#the date is very important

[hello-eeveev]

I don’t think I ever mentioned it, but having rewatched the T-Dock scene after seeing Essek being in love and settled with Caleb seven years on, I think it’s pretty likely that if they weren’t already together when they destroyed the T-Dock, Essek was fully aware of the depth of his feelings for Caleb at that point.

The love was already in everything Essek said in that scene, but it becomes obvious just how open he was being with his feelings once you know what Essek-in-love looks like.

[ewwww-what]

an archdevil and a presidential candidate sneak into a gay bar

flatcolor + closeups below :)

[starcurtain]

Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

[kyouka-supremacy]

Look I just think. It's hard to put it in words, but something about Akutagawa being nothing but a weapon made to kill and something about Atsushi's regenerative ability. Something about Akutagawa being deeply unfit for love and something about Atsushi being the perfectly loveable person, someone even Akutagawa can't escape loving. Something about Akutagawa cutting Atsushi's limbs and something about Atsushi's limbs always growing back. Something about Akutagawa hurting Atsushi again and again and again and something about Atsushi taking it and regenerating and forgiving as many times as it takes. Because he heals. Something about Akutagawa thinking the person he loves is deemed to abandon him sooner or later and something about Atsushi who no matter how many times they scream and fight and he leaves, he's always going to come back. Something about Akutagawa's love for Atsushi being unable to stop him from hurting because that's just what he was made to be, a person who can only inflict pain even to the people he loves. Something about Atsushi being the only person who could ever handle Akutagawa, but also the only person who could genuinely find joy in loving him. Something about them

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[its-flame-art]

“wait a minute. wait a minute, Doc. ah... are you telling me that you built a time machine...out of a DeLorean?”

[teddybeartoji]

satoru facetimes you at the store bc he wants to double check whether he's buying the right pads/tampons lmao

[taralen]

THREE @#)%ING DAYS LATE, BUT HERE IT IS. HAPPY BELATED BIRTHDAY TO MY #1 FAVORITE SALESMAN 1997 [[and all-time favorite character]] !!!🎂🥳🚗💵

(UNOFFICIAL BIRTHDAY, that is) I wasn't going to color this, but since I'm already late, I might as well slap on some colors, right?!

FUN FACT: Spamton is an Earth Horse (1978) and a Taurus if we go by this fan date (the birth of the first SPAM mail).

[dudethatsmyundeaduncle]

Tim Drake is the kind of guy who pushes up his glasses anime style before bragging to you about his boyfriends sweet rack. (and when nobody believes him and he shows them a picture everyone says its AI cuz Kryptonians are Uncanny Valley pretty)

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[stephlautersadhd]

@lautski-week

day 3- camp

this took me so long you would not believe

[theabigailthorn]

Love your work! I was wondering (because you book recs are always amazing), what are your favourite books of all time?

Ada by Vladimir Nabokov

[therodpod]

Optimus in Earthspark when the Great War started and Bumblebee and Breakdown ”had” to break up

[javierduffy]

just a few javieran horse headcanons because i like them a normal amount

branwen

- tall AND fat. kieran makes sure he’s always fed (maybe even accidentally a teensy bit overfed. just because kieran can’t help but indulge him when he butts him with his head or nuzzles at his pockets when he knows there’s treats in there. but never too much because ‘obesity is a problem, even in animals !’). probably about 17hh, taller than average for a kentucky saddler but nothing too big. especially since kieran himself is quite tall

- VERY well-tempered, both naturally, as well as because kieran has literally made him bulletproof. bagged him, blanketed him, stood, jumped, backflipped onto and off of him. this kindly gentleman of a horse only spooks when he wants to be bratty specifically.

- i think he’s about 6 or so, came from the stables kieran worked at after being orphaned, he was just a colt when kieran was just a kid. kieran learned how to birth foals quickly, and branwen happened to be one of them. with the way that they fell in love with each other and the way that branwen whinnied and pranced up to the fence when kieran came back to buy him after the army didn’t work out, you’d think that horse was born just for him.

- his favourite treats, in order, are rutabaga (kieran’s secret for branwen’s glossy coat. also why he’s kinda fat.), boiled potatoes mixed into his oats, apples, and fresh greens. he’s simultaneously incredibly easy to please because of the simplicity of the latter parts of his favourites list and also very needy and complicated because kieran so loves to make his pony happy with his absolute favourite treats, so he tries his very best to get branwen’s eccentric tastes pleased once falling into the VDL’s.

- i always say “a horse’s favourite thing to do is hurt itself”, and i think this statement holds relatively true for branwen as well, though there’s a 25% chance that he’s actually hurt, a 50% chance that he’s only mildly injured or spooked and he’s playing it up to get kieran to dote on him, and a 25% chance that he will protect kieran with his life when they’re in a dire situation (see: snake on the ground or gunfire nearby. or even god forbid a spare tumbleweed find it’s way rolling nearby.) despite kieran’s last wish being his horse getting injured. branwen thinks that he’s gotta be The Man and protect his dad sometimes. it does not help in any situation ever whatsoever.

