#the category is: hating when black women are in the spotlight

[nyikondlovu]

Chefs Kiss (Sydcarmy) fans stay with me, Chefs!

I’m not taking anything Ayo, Jeremy and Christopher say against sydcarmy, aka Chefs Kiss, seriously.

They purposefully kept Carmen and Sydney as separate as possible this season, which is a big mistake in my opinion.

The show is about the characters and their relationships with each other. Food is a part of it, but it’s mostly the relationship each character has with one another that makes the show.

The writers trying to dispel the rumours by keeping what I would call our male and female leads apart is nuts because Jeremy and Ayo play so well off of each other but by separating them Jeremy gave his weakest acting (which is still very good) during Carmy/Claire scenes?

They keep saying The Bear doesn’t need romance then give Carmen a whole relationship that was so boring to watch for like 7 episodes and felt like watching paint dry because Claire isn’t engaging.

I’m expected to care about her, what she supposedly means to Carmen and hear about how great she is but don’t get to see it? She’s an ER resident for gods sake and she’s running around town giggling every 5 minutes without a semblance of the hard work and exhaustion that comes with being a doctor.

And for the reason stated above, I believe she’s a manic pixie dream girl. She’s there to change Carmen’s view on life, be different and quirky and the one who got away when in reality Carmy forgot who she was and had to be reminded which took him a whole 5 seconds to remember the supposed love of his life, purposefully gives her the wrong number and she says “You’re the Bear, of course I remember.”

No one was gonna take her seriously as the person to keep up with Carmy and help keep him sane.

Meanwhile Sydney does. She anchors him, she keeps up with him and she calls him out on his shit. Sydney isn’t perfect. She’s terrible at stating what she needs at that moment, she slightly short tempered and she is passive aggressive.

She also is working on her impatience and passive aggression. She eventually tells Carmy she needs his attention as her partner. She speaks up for herself to her dad and she’s not letting her ambition be treated like a bad thing anymore.

Carmen and Sydney would make sense because they are flawed. Carmy stops going to group therapy as soon as he starts dating Claire because she’s ‘fixed’ him and they don’t work because of that.

Sydney has ‘levelled up’ in her professional life, she’s more assertive and willing to listen and has just grown as a person and that type of continuous strive for self growth is what Carmen needs to see in order to do the same HIMSELF.

Sydney isn’t there to fix Carmy, she’s someone who he can grow alongside.

Claire was used as a kids bandaid to a gaping wound; the wound being Michael. Claire represents a life where Mikey was alive and Carm’s fucked up family was as whole and happy as it’s gonna be. She represents the past and everyone PUSHED him to want to date her in the past.

There is too much between our two chefs for simply business partners:

S1 shows Carmen scrubbing the floor of the restaurant when in turmoil while Sydney does the same in S2;

She’s spliced into the montage of Carmy and Claire as though she’s a silent part of their relationship;

She has the three dagger heart tattoo which typically represents romantic heartbreak and turbulence;

Carmen remembers her interest in his whites from three months prior even though she didn’t say anything and gets her her own custom whites;

The imagery from their conversation under the table? Him asking her to screw the other side and “say more, please” as he holds up the table (and Sydney) while she finally shares her fears;

“You’re not alone.” “Neither are you.”;

The memories of Sydney being what calms him from his panic attack;

During said panic attack, the song that was Claire and Carmen’s plays in reverse and any flashes of her are accompanied by memories of his dysfunctional family while the moment he thinks of Sydney? The song starts playing correctly. He calms and flashes of his family (and Claire) disappear;

Them constantly cooling an argument with the ‘I’m sorry’ gesture;

Him constantly being in tune with her emotions and body language.

Sydney represents a new beginning. The chance to build a healthy family with the staff of The Bear, Sydney, Natalie and Richie. She represents a future. She represents good change.

I’m fully convinced Ayo and Jeremy are just doing what all actors do with a ship that’s not yet canon: downplaying or dismissing it.

C’mon if you’ve been in The High School Musical The Musical The Series fandom and shipped Rina from the beginning, you know how it feels to be persecuted and gaslit by other fans and the actors for seasons.

TL:DR, Chefs Kiss is literally a super slow burn and no one of the team will confirm it until it actually happens.

Also, never let your girlfriend (Claire) stop you (Carmen) from opening a restaurant with the love of your life (Sydney)

And if you think they should “stay platonic”, ask yourself WHY every swirl ship with a white male lead and black female is hated by fandoms and the argument is “they’re best friends” or “they’re like siblings”. WHY can’t black women be desired? Because you can’t self insert? Check yourself before claiming a character who was so underwhelming I skipped so many scenes is a better match than the character who has seen him at his worst and told him he cannot and will not talk to her like that. The first person he thought to open a restaurant, that means so much to him, with

[jmargerison]

misrepresentationofgender

Misrepresentation of man and woman

Intro - In the present day, stereotypes of gender are seen in mainstream media like movies, TV shows, and advertisements for example. This misrepresentation of gender we commonly see in media can have a significant impact on how we as viewers see and interpret gender in real life. Quite often we see media that references or reinforces damaging and hurtful stereotypes about gender, showcasing unsteady and unrealistic expectations for how we as humans should look, behave, and act based off of gender. 

Gender stereotyping and reinforcement in woman: For women, movie directors and screen writers portray them as sexual objects that have certain features and emotions like being a dumb blonde for example is a common trait in mainstream media for women to act out. Legally Blonde, a movie based on the idea of a sexually attractive, young blonde women attending Harvard University and is seen as an outcast due to the stereotype of blonde females not being smart enough to attend Harvard or any University for that matter. Another example of stereotyping women in media is the movie White Chicks. This movie is commonly criticized for its blatant misrepresentation of gender and creating negative stereotypes of what it truly means to be a woman in the world. The movie’s plot shows two black male FBI agents who disguise themselves as blonde, dumb, white women to solve crime. This blatant attempt at discriminating women is seen as a way to get laughs from the audience. Femininity and harmful stereotypes are unrealistically and hurtfully portrayed throughout this movie. One of the main points of the movie is to showcase what it means to truly be a woman, but this view is only seen by the directors and screenwriters. Both characters display hyper-sexualization which reinforces the common notion that women should only pay attention to their physical appearance as it is what is most attractive to the human eye. According to an article written by Forbes.com (https://www.forbes.com/sites/brucelee/2018/03/13/how-media-portrayal-affects-women-and-what-geena-davis-is-doing-about-it/?sh=433afd152962) women characters have unrealistic bodies and behaviors. The article goes on to say that “the appearance and presentation of women on a variety of shows, animated and live action found lots of big chests, small waists, and generally unrealistic bodies.” It continues saying that the result of this happening can’t be a positive outlook on women’s body image, self-confidence, eating habits, and other behaviors. As seen by research, these portrayals and categories women find themselves having to pertain to is incredibly harmful to a woman’s self-esteem in the real world. When looking at men in movies and mainstream media, they are often depicted as strong, aggressive, and little emotion. Due to media representing men in this way, the mental health issue of men is underappreciated drastically, a key problem in our world today. These discouraging portrayals of men in the spotlight to set certain goals, expectations, and perceptions of themselves. Another article written by Forbes.com (https://www.forbes.com/sites/meghancasserly/2012/11/14/are-men-the-latest-victims-of-media-misrepresentation/?sh=5447b0d62caf) suggests that “The media industry has tended to characterize men as macho guys, skirt chasers and inept at parenting and relationships.” In the movie 10 Things I Hate About You, one of the characters named Joey is seen as the typical guy. He is a sports player, in shape, and a girl chaser. Many times, this is the generic stereotype in mainstream cinema and many other places daily. Another movie called She’s the Man demonstrates the main character trying to play the role as a high school boy so she can play soccer. In an article written by Western Washington University (https://wp.wwu.edu/cinemakristylee/2017/02/24/deconstructing-gender-stereotypes-in-shes-the-man-final-draft/) the movie demonstrates women and men stereotypes but more specifically representing men as brute and brawn while talking in a lower register voice than women.  

Objectification and Sexualization: Another significant issue in the media when it comes to gender stereotyping and misrepresentation is the idea of objectification and sexualization of women. Many times, we see women subjected and targeted by the media to advertise and use their physical appearance to exaggerate features and unrealistic body proportions. According to Stephanie Nicholl Berberick at the University of Buffalo states that “The representation of women in the media has always been exploitative...it has reduced women to being nothing more than objects to be won, prizes to be shown off, and playthings to be abused.” This is a very powerful quote as we see time and time again women in movies, TV shows, even video games portrayed as sex objects for men to hunt and use for their pleasure. Rather than showcasing women in media as strong, independent, wealthy women, we watch them on the big screen as worthless, useless, and sometimes objects to be won. This common theme of objectification and sexualization we see frequently reinforces these disgusting ideas that women hold close to no value outside of their looks and sexual pleasure which can lead to significant self-confidence issues like body dysmorphia, low self-esteem, and sexual pressure for women to perform in a way that is unrealistic. 

Underrepresentation and Stereotypical Roles: Another aspect of this idea of Misrepresentation of gender is the blatant underrepresentation of females in the media landscape as well as clear stereotypical roles females are supposed to play. Often times, men are casted as the lead role in a blockbuster movie or a hit TV show. Women are always left on the back burner, being the background to the star of the show which is typically men. We see it time and time again, James Bond, Indiana Jones, Batman, etc constantly have the spotlight on them while they have women as the love interest. According to Iris Bohnet, Co-Director of Women and Public Policy Program cites that “women only appear in a quarter of television, radio, and print news. In a 2015 report, women made up a mere 19% of experts featured in news stories and 37% of reporters telling stories globally.” This statistic is crazy to think about as news channels for example produce men explaining issues as they believe they are far more educated than women are, a reason men are hired for this position as a news anchor. In movies, any action movie shows the women as the stereotypical damsel in distress or the nurturing mother who stays home to take care of the chores while the man leaves. Disney movies like Cinderella, Beauty and the Beast, and many others are seen as stereotypical. Although movies like Captain Marvel and Wonder Woman have broken that stereotype in recent years, it hasn’t been nearly enough to suggest this underrepresentation of women will change anytime soon. These degrading and limiting one-dimensional views fail time and time again to reflect the adversity women go through for a real and authentic representation in the landscape of media conglomerates all over the world 

Lack of intersectionality: the misrepresentation of gender in the media, specifically towards women, often neglects social identities such as race, ethnicity, sexual orientation, and disability. Broadening your focus on gender without taking in all aspects of a person’s identity almost always results in a misrepresented and most times incomplete vision of diverse experiences. In our daily lives, especially right now, it is a key strength to recognize the diverse experiences of women in society to challenge and overcome the common stereotypes. We have to do a better job of promoting more inclusiveness in not just daily life, but also the media. 

Impact on Society: Gender inequality, harmful language, discrimination in a vast majority of ways which includes education, employment, and relationships. It is common knowledge in the workforce that women are severely underappreciated and underpaid compared to men. Many times, women won’t even get considered for a position at a company because of their gender. Men are commonly seen as smart, intelligent, and wise while women are still to this day, seen as mentally weak and objects that shouldn’t hold any value outside of that.  

Conclusion – Misrepresentation of gender in the media demonstrates degrading and harmful stereotypes, reinforces gender inequality, and constantly limits potential diverse and inclusive narratives that are no longer common nowadays. The mainstream media holds all the power in shaping societal attitudes and misconceptions. It is essential for us as an audience to recognize the impact of misrepresentation, objectification, sexualization, underrepresentation, and stereotypical roles the media presents to us. If we as a society, try to change the societal norms, challenge gender stereotypes, promote and stand for authentic/diverse representations, the media will have the ability to play a crucial role in building up a more effective and inclusive understanding of gender. As a community, as a society, it is a responsibility for us all to protest, demand, and support media that reflects these views. The next time you watch a newscast, movie, television show, play a video game, or listen to the radio, look out for gender stereotypes, man or woman. Stereotyping of women is more common, but men are also subject to this harmful behavior that can cause severe consequences. Be inclusive, and stand for gender stereotypes being abolished in the media.

[kirksfattitties]

asks you can smell the privilege and internalized ableism radiate from

(tw for ableism and other bigoted implications)

i’m bad at reading tone but even i understand that this is 100% you being condescending and trying to cover it up with smiley faces and false sincerity. and i don’t appreciate that.

before i get into deconstructing your shitty ableist argument, i want to explain the reasons i believe in self diagnosis (self-dx):

even professional diagnosis doesn’t start with a doctor diagnosing you. there has to be a reason for seeing the doctor. some people see a doctor in their adult life because they’re struggling, some people are taken by their parents, some people are referred or suggested that they see a specialist. whatever it is, you don’t just see a doctor and they magically give you a neurodivergency. people have neurodivergencies before they see doctors and even if they NEVER see a doctor.

the psychiatry system is flawed in MANY ways and to say that it isn’t means you’re denying the experiences of people with less privledge than yourself. also like psychiatry isn’t gonna suck your dick. you don’t have to be a bootlicker lol

in many places (hi hello i’m from america where our government tries to indirectly kill us by not providing us with adequate healthcare! i and many other people have many issues we can’t get fixed because simply our government cares more about the economy than us), seeing a psychiatrist or a therapist or going to a mental hospital or WHATEVER is INCREDIBLY expensive. and to assume that everyone has access and enough time/money/energy/transportation/whatever to do all of that is classist and elitist.

