#the other gig is going great though!

[shrekgogurt]

Hey y'all! In August I started two jobs and I've been so busy I haven't been bored enough to daydream about fic let alone write it. One of the jobs is a long term substitute position. I do not have a teaching degree. I do not know what I am doing. It is very stressful. These kids are just staring at me every morning and I have to be the one to like...have things for them to do. And so I just "yes and" riff about some worksheets best I can and hope they pass their state tests come April. Like, I'm really just some guy off the street they hired last minute. It's so bad.

However, I have a lil something I wrote before all that sooooooooo...

Simon POV, past (age 15):

Balanced footsteps approach, clicking in even purposeful tones that threaten Baz, Baz, Baz. His shadow appears first. Long and lean. Dark and brooding. Mocking me as it flickers against the walls because even the mere imitation of Baz swarms with condescension. A few steps above me, always looking down.

Thank you to everyone who has been tagging me. I'm sorry I've been so ass at interacting with your posts.

Fuck it I'm just putting down some names dude. @alexalexinii @arthurkko @artsyunderstudy @brilla-brilla-estrellita @bookish-bogwitch @cutestkilla

@emeryhall @excalisbury @facewithoutheart @fatalfangirl @hagnoart @henreyettah @hushed-chorus @iamamythologicalcreature @ic3-que3n @ineffable-grimm-pitch @j-nipper-95 @larkral @letraspal @messofthejess @mitranian @mooncello @monbons @nausikaaa @ninemagicks @nightimedreamersworld @noblecorgi @onepintobean @orange-peony @palimpsessed @prettygoododds @raenestee @rimeswithpurple @roomwithanopenfire @theearlgreymage @theimpossibledemon @thewholelemon @urban-sith @umdiasujo @valeffelees @wellbelesbian @whogaveyoupermission @yellobb @youarenevertooold @you-remind-me-of-the-babe

[deus-ex-mona]

i think these two should kiss

[mitamicah]

.

[snowluvvie]

FUCK AWFFF COLLEGE RODRICK

everybody gave you two the kind of “really, him?” “how’d he get her?” sidelong glances when you’d started dating in high school. you’d basically swooned over him the first time you’d met at school—but for most of your classmates, the way he’d chase people down to convince them to attend his band’s shows rubbed them the wrong way. most people would describe Rodrick as ‘desperate’—but they weren’t fucking him, so they didn’t know how truly desperate he was, did they? either way, it didn’t matter. you wanted him, you had him hook, line and sinker. you weren’t exactly upset that people weren’t trying to snatch your boyfriend from you—you got his shaggy hair that was always too long, his hands calloused from the drum sticks, his nervous smile that he tried to play off as a smirk. you got him. you liked it that way.

you went off to college together, and Rodrick looked different by the end of freshman year. he was different. he laughed at the frat boys and grimaced at the music they played at parties. sure, he’d always been into different stuff—but now he was confident about it. he liked his music. he liked his friends. he liked his band. and, of course, he liked you (doesn’t count though. that’s not controversial. everyone knows you’re hot.)

you noticed this change in confidence before anyone else did. before it showed in his eyes and his clothes, it showed in the way he grabbed your face to kiss you, tangled his hands in your hair, grinned into your mouth. it showed in the way his fingers dug into his hips when he was fucking you, the way he ran his mouth. it had always been “this is so hot” “i can’t believe i’m fucking you” “you’re so hot” with him. now, he was boldly moaning “you like that, huh? i can feel it” he chuckled at the way you gushed around him when he was buried inside of you, he loved it, and now he wouldn’t shut the fuck up about it.

people did notice him now, though. his new favorite bomber jacket did wonders for him, and his arms had gotten a little bigger underneath it. he wasn’t ‘hunky’ now, by any means, but in college people were a lot more forgiving of the eyeliner-and-unsuccessful-band thing. it wasn’t lame and desperate here, it was cool and niche. you two weren’t hot girl and “he makes me laugh” loser like they called you in high school—now you were hot girl and cool drummer boyfriend.

but even now that people actually come to his band’s dimly-lit club and coffee shop gigs, and buy some tees from the merch table, and giggle a little, waving their fingers and going “heyyy Rodrick, you were great this weekend!” when they walk past him on campus, it doesn’t really matter. you’re the one he searches for when he’s playing, grinning proudly at you in the crowd. you’re the one who sits shotgun in the band van, leaning on the center console while he tells you how pretty you’ve looked all night. you’re the one who passes out on Rodrick’s shitty dorm mattress with him, tangled together and attempting to kiss but failing because you’re both so exhausted, and the one who wakes up the next morning and watches him yawn and ruffle his hand through his dark hair, moving sluggishly through the dorm without a shirt and with eyeliner from last night still smeared on his face.

you’re the one he’s fucking—his people-pleaser desperate-for-validation tendencies are still very intact when it comes to you. his eyes still practically pop out of his head every time he sees your tits, he still has to squeeze his eyes shut when you dirty talk because the sound of your voice drives him insane, and he still rolls his eyes hard when you tell him that no, he can’t eat you out right now, you have to go to class. the audacity. at the end of the day, he’s your Rodrick, no matter how many other people are suddenly paying attention to him

[dreamsteddie]

There is an AITA out there that I can't find but it's been haunting me for weeks with visions of semi-angsty Steddie that I need to release onto the world. (If anyone happens to know what I'm talking about hit me up and I'll link it)

Edit: @jazzathebunny found the original AITA from Reddit linked Here for anyone who wants to read it. I'm definitely not doing exactly the same premise but this was my jumping off point 😊

Part Two! ------

Modern AU, Eddie and the guys are a moderately successful local band in the Chicago area playing gigs on the weekends and doing small tours whenever they all have the time. Gareth and Jeff are both in college while Eddie and Freak are both working part-time at a game store. Eddie managed to lock down that assistant manager position that lets him work 30 hours a week with weekends off for gigs. All in all, it's a pretty sweet deal and they can't complain.

Eddie had sworn off dating after a small handful of disastrous relationship attempts in their first year in the city. He dismisses any advances from people who attend their shows and tries not to think about how much he wants to make a genuine connection with someone and have something real. He's been burned one too many times to try and make something with someone he met in a bar or at work.

He knows the guys talk about it behind his back sometimes, he catches Jeff and Gareth fervently whispering to each other and stopping when they catch him entering the room one time too many to not suspect they're talking about him and he can't think of anything else going on in his life that they would feel the need to whisper about.

The fervent conversations take a slight uptick one day and about a week and a half after they do, Gareth hits him up and tells him he wants to set Eddie up with a guy from one of his classes. At first, Eddie is skeptical and cites all the reasons why he doesn't want to try with anyone right now but eventually, Jeff jumps in to plea the case and Freak jumps in on top of that and under the combined weight of his best friends he agrees to meet up with this Steve guy.

The guys set up the whole thing and before Eddie knows it it's Saturday night and he's wearing his best black jeans and a gray button-down, untucked, to go on an honest to God blind date like his life is some low-budget romcom.

Steve is not at all what Eddie thought he would be. Not the kind of guy he thought his friends would pick out for him given they know he usually goes for other alternatives like himself. Steve, who is shyly waving him over and getting out of his seat to great him, is the very epitome of prep. Well-fitted polo, light blue chinos, and what Eddie assumes this guy thinks are casual loafers. He's handsome to be sure, a 12/10 at least with perfect hair and defined biceps but Eddie is fairly sure he's being punked.

But, Eddie doesn't want to be rude so he goes to meet Steve at the table, confirming just in case that he's actually here to meet with a guy named Eddie. Steve gives him a bit of a confused look, saying that Gareth showed him a couple pictures of Eddie before he agreed to meet and figured he'd done the same for Eddie off Steve's Instagram. Gareth had, in fact, not done anything of the sort but they both dismiss it and get on with their date.

In all honesty, Eddie is expecting it to be a complete wash, but it turns out that even if Steve is not at all what Eddie would have previously said what his type, Steve is damn near perfect. He's funny, kind, a little bitchy, and even though he proves himself to be every bit the sports nerd he looks like he doesn't turn his nose up at Eddie's own much more classically nerdy interests. By the end of the date, Eddie has a new type and that type is Steve Harrington. He's quick to lock down a second date for the next weekend which Steve happily agrees to. They exchange numbers and Steve gives Eddie a chaste kiss on the cheek that has him floating all the way home.

Steve texted him that next morning letting him now he had a great time and is really looking forward to their next date and Eddie thinks this might be the start of something big for him. When he gets to practice he's clearly still floating on cloud nine and in his own little world designing their marriage invitations and matching tombstones so he doesn't notice the sly grins on his bandmates' faces.

"So...how'd it go last night? Everything you dreamed it would be?" Gareth asks, a strange glint in his eyes that Eddie doesn't clock.

Eddie goes on and on about how nice Steve was and how he might be The One, thanking Gareth profusely. Freak looks pleased for him, giving him a hard pat on the shoulder in congratulations but when Eddie finally tunes back into the real world he's greeted by Gareth's livid expression and Jeff's overly concerned one.

He asks the guys what the fuck is up and it turns out that Gareth and Jeff set this whole thing up as a prank of sorts. Eddie was never supposed to hit it off with Steve who Gareth selected specifically because he's a "totally brain-dead prep" and as far away as someone could get from Eddie's previous relationships. He was supposed to be someone Eddie could go on a date with and not form a connection with without getting completely burned at the end like all his previous relationships in the hopes of getting him out of his slump.

Jeff was in on it as well. He wanted to get Eddie back out there, so when Gareth presented the plan he sat in on a couple of Gareth's general credit business class sessions to help pick the guy out.

After Jeff and Gareth finish explaining he does a complete 180 and just...leaves. In any other situation, he would be raging and verbally tearing his friends a new asshole but instead, he completely disengages and walks out the garage door, ignoring his friends' shouts to come back.

He goes back home, socked and hurt and so very confused about how the hell he found himself in this position when his phone lights up.

New Message: Steve H.

Fuck.

-------

Part two coming soon??? Maybe???? We'll see.

[archangeldyke-all]

do you think that sevika and her wife ever flirt a little with the younger dykes at the bar just for funsies.. like they're just so fun to fluster and it's not like we'll be taking them home. but maybe we'll buy them a few drinks and give them a story to tell their friends

FUCK YEAH I DO

men and minors dni

since the beginning of your relationship, you and sevika have joked that ran's your alternative. if one of you ever dies, you've got ran on the backburner to step in. ran always laughs when this comes up. "i'd be fuckin' crazy to marry one of you."

they're attractive, respectful, funny, communicative, and best of all: after a drink or two they're incredibly easy to fluster. one of you and sevika's favorite games is to count how many times you can make ran blush in a night.

it's fun to fluster them. it's fun to pull your wife in for a kiss-- a little sloppier than polite-- and pull away to catch ran quickly tearing their eyes away. sevika claims ran's her baby butch-- that she's taken them under her wing. she calls ran 'sport' and 'champ' and other butchy nicnkames, and you watch in delight as ran turns bright red and starts flipping the pair of you off.

and, on one or two occasions, you've invited ran to bed with the two of you.

each time instead of a threesome, it ended up being a friendly competition between you and sevika to see who could make ran cum more.

it was a great time for all three of you, but it made it pretty clear to you and your wife that you're both too possessive to share each other with someone else.

but making a third party flustered together? yeah... that seems to really get the two of you going.

so, from time to time, the pair of you'll get dressed up and you'll go to one of the dyke nights at your local gay bar. you'll dance and drink for a while, kissing occasionally in your little corner, just enjoying the time together.

and then... maybe there'll be a lonely dyke at the bar. or they're standing awkwardly in a corner, young and unsure of themselves. or she's being loudly talked over in a group conversation.

sevika will pout a little watching whoever it is, and you'll giggle as you tug her behind you to go make friends.

"so, gert, what's a beautiful young lady like yourself doing here alone?" you ask.

the girl sputters on the drink sevika just bought her. beside you, sevika chuckles a little.

"uh-- i--"

"ignore her, she's such a flirt." sevika cuts in, chastising you. you roll your eyes and lean back against her chest. "what do you do for work, gert?"

"i-i'm a dj. and a barback. and a barista, sometimes."

"a multi-talented woman. impressive." your wife purrs. gert gulps. you grin.

"y'know, we know a few bar owners who are always looking for new talent to showcase. you ever heard of the last drop? gay owned, they treat their workers really kindly--" you trail off as sevika passes a post it note with silco's information scrawled onto it.

"that's the owner. call him tomorrow at ten and tell him sevika recommended you. that is, if you want another gig..." she says.

gert blinks down at the post-it in shock. "the last drop's huge." she whispers.

"don't let silco know you've heard of 'em, it'll only inflate his ego." you say with a giggle. sevika snorts and kisses your cheek. gert's eyes dart between the two of you.

"is... is there... a catch?" she asks.

you and your wife burst into laughter. "oh, janna, no!" you laugh. "no, honey, we were just gonna buy you a drink a flirt a little-- the dj hookup is really just a lucky coincidence."

"oh. so i don't have to go home with the two of you to thank you?" she asks, sounding a little disappointed.

sevika cackles before speaking. "i'm afraid not, doll. don't sweat it, though, you're adorable. you'll find someone to take you home in no time."

gert gives you both a genuine hug before you decide to call it a night, trailing out into the night with your wife wrapped around you, both of you drunk and giggling as you walk home.

"she was so fucking cute." sevika laughs.

"fuck, she was. she wanted you real bad." you say.

"she wanted both of us, baby. can't blame her though."

you burst into laughter, before pulling sevika in for a nasty, sloppy kiss. "i really can't." you agree.

(two months later, gert's djing at the last drop when mylo, her new boyfriend, introduces her to his aunts. gert almost passes out as she tries to find a way to explain to mylo how, exactly, the three of you have met before.)

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@lavenderbabu @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@strawberrykidneystone @sevikasfan @fict1onallyobsessed @greenhazes @dvrkhcld

@sweetybuzz25 @sluttysierraaa

[i-dared-myself]

Skirt War

Requested by anonymous: Could I req a fic with the stray kids' ninth member being put in a short dress/skirt (you know those that don't look like it'll ride up if you move but it does and its annoying af??) for a performance with a dance dance - that she has to move around a lot and then she keeps trying to pull the skirt down but that piece of shit just keeps going back up. And she spends the whole performance playing tug of war with a bunch of fabric trying not to be indecent and humiliated. And backstage she feels shit bc she couldn’t dance well and looked pathetic and she's disappointed and frustrated and embarrassed and yk. Idk if this is understandable anymore

“Wow, Felix,�� you say, “you look really good! The stylists worked really hard with this new set of outfits.”

Felix hums his agreement, adjusting his gloves. “Where’s yours?”

You glance down at yourself. You’re still in your normal clothes. “Ah, they haven’t called me back yet. I think they’re finishing with Seungmin now.”

Felix makes a small sound of understanding, reaching up to touch his hair. He stops himself and drags his hand back down to his side. “Should I dye my hair soon?”

You shrug. “Do you want to? Is your hair even alive at this point?”

You hear someone softly call your name, and turn before you head Felix’s response. A staff member is waving you over as Seungmin and Jisung walk by.

“Looking good,” you compliment them, smiling brightly. You’re excited for what you’ll be wearing for the performance.

So you’re handed the set of clothes that you change into. You don’t even get a chance to look at yourself in a mirror before you’re whisked away for makeup and hair.

You eventually step out, joining the others. It seems as if everyone else has finished with their own styling, and everyone looks great.

There’s one tiny little problem, though.

Your tiny little skirt.

Your shirt is amazing, and you can’t disagree with the fact that you look hot in it. But the skirt is as small as they get. You’re amazed that you’re even allowed to wear it.

You’re fairly certain it’ll stay in place during thr performance, but you really don’t want to take chances. So you do an experimental twirl, heart sinking when the skirt instantly flies up.

Hyunjin recoils when he sees you. “What the-“

“Watch it!” Chan warns, narrowing his eyes. He faces you, eyes widening. “Oh. Oh boy.”

You tug the material down, fiddling with it anxiously. “Is it that bad?”

Jeongin is averting his eyes, which does absolutely nothing to make you feel better. “Nope. It’s totally fine.”

“Did they ask you about this?” Minho frowns deeply, glancing out at the crowd between the curtains. The sound check is almost complete, so you’re running out of time to deal with this.

“No. I wasn’t aware that I’d be wearing this.” Your hands tremble. You feel sick with how short it is. You half believe you’re at risk of your most intimate areas just being on display.

Seungmin grunts a little. “Want my sweater? To tie around your waist?”

You consider it for a moment before shaking your head. “Maybe later. I don’t want it to look like I’m disrespecting the stylists.”

“But it’s fine!” Jisung assures you. “These aren’t our usual stylists, and they don’t know our boundaries.”

“But we also don’t want to start something with this event,” you point out. They stylists had come with the gig, and you didn’t want to disrespect them if you didn’t usually work with them. It might ruin any other opportunities.

“Positions, everyone,” Chan suddenly says. He gives you a pitying look as everyone files into their assigned places. “You’ve got this.”

You’re not as confident as he is, but you force a smile. You tug the skirt down one last time before bounding out onto stage.

The music starts up and you begin to dance. Every movement that involves legs (pretty much all of them) has the skirt flipping up. Felix is behind you for the beginning, and when you catch a glance of his face it’s bright red.

You miss a hand gesture because you’re adjusting the fabric again, and your stomach tumbles. The media is going to have a field day with this. Everyone is going to be talking about how unprofessional you are.

Positions are swapped, and then you’re next to Changbin. He turns his gaze away to be respectful, but it just reinforces the idea in your head that the outfit is bad. That you’re indecent.

You blink back tears as you stumble over yet another move, too busy holding the skirt down to make it to the next spot in time. You’re falling behind, mind focused on your decency and not the dance.

Then your lines come, and your voice cracks. You’re lucky enough that you don’t have to hold your microphone up, because you honestly don’t have a spare hand.

