#the more i think of it the more i'm gonna go back and change the tag on the other asks to enlightenmeat LMAO

[osakanone]

Speaking as someone with a traumatic brain injury, I'm not sure that PSAs alone will never be enough. I do have an idea, and I am curious about your thoughts.

If you want effective change you have to reach out to the people either do not remember PSAs or more likely, don't read PSAs, who think they are good people but are actually terrible in ways they cannot accept and thus cannot grow from -- who chase respectability as social clout instead of making babysteps needed to get things done.

So here it is:

Your alternatives don't work for sociolinguistic reasons

Your chosen word of interest is an adjective form of a verb.

R-word can be used easily, interchangably and with little effort when someone is stressed because every form of it is grammatically correct and socially incorrect, which is what is usually craved in an insult.

Language is an ecology: A space of predator words and prey words based on which words replace each in their fashionableness.

As with any ecology, there are niches: pockets of success where a need exists and a word slips into the gap to fill it.

In Europe we didn't get your word of interest until the mid 2000's, and it was occupied by a form of the word spastic (the medical condition) shortened to the slur "spaz" (which I've been on the recieving end of many times).

Consequences create martyrs and those seeking to differentiate themselves will adopt waning or discouraged language to differentiate themselves (PSA culture got us edgelord culture).

When a word goes out of popularity is when another word which is significantly cleverer takes its place, which is more biting and more cutting.

A great example is how "the slur beginning in F ending in T" in many progressive circles is front-loaded with the expectation of one word, and then instead people say "fascist" and everybody smiles.

It is one of the ways of controlling language:

You take the second-association added to an instrinsic thing eg, the "other" meaning of gay used on xbox live) and you attach it to something else

You outsource sentiment to a different target.

You retire one word, and inject another which better aligns with your sentiment and intentionality.

You MUST do this in a way which punches up instead of down, or you risk watering down the perception of a word -- and you must likewise be able to answer the question "how is that <other word>?" on the spot with a single sentence and shut down a conversation.

Back to this context, I genuinely use

"mentally redacted",

This replaced my previous go-to

"mentally retired",

which I felt licked of ageism and made me uncomfortable.

Meaning, that something was censored or removed or deleted intentionally. I make this about thoughtless intentionality of action, not intrinsic nature of a person or their situation or whatever has happened to them.

It shifts from medicalism to mentality.

The imperfectionism of it is the scar-tissue of culture as words fall out of favour.

Maybe that's not good enough for Americans? I don't know!

Does it just read of hiding the word and playing slight of hand instead? Does it have some third other reason? There's no good answer here, I feel.

But it makes me personally feel one hell of a lot better about my slowness instead of slipping up when talking about myself and throwing a slur at the person I'm talking to.

I'd genuinely like to know your thoughts!

e:

There's a great bit in the notes by op about how swearing disrupts civility; disruption is the only way to make any protest get noticed. I will say, a slur is often just a culturally acceptable swearword, which again is miserable. I hate to say it but we do need to get meaner if we're gonna survive. We do need to invent our own words about the people who oppress us that are robust descriptors with ride recognition.

e2:

I came very close to using dysthymic as an insult to describe "I need more" greedy "more lanes bro" VC/corpo-brain types before realizing good people would be caught in the cross-fire despite the fact dysthymia is one of the major medical roots of their behavior and damn that is a hard one for me to figure out. The great thing about medicine is it gives us lots of great complex descriptors that are easy to look up. The downside is when we use medicalization as a callout or attack there is always friendly fire. An oppressor will never care about friendly fire, which means we are always stuck playing defense and its fucking bullshit and makes me so mad.

e3:

I really wish there was a way to make words which disrupted civility without... disrupting... civility... okay that's a paradox. Fine, then are there words which can disrupt anti-civility? I want those.

e4:

Found one. The crushing response. "human pet guy"

Since the r-slur is making a comeback (you know, the word that starts with R, has six letters, and ends in D), I'm gonna make a little PSA:

Yes, it's an ableist slur.

Terms like "asshat," "head-up-ass," "up their own ass," and "high on their own farts" exist. There's also words like crap, dogshit, half-assed, assclown, and chucklefuck. And on the less vulgar side, there are terms like ridiculous, nonsense, train wreck, pointless, insipid, self-absorbed, pretentious, annoying, boring, contemptible, vile, and disgusting.

Substituting words like restarted, poptarted, brain damaged, smoothbrain, etc. is still ableist, because either 1. you obviously still mean the r-word, or 2. you're still using disability as an insult.

[mistresscitrusslice]

The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

[welcometohellfilm]

Congrats to everyone who has been working on W2H2! 🎉 If it's alright, I'd like to ask to ask 2 questions:

Is there by chance an official ref of colors for Debbie, or is it still up to interpretation at the moment?

Would you say that your personal, real life experiences within the 10 years moving from W2H to W2H2 shifted the tone/story of the series in some way? Something that I've always been fascinated with when I started looking more into W2H was the shift in Sock's character from the original comic -> first film -> second film, and Jonathan's character from the first film -> second film.

Thank you! ✨

I actually just made some 'official'-ish colors for Debbie! Her voice actor Kaitlyn wanted something to use on a banner for conventions haha... so here you go!

2. I'm not really sure how to answer this one, haha. I mean I've definitely changed as a person over the course of making each iteration of W2H. I started the comic while I was at community college, before I went to art school. I adapted it into an animation for my graduation project. And I started W2H2 a couple years after I graduated college. So there's a good 2-3 years between each attempt at W2H I've done, haha. I think a lot of my original ideas from the comic had to change because it needed to be condensed into a short film. I didn't even GET to Jonathan yet in the comic! Some things just didn't make sense to me anymore, like the idea of Sock already having a human body count. It'd just be absurd for him to be able to hide it for so long! Plus, if I made it so that Sock has only ever entertained the idea of murder, it makes his new job that much more appealing-- it's a chance for him to really lean in to this thing he's always had to hide. Between the first and second films though, I mean... I think there's been some tonal shift, for sure (I don't know about a character shift? We'll get to that haha) But basically, when I was first thinking about W2H2, my idea was "Sock and Jonathan hang out and attempt to figure out touch physics, also there's some drama about a journal Jonathan keeps." All of the hell stuff is something that came from bouncing ideas around with my friends, Michael and Neil. I was worried that sending Jonathan to hell would be too bonkers for a "2nd episode", but we all kinda agreed that enough time had passed that the fans would probably enjoy something higher stakes, so it would be fine. (I'll give everyone a moment to realize this conversation would've been happening in 2015-16... ha.)

