#the comic is way better but i wanted more ok

[nightwingsgypsyrep]

Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.

So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)

So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)

So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.

This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.

So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).

So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.

So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).

Now, I make this distinction because Haly’s Circus is really odd in that regard.

Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.

Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).

However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.

Now, to answer, how Romani is Dick Grayson?

Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.

Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.

Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.

Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).

SOOO… TLDR:

Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.

He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)

The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.

Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.

Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.

Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.

As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.

So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!

If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.

[darqx]

Another BP/HH/Gen answer dump as usual starting with BP and then moving into the other two \o/

All demons age about the same rate as humans (although with earlier milestones as babies) UNTIL they hit their 30s-40s after which aging slows down drastically 🙂‍↕️

Izm chasing you down to get .D back like

🤔 You guys sometimes really make me think about things I don't often have to think about LOL. I'm just gonna do the gang this time so off the top of my head:

Izm and .D are often eating sushi in my drawings and since I'm pretty sure Izm is mainly the one buying, sushi is his fave. He'll eat any type but he prefers the raw fish ones.

Whilst .D also likes sushi, it's not his fave dish. His fave dish is pasta in a red sauce (like Sugo or Arrabiata) for some reason. Nostalgia maybe?

Zeke is a meat and potatoes kind of guy, so, a nice juicy sirloin with mushroom sauce and a side of roast potatoes and veggies. (BP!Zeke is similar but he really likes pork/bacon particularly, so a pork roast for him probably).

Wei Ren's comfort foods are chicken congee, and seafood steamboat/hot pot.

Marcus' fave is his mom's chicken casserole.

Oh I'm glad (and thank you very much)! I hope you get lots of inspiration and can create a lot of things :D

Hm, that's a good question! I think, for doodling purposes, my fave is Rire mainly because Rire always looks more or less completed in black and white. My other two faves are .D and Izm - .D is a good exercise in subtle expressions whereas Izm is the complete opposite (esp with BP!Izm with that mouth).

Yes. I mean, I'd prefer you be at least 15 for those two things only cos if i had to age rate them they could be considered M or MA15+.

Hullo! The short answer is that there are also "not normal" skin tones, it depends on the demon species :)

The rest of society is pretty standard so yes there are charlatans in the world of BP lol. HOWEVER, no one would pretend to be a BP for three distinct reasons:

You need to be sanctioned to be a BP (ie they have abilities that normal people do not, like being able to perform exorcisms.)

There is no profit to be had as BPs generally don't get paid (all their living expenses are generally covered by their religion's HQ).

It's dangerous work. You'd have better luck being a bank robber.

Desmond is def a club music kind of guy XD EDMs, techno, trance, hardstyle, house, whatever - the kind of stuff you jump energetically up and down to at a club/concert/rave, he'll listen to it.

Not yet for BP (soon...🙏🏻). HH wasn't really a comic series so much as a bunch of somewhat random one shots I did for fun lol.

^ you guys :d

I don't put my pronouns anywhere partly because it is lowkey amusing for me to see how people perceive me online. It doesn't really matter to me, so go with your best guess lol.

You would be surprised at how much time those two hobbies can take up outside of work |D; I also like doing puzzle games (like Quordle etc), coding, going for walks/bike riding, making slightly odd food combos in normal recipes and freaking out my friends on Discord with them, and watching horror/disaster films and playthroughs of horror games.

Maybe one day I would, but not at this particular time, sorry!

Thanks for asking as this is a bit of a grey type area! Personally, I think that as long as this is purely for your own use and you aren't going to on-sell it in any way...then it should be ok. I'm going to categorise something like this as somewhat similar to say...people printing out my art to stick to their wall type thing. Of course, if you ended up buying a bunch and then thought oh i have so many extra I'll sell them to whoever wants them - that would be a no no.

In what capacity lol if there's something I've learned from real life it's never agree or disagree to anything without knowing specifics. Eg if you would like to use my art as a PFP on tumblr then you can if you credit it, but if you want to use my art as a face claim for your own charac then i would have to say no, etc.

That makes two of us as i am not familiar with the twisted wonderland universe :P

.D: Diasomnia

Izm: Pomefiore

Wei Ren: Ignihyde

Zeke: Savanaclaw

Marcus: Diasomnia

I never really specified one so my friends and I have been calling it the fictional city of Hedone lol.

I haven't given up on HH, i just dont draw it nearly as much since i'm focussing on developing BP :) Anyway HH wasn't seriously planned to be a comic or anything (though technically...it does have a very loose storyline that I've alluded to in some drawings |D ) so it's something I can just jump back into and doodle whenever i feel like.

This was from a while back

It's pretty straightforward HH is a slice of life 'verse where my main characs are in an all boy's boarding school and Rire is the headmaster. It focuses on the boys shenanigans though so if you specifically like Rire you will be disappointed as he's barely in it.

I cut off this post cos I dont think the stuff in it should be shared with other random people even though anon is on anon. If this is you anon i hope you are doing well and i would genuinely encourage you to talk to someone about certain things (like a therapist maybe).

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[hana-bobo-finch]

tis here!! My stupid little beta pdbc comic!! UHHHHH

additional ramblings because I don’t know how to stop yapping:

I know the ending is extremely abrupt but honestly? I can’t even lie I think it’s funnier and somehow more in character that way. There is no way in hell he’d question what just happened he’d just lay on the floor and say “alas!” As if that is in any way is a proper response to what just happened. So no apologies for that, I genuinely think the ending is amazing and won’t hear anything else. Alas.