It comes to an end, and you all bow. You walk off stage, perhaps the most humiliated that you’ve ever been.

Changbin loops his arms around you, tying his sweater around your waist. You mutter your thanks and wrench your headset off. 

“Hey.” Chan gently grabs your arm and steers you back to the group. “Let’s talk about it.”

“I don’t wanna talk about it.” You keep your head ducked, gaze locked on the floor. Your throat burns and you’re struggling not to cry.

Jeongin comes up behind you and rests his chin on your shoulder. “I think you did great.”

You shove him away. “Well I didn’t! I sucked because of this stupid skirt! I let it get in my head, and now everyone’s going to be talking about it!”

Minho sits on the ground and takes your hands in his. He gently pulls you down to his lap and lets your cry against his chest. “Yeah, it wasn’t your greatest performance.”

“How is that supposed to help?” Jisung hisses out.

“But Stay loves you no matter what. And if they don’t, they can go suck it.” Minho strokes your hair. 

Chan clears his throat. “I might not have said it in those exact words, but he’s right. And from now on, I’ll make it clear to our managers and staff about our boundaries. Including those that we work with for the first time.”

You hiccup between tears, burying your face further against Minho. “Really?”

Chan hums. “Absolutely. And we have time to change before our next song, so why don’t you go to the stylists again?”

You sniffle and push yourself out of Minho’s grip. Seungmin gives you a reassuring smile as you wander off.

“Excuse me?” you hesitantly say as you approach one of the stylists. “Would it be okay if I got a different skirt? Or maybe some pants?”

He tilts his head, nose wrinkling. “Why? Is there a problem with it?”

“Uh, it’s just that-“ You toy with the material as you try and find the correct words. You don’t want to insult the man. “Dancing in this is very difficult. I don’t feel comfortable in this.”

He smiles mockingly. “Oh, really? Well it’s fine. It’s not even that short.”

“I just danced in it and it didn’t go that well.” You’re aware that you’re running out of time. You need to hurry up. “Can you please just direct me to-“

“Have you considered that maybe it’s just your skill?” he interrupts. He sighs and shakes his head, turning away. “But fine. I could find something else.”

You swallow thickly as you follow him.

Is it actually your own fault? Are you just not a talented enough dancer for these clothes? 

“Is this good enough for you?” The stylist holds up a new set of bottoms, and you wince. It’s even smaller than the one you’re currently wearing.

“Ready yet?” Jisung comes sliding in, eyes widening at the skirt being held up. “Wow, that’s small.”

“Uh, almost,” you weakly tell him.

Jisung’s eyes catch on your face and trembling bottom lip. His arms shoot out to wrap around you, and he pats your back. “It’s okay!”

“Are you wearing this or not?” the stylist snaps. 

“No, she’s not.” Jisung tightens Changbin’s sweater on your waist. “She’s wearing this and we have to go now, since we’re on in less than a minute. But I’ll be telling Bang Chan about you.”

The man pales. Having an idol complain about you was pretty much a death sentence, especially when that idol had as much influence as Stray Kids.

Jisung grabs your hand you the two of you dash out onto stage. You burst out and join the rest of the members, just in time for the music to begin.

This time it goes smoother. The sweater gives enough weight to keep the skirt down, and you’re able to focus on the dance. Your movements are fluid and well-executed, and you know even Hyunjin would be proud.

When you go backstage, you feel mildly more confident. You take a swig of your water bottle as Jisung tells Chan about the stylist.

Jeongin huffs, overhearing the conversation. “What an asshole.”

Seungmin hums his agreement. “A real dick.”

Chan holds up his hands. “Let’s watch the language, everyone. We’re professionals at work.”

Changbin snorts. “Right. If he’s a professional, why did he basically humiliate her?”

Felix hooks an arm over your shoulder. “It’s okay, I bet Minho will screw up soon and everyone will forget about today.”

Minho makes a sound of protest, narrowing his eyes. “Why me?”

Hyunjin wipes the sweat off his forehead. “Relax, it’s just an example.”

Chan calls the stylist over, who appears vaguely nauseated as he steps closer. He bows briefly to Chan before his eyes flick to you for a fraction of a second.

“I heard you had a bit of an issue with one of my members?” Chan blandly asks. You don’t think you’ve ever seen him this angry. “Were you the one who put her in that skirt? Were you planning for her to humiliate herself and get kicked out of the industry?”

“Yeah!” Jisung cries out. He’s immediately silenced by Minho.

“S-Sorry,” the man mutters. “I just- I’m sorry.”

“No, no, continue.” Chan arches an eyebrow challengingly. “You just what?”

“Bet he just wanted to see her in it,” Seungmin drawls. “Is that it?”

A bead of sweat rolls down the stylist’s forehead. “Well- It wasn’t that short!”

“Would you feel comfortable wearing it?” Felix chimes in. “Because I thought it was pretty short.”

“Guys,” you say. “Let’s just go home. I’m tired. It’s been a long day.”

“Poor thing.” Hyunjin pats your head. “Wanna eat a whole bunch of ice cream with me?”

“Maybe,” you slyly say, walking with him to the van. You ignore the sounds of Chan still scolding the man. 

“If you ever need my sweater again, just ask.” Changbin comes up from behind you to poke at the fabric of the borrowed clothes. 

“Are we just stealing these?” Jeongin questions once everyone is in the van. Everyone is also still in the performance clothing. 

Chan frowns. “Oops.”

Taglist:

@velvetmoonlght @jinnie-ret

[simplyvyn]

── .✦ small step, big step !

Sypnosis; bllk guys with a ballerina lover. <3

Multicharacter drabble: rin, isagi, bachira, nagi, reo

RIN ITOSHI

He does not believe it. How come he's only hearing this now? The fact you do ballet? And the fact there wasn't even a single clue. The first (not really) clue was when you shared a post on your profile of your ballet performance last week. And he.. well— stared at it for good about five seconds, till he scrolled through the pictures, comments and even the profile of who posted it. And by now its obvious that you have been doing ballet for a long time.

He mentioned about it when he was helping you make dinner at your apartment. "Hey.. so.. do you.. do ballet?" He questions shyly. Somehow. "Oh yea, yea! Have been for a really long time!" And he just stared at you for a secon till an automatic reply came out his mouth. "How come i did not know about this?" "Well you were busy with soccer, and i was busy supporting you with soccer so..!" You said, while shrugging and cooking fried rice. "Well you can be busy with ballet and i also can be busy supporting you with ballet, right?" He said, while looking at you. "You sure? You're quite devoted with your soccer career y'know." You replied while looking at him for a second. "But I'm devoted to you as well." Rin's automatic reply came out of his mouth once more. "..Alright. You're invited to my next performance then, so you can see how pro i am." You say with a smirk. And rin just deadpan at you.

ISAGI YOICHI

He adores how precious you look. Unlike Rin, he already knew, and its actually how he met you for the first time! It was from social media when he was scrolling, and found a video of your performance and he realized it was you! His classmate! and ever since that, he promised to you and himself, he will keep a streak with your performances.

Practice done, ate lunch done, dolled up (of course) done, and running to the stadium of your next performance. Before entering though, he fixed his hair, fixed his clothes, perfume, mirror and you know the gig. And then he entered and took a seat. He can't believe how gentle you dance at the floor with good balance. It so smooth and calming to watch. Sometimes, whenever watching you, he compares it to how he plays in his own sport. After your performance, you told him to go backstage, after you change. When you did he congratulated you and showered you with compliments. "Hi baby! Great performance today, as usual. And as usual, here, flowers." Throwing you bouquet at your arms, and you smiled at him while pointing at a bench full of flowers and gifts and he already knew where it came from. "It's fine. Yours is the most special, don't worry." Yehey! Isagi reacted.

MEGURU BACHIRA

Wow, this is just beauty and the beast at this point. You, a total beauty. Gently dancing, twirling, and taking small steps! And well! He's there with his own beast, roughly playing, dribbling and running big steps. Yet, with the polar opposite trope. You two still manage to fascinate each other and neither do you wanna stop. But this time, your not lovers yet. But you two definitely look like it.

There was a school ballet performance once again in your school and you were very excited and you were also invited. Hooray! But you're not the only one happy that you're gonna dance. When Bachira heard the news, he was smiling from ear to ear, cheeks with a pink tint, and he can already imagine your performance. Except, its obvious that its his imagination, with the way you look in his imagination. At your performance, when its about to start, you saw that bee-colored hair guy watching you and you tried your best to resist your smile and he waved very excitingly at you. And i mean very. And you waved back. After the performance, and a very tired body, leaving the school, you saw Bachira again and you couldn't control your smile again. As if your body was actually not tired. When Bachira saw you, he ran to you and hugged you while congratulating you. "Your dance was majestic as always! You should dance more! I like how you dance. Its very.. pretty." He said with a gentle smile this time while his hands were on your shoulders. "Definitely will for you." you said with a smile, ear to ear.

NAGI SEISHIRO

Just like Rin, he only found out recently yet already supported you! But yet, its so weird how you're so devoted in this sport. You make sure everything is perfect, smooth and clean. Days before your performances when he wakes up, he sees you doing stretches, yoga, practicing and more. Like, why do you need everything to be perfect, you doing a twirl was already perfect for him? 10000000 points, man!

"Babyyyy its, 6 in the morning, why are you doing pie–lates, early in the morning?" Nagi asked while peaking out from the door as he is in your bedroom. "Only 2 weeks till my next performance, sei. And, dear... Its PI–lates. How do you get high scores in your school?" You say while switching to another position. "The power of Choki of course. Its all by luck." "Yyyaaaa..! Luck..." you say while rolling your eyes. "Enough about these grades. Just go back to bed." He said while getting of the room to pick you up until you spoke. "If you move me from my position, i swear to god—" "Alrighty madam, please dont tie me up in backstage again until your performance is done. You know i hate waiting..." "I DON'T TIE YOU UP? I just push you in the couch and you yourself is the one who doesn't want to stand up!" You barked back. "Potato, tomato. Same thing."

REO MIKAGE

At this point, he is your manager. Makes sure your prepared and good to go on stage! Either way it will be more than worth it since he gets to watch you dance and the fact he's the one who dolls you up, picking your dress, fixing your hair and makeup, and the world sees it. If one is to watch your performance besides this man, they will see him with hearts in his eyes glowing, with a cheeky smile, and blush on his cheeks.

Your next performance is next week. You couldve prepared in the weekends but no... This man needs you to prepare your ballet dress for the whole month! "Let's get this one! Oh this one too! Now lets go buy shoes!" He said like a lightbulb lit up on top of his head. In instinct, he pulls you and the cart to the cashier to pay. Theres at least 3 ballet dresses. So i gues thats okay.. "Next month, we go shopping again, okay?" Nevermind, not okay. "Reo, i dont need all of these, i dont even have space in my apartment for all of these!" "Then i will keep them in stock in my penthouse. Plus you will stay there right?" You were unsure because a part of you was really.. scare of his parents so you just nod gently. "A-are you sure this is okay? Won't your parents cook me ALIVE?" You said while this rich man, grabs the shopping bags for you. Leaving outside. "It's fine~! My parents won't even notice this, dearest! And i bet they'll want to after they see your performance!" THEY? "W-what do you mean see my performance?! I can't even buy them tickets!" "Dont worry, darling, I did! Soo, shoes next?"

Taglist: @koieroeroero

TYSM FOR WAITING SO SO SORRY I MADE YOU WAIT FOR A LONG TIME.. (prioritized my school😓) made sure each part was realistic at least cuz idk ballet much😞

[ashwhowrites]

Can you do one where Eddie and the reader are in a secret relationship and Eddie wants to make it public but the reader doesn’t and he feels insecure about it but in reality the reader doesn’t want him to get picked on.They get into a big fight but they make up please and thank you 💖💘

I hope this is what you wanted and you enjoy it. Thank you for requesting 🫶🏻

Ending isn't proofread whatsoever

To be ready

Y/N and Eddie agreed to keep their relationship a secret for the beginning. They wanted to date and get to know each other without everyone getting in their business.

Eddie struggled with it once they reached their five month anniversary. He felt like it was long enough and he was ready to express his feelings for her with no shame. Y/N was a little bit more nervous but she agreed, it felt like the right time.

"You ready?" Eddie asked, the smile on his face full of excitment. Her heart warmed knowing how badly he wanted to show her off, and their relationship. This was going to be their first public moment, and the first time he will introduce her to his band.

She gripped his hand, nerves filling her body. "Yes," she smiled, even though she was terrified. All she had to do was meet new people, it couldn't go that bad, right?

He walked them through the back of the bar, a small gig for the band. He walked into the small backroom and she slipped in behind. She saw a group of some boys and girls, all talking.

"Well, look who finally showed up. And not alone," one of the guys said, teasing Eddie. Eddie's face responded in a blush.

"Gareth, this is my girlfriend, Y/N. Baby, this is Gareth, one of my best friends."

Y/N released his hand to kindly shake Gareth's hand.

"It's nice to meet you," Gareth replied.

She met the rest of the band, and the band's girlfriends. Or groupies, if she was honest. A few gave her dirty looks and it made her nervous. She couldn't help but notice how opposite she was from them. Their clothes were different, the way they talked and carried themselves.

Once the show started, the boys went on stage and the girls joined the crowd. Y/N was in awe watching her boyfriend perform. She forgot about all the girls, just focused on him. As the show ended, she excused herself to the bathroom.

She headed back out to the crowd. Everyone was spacing out now that the entertainment was done. She spotted the girls from earlier waiting by the back doors, where the band would be. She headed over to join them as they waited.

"How long do you think they've been together?"

"Who knows, but I would've kept her hidden. She is so not his type," the three girls snickered. Y/N frowned as it was clear they were talking about her.

"I know! I'm not sure how she managed to pull that off"

"She must have a great personality"

"Isn't he worried she's going to ruin his whole sexy rockstar look? She'll only bring him down. He should be with someone as attractive as he is"

Y/N felt a lump in her throat. She began to second guess the whole thing. They let a few people know and everything she feared that would happen was happening. Eddie was getting looked down on because of her.

Insecurity and anxiety filled her. She felt much less ready to share their relationship with more people. She was back craving their nights alone in his bed, where no one had thoughts on them. As the girl's laughter began to get louder, she ran out.

She grounded herself against the wall, inhaling the smoke as a few people blew their cigarettes. The door opened and she saw her boyfriend looking around, with worry in his eyes. Once his eyes landed on her, his gaze softened.

"There you are, what's wrong?" he asked, as he got closer he noticed her tears. She sniffled and wiped her face, a fake smile sent his way.

"Nothing! I just needed some air," she said but Eddie gave her a look.

"Fine," she sighed, "I'm second-guessing telling people about us."

"It's been an hour. We have to try longer than that before giving up," he argued. She feared where the conversation would go knowing Eddie had been growing more annoyed as the months went by.

"I know, but those girls...I'm not like them, Eddie."

"No one said you had to be, all you have to do is be yourself. Let's go in, have a drink, and try," he said holding out his hand.

"I don't feel ready for that, Eddie. I'm sorry. I thought I could do this but I can't." She flinched as Eddie's face hardened. He puffed air out of his nose and rubbed a hand over his face.

It was clear he was agitated, and she felt horrible for causing it.

"When will you be?" Eddie snapped, his force harsher than he intended. "Six months? A year?"

"I don't know," she said as she rubbed her temples. She hated the way she felt and how hard everything felt.

"Do you even want to be with me?" he asked, his face falling. His words were much softer, a little more broken.

"Of course I do!" Y/N gasped, moving closer as he cupped his face in her hands.

"Then why can't you tell other people that?" he looked up at the sky as he tried to keep his emotions back. But the familiar feeling of not being good enough was creeping in.

"I can, Eddie. But dating me, telling people, I've been scared people will pick on you. And I was right! Those girls said everything I feared," she explained. She figured her honesty would help him understand but she gulped when he stepped back and removed her hands from his face.

"Y/N, I've been picked on all my life. I don't give a shit about what people have to say, and you shouldn't either," Eddie explained.

"I don't think I can just ignore it!" Y/N exclaimed, "their words have weight. I'm not like you, I can't shove away people's opinions and thoughts about me and us."

"I think we have different mindsets of being in this relationship," Eddie whispered, he feared he couldn't talk louder without a sob breaking through.

"What are you saying?"

"I'm in this relationship to be with you, to love you and be happy with you. The only person I care about is you, the only person's that thoughts matter to me is you. You can't say the same." Y/N panicked at his words. The look in his eyes and the goodbye tone in his voice.

"But I do!" she tried to argue

Eddie laughed bitterly and scoffed. She moved passed the way his reaction snapped her heart in half. "You don't care about me. If you did, you wouldn't be breaking us up."

"YOU ARE!" Y/N yelled, tears building in her eyes.

"I DON'T WANT TO BE A SECRET!" Eddie yelled back. He took a deep breath as he tried to calm himself. "You're worried about how others will treat me because of you? What about you? What about how you're treating me. You know all I want is for us to be together, no secrets and no shame. And you can't get over yourself to give me that."

"I understand I'm hurting you but can't you understand where I'm coming from? I tried Eddie and I realized I need more time, why can't you give me time?" she argued, her tears turning hot and angry.

"I've given you time, way damn more time than I would have ever needed," Eddie sighed. "Once you feel ready, maybe we'll figure it out."

She covered her mouth as she let out a small cry. Her heart pounded as she took in his heartbroken state. "Are we breaking up?" She whimpered.

Eddie nodded as he tucked his lip into his mouth. He put his hands in his pockets as a way of comfort. "Yeah, baby. We are."

Y/N bit her lip to silence her cries as Eddie walked back into the bar. She wanted to run after him and beg for him to stay. But he was right, he deserved someone better.