We also kind of thought, y'know... I have no idea how many more of these there's even gonna' be, so why not go a little bigger with this one? W2H2 is a higher stakes story than what I set out to make in the beginning, that's for sure. It is interesting to compare all of them.. the employee handbook was actually from the comic and I cut that because it wasn't helpful for W2H... but then it became helpful for W2H2, so it came back! Haha. I'm curious to know in what ways people think the characters have changed though. (And is that a good thing or a bad thing?) Especially a character like Jonathan, no one's really even seen that much of him yet, I think most of the characterization comes from fandom, or like... art I've drawn, I guess? Haha... I'm not sure! I guess Sock's a little more confident and antagonistic in this one (though he'll have his moments of hesitation... we're only at Part 1 right now!), and Jonathan has had to become a more vocal/active character, just by nature of the kind of story it is, I suppose. But yeah, I'm not sure! Happy to hear your guys' thoughts though!

[mr-ys-phantasma]

🌙 Moon Phases 🌙

Agatha Harkness X Fem!Reader

Word Count: 1369

Chapter 40:

You all turned to look at Billy, who grabbed his little spell book from his body bag. "At least we have our personal items."

Immediately, you rushed to check your body bags, all bearing similar expressions of relief by being reunited with your pendants.

You wore your own necklace, the light metal cold against your flushing skin, and adrenaline still coursing through your pumping veins. Your fingers gently brushed the three moon phases, and you closed your eyes, taking a deep breath.

Wearing it, somehow, made you feel more secure and safe; a placebo effect that helped calm you down a little more and allow your head to be clearer.

The moment was interrupted, though by the sound of the morgue drawers being pulled back into place, the knocking sound almost startling you.

If that was not enough, the growing lights above you started to flicker before one shut down.

"The countdown," you exclaimed, eyes following the circle formed by the lights; while wondering how quick each light would turn off after the other.

Deep inside your instincts were telling you that the time would not last long, not as long as the other trials.

Agatha noticed that Jen was rather quiet, not panicking like usual. Instead, Agatha swore Jen was actually thinking of something for a change.

"You seem relaxed." She called her out. "Usually, at this point, you're either complaining loudly or freaking out loudly."

Jen gave her a hard look, clearly not in the mood for her annoying antics. "I'm thinking."

"Oh. About what?

"How to save your ass."

"Pardon?"

"I couldn't save Lilia. I didn't even try to save Alice. I'll be damned if I let you three idiots die."

You placed a hand on your waist as you looked at her, clearly not happy being called an Idiot or any of your companions being called that.

However, you held back any remark for the moment. It was the first time you saw Jen actually putting others above herself, when all those trials she had been selfish and the first to go when given the chance.

And considering you once again needed to work together somehow to make it through, this worked in your favour.

Of course, Agatha did not seem to share your thoughts.

"Wow. Such a purpose. How are you gonna do that without any magic?" She questioned, in the mood for an argument.

"Agatha, that's enough," you said, no authority coming from your voice much to your dismay.

Your body was still on edge, and it was taking a lot of mental training to remain calm and try to think of a solution, rather than letting your emotions and your haunting memories get the best of you.

Thankfully, you were not the only one ready to defend Jen.

"Y/N is right!" Billy said, putting his foot down. "She saved you from poisoning. She saved all of us. All while bound." He looked at Jen and offered a weak smile. "Maybe you don't need it."

Jen wanted to believe him, but she had a hard time too. Not that you blamed her. Your magic might be sort of a curse and a blessing to you, but you can not imagine your life without it.

"Well, if that's true, that means I've wasted the last century of my life." Jen commented. "That doctor in Boston didn't take anything from me. I gave it up."

It was then that you all noticed Agatha fidgeting faintly by tuning her fingers together and avoiding eye contact.

Unlike the others, you knew she acted that way when she knew something but refused to tell. Something that actually made her feel guilty, even slightly.

"Ags," you called her out, but she did not look you in the eyes. "You know something," she was about to argue, but you beat her to it. "I know that face and that fidgeting. I know what it means"

Defeated, Agatha started to throw parts of a story that matched Jen's story, and everyone made the connection.

"I didn't know it was you! It was the 1920s. I did the odd spell for bank notes. I don't know. The patriarchy really shelled out to shush a lady. It was bind or burn!" She justified herself, or so she tried.

For Jen was furious finding out the truth, and she had every right to be. With anger blinding her, she rushed to Agatha and even pulled a thick lock of her hair in one strong pull.

Agatha didn't even flinch at the pull, having built quite a pain tolerance thanks to Rio. She didn't even fight when Jen tied her wrists together with that strand of hair.

She might not react to it, but you were about to. No matter what took place back then, seeing Jen ripping out Agatha's hair like that made your protective instincts hit in.

Forgetting your own anxiety caused by the closed room, you were about to move and tackle Jen; having forgotten your powers worked normally.

Billy grabbed you by the waist and kept you back, surprised by your strength, considering he was taller than you and clearly heavier.

"Wait! Wait! Look!" He told you as he kept pulling you away from the two witches. "Yhe unbinding ritual."

This made you stop your fighting and look, realizing he was right. The strand of hair and the wrapped wrists were the basis for the ritual.

Jen was not trying to harm Agatha, you realized. She was trying to break the binds that kept her magic dormant and get back what was sealed away a century ago.

You calmed down, and Billy let you go. He stood right behind you, and the two of you watched as Jen repeated the same mantra again and again.

You hold nothing.

You hold nothing.

You hold nothing.

Each time that phrase was spoken with more power, with mode determination... with more need to work.

Jen's voice cracked, but she kept going, holding on every beat of hope that was left within her... one last chance to get back what was stolen from her.

In the end, it seemed to work based on Jen's expression.

Her face changed from shock to realisation and she could not help but fall on her knees, arms cradled in front of her chest and let out gasps and faint cries of hapiness; pink magic coming alive from her palms.

The sight broke your heart, seeing how Jen truly felt finally having her magic back.

Magic for witches was their essence, their core, and their will to live. It was part of them and having it sealed away, unable to sense it... to recreate this feeling of power and mysticism that existed within...

It was a fate worse than death.

Suddenly, Jen disappeared right in front of your eyes.

"What?" You exclaimed and rubbed your eyes, fearing your mind was playing tricks with you.

"Where did she go?" Billy asked next.

"Out of here," Agatha replied in a soft tone, deep down actually feeling happiness for Jen; capable of actually taking back what she was looking for.

