#the gay comes later

[dearmyloveleys]

Oh hahah I have a good sense of humour? Thanks, I’m just sad traumatised and gay

- Yiling Laozu, Xianle Taizi Dianxia

[gayvampyr]

i love hearing gay relationships mentioned so casually. “his husband,” “her girlfriend” said without it being a Thing, no one making it feel weird or abnormal. i know it shouldn’t be much to ask but still it just makes me happy. it reminds me that we can be ourselves and find happiness and acceptance 🩷

[24601orwhatever]

KYLE ADAMS as GRANTAIRE

mastered by @bikinibottomdayz

[firehose118]

Let me get a taste

{ao3 link}

“Hen asked if we’re fucking,” Tommy says as he sits down at their table with his cake.

“Uh, what?” Buck asks. There’s no way he heard Tommy correctly.

“Hen asked if we’re fucking,” Tommy repeats. He gestures between them with his fork. “You and me. Well, I guess technically she and Karen both asked. They ambushed me to ask about my intentions.”

He takes a bite of cake and eats it slowly, moaning at the taste, just to be an asshole and rub it in Buck’s face that he can’t have any. Buck sometimes wishes he was the kind of person who found that annoying, but he likes it when Tommy does stuff like this; teases him and plays with him just this side of mean. Really likes it. And Tommy knows it.

“What’d you say?” Buck asks, a little dazed, caught in the fantasy of licking frosting off of Tommy’s lip.

He wants cake so badly. It’s bad enough he had to skip the mac & cheese at the buffet, now this? The cake on Tommy’s plate looks soft and fruity. Fuck keto. Fuck bodybuilding. It’s not fair.

Tommy licks frosting off of his fork and Buck salivates. “I told them we’re taking it slow. You’re setting the pace, and I’m just trying to keep up.” He lifts an eyebrow and savors another bite of cake

Buck laughs. “You made it sound like we’re fucking like rabbits.”

“Mhmm,” Tommy says around the cake in his mouth.

“And you… also said we’re taking it slow?” Buck’s eyebrows pull together in confusion.

“I did. They’re gonna have a hell of a time figuring that one out.” Tommy smiles as he takes the next bite of cake, obviously proud of the trick he’s played on their friends.

“You might be evil,” Buck teases.

“You love it,” Tommy says, scrunching his nose. “And anyway, it’s none of their business. You’re not a teenage girl in 1954, going out with some biker from the wrong side of the tracks. You’re a grown man. You can suss out my intentions for yourself. I’d hope you know by now that I didn’t agree to a second date at your sister’s wedding just to get in your pants.”

“I do know that,” Buck assures him. Their sex life is pretty active—very satisfying—but they’ve spent far more time talking, working out, cooking, and even cuddling than they have with their dicks out. It’s probably the most well-rounded relationship Buck has ever had. He feels respected. “You’re a total gentleman.”

“I wouldn’t go that far. I have to admit,” Tommy pitches his voice down, “seeing you in that medal… I’m feeling a little less than honorable right now.” He gathers the last bite of cake onto his fork.

Buck feels a thrill run through his body at Tommy’s words, but he’s watching that cake with rapt attention. “Give me the last bite,” he says. He sounds pleading even to his own ears, so he doubles down. “Tommy, please.”

“No,” Tommy deadpans. “If you’re gonna break ketosis, you’re gonna do it with someone else’s cake.”

“I don’t want someone else’s cake, baby, I want yours.” Buck goes for charming, flirty, seductive, but he’s desperate. He hasn’t had any carbs in days and the cake smells so good. He’s about to launch himself at Tommy and take that last forkful of cake himself.

“Mmm, lucky me,” Tommy purrs. “Pretty boy wants my cake all to himself and here I am, just trying to keep up.”

Tommy pops the cake into his mouth just as Buck lunges at it. His hand lands on Tommy’s empty plate.

“Evil!” Buck gasps, laughing.

“You love it,” Tommy repeats around his mouthful of cake.

“I really do.”

Tommy barely has time to swallow before Buck is kissing him; open-mouthed and honestly a little too dirty considering where they are and which homophobic captains are still around. Buck is chasing the taste of cake and frosting on Tommy’s lips, on his tongue, and he can’t help but moan as the flavors swirl and burst to life in his mouth: vanilla and strawberry and Tommy. He’s never tasted anything better.

Tommy pulls back before Buck starts licking the sugar off of his teeth. He presses a hand into Buck’s chest to gently push him back into his seat.

“Easy there, Evan. We’re still in public.”

“We got medals for breaking the law.” Buck’s eyes are dark, hungry. Now that he’s had a taste he wants seconds, thirds. Tommy’s been teasing him and all Buck wants is to get his mouth back on Tommy and never come up for air. “We can do whatever we want.”