She blinked back as many tears as she could and walked to the nearest bus station. She sat on the bus, alone and crying, her heart wishing nothing more than to be in Eddie's van with his hand on her thigh.

~~~

With the summer heat, Y/N felt more miserable. She felt suffocated in her room, with too many memories of Eddie. And she couldn't escape outside without a sunburn.

It's been a long month of nothing from Eddie. Which made sense, he wasn't chasing her. She was chasing him. She was the one who had to make the move. She knew the longer she took to figure it out the faster he would run.

As she stared at her ceiling fan, she wondered if any of it was worth it. She's never felt this much pain in her life, and she was the cause of all of it. She had the power to fix it and she was wasting time.

She was getting sick of herself. Hating herself for what she did and continued to do. She missed him, and might even love him.

Eddie tried to seem like the world didn't crash on him. Tried to smile and act like he wasn't falling apart on the inside. But in reality, Eddie couldn't stand being alone. Her scent followed him everywhere and he missed the feeling of her. He missed her hands, her kiss, her body, everything. But he couldn't go back, she needed to come to him. He hoped that she realized her mistake, that this week of silence was her finding out how to come back.

The show ended and Eddie could hear his thoughts again. Not wanting to, he headed to the bar. He sat down on the stool with a heavy sigh and ordered a beer.

"Still pouting about her?"

Eddie turned as a girl's voice talked into his ear. He rolled his eyes as he looked back at his beer.

"Leave me alone,," Eddie sighed. He definitely wasn't in the mood. But she didn't listen. Instead, she dragged the barstool out and took a seat next to him.

"You're too good for her, anyway. She should have been delighted to have you on her arm," the random girl said.

Eddie eyed her weirdly, having no idea how the news of his ex-secret girlfriend began spreading. But he shook it off and went back to his beer. She talked his ear off for around an hour. Eddie was on his fifth beer as he tried to zone out the noise.

Y/N walked into the bar, feeling uneasy as the last time she was here went horribly. She scanned the crowd, her eyes easily finding him, but he wasn't alone.

A girl was seated beside him, way too close for Y/N's comfort. She was perched up, talking in his ear. Y/N's plan was to have a conversation but the jealousy overpowered everything. She was glad to see that Eddie wasn't entertaining the girl.

Eddie felt his body being spun around on his stool in a flash. Sudden arms wrapped around his neck and soft lips on his. He was surprised to see the lips belonged to Y/N. He instantly kissed back, enjoying the force of her lips against his.

She held on to him as if he was going to disappear. Her heart raced when his arms circled around her waist. He spread his legs, allowing her body to stand between them. She moaned as his tongue slipped inside her mouth, making her warm all over.

They pulled away, and Eddie couldn't wipe the smile off of his face.

"What was that?" He asked, he wasn't sure if it was the alcohol or her that made his head feel dizzy.

"I'm ready. And I'm sorry for not being ready when you needed me to be. But I can't imagine my life without you. I love you and I want us to be together, no shame or secrets." Y/N said, she turned her head and saw the girl had vanished. She looked back at him, their bodies tangled.

"I love you too, baby," his lips smashed on hers. Knocking the air out of her lungs, but she liked the way it burned.

@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93 @gretavankleep37 @bellaisswagger @arlxt @ineedmentalhelp123

[raven-at-the-writing-desk]

miscellaneous fellow honest headcanons

These aren't following any prompt in particular, these are just thoughts I had when I saw the guy hammin' it up and then turning on us.

Some of these headcanons are informed by fan art I've seen and discussions I've had with friends, while others are purely me.

Curiouser and Curiouser...

He calls people “little lads” and “little ladies”.

Fellow has a very noticeable laugh. Like, he grunts and snorts and has tears rolling down his cheeks. (He tends to laugh at others’ misery, thinking of it as “retribution” or “payback” for the injustices he has suffered himself.)

Bro shaves using a knife (yes, he shaves because he is a grown ass man) because razors are hella expensive.

He uses that cheap cologne and cakes it on THICK. This, in his mind, gives off the impression that he’s a well-off and put-together individual you should tooootally trust.

Also the type of person that lays it on thick with his words. If he’s trying to impress a date or something, he’ll shower them with so many compliments it almost seems fake. But no, he’s just the type to simp hard when he happens to be genuine 💀 most of the time he’s faking it though—

He’s very street smart, but in a way where he confuses hostile people by talking over them and acting overly friendly. They usually stuns them long enough for him and Gidel to skedaddle.

If he gets dumped, he'd be the pathetic whimpering boyfriend that begs for his ex to take him back. When they inevitably don't, he mopes all day about it.

He chain smokes and aggressively drinks as a coping mechanism on his bad days 😔 and sometimes he gambles (like, on those scratch-off cards) hoping that he'll strike it rich and buy him and Gidel a better life...

Basically, he generally does not have his shit together but tries his best to pass like someone who does (and usually succeeds at it).

Fellow appears in public wearing his full suit, but at home (ie whatever ratty temporary housing their boss found for them before they move on to the next place) he just wears a T-shirt and lounges around in boxers (and sometimes socks with holes in them).

He uses those disposable eyeshadow wands that snap in half at the slightest bit of too much pressure. Fellow acts like the Claire’s kid makeup he uses is the luxury stuff, but Vil can tell the pigmentation isn’t all there and there’s MAD fallout.

He may be broke AF and have his moments of emotional spiraling, but he has pretty decent budgeting skills. Fellow lives for sales and does extreme couponing to stretch their money as far as it will go.

He invests in other cost-saving methods like wearing shoes until the sole is literally flopping off and just adding water to residual soap in a pump bottle to make the soap "last longer".

Fellow is really good at cutting food (bread, beans) thin to conserve it. Yes, this is a reference to an old Mickey Mouse cartoon—

When he was younger, he had dreams of being an actor (and, more specifically, starring in musicals). That's why he's often humming, swinging around his cane, and/or whistling as he's on the prowl for idiots to sucker—they're remainders of his thespian days before his dreams were crushed into itty bitty pieces.

Man looks like he'd be great at tap dancing.

Before his current gig, he tried a bunch of other scams including a MLM at one point to get by. His signature spell came in pretty clutch in those days too.

Fellow’s not that good at reading or spelling—in fact, he was never a particularly strong student. (“I didn’t fail school!! The schools failed ME!!”) He’s easily frustrated by academics and thinks there should be more hands-on and practical skills taught in learning institutions.

I think it's a given that he and Ruggie would be besties since they both want to eat the rich but I also think Fellow would kiss ass to Azul and then rage about how shitty + entitled Azul is (Azul reminds Fellow of his boss)💀 Scammers hate other scammers because they're both competing to scam the same people--

Even though Fellow is an asshole to most others (well, when he’s not flattering them to lure them into a trap), he’s always nice to Gidel and puts him first. If there’s ever a situation where they’re short on something (clothes, food, etc), Gidel gets priority. This is why Gidel has a full outfit (even if parts are patches or mismatched) whereas Fellow himself has a glove that is so worn out there’s a hole in one of the pinkie fingers.

Fellow may not be blessed with a bounty of magic, but he’s quick on his feet and good with words. Because of these skills, he’s talented at spinning bedtime stories, which he often tells to Gidel to help him fall asleep on nights that are particularly cold and nasty.

Gidel still believes in Santy Claws and wishing upon stars, and Fellow doesn’t have the heart to tell him the truth. He’ll figure it out on his own one day, Fellow thinks. He just doesn’t want to be the one to ruin those childhood joys for him.

Playing pretend is another shared past time of theirs. It helps Fellow get into character before he goes off to swindle people, and it gives Gidel a way to express himself in spite of being mute. They have a routine they do together where Fellow pretends to be a doctor diagnosing a patient and Gidel takes down notes for him as his medical scribe. Yes, this is a Pinocchio reference—

They actually have many more games they play (mainly because they cannot afford other forms of entertainment). Some of the games are clever ruses conjured by Fellow to teach Gidel survival tips and tricks: the who-can-make-their-piece-of-bread-last-longer game, hide-and-seek (from the authorities), etc.

For special occasions, Fellow saves up some money on the side to grant Gidel little luxuries, like a box of crayons to doodle with.

Gidel hugs Fellow’s leg or waist to cheer him up when he’s upset. He also hides behind Fellow when he’s scared or feeling shy.

He’s just really attached to Gidel cuz they have no one else in this cruel world, just them against the world 😔 He sees a lot of his younger self in the little boy… the opportunities lost because of their circumstances… “It’s alright, Gidel. Leave it to Fellow-sama.”

[lomlhwa]

y'know what they say about guitarists (c.s)

pairing: guitarist!san x vocalist!reader

preview: san has watched you flirt with entire crowds. he just wants some of that attention too.

tags/warnings: fem reader, mentions of drummer!mingi, bassist!yunho and stage manager!seonghwa, ONE BED TROPE WHO CHEERED, possessive san, spit play, pet names (good girl, pretty girl, sweet girl), praise, pussy drunk san, dacryphilia, lots of hickeys, unprotected penetration (wrap it before you tap it), creampie, cockwarming

trigger warnings: n/a

w/c: 2.0k

song recs for this fic: any chase atlantic tbh (slow down, swim, heaven and back)

a/n: this lovely fic is dedicated to @kitten4sannie to celebrate my return to writing! i hope you like this ml!

as you’re onstage playing a gig for a couple thousand people, you feel like you’re in your element. nothing feels better than being onstage with your bandmates. your hips sway to the music coming from the musicians sharing the stage with you.

you give playful winks and body rolls to the fans in the front row. something that always catches your guitarists eye. though, his rhythm never falters. 

jealousy always courses through him. he wants to receive those playful gestures from you. you even wink at mingi, your drummer from time to time. the beloved bassist, yunho, receives the most of your onstage affection. hugs, cheek kisses, etc. makes the male fans jealous. makes san’s blood boil. 

your angelic voice rings through the in-ear monitors that each band member wears. it sends shivers down san’s spine. so talented and so incredibly beautiful.

as your gig ends, you giggle and thank the fans who attended. “thank you guys so much for coming! i love you! we’ll see you next time!” you bow and flounce your way backstage in your cute outfit. your band members follow suit, bowing and running backstage.

“thank was great guys! well done,” you stage manager says. you wrap your arms around his shoulders and smile. “thanks hwa.” you let go of him and turn to yunho. “yuyu, your guitar playing was extra good today!” you exclaim, smiling so brightly that the sun might have competition. you peck his cheek before running off to your stylist to get changed.

san’s shoulders slump, knowing that he won’t receive those small actions of affection from you. “feeling left out, sannie?” mingi asks, towering over the smaller guitarist. san nods, not bothering to look up at mingi. 

“why don’t you just talk to her? there’s gotta be a reason she’s reserved around you,” yunho points out from across the room. his makeup artist is hunched over him, removing his makeup ever so carefully. 

“talk to who about what?” you say, suddenly coming out of your dressing room. you’re beautiful even now; no makeup and in your pajamas. “no one. nothing,” san blurts out. fuck. he’s so stupid. “okay,” you smile, sipping your water through a straw. 

“you guys ready to go back to the hotel?” you ask and the other three members nod in unison. you grab your bag and head for the door. “san’s rooming with you tonight, y/n.” you look back at yunho with wide eyes. “oh! um, okay.” you give san a confused look before heading out the door.  

san flips yunho off before following you out the door. you all pile into the company van and sit in comfortable silence as you head to the hotel. you file out of the van when you pull up, security making sure no fans get to you. you scurry into the building and do your best to sneak into your hotel rooms. you sigh dramatically as you get the door shut. 

you turn around to find san staring at your hotel room in horror. “what’s the probl-” you cut yourself off when you find that your room only has one queen sized bed. “shit,” you mutter. you drop your bag on the floor before you whip your phone out and dial seonghwa’s number. 

“hwa, what the actual fuck? one bed?” san can hear seonghwa trying to explain. he picks up pieces of the conversation. something about this being all that was left when he was booking. something else about telling you to suck it up. you mutter some insults before hanging up on seonghwa.

“i can just sleep on the floor, it’s fine y/n,” san drops his bag on the floor and sits down on the ground next to the bed. “no, san, we can share the bed. we’re touring. i don’t want your limbs to ache,” you shake your head as you climb into the bed. you pat the space next to you and he clambers onto the mattress. 

after a couple hours, you’re both laying on your backs in the dark, in silence. “hey y/n?” san says, finally breaking the silence. you give him a soft hum in response. “can i ask you about something that’s been bothering me?” he asks. you hum again.

“why don’t you give me the same attention you give mingi, yunho and seonghwa? no hugs, no pecks, nothing. you’ll skip over me just to give the ones beside me those things. why? did i do something to make you uncomfortable? or scared to do those things for me?” san can feel you tense up next to him. he wonders why that’s how you reacted. 

“cause…” you trail off. san can see the outline of you sit up in the dark. “cause i have a crush on you. if i gave you that affection, i would never survive. if i gave you a single hug, i would never let go. if i kissed your cheek, i would never be able to keep it from turning into a real kiss,” the confession hangs in the air like a spiderweb. he sits up, like you did. “why didn’t you tell me?” san asks. you sigh and shrug, despite the fact that he can barely see you.

“i didn’t wanna ruin the band dynamic. i didn’t wanna risk you not reciprocating and making things awkward between us. i was just scared that-” san pulls your head back so he can meet your lips with his. it’s swift, but it’s enough to make you sputter in shock.

“i’ve liked you since we even started this band, sweet girl.” despite being in the dark, he maneuvers you onto your back and hovers over you. his cologne envelops you and you shiver. 

“can i…. kiss you again?” san asks tentatively. he ghosts his fingers over your ribcage, making you squirm. “yes, please, san,” you respond. with your permission, he connects your lips in a surprisingly soft kiss. he lips melt with yours, finding a slow pace. his tongue drags over your bottom lip, asking for your plump lips to part.

your warm mouth welcomes san’s tongue as it pokes and prods at your inner cheek and fights with your own tongue. your hips grind up into his, searching for friction. he groans against your lips and it sounds more beautiful than any sound that’s ever come out of his guitar. 

his hands gravitate towards your hips to hold them down, keeping you from grinding anymore. “we can’t…” san whispers. “they’ll hear us.” you shake your head and pull him back down to you, kissing him more feverishly. “fuck… you make it so hard to resist you.” you whine against his lips, fighting his weight holding your hips down. “please, i need you.”

you can feel a moment of hesitation from him before he just lets himself relax into you. his hands leave your hips and you immediately grind up. his jaw falls open and you shudder at the sound that comes out of him again. 

you grab his hand and drag it under your shirt, wrapping his hand around your breast. your spine arches as he pinches your nipple between his thumb and pointer finger. “sannie-” your breath gets caught in your throat when his mouth moves to your neck and he nibbles on your skin lightly. 

“fuck, i can’t wait. let me undress you, sweet girl,” san begs you, his voice low and desperate. you tangle your fingers in his hair and nod as well as you can. his hand leaves your breast and helps his other hand to lift your shirt off you. you lift your torso up to allow for it to come off you completely. he wastes no time in allowing his own shirt to follow suit. your hands run down his chest to his abs, pressing against the muscle lightly. his hands undo the drawstrings on your sleep shorts, sliding your shorts and underwear down together. 

“off,” you mumble, clawing at his plaid pajama pants. he giggles and slides his pants down, discarding them with the rest of the clothes. he runs his hands over your bare thighs, spreading your legs gently. san’s hands run up and down your skin as he leans back down to kiss you. “condom?” he whispers and you shake your head. “no, wanna feel you.” 

san continues to kiss you as one of his hands moves down to his cock, stroking it a few times. he lines the tip up with your hole and sucks in a deep breath. he presses your thighs apart as he shoves his cock inside you, sheathing himself to the hilt. your hips stutter as your walls flutter around him. 

your jaw falls slack and san finds purchase in kissing your jawline and your throat. he pulls out to the tip before slamming back into you and you slam your hand over your mouth to keep from crying out. 

san lifts himself onto his palms to trap you between his arms. “you know what, sweet girl?” he says between thrusts, “you’re fucking mine. you hear me? mine,” his lips are right next to your ear, whispering these words into your brain. “you belong to me,” he grabs your face and forces you to face him.

“your lips? mine,” he kisses you roughly before pulling away again. “your pretty tits? mine,” he leans down to kiss your skin, leaving dark marks in the wake of his lips. “your pretty little pussy? it’s fucking mine,” san speeds up his thrusts to prove his point. your back arches and his tip jabs at the perfect gummy spot inside you. 

“fuck, you’re such a good girl. your pussy is so fucking good. so wet, so warm. you take me so fucking perfectly. my pretty girl. open your mouth for me,” you open your mouth immediately and he leans down to spit in your mouth. “swallow.” your jaw snaps shut to swallow his saliva. 

as your orgasm builds up, tears spring into your eyes. your chest heaves with tight sobs of just how fucking good it feels. “are you crying? does it feel that good, sweet girl?” you wipe your tears away messily, embarrassed that you’re even crying.

wiping your tears was pointless because when his thrusts speed up again, new tears fall immediately. “fuck, oh my god san that feels so fucking good,” you cry out, a little bit too loud. your thighs spasm as you try to close them, but san’s hips between your legs keep you wide open. 

“i’m gonna cum, i’m gonna cum, please,” your hands claw as san’s biceps, your climax being right there. “me too. where do you want it, pretty girl?” he asks, his hips becoming more and more feverish. “inside, fuck, cum inside me.” san bites his bottom lip as his thrusts become sloppier.

you wrap your arms around his torso and bring him down to you so you can dig your nails into his back. he rests his body weight on his elbows and you clench around him. “cumming,” you whisper as your back arches for a final time before stuttering back down. the intensity of your walls gushing around him finally sends san over the edge. 

the two of you just lay there completely still as ropes of cum fill up your abused hole. your legs wrap around his hips so that he won’t pull out before you want him to. “you’re so perfect. you’re so beautiful, so pretty when you cum,” he strokes your hair as he whispers in your ear again. 