You frowned. "But we are not done with the trials, yet"

Agatha looked at you, her gaze softening. "She is done with it. Her trial has already passed, and she got what she wanted."

You felt the need to argue but stopped yourself. The Road was a place unknown, and not even you or Agatha or Rio knew much about it. Each time it worked differently, each time seemed to make up something new.

So, who says the trials were not shortened? Or perhaps, it was giving a chance for some to find what they are looking for and be free without having to finish the road.

This was a comforting thought, deep down wanting to end this and get out.

The fact remained, though, how were you going to find what you are looking for? When you pretty much had nothing to work with and unlike Jen; there was no binding whatsoever that could be broken.

Chapter 41

[copperbadge]

[ID: A poster ad in the Chicago subway for Taskrabbit; it reads "You're never gonna hang that up; never gonna take that down" followed by "Mounting & More" and the Taskrabbit text logo.]

For a subway ad there's...a lot going on there.

I again don't have photos of the work I did this morning so I thought I'd share that ad; funny to get rickrolled waiting for my train. I've been working on sorting bins to go to storage again, and honestly I expected this to take all week but I think I've got most of it completed. I still have a bin I need to sort through but that one is likely not to go to storage anyway; it's what I call my "trauma box" because originally it was a box of stuff from my last job, which I forgot existed for six months after leaving the job (somewhat traumatically). Realistically it's now just a massive bin of odds-and-ends I don't know what to do with, but most of them need to either be donated, thrown out, or stashed somewhere in the condo. There's also a full bin of paperwork I need to sift through -- old grad school notes, scrapbooks I need to digitize, and a collection of Marvel Comics trading cards I should probably take to a card store and see if I can sell.

Still, this morning I packed up my camping gear and grill bag, pulled down the bag of summer clothes I packed up earlier, and emptied out one of the two "sort through" boxes so now they're all in one box. I cleared out the other "under bed" storage box (the new plastic ones should arrive this week!) and set aside some more clothes to donate and put another few loads into the laundry to wash.

Probably for the best I topped up my account with the laundry room last month...

I'm pleased I kind of got back to "limit by podcast" levels of work -- I listened to the latest Criminal episode, "The Reverend", and I was just starting to feel a little scattered and overwhelmed as it ended, so I stopped for the day. I'll still need to change over the laundry and fold it and figure out what to do with some of it, but at least that's all I have left to do, and I don't have to worry about finding more.

[icarusredwings]

Thinking about Wade is having a stay-in date night with Ness, and this means the kitchen light is traded for a colored one, candles, half burnt pasta, cheap wine, and Careless Whisper blasting throughout the appartment complex.

He starts off with some cringy dance while V is up on the counter, rolling her eyes and smiling, but she can't help but feel like there was something different about Wade. Yeah, she knew this dance. She knew the routine of his 'serenade' and his littlw two step slow dance he had going on, making backup sound effects for Mr. George Micheal and eventually grabs the pasta spoon, singing into it.

This is not new, but.. something was. She couldn't put her finger on it but she knew her boyfriend. She knew him well enough to become engaged to him, break up with him, and start dating again.

It was like he was glowing.

But why?

"Tonight the music seems so loud! I wish that we could lose this crowd-" His non existsnt eyebrows wiggle, and Vanessa can't help but to almost spit out her wine.

"Maybe it's better this way, We'd hurt each other with the things we want to say!" He shouts into the pasta sauce covered spoon, leaning into her a bit as she rolls her eyes again, looking up at the ceiling. She knew what Wade wanted. He wanted to "earn" her with his performance.

God.. he really is her peacock, wasn't he?

"We could have been so good together! We could have lived this dance forever!" Taking her arm, He pulls her waist closer to him, connecting their foreheads with those pretty heart eyes of his beaming into hers with such love struck gleam.

"But now who's gonna dance with me? Please staaaayy~" He sings loudly, letting her go enough for V to notice that Logan is now staring too, the same lop sided love struck small smile on his face.

"And I'm never gonna dance again- Guilty feet have got no rhythm!!" He says, dropping onto his knees and arching his back, using her hand to keep his balance.

"You didn't have any to begin with!"

She hears, looking up to see Logan smirking as Wade jumps to his feet. "ExcUSE me!? My bad, not everything is a waltz, old man! Like seriously, when's the last time you could do anything but a simple one two three? Lincoln's wedding!?" He calls over the counter and Logan grunts, his joints popping as he gets off the couch.

Wades eyes widden with dangerous excitment as he turns to her. "Oh now, im in for it!"

"Damn right. I can do more then Waltz, you know."

"Oh, yeah!? Like what? Square dance?!"

"Whats wrong with square dancing!?"

Then it clicked.

Him.

That's what was different about Wade.

Logan had changed him. Unconsiously, for the better. He was so... Happy. He was like a missing puzzle piece to complete Wades purpose of being, mirroring what Wade needed, even if that meant insulting his dancing skills mid date.

Grinning widely like a moron with a crush, he changes the song- Wade was serious. He would never dance with anyone else except V to that song ever again- Pushing next on their shuffle only for Madonna to come on.

Squealing, he waves his hands, shoving the pasta spoon back into the pot then took Logan's hands. "Can you swing?"

"S-swing?- Woah!! Hey!"

"You wanted to dance so were dancing!"

"I didn't say that!"

As she listens to them bicker, she laughs as she watches Logan awkwardly step on Wade's foot multiple times.

"Ouch!! Hey! I'm regenerative, not indestructible! You're like 400 pounds!!" He teases, and the blush on Logan's face is something she wants to take a picture of, watching as he tries to teach Wade how to 'properly dance', spinning him around, holding his wasit and dipping him at certian parts.

"Ahh!! Don't drop me!!"

"I'm not going to drop you, Stop screaming!"

"Ness!! He's gonna drop me!"

She giggles, giving Logan a playful finger wag. "Hey do you mind? He needs all the braincells he can keep!"

"Yeah! Cancer already ate half of them!"

"Oh, sssuurree, just the cancer, definitely not how many times youve made me shove my-"

"Lo-Lo!!! Not in front of Nessy!!" He whines, being spun again.

"Oh shut up, i'm not going to embarrass you infront of Vanessa-" he turned to her, whispering "I so am"

"I HEARD THAT!"

"What? It's not my fault your game is weak." Logan teases him, giving her a playful nod, putting his hand out for her to take "Ma'am."

She laughs, hearing Wade suddenly complain that he wasn't supposed to be stealing his date.

"Maybe she wants to dance with a real man-" Logan coes, gently taking V and spinning her too... Vanessa could see why Wade liked him.. he was quite strong. And a gentleman.

