#the interests include but are not limited to

[dailylooneys]

Happy 90th B-B-Birthday, Porky Pig!

Yeap! Happy 90th Birthday to Warner Bros. first ever true cartoon star and the oldest continuing character in the Looney Tunes character.

After many (somewhat) failed attempts at creating a starring character for the very young Termite Terrace, many of them being Mickey Mouse-equse characters, such as Bosko, Foxy (most infamously and obviously) and Buddy....

.....there came a point in the mid-30s' where the directors, particularly Friz Freleng and Tex Avery, wanted to try and do something different, and that was to create a character who had a unique voice and embodied the soon-to-become irreverent style of humor of the WB cartoons.

First appeared in 1935's I Haven't Got a Hat, directed by Friz Freleng, part of the color one-shot series of Merrie Melodies shorts, was an attempt for Termite Terrace to see which character who appeared in the short could be there next star. Porky appeared in a somewhat supporting role in the film, voiced by Joe Dougherty, who had an actual stutter. The character's iconic stutter was inspired by a real-life pig guttering noise, according to Mel Blanc.

Well, I had trouble with, Porky, because he stuttered, and a lot of people said, "you can't do that". That's why I did it, because everybody was using falsetto voices, everything sounded the same. And I said, what can I do to make this character different? So I called up Warners' casting and said, do you got anybody who stutters? And they had this [Joe] Dougherty guy, who stuttered, and the guy could not just get through a line. And we were doing all of our sound on film then, there wasn’t any tape. If Jack Warner knew how much film I was using, I was through with animation. So I had to get somebody to mimic, and that was Mel. And of course, Mel can do anything. - Friz Freleng (”Friz on Film” documentary)

According to animation historian Jerry Beck, there was some thought that Beans would be the studio's next big cartoon star, as he would appear in a handful of shorts in the black-and-white Looney Tunes, while Ham and Ex were the only other characters of I Haven't Got a Hat to also make one more appearance, starring alongside Beans in The Fire Alarm (1936).

Goes without saying, nobody found Beans or Ham and Ex at all interesting, leading to Porky overshadowing them, and the rest is history.

From then on, Porky became the star of the Looney Tunes series, which were still in black-and-white up until '43. Like many classic cartoons character from the Golden Age of Animation, Porky's role varied from kid to adult character, to dealing with many everyday mundane things or having a specific position, including, but not limited to, farmer, hunter, waiter and zoologist, usually accompanied with other characters such as Porky's dad, Daffy Duck, Gabby Goat, or other one-offs.

The director who perhaps was responsible for giving Porky an even more distinguishing personality and design that we associated with today is Bob Clampett, as he was relegated to directing the main Looney Tune shorts up until the early '40s, which was possibly when Porky shorts were at their best.

(an image of the now-famous "blooper" (Breakdown of 1939) of Porky swearing, directed by Clampett, was made as part of a compilation of bloopers from live-action films, was screened during WB Christmas party reels, but was never released to theaters. This was made a year earlier before Gone with the Wind gained controversy for the use of the word "damn", as swearing was beyond prohibited in films up until the 1960s, when the Hays Code was starting die out.)

However, with the introduction of other, more colorful and quirky, mischievous characters such as Daffy Duck and Bugs Bunny, the directors would have admitted to having gradually grown tired of Porky as a character, even as early as 1939, he would play a very minimal role in much of the shorts, such as Porky's Hotel, Porky's Poor Fish, Meet Joe Dougherty and The Chewin' Bruin to name a few. Frank Tashlin infamously stated that he straight up hated Porky, referring to him as "a terrible character", due to the fact that a majority of the shorts he directed always starred Porky, finding him to be very inflexible, compared to his favorite character, Daffy. As a result of Porky's lack of popularity with the directors, Porky would end up becoming more of a side character, often alongside Daffy, Sylvester, Charlie Dog and so on, worked to Porky's benefit as not only did he continue to have sustained popularity with movie theater audiences, but the humor often derived from Porky being the most fairly grounded character being caught in the center of the character's wacky, off-the-wall personalities, or that when he's pushed to his limits, Porky will too snap!

"Nobody liked to work with Porky, because he was too square of a character." - Friz Freleng

Thankfully, this resulted in Porky never losing his popularity as he continues to be as world-famous and recognizable as Bugs, Daffy, Road Runner, Foghorn Leghorn, ect. After over 30 years, Porky would make his last appearance in the original theatrical series' in 1965's Corn on the Cop starring Porky and Daffy as Keystone Kops-looking cops trying to capture a crook whose dressed as Granny.

This cartoon has many significance: it being the only latter-day WB short he ever appeared in. The only Porky short directed by Irv Spector. And the only time Porky appeared alongside Granny, having almost the longest-lasting appearance of any of the characters in the original Looney Tunes and Merrie Melodies series, defeating only by Daffy Duck, who's last original appearance was in 1968 (31 years), near the ending of the original theatrical cartoon series and the closure of Warner Bros. animation department.

After the end of his movie career, Porky would continue to appear in many other Looney Tunes-related material, one of them being The Porky Pig Show (1964 - 1967) which is a compilation of various of the original shorts, an appearance on Tiny Toon Adventures as Hampton J. Pig's idol and mentor, and many more, especially more recently, one of the main stars of The Day The Earth Blew Up (2025) where we see him in his original Bob Clampett design.