I WAS REALLY SCREWED OVER WITH THE TEN IMAGE MOBILE LIMIT SO THE PACING IS VERY IFFY!! That alongside the fact I wanted to get this out as quickly as possible to gauge opinions and such—therefore making this much less detailed than I’d like to have made it, yes that’s my own fault I know—means that I couldn’t properly show what the briar zome is like (HEARTBREAKING). It’s a lot more spacious and unending than what’s shown here. In this it only looks like you’re there for a few minutes but experiences there can last up to a week. There are also a lot more thorns and spiked vines, it’s just that, like I said, I wanted to get this posted quickly and coloring in all of those spikes probably took more time than some of the drawings themselves. Had I made this as accurate to canon as possible, it would be much more visually cluttered. The briar zome is VERY hard to traverse because almost everything is covered in thorns (hence the name). Also worth noting that although it’s seemingly wintry there, there’s no actual temperature in the briar zome which is why pumpkin daddy is not fucking freezing to death (you have to look DAPPER when you’re illegally eating crabs)

This technically isn’t canon. This is a mishmash of all of the stuff I have about the briar zome, but in canon it’s all much more spread out, e.g. the eyes weren’t discovered until a few trips in when they actually bothered trying to figure out if/where the briar zome ends, in which BAM they found a buncha eyes!! Speaking of the eyes, their official names are Sotes, and where they’re found is called the “Eyes Rink” (GET IT!!! EYES!!! ICE!!! GET I-💥💥💥)

you’re probably wondering what the Miika chimp incident is, which is a fair thing to be wondering, however I will not be elaborating because I think it’s funnier that way. sorry (I am not at all sorry)

AND THE TIIIIIIME yes indeed the time works differently there. As one could. Probably guess by the wack-ass watch positions. The briar zome does in fact have its own time system that’s displayed differently than most would be used to. Alas, I had to cut that part short because I realized I was quickly running out of pages and I really wanted space to draw some of those beautiful beautiful eyeballs. I has this whole lecture about different types of watch hand designs and their names but that was unfortunately cut for time (ironically)

anyway uh. hope this was somewhat enjoyable? *EXPLODES*

[themyscirah]

Heard about TK wanting to write WW for 100 issues and do a Trinity spinoff?

Yeah.... that's the word on the street 😔

To be honest with everybody though, I don't think he's hitting 100 issues. I think Tom King THINKS he will be writing 100 issues of WW comics, but I'm very skeptical. Like it's true he got pretty close to 100 issues when he was writing Batman, but that was during Rebirth, when comics were being published twice a month. At a normal monthly pace, 100 main title issues works out to be a bit over EIGHT YEARS. Even with specials and annuals and possible events (or the Trinity spinoff) compressing that timeline, there's still no way in my mind that Tom hits 100 issues in any less than five years. He spent three on Batman. You know, Batman, his #1, the guy he has to bring up every issue? Do we really think he's going to spend over twice as long on Diana?

Like personally I'm just not convinced that Tom King cares enough about Wonder Woman to write her for that long. Like I think he likes her, and I think he thinks she's cool, but reading his book he seems to love to put the focus anywhere except on Diana. Like all the narration is done by the villain (meaning we don't get Diana's actual thoughts on any of this) and the backup are all TK's audition to write supersons (so we're losing page space that could be utilized to develop the current narrative in favor of possible future stories with no plot relevance)

Like idk. Tom King is talking the talk and I think he has the power at DC currently to walk the walk if he really wants to do it and his hype squad keeps sales high, but he hasn't convinced me so far with his work that he has it in him to see out so many issues of Wonder Woman, especially when Diana finally defeats the Sovereign, and if Trinity gets her own book, like what is he going to do with his remaining 80 issues? Actually telling WW stories?

It seems to me from what I've read of his WW and interviews abt it is that this "100 issues of Wonder Woman" thing is coming from his opinion that Diana deserves a 100-issue run, rather any great, passionate love for Diana that would actually motivate him to write her for that long.

So anyways, my stance is that if he's really putting in a long one (however long it may be) we just hope for the best, (Diana getting her narration boxes back and being central in her own story again, Trinity getting booted back to Themyscira to be forgotten raised offscreen, etc.) and try to make the most & wait it out

[lemonsilly]

john crocker one chance please please (raising my hand pick me pick me i want to know more about him!!!!!)

YES YES YES HI HI HI HERES THE JOHN CROCKER DUMP!!! this is gonna be a long one bc im literally explaining his entire character, pls mind the autism

Jonathan "John" Crocker (lemonsilly ver)'s lore kind of follows the typical Alpha John structure with two critical exceptions!!

He stayed with the Crockercorp corporation

He's a bit younger here lol (I'd say 50s or maybe late 40s at the youngest, rather than the 86 y/o ver of Crocker we see in homestuck!)

To elaborate on point 1, I mean he kind of stayed tied to his mother and never really broke out of this familial tie. He's still an actor and comedian, however, he's also working under CrockerCorp (and thus, HIC). I've always imagined him being used for propaganda (and I get that HiC's rule was kinda more lowkey in HS proper but its not in my version!!!!!!!!!!!!!!! bc im insane abt the alpha guardians) and kind of seen as Hollywood's Darling.

His main reason for still sticking with Evil Troll Mom is a mix of obligation and a weird attachment to her. You know the experiment with monkeys with cloth mother and wire mother? She's John's wire mother.

Having been raised alone after Jade's escape, he grows to resent his sister (both from a combo of his own personal feelings and HIC's influence) and kind of clings to his mom like a baby koala. TLDR; big mama's boy in his late 40s-50s because trauma

Being a big time comedian and actor, John is probably the most charismatic man in Condywood (as I like to call it), next to David "Dave" Strider (more on that relationship later). He's very charming and quite silly too! In AUs where he's raising Jane (or any of the egbert/crockers for that matter, if you wanna get silly with it and include beta john), he's actually very good with her. Despite his erm .. everything! he is a doting father (which I guess is kind of OOC in terms of breath players and their massive fears of commitment, but we're already incredibly OOC for what any variation of John stands for so I kinda dont care)

His charisma is lethal, though. He doesn't use it for ill will very often! Because above all else, he's a pretty nice guy (usually). This unfortunately makes him HIC's biggest weapon in her arsenal.

This is where Dave Strider -- biggest anti-HIC fighter beside his sister, Rose Lalonde -- comes in.

Now, Dave and Rose's works are subtle. They're not too overt. This pushes them into stardom. Dave's movies are pretty pretentious, and even more pretentious if you actually pick up on the subliminal messaging. Bottom line is, HIC sends John to try to scrape as much information off of them (and possibly deal with them) as possible.

But the thing is, John kind of gets a weird fascination with Dave. Dave is kind of easy in terms of John's mission, as he's much more ... pliable ? (at least in my au JKGHHAGJK). Dave is a coked out, eccentric director who dances on the thin line of self-hatred and egocentricism. Dave is smart, don't get me wrong, and this is kind of what attracts John to Dave.