“let me pull out so you can go to the bathroom and then we can sleep, okay?” you shake your head. “no. no. stay. roll over so i’m on top. lemme sleep with you inside. please. please, sannie,” you begging goes right to his head and he does exactly as you asked. with you situated on top of him, cock still inside, he pulls the blanket over the two of you. “we have to get up early to shower though, okay?” you nod.

_____________

“good morning love bugs. your throat gonna be okay to sing tonight?” yunho smirks at you and you smack san. “hey! i was the one who said they were gonna hear us!” he cries out. “at least you finally fucked,” mingi comments. 

“yeah, real fuckin good,” seonghwa comments, looking exhausted. he was in the room right next to yours. he shakes his head. “i’m sorry hwa.”

“get in the fucking van.”

© lomlhwa 2024

[tavolgisvist]

Paul about the breakup of The Beatles in The Lyrics, 2021

The four of us just knew how to fall in with each other and play, and that was our real strength. That made it all the more sorrowful to think that our breaking up was almost inevitable. So there’s a wistful aspect to ‘Get Back’. The idea that you should get back to your roots, that The Beatles should get back to how we were in Liverpool. And the roots are embodied in the style of the song, which is straight-up rock and roll. Because that was definitely what I thought we should do when we broke up – that we should ‘get back to where we once belonged’ and become a little band again. We should just play and do the occasional little gig. The others laughed at that – quite understandably – because by then it was not really a practical solution. John had just met Yoko, and he clearly needed to escape to a new place, whereas I was saying we should escape to an old place. Reviving the old Beatles just wasn’t on the cards. It was too late to be recommending that we not forget who we were and where we once were from. If my dream at the time really was to get back to where we once belonged, John’s dream was to go beyond where we once belonged, to go somewhere we didn’t yet belong. I’ve already mentioned how in September 1969 we were in a meeting and talking about future plans, and John said, ‘Well, I’m not doing it. I’m leaving. Bye.’ In the ensuing moments, he was giggling and saying how this felt really thrilling, like telling someone you’re going to divorce them and then laughing. At the time, obviously, that was wildly hurtful. Talk about a knockout blow. You’re lying on the canvas, and he’s giggling and telling you how good it feels to have just knocked you out. It took a while, but I suppose I eventually got with the programme. This was my best mate from my youth, the collaborator with whom I’d done some of the best work of the twentieth century (he said, modestly). If he fell in love with this woman, what did that have to do with me? Not only did I have to let him do it, but I had to admire him for doing it. That was the position I eventually reached. There was nothing else I could do but be cool with it.

(Paul McCartney about Get Back (1969), The Lyrics, 2021)

That was coupled with the business problems at Apple Records, which really were horrible. The business meetings were just soul-destroying. We’d sit around in an office, and it was a place you just didn’t want to be, with people you didn’t want to be with. There’s a great picture that Linda took of Allen Klein, in which he’s got a hammer like Maxwell’s silver hammer. It’s very symbolic. And that’s why we have the little nod and a wink in the middle section to ‘You Never Give Me Your Money’, in the lines ‘I never give you my pillow / I only send you my invitations’. That whole period weighed on me to such an extent that I even began to think it was all tied in with the idea of original sin. Even though my mum had christened me as a Catholic, we weren’t brought up Catholic, so I didn’t buy into the concept of original sin on a day-to-day basis. It’s really very depressing to think that you were born a loser.

(Paul McCartney about Carry That Weight (1969), The Lyrics, 2021)

The Beatles stuff all got too heavy, and 'heavy' at that time had a very particular meaning for me. It meant more than oppressive. It meant having to go into meetings and sit in the boardroom with all the other Beatles and with the accountants and with this guy Allen Klein. He was a New York spiv who had come over to London and talked to The Rolling Stones and persuaded them he was the man for them. Prior to that, he had persuaded Sam Cooke he was the man for him. I smelled a rat but the other chaps didn’t, so we had a fight over it and I got voted down. I was trying to be Mr Rational and Mr Sensible, and it all went haywire. It was early 1969, and The Beatles were already beginning to break up. John had said he was leaving, and Allen Klein told us not to tell anyone, as he was in the middle of doing deals with Capitol Records. So, for a few months we had to keep mum. We were living a lie, knowing that John had left the group. Allen Klein and Dick James, who sold our publishing in Northern Songs without giving us a chance to buy the company, were both hanging around in the background of this song. All the people who had screwed us or were still trying to screw us. It’s fascinating how directly we acknowledged this in the song. We’d cottoned on to them, and they must have cottoned on to the fact that we’d cottoned on. We couldn’t have been more direct about it. ...

Contracts were written on funny paper. Lying behind the song is the idea of the contract as a relationship between two people. The negotiations are at once business negotiations and romantic negotiations; I’m thinking of the lines ‘And in the middle of negotiations / You break down’. The breakdown in negotiations is also a kind of nervous breakdown. The problem was that, by this stage, everything was up for negotiation, and miscommunication was the order of the day. We weren’t really writing together anymore. Each person was bringing in little bits of this and little bits of that. And we all knew that phase of our lives, of being The Beatles, was coming to an end. We were working towards an album, knowing it was probably going to be our final fling. Though Let It Be was released later, Abbey Road was indeed the last album we recorded in the studio. There was an upside, however. I’d got married to Linda, and our relationship offered some respite from the dreary infighting and the financial stuff. The lines ‘One sweet dream / Pick up the bags and get in the limousine’ were a reference to how Linda and I were still able to disappear for a weekend in the country. That saved me.

(Paul McCartney about You Never Give Me Your Money (1969), The Lyrics, 2021)

This was just after The Beatles broke up, and I was trying to establish myself as a solo artist with a new repertoire. If it was going to work like the Beatles repertoire had worked, I had to have a hit. One in two songs had to be a hit. So, this was a conscious effort to write a hit, and Phil was very helpful. We knew that if we had a hit, it would cement our relationship and we would keep working together, which we did with the RAM album. It would prove that we were both good – he as a producer and I as a singer songwriter. Releasing my first solo song after the breakup felt like a big moment. Thrilling, though tinged with sadness. It also felt like I had something to prove, and that kind of challenge is always exciting. The song went to number two in the UK singles chart and number five in the US Billboard Hot 100, so it did pretty well. Of course, this was still a time when there was a bit of tension between John and me, and this sometimes filtered into our songwriting. John made fun of this song in one of his own, ‘How Do You Sleep?’The only thing you done was yesterday And since you’ve gone you’re just another day One of his little piss takes.

(Paul McCartney about Another Day (1969/1971), The Lyrics, 2021)

This song was written a year or so after The Beatles breakup, at a time when John was firing missiles at me with his songs, and one or two of them were quite cruel. I don’t know what he hoped to gain, other than punching me in the face. The whole thing really annoyed me. I decided to turn my missiles on him too, but I’m not really that kind of a writer, so it was quite veiled. It was the 1970s equivalent of what we might today call a ‘diss track’. Songs like this, where you’re calling someone out on their behaviour, are quite commonplace now, but back then it was a fairly new ‘genre’. The idea of too many people ‘preaching practices’ was definitely aimed at John telling everyone what they ought to do – telling me, for instance, that I ought to go into business with Allen Klein. I just got fed up with being told what to do, so I wrote this song. ‘You took your lucky break and broke it in two’ was me saying basically, ‘You’ve made this break, so good luck with it.’ But it was pretty mild. I didn’t really come out with any savagery, and it’s actually a fairly upbeat song; it doesn’t really sound that vitriolic. If you didn’t know the story, I don’t know that you’d be able to guess at the anger behind its writing. It was all a bit weird and a bit nasty, and I was basically saying, ‘Let’s be sensible. We had a lot going for us in The Beatles, and what actually split us up is the business stuff, and that’s pretty pathetic really, so let’s try and be peaceful. Let’s maybe give peace a chance.’ The first verse and the chorus have pretty much all the anger I could muster, and when I did the vocal on the second line, ‘Too many reaching for a piece of cake’, I remember singing it as ‘Piss off cake’, which you can hear if you really listen to it. Again, I was getting back at John, but my heart wasn’t really in it. This is me saying, ‘Too many people are sharing the party line. Too many people are grabbing for a slice of the cake, a piece of the pie.’ The ‘sleep in late’ thing – whether that was accurate, whether John and Yoko actually slept in late or not, I’m not sure (although John often was a late riser when I would drive out to Weybridge so that we could write together). They were all references to people thinking that their own truth was the only truth, which was certainly what was coming from John. The thing is, so much of what they held to be truth was crap. War is over? Well no, it isn’t. But I get what you’re saying: war is over if you want it to be. So, if enough people want war to be over, it’ll be over. I’m not sure that’s entirely true, but it’s a great sentiment; it’s a nice thing to think and to say.

I’d been able to accept Yoko in the studio, sitting on a blanket in front of my amp. I’d worked hard to come to terms with that. But then when we broke up and everyone was now flailing around, John turned nasty. I don’t really understand why. Maybe because we grew up in Liverpool, where it was always good to get in the first punch of a fight. The whole story in a nutshell is that we were having a meeting in 1969, and John showed up and said he’d met this guy Allen Klein, who had promised Yoko an exhibition in Syracuse, and then matter-of-factly John told us he was leaving the band. That’s basically how it happened. It was three to one because the other two went with John, so it was looking like Allen Klein was going to own our entire Beatles empire. I was not too keen on that idea. John actually had Allen Klein and Yoko in the room, suggesting lyrics during writing sessions. In his song ‘How Do You Sleep?’ the line ‘The only thing you done was yesterday’ was apparently Allen Klein’s suggestion, and John said, ‘Hey, great. Put that in.’ I can see the laughs they had doing it, and I had to work very hard not to take it too seriously, but at the back of my mind I was thinking, ‘Wait a minute, All I ever did was “Yesterday”? I suppose that’s a funny pun, but all I ever did was “Yesterday”, “Let It Be”, “The Long and Winding Road”, “Eleanor Rigby”, “Lady Madonna”, . . . – fuck you, John.’ I had to fight them for my bit of The Beatles and, in fact, for their bit of The Beatles, which many years later they realised and almost thanked me for. Nowadays people get it, but at the time I think the others felt they were the ones who were victims, who were being hurt by my actions. Allen Klein already had a history with The Rolling Stones. I just thought, ‘Oy oy oy, no, this guy’s got such a bad reputation.’ And good old John says, ‘Oh, if he’s that badly talked about, he can’t be all bad.’ John had this kind of distorted thinking, which was amusing sometimes. But not when someone was going to take everything that John and George and Ringo and I owned and had worked really hard to get.

So, I stood up as the sensible one and said, ‘This is not good.’ Klein wanted twenty per cent, and I said, ‘Tell him he can have ten, if you have to go with him.’ ‘Oh no, no, no,’ they came back. ‘No, he wants twenty.’ It seemed to me they were just fucking out of it and making no attempt to do anything sensible. A lot of hurt went down during that period in the early 1970s – them feeling hurt, me feeling hurt – but John being John, he was the one who would write a hurtful song. That was his bag.

(Paul McCartney about Too Many People (1971), The Lyrics, 2021)

Towards the end of 1969, John had quite gleefully told us it was over. There were a few of us in the Apple boardroom at the time. I think George was away visiting family, but Ringo and I were at the meeting, and John was saying no to every suggestion. I thought we should go back to playing smaller gigs again, but the answer came back: ‘No’. Eventually John said, ‘Oh, I’ve been wanting to tell you this, but I’m leaving The Beatles.’ We were all shocked. Relations had been strained, but we sat there saying, ‘What? Why? Why? Why?’ It was like a divorce, and he had just had a divorce from Cynthia the year before. I can remember him saying, ‘Oh, this is quite exciting.’ That was very John, and I had admired this kind of contrarian behaviour about him since we were kids, when I first met him.

He really was a bit loony, in the nicest possible way. But whilst all of us could see what he meant, it was not quite so exciting for those left on the other side.

(Paul McCartney about Dear Friend (1971), The Lyrics, 2021)

This is one of my favourite songs. It's a ballad with a brass section, but it’s always felt Victorian in style to me. It’s very heartfelt. ‘A love so warm and beautiful / Stands when time itself is falling’. I like that idea, instead of just saying, ‘It will go on forever.’ I got a good feeling writing this song, and listening to it now, I still do. ‘Love, faith and hope are beautiful’. The brass solo is lovely for me because it harks back to the brass bands that were so common when I was a kid; there would often be brass bands in the park or in the streets. My dad played trumpet, as I never fail to mention, and he had his own little band – Jim Mac’s Jazz Band. The first instrument he bought me was a trumpet, and he taught me the scale of C which, when you go on the piano, becomes B-flat. It’s all very complicated. That’s why we didn’t even bother learning music. I realised that I wanted to swap the trumpet for a guitar, so I asked his permission, and he said, ‘Yes, okay.’ ‘Warm and Beautiful’ was written well after the demise of The Beatles, and at this time we knew sadness. I knew about delving into your mind to look for help and looking for some sort of solace in a song. I liked the idea of writing a song in a universal way that dispels the sadness. You write about the wonderful things you know in the world, and you try to write so that it will sing well and be well received by people dealing with grief something that inevitably surrounds all of us at one time or another. On a more personal level, the main inspiration for the song was Linda…

(Paul McCartney about Warm and Beautiful (1976), The Lyrics, 2021)

After The Beatles thing became so depressing, Linda and I decided we’d get out of London and start living full-time on our small holding in Scotland. It was quite a difficult period because of the band’s breakup but it allowed me to see another side of myself. First and foremost, we did everything for ourselves, and at this point it was Linda, Heather, Mary – who was still a baby – and me. If we needed something to eat, we’d go into town in the little Land Rover, come back up, and cook it. We didn’t have anyone helping us, except for one guy, the shepherd, because it was a little sheep farm. It was an experience that allowed me to be a man. <…> I’d grown up in Liverpool and gone on the road with The Beatles around the world and then around again, and now here I was on a farm in the middle of nowhere, and it was sensational. <…> This was the kind of thing I’d never done, ever, in my life, and it was amazingly liberating. I got to do all the things I think a lot of young people still dream about today – the famous ‘gap year’. I sense a lot of people want that freedom, escaping the rat race…

(Paul McCartney about When Winter Comes (1992), The Lyrics, 2021)

After the breakup of The Beatles, I wouldoften just sit around a lot. Sometimes I sat in the kitchen while the kids were playing. Maybe they were drawing. Maybe they were doing bits and pieces of homework. In this case, I came across the chords and I just felt optimistic, and I liked the idea of a song saying that help is coming and there’s a bright light on the horizon. I’ve got absolutely no evidence for this, but I like to believe it. It helps to lift my spirits, to move me forward, and hopefully it might help other people move forward too.

(Paul McCartney about Great Day (1972/1997), The Lyrics, 2021)

Wings, which we began in 1971, was in many ways an experiment to see whether there was life after The Beatles, to see whether that success could be followed. It was the result of asking myself, ‘Am I going to stop now?’ The Beatles were so wonderful and all-encompassing, so successful. Now, should I stop and look for something else to do? But I thought, ‘No. I like music too much, so whatever the something else is, it will be music.’ <…> But it wouldn’t be The Wings, like The Beatles. Just Wings. My problem after The Beatles was, who’s going to be as good as them? I thought, ‘We can’t be as good as The Beatles, but we can be something else.’ I knew that if I were to go ahead with this project I’d have to tough it out, but I had reserves of courage from being part of The Beatles when pennies were thrown at us at the village hall in Stroud, when we were still starting out. <…> Starting off a new band is always a lot of fun, but it’s a lot of hard work too; you have to establish yourself. Following The Beatles was one of the most difficult things for me, just trying to live up to those expectations. It was even more difficult for her [Linda]. I started to write songs for Wings from 1971 onwards, when we got started, and I tried to keep them away from The Beatles’ style. There were avenues I could go down that I wouldn’t have gone down with The Beatles, like bringing in the influence of reggae, which Linda and I got into in Jamaica. I fancied doing something crazy, and Wings allowed me a little bit more freedom. So, this is a love song in which Cupid’s arrow is referenced, but it’s a malevolent arrow. It’s possible I’d seen an illustration of Cupid and thought, ‘Cupid fires a bow, but I’ll switch it. It won’t be love; it will be the opposite.’ The character in the song has been wounded. He’s been cheated on. And it could’ve been a great relationship, could’ve been fantastic. As things stand, you couldn’t ‘have found a more down hero’, because there was nobody more down than me at that moment. So, get it together and bring your love. I have always had a soft spot for this song. There’s a nice horn riff in it, and it’s funky. Sometimes you write to get a sort of feeling rather than a perfectly ‘correct’ lyric. Sometimes the lyric can be secondary to the feeling. This one has as much, or more, to do with the feel of the song, the groove.

(Paul McCartney about Arrow Through Me (1979), The Lyrics, 2021)

John described ‘Coming Up’ somewhere as ‘a good piece of work’. He’d been lying around not doing much, and it sort of shocked him out of inertia. So it was nice to hear that it had struck a chord with him. At first, after the breakup of The Beatles, we had no contact, but there were various things we needed to talk about. Our relationship was a bit fraught sometimes because we were discussing business, and we would sometimes insult each other on the phone. But gradually we got past that, and if I was in New York I would ring up and say, ‘Do you fancy a cup of tea?’

(Paul McCartney about Coming Up (1979), The Lyrics, 2021)

