#the ones I personally reread the most are:

[eddiethebrave]

secret admirer part twenty-five

1043 words

one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty twenty-one twenty-two twenty-three twenty-four

That morning…

Eddie it really sucks that you’re the only you  other than the fact that two eddies would be amazing on it’s own, i realized that you don’t know how it feels to have your attention it’s so intense dude you’re so intense in the best way, of course i can only hope that i get to experience that feeling more in the future maybe in the present, too p.s. i got your book again yesterday, here’s hoping second time’s the charm -H

Yesterday, Eddie thinks, he should have been more present and paid attention to what H’s note said. He’d sort of gone into tunnel vision when he’d been - however jokingly - accused of not understanding one of his books. It kind of made him wish for the first time that he could talk back. He’d contemplated just walking up to Hagan during lunch, but decided not to. He wouldn’t want to make anyone suspicious of the guy, no matter how much of an asshole he tends to be to everyone else. Eddie just isn’t that kind of person. 

The audacity of a jock who’s admitted to only reading books for school - and for Eddie - to allege that Eddie needs to read a book more than once in order to understand it. 

Has he read all of his favorite books more than once? Yes, but that’s only because they’re his favorites!

And does he notice something new nearly every reread? Also yes, but he chooses to believe that’s what Tolkien intended. It’s like a scavenger hunt of foreshadowing and little things to get excited about even when you know the ending. 

Anyway, Eddie is decidedly less preoccupied today and he’s been wondering what book H is reading.

His curiosity leads him to venture into the school’s library before he heads to the lunchroom. 

He tries to recall which books he’d checked out the last couple of months. Once he’s compiled his mental list, he tracks them down one by one. Eddie checks the card that’s in a pocket inside the front cover of each book on the off chance that Hagan’s name is logged on any of them - it’s not. 

Eddie does find it interesting, though, to see a pattern in a few of the names he does see. Those that pop up multiple times are mostly people he recognizes from Hellfire.

He slowly eliminates each book until he’s left with one that’s not on the shelf. The Return of The King. The last book in the The Lord of the Rings series. 

Most staff - like the students - at Hawkins High aren’t very happy when they see Eddie ‘The Freak’ Munson approaching them. The school librarian isn’t one of them, though. Eddie’s been traipsing through this library for the better part of four years. 

Before he’d procured his prickly personality and style as a defense mechanism to the hostile environment of high school in rural Indiana, Eddie found shelter among the creaky furniture, shelves lined with books, and Ms. Hewitt.

She’s seen his sorry face more times than you can count and has always greeted him with a smile. Today is no different. 

He asks her about The Return of the King.

“Someone beat ya’ to it. Nice young man, he was.”

And while Eddie wouldn’t necessarily refer to Tommy Hagan as nice, he would for H. 

Eddie thanks and bids her farewell and then he’s off to lunch. 

He’s still having trouble conflating Hagan and his better half as the same person. 

So, H read the last book of an already complicated series without any backstory. No wonder he was so fucking confused. Eddie laughs to himself just imagining it. Against his better judgment, he’s hopelessly endeared. 

He’s late to lunch, but it’s not as if he was planning on paying for what the school thinks passes for food, anyway. 

When he takes his seat at the head of the table, Jeff places an apple from his homemade meal in front of him without even looking his way or pausing his debate with Gareth (the freshman who’d flipped Eddie’s world upside down by unknowingly revealing H’s identity as the one and only Tommy fucking Hagan).

Eddie absentmindedly munches on the fruit as he takes up his usual lunchtime hobby of gazing at a certain jock’s table. He finds it sort of odd when Harrington - Steve - forces Hagan to play musical chairs or some shit, but Eddie’s not intrigued enough to care, really. He does catch sight of Hagan’s red face and clenched jaw, though. If he didn’t know any better, he’d think the guy was pissed. 

The change of seats provides Eddie with something more worthwhile to look at, so he’s not complaining. Steve seems in high spirits, and Eddie feels his own mood brighten in return.

When their shared elective comes along, Eddie finds himself jittery as he awaits the boy’s arrival. It makes him feel sort of silly, but not enough to lessen the excitement when Steve finally arrives.

The jock takes his seat between Eddie and Carol and turns to greet the latter.

“Carol, Robin.”

“Steve,” the girls say simultaneously without looking in his direction at all. Eddie doesn’t pretend to know what’s going on there, and he honestly doesn’t want to.

Steve then turns to his left to face Eddie, and the last thing he needs is to be limited to the same dry conversation - if you could even call it that - so he cuts him off once he starts.

“Ed-”

“Steven Harold Harrington III. How now?” Eddie has never been the best at English accents, but he figures it gets the point across just fine.