So, despite not being considered the immediate favorite of either the creators (both the original and new) and/or casual viewers', we should not forget the importance of Porky Pig and the impact he left on the original Looney Tunes, and the franchise as a whole. I mean, we got a whole DVD set entirely dedicated to the pig himself:

[tsunodaradio]

not what it looks like ⛐ 𝐆𝐑𝟔𝟑

george has a soft spot for you. (or: the one where the media goes crazy because george is... snacking?)

ꔮ starring: george russell x girlfriend!reader. ꔮ word count: 0.6k. ꔮ includes: fluff, romance. mentions of food. established relationship. ꔮ commentary box: i suppose this is a thing now </3 part of my soft spot mini-series! inspired by george in this video. 𝐦𝐲 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

It’s been a while since the paddock has been this intrigued. 

A rather big feat, considering the nature of the sport. F1 thrived on drama and excitement, preyed on moments of humanity and weakness. Today, though, it’s not anything on-track that has everyone buzzing. 

No. It’s just— George Russell with a bag of chips. 

Cameras click away. Reporters rush to pull up receipts. They’re all thinking of an interview from way back, where the driver had answered a slambook question of What’s your top three snacks? In typical George fashion. 

I’ll go with fruit, he had declared. I’m an athlete. I don’t snack on chocolate, no. Like… would an athlete snack on chocolate? 

No one had bat an eye, then, because of course the Briton would say something along those lines. Today, though, the clickbait headlines write themselves. 

George is snacking. Not only on chips, an eagle-eyed journo notes. He’s got a whole plastic bag in hand, presumably from the 7-Eleven down the road. 

Kimi is understandably confused when a reporter tries to interview him about it. 

“It’s just a snack, no?” the rookie stammers. “Are we— are the Pringles banned on the track?” 

George is unsurprisingly questioned as well. It comes as he’s heading out of the garage home; some nosy columnist calling out, “Russell! Bit hypocritical, innit?” 

The driver doesn’t stop walking, forcing the media personnel to keep up with his quick pace. He’s mastered the art of keeping his expression checked, so his expression is mostly neutral— dry, even— as he responds. 

“What is it this time?” George huffs. 

In his head, he’s already running through the day’s practice session. Did he make some comment on the radio? Was it something about track limits? Or—

“You’ve got crisps,” a journalist accuses, “and chocolate.” 

It’s so stupid. So unbelievably minor in the grand scheme of the impending race weekend. If he hadn’t been caught so off-guard, George might have sniped at the reporters to try and ask better questions. Surely there was something more interesting than his grocery list. 

George is jolted, though. Enough to falter in his steps and stare incredulously at the wolf pack of journalists, all clamoring for a soundbite. 

He ends up giving them one. “It’s—” He breathes a disbelieving laugh. “It’s not what it looks like.” 

The surrounding reporters erupt into a flurry of pointless follow-ups. “What happened to your body being a temple, George?” “Bit of a cheat day, innit?” “How do you like your chocolate? Dark, milk, white?” 

Another laugh bubbles out of George. He ignores all the questions and heads for his car, already weaving the story in his mind.

That’s why the tale is just a little bit dramatized, by the time he gets to you. He had an entire ride to come up with it after all. 

“They were brutal out there,” he bemoans as he tosses the offending plastic bag of goods onto the coffee table. “Calling me a hypocrite. Claiming that I’m not an athlete because I was caught with this!” 

You let out a sound between a scoff and a giggle. It doesn’t matter which, really, when the underlying affection is all the same. 

“My poor baby,” you coo, “and the lengths you go through for little ol’ me.” 

George plops down on to the couch as you lean over to survey his purchases. It’s everything you would’ve asked for; all your cravings that you’ve been too busy to indulge. 

Your boyfriend pulls your legs on to his lap. Absent-mindedly, he rubs circles into your ankle as you happily tear open one of the chocolate bars. 

“The lengths I go through,” he repeats, aiming to sound annoyed and valiant. Instead, he comes off as smitten. Whipped. 

George still doesn’t like to eat much chocolate. 

He gets his fair share of it whenever you lean in to kiss him, your lips sweet as the guilty pleasure that you liked to indulge. 

“Thank you,” you murmur against his mouth, and he hums in response before going in for another kiss. 

Just for a taste, he swears. ⛐

[butterflydm]

Scattered WoT rewatch thoughts (1x01-1x04)

This includes spoilers for s3, because my rewatch is adding some context to my thoughts for season three and the spoilers we know so far and book spoilers through Lord of Chaos:

1x01

I do think it's likely that Egwene's Accepted Test is going to mirror the scene with Liandrin gentling the man from the cold open, but Rand being in a river ties it more to Egwene and the Two Rivers. Egwene has been very associated with water so far, from needing to trust the river in s1 to undergo the rite to officially become a woman, to a jug of water being the symbol of the battle of wills that she has with Renna in 2x06.

We have been watching Egwene's and Rand's paths diverge from each other from their very first scene together - the first time we see them kiss (and have implied fade-to-black sex) basically is a play from Rand to buy himself a little more time with Egwene before she breaks things off with him. Afterwards, she tells him that their futures aren't going to be aligned with each other. We even see her reject his symbolic romantic gesture of giving her a berry, which he used to give her when they were younger.