John kind of gets a desperate need to constantly one up this guy. It is always power and control to him. Once he somehow slithers into Dave's life, he holds what Dave wants just enough out of reach. Even outside of Condywood AU, I really like to portray them like this lololol. And being much more powerful than Dave, it is so easy to get one over him, even in the most subtle of ways. This need also stems from Dave also being able to get one over him (because Dave is smart). And Dave (rags to riches, new director) is a little guy -- in terms of society -- compared to John (born into wealth, famed comedian and actor). It's kind of a threat to John's ego, so he's kind of obsessed with catching Dave before he does anything.

Ok it's like 1 am and I've had a bit to drink and I need to wake up for work tomorrow SO I WILL END IT HERE but ohhhh i lvoe you john crocker. imagine that heart locket gif animation but with him

i imagine his voice to sound like Ian Bruce (The Correspondents) or Shayfer Jaymes... if this means anything ... i listen to Puppet Loosely Strung by The Correspondents and im like OMFG ITS HIM!!! (abt his feelings toward dave, bc he also kind of has this jealousy of how free dave is compared to him LOL)

[picklesthenonbeanary]

running low on tagged drafts, gonna need to make some more or actually finish the ones I’ve already got started, oop-

I feel like I’m making empty promises on my Au, it exists I just have been getting distracted and also life is getting in the way a bit. I’m gonna finish my rant eventually my brain just has to actually cooperate with me on it, agh!

[snekdood]

bitches prolly out here psychoanalyzing my old art on behalf of my abuser to cushion their belief that im a Horrible Person but then dont see the irony when I point out the shitty things my abuser has drawn and how I see it as clear evidence of their mindset and beliefs (of what's okay to do and how to treat people) descending and pairing that along with everything else they've done and it paints a clear picture of how this person got to the point of thinking it was okay to abuse me the way they did and then the people looking for reasons to hate me through my art will act like "they're just drawings !!!" about their art. which one is it. does someones art say something about them or not? or does it only say something about them if you hate them?

[bone-eaters-well]

vent in tags

[ludwigplayingthetrombone]

Post war/coma comic about Gai struggling with his recovery

Since tumblr hates long form comics, I have to split this into 2 bc its 36 images. This is the first part, part 2 i'll either do as a reblog or a separate post right after this, stay tuned! Links to support me in pinned post <3

tw: s*icidal thoughts, injury, a little blood

Bisuke: Gai's Back!

Gai: GRAAH!

Kks: Im home Gai: Welcome back Kks: [wheels rolling] Hey,

Kks: Ga-!? Gai: Im fine. The tile is cool on my face. Kks: Wanna go lay down in bed? Gai: I am so /sick/ of lying down. Kks: Ok. What do you want for supper?

Gai: You're not going to comment? Kks: I already know what happened. You overdid it again. I should be able to keep up with chores, kakashi. Kks: You can. Just don' bull through it all in one go. Do you want to end up in the hospital again? Gai: Please don't. Kks: I know sitting still is hard for you, and "too much" is in your DNA, but you have to take this slow so you don't exacerbate your injuries, Gai. You went from hyper-aware to pretending your body limits dont exist. Gai: Like you haven't done the same.

Gai: You've proved your point. Kks: It's not about that. And you've dragged me to bed and out of bed repeatedly when I needed it. You were burning alive from the inside. Tsunade told you your immune system is out of whack. You need to take it easy. /I/ know you're capable, but are you trying to prove to /yourself/ you are? Gai: You want me to admit my embarrassment? Kks: If something serioud happens, You'll be even more embarrassed then

Gai: How could you possibly know how I FEEL?! How could you EVER KNOW HOW I FEEL?! Kks: I DON'T! But I've /been/ the one ouking and sobbing on your bathroom floor because I couldn't take living anymore! And I don't want that for YOU!

Kks: I'm sorry, Gai. Gai: I'm sorry

Kks: I can't stand knowing you're in pain, and I can't get you help. If there was a way, I'd do anything. Gai: You do so much to help me already.... And I yelled at you Kks: I've screamed at you so much, that was pretty tame. I wish I was like you with things like this. Not great with what to say...... But I can listen.

Gai: I hate feeling so weak. I'm tired all the time, in constant pain, I can't even walk-..... I can tell tenten and the boys worry despite my efforts to appear positive. Kks: They're just not sure how to react. They know you hate being babied, but don't want to push you into hurting yourself. You hate being told you can't do something. They love you. You get stronger everyday, everyone is cheering you on.

Gai: I know it's irrational, but... I feel like you gave up the Hokage position to take care of me. Kks: Haa!? I'm grateful if anything. I'd be retired too if I could. That'd be amazing. I'm dreading just helping Tsunade but as long as you're by my side, I'll be fine. We're still equals, rivals, friends, partners

Gai: Even if I can't- Kks: /Always/ wil be, dickhead. Gai: You worry about me hurting myself? Kks: I know you think about it

Kks: We're the same in that regard Gai: I would never act on this, please believe me, these thoughts are rare........... Kks: It's ok, Gai. Gai: Sometimes I think i should have just died. I feel so out of place on the streets I used to feel so at home at. I never asked to live. I didn't plan to. I just don't know how to-...

Kks: I understand that. Though, dying didn't feel any better. Gai: I know I didn't fully pass like you did. I didn't see papa. Just for a moment, I wish I could have seen him.

Kks: As much as I'm sure he wants to see you again, It's too soon. Dai'd slap the shit out of you for wanting to waste your youth just to see him. Gai: [chuckle] probably. Kks: I have those thoughts less and less now, but they're still there. "why am I the one who survives?" "Burden" "Gai will come to his senses eventually"

Gai: FALSE!! None of my grief is with you! I love living here with you! My love for you only burns hotter each day! You're so lovely inside and out! Kks: Maa What did I do to deserve such praise from teh mouth of the hottest man in Konoha?? Gai: YOU STILL THINK I'M HOT?! Kks: YOU-! [CACKLE]

Kks: Your bad taste is the only reason I had a chance before someone snatched you up. Gai: The worst. Kks: Thought we'd irritate eachother, but it's been pretty smooth. Even though you still get played by the dogs. Gai: You really wanna throw those stones?