"My gender blindness has NOTHING to do with this!" Wade whined in a high-pitched tantrum like sound, grabbing her waist and pulling her into him instead.

Oh great. And now they were fighting over her.

Gosh... Maybe she has two Peacocks...

[lj-lephemstar]

Progress Checkup! (Nov. 2024) | Scratchin' Melodii Devlog

​​Hey again guys! Sorry if it's been a bit since the last devlog. With how much I've been up to, it sure feels like it!

Let's get right into it. For starters, the 3rd rival battle of Act 2 is complete! I'll likely be showing a gameplay preview of it sometime soon. This is the first song to use the new framework that I'll be using for all the other stages going forward, which also means I've had to spend the past couple weeks getting the previous songs working with this new system too... Did you know that in the demo builds, if I wanted to change something about the gameplay, I'd have to manually go back and change it for EACH individual song one by one? Well now, imagine all the songs had like a peace treaty to just share one good, clean, and organized system that I can easily tweak and add to as I please. So development is gonna be smoother than ever from here! This is how most games are SUPPOSED to work, but I was a liiittle too stupid to figure out how to do this until recently!

While I was moving Cream Cheese Icing over to this new system, I took the opportunity to make the chart a bit more beginner-friendly! For example, the first line went from this...

To just this!

As you can see, it has less notes, therefore it is less scary for new players. Believe it or not, I actually never intended for Cream Cheese Icing to be so difficult for new players in the first place! Naturally, being too good at my own game can make gauging the difficulty curve a bit tricky at times, but I think I'm figuring it out!​

You may have also noticed that the characters have new UI icons too! I felt like the old ones were too flat and boring, so I did a new take on them, aiming for more dynamic shapes and angles, not to mention how my art style's just kinda grown a bit in general since I last drew the icons. I also ended up leaving out the circles behind them. I was a little worried I was gonna run out of unique colors for all of them at some point, plus SOME of these guys can have really big hair and/or hats that pretty much just cover up the whole circle anyway. (hi rensa)

Speaking of artwork, here's a little look at some of the updated animation I've done for Stir & Mix! (Try to imagine it in not highly-compressed-gif-form. I promise it looks better in-game!)

When working on Stir & Mix related stuff, I can't help but feel a bit of a sense of dread knowing how people may react to it... Honestly, sometimes I kinda wish it never got as popular as it did in 2022. But hey, doing my own thing regardless of what's expected of me is the most Scratchin' Melodii thing I could do!

Speaking of which, Mia learned a ton of new stuff while doing the VOCALOID tuning for the last rival battle we worked on, so we might revisit Stir & Mix's vocals again at some point before release to give it even more style! (By the way, Mia and 2cada are the same person! Sorry if I refer to both names interchangeably! She's been the one doing all the VOCALOID tuning and vocal mixing for the game since 2023.)

Well, I think that's all for now! Here's another friendly reminder that there will NOT be anymore demos of the game. Any new content will be saved for the full game's release. I know I've said it before, but I probably won't stop saying it until people stop getting confused about it LOL. Thanks for reading!! I appreciate you. - LJ

[rwby-encrusted-blog]

Reese as a Sea Bunny faunus?

~At a Certain Kind of Establishment

Reese: *Sees jaune* Oh, you're-

Velvet: Hello Sir! Are you having a good time?

Jaune: Uh, Pardon? Well .. Yeah!

Reese: Heh ...

Reese: *Walking over to Jaune and Velvet* Leave this to me! you can help someone else!

Velvet: Huh? But ...

Reese: It's alright!

Velvet: Oh- okay ... alright then ...

*Velvet leaves*

Reese: *Turns to Jaune* Are you having a good time

Reese: With another "Bunny" Girl?

Jaune: *Thoroughly intimidated* No! I mean- I- I'm sorry?

Fun Fact! Zelda Wynn Valdes and Latvian émigrée designed/tailored the bunny suit to help enhance and show off the figure for the playboy bunny waitresses in the penthouse! However, they didn't take into account that the guest would be in leather armchairs which is lower than a a regular chair that sit at tables which lead to spillage (and not from the drinks) so the bunny dip was a technique to help by leaning back a little slightly bending the knees and serving drinks and/or food behind them.

~Later~

Jaune: I don't understand how people can have preferences between Humans and Faunus ... We're all pretty much the same.

Neptune: ha! you say things like that, people are gonna think you're picking a fight!

Reese: *Going to serve another customer* Oh hey!

Jaune: *Blushing*

Reese: You're back again! Good to see you! Have fun!

Jaune: Y-Yeah! haha ...

Jaune: *Ahem* L-like I was saying I don't understand why people have preferences ...

Neptune: ... Face the facts man.

Sea Bunnies, or Jorunna Parva, have a set of organs resembling Lagomorphic ears near their 'face.' However, they are not hearing organs, but more akin to Scent organs. Their "tails" are external gills.

~~~~~

Jaune: Hey! Excuse me, are you Miss bunnygirl?

Reese: *beginning to run away* Sorry! You've mistaken me for someone else!

Jaune: Wait! !ou might fall if you suddenly-

Reese: *thud* Ouch!

Jaune: ... Run.

Jaune: *Helping her up* Hey, are you alright? Why did you start running?

Reese: Well, i'm ... not used to getting recognized in casual clothes ...

Jaune: ...? But I usually see you in a bunny suit though?

Reese: There's a separation between work and normal life.

Jaune: ... I'm Jaune by the way. It's nice to officially meet you.

Reese: ... you can call me Reese.

Sea Bunnies come in many colors, but all of them are covered in dark-tipped papillae.

~~~~~

Reese: Hey, how about a game? Whoever loses has to grant the other persona wish!

Jaune: Uh, Okay!

Reese: Rock! Paper! Scissors! Shoot!

Jaune: *Throws paper* ...

Jaune: Reese? Why didn't you extend your hand?

Reese: *Slowly raises her fist* Oh No~ I lost. It seems I'll have to grant you a wish~

Jaune: ... Did you lose on pur-

Reese: NO! Of course not!

Sea bunnies prey on Toxic Sponges. Some of these Toxins are used in Cancer Treatments.

~~~~~

Jaune: *carrying groceries for Reese* You're cute when you're not working Reese!

Reese: Ah ... Really?

~At her apartment~

Jaune: So do I just set these here, or- WHEN DID YOU CHANGE YOUR CLOTHES?

Reese: *in her bunny suit* You said I was cute? *Slams apartment door shut* Right?

Reese: As of right now, I will be working~

Jaune: W-WaiT!

Sea Bunnies are hermaphrodites. when mating, the pair will interlock their genitalia and exchange sperm.