ANYTHING medical (including mental health) is biased towards white cis men. most studies are done on white cis men/boys. because of this, people who aren’t white cis men (or people who aren’t perceived as white cis men) are often not diagnosed. the system is racist. the system is sexist. the system is transphobic. people don’t know how to diagnose autism or adhd or personality disorders or other neurodivergencies or even mental illnesses in black people and other people of color, in women, in trans people, etc. and GOD FORBID someone be in multiple (or all) of those categories. saying “just go get diagnosed :)” is a privileged statement to make.

shocker! the psychiatry system is also ableist. if you’re already diasabled (whether it be mental or physical) and you see a doctor about ANOTHER disability? the doctor is most likely going to shoot you down. or at least be weary about someone having mutliple disabilities.

also most people who diagnose are neurotypical. they have never and will probably never experience neurodivergency so they can never fully understand it. they operate off of stereotypes of neurodivergent people and usually only stereotypical behavior of neurodivergent white cis men (which, as i mentioned before, is problematic for anyone who isn’t a white cis man). neurotypical diagnosers don’t know the neurodivergent culture and aren’t trained to recognize very common things (like masking for example).

a professional diagnosis can also be weaponized. not everyone can get a professional diagnosis because there are some neurodivergencies (such as autism and personality disorders) and mental illnesses (like depression) that can have legal and medical respercussions to have in your record. trans people can be denied medical and legal transition for being professionally diagnosed. people can lose custody battles for being professionally diagnosed. a professional diagnosis can be used as justification for taking away someone’s body autonomy (especially if that person is also physically disabled).

a LOT of neurodivergencies also have some type of symptom (or symptoms) that make it difficult to interact with people. troubles recognizing facial expressions, troubles understanding certain phrases and types of speech, paranoid about people, audio processing issues, being nonverbal in an environment that doesn’t accommodate for it, overstimulation, extreme social anxiety, discomfort in new situations, problems with eye contact, and a lot more. because like. for many nd people, interacting with people is very difficult and stressful. and hey. if you want to get a professional diagnosis? take a WILD guess what you have to do? FUCKING INTERACT with people! LIKE?? JEHDJJDKEKKDKDKDS. do you know how many professionally diagnosed nd people i know who made their appointment COMPLETELY on their own without help from a parent or family member or friend? LITERALLY ZERO! and i know A FEW nd people who have professional diagnoses! so if someone has social issues that prevent them from doing tasks like calling and making an appointment, showing up for an appointment, talking during the appointment, etc and ALSO doesn’t have familial or friend support (because newsflash! people who are friends/family of disabled people can still be ableist)? almost impossible to get a diagnosis! plus, the diagnosis process is TIME CONSUMING. not everyone can focus on a task for that long and not everyone can miss work/school for that long.

so those are the reasons i support self-dx. (although there’s probably more that i’m forgetting but i have adhd and it’s hard for me to remember things!)

so hopefully you now understand my reasons for believing in self-dx, and perhaps even you’re pro-self-dx now because before you were just uneducated on these issues and how they impact people who aren’t you.

but in case you’re still anti-self-dx and probably hate already-marginalized neurodivergent people, let’s talk about this horrendous ask (series of asks, actually) that i got sent. i feel like i can feel the self hatred and internalized ableism OOZING from this ask and into my inbox, so thanks for that i guess /s

“Sometimes people who self diagnose can take away from those who are actually nd, even sometimes from themselves.”

starting out strong with the ableism on this one by separating people into “self diagnosed” and “actually nd” people. self diagnosed people ARE actually nd

there’s not a limited number of nd resources. this isn’t a math equation of only x amount of people can be nd because there’s only y amount of resources. more people realizing they’re nd will actually MAKE more resources for nd people and will bring more awareness to being nd

even IF someone self diagnosed, and they go back on it later, what harm was done? they learned some coping mechanisms? they made some nd friends? neither of those are problematic and i think they’re both actually very helpful. i think nt people SHOULD learn more about nd people and stuff because i think that will lead to WAYYY less misunderstandings and WAYYYY less ableism

“There are many people who fake nds for attention,”

hey anon, what fucking world do you live in that nd’s are cool enough to fake having? because i would LOVE to live there. like, i literally had a post about my personality disorder (which i will not be specifying) i had to delete because people were sending my anons about how i was “scary” and “threatening” now that they knew i had the personality disorder i have. last year i left a discord server because the ableism i was recieving from not only the members of the server, but the mods as well. there are very few people i know irl who i tell about my personality disorder, but when i tell people about my adhd, they start treating me different. they infantalize me and make fun of me and use “jokes” about stereotypical adhd behaviors to alienate me and they even TELL OTHER PEOPLE without my permission. i was SEVERELY bullied throughout elementary and middle school for being nd. i have been refused job and educational opportunities as well as literal medical attention for being nd. people aren’t “faking” being nd, and if they were they probably wouldn’t be doing it for long because it’s not something that’s EASY to deal with.

kinda ironic that you’re saying people can’t diagnose themselves but that YOU can tell when someone is faking their diagnosis. that’s both hypocritical and a double standard.

masking exists. if you think someone isn’t “acting nd enough” they’re probably masking because they’ve been fucking bullied and harrassed. also you’re probably basing whatever you think nd is on stereotypes. not every nd person is sheldon cooper lol.

this is a side note but can we talk about how you’re literally just taking transmed rhetoric and molding it to fit nd people? like. you really come onto MY NONBINARY NEURODIVERGENT blog and expect me to validate your recycled “but what about the REAL [insert group] people?” ??? like grow up, elitist. you’re not better than anyone else just because you lick some boots 🥾 👅

“and claiming that self diagnosis (and this is just what I interpreted) is just as valid as professional diagnosis”

it is 😌

the only difference between self diagnosis and professional diagnosis is that a professional diagnosis can also get you medicine. not every neurodivergency needs meds and not every neurodivergency can be treated (at this time or even ever). for example, my pd (self diagnosed) doesn’t have a specific treatment but multiple symptoms of the pd (all professionally diagnosed) have specific treatments and medicines that work, so patients are given/diagnosed with/prescribed those instead. also, medicine doesn’t work for everyone! and sometimes people are allergic to or take medicines that will conflict with any new medicine.

“can really devalue the account of someone who actually has a disorder”

here we go again with that “self diagnosed” vs “actually nd” bullshit. literally just say you hate poor people n minorities and leave lol

someone having a different experience than you isn’t devaluing you, but if you’re the one who always has the spotlight maybe you should use your privledge uplift other marginalized people instead of feeling angry when everything isn’t all about you 100% of the time

“I have a second ask”

i don’t want it

“Plus it can be damaging for a person if they self diagnose wrong.”

how? what if they learn information that they wouldn’t’ve otherwise known like coping mechanisms that help them with their own neurodivergencies? that’s definitely not a bad thing

i think it’s funny that you bring up that people can self diagnose wrong and don’t even MENTION that doctors can diagnose wrong. like. you know. the people who GIVE OUT MEDICINE to people. i think it’s MUCH more dangerous when a PROFESSIONAL diagnosis is wrong. what are self-dx people with wrong diagnoses gonna do? read up on nd tips? maybe smoke some weed? drink some coffee? that’s about all they can do with a self-dx. but if a MEDICAL PROFESSIONAL gives you an INCORRECT diagnosis, they can ACTUALLY fuck you up.

“I was recently diagnosed with PTSD, a disorder which I would have never considered I’d have.”

that’s great about your professional diagnosis! i don’t know you but i’m glad you’re finding out about yourself and getting the help you want and/or need /srs

sorry if this sounds blunt, but honestly i’m not surprised you never considered you could have PTSD. based on your asks, you sound like you have a lot of internalized ableism you need to work through and a lot more research about neurodiversity you need to do. being anti-self diagnosis is a common belief among a lot of people with internalized ableism and a lot of these same people are the ones who have no issue with and even SUPPORT auti$m $peaks. many nd organizations that are run BY nd people (like asan) actually support self-dx.

“If I had of diagnosed my own symptoms and then started treating myself or taking precautions based on my self diagnosed "condition", it could of really hurt me.”

how? taking precautions to preserve your mental health is NEVER a bad idea. i’m not ptsd, but someone i care deeply about DOES have ptsd and has shared a lot of the precautions and coping mechanisms for ptsd with me and honestly they’ve been incredibly helpful. it’s almost as if different neurodivergencies and/or mental illnesses have overlap and that’s why there’s a whole community for us to be able to share these resources and information with each other!

the same person was rejected a formal autism diagnosis because of their ptsd, plus the fact that they’re transgender and the fact they have symptoms of adhd. it’s not really my place to talk about their experience with professional diagnosis, but i’ll send this post to them and allow them to add on their experience in a rb if they’re comfortable with that. but it’s almost as if their experience with the professional diagnosis process was unhelpful, harmful, ableist, and transphobic 🧐 and unfortunately this is a pretty common experience

“Also, by self diagnosing, I devalue the account of a person with the disorder l assumed I had.”

how? if someone thinks they’re nd, they have a legitimate reason for thinking so. either they have another neurodivergency than the one they thought they had, or they’re neurotypical and need to figure themself out and have a need for support. either way, they learned more about the specific neurodivergency, more about the nd community, and more about themself. i don’t see how that’s a bad thing.

if you think self-diagnosed people’s experiences inherently have less value, that is straight up ableism. especially considering that other marginalized identities and minorities have trouble getting professional diagnoses, you might also be bigoted in some other way. or at the very least, refusing to acknowledge your privilege.

“only one more I promise”

i don’t want it

“I understand that doctors are expensive and professionals can get it wrong,”

okay. if you understand this, then dm me your information so i can bill you for the cost of my professional diagnoses, the cost for my therapy sessions, the cost for my medicine, and the cost for transportation to and from all these places. PLUS the cost of the work and school i’ll be missing for these sessions. 🤲

“but self diagnosis can be really harmful to yourself or others.”

nah, you’re just ableist and a gatekeeper lol

“If you feel like you have a disorder, go see a psychiatrist, you may have it.”

[remembers when i went to a psychiatrist who diagnosed me with two major symptoms of a personality disorder and said i had other symptoms of the pd as well but refused to diagnose me with the actual personality disorder because i was a minor at the time and he told me “kids don’t have personalities so they can’t have personality disorders”. i understand being weary about diagnosing children with personality disorders because they aren’t fully developed but this dude straight up told me that i didn’t have a personality. this man literally only worked with children so that means he literally never diagnosed personality disorders. this man was literally just lazy and didn’t care about his patients. this man also refused to believe me when i told him the medicine he prescribed me made my symptoms worse and even made me hallucinate. he ignored me and refused to change my medicine so eventually i just changed psychiatrists and they put me on a new medicine that DIDNT make my symptoms worse and DIDNT make me hallucinate. also i looked it up after our session and apparently ONLY people with my pd and related ones experience hallucinations on that certain medication. it’s almost like his refusal to diagnose me and ignoring my symptoms/concerns harmed me. this man also constantly misgendered me and told me that homosexuality and transgenderism should’ve still been in the dsm. like golly, it’s almost as if being queer and neurodivergent in an extremely conservative state is harmful and dangerous. and that psychiatrists aren’t immune from being homophobic and transphobic and ableist.] but yes :) perhaps i should see another psychiatrist in this conservative state :)

“I don't want to undermine anyone's actual experiences, but it can be dangerous.”

then stop undermining people’s actual experiences :)

no ❤️

“If you feel like something's wrong, go see a professional.”

the whole point of the neurodiversity movement is that there IS no such thing as a “normal” brain, so saying that neurodivergent people have something “wrong” with them is ableist.

💰 🤲 hand it over

“I don't want to offend, I just don't want anyone to get mislead or hurt. :)”

you absolutely meant to offend. you literally said that self-diagnosed people’s experiences aren’t valid and have less value than people who have professional diagnoses

i know more people who have been (and personally have been) mislead and hurt by professionals than by simply existing as a self-diagnosed person

also i want to say that being pro-self dx is NOT being anti-professional/formal diagnosis. i think that people should absolutely get a professional diagnosis (if they are able to without negative repercussions)! being pro-self dx is more inclusive of marginalized people (like people of color, women, lgbtq+ people, people with multiple disabilities, etc). pro-self dx is simply just saying that professional diagnosis isn’t the only option

(neurotypical people and anti-self dx people don’t add anything; pro-self dx neurodivergent people are allowed to add with their experiences if they want)

[whimsywit]

okay so a lil while ago i saw this tiktok that shows off official merch of a quirkless mina and she has dark skin and i havent been able to think about anything since so!! here we go here we go satellite radio ;0

lord i don’t even know where to START

okay hollup i do, first off i think mina’s blasian!

Her dad is black and grew up in the states before coming to Japan for work, then settled with her mom so she could be born and raised there

She spent a lot of her summers in America to visit her dad’s side of the family

And her friends too! There’s a big breakdance community in their city she’s a part of

They call her the “international rep” lol, and she features in their videos whenever she can

It’s a bit difficult to travel now with her hero training tho, she gets in her feelings about it a lot :/

I actually need to make a whole nother post bout her music or else this one’d get too long, so look out for a part two 😚✌🏼

Because I love her and this is MY blog and I get to write my comfort characters HOWEVER I WANT, she’s half Caribbean!!

Specifically Barbadan (and she loves bragging about how it’s Rihanna’s home island lmao)

It’s also why mango her favorite flavor! Lots of childhood memories of eating them with her cousins so she picks it whenever possible uwu

It also gets her weird looks whenever she eats the whole thing down to the pit with the juices dripping all over but she doesn’t care whatsoever, trust me it’s an unmatched experience 😤😤

Also in the food category, she looooves goat, whether its roti or curry or whatever, and hates that she can only get it outside of Japan since they don’t eat it much there

ALSO also—handles her spice the👏fuckin👏best👏 out of anyone in the class, even beating Bakugo but just barely

(this was tested with a hot sauce contest in the dorms, everyone was hype as hell, she skated by with her win but he respects her a lot for it but would positively die before saying it outloud)

Cmon yall what do you expect when you grow up on pepper soup n jerk seasoning on everything 💅🏼💅🏼

Wash day is an even bigger hassle for her than most since she has to work around her horns, and she can’t even wear a bonnet w/o poking holes in it

BUT HOLY SHIT GUYS since she can control the viscosity and solubility she uses her acid as edge control!! so it def balances out like can you imagine the money she saves??

She’s mad talented at doing big swirls too, just another way to steal the spotlight at any event ✨

When Black is King dropped you can bet THE BOTTOM DOLLA she made her friends sit they asses down n watch it 😂😂

With all that animal print?? The VIBES?? No way she gonna keep it to herself tf??

In general she’s v up to date on pop culture, trends, slang, all that jazz, often times ahead of the game before something even picks up speed

Everything is just repurposed from black women and AAVE anyway ¯\_(ツ)_/¯

She also has a biiiiig habit of sucking her teeth, youll hear it all the time when the bakusquad is studying or in the middle of a test

Bakugo actually picks it up and starts doing it whenever he’s annoyed!! So...... all the time—

When she notices, god the sheer excitement and smile on her face 🥺🥺

He’s kinda flustered by it and cusses her out as always, but he doesn’t stop doing it either and it brings them a lot closer in addition to the shared love of spice

I actually need to cut myself off before i have yall scrolling for AEONS, but yea honestly we should’ve guessed

Her energy is unmatched, she’s the baddest bitch in every scene she’s in, can you tell she’s my favorite yet or do I need to go on?

«────── « ⋅ʚ♡ɞ⋅ » ──────»

Let me know if you’d like to be added to my taglist 〜♡

[all-things-lgbtqia]

JK Rowling continues to spout TERF ideology, continues to say she’s not a TERF.

JK Rowling, best known as author of the world-renowned Harry Potter series and the decider of who is and isn’t gay, took to Twitter within the past 24 hours to make what I can only assume was supposed to be a joke in response to a Tweet about efforts to help create a more equal world “those who menstruate” in a post Covid-19 world, saying that “I’m sure there used to be a word for those people.”

When called out for her erasure of trans men, non-binary, and gender-nonconforming people - all people who can be assigned female at birth but do not identify as women - Rowling went on the defensive, criticizing the idea that “sex isn’t real”.

Here’s the thing, Rowling: sex is real. Trans people know this. That’s kind of what makes most of us trans. Their biological sex, which is a real and tangible thing, does not match the identity they see for themselves, which is also real although it can be a lot harder for us outsiders to see. This is why many trans people opt for modified clothing (such as binders and gaffs), hormones and surgeries to make the exterior body match the internal sense of gender. Granted, many trans people will not do this, and they are not obligated to do so, but the vast majority of us will opt for such measures, not just to make ourselves more comfortable in our skins, but also so people like you don’t keep misgendering us and then pretend to be the victim when we call you out on it (which you’re doing right now). Absolutely no one is arguing that biological sex isn’t real.

She then goes on to say that saying women like her, “who’ve been empathetic to trans people for decades”, hate trans people “because they think sex is real and has lived consequences - is a nonsense”.