Gai: They play you just as easily. don't lie. Kks: My point is, whatever you need from me, you have it. No questions asked. Even if you yell and scream, i can take it. You held me together when I was unraveling, and I'll never forget it. Didn't trust anyone else to see me like that. Broken

Gai: I never saw you as that. Kks: I'll never see you as that

[starkwlkr]

Omfg I need like early on in the relationship between Hugh and marvel!reader where their relationship isn’t public and their papparazzi of them on set together coz they’re visiting eachother and everyone’s thinking xmen X mcu when in reality it’s just them together dating

no spoilers! | hugh jackman

an: ok since their first son was born in 2000 (it’s canon idk what date but it’s canon now lol) and the mcu started in 2008 I’m going to change a few things JUST TINY THINGS like the mcu being in development early on and marvel actress!reader being casted in the early 2000s. does that make sense?? idk this is fanfiction

2005

Getting a call from Marvel was something you never expected. Like many people, you grew up reading the comics and watching the tv shows. But now you had the chance of a lifetime. You were being offered a role in the first movie in the Marvel cinematic universe.

After having a meeting with the marvel executives and your manager, you were asked to keep the news of your casting a secret. The media was already wondering who was going to portray what heroes on the big screen and your name was being thrown around.

While your relationship was still a secret, you often visited Hugh on set of X-Men with Alex and Reese. You tried to keep your little family from the media as much a possible. You would watch Hugh get into his costume and do his stunts. You were always amazed at how much fun it would be to portray a superhero and now you were finally going to be able to.

A few months after you met with Marvel, you found out you were pregnant with your third baby. A girl. Thankfully you weren’t set to film yet since the film was still in development. When it was finally time to film ‘Iron Man’, you were more than ready. Your kids were a bit older so they finally got to watch you beat up bad guys like their dad did.

It was during the filming of ‘Iron Man 2’ when your secret was finally revealed to the world. You didn’t really know how it even happened . . . Your guess was that paparazzi somehow snuck in. Hugh was always careful when visiting you on set. Rumors were already circulating on the internet about a potential X-Men and Avengers team up. It didn’t help that Hugh was sporting his signature Wolverine hair when he visited the set. At least the kids weren’t with you.

“You look much better than me,” Hugh looked at your costume. He couldn’t stop staring, it was starting to make you weak in the knees. “at least you get comfortable suits. Remember the black suits from X-Men? The most uncomfortable shit ever.”

“The kids thought you looked cool.” You reminded him.

“Okay, that makes me feel better.”

As you and Hugh talked, some paparazzi were secretly taking photos. All they could think about was how well they were going to get paid for the exclusive photos. The X-Men joining the mcu? That was big news!

When the photos were published on every magazine, you couldn’t help but laugh. What a way to reveal your relationship. You definitely didn’t want to share the news this way, but you also didn’t want to lose your job.

“Maybe in a few years it’ll come true. You, me, X-Men and the Avengers.” He told you, giving you your morning coffee. The kids were still sleeping so you and Hugh took advantage of the quiet morning. You set the magazine down on the table and drank the coffee.

“It would be nice. Imagine what the kids will think. Mom and dad beating up the bad guys together,” you smiled at him. He took the opportunity to give you a kiss. As he pulled away, you whispered to him. “or it could be me kicking the wolverine’s ass.”

Your characters wouldn’t share the screen until 2024 when Deadpool & Wolverine premiered. Your kids were more than excited to see their parents fighting together.

@kellyxo1 @barnes70stark @ru-kru @flyestvenustrap @evasmlp

[kroosluvr]

january 9

ok i have a lot of thoughts. erm. buckle in

im sure everyone agrees that the joker vs sumire fight on jan 9 was so nothing..... so i wanted to raise the stakes. UP THE ANTE.

so to make it more intense life-and-death situation, in my head sumire basically tosses her own life away at joker in a "one of us is gonna die here and honestly? i dont care which way the cards fall"

"either i die here -> sumire doesn't have to live anymore. or, i kill you and i get my true reality (and sumire doesn't have to live anymore.)"

joker notices this immediately, by the wild way she fights all of a sudden. however crow doesn't notice bc i think he sees sumire as inexperienced and just assumes joker will win by default (like he does in canon. nothingburger fight.....)

but joker is too damn cautious, knowing one wrong move might result in her demise or his downfall...

i think here he only deflects with his melee, doesn't even try to summon his personas. crow notices smth is off and then sumire manages to get a deep hit on him w cendrillon+her sword

which activates crow bc. at this point he dgaf abt sumire BUT he doesnt want joker to die.

(ironically, crow's selfish goal to Help Joker helps sumire bc she then realizes that she's being irrational/hurting one of her dear friends (akira).. she didnt really think abt how this choice of the ideal reality would affect him (or goro)

also i always thought crow just walking away frm that fight was kinda lame so. just the idea of akira Faltering... about to let himself get killed.. in a way Giving In to the Wrong Choice of the ideal reality.... yeah that'd piss him off BIG time

(though, if i framed it in the way this comic does, crow walking away at first to let joker handle it is so real. bc hes like i cant be wasting time on this, just let akira handle her and then we can go back to figuring out how to conquer this palace and maruki etc. Sumire is small potatoes rn)

also akira being too compassionate/sensitive abt her emotions to fight her directly bc he can see how shes barely hanging on by a thread.. ough ough ough.....

but also sumire being so angry and desperate that she dgaf if she hurts akira rn. OHHHH OUCHHH OWIE

also this is the scene i showed in the bg of this comic! (sorry twitter link im lazy

"she'd rather die at our hands than her own" implying if she lost here and didnt die, she'd kill herself upon returning to the True reality bc she cant live with "sumire" anymore. okkk.. yeah

"This is the only way. I know you know that too, Joker" -> the only way back to our reality as we know it. we can't afford to be soft if it'll kill us. if this is truly sumire's choice, then we HAVE to fight. we can't back down here.

(and, also, this is the only way to show sumire that we're serious: we won't let her live as kasumi, she has to face herself, she can't run off to some dystopian ideal reality - this is the only way!!!!!)

Dying's easy. we already know sumire would die to become kasumi, to become a better gymnast, to not be sumire anymore. But would she kill for it. Who would she kill for it

[helluvapoison]

Kisses

leaving kiss a mark on adam, lute and lucifer

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

˚✧₊⁎ Adam ⁎⁺˳✧༚

• He meets this weird in between where he doesn’t get makeup and will complain about it sometimes

• (People are looking at you, if you wanted his attention you have it now, you don’t need it, blah blah blah)

• But he also loves seeing you wear it

• Secretly, he revels in the way people stare because you’re his!

