#the loose ends

[big-cheesy-productions]

So Pathfinder did not go well last night

In fact, it went horribly, horribly wrong. Campaign ending wrong.

My character and another PC got replaced by doppelgangers, and we played our roles too well.

We rolled like shit and the villains rolled too well.

We're all trying to process it and figure out what's next because none of us wanted to be done telling this story. And we certainly didn't expect it to end in the middle of some more lighthearted quests.

Our DM was as shocked as we were.

Sometimes, campaigns don't go how you'd expect.

I'm still trying to collect my feelings. I don’t want Jhara’s story to be over. Definitely not like this. It had only just begun. My brain is trying to bargain, trying to find some way we could continue.

For now, I have to not cry over my bowl of cereal, go to work and answer emails about wiffle ball, and pretend I’m not deeply upset about a game of make believe.

Fortunately, Pluto is being a good emotional support cat.

[glimmergut]

[paidtoreadbooks]

Content warning: cancer

D&D players on here- NEVER let a DM act like they don’t accidentally drop their personal experiences/trauma into a game the same way players accidentally drop them into PCs

I accidentally made fantasy chemo last night in my session, and my father has been beating back cancer for near 3 years now.

AND ONE OF MY PLAYERS WAS THE ONE WHO POINTED IT OUT! AGH!

Are you KIDDING ME! (We “fixed it in post”, meaning we paused the game, sat there and found a solution to the problem that didn’t involve personal traumas surrounding cancer at the table, and then resumed the game with the new lore intact)

Anyways- don’t let a DM ever be high and mighty to you about going through something because here’s the bottom line:

If you’re playing D&D, you’re probably working through something. Doesn’t have to be like cancer level going through something

But it’s almost assuredly something!

Play on! What a phenomenal game we play!

[iknityounot]

(Long post, sorry y'all)

A little more than two years ago now, my grandmother passed away. She and my grandpa had moved down to my home town a few years before so we could take care of them. I brought them groceries once a week, helped them write checks, fixed tvs, and found lost things. I was really close with my grandma.

In addition to her hilarious personality and dry wit, one of my favorite things about her was that she was a painter and a crafter like me! She used to crochet, and I took her to the craft store a couple of times so she could get more yarn and books on crochet. But her arthritis and the shaking in her hands kept getting worse, so she eventually had to stop.

She kept her most recent project, a granny square blanket, safely packed away in a plastic bin. She told all of us she was going to finish it one day.

Her hands never got better, and when she got sick, and we found out it was cancer, she rapidly deteriorated.

After she passed, I went to work helping my mom clean out my grandparents apartment so we could move my grandpa in with her. In our frantic cleaning, I found that bin again:

DOZENS of granny squares, dozens of half used skeins. I asked my mom what she wanted me to do with it, and she said she didn't care. I set it aside and later took it home.

Maybe a month later, that tumblr post about the Loose Ends Project was going around. It felt like a sign--I was never going to learn to crochet in order to finish my grandmother's blanket. But they might be able to help!

So I filled out the interest form. They got back to me SUPER quick. And maybe 2 weeks later, I was paired with volunteer in my state (only 2 hours away!) and the box of yarn, granny squares, and my grandmother's crochet hook were in the mail. That was at the end of January this year.

Over the next couple of months, my "finisher" emailed me regular updates on her progress, and asked me questions on my preferences for how she constructed the final blanket.

At the end of August, the blanket was done!

I had always intended the blanket to be a gift for my mother. So I cleaned it up, put it in the only bag I had big enough to fit it, and drove to my mom's. I gave the blanket to her and she was gobsmacked. I explained to her all about Loose Ends, and how someone volunteered to finish the piece for us. She was speechless. (I was quite pleased with this, because I am not the best at giving gifts, so this was a pretty exciting reaction!)