Steve’s face splits into a grin before he forces his expression into a stoic one. He continues to adopt the most heinous English accent Eddie has ever heard - including his own. “That’s His Majesty Steven Harold Harrington III to you, Edwin,” he says snottily.

Eddie can’t help but break into his own grin. Never mind the fact that Eddie’s name isn’t fucking Edwin, but Edward. Few people embrace his antics, let alone engage in them. 

Eddie is so gone on this boy. He was kidding himself thinking he could stay away. 

Steve Harrington might just be the end of him.

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[lynaferns]

[Ramble about personal opinion incoming]

Ok, these results compared to the other poll I made makes me wonder why are we using so much the y/n format.

According to the previous poll (with 991 votes) most people don't read y/n as a reader insert but as an OC of the author. And according to this poll most authors (from the people who voted this (and if we ignore the "Depends" option)) use the y/n format.

It's just- idk. It's funny how there are so many fics written in a y/n format and so many readers that don't even use the y/n for its purpose.

Y/n can be read as both an insert and an OC, which is cool for people who may not vibe with one of the options (and I guess it kinda helps the author too when they want a MC for their story but don't want to spend time designing them, or want to selfinsert but don't want to give too many details about their appearance). But I still feel like the readers who would prefer an OC as the MC are left short. I find it more engaging to read a main character with features and a name than a nameless grey blob.

I'm not saying we should get rid of y/n, at all (if that's the conclusion you got from this, reread the first half of the previous text), but I think more authors should try making an actual OC or selfinsert for the MC role for their fic(s). It kinda puts you in a different perspective of how to write your MC because this time you are writing a character with an appearance.

It's pretty different writing descriptions and dialogue that avoids mentioning any specific details about your characters appearance, gender, style... from writing those details your character has.

In my case I do prefer to read and write about an OC than a y/n. Y/n's are... more forgettable? to me at least. When I think about a fic that uses y/n I can see the rest of the characters perfectly but y/n is just a big blurred spot in the picture, like they are there but they are not there at the same time.

Since I made a poll asking readers, here is one asking fanfic writers.

When you are going to put a main character in your story, what do you prefer using?

(Again, be respectful to others if you are going to give your opinion on the topic)

Personally I just insert myself, it's just easier for me to write an aspect of my personality lol. Except when I can't imagine myself in the story.

In those cases I've tried making a Y/N, but I'm unable to make a grey featureless character interesting or fun to write/draw about, so I gave them some features for my own shake... And I was thinking of just making them straight up OCs at this point.

Idk, I like the concept of Y/N in the theory, but in the practice it doesn't quite work for... Almost anyone. Many use them for the intended purpose but most don't, most people visualize Y/N as some guy or the authors OC with no physical description. I find it curious.

[ameriatenebrae]

Updated version

Why was Bellamort always canon

Delphini Riddle;

I actually don’t believe Delphini was born in 1998. I think it was in 97.

The reason is that in the books, Bellatrix is absent from the entire book. (Except that event in Spinner’s End, which happened in the summer-autumn of 96 and after that we see Bellatrix at the Death Eater meeting, which happens in July 97 but that's in the Deathly Hallows).

That means Bellatrix was absent for at least nine or ten months in that book. You think that’s just a coincidence? And where was she?

In my opinion, after rereading the books for I don't know how many times now (xD) she was glued to LV, who was in my opinion, fully aware of her pregnancy. And since he was traumatized by his mother dying in childbirth (which is also implied in the books), it also makes sense that he wanted her by his side. Another thing is that he certainly didn’t want anyone to see her pregnant. Because I think the death eaters were aware of something going on between them two and LV didn’t want anyone to know that Bellatrix is, indeed, pregnant with his child.

Bella wasn’t there, when Dumbledore was killed. Which I consider strange, because if you like it or not, Bellatrix was a very powerful witch and the highest ranking death eater, considering Lucius failing LV over and over. And no, Snape wasn't the highest ranking either, since LV didn't trust him 100%. LV sent Peter Pettigrew to Spinner's End so he and Snape could spy on each other basically (xD, very mindful, Tom, very demure). (And do you know why? Because Bellatrix had been telling Tom constantly that she doesn’t trust Snape, it seemed like LV ignored her opinion but I think he rethought it and sent PP there just to be sure.)

So why on earth ?! From a strategical point of view, it doesn’t make sense for Bellatrix not to be there?! And LV was aware of that so it must’ve been his meant decision to not send her there.

Just think… It had to be something really, really important… She would’ve been there if it wasn’t.

Delphini could be born in May – June 97. (It would be actually ironic, if she was born the same day Dumbledore died, 30th June 1997… Just a thought!)

