#the first in a long line of why am i doing this?

[pretentious-blonde]

independent

pairing: remus lupin x reader

summary: remus loves you wholeheartedly, even when you threaten to give him a heart attack

warnings: none, fluff, clumsy reader, stressed remus

a/n: short and sweet ❤️

Remus turned the key in the lock of the flat, happy to feel some relief from the autumn chill as he stepped inside the shared space. The soft thud of his shoes echoed through the hallway as he shrugged off his coat. It had been a long day and he felt a tired stiffness in his shoulders, all he wanted to do was relax and enjoy another evening with you, catch up on anything exciting he may have missed while absent. 

“Darling, I’m home!” He called out, his voice echoing up the stairs. He was curious as to why there was no response, usually, you bounded down the stairs as soon as you heard the door open. He climbed upwards, his footsteps light on the old wooden floorboards. “Love, are you hiding again? Because I have to tell you, it’s a losing battle. I always find you in the end.”

He glanced around the living room, still waiting for an answer, his smile widening as he turned the corner to the bedroom. His eyes scanned over the room, searching for where you could have been concealed. “Dove, what are we—“

He stopped himself as he saw what was happening, heart lurching. You were precariously balanced on a wobbly ladder, one that should have been tossed months ago. He was usually tall enough to reach pretty much anything you needed in the apartment, plus he liked you asking him to. It made him feel needed. 

Your arm was stretched up towards the ceiling, clearly changing a lightbulb, your expression determined and filled with concentration.

“What are you doing?” He asked even if it was obvious, his voice was low, despite the slight panic he felt rising in his chest. 

“I am changing a lightbulb,” you told him matter-of-factly, completely calm as if you weren’t on the verge of toppling over at any second. You spoke to him like it was obvious. “It broke.”

He took a deep breath in, his lips formed a thin line as he quickly strode over to you, eyes constantly watching the unstable ladder you stood on, holding it in place. “Sweetheart,” he began, voice soft and relieved now he was offering some kind of stability. “Why didn’t you wait for me to get home? I’m tall enough to reach it without risking life and limb.”

You shrugged as you turned the bulb, looking down at him with a nonchalant smile. “Because I got it.”

No, you don’t, he thought inwardly, but he thought it would be better if he bit his tongue. Instead, he settled for resting his hands on your hips, ready to catch you in case the ladder decided to give way. 

“Whatever you say, dove,” he murmured as he watched your movements, his tone affectionate. He loved you wholeheartedly. Your independent nature was something that had drawn him to you in the first place and he wouldn’t change it for the world, even if it did give him the occasional heart attack. 

You twisted the new bulb in place, beaming down at him as the glow filled the room, clearly very pleased with yourself. “There!” You said, a triumphant grin on your lips. “All done.”

Remus let out a breath that he didn’t realise he was holding. “Brilliant,” he said, thrilled to get you off of the shaking death trap. “Now, if you don’t mind, let’s get you down before my heart gives out.”

His hands tightened around your waist as he lifted you down, hands steady as he made sure you were firmly placed on the ground. You turn around to face him, your face smug. 

“See?” You tell him, gesturing to the now-lit room. “Told you I could do it.”

He shook his head, brown hair falling over his forehead, his mouth turning into a soft smile. “Yes, darling, you did.” He placed a hand on the side of your head, pulling you forward slightly to press a soft kiss to your temple before pulling away. “But if you avoid giving me a panic attack next time, I’d be very grateful.”

“I try my best,” you say with a giggle, making him melt as the melodic sound fills the room. 

“Good,” he murmured, allowing his thumb to brush over your cheek absentmindedly. “Now, be extra good and make me a cup of tea whilst I pack up in here, hmm?”

“On it,” you say, flashing him an over-the-top grin as you spin on your heel, headed straight for the kitchen. 

He watched you practically skip out of the room, high on the idea of completing this mundane task yourself. He chuckled as he turned back to the ladder, folding it swiftly, the metal creaking under his hands. Picking it up in his arms and about to head towards the storage cupboard when he heard it—a sharp thunk followed by a yelp of pain. 

It’s a wonder your toes are still on your feet at this point. 

“Bloody hell,” he pinched the bridge of his nose, putting the ladder down and sticking his head out of the bedroom doorway. “Everything alright, dove?” 

“Yep!” Your chipper voice came from somewhere deeper in the flat, a little bit breathless but nonetheless cheerful. “All good!”

“Of course you are,” he said to himself, letting out a sigh but certainly amused. He turned back to the ladder behind him, hauling it over his shoulder and descending down the hall, a fond smile forming on his face. God, he loves you.

As he puts the ladder away, making a mental note to get rid of it the next time the bin men come, he can’t help the chuckle that escapes his lips. You were a walking disaster sometimes, but hey, you were his walking disaster. He liked to be kept on his toes. 

Making his way to the kitchen, following the sound of your soft humming, he just stood for a while. Arms crossed over his chest as he admired you, feeling his heart swell, he felt content. 

He only hoped you wouldn’t burn yourself when pouring the water…

[flying-fangirls]

As a music, religion, and literature nerd, the Dies Irae has been one of my favorite go-to pieces of trivia for a long time, which means that this line:

Has been driving me batshit BONKERS since part 42! And also as a semi-professional media analysis yapper, I figured I might as well dive into the exact reasons I jumped up and audibly gasped upon first hearing this line and have subsequently lost my mind since then. So!

Here is why I think that the Dies Irae is the perfect analogy for John and Arthur:

Religion

Let's start with the most straightforward meaning: "Dies Irae" is a Latin term, and it translates to the "Day of Wrath." Or otherwise known as the Judgement Day, the foretold second coming in Catholic canon, when Christ will "come again in glory to judge the living and the dead." It's at this Last Judgement where God will wield perfect justice to send the worthy to everlasting peace and the unworthy to everlasting punishment. (everyone say "thank you" to excessive childhood Catholic lessons for burning this into my brain)

There's a kind of irony to the fact that Arthur so vehemently rejects Christianity and religion as a whole, and that John spends much of his arc trying to distance himself from the role/identity of a god, yet both are given this incredibly religious title, effectively restricting them from ever forgetting the presence/influence of religion in their lives.

This title has a couple layers though, because we have to consider why it's the Day of Wrath specifically that represents Arthur and John. Now, I don't think I have to tell you that those two are bursting with anger 80% of the time. But I am going to tell you that those two are not just angry, but moreso "divine fury" incarnate.

The Day of Wrath, the Final Judgment, is the final and eternal judgment of God on all: "For now before the Judge severe / all hidden things must plain appear; / no crime can pass unpunished here." (Dies Irae, Dies Illa). The final Judge, the all-powerful God, can see the objective morality of every single person, and is thus the sole, rightful determiner of fate.

This assumption of their right to perfectly and single-handedly decide others' worthiness shows up over and over, not just John and Arthur's actions, but also in how they describe these judgments.

When Arthur kills the widow on the island, it's not because she was dangerous, but because she was a cultist who "deserved" to be punished.

When John and Arthur need to get rid of Mr. Scratch's stone, John says they should give it to "criminals" who are "deserving of this curse." Even though, just moments before, Arthur refused to give the stone to Oscar because to do so would be to cursing him to a fate of eternal suffering.

And I can't go into every single detail about the entire Larson plotline because this post would double in size, but it obviously needs to be included here. Possibly the strongest tie between this arc and the idea of the Dies Irae is Arthur's conviction through it all. Arthur vows that he is going to kill Larson in divine retribution not because he wants to, but because he has to. He even goes so far as to admit that killing Larson will be a mistake, a cruel and overly-bloodthirsty action that goes against his compassion. But killing Larson isn't a choice to Arthur, it is the unavoidable punishment for Larson's sins and Arthur is simply the enactor of justice. Just like the Final Judgment, there is no sympathy, no hesitancy— the judgment is absolute, divinely ordained, and cannot be stopped no matter how undeniably horrific it is.

If we look at the Catholic Catechism, principle 2302 states that it is sinful to kill out of desire, but that it is "praiseworthy to impose restitution" and use violence to "maintain justic." So even if Arthur has intent to kill, his actions count as divinely sanctioned. He is acting as the hand of God's punishment.