She said that it was the most thoughtful gift she had ever been given. She said "your grandma would love this". To which I replied, "yeah, I know she really wanted to finish it a couple of years ago". But that was when my mom dropped the bomb of a century on me--she told me that my grandma had started making those granny squares OVER 30 YEARS AGO. She had started the blanket when my grandpa was staying in the hospital, but that was back when my mom was younger than I am now! My grandma had packed them all away, planning on finishing it, when my grandpa was sent home from the hospital. Then it went from house to house, from condo in Chicago to their apartment in my hometown. All that time and my grandma had wanted to finish it, but couldn't. First because she was busy, then because she forgot how to do it, then because of her arthritis, and then because of the cancer. My mom said she had given up on expecting my grandma to finish it. 

She said I brought a piece of her childhood with her mom out of the past.

And really, all of this is to say, if you have seen or heard about the Loose Ends Project and have an uncompleted project or piece from a loved one who has passed away--these are your people. They were so kind and treated my project with such care. That box probably would have been found by my own grandkids one day if I hadn't heard about Loose Ends.

Five stars, absolutely worth it!

(From what I understand, you can sign up to volunteer too! If you have time to share, it might be worth checking out!)

[pealingpetals]

[gunstellations]

safety first! 🏍️🏍️

[cak31ssuperi04]

"Basically what happens is, Grace and Max are right about to win. They're right about to do it. And then, there's a groaning. In the floorboards. Suddenly, the staircase gives out beneath Grace and Max, and they fall through the floors. They fall stories. Pieces of wood shove through their chests, and they both are killed."

"But keep this in mind, nothing truly dies in the Waylon house. Grace and Max become ghosts, and they're off doing whatever, but they're no longer involved in the tournament."

So.. that Pit Stop in Hatchetfield tag team deathmatch huh.

[hotcinnamonsunset]

proof that you CAN use math in every day life😌✌🏼

[mobileleprechaun]

The Pea

I'm very hung up on the symbolism of this dish, particularly with how it pertains to Eddie and his episode of severe emotional distress.

Eddie was all alone in his post office when we found him. Although he refused to state this outright, it was clear he was feeling excluded and forgotten by his neighbors. We have often seen him pushed to the margins of the community, only sought out for his utility to the others.

Barnaby openly delights in scaring and tormenting him, Howdy overworks him without sparing a second thought to his needs, Julie only calls upon him when she someone who's easy to drag into a game, Sally refuses to address him by name and treats his attempts at social connection with disdain, Wally and Poppy only have fleeting interactions with him, and Frank hides his burgeoning fondness behind a facade of cordial indifference.

The pea is alone, too, isolated on the stark white backdrop of the plate.

"Take care not to place them too close together." Even if there are more "peas" at this party, Eddie sits alone in Home's chair, denied the basic creature comforts of intimacy as he watches the others mingle.

The pea is also a pittance to Eddie. It is presented to him right after Sally's single, small attempt to show him goodwill, which she only bothers to do because it's a holiday.

She still does not address him by his name. The gesture, the pea, and the seat are all mere crumbs – too little, too late for a neglected outsider who struggles to make sense of the lonely, awful torment of his life in this Neighborhood, one which he cannot properly articulate for fear of sounding ungrateful.

Home stares him down from his lonely seat. Its presence is monolithic and ominous, a towering figure that only makes him feel more small and alone.

Is it intruding on his mind on purpose, trying to hurt him? Personally, I don't think so, though it still remains to be seen. His words to Frank at the end are telling, though. "I want to go home."

Whether it means to or not, Home torments him with its very being. It's both the elephant and the room. Eddie is an outsider. Eddie can't remember where he's from. Eddie sleeps in a post office after thanklessly running himself ragged every day. Home is the very reason for this holiday, and Eddie is homeless. It's staring him down because it's a symbol of everything he aches for, but cannot have.

Eddie is the single pea on Home's plate. Take care not to place him too close to anyone else.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[big-cheesy-productions]

Jhara Ghandri Reference Sheet

She is finished! Jhara's redesign came with a whole reference sheet.

Reference Sheet

Front View

Back View

Bosun Whistle with the symbol of Sikotar (sextant)

Charm bracelet from Piper

Gold bracelet from Piper

Headshot

Tattoos

Piper is @fiona-clawton's character!