~~~~~

Reese: *Serving Jaune a Drink*

*CLICK*

Reese: Huh?

Jaune: Ah! Aw, the power went out! Hang on, Ill get the

Announcement: Attention dear Customers, there seems to be an issue with the electricity. Please be patient while we fix it.

Jaune: ... I'll ... Turn the flashlight on on my phone- I left it on the table somewhere ...

Reese: Here, let me help look for it to-

*Gentle Squish*

Reese: Uwah!

Jaune: Ah! What happened?

*CLICK*

Jaune: Oh! The lights are back!

Reese: *Holding her hands to her chest*

Jaune: Huh? What's wrong?

Reese: *Blushing against her anger* Patrons Are not allowed to touch the girls at the bar!

Jaune: What Happened?!?

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

[ravengards-rogue]

lucky bastard

john marston x fem!reader

✧ tags : afab + fem!reader, gendered language, established relationship, outdoor sex, lots of dirty talk, john being an idiot, mentions of sex work, all of this is very consensual reader is just shy. 18+

✧ wc : 1k

✧ a/n : this guy makes me insane against my will. everyday of my life.

✧ synopsis : john is full of bad ideas.

.𖥔 ݁ ˖˚☽˚｡⋆

"John Marston," Your voice is stern, harsh as you whisper. Both hands on his shoulders pushing yourself from the grasp he keeps you in so tightly. "Get the hell—"

"Don't be that way angel." His words are sweet but his voice is filled to the brim with snark. Edge to edge. "What? You too good for fuckin' in the woods now? Too much of a lady?"

You smack his shoulder. His response is to keep you exactly where you are - which is in his lap on an open trail, later at night. No blankets, bottoms discarded in a heap besides you since John insisted on getting you skin to skin.

You're not fucking in the woods, you're fucking just outside of them - a place to camp near the trees in the Grizzlies East - near Moonstone Pond.

You're right besides the trail, right where any down and out bastard could trot their horse through and get a clear shot of what's going on. There's better places to do this. Deeper in the trees where there's no chance of of somebody finding you both, for one.

But John seems excited at the idea of getting caught. And when John gets in one these moods, there's no reasoning with him. He gets caught up in his wants as always, foolhardy and crass. Though you mind it less than you're honest about.

His hands find your hips, blunt nails grasping at you for life as he moves you. Doesn't move himself, but rather - moves you, slides you up and down on the hard length of his cock with a smile just short of smug and just past mesmerized.

In the dead of night, it's easy to hear how he makes you feel. What he does to you. The wet lazy sound of thrusts of his dick in you drown all noise of the lonesome evening. You wrap yourself around him in a fit of desperation, hitting your fists weakly on his back. He laughs in the way he always does, presses a kiss to the parts of you he can reach while you throw a fit.

"You're such a rotten, no good, irritating bastard, Marston."

"And you just can't stay away from me, can you sweetheart?" He holds you in place while you bottom out and you can feel him swell when you say it. You almost want to sneer. "It ain't like you to play coy."

"I'm not playing anything. Someone's gonna come out here and see and—"

"And what? Some poor bastards gonna ride through here and see you split open on me and wish he was me? You feel sorry for him? I sure don't."

Your voice catches at the sudden change. The change in pace, the change in tone, the change in demeanor. His hands grip you tighter and he flips you until you're laying in the grass on your back. His dick kisses your cervix at the new angle, legs wrapped around his waist and blinking in surprise from where he looks down on you. More scar than man, all sharp lines and dark hair barely failing away from his face.

He leans down that time. You think to kiss you but instead he hikes you up until your spine arches so slightly and he thrusts that way. Fucks his cock so deep into you, it feels like all the airs been punched out of your lungs. It's more invasive than it's been all night, bigger and thicker - makes it feel like your cunt is being pulled open. The tip dragging on your insides, sticky and sensitive on each motion.

You gasp his name out, hands find his hair - tugging just to have something to hold. "John,"

"In fact, if anything - we're doing 'em a favor. Only time they see a woman at all is when they're paying for her. They could only be so lucky seeing a woman as beautiful as you feeling so good for me for free."

You make a whimpering noise and swallow it down. John laughs, scruff against your shoulder. His teeth tug at your ear lobe as he positions you - hand sliding between your bodies as his thumb finds your clit.

"I'd put a bullet clean between their eyes before they touch you, you know that? But I'm a decent man so," He laughs breathless. "A look is all they're gonna get. Charity, ain't it? In a way.''

You make a face at him, disarmed - weak, purely and plainly in a way that makes his laugh go from smug to charmed, affectionate. He kisses you on the lips that time. Corner of your mouth, your chin and cheek and shoulder. His arm cradling you easy in his grasp as you keep your legs up for him to fuck you.

Fire runs through your nerves as all the sensations settle in at once. The pleasure of having your clit rubbed even clumsily is enough to make you whine out in pleasure, especially in pace with being fucked so hard again and again. Something turns in your belly, honeyed - hot, like pouring sugar over a flame. You feel the warm iron of your own want be shaped by John with every consequential knock and thrust.

You breathe out as his attitude slows to merciful. He gets like this when you get close - gets all softhearted and gentle even as he's fucking you senseless.

You sniffle. "You're such a bastard, Marston."

"Don't I know it," He hums, easy and keeps going. "Getting close for me, angel? Gonna make me a nice little mess to clean up?"

"Shut up,"

He chuckles. "C'mon. You gonna let go for me?"

You swear. "Y-yeah."

"Good girl," He praises. You can't even pretend not to keen when he says it. "Go on then. Show me. Let me see,"

With another unceremonious thrust, you unravel in John's arms like the threaded frayed ends of a piece of twine. Pulled apart, you cum on his cock hard - a tingling sensation spreading through your whole body as your back curls up. Your legs force John to stay bottomed out as you shudder. The overwhelming pleasure doesn't seem to end.

You only breathe after a few minutes. John coaxes some comfort from you with a kiss to your collarbone.

"Still mad at me?"

You roll your eyes and smack his head lightly. "Shut up, Marston."

"Shut up ain't much of an answer." He says, pretending to sigh. "Guess I'll have to make you go one more to earn that forgiveness huh?"

Your lips quirk. Idiot. "Guess we'll just have to see."

.𖥔 ݁ ˖˚☽˚｡⋆

[browsing-and-anon-asking]

Hellooo first post

I was embarrassingly, watching back on one of my fav mlp redesigns videos and was like 'hey that would be cool... but with Fallout characters!!