Rand will later say that Selene is the first woman to see him as a man and it does feel like his relationship with Egwene is very tied up to his boyhood.

So, s1 has an ep1 post-coital scene where Egwene's abilities separate her from the possibility of a future with Rand, so we may see this mirrored (if you'll pardon my choice of words) in 3x01.

First Finn foreshadowing for Mat: the tiny noose-like bits of thread on Fain's wagon.

The Rand & Egwene on a cliffside rock scene is another one that we know gets echoed in s3, with Lanfear taking Egwene's place and changing the narrative.

I really like that Nynaeve's feelings about the Two Rivers are grounded in her personal relationships (Rand has also been hearing a lot of things about the AS to make him wary, going by what Tam says about them).

Mat provides gambling, alcohol, and fostering emotional sharing in the relationship between the three boys. And we see them showing care and concern back to him.

I really do love how the show took the concept of Bel Tine and tied it into the world mythology of the Wheel and reincarnation. Very good philosophical setup for the future. Wheel keeps turning and we keep trying to do better than the last time.

We also see Nynaeve's loneliness in the Bel Tine scene, which is what Rand talked about when he was talking about what Egwene choosing to be a Wisdom would mean - no family of her own.

Overall, the show does such good job of showing how this mountain village has held onto the old ways without even realizing the depth of what those ways mean.

The battle is so well done. The fear and panic of the villagers at first, and how Moiraine helps them. I am also going to stand up and say that i think that having (and killing) Laila was a good choice! It shows us the cost of the Trolloc attack, it sets up Perrin's fear over his own battlerage, it sets up Perrin's overprotectiveness over his love interest without making wild overprotectiveness just a Two Rivers trait. And it really made all the show-only reactors that I watched sympathize with Perrin instantly. It was a solid change.

Rand undergoes the first of many "my parents weren't what I thought" when he sees how well Tam fights with a sword.

I love that we see our EF5's courage so strongly but in different ways.

Our first glimpse of weaves and of Aes Sedai working together with their Warders! And we see how effective they can be together. We're going to see the limitations of Warders in s3, I think, because they don't help much in a Power vs Power battle, but for most trouble that an Aes Sedai has been able to get into before now, they were very useful!

Also: Egwene is wearing a bracer on her left wrist here that is very much like the one she wears in s3 (and that does kinda echo the sul'dam bracer).

Rand mentions earlier that stories say a single Aes Sedai is said to be able to turn the tide of a battle and we get to see that here when Moiraine pulls down the Winespring Inn to hurl the stones at the Trollocs.

Poor in-denial Rand here, who does not want to believe what his dad confessed to him on their journey to the village.

Rand, Egwene, Moiraine, and Laila all in blue here, in the aftermath of the attack. Both Rand & Egwene cover up their blue shirts with brown sheepskin coats for their journey out of the Two Rivers. Mirrors!! Foils! Following parallel but separate paths, which is part of why they can't be together.

Rand knows that this about him but he can't admit it to himself. I love it when stories continue to add depth on a rewatch.

1x02

We saw the danger of the Shadow in the last episode, now we set up the danger of the Whitecloaks. Another scene that gains depth on rewatch, as show-onlys will later realize that the Whitecloaks are murdering a healer here, once they find out more about the Aes Sedai. They are zealots.

"Sometimes brutality is the only path to mercy." Yikes!

This episode also brings in the evil of Shadar Logoth, a more ancient example of purely human evil that is not driven by the Shadow or Darkfriends. The city that ate itself alive out of paranoia and self-isolation from the world. A cautionary tale for what the Two Rivers could have become.

We get first lessons in Aes Sedai Oaths here, both their limitations and the ways to find loopholes around them. We also see that Rand confronts Moiraine publicly while Egwene also confronts her, but privately (because Moiraine is also clearly more comfortable having private confabs with Egwene over any of the boys - she's no Red but still has a wariness about men could channel).

Is this Egwene and Mat's only conversation? (And they are quickly joined by all the others)

We see Mat trying to lighten the mood, while Rand begins to show hints of leadership, wanting them to form a plan in case Moiraine turns on one of them.

I like the change that the show made in the Three Oaths, giving them a solid origin based in history - and tying it to Hawkwing also ties it to the Seanchan. The White Tower chose to leash itself to specific rules, while the women in Seanchan were forcibly leashed by their government.

Moiraine must feel so hopeful when she realizes that Egwene can channel and so the world might get a Dragon who can't go mad from saidin.

Genuinely, it is so baffling to me how some people watching the show were calling Rand clingy and trying to hold onto a dead relationship when it's literally Egwene sending the mixed signals and trying to cuddle up to Rand here, the episode after she broke things off with him.

Rand and Moiraine's first fight! We're going to get more of this in s3 as well, I believe. Moiraine trying to direct and control them, while Rand wants to actually know the endgame and what her plans are.

Poor Mat & Perrin forced to witness the fight afterwards between Rand & Egwene.

Mat is so good at defusing emotional conflict. He is the one who gets Rand to level out after the disagreements with Moiraine & Egwene.

We are shown the division in the Whitecloaks here - the Questioners being the true zealots, with the regular Children being willing to bend on matters of Aes Sedai.

Rand is gonna glare a hole in Moiraine's back.

The ruined bridge! Love all the old ruins in the Two Rivers area.