Like I said Rowling, sex is real and absolutely no one is saying otherwise. You’re the one who keeps saying it. You said it during the Maya Forstater debacle and you’re saying it now. “Woman” is not a term that refers to someone who is biologically female. An overwhelming amount of the time it does, but not always. “Female” and “female-bodied” are somewhat controversial terms when it comes to afab transgender people, but they always refer to someone who is biologically female. “Afab” is an acronym for “assigned female at birth”, which can even refer to cis women. So as you can see, there are better terms to refer to someone with female reproductive organs than “women”. And believe it or not, a lot of those “lived consequences” are often the same for a lot of afab people. Not everyone has the privilege to transition at 6-years-old, before the horrors of the real world affect most of us. Many afab trans men (I would like to quickly acknowledge that some trans men may be biologically intersex), non-binary and gender-nonconforming people will have lived as females or a somewhat “female experience” up until they come out of the closet and begin their transition, if they do so at all. Pre-transition afab people are still subjected to the same amount of sexism, misogyny, sexual harassment and general dangers that come with being a woman because even though they are not women, society sees them as women. And yes, these people will even menstruate, because they have a female reproductive system (although it is worth noting that some people born with these parts may not menstruate at all, because biology is weird and sometimes things don’t function the way they’re supposed to). And on top of all that, trans women will also face the same hazards during and after the main stages of their transitions. In fact, statistically speaking, transgender women are even more likely to experience male violence than cis women, so let’s not pretend they aren’t involved in this whole conversation at all.

And just a quick sidebar, like I said, some people with female reproductive parts don’t menstruate because their body just never kicks that system into gear. If a cis woman never menstruates because she’s one of those people, is she no longer a woman, J?

I would also like to take the time to comment on how she pretends trans people don’t exist when she wants the spotlight and only references them when she gets called out for it. This is a lot like the, “I can’t be racist, I have black friends” “argument”. We’re not tools that you can use and then put back in the closet when you’re done (only we can decide if it’s time to go back in the closet, and I would rather not do that again, thank you very much). We’re not accessories you can flaunt to show how accepting you are. We exist even when you’re not making exclusionary remarks and pretending that the issue at hand is exclusive to cis females only.

She goes on to claim she would support trans people if we are discriminated against. I don’t have a Twitter account so I can see only very limited Tweets online, but so far I haven’t seen her comment on the proposed UK bathroom bill that would force trans people to use the bathrooms that correspond with the sex marker on their birth certificates. If she has commented, let me know and I will update this section of this post appropriately.

She tries to justify herself by saying she is well-read in scientific journals and transgender experiences, so she knows the distinction between sex and gender. But if this was the case, she wouldn’t still be using “woman” to refer strictly to cis women, and she certainly wouldn’t be using it to describe all  people who menstruate.

She says, “Never assume that because someone thinks differently, they have no knowledge.” And she would make a good point, if saying that only women menstruate and implying that if you menstruate you are a woman, plain and simple, wasn’t TERF rhetoric. Listen, you can know all about a subject as complicated and relatively new as gender identity, but knowledge and acceptance are two different things. Just because you major in Africana Studies and can name just about every major figure in black history doesn’t make you less racist when you clutch your purse tighter when you see a black man jogging down the street. Having a degree in Women’s Studies doesn’t make you any less sexist when you tell a woman to make you a sandwich because you disagree with her opinion. And reading scientific papers about transgender people and what it all means doesn’t make you less transphobic when you make sweeping claims that only women menstruate, and that transgender people don’t understand the struggles of being a woman.

In what is her most damning move so far, Rowling then Tweets out, “‘Feminazi’, ‘TERF’, ‘bitch’, ‘witch’. Times change. Woman-hate is eternal.” One of these things is not like the other, one of these things just doesn’t belong...

I get it, there are plenty of terms and phrases used with the intent of shutting up women you don’t agree with. TERF is not one of those terms. TERF is in the same category as racist, misogynist, neo-nazi, etc. NOT the same category as women-silencing words like ‘bitch’ or ‘feminazi’. A TERF is a trans-exclusionary radical feminist, someone who discredits the existence and experiences of transgender people (primarily trans women) because they feel like it (the transgender experience) doesn’t belong in discussions of women’s rights, or even that it threatens their identity as women. Sounds kinda familiar, doesn’t it? Calling someone a TERF is not a silencing behavior, and you’d figure a feminist would understand this. Calling someone a TERF is calling them out for behavior, while also letting the transgender community know that this is not a safe person to be around. If anything it’s a warning label. 

And look, don’t take this all to mean I hate women. I don’t. I only hate it when we pretend that an issue such as menstruation is exclusive to cis women. It isn’t. Women’s issues typically aren’t restricted to cis women. Trans women will experience violence and hate, usually at a disproportionately high rate when compared to their cisgender sisters. Trans men will often experience discrimination pre-transition, and maybe even post-transition from people who still see them as women. Not only that, but trans men typically experience the issues that come along with being biologically female (again, those that are afab). Most transgender men will menstruate and experience all the absolutely wonderful symptoms that come along with it. Some transgender men even get pregnant and have babies. No one is arguing that women have it easy. Transgender people - regardless of if they’re trans women, trans men, non-binary, agender, gender fluid, or gender-nonconforming - don’t want to erase women’s experiences throughout the years. We just want to live our lives in peace like everybody else. I just wish Rowling would stop pretending otherwise.

Is JK Rowling a terrible person? I don’t think I can go that far. She has made some serious contributions towards the acceptance of LGB (although notably not T) themes in children’s media, supports the Black Lives Matter movements, and even showcases fan art from very young fans on her Twitter. Although, she did share an article talking about the lesbian experience with discrimination and erasure, which is very important (hell, I admittedly don’t come across a lot of lesbian content on my Tumblr feed so I don’t get a chance to reblog a whole lot of it), but it also says that “ask my pronouns” is decidedly anti-lesbian, and paints the entire LGBTQIA+ community (referred to as “LGBTQ” with the quotes) as greedy, money-hungry, well-supported, and even predatory against children. Is this just a subject I’m not all that knowledgeable in? Perhaps, but I have a really hard time taking your arguments seriously LGBTQIA+ community is decidedly predatory against children, but I digress. I will say, however, that I am just disappointed. I’m disappointed someone who has been all about standing up to bullies and fighting against oppression has been using her platform to side with bullies and take part in said oppression. I’m disappointed she lumps “TERF” in with “Feminazi” and other terms designed to discredit women with opinions. And above all, I’m disappointed that she claims to offer us support when her actions support just the opposite. But, after all we’ve seen over the years, I can’t say I’m surprised.

[nataliescapstone-blog]

Lizzo, The Controversy of Body Positivity as a Black Woman

Lizzo is a 31-year-old singer who is originally from Detroit, Michigan. She recently stepped into the music scene with popular songs such as "Juice" and "Truth Hurts." There is no question that Lizzo has talent, but she has seen her fair share of controversy. It is very often that Lizzo finds herself being ridiculed online. However, all of these issues that come her way have to deal with her body. Lizzo doesn't fit the "ideal" body type that people expect her to have and openly supports body positivity movements. Olga Korytowska states that Body Positivity is, in a general sense, "an affirming approach towards the human body, one that appreciates all body types, disregarding their size, shape, or color" (113). Lizzo makes it a point to be happy with her body shape, although others might not think it is anything to be pleased about. The singer tends to wear leotards and outfits that may seem "too revealing" and posts of herself that others complain about.

In an article about one of her most recent lingerie videos on her Instagram, Teen Vogue said, "Unfortunately (though not surprisingly), the comments were also filled with trolls attempting to body-shame Lizzo." Many people are used to seeing conversations of body shape whenever Lizzo expresses true self. Sadly, celebrities such as Kim Kardashian and Kylie Jenner post similar lingerie photos but do not get as much hate has Lizzo does. Even celebrities have commented about Lizzo's weight. Jillian Michaels stated, "Why are we celebrating her body? Why does it matter? ... Why aren't we celebrating her music? It isn't going to be awesome if she gets diabetes." Yes, Lizzo is a very great singer, and she deserves to be praised for her music and not shut down for her weight, however it is very important to understand why people need to appreciate her for her body. The reason is that other young women struggle with the same issue, and don't see as much representation in the media and fashion. Certain brands such as Victorias Secret, Lululemon, and Brandy Mellville have had their fair share of controversy with their lack of larger sizes. Women that are considered to be plus-sized tend to have to shop at different stores and some of them might not be available at malls near them. And according to Glamour, "plus- size women still account for less than one percent of runway models, even though 67 percent of women in the U.S. wear a size 14 or above." Models have always been seen as the "ideal body type" and the most "adored" body type for years, so the fact that there aren't many plus-sized models is very sad. In addition to this, according to Byrdie, ""plus" (an often controversial word for sizes above a 12, though models in this category can be as small as a size 8" So even though many women in Ameria are over a size 14, many women that are in the spotlight are less than that, which is why Lizzo being so positive and showing off her body wholeheartedly means so much to everyone. Women that are considered to be overweight are often seen as less attractive and less desirable as well. A study by Devendra Singh about physical attractiveness and young women states,

"However, the overweight female figure with 0.7 WHR was not judged to be attractive. Thus, the inverse relationship between WHR and attractiveness was strongest for normal weight figures followed by underweight figures and absent in overweight" (Singh, 45).

Although this study is heteronormative, it still holds importance in these issues. Lizzo is a positive role model for people who feel like their bodies don't "fit in" with the standard. She has pushed boundaries for this reason and deserves to be praised for these reasons. She deserves support and has a beautiful voice as well.

Sources:  Photo  Chan, L. (n.d.). This Is Why There Aren't More Plus-Size Models on the Runway. Retrieved from https://www.glamour.com/story/how-to-get-more-plus-size-models-on-the-runway

Gould, H. (2019, November 20). I Was a Size 0 When a Modeling Agency Labeled Me Plus Size. Retrieved from https://www.byrdie.com/what-is-considered-plus-size

Korytowska, O. (2017). #effyourbeautystandards: Body Positivity Movement as an Expression of Feminist Identity. In Spaces of Expression and Repression in Post-Millennial North-American Literature and Visual Culture. Frankfurt am Main: Peter Lang GmbH, Internationaler Verlag der Wissenschaften.

Landsverk, G. (2020, January 9). Jillian Michaels said 'it isn't going to be awesome' if Lizzo gets diabetes, and people are slamming her for fat-shaming. Retrieved from https://www.insider.com/jillian-michaels-lizzo-buzzfeed-interview-at-risk-for-diabetes-controversy-2020-1

Russo, G. (2020, April 21). Lizzo's Lingerie Moment Is Giving Us Life. Retrieved from https://www.teenvogue.com/story/lizzo-lingerie-video

Singh, D. (2004). Mating Strategies of Young Women: Role of Physical Attractiveness. The Journal of Sex Research, 41(1), 43-54. Retrieved May 3, 2020, from www.jstor.org/stable/3813402

[introvertguide]

Nashville (1975); AFI #59

Our current movie is probably the most difficult to categorize or summarize, the Robert Altman satire comedy drama musical known as Nashville (1975). The film was nominated for 5 Academy Awards and 11 Golden Globes, but only won a single trophy at both ceremonies and both were for Best Song (Keith Carradine with “I’m Easy”). The eleven GG nominations was a record, but this was likely because the film had four nominations in the Best Supporting Actress category.  This result is somewhat appropriate as the actors really did not get enough time to really stand out except for in their singing, and the academy really did not know what to do with the performances. Same with Best Picture and Best Director (for which the film was also nominated). The artistic merit is there and so is the story, but a lot of it is what director Robert Altman allowed to happen and recognized as beautiful as he went so it is hard to put the movie into standard categories. Not to rule out the competition, the film went up against One Flew Over the Cuckoo’s Nest and Jaws that year so there was not a lot of chance along the awards circuit. Now I am going to summarize, but I am not going to break down much because there is far too much going on in this film with 24 main characters and all the different plots. Even Roger Ebert said he didn’t completely understand the film, but that it was not likely meant to be completely understood. So here is my best effort to at least put this wriggling puppy of a movie into a manageable basket:

SPOILERS??? I THINK...I AM NOT REALLY SURE IF I AM SPOILING, GUESSING, OR MISLEADING, BUT HERE WE GO!!!

The movie is set in the city of Nashville that is prepping for a presidential campaign stop that will be accompanied by a country music festival. In the days leading up to the rally for a new reform nominee, a bunch of country singers come together to perform. These artists are accompanied by their management, a variety of groupies, and a large number of up-and-comers looking to get discovered. In amongst this group are also journalists, politicians, and aids trying to organize the whole event. 

The movie begins with a mass of characters all showing up at the airport to meet people or greet the public. Of special note is the return of Barbara Jean (Ronee Blakely), a country singer from Nashville that was in an accident in which she got burned and is still recovering mentally. She is greeted at the airport by a country music staple named Haven Hamilton (Henry Gibson). Barbara Jean promptly goes of script and decides that she is going to go and great all of her fans that are being held in the airport building and she suddenly passes out. In the melee that follows everyone trying to leave the airport at the same time, there is a car accident that causes more interactions amongst the characters. 

Another band that showed up at the same time is a folk trio made up of a couple and a guitarist named Tom (Keith Carradine). Tom is a womanizer and sleeps with many of the women who have gathered, including his bandmate, a reporter, a married gospel singer, and a groupie. 

Barbara Jean goes to the hospital for heat exhaustion and she is replaced by a girl that seems linked with Haven Hamilton named Connie White (Karen Black) for a performance at the Grand Ole Opry. Also performing is a black country singer who does not seem to get his due respect in Tennessee. 

There are a lot more characters and a lot more scenes, but I am not about to try break down every single plot line. Mounting tension amongst everyone in an attempt to gain the spotlight, even for a second, builds up to the day of the country folk festival. The line up has the entire cast together in one place and as the festival starts, Barbara Jean sings and she is suddenly shot by a quiet character in the crowd that is a big fan. The movie ends as a singer steps up to the stage and sings to calm the crowd down, giving her a moment to shine in the tragedy that befell another. 

There is quite the mix of genres in this movie because there are definitely set jokes making it a comedy, there is competition and betrayal making it a drama, there is over an hour of singing performances so it is also a musical, and it is set in a parody of the American political system making it a satire. I watched quite a few interviews with Robert Altman to try and get a better idea of his intentions and I am not sure that he knew what the film was beyond a panoramic observation of a Nashville music festival and all the drama and comedy that brought it together. He seems exceptionally elusive when categorizing his film and it seems obvious that he didn’t want that. The film is supposed to be more of an experience than a linear story, which makes the film complicated beyond the simplicity of the music. 