It’s very possible that I’d been feeling down in London. I was back in the solace of family and Liverpool, and what with the Beatles troubles down south, I was likely thinking, ‘Wouldn’t it be nice to get home and have that comfortable feeling again?’ So, there may have been some of that in the background. I wouldn’t rule it out. When I wrote the song, I hadn’t been back home to Liverpool for a long time. But now I was at my dad’s house, which wasn’t quite home because it was a house I’d bought him when I got some money – a five-bedroomed mock Tudor place in Heswall near the River Dee. But it was still Liverpool, and it was ‘homeward’. So I added, ‘Once there was a way to get back homeward / Once there was a way to get back home’. The song turned out to be quite soulful, and I think that’s what attracted me to those lyrics in the first place – that notion of consoling a baby or reading kids a bedtime story. ‘Sleep, pretty darling, do not cry / And I will sing a lullaby’. Those are lines – or something with a similar sentiment – that most parents probably say to their children to soothe them when they’re growing up.

(Paul McCartney about Golden Slumbers (1969), The Lyrics, 2021)

It became a refuge of sorts, and it was nice to get away from London and everything – both the good and bad – that comes with the city. I would drive a Massey Ferguson 315 tractor and mow the hay, and I loved that because I’d been a nature fiend as a kid, and this freedom just gave me time to think – ‘Down to Junior's Farm where I want to lay low’. It was such a relief to get out of those business meetings with people in suits, who were so serious all the time, and to go off to Scotland and be able just to sit around in a T-shirt and corduroys. I was very much in that mindset when I wrote this song. The basic message is, let’s get out of here. You might say it’s my post-Beatles getting-out-of-town song.

(Paul McCartney about Junior's Farm (1974), The Lyrics, 2021)

The context in which the song was written was one of stress. It was a difficult time because we were heading towards the breakup of The Beatles. It was a period of change partly because John and Yoko had got together, and that had an effect on the dynamics of the group. Yoko was literally in the middle of the recording session, and that was challenging. But it was also something we had to deal with. Unless there was a really serious problem – unless one of us said, ‘I can’t sing with her there’ – we just had to let it be. We weren’t very confrontational, so we just bottled it up and got on with it. We were northern lads, and that was part of our culture. Grin and bear it. One interesting thing about ‘Let It Be’ that I was reminded of only recently is that, while I was studying English literature at the Liverpool Institute High School for Boys with my favourite teacher, Alan Durband, I read Hamlet. In those days you had to learn speeches by heart because you had to be able to carry them into the exam and quote them. There are a couple of lines from late in the play: O, I could tell you But let it be. – Horatio, I am dead I suspect those lines had subconsciously planted themselves in my memory. When I was writing ‘Let It Be’, I’d been doing too much of everything, was run ragged, and this was all taking its toll. The band, me we were all going through times of trouble, as the song goes, and there didn’t seem to be any way out of the mess. <…> Around the time we recorded ‘Let It Be’, I’d been pushing the band to go back out and play some club dates – to get back to basics and just bond again as a band, end the decade like we’d begun it, just playing for the love of it. We didn’t get to do that as The Beatles, but that idea did inform the direction of the Let It Be album. We didn’t want any studio trickery. It was supposed to be an honest, no-overdubbing album. It didn’t exactly end up that way, but that had been the plan.

(Paul McCartney about Let It Be (1969), The Lyrics, 2021)

This song is also an analogy for when something goes wrong out of the blue, as I was beginning to find happening around this time in our business dealings. Recording sessions were always good because no matter what our personal troubles were, no matter what was happening on the business front, the minute we sat down to make a song we were in good shape. Right until the end there was always a great joy in working together in the studio. So there we were, recording a song like ‘Maxwell’s Silver Hammer’ and knowing we would never have the opportunity to perform it. That possibility was over. It had been knocked on the head like one of Maxwell’s victims. Bang bang.

(Paul McCartney about Maxwell's Silver Hammer (1969), The Lyrics, 2021)

In much the way that Linda wanted to flee from New York society– the constrictions of Park Avenue and Scarsdale – I wanted to flee from what The Beatles had become. I was hoping to escape, she was hoping to escape. So we had this feeling that we had each pulled the other ‘out of time’. Though the song was written immediately after The Beatles’ breakup, it was somehow included under the Lennon-McCartney rubric, where it doesn’t belong. It was one of my first solo songs, but because of the deal, it got caught in the publishing net. That was very annoying. <…> …the central idea being that there’s so often a split between the inner and outer. <…> The elements of fear and loneliness are very much to the fore. ‘Maybe I’m afraid of the way I love you’ is itself a troubling idea. While it’s true that Linda is the person I’m addressing, it’s also true that I’m dealing in fiction. Starting with myself, the characters who appear in my songs are imagined. <…> In any event, this song isn’t the conventional way of presenting a relationship, or of some of the contradictions that can arise from being in love. <…> It shows the fragility of love.

(Paul McCartney about Maybe I’m Amazed (1970), The Lyrics, 2021)

John went to the exhibition, and I think that was when he and Yoko met, towards the end of 1966. He climbed up a ladder to see what she’d written on the ceiling, and got close enough to it to read it, and it said, ‘Yes.’ So he thought, ‘That’s a sign; this is it,’ and they fell madly in love. Once they were an item, there was the whole Beatles recording thing, where she would be there too. I think this started at the beginning of the ‘White Album’ sessions – so, around the end of spring in 1968. And at first we all – all of us except John – found it pretty intrusive, but we went along with it and worked around her. And eventually I came to the realisation that, look, if John loves her, we’ve just got to let it be, and we’ve got to support this relationship. That was basically my feeling. Then, a year or two later, The Beatles broke up, and it was a bad period, a real low point, where everyone was taking potshots at everyone. And I felt that John and Yoko were particularly good in the potshot department, saying things in interviews, or comments that would make their way to you. They would say not always very pleasant things, and looking back on it, I sort of think, ‘Why? You’re annoyed, so say something unpleasant?’ Over time, the situation eased off and my relationship with John got better, and I used to see him in New York or speak to him on the phone.

(Paul McCartney about Golden Earth Girl (1993), The Lyrics, 2021)

I’m not sure I thought of it at the time, even though this was well after The Beatles disbanded, but I can’t help connecting the oppressiveness associated with that phrase to the oppressiveness that coincided with the end of The Beatles. Not that The Beatles are over exactly. It’s not like we were some little band that never had another record; even though half of us have died, the phenomenon continues stronger than ever. Everything I do seems to be painted with ‘Beatle’…

(Paul McCartney about Put It There (1988), The Lyrics, 2021)

Add to this

[sscieloz]

Live your life

band!aespa x groupie!reader

Synopsis: It’s been less than a year since the band Aespa was created. Karina, Minjeong, Giselle and Ningning travel all over the country with nothing but a few gigs, little money and much love for the music. They’re far from superstars, and still don’t have a lot to offer. Besides, there’s something they can’t quite grasp: why you, the band’s most faithful fan, follows them without even questioning.

Warnings: lots of plot w a little bit of smut in the end, as alwayss.

Word count: 6.5k

Notes: I tried following the MV in chronological order and I’m kinda proud w the way it turned out ˆˆ I had lots of fun writing it so I hope you have fun reading it too!! Also I ❤️ you band!aespa let me be your fucktoy I can take the four of you. and not in a fight (probably in a fight too).

pt.1 | pt.2 | pt.3 | pt.4

—

“Is this legal?” Ningning asks, hugging the straps of her backpack. She tilts her head up to grasp at the place that would make their stay for this week of competition, its grand walls of concrete leaving her in awe.

You’ve been wiser this time: the cache of the band’s last performance made it possible for them to buy a roof rack for your brother’s— now basically theirs— van, which provided much more space for equipment and luggage. 

“Not really.” The four of you say, in unison. With a deep sigh, you grab your belongings and walk towards the huge stairs that precede the nearly-abandoned place. 

“It used to be a bathhouse,” Karina tells the maknae, holding her by the shoulders as they walk forward in hopes of making her less uneasy. “But now they use it as a vintage, low-cost hostel, or whatever. It’s always cramped during these times of the year, so we’re safe Ningnie. Don’t worry.” 

The bathhouse is huge, although its dirty façade announces it’s been long since the place served its initial purpose. Grass grows around their feet, nearly disappearing into the wild, and there’s a great amount of dirt clinging to their shoes in the parking lot. Three floors are presented in front of them in all of their grandness, in a structure so massive the place could be misguided as a shopping mall. 

Ningning gulps, although she doesn’t look relaxed in the slightest. Going up so many flights of stairs leaves you breathless, resting your hands on your knees as soon as you reach the entry lounge. The inside of the building is much different from what you expected: it’s filled with warm lights, and most importantly, it’s packed. Young people storm from side to side, hanging out in the corners or walking in rushed paces. The mixed voices bring a lively vibe to the open area, and you smile as you watch comforting chaos unravel. Such noise is enough proof that you're here: the girls are actually going to perform in the most important music competition in the country. 

A hand on your shoulder grabs your attention as you reach for your camera, itching to record every second of the journey. Ningning’s voice makes you look up amidst getting lost searching for it in the middle of your stuff.

“Y/n.” She calls for you, staring at the ground to avoid making eye contact. Her shoulders are pressed downwards, announcing a hesitant posture much unlike herself. You hum in response, acknowledging her while still looking through your backpack. “Is it ok if we room together, this time?” 

You watch as Ning brushes her hands repetitively, aware something’s wrong. Ningning might be the youngest of the band, but she’s usually mature, serious, and confident; It’s concerning to have her acting like that.

“Sure, unnie.” You smile at her, looking around as you squeeze her arm in hopes of offering her some reassurance. After making sure the other girls were busy with the check-in, and that there weren’t any eavesdroppers, you ask, “Are they back again? Have you been getting any sleep?”

Ningning’s nod, followed by a tired sigh, is enough of an answer. You know being so dependent on her friends bothers her deeply, even though you’ve told her countless times none of you mind. 

It’s well-known among the girls that Ning struggles with night terrors. Being an independent and strong-willed child made her extremely talented, but also very lonely. Ningning’s parents invested in her and sent her away from her hometown, Harbin before the age of 10. From then on, the maknae found herself all alone in Korea, pushing through an excruciating routine at a shitty entertainment company where people barely knew her name. She never spoke, at first because she didn’t know Korean at all— but also because people rarely talked to her; only urging her through events and evaluations like a doll.

Or better, more like a ghost. The loneliness clung to her bones, making its way through her soul until she wasn’t even sure who she was without it. 

Ever since then, her nightmares have kept her awake at night, trapped in a tangled mess of absurd dreams that deprive her of getting any rest. The hallucinations are so real she’s frequently urged out of sleep with a trembling body and heavy nausea, rushing to the nearest bathroom in complete panic.

Thankfully, not sleeping by herself is something Ningning found to be of much help, even if just a bit. So the girls take turns holding the youngest member close in their arms until her body gives up to exhaustion, still trembling. 

That was before Ning had gotten it under control. With the help of a professional and her friends’ endless support, she eventually learned how to suppress her troubled thoughts. As months went by, her nightmares somehow did not scare her as much as they did when she was a little girl. 

Or so she thought. Asking for help meant things were not looking good at all, which set up an alarm in the back of your mind. 

You had to talk to Karina about it and let the leader know. Out of the three girls, she was the most protective of Ningning: the duo acted like sisters most of the time and had a tight bond. 

“We’ll get rid of those nasty monsters, Ningie.” You tell her, resting your arm on her shoulders as you walk side by side to the elevator. “Fuck them. I’ll personally beat their asses for disturbing our little princess’s sleep.” 

Ningning’s laugh fills up the small corridor, and as she clings to your body, you’re reminded of how small she is. The maknae trusts you; it’s something you feel in the way she reaches out for your embrace, allowing herself to be vulnerable even if not for long. 

“So,” Karina says, staring at the four of you with a serious face. “I know we all want to enjoy the festival too, and we absolutely should. But it’s late, and it’s a week-long competition, so I say we take it easy and rest today.” 

The leader's words reverberate through the elevator, her assertive tone leaving it clear that it was a rather strong-willed suggestion as you all nod. 

“We’ve worked hard for this opportunity.” Minjeong agrees, leaning onto the big mirror that gave the impression that the elevator was much bigger than its actual size. “Let’s not fuck it up. We can have fun later anyway.” 

“Our first performance is tomorrow, but we have a bunch of interviews scheduled before that. We must be well prepared and rested.” Giselle adds, while they get onto their floor and start walking toward their assigned rooms. 

Somehow, the girls always manage to get caught up with something just minutes before getting in the car for their road trip, which meant you arrived later than expected. At nearly 4 AM, everyone was tired, even though the adrenaline of being part of something as big as The Box was enough for them to be a bit jumpy, eyes darting around to capture everything dimmed possible. 

The rooms were better, this time: there wasn’t any dust and the place looked fairly comforting, compared to the last place you stayed at. You drop your backpack and your small suitcase onto the ground without much care.

“Goodnight, cuties. See you in the morning.” You murmur, rubbing your eyes as you throw yourself on the bed, extra tired from being the designated driver for the entire journey. Giselle, Winter, and Karina wave faintly, too, making their way to their room at a quick pace. 

Ningning smiles and watches as you stretch yourself, exhausted. She’s quick to drop her stuff and pull her single bed, although it doesn’t move further than an inch. “Y/n… help me join the beds, please?” 

“Right, right. Of course.” With some effort, the two of you manage to move the two beds together into the center of the room, and you relax for a bit while Ningning occupies the bathroom. The soft sheets that welcome your face are much different from the leather seats of your car, and the change is well welcomed— so much you let out a deep sigh, relieved now that you’re finally able to relax. 

After changing into your pajamas, you stare at the ceiling and you wait for Ningning to hop out of the shower and join you in bed before falling asleep yourself. However, the last thing your mind registers are the soft sounds of Yizhuo’s shower before sleep takes over your body and you lose a short-lived battle to unconsciousness. 

—

Life is anything but peaceful when you give up a normal, ordinary life to live off of music. Not that it’s a bad thing: if anything, the thrill of not having a routine grants to the girls a type of freedom that only comes with art. 

That’s all Karina can think about as the five of you hang out at a big, open field. There’s a fence where you and Ningning sit, and the cool breeze messes up her long, pitch-black hair. More than freedom, the leader’s chest also burns with a deep sense of accomplishment. 

Within a blink, she’s at the bathhouse’s rooftop and this time her bandmates chat lively by the place’s enormous sign. It’s late, and a different kind of unsettlement takes place inside her rebel heart this time, one Karina feels deep in her bones.

Thankfully, she doesn’t have to dwell much: her senses prove to be right almost immediately when they’re struck by a sea of shooting stars. They fly by so fast Karina barely sees them, making their way through with such strength she’s pushed onto the ground. There’s only enough time for her to grab a single star, grasping the small light within her hands as strongly as she can. 

But just as fast as it happened, the storm is gone. Karina looks up to talk to you and the girls about it, but you’re nowhere to be seen. She frowns, realizing she’s left all alone, under the darkness of a starless sky. 

That’s when she wakes up: breathless, trembling badly as she grabs her neck in hopes of making more air run through her lungs. Despite the cool night, her body is drenched in sweat. Yet, the oldest member can’t help but sigh in relief once she looks up beside her and finds Minjeong peacefully asleep. The leader looks to the other bed, where Giselle’s faint snores can be heard, her mouth hanging slightly open as saliva drools onto the bassist’s pillow.

Karina’s safe. She’s with her girls, in the comfort of their room. 

Yet the loneliness she felt still echoes through her body, hurting enough to draw small tears from her eyes before she acknowledges it. It had been such an empty moment… to look up and not see any of the people she loved and cherished deeply. 

It’s something Karina decides she never wants to feel again. 

“Mhm…” Minjeong stirs, her eyes half open as she stretches her arms out. Karina’s noises probably woke her up— the girl has never been a deep sleeper anyway. “What are you doing awake?” 

A few seconds go by, and Karina stays silent. The answer comes when the blonde is almost falling asleep again, so low Minjeong thinks she’s imagining it. “You left me there, all alone. All of you.” 

“We… who?” Minjeong’s voice is scrappy with confusion. She looks at the leader, scratching her head as she watches Karina get up. “Why would we do that? We’re literally right here, unnie.”

Minjeong’s attempts to understand her friend fail. If anything, she’s bluntly ignored by Karina, who shakes Giselle gently until she manages to get the Japanese girl up, although clearly in a zombie-like state, still barely conscious. 

The weather was still a bit hot by the time they arrived, so the girls agreed to leave the old, arched windows open for the night. Now, the wind had messed up the leader’s wavy hair, and there were little eye-bags under her eyes from waking up so abruptly. As a result of such an intense dream, Karina’s lips trembled and her body lacked its usual strength, which was noticeable by her limp arms. She looks fragile, clearly disturbed by a train of thoughts echoing inside her mind. 

And the way the leader stares at Minjeong so helplessly… It’s the reason why she doesn’t question when Karina offers her hand to help the blonde out of bed, in complete silence. One that remains until the leader unlocks your and Ningning’s room with her spare card, walking onto the bed with light steps— as if she was taken by the wind itself. 

Your bedroom is not as big as theirs, and the improvised bed is still rather small, but Karina makes it fit. Her hand is keen on Giselle’s back, urging the girl back to bed as the leader lies her down once again. Like in a puzzle, Minjeong squeezes herself between your arched back and Ning’s body, careful to not wake up either of you. 

“Feeling better?” She asks Karina, who watches the scene with a small smile. Minejong’s heart is filled with warmth at the girl’s pretty face, as she closes her eyes once again. 

“Much better.” The vocalist murmurs, calm and collected. Being tangled with her girls at one of the country’s most successful music events is enough to dissipate her previous loneliness. There’s nothing else she needed but the four of you. “I’m no longer alone, now.” 