Mat again shows his emotional intelligence by starting the sing-along to boost spirits among the group. And we get a little history lesson. Fingers crossed for Mat singing again in s3!

Also: this scene made me cry during this rewatch.

We're briefly told here that they've been traveling for days, before the night when they go into Shadar Logoth.

Rand and Egwene work through a bit and come to better terms over the course of this episode but their main conflict of being on fundamentally different paths is not resolved. I'm guessing this will get echoed in s3 but they will actually fully accept and come to terms with their separate paths.

Perrin's first wolf encounter! ❤️

Once again, we see Mat reaching out to one of his friends to help them process - Perrin in this case, offering him a dagger that Laila had made for Mat and returning it to Perrin. I hope we get to see some of that in s3 with his friends in ep1. Mat is so sweet to his friends.

S1 - Rand goes to a dead city with Moiraine & Egwene; s3 - Rand goes to a dead city with Moiraine & Aviendha (based on the trailers).

Mat getting drawn to the dagger. Man, that is gonna fuck him up. My poor sad wet cat.

Our first plot-mandated split up - I do understand why we don't get a second Cauthor road trip since they did get all this time and focus together in s1, but I am definitely hoping that the change means we'll get them together again later on the series, hopefully spending time with each other in s4 (if we get it, etc). And I hope for a couple of good scenes before they part ways in s3.

1x03

We learn more about Nynaeve's grit and cleverness in the opener, as well as revealing that Trollocs will cannibalize their injured companions.

Nynaeve is such a badass here. 💖

I love this credits sequence so much. I understand wanting to spend every moment of the episode runtime but it's just so lovely.

Lan being impressed by Nynaeve tracking them. 💖

The Great Cauthor Roadtrip has begun!

"They say all roads lead there." "That's not how roads work." I love them so much.

Perrin & Egwene's roadtrip also begins. I do quite enjoy their scenes together even if I'm not getting the shippy buzz from them. But Perrin & Egwene both trying to light the same fire and not being certain who did it in the end... I hope we get a continued connection between them in the future (iykyk).

This episode is where we can clearly see Nynaeve's healer yellow under her warrior green. Perfect, no notes. All the scenes between Lan & Nynaeve in this episode are pure gold.

We can also see more clearly how Lan has a fancy pattern on the shoulders of his outfit.

Ishamael trying to suss out which of the ta'veren is the Dragon via dreams. Perrin dreams of Ishy here but Egwene doesn't seem to. The wolves herding them to safety in the scariest way possible lol I love them. They are probably trying to talk to Perrin but he can't see their visions yet.

Our first glimpse of an Aiel (dead in a cage). It really sets the tone for the town as a whole.

Hello, Thom! And Dana has her eye on the boys from the beginning. I do love Thom's song here and, of course, what it implies about Thom's sympathies towards men who can channel. I'm hoping for at least one good convo about Rand between Mat & Thom in s3.

Mat's keen emotional intelligence in display in previous episodes gets turned like a knife against Rand in this one and it hurts a lot.

"Someplace new, you can be anything you want. And no one's gonna know the dirt you were born in." We'll see Mat indulging in this idea a bit at the start of s3, I think.

Our first hints of Perrin's overprotectiveness post-Laila's death, and Egwene pushing back and offering compassion that Perrin doesn't feel like he deserves, and refusing to let him risk himself for her sake - they go together.

I think we got Aram confirmed for s3, so looking forward to his reunion with Perrin and how they might interact.

Egwene getting covered with the shawl of many colors.

Dana is such a good compilation of "every darkfriend on the road" that Mat & Rand encounter on the road.

Lol at Rand being so snippy over Mat when we know he actually thinks extremely highly of Mat. He's just mad at him right now because Mat is being an asshole for what seems to be no reason.

Our first hint that Siuan and Moiraine got a relationship upgrade comes when Moiraine whispers a pained "Siuan" when she's really out of it. Also they did a great job of making Moiraine look on the edge of death.

We get to see more of Thom's compassion when Mat encounters him at the dead Aiel's cage. Love our little lesson about Aiel here - and our first open hint about Rand's heritage, as Thom tells us red hair is rare outside the Aiel Waste.

"If you're going to take from the dead, the least you can do is bury them."

First mention of the Stone of Tear and the Lion Throne of Caemlyn.

Dana going for the kiss - start of a pattern there, the Shadow trying (and succeeding in s2) to deceive their way into Rand's bed. And she genuinely likes Rand too, but is still willing to betray him.

Our first hint of Rand using the Power, when he breaks the reinforced door.

I really like that they used Dana to give us Ishamael's philosophy. Break the Wheel to stop the pain of the world. I like that Mat encounters this again with Ishy at the end of s2 and we see him reject it.

Okay, Thom never openly tells either of the boys that he thinks they're the Dragon but he overhears their conversation with Dana and also assumes right away that it's the madness troubling Mat in the next episode.

Hi, Logain! I like how both Nynaeve and Logain are used to create doubt in Moiraine's mind over the accuracy of the prophecies.

1x04

Logain does a good job showing us all the scary foreshadowing for what the Dragon will be capable of. What Logain does to one country, Rand is supposed to do to the world, essentially. We see both the power and the madness here.

"What does a crown mean to the Dragon Reborn?"

Logain knows and believes in the prophecies and believes that he is truly the Dragon, with the voices in his head urging him on.