Over the course of Season 3 and 4, Arthur's fiery rage dies down to a more gentle simmer, but his conviction only seems to grow, and John follows suit. Despite previously reprimanding Arthur for his unquestioning wrath, John eventually becomes just as convinced that Larson "deserves" to face a wrathful reckoning. The "fact" that Larson is wholly unforgivable and is fated to receive eternal punishment becomes more indisputable in their minds, and they both stop questioning the morality of their intentions, entirely convinced of their judgment.

Throughout the story, Arthur and John insist upon the importance of kindness, compassion, and forgiveness, and say that these are the values that guide their every action. Yet, time and time again, they approach certain people with nothing but wrath and resentment. It's a sharp contrast to the benevolent figures they make themselves out to be, and Arthur and John are often blind to the contradiction because, in their eyes, they are still following those values in every action. And in the moments when they do recognize their horrific words or actions, they still cannot let their judgment go, convinced that it is their "duty" either way.

In Part 35, Arthur says "Just because you can't make the hard decision, doesn't mean it's wrong." This is exactly how John and Arthur view themselves. They know that some of their actions are harsh and violent and painful, but they are don't view that violence as wrong, because they are enacting that violence in justice. They move through life with carefully-selected destruction, culling the world of those they view as unforgivable sinners, and punishing them with divine righteousness. Arthur and John carry righteous fury in their every step, bringing the Day of Wrath down upon the world around them.

Now, there's already a ton of meaning just in this religious allusion alone. However, there's another application of the Dies Irae in modern culture, which brings us to the second side of this title:

Music

Back in the 13th century (sounds like a familiar setting...), friar Thomas of Celano wrote a poem for and about the Dies Irae. The poem was recited at Requiem Mass (church services to honor the dead), and it ended up being set to a Gregorian chant tune.

Over time, this melody has been used by a variety of composers, but the one we're focused on is Hector Berlioz. In 1837, Berlioz used the Dies Irae melody as part of his narrative symphony, Grand Messe de morts, in order to communicate that the main character had died. Then a lot of other composers saw that and said "Hey that's a cool idea!", and started also using this melody to represent death in their music. Nowadays, it's a fairly staple part of modern film and musical storytelling. If you've listened to literally any major soundtrack, then there's a good chance you've heard this motif (or a variation of it) used before. It's often subtle, sometimes loud and obvious, but no matter what, it reveals the inevitable presence of death. (essentially, the Dies Irae=death)

Now, obviously there's something tragically ironic about Arthur being likened to a musical motif when he tries so hard to distance himself from it, and there's something tragically ironic about John being associated with such a dark piece of music when he shows so much fascination and joy toward the art. Again, though, we've got some layers here. Yorick doesn't just compare Arthur and John to the Dies Irae, he literally defines them as the Dies Irae, a full embodiment of it.

Even before the story started, Arthur lost both of his parents, his friend and wife, his daughter, and his best friend.

John, when he was part of the King in Yellow, knew only how to harm and attack. In the Dark World, he falls back on this fearful lashing out with violence, harming even more people.

And throughout the story, John and Arthur seem to bring devastation to everyone else around them: Lilly the buopoth, Oscar, Noel, Collins, Daniel, Larson and Yellow.

The arrival of Dies Irae musical motif in a film always indicates that death is approaching or that is has already struck— a host carrying its blight to spread onto others. Just like the musical motif, the arrival of Arthur and John foretells the near-arrival of death. They play a duet together— John and Arthur, and death— always singing and dancing around and with each other.

These two never succumb to death, always finding a way to slip through its fingers and survive every situation. But they cannot escape death's presence because they are death's partner— singing the melody to death's subtle harmony. They cannot escape death because they are its host— destined to carry and spread devastation to death's victims. From the moment you meet John and Arthur, you know that death is inevitably approaching just a step behind, waiting to strike you down.

Whether it's the religious or musical side, we can see that John and Arthur are the literal embodiment of these allusions. They carry these powers and ideas in their every action and word, in their every step, in their very breath and blood.

Arthur and John. The hands of God's justice. The enactors of divine fury.

Arthur and John. The hosts of blight and destruction. The partner of death's song.

The man himself. The voice inside his head.

The Day of Wrath. The Dies Irae.

[userunknowenha]

Loser gets it

Pairing: Sim Jake x Reader (I love this picture of him y’all)

Description: You shouldn’t have made a bet against Jake, less when you know how nasty he can be but in your defense you didn’t actually expect him to buy this for you to wear… some puppy ears, with the tiniest dress you have ever seen and the thing you expected the less a buttplug that has a tail attached to it.

Warnings: smut!, MDNI, Jake is a pervert here ngl, reader dress like a puppy but not really pet play, ass play, oral (male rec), unprotected sex (nah uh), master and sir kink lol, he makes reader crawl but nothing to much, spitting, begging, reader wear a collar, marking.

‘I got you what I want you to wear since you lost :p’

It’s the text that Jake sent you this afternoon, also telling you that he wants to meet up at his place once the two of you are free. A week ago the two of you were in your weekly; sometimes monthly depending on how free the two of you are; got together to do either everything or nothing but just hang out with each other.

Your relationship with him it’s… complicated to say the least, you guys have drunkenly make out, several times, you have walked in on him while he is masturbating and when he sees it’s just you, he continues, but you guys are just friends, friends that are with each other most of the time and friends that often have sexual tension going on but other than that you two are friends.

Today he got out of class earlier than you so that’s why you find yourself walking to his place alone, normally he would walk with you but he said something about needing to sign the package once it was delivered. Your mind wonders what kind of thing he ordered but knowing him it is something that he is going to like and you are going to be embarrassed to use. He didn’t give you more detail, just that it was something to wear.

Knocking on his door, it surprises you that he almost immediately opens it, “Hey, took you long enough”, rolling your eyes at his greeting you notice the big smile on his face though, “You seem excited about this, I’m getting scared now”.

He quickly hurried you to get inside while murmuring something between the lines ‘I am excited’ and ‘I hope you’re also excited’, he guides you to his bedroom and once inside he points to the bathroom “Uhm, it is inside, if you need help, I’m going to be right here”.

Oh you are so going to kill him, stepping inside his bathroom you notice a box that was already opened, upon inspection of what it’s inside you can’t help but feel your cheeks heat up with embarrassment, “this barely covers anything…!”, you whispered to yourself while taking a look at your; what you can barely call; outfit. The dress is low cut in your chest so if you were to bend over all of your tits would be in display and it’s no better behind, the skirt barely covering your buttcheeks if you were to bend over both your behind and front would be all exposed.

Already embarrassed but you know there is still stuff in the box, you continue. Now putting the puppy ears on top of your hair, and for your legs he also chose some mid-thigh stockings in color pink, you won’t deny it you look really sexy right now but there is one last thing in this box you can’t find yourself capable of putting on.

It is a buttplug but it has a tail attached to it, complementing your pup ears, at least he was considerate enough to put a bottle of lube for you but still this is too much!! Getting rid of your panties you grab the bottle mentioned before and squirt the liquid inside onto your fingers, shuddering a bit at the cold feeling of the liquid around your rim you proceed to push a finger first letting out a small moan at the intrusion since you are not used to it. Going slow with it, in and out of it you then add another finger almost stumbling forward, with urgency your other hand grabs the counter of the sink to stabilize yourself.

Huffing at the feeling you stop before it starts to feel too intense, you retract your fingers and now grabbing the tail you squirt some more liquid on top of it, with your hands you smear it all over so that its insertion wouldn’t hurt as much. You give yourself a minute to recover and get used to the feeling prior to standing up straight and looking at your reflection in the mirror, turned to the side you can see the tail peeking out underneath the dress and your cheeks heat up at the image.

“Are you done? You have been in there for some time now” jumping a little bit at the sound of his voice you freeze, “Jake… this is too much”, you hear the handle of the door trying to open but it is stopped since you had lock it before, “Come on Y/N let me see you, what do you mean it’s too much?”, he tries again unlocking the door but fails to do so, “Give me some time! It’s embarrassing!”.

“Fuck, that means you already put all of it on? Come ooon, let me see you!” Jake is so excited to see you in the outfit that he picked up for you, he can almost feel himself salivating imagining how you look and getting frustrated when you don’t come out, one last time he tries to turn the door knob but you beat him to it by opening the door.

The sight in front of him has him already feeling hard in his trousers, you look so much better than any of his fantasies, “Fuck…”, it’s the only thing he can manage to let out, “You look so fucking good baby”, blushing you lift your head up to look at his face and he is looking at you like you are his prey, giving you that look like he would eat you in any moment.