Tommy laughs. “If only that were true. Save your appetite, though. I might have some cake you can eat at home.” He smirks, eyebrow raised. “If you behave.”

Buck smiles, wide and flirty. “Is it keto-friendly?” He leans closer again.

“All protein, baby.”

[marzipanandminutiae]

Museum Exhibit I'd Like To Curate:

"Never Married; Best Friends- Erasure, Discovery, and the Work of Queer Historians"

(shocker: we're not all straight/cis and we're not all out to erase queer history at every turn. never have been. of course, that doesn't mean queer historians have never been complicit in erasure, for safety reasons or personal bias against another letter of the acronym or what have you. I'd love to explore that- and our contributions to the queer history field -in greater depth)

[lefthandarm-man]

Bucky Barnes // The Winter Soldier Captain America: Civil War (2016)

the way he looks at steve (part 1, part 2, part 3)

(steve vers.)

[p1nqu3]

fem sanuso in the pool i love women so much i don’t know what to do with myself usopp one chance PLEASE

[niccoguedes]

LOUIS record: 04/09/1973 [...] [...] [...] XX.XX.198? - Water Tower Place, Chicago (ORD)

O Favorito do Demônio (03/20)

[colourofthekites]

suited and booted with purple 💜

[watchyourbuck]

There’s some people on Twitter saying that if Eddie were to have a queer storyline he’d necessarily have to come out as bisexual because otherwise it would be like – and I quote – shitting on Shannon and Chris, and I just wanted to come in here to say that that makes absolutely no fucking sense. I don’t think anyone here has ever doubted the love Eddie has for Shannon, even after her passing. Particularly after 7x05, with the context of the now canon catholic guilt, Eddie being gay (not that I think he’d label himself anyway) would complete a puzzle for him. This man was brought up in a catholic home, with catholic teachings, and I can tell you from experience that most of those schools intervene in every aspect of your life and not just your studies. He has said it himself that the reason he married her was because she was pregnant, which again, is a very common catholic view of life – and I’m not speaking deprecatingly – but that doesn’t mean he doesn’t love her, or his son. Eddie loved Shannon, he would’ve given her life for her, and I also know he never used her as a beard, nor has he done that with Ana or Marisol. He’s never used any of the women in his life, and in fact, he actually broke up with Ana the second he realized his heart wasn’t in it. Eddie Diaz is a good man who’s had to unconsciously and subconsciously hide parts of himself, and even though all we can do is speculate about his sexuality, his coming out as gay would not destroy his family, it would actually only strengthen it, considering he’d be more comfortable being who he is, regardless of who he’s with.

[slopdoughnut]

Thanks to 1am convos with pookie I have discovered that I am in fact, an asexual demiromantic 👍

[charmac]

How are you feeling about S17? I'm getting reaaal worried that it's going to be terrible. No Glenn in the writers room? A crossover episode?? Rob's gradual transformation into pondslime??? Help

Pondslime 😭Lmfao

I'm feeling more than fine about 17, really truly. I don't think anyone should be worried at all.

I think sometimes my interactions with Glenn come off a little more serious or abrasive than they really happened in real life (because we have to shout due to how loud it is in the bars), and my immediate transcription is just to get people *information*, which really doesn't convey tone.

For example, reporting that Glenn said "you don't want to know" in response to me asking for any teasers (as to plots this season) was met with a lot of "oh so this season is gonna suck" on Twitter, and that could not be further than the truth (sorry to the people I split-react blocked for saying that lol). In hindsight I get the reaction, because written out it's a response that can be easily misinterpreted and reads as potentially concerning, but know that when Glenn said "you don't want to know" he looked like this:

And when I was genuinely just asking for script information (regarding writers of individual scripts after he mentioned they had broken already) and mentioned Nina (Inflates) and Ross (DTAMHD), he gushed about both of them and then said, transcribed word for word, "It's been a good room, I'll say this it's been a great room. It's been an all-star room, it's been...like, breaking the stories this year has been really fun. [Me: Yeah?] Yeah. [That's great, that is great to hear.] It's been really fun."

So the idea of "no Glenn in the writers room" is really much more akin to Season 16 than 13/14. He was there to break stories (meaning he was in the room when they were brainstorming plot ideas and when they settled on which plots would be turned into scripts) but Rob and Charlie are taking the brunt of writing their (RCG's) scripts because of Sirens. This is the same thing that happened with The Gang Goes Bowling. Glenn's name is on the script, but Rob and Charlie wrote the majority of it while Glenn was shooting Blackberry. (I remember originally being convinced it was a mistake Glenn was listed as a writer for Bowling, lmfao). And Glenn is definitely still contributing, will be on revisions for the non-RCG scripts, and will classically change or improv whatever he thinks is best for Dennis when he's on set (see: the Risk E. Rats script).