We do see Logain fighting and winning against the corruption here, healing the king instead of killing him.

I love what they've done with Logain so far in the story. I don't think we've seen any spoilers about him in s3 yet but I would not be surprised to see him.

We get to learn a lot about Aes Sedai in this episode, with Nynaeve as our main vehicle for learning the lore, which is great because of her prickly relationship with Moiraine.

The war party to capture Logain is comprised of Green & Red sisters and this is an authorized operation that we can directly compare to the unauthorized operation that Liandrin and her fellow Reds carried out in ep1. Logain is captured and shielded, not gentled on the spot. Then he is meant to be taken back to the White Tower for trial - I'm guessing this is actually meant to determine if he's the real Dragon Reborn. False Dragons get gentled and the true Dragon stays shielded until the Last Battle, to keep him from using the Power and going mad from the corruption.

Liandrin is so snippy and petty with Moiraine. I kinda do feel like she tried a flirtation with Moiraine in the past and got shot down.

I really love how the show gave the Warders their own subculture and community. We did not get enough of that in the books at all. A+ improvement.

We find out here how secretive Moiraine & Lan are around other Aes Sedai & Warders. We also learn that Liandrin is pushing against the Amyrlin's decrees and that there are rumors spreading about the unsanctioned gentlings.

Aram is lovely and charming. The show also did a really good job making the Tuatha'an endearing.

Rand and Mat bonding over their mutual paranoia towards the rest of the world: oh dear.

"I always knew women couldn't see men's weaves..." setting out right here that there is a distinction between the two Powers.

I like Alanna & Moiraine's friendship. And Alanna does a good job setting out the Green Ajah mission statement - the Battle Ajah, to prepare for the Last Battle.

Alanna worrying that the current Tower policy about the Dragon is too aggressive and might lead to the Tower gentling the Dragon Reborn and dooming the world.

Liandrin starts her work on trying to get to Nynaeve. Not sure if she already knows anything about the Two Rivers ta'veren or if she's just looking to subverting someone traveling with Moiraine.

Rand taking charge of the situation to de-escalate, while Mat continues to slip.

Lol at Liandrin being the one to tell us the Blues are ~just spies~ and then to give us the official line on the Red Ajah philosophy - the magic cops, basically.

Liandrin also makes it clear here that men are not welcome under the Red Ajah's tent.

Tying the Way of the Leaf into the reincarnation cycle of the Wheel makes so much sense and rally solidifies it and grounds it into the world.

Rand starts to worry that something is really wrong with Mat here. The little girl offering Mat the Birgitte doll is so sweet.

Rand trying to rationalize what's happening with Mat, and Thom tries to gently led him to the idea that Mat can channel. Very good conversation, because Rand is torn between not wanting to believe it of himself but part of him knowing that it's him, and his worries over Mat. Rand hears about the consequences of being gentled here, and then sees both gentling and mental illness up close in s2.

"Nothing is more dangerous than a man who knows the past." Appropriate for both Rand & Mat!

Having Nynaeve hang out with the Warders so that we can learn more about them is so good.

And our first poly relationship hints!

I like that we get to see Moiriane doubting herself and her path, questioning the prophecies. And Lan reassuring her that they're on the correct path, reminding her of the dreams and the Trollocs, that Logain doesn't fit what they know about how old the Dragon should be.

This story that Ila tells is going to echo in s3 as well, as we see the Aiel come up against this choice and the split between them happens as some of them pick up a spear while the others do not, choose to stay true to their original culture instead.

"Have you lost him?" "No. No, I would know if I had." Egwene still thinking about Rand, as Rand was thinking about her last episode.

Rand waking up and making that promise to Mat. Awww. "No matter what happens, I'm here."

The show really has set out such a strong foundation for Mat & Rand's friendship, so while them not being together in s3 isn't my favorite adaptation choices (though I do think I will probably love Mat in Tanchico) they do have a very solid foundation of relationship work already put into them.

We got Perrin's Ishy dream, now we get Rand. Perrin is hammering away (at Laila's body?), Mat is wandering around with a bloody red hand, and Egwene is yoinked away by Ishy. And Rand wakes up from that into a waking nightmare of seeing Mat surrounded by a murdered family and then leaving Thom behind to save Mat & himself. Genuinely, not having a good day.

Thom was already ride-or-die (or believe them to have murdered a family under the influence of the corruption but still be willing to help) for the boys here.

I imagine the pitch Liandrin is giving Kerene here is the same slippery slope that the Reds went down originally - these men are too dangerous for us to risk carting them all the way back to the Tower.

Nynaeve and Lan bonding over lost family. Very sweet moment. Cried a bit here too.

I do think this fight is serving as big foreshadowing for Dumai's Wells. The Dragon captured by the Tower, his forces rallying to free him, him breaking out to join the fight. We'll just be on the other side of the battle that time, as Perrin (and hopefully Mat, in this version, fingers crossed, come on, let him actually be Rand's general for more than ten seconds!) fight to free him from the Tower embassy, while Rand fights to escape.

In addition to Kerene's death, we see a Red sister shot up with arrows too, though maybe she lives.

Nynaeve's AoE heal that probably made Moiraine less inclined to believe that Egwene could be the Dragon, because of how strong Nynaeve is.