“D-Do you like it?” You give him a little swirl to show it all off and you catch him letting out a growl when he sees the back, “I fucking love it Y/N, you have no idea…there’s just one last thing I got for you”, you see him walk over to his gaming set, he proceeds to grab something he had laying on top of his table. You try to follow him but once you walk just a bit you feel the buttplug making it almost impossible for you to move forward.

“You don’t have to walk puppy, I’m coming over to you”, you can’t believe how wet the pet name he called you got you, stopping your tracks he approaches you with his hands behind his back. As soon as he is in front of you he wraps whatever he has on his hands around your neck making a ‘click’ sound, “w-what?” “It’s a collar baby, it says Jake’s puppy”, you look at him with wide eyes while pressing your thighs together, how he is treating you right now should make you be ashamed but your body feels hot and each thing he does you feel arousal coming from your pussy.

“I was a bit scared that you were not going to like this, but look at you puppy I bet you’re dripping” with that being said he leans forward to capture your lips with his, the kiss being hot and intense, the way Jake kisses makes you always feel dizzy, your hands finding their way to grab his shirt in fists, on the other hand Jake’s hands go to your waist pulling you closer to him.

He separates your legs with one of his, gasping into the kiss when you feel your clit being press against his jean, the friction making you subconsciously buckle your hips forward, he groans and whispers against your lips “fuck puppy I can feel how wet you are”, you whine at his demeanor, “please, p-please fuck me master”.

He is on cloud nine once he hears you, smiling to you he pushes away and goes to sit on the edge of the bed, “Come puppy”, you take a step forward but he stops you by saying, “Pups don’t walk, they crawl baby, now be good and crawl to me”, even for your surprise you find yourself dropping down on your knees and then leaning forward to be on all fours, crawling of the way to where he was located.

You positioned yourself in between his legs on the floor, pressing your cheek against his left thigh and looking up at him expecting his next command, “Take off my pants pup”, you quickly help him out of his trousers and your mouth waters at the sight of his bulge, he is big, gulping you lean with your hands to take his boxers off but he catches them both, “take my boxers off with your teeth puppy”, it was a bit difficult for you but you manage to do exactly what he tells you to do.

“You are going to suck me off but you can’t use your hands okay?”, you nod your head rapidly and he does think you look like an excited puppy, he pats your head with his hand and smiles at you, “You are so good to me”, his dick is hard and ready to explode so he proceeds to tap himself of your mouth indicating that you should open and you do, you swirl your tongue on his tip, moaning at the taste then you carry on with taking him more deep in your mouth, enjoying how he reacts you hollow your cheeks and take more of him.

Maintaining eye contact with him, you reach your limit, your nose it’s touching his lower abdomen, “Mhm, such a slut for cock aren’t you, o-oh yessss, so good baby, your mouth so warm”, now you are bobbing your head up and down like sucking his cock with your tongue, all of your work on him makes him thrust his hips upwards making you gag and bring your hands up to his thighs, digging your nails onto them.

It seems that he like the pain as much as you, once he feels your manicured nails dig into him, he lets out a loud moan and how he sounds make you whine around his cock, working up and down his dick it’s making you feel so wet you bring one of your hands down to in between your legs and you start making circles on top of your clitoris, moaning into his cock.

“Fuckkk, you like sucking dick that much baby? That it makes you touch yourself? But you know better than that, stop touching your pussy or I’ll punish you”, as turned on you are by this you stop and bring your hand upward again to grip his thigh. What he does next is leaving you breathless, he puts both his hands around your head, grabbing you by your hair and thrusting with force into your mouth.

“I’m c-close baby yeah, just like that, fuck I-I’m coming”, with that last warning you feel him spill his seed inside your mouth, with tears threatening to fall down your eyes you moan at how he just used your mouth. Pulling out he pushes his thumb into your mouth making you open it, and he gathers spit on his mouth before spitting it into your mouth, “Swallow”.

Obeying him, you do, opening it once again to show him you did as he wanted to, he cups your cheek with one of his hands and smiles at you, “Such a good girl for me”, he forces you to stand up before sitting you down on his lap with each of your legs in one side of him, bringing your face closer to make out some more with you, tasting himself on your mouth but still loving it.

Pulling down the hem of your dress he starts playing around with your nipples in between his fingers, twisting and pinching them, the stimulation making you arch your back into his touch moaning into the kiss. He trails down kissing your chin and downwards to your neck leaving wet kisses and biting down, “You look so good with this collar on but I need to mark you or I’m going to go crazy”, unclipping it he throws it somewhere in his room without a care.

His hands now go to circle around your waist pressing you down on him, directly on top of his cock, both of you whine at the direct feeling and you feel the rush and need of grinding up against him, that feeling plus his mouth and lips all over your neck makes you go dumb.

“Fuckk, Jak- master please!” “Do you even know what you are begging for?”, he detaches himself from your neck and brings a hand to wrap around your hair, tugging it forcing you to look at him directly into his eyes, “Beg for it puppy”.

Tossing any thoughts of shame in your body you whine out, “master please, I need you inside me” “More pup” “Please! Please just fuck me! I need you”, humming in satisfaction he throws your body in the bed, laying on your back, he hovers on top of you in between your legs.

“Such a good girl, perfect for me, I’m going to make you mine”, with one hand holding your thigh, the other one is lining up his tip right in your hole. Liking how you react he proceeds to tease you by dragging his tip up and down all over your pussy lips, “W-Why so much teasing? Sir! Please!”, he loves your reaction, loving how much you need him so he decides that he is going to tease you some other time but right now he needs you as much or probably even more than you need him.

Letting out a moan when he finally pushes inside, loving how tight you feel and he knows you feel this way because of the buttplug that sits perfectly inside of you. He starts a pace slow at first but his thrusts were deep and hard, by every minute on how you feel and the noises that you let out are making him get needier, now going faster and harder bringing one hand to press up on the tail in between your cheeks, letting out a squeal in surprise while simultaneously clenching at the feeling, Jake lovesss how you feel.

After teasing your behind a bit more he moves his hand to your front now teasing and pinching your clitoris, “You get even wetter when I play with you puppy, f-fuck”, you give him a fucked up smile before launching yourself to his neck taking your turn to now mark him, licking, kissing and biting all over his neck. Upon your movements his hips stuttered but never stopped, he let you continue after all he would proudly show everyone your marks on him, marking him as yours.

He notices that you are panting even more, you have stopped your work on his neck and he knows by your body language that you definitely are close, “Ja-jake, can I cum…?”, already deep down in subspace he lets you get away with calling him by his name, after all he feels himself twitching at the sound of his own name, you sound so pretty, so submissive, he loves it.

“Of course baby, cum all over my cock”

With those words, your mouth opens in a ‘o’ shape, you release cries of his name and thank you’s, your orgasm hits you hard, arching into the bed, digging your nails into his biceps and you even feel your legs trembling with pleasure.

“All on fours puppy I want to cum all over your pretty ass”, with his assistance you turn yourself around and position your figure in all fours but once he re-enters you your arms give up, finding your body now face down and ass up, all presented for him.

He doesn’t stop one second even after you falling down, he loves the sight in front him, you, his pretty best friend that he loves, all spread out for him, with all the humiliating stuff he bought for both of you to enjoy, as much as he enjoys the fake tail going up and down with each thrust, he grabs it and slowly takes it out, growling at the sight of your rim all stretched out, opening and closing after the long time with the toy inside.

Gathering; once more; spit in his mouth, he throws it in your hole and pushes his thumb inside, losing it at the feeling of you tightening even more. “Fuck puppy, I-I’m closeee, shit”, you can’t believe that you feel the knot on your tummy one more time, reaching down to your clit, you draw circles on it, feeling the knot close to snapping you cry out, “Lets cum together master!”, with some final pushes inside of you both of you cum undone.

Trying to calm yourself down, you hiss when you feel Jake pull out, moving your body to lay down comfortably on his sheets, he reaches next to his bed he takes some wet wipes to clean you up, poorly but enough, helping you on your feet and helping you out of the outfit you both walk towards his bathroom to take a quick shower.

After going out and drying up he lends you some shirt and a pair of boxers for you to wear while he changes the sheets in his bed and puts on a clean pair.