Here is where I might get some hate and I kind of don’t care because it is a personal thing. I have not found that I like country or bluegrass music in general so this particular soundtrack did not do a lot for me. I especially did not like that this is amateur hour as many of the actors (some of whom could not sing) did all of their own music. This made some of the music interludes down right painful. If it were not in my watching rules to not skip ahead, I would have taken a good hour off the run time from all of the exceptionally bad numbers. However. In the long run I am glad I stuck to my rules because I heard 3 songs that I love. I will link those 3 first and I will also link the song that won the Oscar:

https://www.youtube.com/watch?v=Pm8PwXOHNPs (Dues) This is sung by actress and professional singer Ronee Blakely. It is the character’s first singing appearance after an accident so she is a little shaky. She is singing about a failing relationship and how there is a desire to stay and try to fix things to what they used to be. Very powerful and she truly has a great voice. I really like this song.

https://www.youtube.com/watch?v=NToTcTiX66g (Since You’ve Gone) This song is right before the award winner and the chorus is a mesh of voices that all sound in pain but still harmonically satisfying, This is my favorite song in the movie as it brings a trio on stage where the woman is married to one member but having an affair with the other. I really believe that this song should have been the one that won the Oscar if it was going to come from this film.  

https://www.youtube.com/watch?v=4BYyDusJYJo (It Don’t Worry Me) This was another song that was written by Keith Carridine besides the Oscar winner that was sold to Altman. It is played many times throughout the film, but I think that the best version is when a talented singing character is looking for a break and suddenly is tasked with calming the crowd after the tragedy at the primary. She sings so woefully with a heavy dose pain and ends up sounding like Janis Joplin. A church choir backs her up and it ends the movie in a similar way to how “Let the Sunshine In” ends Hair (lots of repetition with a growing number of voices and variation).

https://www.youtube.com/watch?v=p6y47KcuI4Y (I’m Easy)  This seems like a point of intersection for most of the characters in the film and Altman said in many interviews that he bought the song from Carradine before the plot of the movie fully existed. It seems like Altman had the start of the movie from notes by his writing partner Carol Tewksbury and the end where all the characters are at the music festival. The song did win the Oscar and Golden Globe for best song for Carridine but the tune doesn’t impress me. It seems more important to the movie plot since four different women in the room think that the song is in reference to them. Fine plot point, but a boring song for me. 

So does this film belong on the AFI Top 100? Well, I guess so, but maybe not such a high ranking. It is a slice of Americana set in Nashville featuring a very American style of music during an American election. All the characters were very American in the 70s (except the British one). And it was a pretty good movie with a lot happening and special care to the craft. However, the #59 movie in 1997 was Rebel Without a Cause while Nashville was not on the list at all and then that switched completely in 2007. I liked this better than Ben-Hur so I suppose this movie could be on the list, but Nashville should not replace such an iconic American film as Rebel Without a Cause. Finally, would I recommend it? That really depends on the viewer. The movie is very long and has a lot of very complicated plot threads, some of which go nowhere. I can’t say somebody would like it based on the performance of a specific actor or character because 24 people split up the screen time. Being interested in country music, politics, or the lifestyle of the road musician doesn’t mean you will like this movie either. I would recommend this to those who are interested in film making and story development because the ability to incorporate so many things through shot choice, angles, and overlapping dialogue is pretty phenomenal. I don’t think I will watch it again, but it is probably worth checking out for the experience. I like my movies with a little more plot structure, but that is just me. People in the business would probably love this. 

[robertfsmith]

Robert F. Smith Commencement Address to Morehouse College on May 19, 2019

President Thomas, board of Trustees. Faculty, staff, and Morehouse alumni.

The extraordinary Angela Bassett, and the distinguished Professor Doctor Edmund Gordon.

Parents, grandparents, aunts, uncles, brothers, sisters, family, and friends.

And most of all, Morehouse College Class of 2019: Congratulations!

Earning a college degree is one of the greatest and most impressive of life’s accomplishments.

But success has many parents -- and as hard as each of you has worked to achieve what you all have achieved today, you’ve had a lot of help along the way. We are the products of a community, a village, a team. And many of those who have made contributions for you to arrive at this very moment are here with you today.

So, first and foremost, graduates of the class of 2019, please stand and join me in recognizing the love and commitment of those who have been with you on this long and hard journey!

Graduates, standing here before you is one of the great honors of my life. And I am so proud to share it with my mother, Dr. Sylvia Smith, a lifelong educator and the greatest role model of my life, who is here today.

This is the first of three graduations in my family this week. One of my daughters graduates from NYU, another graduates from high school and is headed off to Barnard in the fall, and my niece is graduating from my alma mater, Cornell, next weekend. So I want to thank the Morehouse administration for perfectly timing today’s festivities in advance of them so that I could be here.

Morehouse was built to demand excellence and spur the advancement and development of African American men. I have always been drawn to its rich history, and I am optimistic for its bright future.

The brothers from Morehouse I’ve met -- or revered at a distance -- understand the power of this education and the responsibility that comes with it. Willie Woods, Morehouse’s Chairman of the Board, is one such man. Thank you, Chairman Woods.

In our shared history -- as a people, and as a country -- the Morehouse campus is a special place. The path you walked along Brown Street this morning to reach this commencement site was paved by men of intellect, character, and determination.  

These men understood that when Dr. King said that the arc of the moral universe bends toward justice, he wasn’t saying it bends on its own accord. It bends because we choose to put our shoulders into it together and push.

The degree you earn today is one of the most elite credentials that America has to offer. But I don’t want you to think of it as a document that hangs on a wall and reflects what you’ve accomplished up till now.  

No. 

That degree is a contract -- a social contract -- that calls on you to devote your talents and energies to honoring those legends on whose shoulders you and I stand.

Lord knows you are graduating into a complex world. Think about what we have faced in just the years you spent as Morehouse students:

We have seen the rise of Black Lives Matter, lending voice to critical issues that have been ignored by too many for too long.

We’ve seen the Me Too movement, shining a spotlight on how far we still have to go to achieve real gender equality.

We’ve also seen the unapologetic public airing of hate doctrines by various groups.

We’ve seen the implications of climate change become impossible to ignore and become ever more severe.

Our connected world has grappled with new questions about security, privacy, and the role of intelligent machines in our work and lives.

And we’ve witnessed the very foundation of our political system shaken by the blurring of the sacred line between fact and fiction… right and wrong.

Yes, this is an uncertain hour for our democracy and our fragile world order. But uncertainty is nothing new for our community.

Like many of yours, my family has been in the United States for 8 or 9 generations. We have nourished this soil with our blood. Sown this land with our sweat. Protected this country with our bodies. And contributed to the physical, cultural, and intellectual fabric of this country with our minds and our talent. And yet, I am the first generation of my family to have secured all my rights as an American.

Think about it:

1865 was the first time that most African American families had a hint of access to the first and until now, greatest wealth-generating platform of America -- land.

The Freedmen’s Bureau was supposed to deliver 850,000 acres of land to the formerly enslaved, a program that was then canceled and replaced with a Freedman’s Savings Bank…which was then looted.

Essentially that recompense was reneged upon. We didn’t have broad access to the Homestead Act nor Southern Homestead Act where 10% of the land in the U.S. was distributed for no more than a filing fee.

It wasn’t until 1868, after the passing the Civil Rights Act of 1866 and the 14th amendment, that my family actually had a birthright to be American Citizens.

Then, when America decided to create a social safety net for its citizens in 1935, they created a Social Security program.

Yet that program excluded two categories of workers: maids and farmworkers, which effectively denied benefits to two-thirds of African Americans, and 80% of Southern African Americans.

It wasn’t until 1954 that my family had a right to equal education under protection of the law -- guaranteed by Brown v. Board of Education.

And while the 15th Amendment gave my family the right to vote -- the men, at least -- starting in 1890, those rights were rolled back in the South and remained suppressed until the passage of the Voting Rights Act of 1965.

Even today, more than a half-century after that, the struggle to ensure true integrity at the ballot box is still very much alive.

All of these landmark extensions of our rights -- and subsequent retrenchments -- set the stage for a new policy of forced desegregation utilizing school bussing that went into effect when I reached the first grade in my hometown of Denver, Colorado.

Our family lived in North East Denver, and back then, Denver, like most other American cities, remained extremely divided by race, both politically and geographically.

In my community, my neighbors were mostly educated, proud, hard-working, and ambitious. They were dentists, teachers, politicians, lawyers, Pullman porters, contractors, small business owners and pharmacists.

They were focused on serving the African-American community and providing a safe and nurturing environment for the kids in our neighborhood.

They were on the front lines of the Civil Rights movement. They were sacrificing their sons to the Vietnam War. They mourned the death of a King, two Kennedys and an X.

Despite all they gave, they had yet to achieve the fullness of the American Dream. But they continued to believe it was only a matter of time -- if not for them, then surely for their children.

I was among a small number of the kids from my neighborhood who were bussed across town to a high-performing, predominantly white elementary school in South East Denver. Every morning we were loaded up on bus number 13 -- I’ll never forget it --and taken across town to Carson Elementary.  

That policy of bussing only lasted through my fifth-grade year, when intense protests and political pressure brought an end to forced bussing. But those five years drastically changed the trajectory of my life.

The teachers at Carson were extraordinary. They embraced me and challenged me to think critically and start to move toward my full potential. I, in turn, came to realize at a young age that the white kids and the black kids, the Jewish kids and the one Asian kid were all pretty much the same.

And it wasn’t just the school itself -- it was my community back home that embraced and supported our opportunity. Since most of the parents in my neighborhood worked, a whole bunch of us walked to Mrs. Brown’s house after school and stayed there until our parents returned home from work.  

Mrs. Brown was incredible. She kept us safe, made sure we did our homework the right way, gave us nutritious after school snacks, and taught us about responsibility. And because her house was filled with children of all ages, I suddenly had older kids as role models who were studying hard and who believed in themselves. Mrs. Brown also happened to be married to the first black Lt. Governor of our state, so we saw the possibilities first hand.

Amazingly, almost every single student on that number 13 bus went on to become a professional.  I am still in touch with many as they make up the bedrock of their communities today. They are elected officials, doctors, lawyers, engineers, teachers, professors, community organizers, and business leaders.

An incredible concentration of successful black men and women from the same working-class neighborhood. Yet when I look at my other folks from the extended neighborhood -- those who didn’t get a spot-on bus number 13 -- their success rate was far lower -- and the connection is inescapable.

Everything about my life changed because of those few short years. But the window closed for others just as fast as it had opened for me.

That’s part of the story of the black experience in America: getting a fleeting glimpse of opportunity and success just before the window is slammed shut.

The cycle of resistance to oppression, followed by favorable legislation, followed by the weakening of those laws, followed by more oppression, and more resistance, has affected and afflicted every generation.

And even as we’ve seen some major barriers come crashing down in recent years, we would be doing ourselves a disservice if we didn’t acknowledge just how many injustices persist.

Where you live shouldn’t determine whether you get educated. Where you go to school shouldn’t determine whether you get textbooks. The opportunity you access should be determined by the fierceness of your intellect, the courage of your creativity, and the grit that allows you to overcome expectations that weren’t set high enough.

We’ve seen remarkable breakthroughs in medical research, yet race-based disparities in health outcomes still persist. You are 41% more likely to die of breast cancer if you are an African-American woman in America today than if you are white.

You are 2.3 times more likely to die of prostate cancer if you are an African-American man than if you are white.

If you are African-American, you are more likely to be stopped by the police, more likely to be issued a ticket after being stopped, and more likely to be threatened with the use of force than if you are white.  

This is our reality. This is the world you are inheriting.  

Now, I am not telling you these things because I am bitter or because I want you to be bitter.  

I don’t call upon you to be bitter, I call upon you to make things better. Because the great lesson of my life is that despite the challenges we face, America is an extraordinary country. Our world is getting smaller by the day. And you are equipped with every tool to make it your own.

Today, for the first time in human history, success requires no prerequisite of wealth or capital -- no ownership of land, or natural resources, or people.

Today, success can be created solely through the power of one’s mind, ideas, and courage. Intellectual capital can be cultivated, monetized, and instantaneously distributed across the globe.  

Intellectual capital has become the new currency of business and finance -- and the promise of brainpower to move people from poverty to prosperity has never been more possible.

Technology is creating a whole new set of on ramps to the 21st century economy, and together we will help assure that African Americans will acquire the tech skills and be the beneficiaries in sectors that are being automated.

Black men understand that securing the bag is just the beginning -- that success is only real if our community is protected, if our potential is realized and if our most valuable assets -- our people -- find strength in owning the businesses that provide economic stability in our community.

This is your moment, graduates. Between doubt and destiny is action. Between our community and the American Dream is leadership. Your leadership. Your destiny.

This doesn’t mean ignoring injustice, it means using your strength to restore order.

And when you are confronted with racism, listen to the words of Guy Johnson, the son of Maya Angelou, who once said that, “Racism is like gravity, you got to keep pushing against it without spending too much time thinking about it.”  

So…how do you seize your American Dream? Let me get specific. Let me give you five rules that I live by. 

The first rule you need to know is that nothing replaces actually doing the work.

Whenever a young person tells me they aspire to be an entrepreneur, I ask them why. For many, they think of it as a great way to get rich quick. Invent an app, sell a company, make a few million before you’re 25.

Look, that can happen, but it’s awfully rare. The usual scenario is that successful entrepreneurs spend endless hours, days, and years toiling away for little pay and zero glamor.

And in all honesty, that is where the joy of success actually resides. Before I ever got into private equity, I was a chemical engineer, and I spent pretty much every waking hour in windowless labs doing the work that helped me become an expert in my field.

It was only after I put in the time to develop this expertise and the discipline of the scientific process that I was able to apply my knowledge beyond the lab.  

Greatness is born out of the grind. Embrace the grind. A thoughtful and intentional approach to “the grind” will help you to become an expert in your craft. When I meet a black man or woman who is at the top of their industry, I see the highest form of execution. That’s no accident. There’s a good chance it took that black leader a whole lot more grinding to get to where they are.

I look at the current and former black CEOs of Fortune 500 companies whom I admire, and they blow me away every time I met with them. Bernard Tyson, Ken Frazier, Ken Chenault, Dick Parsons, Ursula Burns, the late Barry Rand. They may not have attended Morehouse, but they have the Morehouse attitude.

They knew that being the best means grinding every day. It means putting in the ten thousand-plus hours necessary to become a master of your craft.

Muhammad Ali once said, “I hated every minute of training, But I thought to myself, suffer now and live the rest of your life as a champion.”

Grind it out -- and live your life as a champion.

My second rule to live by is to take thoughtful risks.

My Granddad took a particular interest in my career, and he couldn’t have been prouder of my stable engineering job at Kraft-General Foods. For him, to have that kind of job security at my age was a dream come true.  

When I told him I was thinking of leaving for graduate school, he was beyond worried. Then, you can imagine how he worried some years later when I told him I was going to leave Goldman Sachs, where I had achieved a good level of success, to start my own private equity firm focused on enterprise software.

I respected my Granddad and his wisdom, his thoughtfulness, and his protectiveness over me. But I had also done my homework. I calculated my odds of success, and importantly, I knew that one of the fundamental design points of achieving the American Dream was to be a business owner.

So I decided with confidence that I was willing to make a big bet on the one asset I had the most knowledge of: myself.  

There are always reasons to be risk-averse. Graduating from Morehouse can make you risk-averse, because the path you’re on, if you stick to the more conservative choices, is still pretty darn good.

That doesn’t mean you should gamble with your career or careen from job to job just because the grass appears to be greener. But it does mean that you should evaluate options for taking business and career risks…do the analysis, and trust your instincts.

When you bet on yourself -- that’s likely to be a pretty good bet!

My third rule is to be intentional about the words you choose.

I know Morehouse has taught you that you what you say carries with it enormous power.

Be intentional about the words you speak.  

How you define yourself.

What you call each other.

The people you spend time with.