• At his concerts, Adam needs a kiss on the cheek right before he hops on stage. It completes the look he’s reaching for and acts as his good luck charm

• Outside of that, you don’t let him near your lips because you know he just wants to mess it up!

• “C’mon baby, it’s all I want in the whole world!”

• “Sucks to be you then because there’s absolutely no chance in—!”

• You hold the brush end of a broom at Adam as he makes a grab at you, laughing so hard he doubles over

• “You’re too easy, babe! Quit overreacting, I just want a little smooch before I head out.”

• “Oh no, I don’t think so! You throw a tantrum when everyone looks at me. Don’t you think they’ll be staring when you have a giant kiss mark on your lips?”

• “Who said it had to be the lips?”

• You raise the broom over your head in warning

˚✧₊⁎ Lute ⁎⁺˳✧༚

• It’s comical how cautious she gets around you when you wear lipstick

• One would think you’re carrying a weapon around, what with the way she keeps you at arms length

• PDA disgusts her. Technically, sure, it doesn’t count but the gist of it sets Lute on edge

• She can’t remember if that’s Heaven’s doing or her own, but she would be mortified if someone caught her with even a hint of lipstick on her face

• She would love a kiss goodbye but doesn’t trust your devious mind

• “I have to go!”

• “Then go!” You laugh, hopping over the couch to continue chasing her

• Lute screeches with laughter when you get too close for comfort, “Don’t you dare!”

• You wouldn’t, you just like teasing her

• You hold up your hands to placate her, tilting your head to the side so she can plant a kiss on your cheek instead

• “You better believe you’re getting a big kiss right there when you get back.” You say, deadly serious, tapping her cheek

• Lute wouldn’t have it any other way

˚✧₊⁎ Lucifer ⁎⁺˳✧༚

• There’s nothing he wants more than for you to have a constant claim on him

• A touch of you somehow, someway, somewhere on him ignites a visceral reaction

• Lipstick marks are no acception

• In fact they’re possibly the worst thing you could do to Lucifer if he had something that needed to get done that day

• One on his cheek— oh but now you have to make the other one even!

• Could you plop one on his forehead? How about his nose? Chin? Lips?

• Lucifer will stare at himself in the mirror, admiring your work with a dazed expression and a heavy blush

• He wants pictures too! Lots of selfies, please and thank you

• You thought I was joking? No, the rest of the day goes by like this

• “Waitwaitwait!” “You missed a spot!” “I need one more picture!”

• He crosses his arm and pouts as you wipe his face clean

• You’re careful not to wear lipstick if you know he has to go out because you can’t not give him a kiss goodbye, that would be ludacris!

• Lucifer checks to see if you’re wearing any too but for the opposite reason, disappointment evident on his face

• “Later,” You promise, pressing your lips to his temple and effectively melting away his dismay

~

╰(*´︶`*)╯♡ 🐌 my friend! i personally don’t think these characters would be able to get away with having kiss marks on them in public but i didn’t want you to be dissapointed!! :(( i hope this is ok!!! xoxo

[pi-creates]

I can’t stop being upset about Veilguard’s writing, and apparently the only way I can get it out of my thoughts is to put it down in words, so here we go…

I’m frustrated, I’m upset, and the longer I think about the way this game was written, the more problems present themselves… and I bloody hate that. It feels like a first draft writing effort, and every time I’m reminded that this game was in development for so many years, I cannot fathom this being the end result. Dragon Age 2 had 16 months of development, and it feels more cohesive and put together writing-wise. I can see the years of polish in the visuals, but the spectacle of the game doesn’t blind me to all the problems in the writing.

Naturally, these are personal opinions, I am genuinely thrilled for people who have played the game and enjoyed it – I wish I could be there enjoying it with you – but clearly these things get under my skin more and spoil the experience for me when they aren’t problems for you. And I also acknowledge there are genuine good parts of the game which I enjoy, but those moments aren’t enough to overshadow the negative experiences that irk me.

And because this post has apparently gotten away from me… I’m gonna put some headings to summarise the problems I’m having, because otherwise this is just a massive rant with no structure.

Show me things, stop just telling it to me.

So much of the game feels like writer’s notes where they put “what the player should take away from this scene” and instead of being creative with how they do that, they just say it verbatim. My immersion in this game was being broken by the game reminding me it’s a video game – which yes, I know it is, but I want to be invested in this world and feel like I’m part of it.

Varric and the game’s own pop-up system is the main problem that’s consistent through the whole game – constantly dropping narration or mission summary where they have zero problem dropping exposition on us and/or spoiling future content. Forget letting me explore these things and reach my own conclusions, the game is going to make sure I know exactly the interpretation I’m meant to have for every moment.

And it’s so damn frequent, I feel like they don’t think I’m paying attention and therefore need to constantly poke me with reminders instead of trusting me to reach my own conclusions. Do they not trust me to have an attention span long enough to go on a walk with Davrin without reminding me at the end of the walk that I did that?

To add to that problem, I absolutely hate how the writing just has people know things – they shouldn’t know this, they shouldn’t be talking to us about this, all evidence points to them not being able to know or be ok discussing this, but for some reason they do.

The Veil Jumpers suddenly just know how to translate and interact with ancient elven artifacts, ignore how the Dalish have been trying to do that since the fall of the Dales (and realistically, even before that) and their efforts over those hundreds of years were a scrap, a pittance of what could be known. But I guess the Veil Jumpers are just better than those hundreds of years in the few years they’ve been active.

Oh, and the scary reputation of the Dalish is just gone? These people just go to the elves they have deemed “savages” because they simply know these ones have good intentions? This world has been established as very untrusting of the intentions of other groups, but that’s simply gone now for this one – I wish I was shown how this started in some way instead of just being told it’s chill now.

And don’t get me started on Strife and Irelin and their seemingly endless knowledge that they shouldn’t have. I read the comics, I get that they’d probably know about the Dreadwolf and have a vested interest in learning more once that particular bit of information was revealed to them – but they somehow also just know about the mask Cyrian is wearing? They know it will influence him but not control his will? Why do you know this with no doubt whatsoever?