[sarahmackattack]

No more misses nice shrimp

(To be clear, the YOU this shrimp is mad at is Trump/Elon, and every weak and craven loser who could have stood up to them and didn't. Shrimp is specifically mad about many many things, including but not limited to, dismantling NOAA, threatening to sell off national forests, making a mess of national parks, and being a general menace to the interests of biodiversity and healthy ecosystems.)

[starlostlix]

BSD 121.5 SPOILERS BELOW!!

So I want to talk about the new chapter because what the actual fuck.

So first of all.... THIS

Atsushi doing this callback with that gaze is insane, and akutagawa's reaction shows he's losing the idgaf war. They're finally realising how much they mean to one another and it's so important, but MORE IMPORTANTLY...

AKUTAGAWA'S EYES ARE FULL OF LIGHT

HIS. EYES. ARE. ALIGHT.

It's not just a bit of light. ITS FULLY LIGHT!!!

This is so important for Akutagawa ong. I don't want to take up too much time with this though because there's a LOT to talk about.

First, the design of ameno-gozen's realm, the fourth dimension. I LOVE IT! It's so mysterious and looks kind of glitchy which is perfect for this vibe. Dazai explains that most people can't see anything here so Atsushi's limited visibility with this art style works well.

So basically this dimension is where the past present and future intersect 'orthogonally' (I had to search this up, it means 'at right angles') and all of time is 'folded upon itself'. Atsushi now, as the only one who can see anything in this dimension, is now able to technically access parts of the past and future at once (my theory is that Byakko has some relation to the fourth dimension, perhaps being created within or being something similar to Gozen). Also note that in the 3rd image 'Dazai' is able to hear Atsushi's thoughts (strengthening the idea id seen of this being Byakko speaking through a visual hallucination of Dazai, especially when this dazai insinuates that it is not him that knows these things but Atsushi himself). Interesting what 'dazai' says about the speed of sound in this dimension basically means it's a lot slower here. Also apparently the mission is to find the 'core' of the divine being here and (i assume) destroy it? No clue how that SSKK fight from the end of the anime is supposed to play out like that but I will see how this goes.

So interestingly everyone else who has been struck by the Amenogozen sword has become stuck in this dimension unaware of what/where they are, and don't have the awareness that Atsushi has (main character moment). Essentially the infinite past and future versions of themselves are 'folding' onto one another (I don't quite know what this specifically means, but I imagine it like Jayce, Ekko and Heimerdinger in the hexcore room in Arcane s2 ep3). But now, since Atsushi is conscious, Atsushi has access to the past and future in this space (leading to the possibility of a lore dump to end all lore dumps next chapter, hopefully about Fyodor's backstory/plan) and he has to choose which way to go to find the information he needs. 'Dazai' tells him to 'feel strongly' as 'that's what you do when you want to experience the past' - and I feel that is such an interesting way of thinking about it in this series. Atsushi himself has suffered from PTSD (as have many characters) and often strong feelings can link to the traumas they possess, but it's not just negative feelings. A lot of characters also have positive memories from strong feelings, including their strong feelings about protecting others as Yokohama's defenders of sorts, and forming bonds with others in that process created the ADA as we know it. I don't really know how else to talk about it but I think it's a really interesting thematic line. Asagiri has some really cool writing.

Honestly this chapter is so cool and I can't wait to see where the series goes with this! My personal theory for next chapter is Atsushi finding the way to the past and we get essentially a lore dump. I think it will be Fyodor's backstory wherein Atsushi's view is spliced with comatose Sigma going through the information he got from his ability and stumbling upon the same information/memories as Atsushi is (also perhaps to cement the parallels between the two like Dazai talked about!).

[ithefoolofweeds]

Well well well, look at what the cat dragged in

It's me,,, with a mlp sona. You got it babes were going back to our decade old roots here :') don't ask why

I'm hoping to do a 10 artstyle challenge, maybe more, so I tried to match the canon style as opposed to my own too much

Anyways, yes, Woodland Scavenger or just Woody.

Their CM is a badgerskull and some mushrooms because cleaning my first skull, a roadkill badger, was the foundation of many of my interests including but not limited to bone hunting, collecting curiosities, foraging, anatomy, gore and vulture culture as a whole.

I also just discovered that bandanas are super genderaffirming and will be wearing them so much from now on.

Shiny hair is slightly out of canon style but irl I have so silky hair it's downright unmanageable so it fits.

Um anyways *runs away*

[thearcaneuniversity]

With the hopeful resurgence of interest in Gothic fiction, sparked by Nosferatu, I've come to realize a curious linguistic issue - the absence of a clear definition of "romance" in Gothic literature in the English language. Some people, from what I've seen online, are unaware that in the context of Gothic fiction, "romance" doesn’t necessarily refer to a typical love story or a romantic relationship. Of course, you can find more information by looking up "Gothic Romance" or simply reading about Romanticism, but even in some of these online sources, the distinction can be muddled or incomplete.

Therefore, I thought I'd wirte a short post highlighting the concept of Romance in the era of Romanticism.

The literary movement of "romance" we often refer to in the Romanticism era is quite different from the broader, everyday understanding of romance. Romanticism’s focus extended beyond love to include deep emotions, nature, individualism, and even the supernatural or the sublime (a concept referring to art that overwhelms or terrifies the viewer).