And the love you create.

All of this matters immensely. It will define you.

My fourth rule -- which is my favorite -- is to always know that you are enough.

I mentioned that before going into investment banking at Goldman Sachs, I worked in applied engineering for Kraft General Foods. And I loved it!

Until one day I was at a meeting with a number of department heads in my division and as we went around the conference table discussing the divisions most important strategic initiatives, I realized that of the top six, I was leading five of them.

I was half the age of everyone, yet I knew I was making just a third as much as anyone else in the room. And I said to myself, I’m either doing something very right or very wrong. Truthfully it was a bit of both. So, it became a lesson in realizing my worth and self-worth.

It isn’t just about salary, though that always matters. It’s also about demanding respect from others -- and from yourself. A realization and respect for all of the skills and talents you bring to the table.

When you have confidence in your own worth, you’ll become the one to raise your hand for the hard assignment that may mean putting in time on nights and weekends, but also means you’ll be gaining incremental skills and experiences to enhance your craftsmanship.

Earn your respect through your body of work. Let the quality of your work product speak of your capabilities.

Know that you are only bound by the limits of your own conviction.

You are Morehouse Men. There is no room on this earth you can’t enter with your head held high. You will likely encounter people in your life, as I have, who want to make you feel like you don’t belong... but when you respect your own body of work, that is all the respect you need.

In the words of the great Quincy Jones and Ray Charles, “Not one drop of my self worth depends on your acceptance of me.”

You are enough.

The fifth lesson and final lesson for today is as follows:

We all have the responsibility to liberate others so that they can become their best selves -- in human rights, the arts, business, and in life.

The fact is, as the next generation of African-American leaders, you won’t just be on the bus, you must own it, drive it, and pick up as many as you can carry along the way.

More than the money we make, the awards, or recognition, or titles we earn, each of us will be measured by how much we contribute to the success of the people around us.

How many people will you get onto your bus number 13?

We need you to become the elected officials who step up and fix the laws that engender discrimination and who set a tone of respect in our public discourse.

We need you to become the c-suite executives who change corporate culture, build sustainable business models, and make diversity and inclusion a core and unshakeable value.

We need you to become the entrepreneurs who will innovate inclusively, expand wages for all Americans, and lower the unemployment rate in our communities.

We need you to be the educators who set the highest standards and demand the resources needed to deliver on them and inspire the next generation.

We need you to invest in the real estate and businesses in our communities and create value for all in that community.

No matter what profession you choose, each of you must be a community builder. No matter how far you travel, you can’t ever forget where you came from.

You are responsible for building strong, safe places where our young brothers and sisters can grow with confidence… watch and learn from positive role models, and believe that, they too, are entitled to the American Dream.

You Men of Morehouse are already doing this. Your own Student Government, in fact, sends students on a bus to underserved communities around the country to empower young black men and women to seize their own narrative and find power in their voices.

This is exactly the kind of leadership I’m talking about.

Remember that building community doesn’t always have to be about sweeping change. But it does have to be intentional.  

You can’t just be a role model sometimes. I’m cognizant of the fact that whenever I’m out in public, people are observing my actions. The same goes for you.  

Building community can’t be insular.  

The world has never been smaller, so we need to help our communities think bigger.  

I’ve invested particularly in internship programs, because I’ve observed the power of exposing young minds to the opportunity out there that they don’t see in their own neighborhoods.  

Help those around you see the beauty of the vast world out there, and help them believe that they, too, can capture that dream.

And remember that community can be anywhere.  

Back in the 1960s and ‘70s, community was a few blocks around where I grew up. Today, we, you can create communities of people anywhere in the world. Merging the physical and digital communities will be one of the great opportunities you have and you will have have in the years going forward.

Finally, don’t forget that community thrives in the smallest of gestures. Be the first to congratulate a friend on a new job, buy their new product first, and post on social media about how great it is, and also be the first to console them when they face adversity.  

Treat all people with dignity, even if you can’t see how they can be of help to you.  

And most important of all, whatever it takes, never, ever forget to call your mother. And I do mean call – don’t text, a text doesn’t count!

Speaking of mothers, allow me a point of personal privilege to end with a story that speaks volumes about mine.

In the summer of 1963, when I was just nine months old, my mother hauled my brother and me 1,700 miles from Denver to Washington, DC so that we could be there for a Morehouse Man’s historic speech.  

My mother knew that her boys would be too young to remember that speech, but she believed that the history we witnessed that day on the National Mall would always be a part of the men we would one day become.  

And Mom was right, as usual. I still feel that day in my bones, and it echoes all around us here at Morehouse.

Decades after that cross-country trip, I had the privilege to take my granddad with me to the opposite side of the National Mall to celebrate the inauguration of the first African-American president.

As we sat in the audience on that cold morning, he pointed to a window just behind the flag, in the Capitol Building and he said, “You know, grandson, when I was a teenager I used to work in that room right there, in the Senate Lounge, I used to serve coffee and tea and take hats and coats for the senators.” He said, “I recall looking out that window during Franklin Roosevelt’s inauguration.”

He said, “Son, I did not see one black face in the crowd that day – so here we are, you and I, watching this.”

He said, “Grandson, you can see how America can change when people have the will to make change.”

The beautiful symmetry of our return to the Nation’s Capital under such different circumstances was not lost on us -- the poetry of time and soul that Lincoln called the “mystic chords of memory" resonated in both of our hearts.

You cannot have witnessed the history I have, or walked the halls of Morehouse for four years as you have, without profound respect for the unsung everyday heroes who, generation after generation, little by little, nudged, shoved, and ultimately bent that “arc of the moral universe” a little closer to justice.

This is the history and heritage you inherit today. This is the responsibility that now lies upon your broad shoulders.

True wealth comes from contributing to the liberation of people. The liberation of the communities we come from depends on the grit and greatness inside you.

Use your skills, your knowledge, your instincts to serve -- to change the world in the way that only you can.

You great Morehouse Men are bound only by the limits of your conviction and creativity. You have the power within you to be great, be you. Be unstoppable, be undeniable, and accomplish the things no one ever thought you could.

You are well on your way. I’m counting on you to load up your bus and share that journey.

Let’s never forget what Dr. King said in the final moments of his famous sermon at Ebenezer Baptist, “I want to be on your right side or your left side, in love and in justice and in truth and in commitment to others, so that we can make of this old world…a new world.”

Graduates, look to your right side and your left. Actually, take a moment. Stand up, give each other a hug. I am going to wait.  

Men of Morehouse, you are surrounded by a community of people who have helped you arrive at this sacred place on this sacred day.

On behalf of the eight generations of my family who have been in this country, we are going to put a little fuel in your bus.

Now, we’ve got the alumni over there. This is a challenge for you.

This is my class -- 2019. And my family is making a grant to eliminate their student loans. Now, I know my class will make sure they pay this forward. And I want my class to look at these alumni, these beautiful Morehouse brothers -- and let’s make sure every class has the same opportunity moving forward -- because we are enough to take care of our own community.

We are enough to ensure we have all the opportunities of the American Dream. And we will show it to each other through our actions, through our words, and through our deeds.

So, class of 2019:

May the sun always shine upon you.  

May the wind always be at your back.  

And may God always hold you in the cradle of Her hands.

Now go forth and make this old world new.

Congratulations!

[easyhairstylesbest]

The Biggest Surprises and Snubs from the 2021 Golden Globe Nominations

In these strange and unprecedented times, it’s comforting to have familiar rituals to fall back on. Though many of our favorite traditions have been curtailed by COVID, from Super Bowl parties to holiday travel, there’s one winter habit that’s completely unchanged this year: getting good and mad at the Golden Globe nominations.

Though awards season is operating on a weird and delayed schedule this year, the ceremonies will still take place, and this morning’s Globe noms marked the official beginning of the circuit. The Hollywood Foreign Press Association came through with a selection of nominees that include plenty of worthy contenders—alongside picks so random (and undeserved!) you can only scratch your head. Here are the biggest surprises and most outrageous snubs from the 2021 nominations.

Snub: I May Destroy You & Michaela Coel

This omission is so egregious that “snub” doesn’t even cover it. Michaela Coel’s I May Destroy You was arguably the best show of 2020, a wholly original and dizzyingly bold chronicle of a young woman trying to rebuild her life after a sexual assault. In the era of Peak TV, it’s rare to feel as though you’re watching something genuinely new, and that feeling permeated every frame of this searing, surprising show. Leaving the show out of the Best Drama category is bad enough, but for Coel to miss out on a nomination for either acting or writing is outrageous.

Snub: Jurnee Smollett (Lovecraft Country)

HBO’s Lovecraft Country did earn a nomination for Best Drama Series, but none of its actors were recognized for their work. Jurnee Smollett, whose breakout lead performance as Letitia Lewis anchored the series, is the strangest absence of all, particularly since she was widely tipped for some much-deserved recognition.

Surprise: Emily in Paris

Look, we all hate-binged Emily in Paris, we all enjoyed the memes, we all understand the show’s frothy appeal. But to name it one of the five best dramas of the year is straight batshit.

Snub: The supporting cast of Mrs. America

This shouldn’t really come as a surprise, since nominating the movie star while ignoring everybody else is an extremely Golden Globes move. But FX’s miniseries about conservative firebrand Phyllis Schlafly was stacked from top to bottom with extraordinary, nuanced performances from a largely female cast, including Uzo Aduba as Shirley Chisholm, Rose Byrne as Gloria Steinem, and Margot Martindale as Bella Abzug—all of whom deserved a nod.

Surprise: A welcome spotlight moment for female directors

In the 77-year history of the Golden Globes, the Hollywood Foreign Press Association has nominated a grand total of five female directors. In 2018, Natalie Portman memorably called out the ceremony onstage for its lack of female directing nominees. And this year, the HFPA took notice, nominating three women in its Best Director, Motion Picture category. One Night in Miami’s Regina King earned a well-deserved nod, as did Promising Young Woman‘s Emerald Fennell and Nomadland’s Chloé Zhao.

Snub: Black directors and performers in the Best Drama category

It’s baffling how many superb films made by Black directors—and starring Black talent—were omitted from the Best Drama category, despite performances from those films recognized in the acting categories. Spike Lee’s Da 5 Bloods, Shaka King’s Judas and the Black Messiah, George C. Wolfe’s Ma Rainey’s Black Bottom and Regina King’s One Night in Miami (which earned her a Best Director nom) were all absent from Best Drama. All five of the nominated movies focus mostly on white characters.

Snub: Minari

Lee Isaac Chung’s acclaimed drama about a Korean family who move to Arkansas to start a farm in the 1980s has been widely tipped as an awards frontrunner this year. Unsurprisingly, the internet was furious when the Globes placed the film in the Foreign Language category rather than Best Drama. Thanks to a controversial HFPA rule, Minari is ineligible for Best Drama because a majority of its dialogue is in a language other than English—and according to Chung, the movie’s distributor chose to enter it in the Foreign Language category rather than Best Drama. So while this may not meet the technical definition of a snub, it’s still a disappointment.

Surprise: James Corden

Asked to guess which member of The Prom‘s star-studded cast would be nominated for a Globe, most smart pundits (and honestly most regular people) would probably have put their money on Meryl Streep. But instead, it was Corden’s widely panned performance that earned the sole acting nomination for Ryan Murphy’s splashy musical dramedy.

The Nominees

Best Motion Picture – Drama

The Father

Mank

Nomadland

Promising Young Woman

The Trial of the Chicago 7

Best Motion Picture, Musical or Comedy

Borat Subsequent Moviefilm

Hamilton

Music

Palm Springs

The Prom

Best Director, Motion Picture

Emerald Fennell, Promising Young Woman

David Fincher, Mank

Regina King, One Night in Miami

Aaron Sorkin, The Trial of the Chicago 7

Chloé Zhao, Nomadland

Best Performance by an Actress in a Motion Picture, Drama

Viola Davis, Ma Rainey’s Black Bottom

Andra Day, The United States vs. Billie Holiday

Vanessa Kirby, Pieces of a Woman

Frances McDormand, Nomadland

Carey Mulligan, Promising Young Woman

Best Performance by an Actress in a Motion Picture, Musical or Comedy

Maria Bakalova, Borat Subsequent Moviefilm

Kate Hudson, Music

Michelle Pfeiffer, French Exit

Rosamund Pike, I Care a Lot

Anya Taylor-Joy, Emma

Best Performance by an Actress in a Supporting Role in any Motion Picture

Glenn Close, Hillbilly Elegy

Olivia Colman, The Father

Jodie Foster, The Mauritanian

Amanda Seyfried, Mank

Helena Zengel, News of the World

Best Performance by an Actor in a Motion Picture, Drama

Riz Ahmed, Sound of Metal

Chadwick Boseman, Ma Rainey’s Black Bottom

Anthony Hopkins, The Father

Gary Oldman, Mank

Tahar Rahim, The Mauritanian

Best Performance by an Actor in a Motion Picture, Musical or Comedy

Sacha Baron Cohen, Borat Subsequent Moviefilm

James Corden, The Prom

Lin-Manuel Miranda, Hamilton

Dev Patel, The Personal History of David Copperfield

Andy Samberg, Palm Springs

Best Performance by an Actor in a Supporting Role in any Motion Picture

Sacha Baron Cohen, The Trial of the Chicago 7

Daniel Kaluuya, Judas and the Black Messiah

Jared Leto, The Little Things

Bill Murray, On the Rocks

Leslie Odom Jr., One Night in Miami

Best Screenplay, Motion Picture

Emerald Fennell, Promising Young Woman

Jack Fincher, Mank

Aaron Sorkin, The Trial of the Chicago 7

Florian Zeller and Christopher Hampton, The Father

Chloé Zhao, Nomadland

Best Original Score, Motion Picture

Alexandre Desplat, The Midnight Sky

Ludwig Göransson, Tenet

James Newton Howard, News of the World

Trent Reznor and Atticus Ross, Mank

Trent Reznor, Atticus Ross and Jon Batiste, Soul

Best Original Song, Motion Picture

“Fight for You,” Judas and the Black Messiah

“Hear My Voice,” The Trial of the Chicago 7

“Io Sì (Seen),” The Life Ahead

“Speak Now,” One Night in Miami

“Tigress & Tweed,” The United States vs. Billie Holiday

Best Motion Picture, Animated

The Croods: A New Age

Onward

Over the Moon

Soul

Wolfwalkers

Best Motion Picture, Foreign Language

Another Round

La Llorona

The Life Ahead

Minari

Two of Us

Best Television Series, Drama

The Crown

Lovecraft Country

The Mandalorian

Ozark

Ratched

Best Television Series, Musical or Comedy

Emily in Paris

The Flight Attendant

The Great

Schitt’s Creek

Ted Lasso

Best Limited Series, Anthology Series or a Motion Picture made for Television

Normal People

The Queen’s Gambit

Small Axe

The Undoing

Unorthodox

Best Performance by an Actress in a Television Series, Drama

Olivia Colman, The Crown

Jodie Comer, Killing Eve

Emma Corrin, The Crown

Laura Linney, Ozark

Sarah Paulson, Ratched

Best Performance by an Actress in a Television Series, Musical or Comedy

Lily Collins, Emily in Paris

Kaley Cuoco, The Flight Attendant

Elle Fanning, The Great

Jane Levy, Zoey’s Extraordinary Playlist

Catherine O’Hara, Schitt’s Creek

Best Performance by an Actress in a Limited Series, Anthology Series or a Motion Picture Made for Television

Cate Blanchett, Mrs. America

Daisy Edgar-Jones, Normal People

Shira Haas, Unorthodox

Nicole Kidman, The Undoing

Anya Taylor-Joy, The Queen’s Gambit

Best Performance by an Actress in a Television Supporting Role

Gillian Anderson, The Crown

Helena Bonham Carter, The Crown

Julia Garner, Ozark

Annie Murphy, Schitt’s Creek

Cynthia Nixon, Ratched

Best Performance by an Actor in a Television Series, Drama

Jason Bateman, Ozark

Josh O’Connor, The Crown

Bob Odenkirk, Better Call Saul

Al Pacino, Hunters

Matthew Rhys, Perry Mason

Best Performance by an Actor in a Television Series, Musical or Comedy

Don Cheadle, Black Monday

Nicholas Hoult, The Great

Eugene Levy, Schitt’s Creek

Jason Sudeikis, Ted Lasso

Ramy Youssef, Ramy

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television

Bryan Cranston, Your Honor

Jeff Daniels, The Comey Rule

Hugh Grant, The Undoing

Ethan Hawke, The Good Lord Bird

Mark Ruffalo, I Know This Much is True

Best Performance by an Actor in a Television Supporting Role

John Boyega, Small Axe

Brendan Gleeson, The Comey Rule

Daniel Levy, Schitt’s Creek

Jim Parsons, Hollywood

Donald Sutherland, The Undoing

Emma Dibdin Contributor Emma Dibdin writes about television, movies, and podcasts, with coverage including opinion essays, news posts, episodic reviews and in-depth interviews with creatives.