Now lying next to each other you cuddle with him all in peace after everything you hear him cough with intention on you paying attention to him he says, “So…when are we doing this again?”

[mermaidsirennikita]

Sadly, the Wuthering Heights furor has also led to people (many of whom, let us be real, simply dislike the book or otherwise only think of it when it's brought up) to discourse about the content of the novel versus the wrongness of Emerald Fennell's choices with regards to the movie, which of course, has opened up the classic "IT'S NOT A ROMANCE! IT'S NOT A LOVE STORY! BAD PEOPLE! HATE STORY!"

... Which is... also a bad take.

First off, to be very clear, "Romance" is not inherently "genre romance", which is the thing I blog a lot about that was solidified in the latter half of the twentieth century (and which, no doubt, was influenced on some level by WH as much as Jane Eyre, Austen novels and so on). Wuthering Heights is a romance, it's just not a genre romance/romance novel. And indisputably, Wuthering Heights is a love story.

It may not be a love story you like. It may not be a love story with a happily ever after (though I will say—this is one of the few books where I think it's pretty debatable, as "wandering the moors as ghosts", if that is what happened, is kind of... what Cathy and Heathcliff would've wanted... and their ultimate desire was to be TOGETHER, regardless of whether or not it damned them, so is it an HEA in their freaky minds? Maybe so lol). It may ALSO be an abuse story in which the lovers act horribly to each other.... though, I gotta say, MUCH WORSE to literally everyone else in their lives than they do to each other...

But it's a love story. That is one of several things it happens to be. The entire novel is driven by this central love story between Heathcliff and Cathy—a love that is, contrary to what a surface-level reading or reading by word of mouth would imply... very much mutual. I've already gone on about how Cathy Earnshaw is not Heathcliff's victim the way Isabella Linton is, and how Cathy is very much as involved in the love affair as he is. But truly, while their individual internal struggles are the framework and what keeps them apart in many ways—Heathcliff being a man of color and subject to racist abuse, Cathy conforming to society and classist pressures when her natural temperament is very much not of society—what propels the story is this romance.

Because they are supposed to be read as extremely similar, and as two people who do not truly identify with anyone but one another. They're supposed to be read as like minds. They're supposed to be read as thwarted. Some of the things those two say about each other and to each other are legitimately some of the most romantic lines I've ever read.

I mean, are they also kind of sick and wrong? Sure! But I do find it kind of rich to see people who are totally fine with reading dark romance wring their hands over the public at large interpreting Heathcliff and Cathy's relationship as an epic romance. I don't have an issue with anyone enjoying either! But. Let us be real. Part of why y'all are even enjoying work like that is the standard that books like WH set, and the fact that WH does speak to the lure of the dark and the tragedy of people who are super imperfect... and also super in love... continuously fucking up their own lives (and the lives of basically everyone around them) in this push-pull of denial and desire.

When people say "HOW COULD ANYONE EVER INTERPRET THIS AS ROMANTIC?" I just have to question... did you read the book? Because even if it's not for YOU, if it's not romantic TO YOU, surely you can see why other people (me and mine lol) read lines like these and go, "Wow, romantic":

“Catherine Earnshaw, may you not rest as long as I am living. You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”

(fun fact: I do have a part of the above quote tattooed on my body and I'm very happy about it)

"My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it."

"Hush, my darling! Hush, hush, Catherine! I'll stay. If he shot me so, I'd expire with a blessing on my lips."

[said when her damn husband is almost at the door lol]

"I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted: and should a word of mine distress you hereafter, think I feel the same distress underground, and for my own sake, forgive me!"

"'Heathcliff, dear! you should not be sullen now. Do come to me, Heathcliff.’

In her eagerness she rose and supported herself on the arm of the chair. At that earnest appeal he turned to her, looking absolutely desperate. His eyes, wide and wet, at last flashed fiercely on her; his breast heaved convulsively. An instant they held asunder, and then how they met I hardly saw, but Catherine made a spring, and he caught her, and they were locked in an embrace from which I thought my mistress would never be released alive..."

"Kiss me again; and don’t let me see your eyes! I forgive what you have done to me. I love my murderer—but yours! How can I?"

[Read: she is the murderer he is talking about. He's saying she doomed herself to death a long time ago, and he hates her for it. While also crying and kissing her lmao]

They're sickos! Nobody can argue otherwise. But that does not mean they're not in love, and it doesn't mean this isn't a love story, and wagging your fingers at people who read this as the obviously destructive love story this is and find it romantic... doesn't change that.

And the thing is that the book makes it pretttyyyy clear that even if Heathcliff and Cathy has assholery programed into their personalities, WITHOUT the contexts of how they were raised and the society that expects them both to conform to prescribed roles, they would probably just... be together. Like, they victimize people, especially Heathcliff. But they are also victims. The book isn't about a critique of two people Emily Bronte dreamed up; it's a critique of the CIRCUMSTANCES by way of Gothic, subversive melodrama. At the end of the day, their feelings, however passionate they are, are not inherently subversive. Their feelings are NATURAL. But they're twisted and contorted into something ugly through circumstance and the characters' responses to those circumstances.

For Heathcliff, A LOT of those circumstances that did twist him are in fact out of his control. Which is why we hate that casting, right?

But all that said, a love story being dirtybadwrong and about Bad People doesn't mean it isn't a love story, lol. Again—we don't even expect genre romance to be about good people.

Like. Yeah. We know Heathcliff and Cathy are assholes. You're not breaking new ground with that take. The book is still, in many ways, about those assholes being in love.

[gaijinhunter]

I am writing this as a Tumblr post because I don't want to make a video, as I feel this person is just trying to engagement bait me so he can grow his channel. Looking at his videos, he has seen an increase in views for videos that have been clickbait or trying to "call out" something. I guess you gotta do what you gotta do to grow your channel, but I am not about that.

Iixxion recently made a video and for the third time already, is rambling on about how he has been annoyed that he ran into people that referred to the portable series of MH games as being developed by a different "B team" than the ones that make the non-portable game's "A team". Of course, that notion is incorrect, anyone with a brain knows that both lines of MH games are created by Division 2 in Capcom Osaka and that there is plenty of overlap between titles in terms of staff. He argues that this misconception is the cause of tribalism and animosity in the MH community and is the single most dangerous issue in terms of growing the user base. My perspective is that there is indeed a divide on people who like the portable series and those who don't (which is fine!), and released platforms also contributed to that division, but no one is writing off any mainline game (MH, MHF, MHG, MHF2, MH2, MHFU, MH3, MH3U, MHP3, MH4, MH4U, MHGen, MHGU, World, Iceborne, Rise, Sunbreak) because it was made by some separate unrelated team.

The issue is that he blames me for this apparent misconception and points to my video from 2020 (https://www.youtube.com/watch?v=nhpDnFU6lAo) where I cover the rich history of KH games and how each of the games and the portable series' games, have influenced the franchise as a whole and what features each entry introduced. He says that my video is one of the main sources of this division and that it is somehow my vague wording around the different teams on each MH title has caused horrible damage and that I am irresponsible and lazy for this. (BRUH)

Not only was my video just 4 years ago and focused on the development history and features of each title, if there was tribalism between console and portable games, that existed long before 2020. But he uses a Staw Man argument to "call me out" which is to argue against the notion of an A team and B team that are completely separate from each other, which isn't something I ever said in the first place. When i corrected him, he counters with "so you agree with me then" and that is when I realized it would be useless to discuss with him and took a look across his past videos and found a pattern of engagement farming, so I decided to just delete my comments on his videos and walk away from it.

If you want to make an argument against vague wording, it could be him saying the only consistent difference between the members that work on a "console" game versus the "portable series" games is the Director. That OFC is not true.

Some fun data looking at staff rolls.

Very natural overlap in the areas that you'd imagine with game design and programming being the main specialized fields.

Now if you want to argue semantics, then there isn't even a "monster hunter team"--it simply doesn't exist. Only Capcom developers exist and if you had to split them into distinct teams, that is Division 1 and 2.

He would likely say "see, he is supporting my argument, told you!" or "why weren't you this clear in your history video" but that is because he is making a false connection between some crap he read online, and my video and he sees me as the main cause of this "tribalism". A very disappointing conclusion he came to. My video wasn't about team compositions, it was about the franchise title history, and I pulled and used data all from official sources and interviews with the directors themselves.