It’s also easy to confuse "Gothic Romance" with "Romanticism".

While Gothic literature centers on dark, eerie settings, suspense, and supernatural elements, it was deeply influenced by Romanticism’s exploration of intense emotions, the sublime, and the individual’s struggle against oppressive forces. Many Gothic stories mirror the Romantic fascination with the power of nature, mystery, and beauty. The protagonists of these stories embody Romantic ideals: emotional depth, individuality, and alienation, often confronting their inner turmoil or grappling with the limits of human experience. Both Gothic and Romantic writers were captivated by the sublime, the idea that beauty and terror can coexist.

The Gothic genre’s use of mysterious or monstrous figures often symbolizes the darker aspects of human nature, a theme that the Romantics also explored in their focus on intense, unrestrained emotions and the rejection of societal norms.

While Nosferatu (2024) is undoubtedly a deeply layered film, rich with a multitude of meanings and interpretations, it’s crucial to understand that the concept of "romance" within the narrative extends far beyond its common meaning. At its heart, the film delves into the intricacies of human emotion, examining the powerful and often conflicting feelings of shame, desire, love, hate, and dread. These emotions are not only felt by the characters but are also meant to be projected onto the viewers.

The film confronts the darker aspects of human nature, the tension between our desires and our fears. It reflects the overwhelming and inescapable powers of nature, of life and death, and the unsettling space in between. It taps into the universal themes of mortality and existence, suggesting that romance, in its most profound sense, is not merely about passion or affection, but about confronting the deepest, often most disturbing facets of what it means to be human.

[plotthotrobin]

Claudeleth Fanfic idea: Interest Poll (Description Below)

Rating: Probably T (M at most)

Relationship: NB/M Byleth x Claude (romance only develops post-timeskip)

Content Warnings: Canon-Typical Violence, Minor Character Death (Most of the characters who die in Verdant Wind would probably die here too), Mild Body Horror?

Tags (Subject to change, and I will add more later): Non-binary Byleth, Hurt/Comfort, Angst and Romance, Friends to Lovers, Includes Some Three Hopes Lore, Focus is on Interpersonal Relationships More Than Politics, Rhea is somewhat villainized

Despite Sothis’ warnings against doing so, Byleth has been through each path more times than they can count in an attempt to try to achieve a better ending where all three lords live and work together for the sake of Fódlan. They’ve tried everything they can think of, but at most they’ve gotten two lords at a time to survive and somewhat cooperate. (Either Claude and Dimitri or Claude and Edelgard, never Dimitri and Edelgard) They’re infuriatingly close every time. If they can just find the right time to drop the right information to the right people, they can achieve the bright future they long so much for…

Except their body can no longer withstand turning back time. Each attempt has taken its toll mentally and physically, and Byleth is at their limit. They have one last divine pulse and must pick a side. Ultimately Byleth chooses Claude, and it haunts them. They could have chosen Dimitri or Edelgard and Claude would have still lived, but they didn’t. They don’t fully understand their own decision, to be frank, it was just instinct to return to his side.

Meanwhile, Claude is more determined than ever to peel back the layers of secrets of his new professor. Nothing ever seems to actually surprise them, and it sometimes seems like they’re simply nodding and going through the motions… yet they are fiercely protective of him and the other Deer and are always there when needed. It makes no damn sense… Compels him though. It isn’t until five years later that he actually starts getting the answers he is searching for - and he isn’t prepared for what he finds.

[jay-birds-fly]

A candid image of me cleverly tricking my unsuspecting friends into sharing an interest with me so I have someone to infodump to

[nyaa]

Harada Takehito (Disgaea series), April 1996

[lolliepops-rox]

This is a redo of this poll I did a month back, expanded based on the data I collect from it.

Please remember to reblog!

[gingermintpepper]

Day 4: Aristaeus

Interpretation notes and trivia below the cut!!

All rise for the entrance of my president !! Honestly, of all the figures and characters that were up for debate when I first started thinking about this story and who I wanted leading the charge Aristaeus was not one of them. Originally, I'd always known that Asclepius and Orpheus would be worked in somehow - they've always been favourites of mine in terms of children of Apollo (even if Orpheus as the child of Apollo and Calliope is less popular classically) and I expected my pick for the third child of Apollo to be involved to be similarly mortal like Iamus or Tenes but the more I looked into Aristaeus the more I fell in love with him! Ultimately, he's meant to be both a foil and a reflection of his father - a boy who grows up thinking his father's footsteps would always be warm only to realise that following in them would lead to death and destruction. While his status as a rustic and hunting god is still important here, Aristaeus' interpretation is much more focused on his connection to the Etesian wind and his quelling of the dog star Sirius which is why his hair in particular is so long and spiralling. All in all, more than any other figure I've chosen to interpret and represent in my work Aristaeus is the god I hope more people get interested in and research! I think there are a lot of important stories in his various myths and travels and I definitely want more people to discover and fall in love with them as I have!

Some fun trivia:

Apollo's firstborn son. Because he was born mortal on account of his very mortal mother, Apollo immediately took him to Olympus to eat ambrosia to begin his transition into divinity. Apollo would continue to feed Aristaeus small amounts of ambrosia and nectar for the next ten years until the child fully shed his mortal skin and was reborn as a god.