Why can’t these things just be presented as theories? Or give us something to find and reference where that information comes from? I want to learn things without just having characters tell me things they know.

And overall, I hate how this game decides to just exposition dump information on us, then we sit around and talk about the exposition dump – it’s overwhelming in magnitude. It feels like such a passive way to have us engage with everything, and this is supposed to be an interactive experience. Instead of being force-fed exposition in big chunks, drip feed details, let us put the puzzle together, let us gather and discuss what we learn with multiple interpretations like the RPG this is meant to be.

And this exposition problem also ruins the stakes in the game for me. Personal interpretation, probably, but the stakes in this game feel artificially inflated to me via having characters constantly tell Rook they are going up against the biggest threat ever. We bring in past heroes of the series to reiterate that, how they think we’re up against worse things than they faced… and I don’t feel that. Telling me constantly how hopeless things are, but every obstacle ends up being overcome relatively easily and without great losses… no, I don’t feel the stakes are real.

Oh, and hearing the talk of how all of Thedas is in trouble, there is so much destruction and only Rook can save them… why don’t you find a way to show me that? Because I’m not feeling that, I’m not seeing it, and I’m starting to think the Inquisitor is making stuff up so Rook doesn’t ask them to get involved again when they’re so busy.

This is a lore problem in the series…

Plot holes and wonky lore can happen, it’s not surprising… especially when there are three games prior to this as well as several books, comics, and other branches of the universe. There have been inconsistencies since the start, and a lot of it doesn’t matter – I don’t care if the second moon is forgotten about, the moon not being there isn’t going to make a problem with the way the story is told since that moon is never something elaborated upon in the plot.

This game though… it has problem that are both related to information in this game not being consistent with previous games, and information within its own contained plot contradicting itself.

I’m not going to beat the dead horse of “this isn’t how the previous games did it/explained it”, people who played the previous games are aware, I don’t see a point of elaborating in detail all the instances of this. Just take some dot points of the one’s I noticed:

The Crows are a horrifying organisation that are suddenly presented wholesome

The Qun offering to rehabilitate Karash is horrifying and it’s presented wholesome

Slaves are meant to be everywhere in Tevinter, but we don’t see that

Racism is supposed to be rampant in Tevinter (and other nations, but particularly here for any non-human), and we also don’t see that

Handling pure lyrium is fine now (unless you’re Harding)

Adult Dalish without vallaslin (Elgar’nan’s captives)

Fenharel’s agents are just gone now – as are all signs of mass elven exodus from cities

Solas’ opinion on blood magic is suddenly negative instead of neutral

Spirits dying is given the same weight as people dying

Flemeth…….just everything about Flemeth and Morrigan

Re-write of the after credits scene in Inquisition to recontextualise the Flemeth and Solas interaction

Isabela’s attitude towards Shathann sending Taash away without their knowledge (the comics make me doubt she’d be cool with this)

Non-Dalish elves knowing things about ancient elves and elven language

Blight sickness and how darkspawn are “born” (some leeway for this one since the blight is overall just different in this one, but it does feel less interesting this way)

Morrigan naming the Crossroads in lieu of the true name being lost to time, but everyone uses the term now

Crossroads looking different through elven eyes

You can’t just make people be magic/not magic (me side-eyeing Illario and his random ability to do magic now)

This is a contained problem in this game…

What troubles me more is the inconsistencies within the same game… that isn’t just deciding “this is how it works now in this iteration”, this is a problem that they wrote into existing, then either didn’t notice or didn’t resolve appropriately. And granted, some of these things aren’t inherently plot holes, but when you put certain aspects under inspection, it doesn’t make things look good.

For starters… I have to talk about Varric. Or more accurately, not-Varric.

I’m under the impression that not-Varric is simply Rook’s memory of Varric being projected for them. I personally don’t think there’s some extra level of Solas interference in what Rook is seeing moment to moment… and I feel the need to state that because Rook’s memory cannot conjure up information that Rook doesn’t know.

So why does not-Varric point out that the ritual dagger is the dagger from DA2?

Rook could not recognise it, there is absolutely no reason for Rook to even theorise that – so not-Varric should not be able to impart this knowledge to Rook. And what makes this worse for me, aside from being an impossible situation as the plot presents it, is that this observation doesn’t matter in the slightest. They put this backstory to the McGuffin Dagger and I don’t know why since all it does is create a plot hole. The only purpose I can see for this moment existing at all is to bolster the illusion that not-Varric is real and trying to help with the cause in whatever way possible.

Then there are other issues with Varric not being alive which makes other character’s lack of talking about him feel awful. Like, it’s not natural the way people avoid mentioning him when it would be very appropriate to do so – and I understand that to an extent, the game’s gotta game – they want to surprise us and therefore the characters aren’t going to blatantly give the surprise away early. But the Inquisitor doesn’t ask after him at all? Doesn’t mention how Kirkwall is coping now that the viscount is dead? Dorian doesn’t say anything after learning Varric found Solas in his city and then died? Isabela has nothing to say about Varric until after the illusion is broken for Rook?

It makes it feel like Varric’s friends (aside from Harding, the only person who seems to actively mourn him at the start of the game) don’t give two shits that he’s gone.

That’s not even accounting for how characters don’t bother to check in with Rook who is constantly talking with the companions about their various issues of mourning, hearing voices or apparitions, and just checking in with them overall – but none of that is seemingly reciprocated.

Frankly, this makes me feel awful. I feel awful for Varric being seen as so disposable that his friends don’t mention him or his absence. I feel awful for Rook who is apparently not worth the direct effort that they offer others.

And I try to think of how a new player to this series would feel about all of this – because Varric was just some guy who walked us through a tutorial in this game. Most of our time with him is fake, any connection I saw form between Rook and Varric in this game isn’t real – but then Rook mourns Varric more than he mourns the companions we have spent most of the game with.

I don’t like it.

And I don’t like the utilisation of returning characters. Morrigan, or as she’s utilised in this game deus-ex-Morrigan, has a new view of Flemeth and therefore she will take on Mythal’s soul fragment so she can again swoop in and save the day by handing us the means to get a reconciliation type ending… it couldn’t be something that characters in this game figure out, just have a returning character provide us with the magic solution. Also ignore how the whole reason Morrigan was afraid of her mother in the DAO and DAI was that her body would get taken over by her spirit… but I guess that doesn’t happen now. We can just create new rules for this iteration because it’s easier to tell the story this way.