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The Biggest Surprises and Snubs from the 2021 Golden Globe Nominations

[technicallyzanyfestival-blog]

Info sheet Racism and Discrimination

Who?:         Racism and discrimination are endured by a vast variety of people. Racism in itself is heavily felt by dark skinned people all around the world. Due to subconscious teachings of black being inferior to white; light is good, dark is evil, etc., with an increase in darkness comes a higher prejudice against said person. When we mend discrimination with racism, we can see a crystal clear relationship. From passed up job opportunities to being denied service, black people secomb to most racial discrimination by far. This is not to leave out all minority race groups, especially indigenous people. They are sometimes viewed as drug addicts with no work ethic, this leading into not being thought of in opportunities that could better their quality of life.

Women are subjected to discrimination far too much in our day and age. Many of us do it subconsciously, whether it be feeling more comfortable with a male server, electrician, construction worker, etc. Women are seen to be less capable of certain tasks than men.

Some other people who experience discrimination are those of the LGBT+ community. Certain job titles still are not viewed as an appropriate place to express one’s homosexuality. In many occasions gay couples will be denied service from businesses due to strictly the fact that the consumers are gay.

Where?: Racism occurs all over the world, because of the social normality, for things such as skin colour, ethnicity, and religion. We are mainly discussing racism within America and Canada. America and Canada’s racist status quo remains unique and alarmingly oppressive. This racism is entirely based on skin-colour and one ideal image. One’s nationality is immaterial. In terms of discrimination, discrimination also happens all over the world and on a greater scale. Discriminatory traditions, policies, ideas, practices and laws exist in many countries, some having discrimination towards different groups more than other countries would. In some places, controversial attempts such as quotas have been used to benefit those who are believed to be current or past victims of discrimination

When?: Nobody knows when racism was birthed. In many cultures, dark skin is viewed to coordinate with poorness with the ideology that if you worked outside, you were poor and tanned. A spotlight shown on the cruelty of racism during the slave trade in the 17th century. Black people were used as slaves due to solely their skin colour. This ignited the flame of white power. Once slavery was claimed illegal in the late 1800’s that mindset didn’t die. Segregation showed the epitome of discrimination. Jobs were not given, seats were not sat in, schools were not attended to, etc., simply because of a colour.

  With many protests for equality throughout the 18th and 19th century including our modern “Black Lives Matter” movement, segregation was banned and minds were slowly but surely opening. However the view of black people of less than was not fully stripped. Plantations turned to prisons and beatings turned into “necessary action”. Police brutality formed such a movement. Today we can still witness discrimination against minority groups even though many rules and regulations have been put in place, there is still the fight for equal views and opportunities.

What?: Racism: the belief of some races being better than others and the actions resulting from that belief. Racism is not just saying offensive comments to one of a different cultural background but offensive to their community as a whole. Canada supposedly to be a very multicultural country is exposed to more occurences of racism than expected.

Discrimination: prejudicial treatment of different categories of people or things, especially around race, age or sex. Some might think racism and discrimination are the same thing, but in reality they are not. Discrimination targets an individual’s gender, sexual orientation age as well as race. Majority of people are exposed to discrimination such as groups of teenagers, women, LGBTQ and those of colour.

Why?: Racism and discrimination are seen as very common topics around the world, making them immune to some, but there is a reason why it happens. Racism has been brought from generation to generation, especially during the time when the europeans were colonizing different countries of different ethnic backgrounds. Not only is it a form of hate from old times but a stereotype of a certain race. Older generations bring their dislike and bias towards a certain or multiple races, and younger generations adapt to it. Stereotypes are similar in a way except the racism is not coming from a person you know but a large group of people who have thoughts about the certain race. For example saying asians can’t drive, but just because a person has been in a bad situation with one, doesn’t mean they are all bad drivers. Discrimination is similar in the sense of stereotyping a large group or having an opinion about them because everyone thinks its right. For example, some people think women should not work and just stay at home to take care of the children. Because of people being so influenced by what others of society think, racism and discrimination seems common in a way. Although there is no way to stop racism and discrimination since it will always be around especially with older generations, there is a way to educate the younger generations about the misuse of it. There is a large misuse of the word ‘racist’ and ‘discriminate’’ because some people do not know what the real definition of racism and discrimination is. Educating, and not labelling everything as racism and discrimination could be ways to have the terms not be so common.

Vision/Goal: The first step to demolishing racism and discrimination as a whole is to educate ourselves about this issue and to know the kind of effect that it can have on our society. Generations need to be raised and taught how to treat people equally and correctly or else we will never be able to grow and change this world-wide issue. Another reason is that we need to stop viewing each other as greater or superior to one another. The hope is that by doing things such as these, all people can live without fear, and instead with hope and love, however this can only be achieved as a society and not individuals. It will take a great amount of effort to demolish or at best decrease racism and discrimination from our society,

Background/issue: - what has caused the inequity? What have you identified as the inequity? Social inequality is linked to racial inequality, gender inequality, and wealth inequality. The way people behave socially, through racist or sexist practices and other forms of discrimination, tends to trickle down and affect the opportunities and wealth individuals can generate for themselves. Today in Canada we have legal protection for victims of discrimination and a constitutional guarantee of equality rights for all. Employees cannot be treated differently because of age – unless they are under 19, in which case different standards apply. Remember, the BC Human Rights Code does not permit employers to discriminate against employees based on personal characteristics – like age, race, religion or gender and other personal characteristics.

So, for example: Employers cannot refuse to hire you because of where you come from. Employers cannot fire you because you are pregnant. Employers cannot force you to retire because of your age. Employers cannot harass you sexually.

Human rights

Poverty

Poverty is the deprivation of common necessities such as food, clothing, shelter, and safe drinking water, all of which determine our quality of life. It may also include the lack of access to opportunities such a s education and employment which aid the escape from poverty and/or allow one to enjoy the respect of fellow citizens

Although one of their group members was missing, i found this presentation to be very educational and wee executed. I am happy to know that the world’s population living in extreme poverty has gone down by twenty-four percent in the last twenty-eight years. It disgusts me to find out that one seventh of Canada is living in poverty. It simply doesn’t make sense to me. We are labeled as a first world country yet we have over fourteen percent of our population living in conditions equivalent to those of third world countries. There is no excuse for Canada to allow Canadians to be limited to resources; a major factor in why so many are trapped in the poverty cycle.

LGBTQ

LGBTQ = Lesbian, gay , bisexual, Transgendered, Twin spirited, Queer, and Questioning

The LGBTQ is an initialism referring collectively to lesbian, gay, bisexual, and transgender/transsexual people. In use since the 1990’s. the term lgbtq is an adoption of the initialism lab which itself started replacing the phase gay community which many within LGBT communities felt did not represent accurately all those to which it referred.

This presentation was executed very well. I personally am always extra attentive when Leon is presenting, as he always delivers his presentations with confidence and ensures to audience is not bored, which appreciated. Something that stuck with me from this presentation is that police officers used to raid gay bars simply to ensure that they knew nowhere was safe for them. To be living in constant fear only due to one’s sexuality is a state that I cannot fathom.

This topic is also what is wrote my human rights essay about:

LGBTQ+

By: Madison Neal

              Love is light. A saying rolled off the tongues of those blanketed buy its warmth, those who love fearlessly and freely, utterly and entirely welcomed to express it. But there is another flame of love, it’s as well, warm and bright, all though it’s punishing to reach and is guarded; bordered buy police badges and twisted metaphors, laws prohibiting anyone to bask in its beauty and mobs set to attack those who seek to. This love is denied to the LGBTQ+ community. During the 60’s and 70’s, more and more people were expressing their love for the same sex in a wave that unsettled and angered many civilians. Gay people had no safe space to love one another. Police often raided gay bars to ensure those inside knew that being who they truly were would never be okay. Gay marriage was illegal in Canada until July 20, 2005, and the U.S. until June 26, 2015. Even then it was frowned upon by a plethora of close minded people. Gay couples have been and still are denied service from businesses and are mistreated in society.

           The light of self love is also stripped from the category of transgender/two-spirited people. There has been reports of a transgender woman being shot down by a gunman in a car driving by, simply for appearing to be transgender. They have been and recently under Trump, still are denied to serve their country in the United States. These inequities endured by the community are only a sliver of the inhumane deeds excerpted on those in it. people are placed in conversion camps and cleansing therapy to this day, attempting to “fix” people whom are in no way broken, but rather different.

       A conception of wrongness associated with this topic is not a natural trait, it is taught by those who were also brainwashed at a young age to give love a shape that only fits between a man and a woman. Lack of exposure is the route to closed minds across the globe. As with anything, when something is never brought to light we cannot perceive it as normal, and to add on top of the weight of “abnormality” to such affection, it has been is deemed inappropriate in the past to execute in public, and has been despised when done in front of children. We can view this in separate generations. As protests and fights for equality by generations before the Millenials were held, much attention was brought to precisely how unjust the laws were surrounding the way of life of the LGBTQ+ community. Because of these protests and exposure Millennials grew up with a great decrease of censorship of the community and what kindness and care it obtained. This would birth people whom would use the likes of social media to debate and discuss with those still set in a different viewpoint. This paved the way for the next generation (Generation Z) to be flooded with exposure of the topic. Today we see television shows based around gay culture and multiple gay characters with many stories of all too real hurdles forced by a group of people to overcome, this includes shows for children; a notable step in progress given the utmost disgust portrayed around allowing children to be educated on any factor of the topic. This generation is growing up with LGBTQ+ role models whom they can confide in by merely clicking on a youtube video. The magic of the internet has been a crucial tool. With its gift just clicks away, my generation is forming in this world as one who is known to convey gay and transgender as anything but a choice. We can see transgender kids as young as five years of age embracing who they truly are. The origin of injustice was and will never be a feeling, it is and has always been lack of exposure accompanied by insulating purely negative notions to the people.

            My vision for the future of the LGBTQ+ community is that we can mould and raise people in our society and eventually all over the globe to be educated on the topic. Ignorance is born from withholding of knowledge. With minds filled with exposure of “gay culture” and all the bright unique traits of the community, I yearn for no individual to ever have a shred of fear when it comes to being oneself. I as a Catholic am very accepting and interactive with many members of the community, as many Christians overall are. However, I am aware of the closed of extreme religionists of Christianity do not feel the same way, due to what the bible says. I wish to change their way of thinking and  see those people be enlightened on the fact that the bible is filled with metaphors. There are heart-wrenching stories of people begging God not to make them gay, when in reality it is how God formed them and I believe that if god loves all of his children, than he will accept the very ones that he created.

           The constant lingering of danger due to one’s sexuality is that of atrocious. I envision a society where those of the community would feel safe regardless of any location, and that little boys and girls are not told to “man up” or “act like a lady”. Children’s brains are not at a stage of development equipped to completely know what they identify as. It is these social stereotypes that are another burden for those who come to the acceptation later in life that whom they were presenting to the world is but what they were told to be. I want to improve the quality of life for people who are only expressing what they feel in bars or at home, for them to be not just legally but socially free to show affection in public without crude stares or judgements. To witness schools implicate sexual education on both heterosexual and homosexual relationships, the children of the world are the future of it, and if we want to change the future it must be made a priority to train them to be accepting and understanding the complexity of all forms of love, as it is all in the end the same.

Racism and Discrimination

Racism is the belief that race is the primary determinant of human traits and capacities and that racial differences produce and inherent superiority of a particular race. People with racist beliefs might hate certain groups of people according to their racial groups

In the case of institutional racism, certain racial groups may be denied rights or benefits, or get preferential treatment.

Discrimination is any action or behaviour that causes a person to be treated  in an unfair, hurtful and negative way. People may discriminate because they have a prejudice against someone or because they have a stereotype of that person.

People may discriminate without any intention to hurt someone but someone may still be hurt and disadvantaged by another person’s actions and behaviour. (racism is a belief, a set of values, an attitude — a group of assumptions that view and construct in a negative way a group of people used on their racial background.

My group presented on the topic of racism and discrimination, I feel our presentation went smoothly and i feel that the audience responded well to our multiple interviews of people’s encounters with racism and discrimination. Something i found interesting while doing research on this topic is that in many countries in Asia, lighter skin represents wealth, because if you work outside it means you have an underpaying job. SO if one is tan, it is a tell that they work outside and are therefor poor

Child Soldiers and Military Recruitment

War is reciprocal and violent application of force between hostile political entities aimed are bringing about a desired political end-state via armed conflict.

The military use of children takes three distinct forms: children can take direct part in hostilities (child soldiers), or they can be used in support roles such as porters, spies, messengers, look puts, and sexual slaves; or they can be used for political advantage either as human shields or in propaganda.

I admired this presentation for its projection and detail in knowledge. I also enjoyed the kahoot at the end. I found this to be a good strategy; letting us know there would be a kahoot at the end, and that the winner would earn a prize, because it kept the class engaged the entire time. Something that left me with a pit in my stomach is when the presenters explained how in some countries, military goes into villages and/or towns and forcefully strip able-bodied boys and sometimes girls away from everything they know to battle. I couldn’t imagine waking up one morning thinking my day is going to pan out as usual, only to be taken away from my family and friends and thrown into extreme danger. It is inhumane and revolting.

Violence in Relationships

Violence - is any act that results in or is likely to result in, physical, sexual, and psychological harm or suffering, including threats of such acts and coercion or arbitrary deprivation of liberty, whether in public or private life.