Bellamort;

Secondly, I know it’s hard for some people to accept this, but Voldemort did CARE… He maybe didn’t love her or maybe he did, in his own twisted way, because we aren’t talking about fairytale love with these two. But he certainly wasn’t ignorant towards her. (opposite of love). It was unhealthy and toxic but at the same time they were kindred spirits who just accepted each other and even tho LV would never say it out loud, they also needed each other.

“But hE TrEaTeD hER BaDLy”

When exactly did Lord Voldemort treat Bellatrix badly? I can’t recall one time he was harsher to her than to other death eaters. And if you want to bring up that scene at Malfoy Manor, when he humiliated her and the Malfoys. You're right, he did, he enjoyed humiliating people. And yet, he took the shame from her in the next few sentances and focused solely on the Malfoys, because Lucius failed the Ministy mission, not Bellatrix. And he even made it up to her in the next paragraph. He didn't have a reason to be mad at her.

He actually treated her with the most respect he could.

He never punished her badly. Not so harshly like the Malfoys. She is described as unharmed after that fiasco at Malfoy Manor. And what’s more, she is by LVs side in public shortly after, whereas the Malfoys are home prisoned and I think Lucius might've been tortured even. He personally trained her, put his energy and time into her, because he saw potential in her. He saw her madness as a source for her powerful dark magic, not something she should suppress, that’s also why she was so devoted to him. Because he was the only person who respected her for who she was. Because in the end, they were both just two extremly broken souls (pun intended).

Further:

He was the happiest he had been in 14 years when she escaped from Azkaban. You may try to say that he was happy because he had 10 more death eaters. That would make sense if the other page wasn’t talking mainly about Bella. (Remember, JK Rowling was intentional when writing, it’s not a coincidence, that she’s focusing on Bellatrix after that statement. She chose every word of all their interactions and Harry's perspective on them intentionally).

He called her “Bella”, a short version of her name, that only few wizards, mainly her family used. He even called her Bella when he was angry about the borken prophecy.

She was the only one, who wasn't scared to speak first when talking to him or touch him even when he said no.

He entrusted her with his soul, whereas he gave the diary to Lucius just to get it to Hogwarts, never telling him that it’s his horcrux. But the cup was given to Bellatrix for protection. And it’s even symbolic, because that cup was Helga Hufflepuff’s, the founder of the Hufflepuff house which stands for loyalty… and who’s the most loyal servent of the Dark Lord?

He rescued her from the Ministry, I think that’s obvious. He certainly didn’t have to. And yet he did risk the whole operation and exposed himself to the whole Ministry. And we’re still talking about the most selfish man here… but he did it… and he did it just for HER, because he CARED. There’s no other logical explanation to this. He came the second she called him and rescued her because he didn’t want her in Azkaban again.

And you can see the difference in LV's behavior towards Bellatrix, Lucius and the other DEs. He didn't help Lucius to get out of Azkaban right away. Instead, he tasked his only son to kill a man, he himself wasn't able to kill simply to mock and torture him mentally.

Yes, from Dumbledore’s words, we were made to think that Tom really doesn’t care for anyone other than himself. But Dumbledore wasn’t aware of Bellatrix’s status at all! Because he didn’t suspect that Voldemort would give his horcrux to her. But we know, Voldemort did just that. And another problem with Dumbledore's preception on this is that he didn’t know much about Tom’s life (certainly not his private life) after his years at Hogwarts, so he couldn’t know about Tom’s realtionship with Bella. It was just his opinion, not a fact. He said, he *thinks*.

And Voldemort’s reaction to her death… That made everything clear, He cared for Bellatrix more than for the piece of his own soul living in Nagini. He had a worse reaction to Bellatrix's death than to, mind you, Nagini’s death… and she was HIS LAST HORCRUX. He lost the control of his magic (which doesn't happen often, since we're talking about THE Lord Voldemort here). He was so furious that McGonagall, Kingsley and Slughorn (all three very powerful wizards) were blasted through the air because: "Voldemort's fury at the fall of his last best lieutenant exploded with the force of a bomb. Voldemort raised his hand and directed it at Molly Weasley" he even tried to avenge her death and kill Molly. If Bellatrix hadn't meant so much to him, why would he waste his energy and time on killing Molly? Have you seen him avenging the death of someone else except Bellatrix? And if Harry didn't intervene, he would do just that. Because he lost it at that point. Death took another person (first his mother), who loved and admired him uncoditionally. All of his other DEs fleed or died. He knew he was alone and mortal. A human.