Piper:

As you can see, I didn't mm change much. (Thank you Piper for your hate being easy to draw) However I assumed she's hot as fuck in all those layers and since she rarely goes out into the wastes, I thought of lessening the amount of clothing. Giving her a plain undershirt and jeans, her famous pretty jacket that has a 'closely matched' patch of cloth over one of the bigger holes in it. Also, all of her buttons are gone. So she has to have a belt to close her coat!

I also put her hair up bc I think she looks nice like that! Maid her hair a lil curly.

Gave her those belt bags to add on the 'women's clothes never have pockets' thing.

Gave her make up, since most reports before her wore it for charisma, I assume she picked that up.

Nail polish, I just think she'd like it to hide her dirty fingernails

Only does small smiles to hide her missing back teeth

Cait:

I changed a lot about her, bc honest!! I hated most of her design elements.

I forgot to put on her pit paint, so imagine this after going eirh sole survivor.

Took away her corset. Because I HATE that they would put a female cage fighter in ANOTHER unrealistic outfit. Let this woman breathe. Also, I made her tank top greasy because yes.

Made her more muscular, with more scars to show off. She's SO COOL!!!

Shortened her hair because hair is a BIG thing to grab in fights, and she's probably annoyed with how much people try to go for that. So she hacked it off! She did it herself!

I made her eyes a bit more detailed than the others to show off the drug abuse and trauma it left behind. It's not a lot, but it's a little detail, along with the needle holes in her arm.

So many missing teeth, and she's proud with a lisp.

Preston:

I love this man so much shut up.

Bethesda, let people of color have their hair! And have it be matted bc this man is too depressed to take care of himself instead of others

Made him less muscular and more on the skinnier side bc depression

Eyebags bc... depression.

I like his og coat, but again, so many layers are hard to run in, so I kept it to a minimum, like with Piper. His scarf, undershirt, slacks, and coat.

Give him more facial hair bc let that man actually look depressed bro.

Gave him earnings bc it just looks pretty on him. Small face scars he's clearly ashamed of and has tried to hide with makeup.

I mean, every word I said beside his head, they could change each other. For the better or worse

Thanks for reading! I'm gonna do a poll of other compainions to see which three I should do next :3

[gravity-falls-fanatic89]

November's Naughty and Nice Stories

Day 11: Mr. Mystery/Part 1 of 2

Mullet Stan Pines x Reader

Part 1-Fluff with mild language

Part 2 will be spicy:18+/MINORS DNI!

"Did you hear that guy in the woods finally came out to talk to people last week? He's been renovating the place since he opened it awhile ago." Susan said, already jittery from the 5 cups of coffee she downed before noon.

You and Susan were working Saturday morning at Greasy's Diner, and you were half listening to the gossip, pretending like you didn't care, but she was piquing your curiosity with the guy that finally made a public debut in a more vocal manner. He was a recluse for a couple years, and was now coming out and about, advertising his newly rebranded Mystery Shack, previously The Murder Hut that he was renovating.

"I don't pay no mind to the guy, Sue. You know that. He seems cocky, and a chatterbox," you said. But that wasn't true. You were always checking him out, and knew his stories were hogwash, but he was pretty cute for a bullshitter.

You two gossiped back and forth before the dinner rush rolled in, and you tried avoiding talking about Stan "Mr. Mystery" Pines.

"Hey, it's him!" Susan elbowed you, almost knocking you over.

He walked in, his chest puffed out a bit, with a white shirt covered in sweat on, and black slacks. His hair was a mess, but he looked like he was whooped for the day. Susan handed you a menu, and nudged you on.

"I can't go talk to him right now.... I'm 'busy.'"

You rolled your eyes, and took the menu. "Yeah, sure you are."

And Stan sat down, and you followed behind, placing a menu at the booth for him. "Well, hey good looking, ya decide to take care of me today?"

You could feel your cheeks get slightly red with the smooth talk, and try to dismiss it. "Can I start you with a drink, Stan?"

He smirked. "I'll take a coffee if it's fresh. I appreciate it."

You grabbed the coffee, and handed it to him, and let him know the specials. Turkey dinner with all the trimmings was what he landed on, and you brought it out, and proceeded to walk away, standing by Susan.

"He's actually being pretty mild for him today," you said to her. "I'm actually a little shocked."

"I think he's a little wore out. He's been cleaning up his place for business, and seems to be alone....Even for Thanksgiving," and she gave me the side eye.

"Yeah, yeah," and you swatted her off. You wrote up his check, and prepared to cash him out, walking up to him.

"Any pumpkin pie at all to finish up?"

"Nah, I wanna make sure I leave ya a tip. I appreciate ya dealin' with me after I've been stinkin' to high heaven from workin' all day. Probably don't need it anyways."

And you actually felt a little bad, and went to the counter, grabbed a slice of pie, and handed it to him in a to go box with the check. He was pompous at times, but even he seemed alright tonight. He looked at you, a little surprised.

"You need your energy to get that place up and running. Good luck, and just think of this as an early Thanksgiving Day snack to keep you going."

He looked at the check, and looked at you. "I appreciate that. I'm sure this pie is gonna be sweet, but nothing compared to you. Keep the change."

And he walked up and left, his check folded with the money inside. There was enough for the bill, and $50, along with his number.

You ever want to stop by, give me a call so you can check out the Shack.

-Stan

And his number was below it, and you felt your stomach do a somersault. Maybe you might pay a visit to Mr. Mystery after all.....As soon as you could get Susan to calm the hell down after she saw you two.

[burningcheese-merchant]

"I'm Sorry" - BurningCheese Short #9

Gonna be traveling somewhere soon, probably won't be back here for a few days. Wanted to leave you all with a story before I go. (I wrote it sometime ago, I've just been waiting for a good time to drop it. I guess now will do haha)

Plan on answering asks and posting BurningCheese kids when I get back (I have almost 100 asks in my inbox and I feel really bad for leaving them there. I'm genuinely sorry to you all, I actually am reading what you send me, I promise I won't leave you hanging forever. I answered a couple today and I'll keep it up soon). In the meantime, eat this short story where we see our favorite couple take an important step together, and Burning Spice take an important step himself

"I'm sorry."

Golden Cheese blinked. "I... Pardon?"

"I'm sorry," Burning Spice said again.

"You're sorry?" she echoed. "Sorry for... what?"

He paused for a long while before he answered. "For Beast-Yeast."

"For Beast-Yeast?" Slowly, she turned to face him, eyeing him critically. "And where is this coming from, exactly?"