I guess when you work hard across multiple years to make fun and hopefully informative videos on a franchise, the more you get targeted with bad faith arguments or engagement farming. Doesn't make it less tiring...

Stop worrying about reddit user tribalism over console/portable games, the games do have a different game design philosophy and on different consoles, so some division is to be expected, and we have so much cool news to focus on than to waste time creating drama for clicks. Be better.

-Gaijinhunter

[me-sploh-rada-imas]

so i wrote down everything kris said in the spoken part of the q&a bit of the discord live thing and shared it on the joblr discord, but @leopardom suggested i collate it all here as well!

will there be an mv?

yes, definitely, cannot say exactly when. but we have a very good idea for it and i can't say anything right now. a lot of our balkan fans will be very excited about it. we might drop it after the song gets an x amount of streams. maybe 500,000 or something like that. i am not the person who decides.

how long did it take you to record?

complex question. in hamburg we spent 3-4 days on it and recorded 70%. mostly everything except the vocals and some synths. the rest was around a month in ljubljana to finish it, then we mixed it for 2-3 weeks. (mod jokes about sharing there were eight versions in the openstage, kris is confused) more of trying to catch a feeling than a specific sound, that's why. it's hard to communicate that with a mixing engineer. usually it takes about that many versions before we're satisfied.

what was the thought process behind the cover art?

the photo was taken by mark pirc. the artwork seems random at this moment, i can't say much, but it will make a lot of sense.

why did you decide to remove the intro?

i've seen some people asking about this. there's the two-sided nature of playing music before it's officially released. we weren't satisfied with it on tour but it was presentable to be played live. when we got to hamburg we decided we didn't like the arrangement anymore, it wasn't in line with the vibe and spirit of the composition of the song. we toned it down and made it more sensitive because of the lyrics and mood of the song.

bojan said in warsaw that final version would have more instruments (confusion by kris that he was talking about bluza?)

i have no idea what he said, maybe he was referencing the fact that we played the pijano version of the song. but there are like at least maybe 3 or 4 layers of synthesisers and pianos so maybe he was thinking of that. all of those are credited to our "piano playing god jan". i did the guitars apart from the acoustic which is bojan's doing. nace and jure did their parts on drums and bass. the future live performances will be the new version.

who were your biggest influences getting to the final mixed version?

good question. i don't think we had one specific song in mind. we felt like it's a ex-yugoslavian evergreenish kind of song which we grew up listening to, we just wanted to keep that vibe while transitioning from an acoustic song to a complete arrangement. i think we succeeded. i know during the recording process žare said he would liken this song to a song by simple minds or talking heads or something like that, i'd have to look it up. also it kind of gives me the same feeling as when listening to a song by plavi orkestar called od rođendana do rođendana.

we saw bojan post a photo [of a notebook page] with stolica bluza while in london, what was the development process from that?

the first memory i have of the song is bojan coming into the living room and having the lyrics of the first verse and chorus already written, trying to figure out the chords. it was a well-defined song when i first heard it, i can't speak to his initial perception of the song, it came out of him very quickly, which is always a good sign. i think we all very quickly understood what the assignment was with this song so to speak. often we get a song where we want to arrange it and do it but have a lot of figuring out to do, but this song was very clear cut. it fell into place very quickly by our standards.

playing the unfinished song live was an experiment, did you like the process?

it's not the first time we've done it but it's the first time in a long time we've played unreleased songs. we did it before the first album, which was a whole different experience. it's been interesting to see it play out in this international surrounding. i think it did help, especially for šta bih ja, which immediately gained a very positive reception from the crowd and gave us a lot of confidence and direction. we knew we didn't have to change much for šta bih ja, while with bluza we kind of knew this wasn't really what we wanted from the song.

can we expect more songs similar to bluza?

uhhh... i'm sick if you can hear it. i think there will be like one more song comparable to bluza, also in serbian, a bit more slow paced, but the rest won't be that similar. there's only a limited amount of space for that type of song, we don't want to repeat ourselves. hopefully the album will sound like a unified body of work but there's still a lot of variation in it to satisfy our desire for, i don't know, experimenting with new sounds and song types and concepts.

[dreadsuitsamus]

First | Choso Kamo x Reader |

author's note: this is a sequel to that small first kiss imagine i wrote a while back, and i've finally found the steam to wrap it up! i love this guy 🩷

pairing: choso kamo x fem!reader

warnings: nsfw, explicit smut, fingering, dry humping, friends to lovers

Frost nips at Choso’s delicate little nose as he has a cigarette out on the balcony, his habit uncaring about the weather conditions being less than stellar. It’s cold, though not snowing at least. His dark hair is down, the ends tickling the back of his neck while a beanie covers the top of his head and ears, keeping him as warm as possible in this thirty degree weather. Shooting a gaze over his shoulder as he blows the smoke with the direction of the wind, he peeks inside of the window to see if you’re ready yet, but the living room is still empty. So, with his question answered, he turns back around and looks to the sky.

It’s been a handful of weeks since he first kissed you, and he’s kept his word: a kiss every single day, and usually more than once a day at that. And naturally, as one would hope with frequent make-outs, things have progressed a bit beyond two friends just kissing to heal old wounds. You’ve been friends for quite a long time by now, and it’s been so easy to transition to this budding romance, the expected awkwardness and general weirdness you thought would appear not existing at all. Choso puts out the cigarette and discards it with a flick to the busy city street far below him, climbing back into your apartment and shrugging the hefty coat off of his strong, broad shoulders once he’s closed the window.

“Oi!” He comes to tap his knuckle against your closed bedroom door. “We still gotta get a cab, babe, come on! We’re gonna miss our reservations.”

“I don’t know what to wear!” Your voice wails from behind the wooden barrier between you and Cho, and he sighs. He’s not sure why he didn’t expect this of you, as you’ve historically always been the late one in your friend group.

“Whatever you wear is gonna look great!” Choso pouts and leans against the wall. You’re not convinced, though, and you look between the two dresses laid out on your bed. It’s your first date with Cho, and despite knowing him for over seven years, you’re as nervous as you’d be on a blind date with a proper stranger. You’re treading a line finer than the baby hairs at the back of your neck, after all, and on the line is something too precious to lose.

But also on the line stands the chance for a relationship that could flourish into the best thing you’ve ever had. Frankly, there should probably be more butterflies rumbling in your tummy!

Moving to the bedroom door and pulling it open to see your dear friend, you take his large hand in yours and tug. Happy to be dragged anywhere you take him, especially into your lair as you’re half-naked under that little silk robe, Choso easily follows your lead. He doesn’t hide his sneaky little grin well, and you bat his arm with a laugh, warmth withering the nerves away with the comfort that, at least, he thinks you're hot. Cho’s the same as he’s always been, after all, and the reminder melts the tension from your shoulders. “You’re dating me now and still acting like this?”

“Am I supposed to stop?” He murmurs, tugging his beanie off and threading those long fingers through the chocolatey locks, fluffing it up a bit and then smoothing it out.

“I hope not.” Sinking your teeth into your lip, you pick up your two best dresses, holding them up and turning to Choso. “So, which one do you think would look good?”

His amber eyes don’t linger on either choice and instead scan that skimpy lilac robe that hardly reaches your mid-thigh, his hands closing into tight fists while his Adam's apple bobs steadily. He’s always thought of you as attractive, no doubt, and that’s why he kissed you on that sweet night your friend group passed around first kiss stories. You deserved an amazing first kiss and Choso wanted nothing more than to be that for you, to erase the memories of that dreadful man you gave your all to. His intentions aren’t all pure, however, and he hopes to God you can’t sense it.

He would kill your ex if given the chance. How dare that bastard take and take every ounce of your spirit, crushing you beneath the weight of his impossible expectations, carelessness and general assholery? Choso’s made it more than his personal mission to wipe out every memory, heal each scar and destroy any and all lingering ideas of doubting what you deserve. You should be loved, adored, cherished…

And fucked absolutely senseless.

If your first kiss was no good, your first time couldn’t have been halfway decent either. And he hasn’t wanted to admit it, he wants to be good and proper and show you what a gentleman is like… But every night it claws at him knowing that you’ve never been shown a good time. Knowing that your beautiful body was never worshipped, never adored and doted on or prioritized at all kills him. He should take it slow like he planned, he knows. It’s what you deserve!