In my opinion they led, let's call it a Dual Relationship. As Bellatrix implies that LV tells her everything and yet he tells her to be quiet often. He calls her Bella when they're is just the two of them and mocks her in front of others. There's a disconnect between his behaviour towards her. So, in my deduction; there was Bellatrix Lestrange, the most loyal sevent of Lord Voldemort: which was basically their work mode. (And I'm a bit sad we didn't get more of their team work while fighting because I think they made an excellent work duo.) And then there was Bella and her Lord and their private life. Bellatrix wouldn't be against it being public, I'm sure about that. But I think LV didn't want others to know about him having some feelings or a soft spot for her, it would make both of them more vulnerable = since as you can see above, he lost control over his magic because of her dying. But he didn't manage to hide it that well because even Harry (from whose perspective are the books written) notices that there is something between them; "As to a lover"...

And on top of that, Bellatrix was the ideal match for Tom; a very beautiful, powerful witch from a pureblood family. Devoted solely to him.

So Bellamort had been canon even before the CC was released.

But the biggest question is; Why would Lord Voldemort want a child? A hard one… yes

Some explanations:

a) to continue with the Slytherin bloodline.

b) it was an accident, but he let Bellatrix keep the child, so she could be later trained into really powerful weapon (just like Bella)

c) it was that reward beyond Bellatrix’s dreams, he mentioned earlier in the series. He talked about it in the fourth book when he said that the Lestranges will be rewarded beyond their dreams.

d) last possibility, the most out of Voldemort’s character; In the case horcruxes failed, he would be still “alive” through his daughter. – I personally don’t believe this was the case… but who knows?

To sum it up: Bellamort makes more sense than people think. And the CC just confirmed it. period.

Delphini could be conceived around October 1996 and could be born, not in 1998, but in 1997 (before the Battle of Hogwarts). THANK YOU SO MUCH FOR READING THIS <3

[ave-on-main]

Hello, I hope I'm not bothering you! I also hope that you're doing well! I want to start off by saying that I adore your fics, particularly the ones that you write about Brudick. They're really great, and I often reread them on occasion. The many different ideas you have for them, along with your grasp of their characters, are so fun to read and feel so accurate honestly! I love seeing your comments as well even if its on your own fics or others with your analyses about them, and it genuinely brings me joy to see. Thank you for writing stories about them! 🖤💙

I also have a question that kind of popped into my head in regards to them that made me wonder if this is a thing that mostly or only Dick has the privilege of. It's often been pointed out how Dick usually can be physically affectionate with Bruce in comparison to anyone else, like he can touch him freely without Bruce getting upset for the most part or being on guard, and I was wondering if that's the case within canon. I feel like it is, but I'm not entirely sure, though I do know for sure that Dick is someone extremely special to Bruce regardless of whether it's platonic or romantic.

Hi! I hope you're doing ok too! Thank you so much for the ask and the kind words. I always appreciate people commenting on my writing. 💕 And these two are undoubtedly very dear to me!

How physically affectionate Dick and Bruce are in canon changes a lot, tbh, which means people's opinions on it really depend on what panels someone has been exposed to. Often there can be a wall between Bruce and Dick, but they grow most affectionate when they are grieving (and that doesn't need to be a person). Bruce has given out hugs to other Bats, but canon does give the impression that Dick can initiate physical contact more easily and often than others. I think specifically for ship purposes, tearing this wall down further is a lot of fun.

How I see their physical affections comes down to their fighting style. They are very much in tune with each other, and Dick would be used to a kind of physical connection given he is a trapeze artist.

Fighting for them means contact. Sometimes painful, othertimes not.

We have a lot more hands-on a shoulder or other body part panels than hugs. Maybe because the panel from Tec #38 is so iconic, but more likely because they are guys. There are a few instances of Bruce hugging others, but Dick remains a source of comfort for him too, which is different from the role others play in Bruce's life.

The hand on heart is a newer thing, but I'm not complaining about it.

A lot of it is interpretation, of course, but I think it says something that when Dick played the role of the Joker in Batman 2011 #1, the way he was exposed to be Dick to the readers (before the true reveal) was by him touching Bruce a ton, lol.

And, of course, Dick was carried to safety a lot when he was younger. Sometimes he even did the carrying himself.

Dick can, very easily, be in Bruce's bubble because he isn't an intruder. They share 4 to 6 years of living together depending on canon and crime fight together for even longer on top of their shared trauma. That doesn't automatically translate to physical contact = good, but it helps.

[goat-guy-tm]

I can recognize that Anya/Curly could not and should not work with the time frame that the last haul the Tulpar crew goes on.

Yet I have become so normal about them in concept that I have convinced myself that if Jimmy never happened they could have had the silliest slow burn romance and being too nervous to approach each other.