Enjoy!

[glimmergut]

“Losing my religion”

[flanaganfilm]

The Midnight Club - Season Two

I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.

My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.

So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.

So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!

AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.

Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.

Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.

This was the thing I was most excited about for this season.

REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...

Anya.

Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.

As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.

In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.

In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...

With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.

Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.

For Spence, though, things would take a different turn.

The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.

Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.

But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.

It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).

She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.

Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.

What about the Living Shadow? It's Death, right? Well... no.

At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.

HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?

This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.

The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.

THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.

The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.

We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:

Who were the Mirror Man and the Cataract Woman?

They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).

But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.

Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.

The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.

She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.

He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.

They were soul mates.

So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."

Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.

But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.

Seen or unseen, here but not here.

I'll always be grateful that I got to be part of this Club.

[nelkcats]

Immortal Nanny

Bruce Wayne had never been a father. He knew what it was like to be a good father, and he knew what good fathers should be like, but adopting Richard was an impulse, a moment when he decided to give a child the comfort he needed, as he himself had needed in the past.

But just because he knew and understood didn't mean he could do it, or that he could become a good father instantly. Alfred would be a great help, of course, but it was he who had to raise the boy, Alfie was too old to start raising another child.

So, it was only natural that he forgot all about his busy life as "Brucie Wayne", adopting Dick hadn't stopped the million interviews or meetings, and while Alfred was extremely capable, Bruce still decided to hire a nanny.

Daniel Nightingale was a bit of an outsider (in a good way), he was studying at Gotham U, and was doing very well in his chosen career; though his records were strangely empty, Bruce knew he could trust him. His tired look and the shy smile he gave him upon arriving at the mansion was enough to calm his concerns.

Perhaps it was because he was just starting out as Batman at the time that he didn't investigate further.

Anyway, Dick loved Danny, from that first day, he used to tell Bruce about his "adventures" and how much fun he had. On one occasion he even told him they had a snowball fight (which confused him, because it was July but he was too tired to question the excited kid).

So, Danny became Dick's, and later Jason's, official nanny. He never complained and always smiled. The boy got along quite well with Alfred and would attend to any emergency, although he was never involved in the vigilante business.

It was only after Jason's death, when Tim arrived, that someone began to question Danny. Tim wasn't sure about Danny, there were a lot of things...that just didn't fit, and if the old photos of the mansion were any indication, the nanny wasn't getting any older.

Dick wasn't ten anymore and that was pretty obvious, but Danny looked exactly the same. Tim frowned, puzzled as to how no one had investigated such an oddity before. Alfred simply looked at him with an amused smile. He wondered how long it would take for the family to notice the (rather obvious) secrets of the elusive nanny.

Alfred couldn't blame the boy, the easiest way to hide something was in plain sight. And he knew the halfa would never hurt his family.

[proxycrit]

What if I redesigned some horses to fit MY favorite narrative trope: fallen gods and forgotten myths of old? Anyways.

Twilight’s mentor is a strange one. In a world of twilit planes forever shrouded in mystery, the older unicorn Lest and her adopted student Twilight are one in many common travelers, migrating the pitted wastelands and eeking survival within settlements that spring up around the glowing meteor shards. Despite living with Lest for the last four years, Twilight can’t help but seek answers to where her brother has gone— and in the process, perhaps dig a bit too deeply into the complexities of gods far older and dangerous then she can truly fathom.

On the otherhand, Celestia “Lest” Sol is having a terrible millenium. Her sister is no longer her sister, her student teleported herself halfway across the continent, and she got herself kidnapped by an old rival trying to attune with the elements of harmony to overthrow the current ruler of Equestria.

At least she gets a toxic yuri moment.

Meanwhile, Chrysalis is having a great time. She’s got kingdoms to conquer and people to feed and a waning god to taunt.