Due to the nature of making mortals deathless (namely the fun part of the process where they are completely remade and lose their mortal memories) Aristaeus spent most of his early life with his mother and siblings where they all pitched in to reteach him his family, his hobbies, his favourite things and ultimately how to live and love. Aristaeus was very attached to his maternal family because of this and his early acts of ingenuity were mostly born from his wish to make things easier for his family.

Aristaeus is the only one of his children Apollo hand raised full time. In those days, Aristaeus adored his father and believed him completely upright and blameless, the true face of a benevolent deity and the kind of man he aimed to be when he was full grown.

They would later have many bitter arguments and conflicts, the first and perhaps most impactful of all being their disagreement over Actaeon, Aristaeus' firstborn son. He wanted Apollo to teach him stating that it was a normal thing for a grandfather to do but Apollo vehemently refused to have any part of Actaeon's rearing, stating that he was not his child and that it was highly inappropriate for him to educate another god's son. When Actaeon later dies, Aristaeus blames a not insignificant part of that on Apollo - something that only worsens when he learns that it was Artemis who cursed the boy and that Apollo was always aware Actaeon would die young.

Spends most of his time travelling from place to place. Doesn't really like Olympus and prefers to spend his time minding animals or tending to fields. Is on wonderful terms with Demeter and Persephone and often makes decadent exchanges of olive oil and preserved meat for exotic flowers and fruit for his bees.

Big fan of wind and percussive instruments. Never liked the kithara because of how finicky it is and far prefers the hand drums and reed flutes of his mother's country. Exceptional dancer.

Will sell prized cattle for high quality and highly unique jewellry. Doesn't much care for gemstones but is an absolute gold fiend and has a massive collection of bracelets, anklets, nose and lip adornments and rings. Has never been north enough to hit India but got a ton of rare and different adornments from his Phoenician in-laws when he was married to Autonoë.

Hates dogs but doesn't mind wolves. Not a big horse fan either

Unlike other winds, he cannot transform into various animal forms. He's close enough to the Anemoi that he keeps up with the gossip but he's only really friends with Notos. Gets along poorly with Zephyrus whose preference for pretty youths has often led to them getting into physical altercations when they were younger. Aristaeus still holds a bit of a grudge about it.

Has a big stupid crush on Dionysus which is embarrassing because Dionysus also put him out of a job. Due to Dionysus' relative youth, he feels a bit conflicted about such feelings - mostly because Dionysus is on extremely good terms with Apollo and Aristaeus doesn't want him to get burned.

Despite kinda despising his father, Aristaeus is a pretty decent eldest brother and regularly keeps in contact with a lot of his siblings. He often delivers mead, flavoured honey and olive oil and uses it as an excuse to chat and catch up. Currently in a bit of a tiff with Asclepius because he's worried about him and his family.

Favourite colour is the rich gold of purified honey, favourite food is lokma and his favourite time of year is winter.

[kagooleo]

the zine’s officially out, so I can post my contribution for the @extraordinaryzine :D!

my piece is an interpretation of the caverns on Iron Island 🏝️ so I wanted to incorporate more of the water surrounding it by creating a sea cave to have light spill inside (akin to the modra špilja/blue grotto)

the focus of the zine was on the daily lives of trainers and their pokemon, so Riley uses a spot inside the caverns like this to meditate with his team, although any new Riolu he trains can’t resist wanting to jump into the water to play υ´˶ ･ﻌ･ ˶`υﾉ”

this piece alongside a ton of amazing artists can be found free to download digitally here! (and lastly some closeups bc I liked getting all the little deets down)

[whattheskyknows]

Was toying with the idea of planning a despair disease fic and it's turned into an entire chapter 3 rewrite,,, I don't know how this happened??

[jdorian]

WIP Wednesday 💌

I've been slowly inching my way through this one the last couple of weeks, but on the bright side I feel like we're nearly there (except for the fact that it is looking to round out somewhere around 10k instead of the initially estimated 4k but what's new, really). anyway, here, have this tiny snippet for today.✨

“Tommy, wait.” Buck blurted out in a sudden panic, prompting Tommy to stop in his tracks and turn back from the doorway.

“Yeah?”

“I—” The words were hanging off of the very tip of his tongue, sticking to the roof of his mouth as he swallowed and tried to push them past his teeth, but the seconds were ticking by and he just stood there with his mouth agape, no sounds coming out, until: “Call me. W-when you get there, just- just call me.”

For a moment, there was a flicker of surprise flashing across Tommy’s face, before his features melted into a gentle smile.

“Of course. I’ll call you every day, alright?”

“Uh, y-yeah, alright.” Buck fisted the metal in his hand a little harder, trying to ground himself as he watched Tommy wrap his own hand around the doorknob, ready to leave.

“Goodnight, Evan.” His voice was soft like a caress against Buck’s skin and Buck had to close his eyes for a moment as it washed over him — by the time he opened them again, Tommy was gone.

“Night.” He breathed into the large, empty space of his apartment.

✨I have been tagged by and am tagging the wonderful @sunshinediaz @spagheddiediaz @jeeyuns @exhuastedpigeon @bidisasterevankinard

@diazsdimples @honestlydarkprincess @watchyourbuck @actualalligator @bucksbignaturals

@loveyouanyway @glorious-spoon mwuahhh 💛

[girlcaelius]

every time i remember this movie exists i take one hundred billion psychic damage