Curly because he doesn't want to mix his work and personal life anymore than he already does even though Anya pleauges his dreams.

Anya because she isn't sure if she just looks up to Curly as her captain or if what she's feeling for him is actual romance, even when his annual pych evals are the ones she spends the most time rereading.

If Jimmy wasn't Jimmy they could have been real cute together I think :>

[archive-of-wax]

I don't even know where to start with my love for this post, I've literally been rereading it over and over all day. This is by far the best interpretation of Trudy's parenting I've ever seen. It really captures the complex family dynamic we see onscreen with the twins, both with their mother and each other.

It's easy to focus on Trudy's evident abuse of Bo in the opening scene, but I think this is the first time I've seen anyone really analyse her interaction with Vincent. It's also one of the few times I've seen anyone speculate about his perspective or thoughts regarding his mother and her parenting, and I think you're spot on. Vincent wasn't showered with unconditional love while Bo got constant abuse. He was smothered with overbearing attentiveness that probably caused more issues than it fixed. Helicopter parenting certainly lines up with many traits fans have inferred from Vincent's portrayal, such as perfectionism, overdependence, and an anxious disposition.

I also felt that his perception of their mother wasn't as idolised as Bo's, and would go as far as to say that during his and Bo's kitchen convo I felt a hint of...exhasperation? Even weariness. At Trudy, at Bo's idolised view of her that he seemingly can't reject out loud, maybe even the purpose of their murderplot. I always imagined his feelings towards her to be something like 'I love you but please stop I'm begging you, why are you like this, why can't you be better for us', and I feel like part of that frustration came from knowing that none of the hovering and fussing was ever really for him as much as it was for her to feel better about herself, so any conversation about his feelings on the matter would have been pointless. If not immediately dismissed it would have just caused an argument, and this family has enough of those already, right? No need to rock the boat.

I have also never seen that newspaper clipping about Victor?! Could I ask where you found it? It completely throws loads of backstory theories out the window. Your version makes the lead-up to the murderplot make so much sense too. Bo and Vincent didn't just wake up one day and choose violence for no reason, but rather the pressure slowly built up: their father passing, the mill shutting down and all the jobs disappearing, then the town's inhabitants leaving, and lastly their mother's death. I imagine they found themselves alone in their now dead hometown, feeling washed up, lacking the practical and social skills to set off on their own (Vincent in particular), grieving the most pivotal person in their lives, and fit to burst with rage at the world. With their minds already cracked from their upbringing, and nothing to lose, it's easy to imagine how one thing led to another...Maybe some lost jackass gets a little too cocky with Bo at his mechanic shop, a fight ensues, Bo doesn't quite pull his punches like he knows he should and accidentally kills him. And then all it takes is a 'Yes, I know this is bad, Vince, but listen. You know how you've been having trouble sculpting like mama used to...?'

Anyway yes all this is to say this was a fantastic read! Thank you for sharing your thoughts, hope you don't mind me going on a mad ramble on your post haha. (Also could I ask you to link that study of a similar conjoined case? I've been looking for a real life counterpart to the twins' condition and could not find one for the life of me!)

Trudy refills Vincent’s cereal. He’s 2-3 years old and blind in one eye. He doesn’t need more cereal, he just needs his bowl rotated so he can see the cereal that was left over on his blind side. Not that we necessarily know how Vincent communicates without speech, but she hardly gives him time to answer her question about more before she’s refilling the bowl anyways. This is her approach to parenting her boys in general.

There’s no interest in fixing their actual issues. Rather than help Vincent to see what he already has in front of him, she’d rather add more, inadvertently also adding more onto the side he can’t see. At some point, this would just add to the issue. Overcompensation into overwhelm. Bo is brought in for breakfast kicking and screaming and it’s sort of evident why Trudy puts all her love into Vincent to the point of it being suffocating and unhelpful. Sure it could be a simple case of favoritism, but with the aspect of overcompensation specifically, it seems that she wants to balance her guilt over failing to parent one of her sons by pouring more effort than necessary into Vincent. Rather than giving the extra attention to Bo, it’s refilling a non-empty bowl of cereal.

I don’t think that necessarily mean she loves Vincent more. She finds him easier to parent. Fill the bowl whether or not he needs it because that’s easier than unpacking where Bo’s massive emotional outbursts are coming from. It seems more like love-bombing than genuine kindness. He’s “being such a good boy today,” but the implied part is an unsaid comparison to Bo. As twins, and conjoined twins at that, they’re not independent of each other. Vincent’s behavior exists only to contrast Bo’s, from her perspective. “Fix” his needs, and she can fix them both. Hence, preferring just to duct tape Bo to a chair than help him any.