This presentation was well done and knowledge on the subject I had not known before was brought to light. One thing that truly stood out to me wa the topic of the relations of the LGBTQ community and violence in relationships. Before this presentation i always thought of violence in relationships to me more often a male abuser towards a female, and sometimes a female abuser towards a male. It had never occured to me that the community are more likely to be subjected to an abusive situation in a relationship. I learned that this was due limited resources and lack of education upon these groups. The LGBTQ community is often excluded from the definition of relationship abuse because of their identity and lack of exposure.

Genocide

Genocide is the elimination of an entire group of people classified by race, religion, etc.

This groups presentation was also well executed. I found it interesting and surprising to hear of the multiple genocides that have taken place over the years, as far as my knowledge had reached before the presentation, there had only been two, i now know there were virtually triple that which were addressed in the presentation.

Extra notes:

Gender

Gender comprises a range of differences between men and women, extending from the biological to the social.

Biologically, the male gender is defined by reference to the presence of a Y-chromosome, and its absence in the female gender. However, there is debate as tot he extent that the biological difference has or necessitates differences in gender roles in society and on gender identity, which has been defined as “an individual’s self-conception as being male or female, as distinguished from actual biological sex.”

Homelessness

Homelessness is the condition and social category of people who lack housing, because they cannot afford, or are otherwise unable to maintain, regular, safe, and adequate shelter

[33whynot77]

Batboys Headcannons #1~Music

A/N Hey there everyone. This is my new blog and its just gonna be a lot of random things for a lot of fandoms. This first one is for the boys in the Batfam. It’ll probably start off as just Dick, Jason, Tim, and Damian. As I grow more comfortable with Bruce I might add him and eventually you might end up getting the whole batfam but for now just the four male robins. Also I’ll probably do a follow up to this one of how their music taste/preferences/anything related to music changed with their significant other. Please keep in mind that these are my own opinions based on the limited knowledge I have of each of these characters. I am in no way an omniscient being that knows everything about these boys. I also have never read the comments and only know what I know about these boys from other fanfictions, TV shows, Movies, and the research I’ve done thus far. If you disagree with something you are free to let me know as long as you do it calmly and as long as it’s constructive criticism. I do not want a whole bunch of people yelling about how much of an idiot I am to think this so please refrain from doing so. Politely tell me I’m wrong, keep it to yourself, or just stop reading what I write. Now without further ado let’s begin.

Quick note if you were one of the original people to view this I have changed it a little bit. Sorry, I just kept getting more ideas and changing ideas and crap and so I’ve made a few alterations.

Dick Grayson/Nightwing

For him music isn’t that important

Sure it’s nice and he’ll listen to it occasionally but it’s not important

To him it’s just background noise

Something that exists and stays in the background to add to the effect of the present

That being said he loves soundtracks

He’s got a whole playlist devoted to soundtracks and most of his music library is the soundtracks to his favorite movies or even soundtracks to movies he hated but grudgingly accepted had great soundtracks

He likes having it give ambience by playing it in the background while he does other things

He’s not a headphones in kind of person but loves to play it from speakers

There’s a bluetooth speaker in every room in his apartment

The music in his library that isn’t soundtracks falls into three other categories Christmas, songs that go well in the background, and the songs that just kind of feel right to him

It’s always hard for him to explain his music taste to others because of those third and fourth categories

Songs and music that just for some reason or another fit with him, connect with him and songs that he feels make good background songs

It’s never anything flash or big with him because it has to be something that fits well in the background or is a soundtrack song

The only songs that ever get big and flashy and controlling are the Christmas songs on occasion

He just isn’t the type of person who really wants to be out there and completely in the spotlight sure he’s not bad at it but he doesn’t enjoy it

He doesn’t like the loud really full of bass clubbing, dance, and hip-hop songs

He goes for more of a subtle and soft pop, indie, and similar songs

However, he does have quite a few songs about chasing after girls or trying to get the girl

he does oddly enough have a soft spot for certain country songs and absolutely despises electronic songs

Classical music though is his guilty pleasure he adores it because it fits into almost all his categories of music taste (with the exception of Christmas most of the time)

Jason Todd/Red Hood

Jason Todd lives for music

His music taste is all over the place and he’s definitely a headphones in kind of person rather than speakers

Music is his escape

It shuts the world out, calms him down

He’s a total music addict 

He loves to get lost in a song let the whole world disappear and find some peace for a moment

Music makes life and existence just that little bit less painful for him becuase you know he’s tormented as hell and needs something he can count on and go to

He doesn’t always have the oppurtunity to plug into music and disappear but the second he has the chance he’s plugging in for as long as he can

The music calms him down and brings him back to the world while also protecting him from the hells and tortures of the world. 

When he can’t go to anyone he goes to music so while his music taste really does seem all over the place it all simplifies down to one or two things

One, it all connects back to him, not in the way Dick connects with music but in a way specific to Jason. For Dick music feels right for Jason it speaks to him and it connects to him and it feels right. 

Jason is really particular in his music in this regard its not at all obvious you’d think he just likes it all but when talking to him about music he hates and finding songs in his music library you’ll see a lot of contradictions. He’ll say things like he hates a certain genre but there’s always a few songs very similar to that genre in his library because those one’s get him

He loves songs with stories so believe it or not he has a lot of country music Carrie Underwood and Miranda Lambert are some of his favorites because those songs specifically get to him 

Especially songs like Church Bells, Gunpowder and Lead, Two Black Cadillacs and so on because they’re practically everything he stands for a woman gets mistreated and hurt by her husband or boyfriend so she takes it into her own hands and kills him 

He’s all about killing people like the men they talk about

Along with this he’s all for powerful woman vocalists and songs with feminist aspects

Anything out there trying to boost woman morale and spirit is fantastic and artists like Adele are his favorite

Woman artists in general are fantastic but he really loves powerful vocalists like Adele 

Another aspect of his story song list is that if it’s anything about going after girls it’s a no go

He’s hates songs all about chasing girls down for the same reasons he loves feministic songs that boost woman morale

He despises, no hates and loathes, all these songs objectifying women as nothing more than objects of pleasure or things to gain posession of so even if its some of those country songs that eventually turn into like now she’s my wife and we’ve got daughters I’m protecting he hates ‘em.  

Jason really loves songs with stories and so you often find things you wouldn’t expect in his library when you look at him

He loves literature and these songs to him are just musical literature when they’ve got stories so he adores them

Then of course he’s a closet romantic and so he’s got your classic super gushy and mushy and cliche and fluffy love songs but that’s not even his guilty pleasure because he doesn’t care if you go through his music library and find this strange of music it’s right for him so nothing else matters

His music taste seriously ranges from like straight up screamo to the fluffiest disney songs out there and the quick changes from genre to genre when he puts it on shuffle doesn’t even bother him

Not even joking he can go from death metal to like Beauty and the Beast from Beauty and the Beast and keep a straight face becuase damn it he loves this music and no one is going to make him feel bad about it.

Music is the one thing that really is just straight up his and no one can taint for him music gets him and its one of his lifelines so criticism isn’t something he cares about when someone’s going through his library it doesn’t phase him

Music is also his way of silently screaming out and pleading with the world its how he says things without straight up saying them because he often can’t find the right words but music and songs can 

Music is how he tells people about himself when he can’t which is almost always

He’s super closed off and he has every right to be closed off but he really does want someone who will listen to his complaints and the problems he’s going through but none of the people around him really do that so he uses music both to tell them things and to say these things in general even if it’s just his music library that knows.

His music guilty pleasure though is definitely songs from musicals and movie soundtracks because these are the ones that tell the stories the best and he will fight you if you say something bad about musicals or movie soundtracks, especially if he really likes the ones you’re spouting crap about

Tim Drake/Red Robin

He’s the one who’s always got music playing when he’s doing work whether that’s research, detective stuff, or school work

He also listens to it while walking through the halls at school and pretty much all day during school he’s got at least one earbud in unless he’s either not able to or not allowed to

The moment he sits behind a screen or to do some form of work the earphones go in

He however is only an earphones guy when he knows he’ll be sitting down or staying in the same place for a long time or when he can just leave it in his pocket cause earphones and he knows they won’t get caught on things 

The second he knows he’s going to have to move a lot to grab things or something or he’s going lots of places where earphones could get caught on things the earphones are out and he’s using speakers

He just likes having something going on in the background and he prefers music to tv or movies because he doesn’t have to focus on music as much to get it

In this regard he’s a lot like Dick he likes background music

His music taste doesn’t have a whole lot of range but at the same time does because he looks specifically for things that aren’t super distracting but kind of just add a nice atmosphere and so those often jump around to different genres

He listens to a lot of classical music when he’s trying to study for a test even though he’s smart enough that he probably doesn’t really have to study

Listens to more indie and folk songs or just songs on the quieter calmer side of things most of the rest of the time it makes it less distracting and a lot more calming plus he just really likes how they sound

He likes RnB and soul too and really likes jazzy sounding songs or even just straight up jazz

He also likes things that Dick usually likes as background music and music that just subtly adds to the atmosphere and feeling of everything

Any other song tends to have to be acoustic or at least the acoustic mixes of songs

He does find that sometimes he drifts over to songs that also connect with him similar to Dick in a way but less of a feel right and more like how Jason connects to music its not as much him speaking to the world more like speaking to himself

Let’s face it he’s an introvert ok and so he’s a lot into self reflection and he doesn’t want people to listen, he doesn’t want them to hear or pick up on the subtle hints at least not conciously 

Something in his subconcious wants people to pick up on things but he isn’t aware of  this

That’s getting off topic though, music is more of a here’s some things about yourself that you probably already knew but have them anyways

Some artists similar to his music taste or that he straight up enjoys are Christina Perri, Adele, Lana del Rey, Fleurie, Sam Smith, Ed Sheeran, Zella Day, Jason Mraz, Birdy, Charlie Puth, The lumineers, Paradise Fears, Twenty one pilots, and Lenka and then he’s picky about everything else he listens to 

Like sure he listens to some imagine dragons and one republic and such but at that point he gets more picky about what he listens to

The only time he goes for anything other than those options is when he’s working out or training

This is the majority of the speaker time and the only time he listens to more upbeat or on the pop range

He specifically has a playlist for those songs and that’s the only place they exist because he doesn’t want them to be in with the other music he listens to on a regular basis

He finds that his usual music taste doesn’t quite motivate exercise or training

He doesn’t even always play music when exercising or training most of the time music is limited to when he’s doing some form of work

Some days he just kind of needs that extra motivation because he was up way too late the night before

His music guilty pleasure is the movie soundtracks to the really sappy romance movies and really sappy romance songs in general because they’re never too exciting and fit better into his music taste plus it adds to his usual classical music and adds a little variety here and there plus they just sound nice

Damian Wayne/Robin

Damian doesn’t really care for music

During his training as a member of the League of Assassins it was never a thing

To be completely honest he’d heard little to no music until he left the League of Shadows and started to live with Bruce

Living that much of his life without music he didn’t see the use of it

The only music he ever really heard was the certain occasions when Dick was over and playing music on one of the many speakers Alfred left always accessible for Dick and Tim and of course the odd moments when Tim decided he was going to be moving around a lot and needed to play music from the speakers

Damian kind of liked it when the music was playing though but he wouldn’t ever turn it on

Eventually Alfred realized Damian liked it and started putting it on in one of the rooms in the house and sure enough Damian would always pinpoint where it was and could always be found in the room where it was playing

Damian doesn’t really have a specific music taste except for that he really doesn’t like music where someone speaks during any part of it or where it sounds less like music and more like someone speaking quickly or something like that it has to sound like music or he really doesn’t see the point to it

In short he only likes some rapping, hates screamo unless it legitimately sounds like music instead of just screaming and yelling

His guilty pleasure regarding music is just music in general and the only one’s who openly know and do something about it are Dick and Alfred (in Dick’s case leaving little notes of song recommendations that Damian discards and Alfred finds and plays for Damian) Tim and Jason both know but they don’t do or say anything about it

They made an agreement when they watched Alfred walk into a room turn on music and then Damian show up moments later and not leave the room for several hours to not say a word about it because they both agreed it might help the young boy 

They both understood the nature of music and how much it could help someone and they weren’t about to ruin it for the younger boy no matter how much they disliked him

On another note if anyone wants actual specifics to any of these because you’re confused just ask and I’ll respond with 5-10 songs I listen to regularly that they might listen to and 5-10 songs I don’t really listen to but think they’d like. I've legitimately made playlist and Pandora stations for three of the four boys at this point. This head cannon is taking over my life.

[fantasysuiteleague]

Week 1: Old Dog, Same Tricks

"From bad boy to Bachelor. We’ve all seen Nick grow.” But, have we? First of all, at no point in his life has Nick ever been a bad boy. He was (and still is) just a douchey toolbag who loves bracelets and fucking girls on TV. And I’m pretty sure he’s still that same person. Sure, he came off as more mature and almost cool on the most recent season of Paradise. But keep in mind that everyone else on that show was either (1) in their early 20s; and/or (2) retarded. So forgive me if I remain skeptical AF that Nick is going to be any different this season. Sure enough, as soon as his promo starts rolling my eyes are rolling into the back of my head. Like the rest of the world, he’s *shocked* to be the Bachelor, because he’s been on this show looking like a goddamn fool since January 2013. 

But don’t think he hasn’t learned from his mistakes. He knows his eyes are shifty, he always looks bored, he’s long-winded, and a tool. But getting his heart broken by two unemployed reality stars has taught him a lot, and he’s ready to show us what he’s learned. Gag. But before we can get to the ladies, Nick sits down with the Ghosts of Bachelor’s Past for one more reminder that (1) everyone thinks he sucks; (2) he was cool on Paradise; (3) he’s totally going to find love. 

That’s Me In the Spotlight.  

As in years past, we start by meeting a few girls that ABC wants us to keep our eyes on this season:

Rachel: She’s a 31-year-old corporate defense attorney who runs fake meetings and takes sloppy notes on a legal pad. But like all corporate lawyers, she works hard AND plays hard by .... vacuuming! 

Danielle M.: Our first small business owner who opened her first nail salon at age 23 thanks to daddy. She’s definitely one to watch, mostly because she’s so hot and reminds me of Brit.

Vanessa: Despite the fact that she’s a special needs teacher sporting 4-inch heels and skinny jeans to work, Vanessa--much like Rachel--seems like an intelligent, cultured woman who may have accidentally signed up for this show instead of The Apprentice. 

Josephine: 

Raven: Yet another small business owner whose voice and long black hair reminds me of Pensatucky from Orange is the New Black (minus the whole meth thing).

Corinne: THE WORST. Instantly, the worst. She “runs” her family business, which is worth millions by the way. She lives with her parents. And. AND. Her childhood nanny RAQUEL!! My god. Raquel.  Pray for Raquel.  

Alexis: The troll of the group, Alexis makes it pretty clear right away that she will do literally anything for laughs because her parents neglected her as a child.

Danielle L.: Immediately giving me Whitney vibes with her terrible high voice and respectable job working with babies. She seems incredibly *nice* (read: boring and lacking personality), but I’m sure she’ll make it far because in another life Nick would end up with her.

Taylor: A “mental health counselor” with a Masters from Johns Hopkins who should definitely know better than to sign up for this show. Then again, she’s 23 and has clearly never actually worked as a mental health counselor before. She also mentions that both white and black girls don’t like her because she’s biracial, but I’m guessing the real reason is that shes just terrible. 

