar flubs, Tripitaka is promptly and perhaps serendipitous kidnapped by an unrelated scorpion, but his commitment to semen retention is, once again, simply too powerful, though she tempts him with remarkable persistence and buns filled with human meat. (She ties him up at one point; I'm sure there's fanfic of these two.) Ms. Scorpion does, however, accomplish the nigh-unprecedented feat of landing blows on both Sun Wukong and Zhu Bajie in a fair fight, #feminism, before being destroyed by the Chinese equivalent of the constellation Orion (here appearing as a very large chicken).

I'm not sure what we learned from this one and I certainly don't have anything intelligent to add, but damned if it isn't funny.

[sansculottides]

Maximilien Robespierre was executed on July 28, 1794, or the 10th of Thermidor in the Republican Calendar. A conventional textbook may mark the end of the French Revolution with Napoleon’s coup in 1799. But Ralph Korngold, Marxist historian, wrote:

“No one man creates a revolution or carries it on, but the currents of revolution may sometimes range themselves in such a manner that the fate of one man becomes the fate of the revolution itself. ‘We did not realize,’ said Cambon, ‘that in killing Robespierre we would kill the Republic.” (From Robespierre and the Fourth Estate–the “fourth estate” here referring to the budding proletarian class of the time. Korngold gave particular attention to Robespierre’s role in the attempt to enact the Ventôse Decrees, the most revolutionary laws proposed during the Republic which would have expropriated the wealth of counter-revolutionaries to be redistributed to the propertyless.)

Napoleon’s ascent ten years after the start of the Revolution only marked the final stab in a Republic that was already good as dead. The death of Robespierre and his allies was the death of the Revolution’s radical aspirations, and allowed the propertied men to fully take charge. Though I also appreciate the sentiment that we can also mark the Revolution’s end a bit after Robespierre, with the death of Babeuf, the “proto-communist."

Anyway, what I really wanted to do was talk about a phenomenal short film that came out this year (on Robespierre’s birthday), “La mort de Robespierre” by smileyfaceorg/Janelle Feng (who has done so much amazing art about Robespierre and the French Revolution).

The film focuses on the night before 10 Thermidor, before Robespierre’s forceful arrest. This historical episode has been depicted before, in various ways. In the 1989 movie La Revolution Francaise, Robespierre had gone insane at this point, an interpretation that fed off of years of black propaganda. In Feng’s film, Robespierre is depressed, remorseful and self-loathing, an interpretation that does have its footing in historical record. In the months leading up to his arrest, Robespierre was frequently sick from the mental exhaustion of running and defending the Republic.

Mental health isn’t a new thing, though we have admittedly only recently begun to be articulate on the subject. Mental health amongst revolutionaries isn’t new either. Even Lenin died of sickness likely compounded by the stress of protecting the Revolution’s gains. In the 1871 Paris Commune, the commune council was “a working, not a parliamentary body [but] executive and legislative at the same time,” which allowed members to fully dedicate themselves to the cause of building a socialist future, but also burdened them with a punishing workload with little room for rest, and the mental exhaustion that naturally follows. I’m sure every person in any radical movement knows the weight of the struggle, but that’s one reason why it must be a collective effort.

At one point in the film Saint-Just looks at the 1793 Declaration of Rights on the wall and comments “To think we made that.” It’s another historically-rooted moment, as there was at least one eyewitness account claiming he did something like that on that night. I think the presence of the 1793 Declaration also ties the film in with the radical tradition of interpreting the Revolution. The ‘93 Declaration was more egalitarian than the initial 1789 Declaration, signed off by a pressured Louis XVI and also the one more textbooks would remember.

I love the use of comic elements too. Comic devices in film would make me think of stuff like Spiderverse or Scott Pilgrim where it’s fun and wacky, but in this film Feng uses comic devices to contract and expand space and time to an introspective yet claustrophobic effect. Especially the scenes where panels surrounded by negative space hint at Robespierre’s inner turmoil. It works really well; comic elements can work like poetry, after all.

I love stuff like this, art that is rooted in history (with quite scholarly rigor) while also aiming to go beyond academic scholarship. You can’t quite explore things like emotions and human experience the same way you can through art. Art like this film looks at historical facts and tries to fill in the gaps. How did they feel about this, what kind of effect did it have? And it explores how these historical people and episodes were human. More importantly, it does so with empathy and purpose, keeping in the “spirit” of the historical figures depicted. If you truly read Robespierre, you wouldn’t give in to lazy portrayals of a mad dictator. In contrast, Feng’s short film shows so much care and attention for this person in the past.

I’m so happy that someone like Feng is making art about the French Revolution. Most of the films, novels, games, etc that come out about the French Rev usually just follow the boring, very liberal and mainstream narratives, and calumnies about Robespierre being a dictator or various other kinds of monsters (not true). Korngold wrote about this too: “The Red Terror appears unpardonable to the Whites, and the White Terror to the Reds. Carlyle penetrates closely to the truth when he says that the reason the Reign of Terror during the French Revolution has received so much scathing comment, is mainly because it was directed against the privileged classes and their followers and not against ‘the voiceless millions.’”

Like the rest of history, our interpretation of the French Revolution exposes the undercurrents of ideology, conscious or not. Our ideas of who should be in power, who should be listened to. Ultimately, it did end as a revolution of the budding bourgeoisie, but before that defeat, there were revolutionaries who imagined and fought for a new future for all. Not just a political revolution, but a social and economic one. We should remember their revolutionary example. There is a reason, after all, why the Soviets held the likes of Robespierre, Saint-Just and Marat in high regard.