Then Vincent grows up to become her protege, starting in his childhood but lasting until even after Trudy’s death. Over thirty years have passed since they were toddlers in those high chairs, but Bo gives a hint about why Vince got that ‘special privilege’ to not be as physically abused. “She always said that your talent would make up for what God took away from you.” Only, God didn’t take anything. Victor Sinclair doing illegal, unqualified surgery on his babies is why Vincent lost half of his face. Trudy only uses God’s name and religion as a shield for her own guilt about how her boys turned out. But it’s more likely she included Vincent in the wax business because she again, was dumping affection onto him over and over as her strategy.

Otherwise there isn’t as much favoritism between the boys. In their childhood photos, they both play piano, both play pool and baseball, both get to sit at the table with their birthday cake (without highchairs or bindings) and they play on the floor together. It's not entirely divisive between them, though it’s still obvious from which brother she’s slapping across his face and which brother she’s love-bombing which she’d prefer to deal with. Just not which she actually cares for more. Vincent wasn’t somehow spared from abuse in a house like the Sinclair household.

Interestingly, when Bo tells the story of Trudy and Victor, he mentions that once the Doc died, they were alone. Except, there’s at least one version of a prop newspaper stating that Trudy created a wax memorial for Victor. So this is just a false version of events most likely. Sure it could be that a decision changed, but there’s also the fact that, in the guns and ammo store, there’s a sign that says “Trudy’s Town or Wax.” And Bo tells Vincent, “We almost finished what mama started.” She’s also much older than the Trudy we see in the family photos and articles (even with the amount of cigarettes that woman smoked.) Ambrose is confirmed to have been abandoned for a decade, but to be turned into wax, Trudy would’ve had to die sometime between the abandonment of Ambrose and the present. Else she would’ve been properly buried most likely. The plan to fill Ambrose was hers, it’s just Bo that suggests using real humans (according to his apology to Vincent, he takes credit for the idea anyhow.)

Which makes her boys at least in their mid twenties when she died. In an older version of the script, Bo had killed her and Victor, but knowing it would put them all in foster care, that doesn’t quite make sense unless they were older. So the order of events is, Doc dying, the sugar mill closing, Trudy planning to reimagine Ambrose, and then dying herself.

The reason that’s important is because it’s emblematic of just how much pressure she was putting on both of her boys. And that’s not love. With two mentally ill, abused sons, (maybe three, since Lord only knows how they treated Lester once he came along,) that’s just manipulation. Victor and Trudy aren’t cartoon super villains for being bad to their boys. But when you can’t even just rotate a bowl slightly for your half blind little one, it’s shallow. Trudy has her cigarettes right in the boys faces in the opening and in most of the photos. Smoking was in one study linked to about 1/3rd of conjoined pregnancies, and in a similar case of conjoinment to the boys, one of the twins had lost an eye and had a prosthetic, but with minimal scarring because of the surgery being done in an actual legal hospital. It’s not about God taking anything, or about which is a little monsted and which is a very good boy- it’s about Trudy and Victor both messing up from the very beginning and causing the boys losses, then refusing to take accountability for it. Or, in the symbolic sense, to just do the right thing and turn a damn bowl of cheerios towards your blind kid.

[utopiastri]

hiiii!

soooo i read and reread all your f1 fics.

since they are all so effing amazing, well written, funny when needed, you must have a great taste in fics. sooo do you maybe, perhaps have any landoscar fic recommendations??

have a mega day!

-💫

hi 💫 anon!!! this was. the absolute loveliest ask to wake up to this morning so thank you SO much for sending it 💕💕💕💕💕

you are so kind and please know all of these compliments have absolutely made my day!!!!!

and GOD i would LOVE to give some landoscar fic recommendations, there is nothing i love more than talking about authors i adore

i very much started rambling about these fics so i'm putting my recs below the cut!

ok immediately we're off to a rogue start because i'm going to recommend a fic that isn't posted yet but @1425fivefive's upcoming fic Learned Behavior is just honestly going to be one of the best things you will ever read - i have been honoured to receive SO many wonderful snippets from it and every single one is just as amazing as the others and i am SO excited to see the full thing

i am legally and contractually obligated to put three-sixteenths by @ipleadbritney on here because i am actually three-sixteenths' biggest fan and as part of that it is in fact my job to make sure everyone has read one of the most DELIGHTFUL magical realism fics of all time, one that fills me with such joy every time i think about it, let alone read it

by love remembered by @lellabellas is just. i LOVE fairytales so much and the way this is such a gorgeous homage to fairytales whilst also being one of the most wonderful fanfics you will ever read is honestly just. a sign of talent of truly the highest degree!!!!