She’s safe.

—

The Box is an event created for Companies from all over the country to show off their assets and make as much profit as possible—and they make sure to capitalize on every second of it, which is as much of a burden as it is an opportunity for its participants. The girls had interviews, outfit changes, and makeup booths provided by sponsors, guaranteed as long as they shot commercials and launched a few good words about their brands. 

Held in a big, open area, the place brings goosebumps to Karina’s stomach, reminiscing too much of her dream as the same clouds wind on the sky, blocking the sun’s path. Just as she had done moments prior, you look up too, frowning. The lack of light makes the day seem gloomier than usual, and a single droplet of rain would result in an atrocious, muddy day. 

And that would be a disaster, for sure.

“So,” After recording the stage they’d perform at in just a few hours, you turn around and nearly shove your camera on Giselle’s face. “Enlighten us, Gigi: why is the festival named The Box if the main stage is actually a big fucking losangle?” 

Giselle’s tone is condescending as she adjusts her perfectly arranged bangs, giving you a dirty look before answering. “Y/n, my love.” She redirects the camera to capture both of your faces, smearing your cheek with her lip gloss. “You just have to accept some things: like the weather, time… and The Box’s setup. It’s how it’s always been, so let’s not dwell on that matter, okay? Thanks.” 

“Very well, then. You heard her.” You nod back at the camera, capturing the massive stage for a few more seconds before pausing the recording. 

Giselle’s passive-aggressiveness was one of her hottest traits, and you loved to watch her boss people around. Which she always made sure of doing, whenever she had the chance to.

The Japanese girl giggles at your words, nudging you gently. Not much further from you, Karina and Ningning stand in a big line to try some popular dish. You wave to them, and Giselle straightens her posture, following your stare with a grunt. 

“So, you and Jimin, huh.” She asks, plucking at the grass with her shoes. It’s obvious she’s trying her best to sound nonchalant and not make a big deal out of it.

It was no secret that you were devoted to Karina, surrendering yourself with as much as a whisper from her. Still, it was amusing to you how shy Giselle seemed with her question. Her hesitation was sweet, so cute it draws a smile from your face. 

“Oh… well, yeah.” You shrug, not at all ashamed. “She needs someone to warm up her bed.” You eye Giselle attentively, studying the older girl’s body language before adding, “I can help you with that too if you’d like. I know Jimin unnie wouldn’t mind.”

Your answer catches her off guard, her eyes wide from your straightforwardness. You’re nearly teasing her for being so shocked when she laughs, shaking her head. It’s Giselle, after all: the girl has such a flirty nature you’d be surprised if she didn’t give you a run for your money. 

“We’ll see... You’re sure one of a kind, Y/n. That you are.” She answers, with a sultry tone before gently squeezing your arm and vanishing from your sight. 

That is enough for you. The Japanese girl’s gorgeous looks and confident nature make her so desirable and hot— truly an it girl, often leading the group to try out new music styles and different types of choreographies. Giselle is always pushing herself outside her comfort zone. 

It’s good that she knows you’re also willing to try anything she’d like, too. 

Brushing that subject off your mind, you take some time to dive into the festival, just as curious as the girls were: the place is still beautiful, despite the weather. Its lively atmosphere is enchanting, and there is so much happening: from bands singing on minor stages to dance performances not much further from where you stand. Everyone seems eager to participate, and you’re just as excited to watch everything at once.  

This event is also a great opportunity for you, considering you’re still attending university— hoping to major in Media Arts in two years or so. Even though you spend most of the time following the girls around, your passion for filmmaking and photography is also one of the reasons you’re so committed to recording everything your eyes meet. You plan on making this documentary into your final presentation of the year and submitting it to one of your main classes. 

So you record everything: making a full turn to capture your entire experience. You’re so committed to your task that you don’t even notice Minjeong’s frame behind you, the blonde girl not making an effort to move such thing as an inch from out of your way. 

The two of you collide with each other so roughly you have to hold onto the girl’s tiny frame with your free hand to prevent her from a having dirty fall.  Minjeong gives you an ugly look, impatiently wiping the dirt from her plaid skirt. She’s judgy, as always— not a day goes by where the blonde doesn’t give you a hard time.

Although you weren’t exactly peaceful to her, either. 

“Do you ever wear a bra?” She mumbles, annoyed. Minjeong’s fingers press the tip of her nose bridge and she closes her eyes as if dealing with you was enough to drain all of her energy. 

“Why are you looking anyway?” You’re quick to snap back, crossing your arms over your chest. 

Choosing comfort over fashion was something you’d always do, and today was no different. Your look for the day was rather basic, but perfect for someone who’d be walking around the entire time: a pair of jeans and a plain white tank top that made your Aespa badge visible to anyone who took a quick look at you. However, that little show of Winter has made the dirt that clung onto the fabric attract attention to your breasts, highlighting the way your pierced nipples peeked through. It had only been a few weeks since you and Giselle got them done, so you were still a bit hypersensitive.

Not that you minded, anyway. Minjeong would be a jerk regardless of that: the blonde made her life’s purpose to annoy the shit out of you, and she’s very committed on doing so.

Proving your point, Winter scoffs, all annoyed.

“You always make this shit on purpose, don’t you?” You stare at her, confused, and it seems like she’s had enough. Rolling her eyes, Minjeong brushes past you, nearly dragging you by the shoulders as she stomps away. “Whatever. Whore.”

Minjeong is so rude. Undeniably so, with an insanely stubborn temper. Her mood changes quickly, and it is hard to tell if she genuinely hates you or if it is just some kind of playful banter.

Not that you cared much, honestly. There were many important things for you to worry about, like the amazing festival happening at the moment. You’d deal with that nightmare of a girl some other time. 

Instead of allowing the petite blonde to disturb your mind, you decide to walk around by yourself too— despite preferring to be surrounded by the girls at all times, it felt good to be on your own.

You were deeply committed to making a masterpiece out of your clips. If the work you handed in was good enough, then perhaps your professor would overlook the number of absences on your attendance sheet and give you a nice grade. 

After walking around for a few minutes, a certain stage catches your attention: the structure is small and curiously held like a boxing ring, where nine girls sing and dance in beautiful harmony. The space is so far from the center of the festival its last rounds of chairs nearly drag onto the woods that surround the place. 

The girls performing are all dressed in dark pants, white crop tops, and black ties, and they’re incredibly in synch while still making complicated moves. Their voices are sweet, and so is the music that flows to your ears: it’s a cover of one of your favorite songs, KARA’s Mr.

Your eyes go straight to the sign that hangs in front of the stage, looking for said group’s name. Thankfully, it’s easy to find, both in Hangul and Romanized.

Fromis9.

The nine girls’ bright stage presence fills up the area, and it amazes you how coordinated they are, not one outshining the other despite being so many. No lines are stolen in the song; instead, they add to each other beautifully, reminding you of your girls. The contrast is fascinating, from Aespa’s four-member band to those strangers, who sing cheerful songs like this will be the last happy summer of their lives. 

You’re enchanted by them, truthfully. Not only talented, the girls seem genuinely sweet, as they spin and jump around to hype up the dead crowd. And oh, they’re stunning: each one with striking features, ones that surely seem like they’ve been taken straight out of a fairytale. 

You make sure to record their entire performance, as well as the little playful moments reserved for interacting with their fans and supporters. Soon enough, the song ends, leaving the group breathless but happy. You watch as the girls bow and take turns passing small water bottles around, tired from giving their all on stage. 

A few of them start a small discourse, although you don’t pay enough attention to grasp the meaning of their words. You’re too busy staring at one of them instead, hiding behind your camera so she doesn’t see how enamored you are. 

The girl is small, but her slim waist and toned muscles announce she must spend most of her free time at the gym. An energetic pink-haired girl clings to one of her arms, providing a clear contrast to her long, pitch-black hair, but she doesn’t seem bothered in the slightest: if anything, she hugs the energetic girl back, laughing and she twirls her friend around.

Luckily for you, there’s a big paper clasped in front of her shirt, just like every artist who is currently performing and competing at The Box. You search for her name with expectation, just like you’ve done with her group’s name.

Hers say, Saerom. 

A beautiful name for an enchanting girl. 

However, it’s her face that surprises you the most. She’s beautiful, of course— stunningly so, but so is everyone at this festival: something expected for a place with such a high concentration of artists, models, and people in the entertainment industry in general. But as you look into her high cheekbones and sharp jawline, you’re surprised to find such kind eyes staring back at you. Saerom’s eyes provide her soft, almost ethereal look as she nods to you. It’s a faint action, one a distracted eye would barely notice once she moved back to the middle of the stage with her bandmates, yet you’d never miss it. There’s no way she wouldn’t stand out, despite her plain outfit. 

You could stare at her for hours. 

Although you’re incapable of doing so: in a blink, steady hands grab your camera, and your arms are urged down so fast you nearly let it fall on the ground. Nothing disastrous happens, thanks to your steady grip and good reflex, but your vision is blocked by a serious Karina, fuming as she stares angrily at you. 

“What are you doing, Y/n?” The leader’s cocky, angry voice is something you only hear when she’s feeling intimidated or when she wants to be petty, which is unusual for the occasion. Why would she be so defensive towards you?

Karina usually yaps her heart out until your ears hurt from her complaints. It’s a normal thing for her to do, whenever she’s pissed. However, she doesn’t say anything this time, clearly waiting— demanding an explanation. 

So you lift your camera, playfully poking her in a failed attempt of easing the tension hanging in the air. “I’m making The Box’s documentary as my final presentation.” You stay on your tiptoes, trying to get a hold of the view Karina is blocking so confidently, but it’s useless by now: the performance is over, and the Fromis9 members have already retreated backstage. “For that class I told you about, remember?”

Karina rolls her eyes, ignoring your explanation as she directs you in the opposite direction. With a resolute tone, she brushes off the matter. “Whatever. Listen, Y/n: you should only focus on us, your band. There’s no need for you to look at anyone else.”

Oh, Karina’s fuming. It’s easy to tell, from the way she refuses to meet your face to the red that paints her cheeks. You giggle, enjoying her subtle possessiveness. 

Truth be told, you thrived on being reassured just as much as the girls did. The only difference was that you made an immense effort to hide how much it aroused you, well aware they’d use it as an advantage. 

Besides, there was a bit of truth behind her words: the girls were the only ones you truly felt connected to; they were yours just as much as you were theirs, and you didn’t feel like you needed to meet new people.

“Of course, Jimin unnie.” You nod, walking next to her as you turn your camera off and place it back in your backpack. “Aespa is the only band worth looking at, anyway.” 

Karina blossoms under your praise, smiling brightly as she kisses you gently, her irritation gone. “Good girl. Now let’s go to the main stage. There are only two hours until our performance, and the girls are starting to get ready.” 

You’d like to tease her back a bit, but now wasn’t the time. Not when the band’s nerves were all over the place, nervous they’d fuck up the opportunity of their lives. No, you wouldn’t do such a thing. You’d be their anchor, peace, and most faithful supporter as you always were, ready to remind the girls of their true potential. 

With that, you and Karina walk back to the main stage with synchronized steps, and the moment with Saerom is brushed off to the back of your mind.

You've probably imagined the entire thing, anyway. There was nothing to wonder. 

—

“Hello, girls. Are you Aespa?” The staff asks, entering the room with his eyes glued to the list in his hands. After the five of you nod, he adds, with a comforting smile, “You’re on in 30. Come after you finish your makeup and clothes so we can start the soundcheck and set up your microphones.”

With another nod, you fall into a nervous silence once again. The girls have waited for this opportunity for so long; the crowd’s heated screams could be heard from where you stood, only adding to the girl’s expectations. It was the first time they performed in front of so many people, let alone at such a big and renowned festival. 

“I think I’m going to throw up.” Giselle mumbles, softening her necklace as if it were suffocating her. Her breaths were uneven, and her eyes were fixated on the ground. 

Karina smiles softly at the girl. As the leader, she knows it’s her duty to look composed and relaxed, to tranquilize her bandmates. “You’re not going to throw up, Gigi. You just need some air. Come on, let’s get out of here.” 

The leader grabs Giselle by the arm, urging her up. As they go through the door, Ningning rushes to follow their steps. 

“I need to breathe too.” She gulps, not even sparing you a glance as she runs to catch up with her friends. 

The nerves were striking, and they needed to look composed so they’d give their all on stage, as always.

You and Minjeong were the only ones left backstage, which allows you to take some time to study her better. The blonde sits perfectly still on the couch, with a rigid posture and hands clasped tightly on her lap. She looks composed, almost bored, as she always does— but you know her better. 

Minjeong’s muscles are visibly tense, and her left leg bounces so much you’re afraid it’s going to be chopped off from her body. She’s usually so composed, rarely giving a fuck about anything in her life. Whatever it was, the most Minjeong would do was roll her eyes at it or give it a nasty, rude response. Nothing else.

Seeing her bottle up her feelings like that is something that leaves you deeply uncomfortable. The way she deals with her emotions is none of your business of course, and it’s not like she ever talks about how she’s feeling with anyone anyway. 

Minjeong rarely talks about herself; not to you or her bandmates. She’s simply someone very private when it comes to that matter. It’s something the blonde struggles with— understanding and acknowledging her emotions are not things that come to her naturally, so Minjeong would often carry her burdens alone until the feelings get so heavy she explodes, taking it off on someone who has nothing to do with whatever it is she’s going through. 

Although it surprises you to see how deeply caring the girl can be. Minjeong, who knows Karina loves apple-flavored candy and sorts them out for her leader, even though they all think it’s gross. Minjeong, whose personal space is sacred, allows Ningning to be as clingy as she wants, aware the maknae longs for physical contact after being deprived of it so much as a child. Minjeong, who is the most competitive person you’ve ever met, but lets Giselle beat her at deck games whenever they notice the Japanese girl is feeling down. 

Minjeong, who despises you thoroughly, but snuck a new SD card into your purse after seeing you struggle with your camera for a few days. 

You didn’t want her to make her big debut feeling like a nervous wreck. She needs to relax, and not be so tense otherwise she won’t do good in her performance. 

And you know just what to do. 

With a sigh, you drop your hand from the doorknob and turn to her, leaning on the wall to take a better look at Winter. 

“You’re nervous.” You state, smirking at the sight of her face growing red—the blonde girl, usually so collected… oh, how she hates to be caught. 

Most importantly, Minjeong hates how you can always see right through her. 

“Well no shit, Sherlock.” 

Walking towards her with small, unhurried steps, you sit right next to her, crossing your legs as you lean onto her.

“I can help you with that.” You whisper to her, staring at her mouth. “Do you trust me?”

Minjeong scrunches her nose but doesn’t move away. Her answer, however, comes immediately— not an ounce of hesitation coming from her mouth. “Not at all.”

“Good.” You cup her face. “Wise girl.”

Leaning in, you capture Minjeong’s lips in a messy kiss. Despite her fiery personality, she tastes sweet, and you savor the strawberry essence of her lip gloss. Kissing Minjeong is addictive, yet you can’t seem to get enough of her. You lick her lips and devour her until your lungs scream for air, and the two of you get off each other when there’s no air and you’re both left desperate and breathless. 

Minjeong’s blonde hair flows freely, her scrutinizing stare forgotten the moment the two of you got so close your breaths entwined. For a moment, you don’t do anything but stare at each other, as you look for any signs of what she’d like to do next. You’re nearly sure she’d tell you to get lost until she grabs your neck and pulls you close, kissing you for the second time. 

“You’re completely insufferable, Y/n.” She murmurs in between the kiss as her thumb brushes down your neck. Even though there’s a faint pressure, her touch is almost soothing, urging you down to your knees. “Now, do more.”

You’re more than eager to follow her wishes, urging her pants and underwear down in a swift motion. Minjeong’s pussy is so pretty, all pink, swollen, and glistening, and you lick your lips with anticipation. The blonde girl lies comfortably on the couch as she spreads her folds with two of her fingers— showing herself to your hungry gaze.

“How do I look right now, Y/n?” Her tone is drenched with mockery as you squeeze her thighs, drawing a shiver from her. Your hands trace tiny circles on her milky skin, and you choose to ignore her; too focused on her beautiful body on display for you. 

Minjeong’s free hand goes to grip your hair, annoyed by your lack of response. “Fine, then. Do you want to know how you look?” 

Her malicious smile, much different from her delicate features, is what makes you shiver at her concentration. Giving her thighs faint bites, you ask, “Enlighten me, Minjeong.” 

“Like a whore.” Her grip tightens and you can’t help but bite harder this time. “Hey! See, I’ve always said you’re just a cheap who—“

Minjeong is silenced by your warm tongue on her pussy, licking a big stripe of her sex, as you go all the way up to suck on her clit as well. Her high-pitched moans are like music to your ears, and you take turns sucking her sensitive bud and letting out some lewd, loud sounds as you nearly make out with her pussy. 

“Do you want my fingers, pretty girl?” You mumble, staring at her through your lashes. 

Minjeong looks like a painting, beautiful with her mouth half-opened and a thin cover of sweat covering her brows. She nods frantically, urging you even closer.

Greedy, that’s what she is.

“Yes, please.” It’s the first time you’ve ever seen use her manners, so you’re quick to comply. “Fuck, Y/n…” 

Two of your fingers enter her cunt without any resistance as you thrust hard and fast. She bucks her hips to add to the stimulation, and you’re graced with the glorious view of her abs, thankful she chose a tiny crop top for the day. You want to see her tits, too, but it’s not like you’re in any position to demand anything— not while Minjeong uses you as a toy, rocking onto your mouth as her moans grow louder and louder. 