Solas is also just… I’m so upset by what was done with him. He was a character in DAI who told half-truths or lied by omission, leaving others to assume false information without him actually saying it – it was never just blatant lies to take advantage of others. And his motivations were about restoration of something he felt he had robbed the world, it was about righting what he viewed as a mistake which lead to such a cascade of problems that he needed to somehow rectify it. Whether you agree with his point of view or his desires doesn’t matter, his principles remain the same in terms of what motivates him.

Then this game happens and he’s just a liar constantly, and not even a clever one if you can apparently just trick him up with a “woopsie, this isn’t the real dagger”, and he also apparently has no insight into the idea that Rook would anticipate that.

They make him act like the worst interpretation someone could have of him, the thing he actively was trying to tell us was a false interpretation in DAI and the comics. But history was written and remembered by those who experienced the negative outcomes of his choices, and they remembered that as the greatest evil in comparison to what else could have been. But apparently in this game, that’s the truth now. His motivation is about his desires and he cares nothing for the people who has hurt or will be hurt. But it’s ok, because just as easily as his motivation changed between DAI and Veilguard, it will be changed again at end game if you listen to deus-ex-Morrigan.

Then there are smaller things, but things that really would have been caught if someone was just paying a little bit of attention…

Like Harding and Emmrich going camping in Fereldan… which if we’re to believe the things the Inquisitor was saying about Southern Thedas, I don’t think you’re going to have a fun trip. But I’m glad they’re able to find some time for a vacation while the refugees are getting blighted all over.

Or Rook actively saying “I should talk to Varric” directly in front of characters in the lead up to end-game, and those characters choosing to completely ignore that.

Or in Neve’s companion story, Aelia deciding to interrogate the witness to the red lyrium deal right next to where it happened. She didn’t need to be in the area, she was puppetting the smuggler, and she clearly has insight into what the person is seeing and doing while puppetting them. So I guess she’s just there so we can figure out she was involved.

Or the game telling us that Anaris need Cyrian to perform rituals for him since Anaris doesn’t have a physical body to do them himself… except he apparently doesn’t because he can kill Cyrian when he disobeys. I still would like to know if Cyrian ever died originally, by the way, and if so how he’s back and seemingly normal – this game likes to answer big lore questions like it’s nothing, but they just gloss over details like this.

Or how in Emmrich’s missions, Manfred’s spirit dies and can just be brought back to life… so I guess spirits dying means nothing if they can be brought back with their memory and personality intact. So that Solas flashback where we were supposed to be appalled that spirits died? Apparently there was nothing lost there, someone just needs to revive them and they can carry on as normal.

Or how the rewrite of DAI’s ending cutscene implies that Solas killed Flemeth/Mythal… before he had the power to do so since the whole reason he has been able to do anything in this game is because he absorbed her amassed power. So Flemeth/Mythal would have to let her power go willingly since Solas should not be able to forcibly take it, but clearly, she didn’t since the dialogue we’re given is her being reluctant. Solas apparently has the power he needs to do things when the plot demands it, but also no power when the plot demands it (aka, when Rook needs to prove they’re better than him).

Or the crew making a fake Ritual dagger near end game. For no reason whatsoever. They just decided to do that knowing it would only be a prop, but they had no plans that even involved a prop at that point – so they just did this because the plot told them they had to.

And speaking of that Ritual dagger… all the old elves want that dagger for one reason of another, but they never seem to try to get it when they can, or they don’t seem too concerned when it’s not in their grip anymore. Solas doesn’t try to hold onto it after Varric gets stabbed. Elgar’nan doesn’t try to pick it up after it kills Ghilan’nain, in spite of him knowing it’s the one thing that can kill him… nope, just leave it there and peace out.

Or my personal most hated thing – Isseya and her stupid motivation making no sense.

I cannot fathom the logic of having Isseya, a warden who was forced to blight griffons, who came to resent this order as she watched the griffons go mad, made it her mission to safeguard a clutch of eggs, takes the blight from the eggs into herself while using magic to put the eggs into status, then goes off to her calling which doesn’t actually end in her death… and somehow, 400 years later, she’s decided that since those eggs have hatched and the griffons are healthy and unblighted, the thing she wanted, but they’re in the hands of wardens which she doesn’t really like, so now she’s gonna go get those griffons to blight them.

Literally doing the thing that made her so mad at the wardens. Because she wants to save the griffons from the wardens and their cruelty… by repeating it… I just… this is nonsense.

If she’s capable of articulating that she’s mad at the wardens for their cruelty to the griffons, then she shouldn’t be repeating it thinking she’s saving the griffons. If she was just keeping the griffons captive to keep them away from the wardens, then I could buy that, but adding the element of her wanting to blight them just makes this nonsensical.

Oh and never talk the First Warden down – it will make the final scenes with Isseya even worse if he tells you about the feather from her griffon and show it to her. Because I don’t even think Isseya dies in that variant of the cutscene, she just says sorry and rolls on the floor while I guess Rook and Davrin let the griffons out…

Who is Rook?

Usually, in a game like this, choices are what make us feel like an active participant in the world. It helps us build up our own character and determine how/why they behave the way they do, and also how the world around them is shaped by the consequences of those moments.

But this game feels so stripped of choice, especially choice which is any way related to morality or priorities that aren’t standard ‘Hero traits’. Rook will always do the right thing, they can’t be motivated by personal desires, excitement, monetary gain, fame, etc…. and when Rook is forced to make a choice, there is no option which would be looked at as unreasonable by companions. They might give us an approval/disapproval pop up, but it never really feels like Rook is capable of being incompatible with anyone, they will always be seen as justified in companion’s eyes. And to me, this makes Rook as the game presents them incredibly bland.

Most of Rook’s unique characterisation happens in the character creator – the game gives us minimal chances to expand or form a personality for Rook that is significantly different from any other person who plays the game. We do the heavy lifting here, we transpose qualities on Rook because the game won’t give us meaningful opportunities to do that.