(The Selene Grace hates the sun monarch they deposed five centuries ago as they stay chained to their post, keeping the lunar and solar bodies from crashing into each other. Luna misses her sister, and the easier world where they haven’t hurt each other beyond reparation. Nightmare Moon misses their monstrosity, trapped in a host who’s grief has poisoned them with empathy.

Things are bound to tip. The celestial bodies are not bodies, but prisons, and the amalgamations we call alicorns the key. And something desperately wants to be freed…)

Anyways:

My mane 6 redesign here!

And my luna and celestia redesigns here!

[hairmetal666]

Steve has a problem. Not a big problem--not an Upside Down-sized problem--but still. A problem. In the form of Eddie Munson. And not the person Eddie Munson, who is second only to Robin in the hierarchy of Steve's heart, but his feelings in regard to one Eddie Munson. Namely, his enormous, devastating, gay crush on the guy.

And he knows, okay, he knows Eddie is gay, but that doesn't mean he wants Steve. Eddie is probably into other metalheads or dnd nerds. What could Steve, with his sports and his polo shirts, possibly have to offer?

He's coping, though. Or, at least, he thought he was until the Family Video phone rings and Jonathan invites them to the New Year's Eve party he and Argyle are throwing at their new apartment.

"We have to make a no-date pact." He tells Robin as soon as the phone is back in the cradle.

"Or you could just ask Eddie."

"You could just ask Nancy." He raises an eyebrow.

She lets out a slow breath. "Yeah, okay. No-date pact. I'm down."

It's just as easy to get Nancy and Eddie on board. Nancy just laughs and says "yeah, like I'd bring a date to the party my ex-boyfriend is hosting with his new boyfriend. How you do you even start to explain that dynamic?"

And Eddie snorts right in Steve's face (it's not cute, it's not), says, "Right, cause my dating pool in Hawkins, Indiana is just ripe with guys who want to ring in the New Year with me."

Steve wants to say that he would be that guy, happily, giddily, but he can't risk blowing up his second most important friendship like that, not when Eddie's never given a fraction of a hint that he wants Steve too.

But that's his problem solved, right? The four of them aren't bringing dates. Easy-peasy.

Unfortunately, Steve's life hasn't ever worked out like that, and the party turns out to not be only their little end of the world crew and a handful of people Jon knows from his grocery store job, but an actual motherfucking party.

It takes almost ten minutes for him and Robin to navigate through the sea of strangers to find Jon and Argyle handing out solo cups in the kitchen.

"Who are all these people?" He shouts over the pounding music, nothing like Steve's ever heard.

"Argyle got a job at the record store down the street," Jon yells.

"Co-workers." Argyle nods. "And a few of their friends."

"A few, right."

"The more the merrier. Right, my dude?"

"Sure." Steve takes a cup. "You seen Eddie around?"

"Living room, last time I looked." Jonathan answers.

"See you around?" Robin asks.

"At least meet up for the ball drop," Argyle answers.

They push their way into the cramped living room, and Steve searches for that familiar cloud of hair, the ripped black jeans. It takes a minute just for the sheer amount of bodies pressed into the small space, and when he sees him Eddie's--

He's standing against a wall, next to the stereo (of course), but there's someone with him. Someone who is tall and leanly muscled in a way that Steve isn't. Someone with long hair pushed back from his forehead. Someone with facial piercings in places Steve didn't even know you could pierce and tattoos and a chain hanging from his worn blue jeans and a bandana in his back pocket, just like Eddie.

And Eddie he's--he's gazing up at this dude with clear stars in his brown doe eyes, body angling towards the other man like he can't help but push more into his orbit.

Steve turns hard, Robin colliding with his side. "Steve, what the--oh."

"I hate New Year's Eve," Steve sighs, trying to ignore the sick feeling in his stomach. It's always been the kind of holiday that is high on expectation and low on follow-through.

"C'mon, I think I spotted Nance over by the bedroom."

He lets Robin guide him across the room, steadfastly not looking back at where Eddie is very obviously finding himself a date. It's okay, Steve reasons. It's okay because that was obviously the kind of guy Eddie would be into it. He knew he had, like, no chance. He shouldn't be disappointed. He shouldn't.