- branwen is the PERFECT companion for a trail riding date. he’s settled, calm, has a great gait, and as a gelding, truly is not worried about other horses being “faster” than him, so he never gets rowdy nor has any problems when partner riders/horses crowd him. kieran is allowed to ask for as many kisses as he pleases because branwen will never jump when javier’s gold-tipped boots poke him in the side and boaz irritatedly flicks his flank with his tail. truly a goated wingman. also never complains about long rides, and enjoys being out of camp with his rider for as much as physically possible for both of them, so he’s never barnsour in either direction.

boaz

- as an american paint, he’s naturally short and stocky. saddle ends up being a bit loose, though, as javier isn’t as dedicated to keeping him perfectly fed or groomed. he loves him, sure, but horses are somewhat of tools to him, so he kinda does slightly more than bare minimum to keep him kempt and healthy. around 14.5hh, slightly shorter than average and quite dense with muscle

- temperamentally a bit volatile. this horse has just as much drama as his rider, if not a little more. doesn’t like something ? ridden too long ? that stick looks too much like a snake ? hasn’t spent enough time with kieran that day ? he will snort and grunt and bunny hop if javi isn’t on him, and shudder hard enough the saddle shakes underneath him if he is. boaz likes to please his rider, but he also demands pleasure himself, and has no issue with “accidentally” placing a hoof on his owners nice, intentionally clean boots, and subsequently slowly leaning more and more of his weight onto it when he doesn’t immediately get what he wants. bratty pony. generally, he keeps javier safe, though, when it comes down to it.

- around 5 years old. after dutch found javier trying to steal chickens the first time they met, he soon took him back to that ranch and their first take as gang leader and member was a 1 year old grey paint colt for javi to train and subsequently ride. until he was rideable, javier rode a morgan that was formerly hosea’s, named carolina, while he lead boaz everywhere behind him.

- favourite treats, in order, are corn cobs (especially dried), prickly pear fruit AND cactus, sugar cubes, and sliced apples. will force javier to share his maiz with him. javier has always sliced his apples up since he was a colt, not only because javi simply finds comfort in toying with his knife, but also because boaz will not eat them otherwise. javi will also cut all of the spines off of the cactus before letting boaz eat them.

- in terms of injury, boaz is the most dramatic tank on the planet. this horse could arthur morgan-style run face first into a tree and then fall off a cliff and walk it off. but not before he gimps and limps and whines and teeth grinds his way into javier leading him instead of riding him for the next mile or two. once kieran started taking care of him, there is also a 25% chance of boaz faking a terribly painful injury just to get kieran to dote on him.

- kinda the worst wingman ever LMFAO easily annoyed, easily aroused, easily offended, and as a stallion, HAS to walk in front of the “herd” (his rider’s boyfriend and his horse). pins his ears back, smashes into personal space, flicks branwen with his tail (and preferably kieran, if he can reach him) even sometimes will nip at branwen if the latter tries to calmly make this date a date and not a life or death race (whoever loses, their dad is gay) and walk side-by-side to aid their riders’ hand holdings. will make executive decisions via stopping or veering off for fresh green grass beside the trail, will at points actively attempt to shudder javier out of his saddle (has succeeded once when javi was distracted by a story being excitedly told by kieran), and will also spook and take off running so fast javier thinks it must have broken his neck from the velocity. generally makes trail rides a living hell, but kieran finds it charming, and it makes for some cute shoujo-style “omg … *reaches out to help you up after your horse bucks you off because he saw a log that looked nothing at all and everything like a cougar and pink and white soft bubbles surround me* are you okay ? here, let me help.” moments. maybe some day boaz will be allowed off of the national american terrorist list written by javier “rizzless rider” escuella

ok im tired and that’s all i can think of please enjoy and feel free to contribute 👍 i love them so bad im gona cry

[having-conniptions]

Listen. Bucktommy not as endgame but to further the plot and develop Buck's character. Bucktommy as a safe space for Buck to explore and come to terms with his feelings and his sexuality. Bucktommy as a way to test the waters with the audience and ease into Bi!Buck without immediately taking the risk with Buddie. Bucktommy paving the way for Buddie. Bucktommy because it's right in the moment and when it ends I hope there will be no regret on either side.

[vaguely-concerned]

lmao if you're a mourn watch (and possibly other urban-ish based backgrounds too I'm not sure?) mage, when you get the scene with strife coming to pick up emmrich for their date (bless) and he says that 'the thing about your friend is that for a city mage, he isn't afraid to play in the mud' thing, rook puts up the faux big wounded eyes and protests 'hey, I'm a city mage! 🥺'. (to which strife says 'well we can't all be perfect' and stone cold walks away. king. have fun out there with the lightning bugs and your lanky fancylad I've seen his fully unleashed rizz in action and you're a lucky guy <3<3<3)