And not only do I feel like the game lacks choices that would help us define Rook, it lacks decisions that make me feel like I’m having any impact on the world overall. I can defend Minrathous or I can defend Treviso… this is the one choice we make which seems to actually shape the world we play in.

And it doesn’t even come up as something Rook can regret in the sequence about regrets… Rook apparently is faced with only regrets that are the result of other people’s decisions to volunteer to do something. But the one thing where Rook actually has to actively choose something, something they are actually responsible for the suffering on the side they don’t defend… that isn’t something they can regret.

What the hell is that supposed to mean? Surely, if Rook should regret anything it should be the thing they feel direct responsibility for, no? But Rook doesn’t. Because Rook doesn’t regret anything they do, because they aren’t written with choices that they can regret since they aren’t seen as responsible for negative outcomes.

Honestly, that sequence might as well have been about mourning or sadness rather than regret, because Rook has to be upset at the loss of companions, we don’t get to influence that. But Rook isn’t regretful – that’s how they get out – but I can’t help but wonder why they didn’t then make us able to actively regret the legitimate choices we make, rather than feeling regret for our companions deciding to risk themselves.

Rook feels like an outside observer to everything that happens around them. They are the mediator, the sounding board, the magic-8-ball for decision making when companions need a push because they’re stuck. Sure, they do things, but for an RPG the way they go about things feels so linear.

And on another note… why is Rook seen as important? They start championing Varric’s cause in his absence, they want to stop the veil coming down and that starts with stopping Solas, then stopping Elgar’nan and Ghilan’nain. But to the outside observer, Rook is just some guy who says they are on an important missions, and they really need to speak with all these important leaders of factions – just trust them, I’m sure the First Warden is happy to make time for a meeting. And also the First Talon of the Crows, I’m sure they are fine with just some foreign person saying they need to meet your leader.

What I’m trying to get at is that Rook has no title, your group isn’t given any proper title or status which these people can look at and assume Rook is being truthful, trustworthy, or even worth their time. No one has any reason to hear Rook out, but in this game, they either just do, or they don’t and it’s because they’re actually a bad guy.

But Rook is no one special. They realistically shouldn’t be trusted like they are, they should absolutely be struggling to be taken seriously by others but it’s portrayed as unfair when that does happen. But they’re the protagonist, and it’s like everyone in the world simply knows that. I want Rook to struggle, I want them to grow and prove themselves, but it feels like we skip passed that to get straight to the fantasy of being in charge and considered fit for that role. 

Pacing and feeling like something was missing…

The start and ending throw a lot at us and expect us to keep on running – but then the middle portion of the game suffers due to the companions putting a stop sign on the plot so you can do their companion quests. And they aren’t shy about telling you “you need to stop and do our quests or we’ll be distracted at end game”… and again, thank you game for explaining game mechanics to me.

I was going to complete character quests, because if I care about the characters of course I’m going to do that. Having to actually pause the plot and have the characters explain to you that you have to care… I don’t know how to explain this, but it immediately took me out of the fragile immersion I was trying to get into. It makes me upset with the companions for reasons I can’t put into words. Maybe it’s because in one fell swoop it made me see them as checklists to be completed instead of people I wanted to know? I’m not sure, if someone had a similar reaction to this moment and has a better explanation, I would love to be enlightened on what it is that makes me so uncomfortable about this.

But I digress, the problem here is that the plot grinds to a halt. We stop doing things which feel like we’re advancing our plan of stopping the big baddies, we just kind of patter around and make sure our companions feel ok. And most of those missions to help our companions aren’t connected to the enemy we’re facing… Aelia, Anaris, Hezenkoss, Illario, The Dragon King, Isseya – they aren’t agents of the big baddies, they are just enemies that pop up at the same time as the big baddies are around, and are therefore making the situation worse.

So yes, we’re still doing stuff, but it feels like fluff. It feels like a detour while we just hope the world doesn’t burn while we stop to go on another picnic.

This is something that happens in a lot of games, the urgency isn’t real because you can stop progressing plot to go for a long walk if you want to – but in none of the other games did it feel so blatant to me. I still felt like most of the little tasks in the interim of plot advancement were at least advancing the cause in little ways… I don’t feel that with a lot of the things that happen in the middle of the game. It just becomes about companion missions; the bad guys will wait until we sort that out, the blight will stop advancing so we can have family dinners and go for walks.

And I really don’t know how to explain this, but it feels like something is missing in how the story progresses. Like extra things were meant to be happening and they are just not there. Maybe this is another part of how the game often just tells me things that happen in scene transitions, or it’s me really wishing there were more actual plot advancing missions in the middle of the game.

This problem I think also is most evident in the romances. Veilguard seems to take its romance pacing more from the Mass Effect games than the previous Dragon Age games – and while it was acceptable in Mass Effect to have very few romance scenes, and predominantly only having one big scene which culminates at end game, but suddenly introducing it in this series makes it feel like a huge downgrade from previous instalments.

It feels like we’re missing things, we’re given banters by companions commenting on the progress of our relationship and our partner can talk about how close they feel to our Rook – we’re given the impression our relationship is strong and established midway through the game. But with how strong the characters talk, it feels like we should have experienced so many more interactions with our partner to substantiate that.

For comparisons sake, in DAI if you enter a romance prior to going to the Winter Palace, you get romantic dialogue with your partner if they’re present, you get a dance, you get to feel like you’re in a relationship as it’s developing into something deeper. You get more interactions as the game goes on, moving from spoken interest, kisses, and intimacy (in most cases). It’s a slow build, and let’s you feel the build up by giving you glimpses of each step as the relationship develops, and then letting you just experience being in the relationship.

This game feels like it gives us the bare minimum in actual content, but has characters talk about how established the relationship is. The heavy lifting is again left to us to interpret all these blank spaces and fill in how this relationship is developing. The problem isn’t inherently with what the game gives us, it's what it doesn’t.

It lets us choose a relationship in the middle of the game, then it doesn’t give us all the progression – rather it gives us the minimal amount of snippets to meet the checklist of “they express interest, they mutually agree to be in a relationship, the relationship is consummated physically”. Sure, we can continue to pick flirt/love based dialogues, but it doesn’t feel nearly as strong as the banters seem to be telling us it is. And over all, we can go a very long time between each progression point.

I love this franchise, and I so desperately wanted to like this instalment… and instead I feel hollow.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)