"Why does it matter?" Burning Spice asked, keeping his gaze trained on the bustling city far below. "I am sorry. That is all I have to say."

She narrowed her eyes at him. "And... what? You think that means anything? You think one, single apology will change the past? You think it's enough to atone for all of your heinous crimes?"

"No."

"Then what audacity is this? Why even say it?"

"Because I want to," he said. "It's as simple as that."

Another long pause, longer than the last, came and went before Golden Cheese spoke up again. "Why should I even believe you when you say such words?" she asked. "What reason do I have to think you're being sincere?"

"Someone such as I saying it at all ought to be reason enough. You think I'd ever utter something so soft and pathetic to anyone else, for any reason? Even under penalty of death?"

"...Hmph."

A third pause came - shorter than the first two, because Golden Cheese couldn't bring herself to wait any longer than that.

"And what makes you think I forgive you? Or that I would ever even consider doing so?"

"You allowed me into your kingdom," he said, still refusing to look at her. "Into your palace, even. Here we stand together, watching your subjects from afar. You snuck me in so no one would see or notice me. Perhaps you don't forgive me at all... but you've let go enough that you've allowed yourself to do this much. Haven't you?"

"I..."

The fourth pause made itself known, hanging over the two of them as they stared down into the busy streets of the Golden Cheese Kingdom. It showed itself out when, at last, Burning Spice turned to look at Golden Cheese.

"I'm sorry," he told her one more time. His voice was soft. Quiet. In his eyes and on his face were emotions that only he himself would know how to read.

Golden Cheese looked right back at him, her eyebrows knit and mouth set in a slight frown. She said nothing, instead only nodding slowly, tentatively - unsure of how to acknowledge him, but willing to do so nevertheless.

When the fifth pause came, it weighed down on them both terribly, though who felt its burden worse was hard to tell. The silence was thick, tense, awkward. Granting cover to all the words Golden Cheese couldn't bring herself to say. Making up for all the words Burning Spice didn't have left to give.

Everlasting, like the city bathed in gold and neon lights waiting beyond the balcony railing and stretching on endlessly into the horizon.

--------------------------------

I will let you all decide for yourselves what led to this moment, and what happened afterwards.

[sockatoothewafflebird]

this post is a continuation of my analysis of arcane's s2 intro. go to the tag "arcane intro analysis" for the first post. this probably has lots of spoilers for s2 act 1 so beware!!!

i'm putting it all under the cut because 1) making sure no one gets too much spoilers and 2) it's probably way too long to fit.

okay, onto the viktor bit!

first we get the angle of the mask, and him reaching for it. i think it's interesting that in s1 this section is reserved for jayce and the crystal used in hextech; possibly alluding to the fact that jayce indirectly played a part in viktor's current state as of s2 ep3?

the next angle is above viktor as he brings the mask to his face. like he's resigning to his role.

the parallel to s1 where he's holding his book instead is especially painful. like, that book is what got you here. fucking ouch.

next bit is of ambessa. holding the black rose, a trail of petals behind her seat. i dont have a lot to say other than WHEN I GET YOU AMBESSA. WHEN I FUCKING GET YOU.

anyway onto caitlyn! ☺️

other than her looking like she's releasing the new iphone (whoever said that i love you) she's being put in the spotlight. she steps into the light starting with her head low, and then she brings her chin up to look out. i think it's worth mentioning how much space she takes up on the screen- it's probably just to emphasize the credits, but i think it's also symbolic of how much she's left behind to get to where she is. how much she's walked away from.

compare that to her first appearance in the intro in s1 and you see just how much she's changed. in s1 she's decked out in enforcer gear with her rifle, carved onto a wall like a symbol of hope. but she's in the shadows. in s2 she's in the spotlight and she doesn't look happy about it at all.

OKAY NOW ONTO MEL. HOLY SHIT THIS PART. I LOVE IT SO MUCH.

so, first we get jayce blinded by the light, after a tiny flash of the weird hexgate thing. i dont wanna touch on that because of this part.

the black rose petal falls. ambessa crushes the rose. and she's got that little glint of orange in her eye, and i think it means a lot. there's something i'm not seeing with ambessa in the intro but i think she's playing a HUGE role in the whole thing.

now, onto mel.

here, she's standing proud at her table, the circular window behind her, like she's the most powerful person in the world. and she's definitely very powerful. but, look. in s2's intro.

mel is backed into a corner, a circular beam of light tinted orange illuminating her, with hands crawling towards her face threatening to strangle her. her power is consuming her.

the parallels. oh my god the parallels are so good. if there's anything arcane does best it's fucking parallels, whether it be in writing, animation, characters, even just the intro to the show. it's some of the greatest use of parallels i've ever seen.

because of the image limit i'm gonna end this one here and move onto the next. i'm maling a seperate tag for this specific genre of analysis, #arcane intro analysis, so look for that if you want the rest of the intro. more to come!

[ckret2]

Vendor gender epiphany moment (i.e. when THEY realized THEY wanted to be a vending machine instead of an eighteen wheeler)? ~🪱

I don't actually think THEIR conception of what THEY fundamentally are made a change. Like, THEIR self-image changed from "vehicle/machine/property" to "person" to "god," but that's not what you're talking about.

THEIR gender—if we're gonna call it a gender right now for the sake of argument—is, and always has been, "guy that picks up a bunch of planets, moves them where they're supposed to be, and puts them back down." If anything, going into politics does more to go against THEIR "gender identity" than anything else.

The main change THEY went through when THEY left THEIR home culture was like... imagine if you're a truck driver who works for the army stealing food supplies from homeless enemy civilians to deliver to army bases, and then one day you go "hold on, what the fuck kind of a fucked up job IS this," and you flee with your truck to the enemy country, and now you pick up food from a nonprofit's warehouse to hand out to homeless civilians.

Because... trucking around food is just what you do, you guess. And you're sorta grumpy about being pigeonholed like this, like you went and got elected to city council but people still call you up to help truck food from the warehouse from time to time, but you figure you're working off your karmic debt, and anyway you're basically the only person in the country who can truck food to homeless people, because it turns out there aren't a lot of specialized machines designed to transport hundreds of planets across whole universes, so like, it's sorta gotta be you.

THEY might've changed the terminology THEY use for THEMSELF from something like "transport ship" to "vending machine," but if so, from THEIR perspective it's like switching from saying "I'm a dude" to saying "I'm a gentleman." Same gender, different presentation.