Also, I know the crossover is concerning to a lot of people just given the nature of it, but as of what we know right now it's only on Abbott, so it's really just as if this season's The Gang Cracks the Liberty Bell or The Janitor Always Mops Twice took place on a different show instead of ours...

I promise promise promise Glenn was clearly holding his tongue for good things coming up, and Friday night very much restored my confidence that Season 17 will be good. (But..if you don't think Glenn has good contributions to Sunny or understands the agenda, then sorry this response probably sucks lmfao)

[beebfreeb]

what is breaker's relationship with the other characters in his game like post-movie? did he have to deal with any obstacles in the way of people fearmongering/being disapproving about him noticeably changing his appearance similar to how vanellope's racing was treated or were they mostly supportive? this is getting too long now but was his relationship with king candy known at all to the rest of the arcade?

It's somewhat complicated! Only one of the other characters from his game are openly supportive of him, that being Lily, and the others range from indifference to disapproval. In general, Breaker is distrusted by anyone who knows what's up with him.

About his relationship with King Candy? It was never clear what that relationship actually was, but it was certainly something people would gossip about.

[monkeybebop]

“This dude looks handsome, no?”

Still tryna figure out how to draw Lalo, bear with me here.

[leuchtstabrebell]

just saw the Jesus Christ Superstar production in Nuremberg with a friend and thought i'd share some of my observations because this was WILD

details under the cut because i have a lot to say but this might be one of the queerest and boldest productions of JSC i have ever seen. the pope is herodes, nuns are participating in orgies, Mary is a mother, the catholic church is critizised every step of the way, hirarchies and power structures are questioned, and Judas wears a skirt. There are neon crosses and halos and a lot of blood, and so much thought and love put into this. The production value is very good as well. The cast is very young, especially the apostels and Judas and Jesus who are all in their early to mid-twenties, and the vibes are simply amazing.

This production is set in modern day rome and the vatican. jesus and the apostels are queer leftists activists trying to reform/act against the catholic church. like, this is the central element of this production.

(text on these signs reads, from l. to r.: No mandatory celibacy, God is a woman, Maria 2.0, #outinchurch, renewal now, the head of the fish is rotten. The banner reads "God is the love")

Many of these signs are references to reform movements inside the church and discussions around abuse of all kind in the catholic church, as well as demands for a more inclusive christianity (and society).

Jesus officates a wedding between two women apostels and everything is very gay. there are several rainbow flags involved. jesus is draped in a giant version of the flag at one point.

that being said, it is made pretty explicit that mary and jesus have some kind of relationship thing goin on??? They also sometimes seem removed from the rest of the group who have major found family vibes. they go on picnis and protests together, they care for each other, they dance, they sing, they cuddle. there was so much going on, I probably missed a lot of interactions between the apostels. Judas was very involved in the group, more than mary or jesus even, and judas and simon had a very cute friendship (they even play-fought in the beginning). They all hugged and kissed each other a lot as well. (Fun fact: many of the apostels are still in actors school and they did a cooperation with the staatstheater nuremberg which offered them the chance to participate in such a big production)

Now my thoughts on the individual characters:

Mary: sadly, my least favourite character in this production. i didn't really vibe with the actress, although she was great vocally. She rarely interacted with the apostels and kept mostly to herself and the apartment she shared with jesus and her child (I don't like the decision to have them live together almost like a nuclear family). it also did not help that she was noticeable older than the rest of the group and her costume wasn't great either. i loved her kid though, she was really cute (apparently, the gender of the kid changes depending on the child actor that day, here it was a girl). The child also connects the group, there were some cute found family vibes (although they could have done so much more with this ahhh). there are also several moments where the child symbolizes a brighter future to come, and hope, and innocence. she was such a cutie!!!!

This Jesus is a weirdo. Just a weird guy. Kinda Enjolras vibes, kinda angelic, kinda high as a kite beliefs in magic, depressed queer vibes. He would sometimes do weird motions with his hands to summon his powers to heal people????? his outfit was a statement as well.