You feel her walls tensing up, and her toes curl as she tells you, “Y/n, I’m going t—“

“Cum for me, Minjeongie.” You give her clit one last, harsh suck, as her breathing becomes even quicker. “That’s it, let go.”

Minjeong follows your commands, reaching her orgasm with a high-pitched moan as she squeezes your head in between her thighs. Her body trembles from the stimulation, and you keep your fingers inside her walls until she’s calmed down enough that her screams are reduced to heavy breaths. You lick her clean, then, careful to not touch her clit as you eat her out for a few other moments. 

What’s most surprising to you, though, is the delicacy in her touch as she urges you up, tasting herself on your lips. 

“Sweet.” She giggles, before grabbing your tank top and pushing you off her. Minjeong’s obsessed with oversized jeans, and her current ones look huge on her tiny waist as she takes her time with buttoning up. “I really needed that, Y/n. Thanks.”

You don’t bother to hide a cocky smile as you nod, shrugging. 

“You’re going own that fucking stage today, Minjeong. All of you.” It’s what they were born to do. There isn’t a slight possibility of them not doing their absolute best on stage.

“I know.” Minjeong looks around, bouncing back and forth with her hands on her jeans’ back pocket. After a pause, she adds, with a quiet tone, “You’re going to be there, right? At the front row. Recording and all. It’s one of the only things you’re useful for anyway.” 

You smile, understanding the hidden meaning behind her bored tone. “Of course, I will, dumbass. I’ll be there with you, as always.”

You’d always be there for your girls: cheering, supporting, or helping the band with anything they needed. 

Karina, Ningning, Giselle, and Minjeong were not sure of when you became such an important figure in their lives, but there was something they all agreed on: they’ve grown too fond of you now. It was impossible to let you go. 

Not that you had any intentions of leaving their side, anyway. 

[isetfiretomyself]

Yandere Male Boxer X Idol Reader (G/N)

I'm backkkk! This was a request so if anyone wants a specific Yandere or reader let me know! - Jay ＼⁠(⁠^⁠o⁠^⁠)⁠／

So I originally wrote Yandere Boxer with a PR Manager Reader but what if you were an Idol? 🙀

Trigger warnings! Violence, Implied creepy manager, drugging, jealousy, I tried to go a little harder on the Yandere part this time! This is all fictional I don't condone toxic behaviour irl!

🦷 Yandere Boxer still got a PR Manager but it wasn't you.

🦷 Yandere Boxer who was told to take a Collab with this shoe company or something... between you and me he was not listening

🦷 Yandere Boxer who really wasn't listening because why are there other celebrities!? This is going to such a drag...

🦷 Yandere Boxer who saw his shoe and...I mean it's okay. It wasn't really his style but everyone thinks he's edgy and all so it's nothing new.

What he didn't except was someone putting a very pretty and proper shoe next to his. "Excuse me? I'm sorry but" you fiddle with your fingers "can you sign this please?"

🦷 Yandere Boxer didn't even know who you were. You looked too pretty to be his fan. He signed it anyway not thinking much of it but he did clock you run off excitedly. That was the first time he smiled in awhile.

🦷 Yandere Boxer who cringed at his shoe adverts or posters, he hated it. This wasn't him but he saw your advertisements and it was like night and day. You were so comfortable Infront of the camera.

🦷 Yandere Boxer found out you were an Idol. Originally in a group but now is more known for your solo songs and modelling gigs. How on earth did an Idol like you become a fan of him!?

🦷 Yandere Boxer who was cooking when he got a call from his PR Manager.

There was a live going viral that mentioned him. Great, last time this happened a really boring match took place. He expected some B tier Boxer to be running his name through the mud, What he didn't expect is to be from you.

"Oh my goodness!" You squeal. "I think I'm allowed to talk about this now. You'll never guess who I met!" The chat was guessing everyone from other Idols to actors but was in shock when you showed Yandere Boxers signature. "Ah! I finally met him! He's just as tall in person, maybe a little hotter though." Yandere Boxer felt his face heat up, can you just say that about someone online!? Someone in chat said something about him being a thug. "Hey he is not! He was really sweet!"

🦷 Yandere Boxer who didn't know why you liked him so much!?

🦷 Yandere Boxer sent you a DM, he's never slid into someone's DM's before...how embarrassing.

🦷 Yandere Boxer who found out you used to do boxing while training. He didn't realise being an idol was so tuff. His face lit up thinking about being your favourite boxer.You were so sweet and friendly, you weren't like his other fans.

🦷 Yandere Boxer who's team meets your team. He saw the way your manager looks at you and he hates it. The desire to just punch his face in overwhelms Yandere Boxer.

🦷 Yandere Boxer who's got a little bit of a fake relationship going on with you for the cameras. He definitely is crushing on you though while you're blissful unaware of this new situation. Thinking you were simply gaining a new friend while being cuddly in public!

🦷 Yandere Boxer notices how you hold onto his arm or resting your head on him. It just feels like you want something, reassurance? Friendship? Maybe even love? (He's a little delusional)

🦷 Yandere Boxer DEFINITELY reads fanfic about you. Has ALL your merch as well, he's a mega fan!

🦷 Yandere Boxer who found out where your manager lives, I mean is it that hard? Like surely he realises that someone as big as Yandere Boxer was following him.

You get a call from your manager at night. It confused you but you still pick it up. "Hello?" "Y/N! I-I just wanted to apologise!" His voice was shaking ,it sounds like he's scared. "Apologies? I don't understand." "I think- I know! I know! I may have given you some inappropriate looks and that's unacceptable." He sounds terrified. "Is everything okay!? Have you been drinking?" You sat up properly, a little scared. "What!? Nonono everything's fine! Do you accept my apologies?" "Sure?" he hung up after that.

🦷 Yandere Boxer who listens to you talk about your weird call with your manager before he quit the next day.

🦷 Yandere Boxer listened acting like he didn't already know this. He knows more then you! He was the reason he was scared!

🦷 Yandere Boxer went around their home and beat the living daylights out of your pervy manger and made him apologise.

🦷 Yandere Boxer watched him make that call, listening to your angelic voice in the other end. He griped the hammer in one hand and the managers free hand in the other. Ready to smash his hand into mush. If a man's willing to look at you funny Yandere Boxer isn't risking him being about to touch you.

"Elijah...can I ask you something?" You look down at the cup you have. Who would of thought Yandere Boxer made such a good cup of tea? "Yeah of course,Anything." "You won't get mad?" Yandere Boxer almost laughs, he gently grips your knee. "Now why would I get mad?" "I..I don't know it's just you didn't seem upset by this? Maybe I haven't explained it properly but he sounded petrified! Then he just quite!" Yandere Boxer's face was blank before smiling slightly. "Listen I beat people up for a living. It's hard for me to get worried. It sounds like his guilty conscious got to him."

You knew your manager. He was a lot of things but self aware was not one. You even asked him not to make certain jokes and he thought you just didn't have enough sleep. How would he have magically realised he's a weirdo!? You had so many questions. You take a sip of the tea again "I suppose you're right... Finding a new manager is going to be a total pain in the neck." "Don't" "excuse me?" Yandere Boxer only really spoke when spoken to so him cutting you off was new. "Why?" You rub your eyes, all this stress is making you tired. "Just think about it. You've had a good career, why not quite while your ahead? You'll get publicity before retirement and then you can move on to more! Have more freedom!" You sip your tea again. "You're a very caring person Elijah but I love my job." You smile and yawn.

🦷 Yandere Boxer who just rubs his thumb over your knee, watching you get more tired over the minutes. The second you closed your eyes he pulled his hand away and went to put your cup in the sink.

He walks around his penthouses making sure all the windows were locked. He stopped getting to a specific door with multiple locks. He flawlessly put all the codes in. The room was large and it was a rather good replica of your room. He tried his best. He sat on the bed with his head in his hands.

🦷 Yandere Boxer needed to hype himself to lock you in there. What if this manger is worse? You won't quite . Deep down he knew you wouldn't but he wanted to try the easy way first.

🦷 Yandere Boxer gently placed you into the bed and tucked you in. He rolled his sleeves up, his dark skin complimented with tattoos.(including your initials because your full name it so public)

🦷 Yandere Boxer put a metal shackle on your ankle before letting you rest. It's okay! You'll get use to relaxing with time!

[fuckingmeteors]

I have tried to make a transcript of the Radio Adelaide interview! There are a few places where I'm not quite sure what they're saying (especially when they speak over each other), so if anyone is willing to take a look at it, I would gladly welcome corrections! (Also I hope the formatting isn't too shit. If it is, I apologize.)

[introduction]

Host/Interviewer:

I spoke with Dan and Phil, who are on their Terrible Influence tour at the moment. I think they’re in Sydney right now, even though I had to call them on the phone via England [laughter]. They’re gonna be on at the Adelaide Entertainment Centre next week, Monday the 16th of December. And these guys, they’re British Internet Youtube radio hosts, they’re critics of games, they’re book authors, Dan and Phil, they’re currently in Australia having their Terrible Influence tour which lands in Adelaide at the entertainment Centre next week and they’re attempting to “take back what the internet took from them”!

So, it’s allegedly a screamingly hilarious live stage show. I have no doubt that it is hilarious. They’re “older, gayer and Phil’s gone blonde” evidently, and nothing is off limits. Now I was brought to their, uh, to the attention of them by some younger folk, who asked me to ask them certain questions, throw some sort of slightly strange questions at them, and I haven’t got time to include all of those questions and also I had a call after the interview from one of the duo suggesting that “oh, you might get trolled if you ask a question like that and people misinterpret it”, because I was asking, uh… I believe they’ve become a couple, I’m not sure if they’ve gotten married, but they may have gotten married or they may just be, like, going steady, but they’re a terrific pair of comic lads, in the vein of Kenny Everett, sort of. They don’t have a TV show as such, they were both youtubers, which means that they had a little bit of youtube shows, and then they started guesting on each other’s show, and then they eventually started doing stuff together. Very interesting lads. And I just really want to play the interview now.

[interview starts playing]

Dan: And I’ve got a mullet now that I’m in Australia because apparently that’s what people do. (?) Australians have more fun and I wanted to appropriate a little bit of the culture while we’re here doing the show.

Phil: I think it’s more of a micro-mullet, Dan, though, you know, you haven’t gotten to full mullet, it’s more of a micro-mullet.

D: It’s a mullet without the T, it’s just a mull-è.

I: Mull-è hahaha, all right! Just with that sort of…

P: Yeah, without the T, yeah!

I: That sort of hard E at the end.

P: Yes.

I: How has your tour been going so far, gentlemen?

D: It’s been amazing to be in Australia, no offense, we loved having a great time in America, but we’re very happy to be in Australia. Although, I know it’s summer, why is it so hot? Nowhere on Earth should be this warm.

I: You haven’t reached Adelaide yet, have you?

D: No, God, don’t tell me it’s warmer!

I: Yes, Yes, we’re in the middle of a very dry, arid area, very isolated, a long way from anywhere, but there’s only about maybe thirty of forty tickets left at your gig here?

D: We’re happy for the people of Adelaide, they’re, you know, they’re out here, in that dry, arid desert, and there’s nothing to do but come to the Dan and Phil show, and we love them for that, they’re all making responsible financial decisions, so we’re very grateful for all the people that are coming to the show.

P: And if there’s forty people listening, come hang out with us, it’s gonna be a fun time!

D: Yeah, what else are you doing on that night?

P: We’re gonna be pumping the aircon out.

D: Yeah, just come to have somewhere cool to sit in the theatre, you know what I mean?

I: Are you collecting things from your hangouts that you’re gonna discuss at the next show? Like before a show, if people hang out with you, give you a piece of art, or a little letter, a note, something like that, do you then discuss it in front of the (?)

D: Oh, a big trendy thing these days, yeah Taylor Swift had started this trend of the bracelets that people, that have things on (?), so people would make these bracelets that say “Dan” or “Phil” in beads, and the other day someone gave me a bracelet that said “vegemite" on it.

I: Hahaha

D: And I was like “what the heck?” and they said, “you don’t understand, this is incredibly culturally important, so I was like “okay, thank you, I will cherish the vegemite bracelet”.

P: I got one that said “koala daddy”, I’m not sure what that meant, but (?)

D: (?)

I: Koala daddy?

P: Yep, I think that’s what they were calling me!

I: Have you actually dipped your tongue into any vegemite as yet?

P: Uh, I would have to say it was one of the most horrific experiences of my life, I’m sorry! [Dan laughter in the background]

D: What, Phil, you don’t like a yeast-based condiment?

P: No.

D: How dare you?

P: Dan loved it, though. (?)

D: I’m just a yeasty kind of guy.

I: Yeah, it’s kind of up there with marmite, isn’t it?

D: It is, but I only eat sweet things, so I couldn’t handle it, but Dan was eating a second portion of toast this morning, and loved it.

I: Yeah, it’s good for you!

P: And last time we were in Adelaide we did a vlog where we explored the town, didn’t we? We got Tim Tams, we did a Tim Tam Slam.

D: Yeah. The national sport.

I: The national sport, sucking coffee through a Tim Tam.

D: Yeah, yeah.

P: I can get down with that.

I: Oh yeah, it’s a lot of fun to do! You realise that our Premier is the one who started the ball rolling with the social media ban for under sixteen-year-olds? You’re lucky that you’re here now at this stage of your career rather than at the beginning of your career, because there’s a lot of young people who have grown with you, who will be able to come and see your show!

D: Yeah, absolutely.

I: Are you relying on them sort of moving forward with you?

D: People have been with us for a long time and people tell us some things that are very disturbing.

P: Yeah, we’ve had some people meet us that are like, “I’ve watched you ten years ago, still watching you now, and I’ve got a whole child now!” and it’s like, what, what is happening!

I: Hahaha!

P: Time isn’t real!

I: It’s kind of a historic moment, you’re probably the first English lads to have linked in to youtube, and the Internet, and gone off the way that you have.

D: Nah(?), we were just… well, we come from an early generation, Phil has been doing it for so long that you couldn’t even make a career off youtube yet, there was no monetization, he was just doing it out of boredom, that’s how terrifying it is.

P: Yeah, I’m a youtube dinosaur, so yeah, I think definitely(?) I was one of the first ones to do it, but it’s crazy that we’re still doing it now, 15 years later.

I: It’s basically become a career for you, hasn’t it?

D: Absolutely, and none of it was planned, it’s been a constant runaway train since day one, and the emergency brake stopped a long time ago.

I: What kind of experiences are you getting to have in your down time while you’re in Australia this time around?

D: Well, I wanted to go to the beach, and then Phil said there’s a high chance you’re gonna get eaten by a shark, and I was like, “a high chance? I don’t know about that” and then we asked a guy and he was like “oh no, they’re out there, I see them every week”; so… [laughter]

P: I am hoping to look into the eyes of a wombat and have an emotional connection.

D: A  Deep spiritual moment? Okay.

P: My favourite animal.

I: A wombat?

P: Yeah, I love a wombat!

D: Underrated.

I: Do you like the hairy-nosed wombat, or just the plain old brown one?

P: I’m not sure of the difference, maybe I should find that out, maybe that’s gonna be my quest.

D: (?) Make a decision.

I: Yeah, if you come face to face or nose to nose with a hairy-nosed wombat, he’s more likely to roll over and let you cuddle his tummy. The other ones have got a (?) and they’re a little bit more aggressive.

D: Okay. Sounds like me.

I: [laughter]. Have the audiences been laughing at all the right spots so far?

D: Definitely, and they’ve been laughing at all the inappropriate spots where they’re not supposed to, as well. But we’ll take it. You either have an audience that laughs all the time even at the inappropriate moments, or a quiet one. And I don’t want a quiet one.

P: Also, a good thing about our show is that we kind of give everyone a recap of everything that’s happened in the last fifteen years, so if you’re like, “oh, I used to watch Dan and Phil a while ago”, you can still come along and you’ll get right up to speed.

D: Oh, we know that people are dragging their husbands, their mothers, their older sisters to the show, and these people are like, “what the heck is going on?”, so don’t worry, we cover the base.

I: Sounds good to me! I hope you have a fantastic time in Adelaide, and you continue to enjoy yourselves.

D: Thank you!

I: Ride the wave, don’t worry about sharks.

P: Excellent, well, yeah, we’re looking forward to it. Thanks, nice to speak to you!

I: You too, cheers lads! Dan and Phil…

P: Cheers!

D: Bye!

I: They’ll be at the Adelaide Entertainment Centre next Monday, uh, coming. On the 16th. So, if you are keen to see them do their thing live on stage, go and join the masses that have already bought their tickets, get in while you can.

[biblical-chronicles]

Locked out

____________________________________________

where you lock yourself out of your hotel room and end up in Noel's.

[18+ !!!] [enemies to lovers]

____________________________________________

The job had its perks. Traveling the world, working with some of the biggest gigs, free booze—Oasis had money to burn, after all. But there was one massive, massive downside.

Noel fucking Gallagher.

It wasn’t just that he was a sarcastic, self-important, grumpy bastard (which he absolutely was). It wasn’t even that he always had some smart-arse comment locked and loaded, ready to wind you up. It was the fact that he seemed to enjoy it, like taking the piss out of you was a personal hobby.

The lads had clocked it ages ago.

"How old are you two, seriously?" Guigs had said just the other night, shaking his head as you and Noel argued over god knows what. "You’re worse than me Nan and Grandad, swear down."

"Yeah, the sexual tension’s killin’ me," Bonehead had added, smirking as he took a drag from his cigarette.

Noel had scoffed, shaking his head. "Fucking hell, mate. I’d sooner shag the local nitty than deal with this one."

You flipped him off, unfazed. "Oh, yeah? I bet the nitty would be the one having to get tested after that, dickhead."

It was constant, this back-and-forth, from the moment you woke up to the second you clocked out. Noel loved to threaten to fire you at least once a day, always with the same lazy reasoning.

"Should’ve sacked you ages ago," he’d mutter, watching you tune his guitar before a gig. "Only reason you’re still ‘ere is ‘cause I can’t be arsed teachin’ some other muppet how I like it."

"Yeah, yeah," you’d reply, never looking up. "Don’t do me any favors, Gallagher."

And so it went.

Now, though, none of that mattered. Not the bickering, not the jabs. Because right now? You were stood in the dimly lit hotel lobby, staring at a handwritten sign that might as well have been a death sentence.

"LOBBY CLOSED. OPERATING HOURS: 6 AM - 12 PM."

"Fucking great," you muttered, running a hand down your face.

It had been a long day, and all you wanted was a shower, a bed, and maybe a few hours of peace before having to deal with Noel’s bullshit all over again tomorrow. But no, instead, you had to stand here like a mug because somehow, in your exhaustion, you’d managed to lock yourself out of your room.