The evening slips away in the shove of people, in the solo cup that manages to always be full in his hand, and he tries as hard as he can to ignore the way Robin and Nancy start sharing the same space.

So much for the no-date pact. He would laugh if a sort of deep loneliness wasn't seeping into his bones.

There's a girl, though, across the room. She's in a short dress and glances at Steve from under hooded eyelids. He could make a move; could have someone to kiss at midnight; have someone just for the night. But then--his heart makes a pathetic patter--Eddie.

Eddie who is practically in that stranger's lap.

He goes out for a cigarette.

When he comes back inside, it's five minutes til midnight and Nancy and Robin are dancing slow and sweet to a song that is neither.

He's happy for them, almost incandescent with it, but the loneliness sinks deeper, reaches marrow, especially after he fails to find Eddie in the crowd.

Steve thinks it might be time to give the whole failed endeavor up for good, but Jonathan and Argyle, both in tiny 1987 novelty top hats, appear at his side.

"Stevie-boy!" Argyle bellows. He lifts Steve at the waist, twirling him, and Steve laughs despite himself.

"Keeping busy?" He asks.

Jonathan pounds him on the back, just a little too hard.

A guest yells from deep in the apartment, "one minute to midnight!" and the music turns off, the TV tuned to Dick Clark and turned up.

Nancy and Robin find their way over, Robin mouthing "sorry," on her way. He pulls her into a side-hug; he'll never begrudge her any happiness, even on his worst day.

From across the room, there's a crash, a short yelp, and then a familiar head of fuzzy brown curls makes its way to them.

"Sorry, sorry." Eddie apologizes as he shoves through the other guests.

"Hi, guys!" He beams at them, cheeks flushed. Steve looks away so he doesn't have to think about how beautiful Eddie is; about how he's not the one who made him blush so pretty.

The countdown on the screen reaches 30 seconds, and the party goers start chanting.

"What happened to--?" Steve can't help but asking.

"Psh, that dude? He's a punk. Plus, I couldn't imagine ringing in 1987 without you guys by my side."

Steve blushes and rolls his eyes. "Sap." He knocks his hip into Eddie's.

"You love it," Eddie wraps him in a loose hold.

The count is down to 10, the ball almost dropped, Jonathan and Argyle and Nancy and Robin making soft eyes at each other.

"What's going on in that head of yours, sweetheart?" Eddie knocks his head gently against Steve's.

"It's nothing."

"You're pouting." Eddie mimics him with a poked out lip.

The count is down to 5.

"Fuck, I just--I wanted to have someone to kiss at midnight, you know?"

The ball drops, the year changes over, the room cheers. His coupled up friends cling to each other in soft, joyous kisses.

Eddie's eyes flick to their friends, to the guests, all kissing and embracing and celebrating, then back to Steve.

With two careful fingers, Eddie lifts Steve's chin, makes it so he can't look away.

"Fuck it," Eddie says. He leans forward, kisses Steve with soft authority.

And Steve just--he just fucking--crumbles into it. He makes a soft noise, curls his fists into Eddie's t-shirt.

Eddie's hands work their way into his hair, pulling him closer. Steve goes eagerly, crushes their bodies together.

They kiss and they kiss, and it's already so far from a friendly New Year's kiss, but then Eddie's tongue swipes into Steve's mouth, and the kiss breaks.

"Um," Eddie says.

Steve can't respond because all his focus is on not giving into the weakness in his knees and collapsing to the floor.

"I've wanted you to do that all night," Steve says.

"Oh." Eddie's face blossoms into a slow smile. "Me too. A lot longer than that, actually."

It's Steve's turn to smile, and he does, so hard it hurts his cheeks. "Me too."

Eddie presses their foreheads together. "Happy New Year, Stevie."

Someone starts singing Auld Lang Syne loudly and off-key, but they're quickly drowned out by a chorus of accompanying voices.

"Happy New Year, Ed."

Steve pulls him in for another kiss. 1987 is already shaping up to be the best year of his life.