I liked the acting, although the interpretation is one i had not seen before. The singing was pretty good, although the actors voice was a bit weak sometimes and he often had difficulty with belting higher notes. the actor has a very very soft voice in general??? it kinda contributed to the vibes of this jesus though and worked fine

I didn't like that they actually showed him being able to heal people, I like it more when it stays ambigious if he can actually do wonders/if he is actually the son of god. Interestingly, at the same time this Jesus felt very deserted by God to me? Gethsemane was very intense but also so absolutely defeated. it did not feel like a conversation with god but more pure desperation screamed into a void... This Jesus was really broken :( Also, the torture and whipping (which happens in the vatican???? kinda illegally???) was absolutely brutal and very bloody and he was sobbing in fetal position at several points of this production. also shaking like a little deer. in the last scenes, they filmed close-ups of his tortured face with a camera live and projected it on the large background screen which was very horrifiying and genius, especially during superstar. poor guy. he seemed very sad and burdened a lot of the time

Judas: There he is!!! My boi!!!! He was my absolute fave. The acting and singing was amazing, one of my fav interpretations of this character. The costume choices for him were amazing ( I mean look at him in that skirt and these boots) and this production chose to portray him in a very sympathetic light. He is the soul of the group in this production, while Jesus is the brain and Simon is the heart. (Peter is the bedrock, and Mary and her kid are honey-grease holding them together)

I mean, look at him!!! This judas cares so much, he contains multitudes. He is clearly loved by the people around and loves them back fiercely. He hugged people a lot and was very physical in general and the actor had so much charisma!!! In this version, Jesus and Judas also kind of seemed like two sides of the same coin, which I really liked. While Jesus is kind of otherworldy, charismatic, calm, and enigmatic, Judas is much more hands-on, real, passionate and energetic.

This Judas (like the whole production really) was very angry but he had every right to. In this production it also seemed like his anger at Mary and Jesus being with her was less about Mary (taking out some of the misogyny, luckily) and more about jesus retreating to something that could be perceived as a bourgouise lifestyle (my interpretation, at least). This judas seemed very queer but then again, most apostels in this production seemed to be queer. (The betrayal kiss was very passionate, btw)

Oh, and the cardinals waterboarded Judas with holy water in a church on wooden benches they put together??? And they also threatened and hurt him several other times??? I'm not sure what to feel about this because this makes the betrayal very very cooerced and that might flatten the character but it adds so many new layers as well. They also just push suitcase full of money on his arms and leave him there clutching the thing and sobbing??

Judas death ripped my heart out, it was so raw and cruel and also put emphasis on the cruelty of the catholic church and an uncaring or even cruel god?

and then he absolutely slayed in superstar. all the background dancers were the apostels (which was a deliberate choice because they had a huge cast they could have used for this), including Mary and they all had neon halos?? Judas descended from the ceiling. the staging was kinda similar to the 2012 revival with Judas as a show-caster and entertainer. there was golden glitter falling from the ceiling.

the whole production seemed very angry at institutionalized christianity and God himself but also full of hope and love, and superstar really examplified that.

Herode is the pope. Just straight up the pope. At first I was a bit underwhelmed because the set was very minimal bit then they revealed the pope and started their amazing choreography and I really loved that! just a good solid portrayal, very sexual as well. (this production was very much about hypocricy and not about condemming lust, the opposite really. this production is pretty sex-positive) 8/10

Caiaphas and Annas were pretty solid, like all the other high priests they were cardinals. I thought the actors did a good job although would have liked a deeper base for Caiaphas and a higher tenor for Annas. I thought it was interesting how often the priests/cardinals crossed themselves and blessed people and did christian gestures, especially during "This Jesus must die". They were also pretty violent both towards the apostels and towards jesus and judas.

Peter was really giving dark academia vibes except a bit more boring. I thought it was pretty funny that it was easy to tell that he was Peter just from the costume alone. he had a nice, warm voice and I liked the acting choices - he was very soft and calm, except for when he went absolutely wild on the SWAT team coming to arrest Jesus and broke a bottle to use a shard to cut of the ear (i suppose) of one of them. iconic. 8/10

Simon: what an icon! at one point, he carries petrol and a lighter around to fucking burn the whole thing to the ground. he is passionate and kind and ready to punch someone at any time. his acting and singing were really really good. At the last supper, Simon sucker punches Judas in the face and calls him a "fucking traitor" before shakily ending the song on his guitar to try and comfort the other apostels because their whole world just fell apart. I really love this Simon

Pilate: He had such a great voice and presence, and carried himself with a lot of gravitas. Pilates dream was very stripped down but it worked because of the actor. He seemed really desillusioned and kind but ultimately deafeated, conforming to the will of people around him (lower clergy and devout catholics in this version) (That reminds me, the ouverture was accompanied by various clergy making out in the vatican with each other while headlines about scandals in the church were projected in the background.

There are probably a lot of things I forgot to mention, and there were also some things I did not like about this production but overall, I am really really impressed and just happy that I got to see it live.

You can still see the production too btw, at least if you can make it to Nuremberg :)

[plaid-maniac]

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”