But he’s going absolutely mad at the sight of you now and frankly, it shows; your chest flips at the look in those warm, hungry, honey-hued eyes. “Cho?” Your voice, so soft and pretty, quickly jolts him back to his senses. Shaking his head as if to knock the naughty thoughts from his brain, Choso takes a proper look at each dress you’re holding.

“Uh… They’re both… nice.” One has a plunging neckline and the other one is so short he’s not completely sure it’ll cover your ass! Why don't you just write ‘tease’ clear as day on your forehead while you're at it? Not to mention, it's thirty fucking degrees outside and he's not looking forward to giving up his coat when you get cold!

“Just nice?” With a defeated groan, the dresses are tossed onto the floor and you’re back to the drawing board in your closet, flipping through your array of sundresses, evening gowns, club outfits and more. Choso’s close behind as you walk away, a confused crease forming between his brows as he takes in just how packed this walk-in is. He could swear he’s seen you cycle through the same six or so outfits since he met you! How could you possibly have this many clothes?? 

Blinking himself out of the stupor, Cho places warm palms to your shoulders, rubbing a gentle massage into your skin. His touch is magical, and any other time would be quite soothing. But the nerves that line every inch of your body are just too frayed for a simple shoulder rub to cure this time. “Baby, it really doesn’t matter what you wear-”

“Of course it does! This is our first date!”

Okay, time to re-route.

Choso presses a kiss to your temple, hands gradually marking a path to your hips, taking the scenic route and enjoying a few selfish squeezes along the way. With soft lips at your ear, you shiver at how Choso touches you. This relationship— situationship?— is still fragile and fresher than a newborn baby, and while the kissing is plentiful, that's about as far as it really gets.

“Relax...” Cho murmurs quietly, squeezing your hips and rubbing at your rear. “Breathe, baby. It's all okay.”

Melting like butter, Choso’s touches light your eyes with lust and, dragging your wet tongue along your glossed lips as a soft moan passes by, you fall easily into his embrace. “Cho…”

With a trail of kisses smattering your neck and shoulders, Choso coos. “You could wear a paper bag and I’d still be fighting off all the other men in the room. And all the other girls could be naked and I'm still only gonna be able to see you. I mean it, babe. You're just that perfect.”

“... What if I wore nothing?”

Choso kisses a spot he's not sure he's touched yet. “Then we'd both be in jail, but my sentence would be a lot longer than yours.” Murder is, after all, a bit more than a frowned upon misdemeanor.

“And what if you wore nothing with me?”

A small smile is hidden into your skin, Choso's lips pressing insistently to your neck as his large hands come to pull at the knot at the front of your robe. “Then I think we're missing our reservations tonight.”

You're leaned back against him fully now, head rolling off to the side to allow him more unbridled access to the column of your throat. “Who likes that restaurant anyway?”

“You're right.” Sharp teeth nip gleefully alongside a low chuckle. “What's another six week waiting list, hm?” Your robe slips from your shoulders after a light, insisting tug at it by the small of your back. By the time it's pooled at your ankles, the silky fabric cool on your skin, Choso’s hands have resumed their exploration of your body.

His hands are cold still from his smoke break, which sends goosebumps down your delicious body wherever he touches you. His mouth, hot and minty with a tinge of cigarette, plants a kiss on the shell of your ear, his low voice whispering against you in a way that lights the rest of your body up.

“You’re so pretty.”

Your nipples, covered by a pretty pink bra with strawberries on them, peak as your cunt is struck with a lick of lust; you never dreamed before that Choso would be one to make you feel this way. He's always been just a friend, a guy you never really realized even had a penis, let alone one you'd like to see and touch and more.

How time changes things!

You turn in his arms, pushing up onto your tiptoes into a desperate kiss, one that nearly sends Choso off of his feet as your dalliance moves from the closet and to the bed. Boldness strikes him and he's turning your back to the bed, the edge of the mattress knocking the back of your knees before you're guided down, Choso’s large hands holding your figure tenderly.

“Can I touch you?” He murmurs, hands completely still despite his lust swelling below the belt and beneath his ribcage. Even with the general flirting, kissing and touching going on, to make the true transition of friend into boyfriend is a heavy step, one he doesn't want taken back.

Adoration-fueled goosebumps scatter your body, the tingling feeling in your breast and thighs meeting in the middle for a warm flooding of your tummy. Cho is so delicate, so thoughtful and considerate… It makes your desire for him triple in the single blink of an eye.

“Please.” His whisper is more urgent now, a frenzy building behind warm, amber eyes. He'll certainly stop if you command him so, but you couldn't dream of doing so now.

Your fingertips brush against the strong, solid line of his jaw, feeling his smooth, pale-toned skin. “Yes. Everywhere.”

Choso’s lips crash onto yours immediately, greedily having a fill of your sweet, pretty lips as the pads of his fingertips graze your body, massaging small circles into the warm, electrified flesh of your hips. The thin line of your panties taunts him, that and his own clothes reminding him of how far away he really is from you.

“Choso.” You murmur at his short hesitation, playing with the little hairs at the back of his neck. It soothes him, as intended, and he presses a sweet kiss to your cheek while dipping his thumbs below the band of your skimpy underwear, toying with the fabric before running his hands up your beautiful curves and carefully removing the thin bralette to see your breasts, bare and beautiful for the first time.

Choso’s mouth, hot and honeyed with his wanton saliva, glazes over one of your gorgeous, pert nipples. A shiver trembles down your spine and a soft little moan passes your lips as his tongue swirls and lips suck, and the encouragement is enough for him to slowly dip his hand beneath your panties, those long fingers finding a hot, sticky mess to play with.

The feeling of your juicy cunt on his hand, the way your pretty little clit hides between the succulent lips of your pussy… It makes Choso harder than he's ever been. A harsh shiver overtakes him as his fingers lather in your sweetness, two of them carefully dipping inside of your hole.

“Holy fuck…” His warm breath fans over your breast, his forehead resting against you while he slowly pumps his fingers in and out of you. The way your walls just suck him in, so greedily, so warm and inviting and… and god he can't believe how hard he is. “You're so perfect…”

Heat fills your entire face at his admission. All he's done is for your pleasure, yet he's panting and groaning like you're the one touching him. Is it really possible for a man to feel pleasure from giving, rather than receiving?

With the way that rod in his jeans pokes at your leg, it must be.

“Cho, you feel so good…” Your face buries into his hair, the dark chocolate locks smelling of strawberries. He never did seem like the type to buy the “manly” ten-in-one types.

“No, you do.” Choso presses a sweet kiss to your collarbone, urging his long fingers deeper inside of your core, spreading your sticky, thick nectar over his digits. He relishes the feeling, the way your pussy grips him and asks for more and more and more. And he gives it to you, finger-fucking you faster and filling the room with raunchy squelches, the addicting sounds only urging him even further.

“So good… Pretty pussy, sweet pussy…” It's as if he's drunk, intoxicated on you and all you're giving him. He slips a third finger inside of you, gentle in stretching you open to accommodate the girth of the three fingers together. All he wants is to feel you, simply just can't get enough of you around him.

“Ch-Choso, fuck, mmmmmmmm fuck!” He's hitting all the right spots so perfectly, prodding the spongy spot inside. “I-I’m close, honey, so close…”

Sharp teeth sink into the curve of your breast, quiet growls muffled into the flesh. You're so close, and he's going to get you there, all over his hand. He needs it, you need it, god he needs it…

Your back nearly snaps as you shoot up into an arch, cumming harshly and moaning loud enough to piss off the neighbors, who also happen to be your friends, though once Nobara is past the interruption of her beauty sleep she'll surely be joining Yuji in giggling about it.

Choso's rutting relentlessly now, withdrawing his fingers from your cunt and to his mouth, moaning as he licks and sucks every ounce of your essence from his digits. This man, your friend— boyfriend, is dry humping your bed while suckling his own fingers that are drenched in your taste, getting off on pure you…

He's absolutely perfect.

Pulling his hand from his mouth, you cup his strong jaw and pull him up for a kiss, and he adjusts himself between your legs, the tinkle of his belt buckle the only thing keeping you in the moment enough to realize he's shoving his pants and boxers to his knees, that lovely cock (that you had no idea he was packing below that belt) springing up against his stomach before he lays back down, his hot cock leaking against your ruined panties as he ruts.