Just as you were debating whether you could break into your own room with sheer willpower alone, the sound of footsteps echoed through the lobby.

And just like fucking clockwork—

"Eh?"

You knew that voice.

"Did you get lost, or what?"

You shut your eyes for a brief moment, praying for strength, then turned to see Noel strolling in through the revolving door.

He was still dressed from wherever the fuck he’d been; jeans, adidas trainers, a zip-up jacket with the collar popped just enough to make him look like he was about to sell you dodgy gear in a car park.

You gritted your teeth. "Fuck off, Noel."

His smirk widened, slow and knowing. "Ohh, someone’s touchy."

You turned back to the desk, hoping he’d get bored and leave. No such luck. He sauntered up beside you, eyes flicking to the sign before back to you.

Realization dawned, and then he just laughed.

"No." He pointed at you, shaking his head like he couldn’t believe��his luck. "No fuckin’ way. You locked yourself out, didn’t you?"

You glared at him, crossing your arms. "No."

He raised an eyebrow, amused.

You exhaled sharply. "Okay, maybe, and no one is even here! How is a lobby not 24/7?"

"And you didn’t take your key, and you didn’t check the sign first," he said, as if reading from a list of your stupid decisions. "Jesus Christ, love. That’s incredible."

You scowled. "Piss off."

Noel, clearly enjoying himself, leaned against the counter, eyes twinkling with pure delight. "Me? Oh, nah. I think I’ll stick around, actually. This is too fuckin’ good."

You groaned. "Go to bed, Noel."

"Bed?" He feigned a yawn, stretching his arms dramatically. "Oh, yeah. That’s right. I can go to bed. Because I have access to me own fuckin’ room."

You clenched your fists. "I have a backstage pass. I’ll just sleep in the tour bus."

Noel snorted. "Yeah? Or on one of them couches over there?" He gestured vaguely to the dimly lit lobby seating area. "Might be comfy, if no one nicks your shite first."

You stilled.

He grinned. "Ohh, right. Didn’t think about that, did ya?"

You huffed. "Fuck."

Noel pressed a hand to his chest in mock sympathy. "Tragic, really." Then, after a beat, "... Guess you’re stuck here then."

You gave him a flat look. "Guess so."

He smirked, clearly waiting for you to crack.

Which is why it pained you—physically—when you exhaled and muttered, "Or… I could stay in yours. Just ‘til the desk opens."

Noel blinked. "Oh?"

You clenched your jaw. "So no one nicks me shite."

His smirk returned, slow and victorious. "Yeah, yeah. ‘Course. Wouldn’t want anyone robbin’ your precious little pass, would we?"

You resisted the urge to deck him.

"Alright then," he said, turning toward the lifts, his voice filled with pure satisfaction. "C’mon, roomie."

You glared at his back as you followed him down the corridors.

Noel shut the door behind him and turned to face you, arms crossed, an insufferable smirk plastered across his face.

"Well, well," he said, leaning back against the door. "Never thought I’d see the day you begged to stay in me room."

You scoffed, rolling your eyes as you dropped your bag by the chair. "Begged? Fuck off, Noel. I suggested it ‘cause I had no choice."

He clicked his tongue, shaking his head. "Ahh, see, that’s where you’re wrong, love. You had a choice." He gestured vaguely toward the lobby. "Could’ve stayed down there, kept them couches company."

"And let some knobhead nick me pass? Yeah, right." You crossed your arms. "This is just survival, mate. Has nothing to do with you."

His smirk widened. "Yeah? Then why’re you lookin’ at me like that?"

You blinked. "Like what?"

Noel tilted his head, eyes sweeping over you, unreadable. "Like you wanna throttle me."

You huffed, exasperated. "That’s just me natural state when you’re around, Gallagher."

"Ahh." He grinned. "See, I knew you liked me."

You let out a sharp laugh. "Like you? Jesus, Noel, I wouldn’t piss on you if you were on fire."

His grin didn’t falter. In fact, it only grew.

"Yeah? Funny," he mused, stepping closer, voice low, lazy. "‘Cause you’re still ‘ere, ain’t ya?"

You swallowed but held your ground. "I don’t have a room, Noel."

He hummed, nodding slowly. "Right, yeah. That’s why you’re ‘ere. Not ‘cause you wanna get me alone, see what all the fuss is about."

You scoffed, shaking your head. "You are so full of yourself."

He gave you a slow once-over, something dark and knowing flickering in his gaze. "Yeah?"

You inhaled sharply, blood running hot. "Fuck you."

Noel’s smirk twitched—almost like he’d been waiting for you to say that.

"Ohh, wouldn’t you like that?"

The air shifted.

You were on him before you could think, hands grabbing at his shirt, pulling him down, crashing your mouth against his.

Noel barely had a second to react before he was pushing back, hands gripping your waist, shoving you up against the nearest wall. The impact sent a lamp wobbling on the bedside table, the dull thud of your back against the wall swallowed by the sound of both your ragged breaths.

His lips were warm, rough, demanding. His fingers dug into your waist, like he needed to anchor himself.

You bit his bottom lip, hard, just to be a dickhead.

Noel groaned against your mouth, grip tightening. "Oh, you wanna play it like that, do ya?"

Before you could smirk, he grabbed your wrists and pinned them against the wall, pressing in, chest flush against yours.

You yanked a hand free, fingers tangling in his hair, tugging just to make him groan—and when he did, when his breath stuttered, you felt it everywhere.

"Jesus Christ," he muttered against your lips.

You smirked. "What’s wrong, Gallagher?" you breathed, voice teasing, drunk on the power shift. "Thought you could handle me?"

Noel laughed. "Oh, sweetheart," he murmured, lips grazing your jaw, "I could ruin you."

Your stomach dropped.

You clenched your jaw. "Yeah?"

"Yeah."

Your grip tightened in his hair again, yanking his head back just enough to make him hiss. His smirk didn’t falter, though—if anything, it widened, smug and infuriating.

"You arrogant twat," you breathed, dragging your nails down the back of his neck. "Think you’re some fuckin’ god, don’t ya?"

Noel chuckled—dark, low. "Please, love," he murmured, voice dripping with mockery. "You’ve been gaggin’ for this since the day we met. Don’t pretend otherwise."

Your teeth gritted. "You’re deluded."

"Yeah?" He stepped closer, the heat of him pressing against you, trapping you between his body and the wall. "Then why ain’t you pushin’ me away?"

Your fingers curled into the fabric of his shirt before you even realized it, and that was all it took.

One second, you were glaring up at him, seething, and the next—you were airborne.

A breathless gasp tore from your throat as he threw you onto the bed, the mattress dipping beneath the sudden force of your body. Before you could even scramble upright, he was on you—knees bracketing your hips, hands gripping your wrists, pressing them into the sheets.

"You bastard—"

A sharp smack landed on your thigh, jolting you, heat blooming where his palm connected.

You froze.

Noel grinned. "What was that, sweetheart?"

Your breathing was uneven, chest rising and falling rapidly beneath him. You hated the way your body betrayed you—the way your back arched, the way your thighs instinctively clenched together at the sting of his hand.

He noticed.

Of course he noticed.

His smirk deepened. "Ohhh, that’s what you like, is it?" Another sharp slap—same spot, same deliberate pressure, just enough to make you jolt. "That why you’ve been windin’ me up all this time? Hopin’ I’d do this?"

You bit back a gasp as his teeth grazed your jaw, lips teasing over the heated skin just below your ear, fingers tightening where he held you down.

"You gonna let me go, or you just gonna sit here runnin’ your gob all night?" you shot back, arching up slightly beneath him, trying to gain some kind of control back.

Noel laughed, a little breathless. "Oh, you love this, don’t ya?" His hands shifted, releasing your wrists just to drag down your arms, over your waist, gripping your hips hard. "All that fight, all that fuckin’ attitude—"

"You love it," you shot back, daring.

Something snapped behind his eyes.

Before you could say another word, his mouth crashed against yours again.

It was all teeth, all tension, years of resentment and frustration and something else entirely spilling out between you.

You clawed at him in return, nails dragging up his back, yanking at his hair, swallowing the groan that tore from his throat.

"Still wanna tell me to fuck off, love?" Noel rasped against your lips, breath uneven.

Your fingers fisted in his shirt, pulling him back down. "Shut up." you muttered, crashing your mouth against his again.

He barely hesitated before paying you back, fisting a hand into your hair and pulling your head back, exposing the curve of your throat. His mouth was on you in an instant, hot and open, biting down just enough to make you gasp.

"Fuckin’ knew it," he muttered, voice thick with something triumphant. "Knew you’d be like this—mouthy little thing until you’re under me."

"And yet again, shut it." you snapped, even as your back arched, chasing the feel of him.

He laughed, breathless and sharp, his free hand sliding down to your thigh, gripping hard. Without warning, he flipped you onto your stomach, pressing you down against the mattress with the weight of him. You let out a sound somewhere between frustration and something else entirely, but any protest died in your throat when his hand slapped against your arse, the sting shooting straight through you.

"That shut you up quick, didn’t it?" he murmured, lips ghosting over the shell of your ear.

You tried to glare at him over your shoulder, but the effect was ruined by the way your breath hitched when he did it again, the sharp slap sending heat curling low in your stomach.

"Say it," he taunted, his grip tightening on your hip. "Say you want me."

You clenched your jaw, refusing to give him the satisfaction.

But Noel was nothing if not persistent. His hand slid lower, teasing, just enough to make you squirm beneath him. His teeth grazed your shoulder, his breath warm against your skin. "C’mon, sweetheart. We both know you do."

Your pride was a stubborn thing, but your body was a traitor.

You turned your head just enough to meet his gaze, eyes dark with something heady and reckless. "Go on, then," you breathed. "Do your worst."

His fingers dug into your hips as he dragged you back against him, his grip bruising, possessive. You barely had a moment to catch your breath before his teeth found your shoulder again, biting down just enough to make you jolt beneath him. He groaned at the way you twitched, how your body betrayed that last shred of resistance you were so desperately clinging to.

"That’s more like it," he muttered against your skin, his voice thick with amusement. "Knew you just needed someone to put you in your place."

You scoffed, even as your breath came quicker. "You think that’s you?"

He laughed. "Oh, love," he murmured, dragging his mouth up the side of your neck, "I know it is."

His hands slid lower, mapping the shape of you, fingers pressing into every curve like he wanted to commit it to memory. He moved with a slow, deliberate kind of cruelty, reveling in every shudder, every little sound you didn’t mean to make. You clenched your jaw, still stubborn, but it only made him smirk against your skin.

"Still holding out on me?" he whispered, lips brushing your ear. "Let’s see how long that lasts."

Then his hands gripped tighter, and he moved—a slow, devastating roll of his hips that had you sucking in a sharp breath. You felt the shape of him pressed firmly against you, the sheer heat of him burning through the layers between you both.

And then, just to be cruel, he stilled.

You let out an involuntary sound of frustration, which only made his grin widen. "Oh, what’s that?" he teased, rolling his hips just slightly, barely giving you anything. "Getting impatient, are we?"

You gritted your teeth, refusing to play into it.

His breath ghosted over your ear, smug and infuriating. "You wanna try that again, sweetheart?" His hand slid down, teasing at the edge of your waistband, making heat curl low in your stomach. "Or am I gonna have to make you say it?"

You swallowed hard, every nerve in your body alive, burning with the heat of him. Your pride screamed at you to hold out just a little longer, to refuse him one last time.

But then he rocked against you again, the friction sending sparks up your spine, and every ounce of stubbornness melted right out of you.

"Fuck," you muttered, barely more than a breath. "Please."

Noel chuckled, dragging his lips over your shoulder. "There she is."

The moment that single word fell from your lips, his control snapped. His fingers curled into the waistband of your clothes, yanking them down with a rough impatience that sent a shiver racing through you. His trousers quickly followed, ending up in a pile on the floor.

A sharp gasp tore from your throat as he pressed against you again, now with nothing between you. The heat of him, how hard he already was, it made your stomach twist in anticipation. But instead of giving you what you were desperate for, he dragged the moment out, hands roaming over your bare skin, taking his time.

"You feel that?" he murmured, rolling his hips just enough for you to feel the full length of him pressing against you, the slow friction making your breath catch. "That’s what you’ve been fighting, sweetheart. Tell me—was it worth it?"

You barely had time to shudder before he reached back, guiding himself against you, teasing, just barely pressing in before retreating again.

You shifted, pushing back against him, but his grip tightened immediately, holding you in place. "Ah, ah," he taunted, fingers still digging into your hips. "You finally beg for it, and now you think you’re in charge?"

You opened your mouth to snap something back—maybe something sharp, maybe something desperate, you weren’t even sure—but before you could, he thrust inside you in one smooth, deep motion.

The air left your lungs in a sharp, broken gasp.

"There you go." he muttered, his voice a little rougher now.

He barely gave you a moment to adjust before he set a brutal pace, dragging out only to slam back in, the force of it driving you further into the mattress. The sounds of skin against skin, breathless, ragged gasps, and the creak of the bed quickly were the only things filling the space between you.

You fisted the sheets, struggling to hold onto even a shred of composure, but Noel was relentless. His fingers curled around your jaw, tilting your head back slightly. "Listen to yourself" he murmured, lips brushing your ear. "Tried so hard to act like you didn’t want this. And now you’re dripping for me."

The humiliation only made the heat in your belly coil tighter.

As if sensing it, Noel let out a low chuckle. "You like that, don’t you?" He drove into you harder, just to hear the little choked noise that escaped your throat. "Fuck, you’re taking me so well."

His other hand slid between your bodies, fingers finding that sensitive spot between your legs. The second he touched you, you clenched harder around him, and Noel groaned, sending a fresh wave of arousal crashing through you.

"Shit," Noel rasped, his pace stuttering for half a second before he caught himself. "Filthy fuckin’ thing, aren’t you?"

His grip on your hips was bruising, each snap of his hips knocking you further into the mattress, dragging another broken sound from your throat. You couldn’t even think, couldn’t do anything but take it, your body molded to his will, wrecked under the sheer force of him.

And he knew it.

"Where’s all that attitude now, huh?" His voice was tinged with mockery, as his hand smoothed up the curve of your spine, just for a moment, just long enough to make you think he might show some mercy.

Then he fisted his hand into your hair and yanked.

A sharp gasp ripped from your lips as your head was wrenched back, the burn at your scalp sending a jolt straight through you. Your back arched instinctively, pressing you closer against him, the new angle making you whimper.

"That’s more like it," Noel murmured, his grip in your hair tightening as he used it to pull you back against him, making you feel every inch of him sinking even deeper.

His other hand slid up your throat, fingers pressing just enough to make your pulse hammer under his touch.

"You like when I handle you like this, don’t you?" he muttered, voice a low rasp against your ear.

He loosened his grip on your throat just enough for you to speak, but your words failed you. All you could do was let out a broken, pleading sound.

Noel groaned, his fingers flexing around your throat like he felt the way you clenched around him. "Fuck, you’re gonna make me come just with these sweet desperate moans love."

He wrenched your head back a bit further, forcing your spine into a deeper arch, forcing you to take him exactly how he wanted. Every thrust was rough, deliberate, his hips slamming against you hard enough to bruise. Your body had no choice but to follow, every nerve ending alight, a coil of unbearable tension winding tighter and tighter in your core.

"No more remarks? No more telling me to fuck off?" he taunted, breath hot against your cheek.

Your fingers scrambled for purchase against the sheets, your mind a haze of pleasure and frustration. You wanted to say something, wanted to bite back just to spite him, but he was wrecking you, and you could barely form a single coherent thought.

So instead, you just whimpered his name.

"Fuck, that’s it," he rasped, voice wrecked. "You gonna come for me, sweetheart? You gonna fall apart just like this, with my cock buried inside you?"

His fingers dipped lower again, rubbing against your clit in tight, unrelenting circles, the pace of his thrusts turning ragged, desperate. The coil inside you twisted tighter, pleasure crashing over you in waves until you could barely breathe.

"You close?" he taunted, yanking your head back again, making sure you felt every single inch of him. "I can feel it, sweetheart, feel you gripping me so fuckin’ tight. Just let go. Come for me."

Your body locked up, pleasure blinding, white-hot and overwhelming as it crashed over you in wave after wave. You were dimly aware of your own broken cries, of the way your walls clenched around him like a vice, but nothing existed beyond the pure bliss of it.

Noel groaned, voice strangled, as he fucked you through it, dragging out every last shudder, his pace turning frantic. His grip on your hair tightened, his hips slamming against yours one last time before he buried himself deep with a low, wrecked curse.

For a moment, the only sound in the room was the sharp, uneven rhythm of your breathing.

Noel was still draped over you, his weight grounding, his skin hot where it pressed against yours. Neither of you moved. Neither of you spoke. It was like neither of you wanted to be the first to break whatever fragile thing had settled between you.

Eventually, he exhaled, a deep, satisfied sound, before rolling onto his side, taking you with him. His arm hooked around your waist, pulling you flush against him, his chest rising and falling against your back.

"Well," he murmured, voice hoarse, teasing, but softer than before. "That wasn't so bad, was it?"

You huffed a breath, still too dazed to formulate a proper response. He felt the way you relaxed against him, how you didn’t immediately shove him away.

A quiet beat passed before he spoke again, voice low but sincere.

"Didn’t think you’d actually let me touch you like that."

You hesitated, your fingers idly tracing over his forearm where it rested against your stomach. "Didn’t think I’d want you to," you admitted.

He made a sound—half amusement, half something thoughtful. "And now?"

You swallowed, feeling the weight of the question.

There was no point in denying it, not now.

"I do want you to now, but you’re still a mug." you muttered.

Noel chuckled, low and lazy, nuzzling his nose against the curve of your shoulder.

You turned slightly in his hold, just enough to meet his gaze. He was already watching you, eyes half-lidded.

"Maybe we should stop pretending we hate each other," you said, voice softer now, more thoughtful.

Noel’s lips twitched, amusement flickering in his gaze. "Oh, love," he murmured, brushing a strand of hair from your face, fingers lingering at your cheek. "I never hated you."

Your heart stumbled.

He let the words settle, his thumb grazing the curve of your jaw, before he smirked. "Just really, really wanted to shut you up."

You rolled your eyes, but the bite was gone, replaced by something warm. "And what do you want now?"

His expression turned serious—just for a second. Then, he tugged you closer, pressing his mouth against yours, slow and lingering.

"You," he murmured against your lips. "Think I always have."

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oh who doesn't love some slight enemies to lovers, thanks to whoever suggested this xx