brevity is the soul of wit by a_new_anon because i absolutely have to recommend one of the absolute CUTEST texting fics i have ever read. i grinned my entire way through reading it and i cannot recommend highly enough oh my GOD

the devil in me by @its-all-papaya because who am i as a person if i'm not constantly Obsessed with the idea of jealous oscar piastri. GOD this fic has everything - including one of my favourite final lines of any fic like. ever

AND on top of all of these, because i am a firm believer in showing love and affection to tumblr drabbles as well, please have a few of my favourites of those as well:

I'll Wait (I'm Sorry) by @wanderingblindly because liquid reblogged this again recently and this version of landoscar has NOT LEFT MY BRAIN SINCE!!! i reread it and had to sit down lest i faint. concept of all time i fear!!!!!!!

fireworks - prompt by @foggieststars because every so often i think about what landoscar will be like when they're no longer teammates and then i remember it doesn't matter because i can just think about one of the Sweetest drabbles i have ever read about lando and oscar dealing with oscar leaving and i am calm again

immortal - osctober prompt by @nyoomfruits because sad immortal vampire oscar has actually been haunting me for the last month and i am still SO SAD ABOUT IT (but like. in a good way obviously)

ok i will cut myself off there but !!!!! anon thank you so much for allowing me to ramble on about all this writing i love so much!!!! and thank you again for the kind words 💕💕💕

also if anyone would like to not be tagged, please let me know!!!

[theaussieblue]

I reread issue no 64. Where Whisper and Silver confront Duo disguised as Mimic.

And dear God in Heaven, I do not understand all the hate Lanolin gets.

From her perspective, Whisper just came out of the bush and started ranting about how Duo was Mimic, and when Lanolin DIRECTLY asks for evidence, Whisper says she doesn't have any yet, but she will. Lanolin tries to talk down Whisper, but Whisper is the one that lays hands on Lanolin FIRST, then they start fighting - again, while Whisper is ranting about not letting it happen again.

Duo does some masterful manipulations here, and is able to effectively play everyone against each other. Reading it, I'm not angry at Lanolin, I'm angry at Whisper for losing her grip and turning into a ranting loonie.

If anything, Lanolin handled that extremely well, and if Whisper had gone and attacked a teammate while ranting like a crazy person, she'd be out of the team most anywhere else.

[not-poignant]

Do you have a sense of what your readers tend to re-read the most? I would be fascinated by the results of that poll!

(For me, it's The Nascent Diplomat because I'm a sucker for different cultures colliding, and I love the exploration of communication and language.)

Hi anon!

It changes over time.

Back in the day it was the SALverse (From the Darkness We Rise & Into Shadows We Fall), and then it was probably Stuck on the Puzzle. In fact to this day I think Stuck on the Puzzle is easily my most reread fic.

Of my original works, I honestly think it will end up being Falling Falling Stars. It's the one people tell me they're rereading the most even now. Before that it was easily The Wildness Within. I definitely think The Nascent Diplomat is a comfort reread fic for quite a few people though! Which is really cool. :D It's one of the reasons why I've always liked running at least one kind of 'softer' fic (FFS / TWW / TND) etc. because I feel like...sometimes we just need more comforting fics - even with their heavy subject matter - alongside some of the more dramatic or dark stories I'm writing!

I might do it as a poll though, that sounds fun :D

[berk-brain-rot]

Ok, ok, poem has been reread, walls have been stared at, and I have thoughts (I'm not entirely sure they're coherent but this is tumblr and a blog based on the hyperfixation of one poet, I cannot ever promise you coherency)

So

Berk tends to have a pretty conversational style to their poems in general, but this one is presenting in a way a lot of their others aren't.

These lines, man these lines make me insane

The half formed thoughts that keep going until you have to just stop?? The way you can feel a breath taken after "okay."??? The childlike quality to it of just needing the other person to not be upset, anything but upset?????

Insane.

Then you have this

Berk isn't talking to some generalized audience, they're not talking to some unknowable god, intangible grief, or even themselves. They sat you down right in front of them "face-to-face" to speak.

Excuse me while I go stare at another wall for five minutes.

Then again man, you can hear the panicked look up, the immediate rephrasing as you try and get them to know and understand that "I cannot". She can't, she can't, and they know it looks like they won't, but they can't and-

~author falls into indistinct mumbling once again~

But, I think the thing I appreciate most about this poem is how hopeful it is in it's portrayal of affection nonetheless.