His large hands rest on either side of you, holding him up so he's not pinning his weight down and crushing you, and you play with his hair as he comes closer to orgasm. The bedspread is bunched into his fists as he crests, his lips no longer able to cooperate with yours as beautiful, hot, sticky ropes of thick, white cum burst from his purpled tip, covering your lower belly and panties in his seed, all whilst groaning entirely unintelligible babble.

This is the first time in your entire life that you've felt so sexy and desirable, and the warmth in your chest blooms into a strong heat, a flame of love and adoration that may never burn out.

Choso falls to the left of you, his chest heaving while he gathers himself. He glances your direction, and with a bit of an embarrassed smile, he slips his hand into yours, squeezing warmly.

[brucewaynehater101]

I miss the feeling I had when I first joined this fandom, I knew virtually nothing so everything was correct and I loved everything, even if that stuff just isn’t true, i was like

Bruce is a bit emotionally constipated but loves his kids? Hell yeah sounds legit

dick is a silly happy flippy man who is a bit promiscuous? Love that for him

Jason is a mega feminist literature nerd who is also buff and takes care of the street kids? Perfect man honest

Tim is a nerd who never sleeps and is queer and has never known the touch of a man nor woman? Sweet

Steph is waffle obsessed goofball? Well I prefer pancakes but right on

Cass is a mute badass who loves her fam? I love her

Duke is a normal dude? Well someone has to be and he seems neat

Alfred can do no wrong? Aight, I love old perfect tea men

Damian is a little prick? So are all middle schoolers give him time

But then I had to go learn about the characters and now I have complex opinions about them, and can see the inherent racism and sexism in how they are portrayed

You know before I joined the bat fandom I did not use the exclude tag in ao3? Like tmnt and dp have some bad stuff but usually I could just scroll past.

but now I am having to avoid fics where whole ass adults are bullying and/or oversexulizing a child

Im constantly on the look out for untagged batcwst

I struggle to find fics that don’t describe dicks ass

I have been in this fandom for probably about two years now and y’all I swear

sorry for ranting, and don’t worry I love all your stuff and I know the just back click don’t leave mean comments rule

I’m just tried bc most of the stuff I thought was true turned out to be false

Mm. I do find it a little exhausting trying to navigate the lines of what's canon, what shouldn't be canon (but is due to racism/sexism/homophobia/etc.), and just having fun.

I'm also trying to cultivate the mindset of what I've seen on Tumblr about not policing other people's ships/ideas. I am highly uncomfortable with some (particularly underaged people and adults dating), but I'm also not leaving hate comments. Like you said, the backspace exists for a reason.

Idk. There's a toooon of takes/ideas about the batfam that are inherently false, but as long as they aren't racist/sexist/etc takes, I don't see the harm in them. So what if someone wants a coffee obsessed Tim? So what if Jason's kill code is very strict? As long as they don't claim it's canon, let them be

But yeah. I have a mile long exclude list for fics on AO3. I used to use it only for triggers (I can not do stockhold syndrome, my lords), but now it's got other weird ass shit I've stumbled upon (I saw a fic where the batkids were spanked as punishment??? Like I said, not gonna leave hate comments or single anyone out. Just not my cup of tea).

I also am usually not a fan of romance/sex. It's why the batfam intrigued me so much (found families usually don't have that in it). I like exploring dynamics outside of romance and thus love the batfam. They've got so much going on that romance/sex is not needed. They are such a mess without that dynamic being added (talking about the Bats getting with a third party, but, again, trying not to yuck anyone's yum).

However, I agree. There's a ton of misinformation within fandom. I like how complex canon gets with the characters, but there's also widely different takes with them (mostly talking about Bruce here. He can either be trying or just a straight up horrible dad).

[sparklingcid3r]

The words were out, hanging in dead space between them. So cruel and violent. Pony wished he could take them back, but no retraction would ever repair the damage he’d caused.

Something in Darry must have died that night. Or maybe Ponyboy had finally killed what little was left of him, and snuffed out any chance he had of getting his relationship with his big brother back.

In which words sometimes speak much, much louder than actions.

-

Pony always thought that Darry would be the one to cross the line first. Pony knew how to put a cork over his fury; tasting copper was better than a verbal beatdown. Biting his tongue was one of the few things Pony was better at than his brother.

But he really ought to have known, with his nose constantly shoved in a book and all that. With enough pressure, every dam will break.

Darry’s eyes glittered like ice as he stood from the recliner, his arms folded. Soda was there, too, though he stayed curled up on the couch, letting Darry play bad guy.

“Where the hell have you been, Ponyboy? Curfew was two hours ago.”

Pony was tired. He wasn’t in the mood, so he kept his gaze low. “You guys didn’t have to wait up. I was fine.”

“How are we supposed to know that? You didn’t tell us about your plans after school, you didn’t call, nothing. When you don’t show up, what are we supposed to think?”

He shrugged. “I don’t gotta share everything with you.”

Darry thought that was a hoot. Pony could tell by the mean scowl on his face as he said it.

“So long as you keep your nose outta trouble, you know I don’t care what you do.” That was true. After the accident, Darry could have been a lot worse. By all means, he should have been. A lot had changed in their family, he supposed, and Darry was trying out a few new tactics.

He ran roughshod over Pony’s retort before he could make it. “You didn’t even think to tell me you’d be out late, so here we are, making sure our kid brother ain’t been left for dead somewhere, worrying our asses off, just for you to walk in, right as rain.”

Somewhere along the way, Soda ceased to exist in their world. He couldn’t have said when.

“Glory, Darry, are you happy to see me or not?” Pony snapped. “Make up your damn mind!”

“Happy?” Darry scoffed. “Yeah, I sure am happy you think the rules we have in this house, under my roof, don’t apply to you.”

“I ain’t saying that—“

“Then what are you sayin’? ‘Cause all I been hearin’ is a load of bull.”

Darry was getting real mad. He liked keeping his southern twang on the down low—Pony figured it had something to do with his bitterness over not getting the hell out of Tulsa—but it flared up when he got all riled.

Pony knew he should throw in the towel and just start appeasing, but the tiniest spark of indignation lit a whole fuse in his chest, and suddenly he was hollering right back.

“I don’t gotta tell you anything, you said so yourself! I wasn’t doing nothing wrong, so what if I show up an hour or two late? I’m here, aren’t I?” And it felt real good seeing, even for a second, the startle in Darry’s face, that his pathetic little brother could spit fire right back. “All you do is holler my ears off, day and night. Lay off already!”

Darry recovered so quick that if Pony had blinked, he’d have missed that sweet moment altogether. “You better watch that tone, Ponyboy, or so help me God.”

“Naw, you don’t go pulling this with Soda. Why does he get to do hell all without no permission?”

“Because Sodapop’s pulling his damn weight around here, helping me pay our bills and for our groceries. And this is how you repay us, by sneaking around past curfew and letting me think some Socs got their hands on you.”

Pony never wanted to do to Darry what he thought the Socs would do more than in that moment. He wanted to wrap his knuckles and sock his brother in the mouth, see how he liked it being someone else’s punching bag. Using Soda like that was a low blow.

Of course, he was about as capable of hurting Darry as a fly was against a bear, but his chest is too hot and tight to consider retreating now.

“If money’s all you care about, I’ll drop outta school and get a job. How’s that sound?”

“Don’t you go even entertainin’ that thought.”

“Then don’t you go dragging Soda into this!”

“Why shouldn’t I? You’re killin’ us, Ponyboy! That’s all you been tryna do lately, send us both to an early grave!”

“You wanna talk about graves? Mom and Dad are gone and all you’ve been doing is tryna replace them, but you ain’t even good at pretending to know what you’re doing!”

Shame was already boiling in the pits of his stomach, but his anger blinded him. The best he could do was turn his back and flee.

Darry caught Pony by his bicep. His grip was tight, and Pony’s first thought was that he was about to be tossed into the couch. “Don’t you dare pull that shit on me, Ponyboy Michael, using them against me—“

Pony wrenched his arm free and whirled on his heels, smacking Darry’s hand with a snarl carved out of his face. He pointed an accusing finger and let his fury loose in the worst way he could think of:

“I wish you had died instead!”

Time froze. His hand wasn’t quick enough to cage the monstrous words back into his mouth. They were acidic and would have burned on the way back down, but he would have preferred it.