[atangledfate]

A Hero? Why did they all go to that so quickly? He never wanted to be a Hero, even now it was the furthest thing from what he wanted. He fought because he had to, he fought because he lost someone precious to him. It was never about justice, or doing the right thing. It was and has always been a very personal conflict for him. One he still battled with internally. There were things Starline didn't know and might never know. Which by proxy left Surge in the dark, as well. No he wasn't a hero, he was just a guy who decided to fight back when everyone else was running away. He was full of anger and rage, and just wanted to make Eggman pay for that. If not for Tails, and Amy he might have become a very different person.

" I'm not a hero... i wish everyone would stop giving me that label, and if you think GUN thinks of me as a Hero, you are out of your damn mind... "

He said rather bluntly to Surge as he was probably at the top of there shit list.

" GUN absolutely despises me... Because they can't control me. The first chance they got they tried to lock my ass up. Let's not pretend they hold me in high regard here. They tolerate me because folks would flip the fuck out if they made a move... Nah GUN only cares about how they can use me... and i ain't about to let them do that again..."

He crossed his arms setting the record straight, but Surge was right about one thing. Him rushing at GUN and losing his cool would only make everything worse. But deep down he knew this was going to end badly, GUN was cutting off there reinforcement and backing them into a corner. He knew tactic as he'd seen it before, and it was gun strat 101. The only thing that had not counted on was both Surge and Sonic on base and that may have been why there were stalling.

" And you think a GUN Cell is gonna make up for all the bad you did? That the idea? Cause i dun think that'll be how it works. Those cells suck by the way... the beds are the worst. "

He seemed to have calmed down at least and was focused on Surge, as he crossed his arms giving her a glance with those baby green eyes.

" They'll just want to use you... it's what they do, its there playbook... but if it's what you want whatever i guess i can't convince you otherwise... I just think this will hurt the kid alot more then it will help him..."

He sighed as he looked back toward the airship and fidgeted as he watched it getting closer. The massive shadow falling over the base as it and two other air ships came to a stop over top of HQ, as an almost imposing figure. Sonic felt the hair on his neck stand on end, as his bad feeling only intensified.

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There was alot that Kit and Surge didn't know about Sonic, and that statement proved it to Tails. But it was very hard for him to begin to explain it to Kit. Even then he doubted Kit or Surge would agree with it or even see it as a justified reason. But Death has a way of changing people, sometimes for the better and sometimes for the worst. He remembered what Sonic was like when they first met, and how he just never spoke to anyone. He honestly thought he was mute for a long time but of course that wasn't the case at all was it?

But at least Kit was honest with him and he could respect that honesty. He wanted him and it was probably the first big step forward. He also didn't disagree with him either, Sonic could end Eggman in a heart beat should he want to. He could have ended him so many times but he couldn't do that not without souring her memory.

" It does help... If only a little ... "

He didn't think trying to explain things to Kit would help and if anything it might agitate him. Though he wished he could make him see things the way he did.

" There, Relay is set up Restoration Coms fully restored... Lanolin should be able to contact our forces outside of Restoration now. We should get Belle Bot someplace safe till this is over, if anything happens to her, we'd lose coms and more--- Know anyplace secure? "

The horrible awful truth was, Sonic lost someone so precious to him that it nearly destroyed him. He was so full of anger and rage when he first met him. But it was her memory that kept him sane, that made him unwilling to to take a life. Her memory that made him believe that people can change. He knew neither of them knew the truth, how could they? He doubted even Eggman knew about her... or how she'd died.

But losing Sonic's mother had been the hardest thing in his life, and he still wrestled with it. If anyone had a reason to kill Eggman it was Sonic, and yet his promise to her kept him from going through with it. But he didn't think Surge or Kit would understand that kind of promise, or what it meant to Sonic. How breaking that promise would tarnish her memory in his eyes.

It was something he could never understand... his own parents abandoned him after all.

"Really? And here I thought they came all this for a fucking tea party with scones. Obviously I know GUN isn't here to just fucking talk, and I'm sure they have their own plans to be a pain in the ass. Though in case you forgot YOU'RE the hero, even to their bitch ass's. How do you think they'll react if you go off the fucking rails. At least if I do it then it'd be way easier for The Restoration to cut me off real quick." It was a blunt and harsh truth, though being such a loose cannon came in handy in a situation like this.

"What do you take me for, a fucking idiot? I'm well aware that I'll have to convince Kit NOT to fight GUN and let them arrest me, and doing that will be like pulling fucking teeth. That doesn't change the fact I trust only you to get him home and to keep your mouth shut just where it is. I'm not telling saying you can't be angry, though take it from me, you don't want it controlling you." Until today most of Surge's choices were driven by her anger.

"Look, I know you ain't happy about my choice, though believe it or not it's for me too. I got shit I need to pay for, and not everything is as easy as changing and running around helping people. Sometimes jail time is need, though I'm sure we both know some crazy threat will come up to force GUNs hand to let me loose to help which could help me get out faster." Surge main reason for doing this was clearly for Kit, though another reason was doing it for herself.

"So if you're done arguing with me then lets get to this fucking checkpoint and make sure GUN knows trying anything stupid will piss both of us off." Surge was ready to start telling GUN to pack it up and go the fuck home, if only for the fact it would get Drippy home faster. "Besides, in case you forgot we got giant Momma Wisp up there." The tenrec doubts GUN wants to fuck with a Wisp that side.

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"Belle Bot wasn't designed programming of hacking, and it was something we put on the back burner as it was made mainly for defense purpose's. Simply put, it can't do something on this scale, though I suppose it'll work for at least jamming their communication and airships if need be. Belle Bot, run program delta nine B on all GUN communication devices and airship within range."

Belle Bot's eyes would glow green for a moment. "Executing command and calculating time until completion. Calculation complete. Command will be fully done in six minutes. Recommending to avoid conflict until process is complete." The bot would then put it's focus on completing the command.

"Why? It's not like you did this to me, and honestly I couldn't care less about your existence by this point. At this point my dislike for you is only because of how continue to let Sonic act so foolish and not convince him to end Eggman. Heroism is fine, though there's a clear line between heroism and stupidity. You and I both know if Sonic really wanted to he could end Eggman at anytime. I'm sure even you can, though you don't." For the most part Kitsunami had gotten past Starline's programming expect for a voice every now and then.

"So there's nothing to talk about as I just don't like you, though I can also admit I don't trust you either. Mainly because our points of view are so far apart and so different. If it helps I can say it's no longer personal as I apply this logic to Sonic and plenty of your friends." Kitsunami could now say he was mostly thinking for himself, even if most of his motivation was to help Surge.