Because the listener (you, me, and every reader after) is letting them speak. They're letting her trip over words, rewrite phrases, pause to take breaths, put pebbles over and over and over again back in your bucket while pretending to put ones back into theirs until your bucket is full and theirs is not-

And then we still "together set off",

"Shoulders brushing" in companionship,

"fingers joined" in the only way you know they'll be able to accept and give help,

and a silence filled with company for miles as you refuse to leave them behind.

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[muffinlance]

I really do love your writing and Salvage gets me through when I am sad or depressed. However, I was wondering, how do you cope when someone who wrote a review didn’t like your writing? If you’ve had this before… I had one today and I am dejected. I’m working through my perfectionism and I keep telling myself, “my writing isn’t for everyone and it’s okay.” Any advice?

If it was unsolicited, especially on a fanfic? Delete it, block the person if you feel like, then go do your rage activity of choice before forgetting about it forever. That person is rude and doesn't deserve your time anymore than someone bumping into you on the street.

I've also found it useful to actively think of my fanfic as writing practice, and not even my brain expects perfection from writing practice. It also frees you do Try Cool Things.

Now take this digital blanket and cup of hot chocolate and go reread your nice comments.

[goatsandgangsters]

favorite callbacks/foreshadowing payoff in A Power Unbound that made yell "oh goddammit" at my book

MY MOST SATISFYING "OH GODDAMMIT" MOMENT. FULL ON HAD ME PACING UP AND DOWN MY APARTMENT GOING "OH MY GOD THEY ACTUALLY DID IT, THE CRAZY SON OF A BITCH, THEY DID IT"

it wins #1 because this line always made me SO suspicious, but I also thought it was such a longshot. between the suspiciously specific phrasing of "blow up" and alan calling the lockroom easy to misuse in the same scene, my prediction was actually that the bad guys were going to do some fuckshit with the lockroom, because ART introduced us to the concept of "using hair to channel magic" and having a room full of everybody's hair seemed... uh, bad.

so I was just wrong enough to be delightfully shocked and just right enough to feel so satisfyingly smug. 10/10 felt terrific.

"adelaide tapping her ring" is SUCH a sneaky little detail. because she's tapping her ring all throughout a marvelleous light, and then sURPRISE it was the contract piece all along, beautiful bit of same-book foreshadowing, well done everyone go home

so when it showed up again in a power unbound, I was like "aw cute. I like that she's still got that little habit, even though it's not a Plot Relevant Foreshadowing Moment anymore, what a nice detail"

and then adelaide pseudo-flipped me off with her ring finger and went SURPRISE, GOT YOU TWICE, WHAT WAS THAT ABOUT MY PLOT RELEVANT RING?

this one didn't take me by surprise, but it's exactly what I love about reading a careful and deliberate writer.

this is in the same scene where we find out about jack's secretbind. so when I read it, I thought "okay well, we just found out he has A Mouth Thing. but he subconsciously touches his leg as well as his mouth, so probably he has A Leg Thing too." and then did a quick "probably from the war, right? seems most likely" and felt confident I knew that Jack had some kind of leg injury long before A Power Unbound even came out

and it's just SO FUN, because when you have a really good writer like this, you get the absolute joy as a reader of reading One Single Sentence and going "I see you, I know that means something." it's delightful, it's my favorite kind of puzzle, it's so rewarding

the way robin gets super uncomfortable with the penhallick crowd gossiping about what happened to jack and then changes the subject to magical people born into unmagical families who never discover their magic

the way jack and alan are linked together through this one worldbuilding-during-dinner conversation from two books ago. beautiful. profound.

and finally. my grand final of moments that made me go OH!! FUCK!!—

that's the first mention of jack by name, ever, at all, in the entire series.

that is the very first detail we ever learn about him.

AND THEN HE DID IT AGAIN, AFTER ALL THOSE YEARS OF NO MAGIC, AND I WAS SO PROUD, AND I LOVE HIM SO MUCH, AND ALSO I HUCKED MY BOOK ACROSS MY BED.

HIS FIRST MENTION AND HIS FIRST ACT OF MAGIC AFTER OVER A DECADE, crying, crying forever, we have come full circle

[il3x]

Any idea how more power solves the problem of being a good person?

With more POWER, you can protect your teammates. With more POWER, you can defeat the Aberrant criminals who kill and extort and farm children for Rapture. With more POWER, you can avenge Jaeil. With the right kind of POWER, you could reform the Aberrant Corps from a killer, his killer, into a true hand of justice. You could impose Goodness across the entire world. With enough POWER, you wouldn't even need violence to do it.

And on the smaller scale... POWER can erase your mistakes. Good? You could be perfect.

[ruporas]

revisiting a memory

[sabo-torao]

casting two south asian actors to play the royals of ARABASTA is plain and simple MENA erasure btw. just saying