Even Soda, watching from a distance, was stunned into abject silence, his lips parted and his chest heaving up and down, yet he made no sounds.

That was all it took. Not a clenched fist adorned with sharp rings or a heater packing back to back rounds. Six words laced with vitriol from the mouth of his kid brother, and Darrel Curtis buckled.

What did Pony say next? Should he speak at all? He peered through Darry’s glassy eyes and saw the fresh devastation they harbored within. Where he saw it most, though, was where it did not show itself at all. Darry’s hands were loose at his sides, unfurled and calm. He was perfectly still, not even harsh pocketfuls of air shaking his shoulders as they so typically did. Save for his shuttering expression—a coldness steadily fought for the place of raw hurt—Darry was just a body stood upright.

“Darry, I…” Ponyboy‘s rasp was wet and quivering. He felt the heat of shame and tears on his face, burning his ears and behind his eyes. The words shriveled up when they reached the cusp of his tightening throat.

Sodapop tried to intervene. His hand went up as if to brush Darry’s arm, but he thought better and settled on hovering just above.

“Hey, Dar—“

“Go,” said Darry, strained. “You have school tomorrow. Go to bed, Ponyboy.”

Pony nodded immediately, but Darry was the first to retreat. He pulled away from Soda. Pony staggered back to let him through, and he was spared no glance in the aftermath, not that he deserved it. He didn’t deserve any of what Darry had spent the past two months giving him, or anything that came after.

It was only a matter of time before Darry hated him for it, and he was pretty sure he just set that process on a fast track to fruition.

[yloiseconeillants]

me: i am so fucking normal about sidequest npcs with 6 lines of dialogue

also me:

so there's this 6 lines of dialogue sidequest npc in Amh Araeng that's like, a Traveling Historian who is investigating the Church of the First Light and he is so fucking cute and I love him and immediately was like 'i need to make this guy an alt or smth'

so I did that but I also decided that he was somehow related to some incarnation of Ariadne's on the first since we started talking about like, both Ronkan shards and shards around the time of the Flood of Light so I unilaterally decided that his great grandparents were 1. that Lugarhoo fate enemy but Blorbo-ified (it is literally just the Traveling Historian with a different hair color and cut)

and 2. the last heir of the king of the Laxan elves (??????) because I accidentally made pastel Medusa while fucking around in character creator with a COMPLETELY DIFFERENT shard concept

and decided that 'actually yeah I do need a pastel elf-' and then three seconds later 'and why shouldn't she be a princess that is actively seduced by the Shadowkeeper-'

with some vague aspirations of making her Forgiven Rebellion because have you seen that thing

*points* Clown Daughter. BUT I had ALREADY decided that the Current Ariadne Shards on the First were the Eulmoran Jongleurs because why not so said Princess could not possibly be Forgiven Rebellion without some major fuckery and I needed to stop stealing Fate bosses for Blorbos anyway so instead she was given plot armor to survive the Flood, which she needed to do anyway since she was, as conceived, the great-grandmother of my 6 line npc alt who I STILL HAVEN'T NAMED

I was content to leave it at "girl who fucks up big time and falls way too easily for Ascian plot in order to get laid and spends the rest of her life defending a village in Kholusia from sin eaters as penance' but the power of Yes-Anding and Friendship lead to Princess (now named Nimue) having

UNBREAKABLE BONDS OF CHILDHOOD FRIENDSHIP WITH KNIGHT ASPIRANTS AND A DREAM ALCHEMIST AND AN ANCIENT RONKAN WIZARD AND HIS TROUBLED APPRENTICE ALL WHILE DEALING WITH HER AWKWARD COUSIN

that like. her inevitable betrayal in falling for the Ascian plot in order to get laid actually HURT now??? like wow way to be the worst version of yourself and for what- like how to Justify the Plot and a Genuine Redemption Arc where before I was just sort of Handwaving Her Survival rather than actually developing a character

WELL glad no one asked-

but Nimue is under TREMENDOUS amounts of pressure from childhood to be the Last Heir of a crumbling dynasty (her father is a bit eccentric) that is facing threats from other countries, other noble families, and the growing so-called Elven rebellion AND she may or may not be haunted by the influence of a captured trickster god who whispers secrets to her it's fine it's chill. Said pressure has made her temper quick and sudden and she makes many, many mistakes she immediately regrets, but learns to recover from with the help of her friends, and her friends would also help her with the child that resulted from her foolishness with the blorbo-ified Lugarhoo that would be raised in a post-Flood world

and she ends up perfectly fine! Her daughter, Eglantine (Egg to literally everyone), is perfectly fine!

She's a bartender! Her knight friends visit often and help raise Egg who becomes the village's staunchest defender!

She's got a revolving door of traveling suitors but has a long-time partner who is dealing with the sudden redundancy of the shipwright business in a world without tides and other continents.

I STILL HAVEN'T NAMED THE FUCKING NPC ALT

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[franeridart]

The Housecat Philosophy - Ep 19

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[uncleardyn]

man i love that character. you know, the deeply paranoid author who made a pact with a dark entity that ultimately ended with him stranded in another dimension separated from his loved ones for years at a time? takes place in the pacific northwest? has twin imagery associated with him and a reoccurring specific piece of symbology related to the unfortunate situation they're in? doesn't ever explain the reasoning behind his actions and instead just kinda goes "bro trust me"? yeah he also wears an outer layer of clothing with elbow pads on it, that one.

[sea-buns]

Holy fuck, man. What a trip Fearne has been on, huh?

You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.

You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.

You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—

you tell her, "YOU PROMISED."

Because if there's one thing you know, it's that the fey do not break a promise.

[codecicle]

Ash how is the fated watching going rn?? You’re braver than most

godd wampus im fucking THRIVING right now. this campaign sucks so bad it's genuinely unwatchable at times and I think that's the appeal to me <3 they spent like 10 minutes just describing and figuring out how the money system works and literally none of them sound like they've ever played dnd before and i don't think it will ever pass the bechdel test once the entire campaign even with velrissa trying her hardest but it goes crazy anyway

br'aad is my favorite character by a lot right now,, he's my FREAKK i love him and his idiot swagger so much. he's supposed to be charismatic but he sucks so bad at it everyone hates him but sticks around with him anyway. he's a warlock and his patron stops time and gives him insight on things/danger to come and kicked off the main plot in the sickest sequence I've ever seen. also his gayboy ass really did walk so every other gayboy slimecicle character could run !! they were so right !! and the party spent the first and second session hating everything he said and did . Took them sooooo long to be normal about him but they got it eventually when mountain (MY MAANNNNNN) defended him. Also he says everything with ^_^ . Just outloud you can hear it in his voice

for the rest I think the only other character that's talking enough to form an opinion on is taxi. and that opinion is STRONGLY a good one o(-( ! his banter with br'aad is so fun they're the only characters that feel Real and In The World so far and I love it so much. the names bit where br'aad kept getting his name wrong and calling him "saxi" and whenever he corrected him br'aad would just go "I know saxi. Nice to meet you im br'aad!" actually had me in tears at a certain point they're the only ones that have gotten me to laugh fr fr so far

sadly velrissa mountain and sylnan just Don't Fucking Talk so i don't have any real concrete opinions on them yet other than "hmm. Interesting ^_^" velrissa and her necromancy stuff is so neat so far I hope we get to see it in action soon instead of just small mentions here and there. same with the dynamic between sylnan and br'aad I NEEED to see more snockers scenes like their sibling scamming bullshit seems so cool I can't wait for them to emotionally rip my heart out through my throat. I can feel it coming

honestly the main appeal of it all is the characters and the characters alone. them slowly becoming friends and trusting each other will fuck with my brain permanently. I already cheered out loud when they so much as INSINUATED that they could stand br'aad and his charisma and they don't actually hate being around each other like that made me so happy. their meeting makes no sense but that's okay the Shenanigans with the solid snake box and br'aad trying and failing to stealth was so fun and "nice forearms, and a nicer staff!" and the little weirdo gremlin goblin following them around they're all very scared of and creeped out by (except for br'aad. he is strongly sexually attracted to goblins. this is canon and brought up over and over again) all make up for it. the story really doesn't matter to me here at all ^_^ all i care about are the characters being happy and traveling together and that's what makes the campaign enjoyable for me

[her-canine-teeth]

bad astrology by flower face