Liz: I have so many problems with Liz, and we will get to all of them in due time, but first and foremost: it was tacky AF to read her Maid of Honor speech from her iPhone at a televised Bachelor wedding. 

You Don’t Have to Put on the Red Light.

The limo entrances this year left much to be desired, but I think that’s a good sign that not all of these girls are daft. From what we saw, the entrances can be categorized as either cute, terrible, or sexual. In the “cute” group we have the normal girls like Vanessa and Danielle M. and Sarah (the “runner up”). I also liked Rachel’s reference to her fantasy league because she’s just like us! In fact, that could be you one day! But then I’d be writing about how you dumb you sound. In the category of “terrible” entrances, we have the likes of Christen, a wedding videographer in a tacky yellow prom dress from Forever 21 who waves a Chinese fan around and then talks to Nick in a baby voice. I hate her so much. Not surprisingly, Josephine placed herself in this category by showing up with a terrible wig and offering Nick an uncooked hot dog.

Taylor also confirms that she is as dumb as she looks by letting Nick know that all of her friends think he’s a complete piece of shit. But don’t worry, she doesn’t believe them and is totally here for the #rightreasons. A considerable number of women went with the “sex” route, because apparently ABC is sex-positive only when it’s The Bachelor. Hailey lets him know she’s not wearing underwear, which is pretty nasty given the 12+ hours they have to spend sitting around that house sweating, drinking and vying for his attention. Astrid offers up her titties while speaking German, while Lacey shows up on a camel and makes a lame “hump” joke. Liz is the last sex-related entrance worth mentioning, because she has already had sex with him. She isn’t sure if Nick is going to remember her, but as soon as she steps out of the limo and his eyes get shifty it’s pretty obvious he knows exactly who she is. The question is whether he knew this was coming, or if he’s just terrible at playing it cool. Maybe both. Chris Harrison, however, is pretty terrible at playing it cool and makes it pretty obvious this was all a set up.

Shark or Dolphin?

Once all the girls have arrived, Nick kicks off the cocktail party with a sappy pre-rehearsed speech about how he’s looking for a woman who feels empowered and will be his partner and that every woman is worth dating. I think he’s trying to do this thing called “feminism,” but he doesn’t quite stick the landing because everything about him screams “I’m a beta bitch boy.” Throughout the night the girls talk about how *hot* Nick is and how they wish they hadn’t worn red. Meanwhile, Alexis is having the time of her life performing the dance moves from Katy Perry’s halftime show and demanding that everyone admit she is dressed as a dolphin, not a shark.

Now generally I’m not a fan of those so desperate for attention, but Alexis is hilarious. She’s clearly trolling everyone the whole time, and most of the girls are too dumb to notice. Meanwhile, Corinne is solidifies herself as the villainous slut of the season by handing Nick a bang of rape tokens and letting him know he can use them for “whatever he wants.” She later steals Nick from Vanessa just to kiss him and then proceeds to tell everyone about the kiss the rest of the night, because as Raquel could surely tell you, it’s all about Corinne. The most awkward conversation of the night comes when Liz finally gets a chance to talk to Nick. Her presence on this show is incredibly suspect for a number of reasons, but the clear one being that she slept with Nick, he asked for her number, she said NO, and now, 9 months later, she’s on the show trying to date him. Naturally Nick asks what we’re all thinking:

According to Liz, she had a “stereotype” about him when she met him, then saw him on Paradise and he wasn’t that “stereotype,” but doesn’t like to ask for people’s numbers because she thinks if it’s meant to be it will work out. 

So not only does Liz have no idea what the word “stereotype” means, but she is also completely full of shit. She clearly slept with him because he was good-looking and wanted to be able to say “I slept with Tricky Nick,” but knowing he was a douchebag she wasn’t interested. After learning he was going to be the Bachelor, she thought “well shit, I bet they’ll let me on the show and I can get some screen time.” Lucky for her the Bachelor producers are sluts for dumb drama, but she really should have practiced her defense to a #rightreasons accusation. 

Roses are Red

The remainder of the night was uneventful. Rachel got the first impression rose which was surprising but also not surprising. Surprising because the Bachelor has a race problem and most men they pick aren’t necessarily interested in women of color. Not surprising because Rachel seems incredibly intelligent and down to earth, and you can tell they really hit it off. Noticeably, the girls this season all seem to have real jobs (minus the “Law School Graduate” and the “Witch”) and the ones who actually work are being heavily featured (not counting Corinne). 

It’s refreshing to see women who aren’t flight attendants and dental hygienists, but it also makes the show even less realistic. For example, these small business owners can’t just leave their businesses and move out to LA with Nick to shill white strips in on Instagram. So is Nick willing to move to be with them? Notably, we didn’t spend any time talking about where Nick lives and if he actually has a job, which makes me wonder if ABC wants to ignore that aspect so they can keep flaunting their “accomplished” contestants without addressing the fact that the whole point of this show is for two people to *fall in love* and get married and live happily ever after, in the same city. It will be interesting to see these seemingly more intelligent women navigate through the familiar obstacle course this season, but I’m not getting my hopes up for anything revolutionary. After all, like the Bachelor himself, this show is just an old dog with the same tricks.

Did you notice . . . 

The b-roll of Nick running around Millennium Park and strolling down Clark street in a button down is the laziest attempt to convince us that he hasn’t been living in LA and *modeling* for the past 3 years. 

Susannah’s beard massage.

Christen (terrible yellow dress) talks to Nick like he’s a puppy that she’s training. She’s terrible and has GOT TO GO.

A lot of these women are really young, which makes their desire to date a 36-year-old professional Bachelor even more pathetic than your average Bachelor contestant.

Jasmine G. is a dancer for the Golden State Warriors. Hope she makes it to the final four and then blows a 3-1 lead. 

Nick repeating “civil defense litigation” like he’s trying to learn Spanish

Corinne was always posing in the background of shots, knowing the camera was on her.  Watch for it. God I hate/love her so much.

Fun fact: dolphins are the only other animals (besides humans) who have sex solely for pleasure. Seems like a missed opportunity by Alexis.

Nick begrudgingly giving Josephine a rose, clearly because the producers want her to stick around a few weeks.

Minority Report: We have a TON of minorities this season. And by a ton, I mean 8 out of 30 (25%)!  We lost at least 3, I think (it’s hard to keep track, they all look alike), but I am INCREDIBLY optimistic about this season. The previews (and the limo music) make it seem like Rachel goes pretty far, so it looks like for the first time ever we might have a Blachelorette (Black Bachelorette). Now this of course begs the question of whether Nick actually likes Rachel or is keeping her around because he’s a puppet and ABC REALLY needs more diversity. It will be an interesting relationship to watch develop, and I’m sure haters and Trump’s America will claim it’s basically affirmative action, but it’s 2017, so I’ll remain optimistic for now.

[mattmarlinwrites]

Album Review: Blood Orange’s Freetown Sound

Hi there, readers! I wrote this extended analysis/writeup of Blood Orange’s Freetown Sound for a collection of online essays about notable indie albums in 2016, but never shared it here! Hope you enjoy it!

Background

Blood Orange is the current solo project of Devonte “Dev” Hynes, whose music primarily falls into contemporary/alternative R&B, but also incorporates elements of indie rock, pop, jazz, funk, and soul. Hynes was previously a member of the dance-punk band Test Icicles and recorded other solo albums under the name Lightspeed Champion before beginning to perform and record as Blood Orange in 2009. His previous album, Cupid Deluxe, was released in 2013 with a large number of guest musicians ranging from Clams Casino to David Longstreth (of Dirty Projectors) and received mostly positive reviews, including accolades on Pitchfork’s year-end list as well as their list for best albums of the decade so far.

In November 2015, Hynes sold a cassette recording of the previously-unreleased Nelly Furtado-featuring song “Hadron Collider” at his shows, sparking speculation about a new album. He announced Freetown Sound – named after the capital city in Sierra Leone where his father was born – in April 2016 and later revealed the album’s artwork in June, hinting at some of the release’s guest features in a promotional video that accompanied the album art reveal. (On an interesting side note, Hynes’s album announcement did not contain any track names, just the fact that the album would have 17 songs.) Hynes’s press release that accompanied this announcement detailed that the album would be about “my life, my upbringing, being black in England, being black in America...my movement to this country at the age of 21.” On June 28, Hynes made the album available to hear three days earlier than his previously announced release date of July 1, simultaneously sharing a video for the lead single “Augustine” (which features cameo appearances from Julian Casablancas and Porches’ Aaron Maine).

Review

2016 was a garbage year. There’s no way of ignoring that. On top of the dumpster fire of US politics and the seemingly nonstop high profile deaths, racial tensions and murders of people of color continued just frequently as they had in the past few years. Even worse, the strides the LGBT movement made just last year with the Supreme Court ruling in favor of marriage equality hit a lot of pushback between North Carolina’s HB2 and the Pulse shooting. Not to mention all the ways these struggles were amplified for those who had intersecting marginalized identities, such as of women of color.

For me, no album this year encompassed all the experiences of these various identities in 2016 quite as extensively and vividly as Freetown Sound. In retrospect, this strikes me as odd considering this album only came out midway through the year. And yet, it seems even more relevant now than it did upon its release, almost as if it presaged that the year would only grow worse. But what kept bringing me back to Freetown Sound was its role as a conscious source of relief, a release I knew I could always turn back towards to assure myself that there’s some hope in spite of all the negativity. Hynes certainly made these songs with this aim in mind, publishing an Instagram post upon album’s release that said, “This album is for everyone told they’re not black enough, too black, too queer, not queer the right way, the underappreciated. It’s a clapback.”

The opening moments of the album set this tone immediately, providing the framework for what’s to come. “By Ourselves” begins somewhat theatrically in its approach, almost like the overture to the themes and sound of the album in the 16 songs that follow. A warped piano recording – the grainy quality to the audio’s texture reflective of the less-than-pristine conditions those in Hynes’s songs face – leads into a group vocal reminiscent of Greek chorus, before the song gives the spotlight to poet Ashlee Haze reciting her piece “For Colored Girls” over a fiery saxophone solo, ending with the foundation-laying words about the album’s aims for representation:

I will tell you that, right now There are a million black girls just waiting To see someone who looks like them

The album then immediately propels itself into its other main mode: downright groovy R&B tunes. “Augustine” walks a delicate balancing act with Hynes providing three different vocal modes – a whispered low-register that details the parallels between his life and his parents, a falsetto reflection on the murders of black youth like Trayvon Martin, and the closest he comes to belting it out on the album during the chorus – all while a punchy drum machine keeps the song to a steady beat. This track, too, is an overture of sorts, compiling the themes of connectivity, race, and sexuality – the chorus providing a queer reinterpretation of the titular African saint as Hynes’s means of grappling with the hypocrisy of Christian homophobia – that are at the heart of the album. It all culminates in a passionate address to Nontetha Nkwenkwe, a major South African figure known for being imprisoned (and eventually killed) trying to bring peace and unity to her divided nation.

From here, the album moves into something of a more free-flowing state, with tracks like “Chance” and “With Him” veering from typical song formats in pseudo-interludes meant to connect to the next substantial centerpiece of a song. These moments also introduce hooks and melodies that seem incomplete on a first appearance, only to be expanded upon in later tracks, making the record sound more like a film soundtrack to city life and all the recurring leitmotifs that come with it.

In fact, much of what would be dead space in other albums feels bustling and alive here instead. The gaps between songs are occasionally filled in with ambient noise from city streets – the shuffling of feet, protest chants from activists, interview clips from the likes of Ta-Nehisi Coates and Vince Staples encapsulating the lyrics that preceded them. Hynes implemented this specific production choice to allow listeners to hear the album how he hears it: as “music… to listen to on headphones to soundtrack… walking around.”Hynes even referred to the album as “like my version of Paul’s Boutique... kinda like a long mixtape.” Each of these interludes and soundbites, then, is vital to the album’s overall flow, transitioning from one mood to the next to simulate what Hynes experiences emotionally just walking around New York City.

But whenever the album reaches a centerpiece song, they always feel cathartic, their explosions of passion earned by the buildup of themes and reflections Hynes has been accumulating in previous tracks. “Best to You” is probably the clearest example of this, the liveliest song on the album with its multiple overlapping percussion tracks and Empress Of’s evocative vocals. Yet, this all comes even as its lyrics center around someone desperately pleading to be loved by another who clearly doesn’t love them back. “E.V.P.” falls into this category as well with Debbie Harry of Blondie joining Hynes on vocals among a memorably distorted synth line and a bombastic chorus. Later in the album, Carly Rae Jepsen fills a similar role on “Better Than Me,” a personal favorite track of mine that adds a winding keyboard melody and a pulsating percussion track into the fray. Each of these tracks brings the personal angle that Hynes mentioned in his press release, dealing with everything from finding self-worth to relationship troubles.

But, for me, the strongest moments of the album come when Hynes intertwines the personal with the bigger concepts. “Better Than Me” resounds exceedingly well in this field, implying that the song’s romantic prospect rejects Hynes because his blackness and/or queerness makes him inadequate by comparison. “But You” and “Hands Up” are perhaps the most powerful songs on the album in this regard, both of them direct addresses to the listener as forms of personal reassurance in the face of larger social pressures. The former fuses a commandingly patient bass line with stirring piano in the chorus, building to a simple statement about one’s personal value, but earns such a moment with the lines that come directly before it:

If you don’t know what that means Don’t tell me that it’s true Teach yourself about your brother ‘Cause there’s no one else but you

This track in particular evokes one of Hynes’s interviews about his intent in making the album, in which he said, “I think of this record as [being] fully aware of, ‘Yeah, my life is in danger on a daily basis,’ but using that as strength to rise up and stand tall and be proud of who you are and accept who you are.” On “Hands Up,” Hynes takes a similar approach through a devastating chorus where he fears about a friend’s safety in the wake of the country’s many racist murders, tying a variation on the titular protest chant into the refrain. Likewise, “Desiree” tells a narrative about Hynes’s transgender friend that he calls “an ode to her strength,” especially uplifting with the widespread hate the transgender community faces, accompanied with audio from the drag ball documentary Paris is Burning and a skittering drum beat.

But all of this would fall flat if the album didn’t deliver emotionally and back up its message with palatable sincerity, which Freetown Sound deftly manages to pull off. “Hands Up” is especially poignant in the context of the overwhelming amount of news about black murders, Hynes’s falsetto on the chorus aching with the pain of how close these losses hit. Towards the end of the album, “Juicy 1-4” wrings its emotion through one of the record’s most memorable bass lines and Hynes building up to a musing on how crucial sources of comfort are, but how difficult they can be to find when society views you as othered. “Hadron Collider” is an exceptional track in this regard too, with the song’s comparatively slower tempo spotlighting Nelly Furtado’s vocals. The bridge on this track offers a powerfully melancholic hypothetical that sums up one of the album’s core sentiments: “Oh, to be brave” when so much of the world is pitted against you.

When it comes to albums that I find vital and want to revisit most each year, I consider a few things. I consider how much the album reflects the world and its major enduring struggles. I consider how effectively an album makes its statements as a unified collection of music. And, perhaps most importantly, I consider how much the album resonates with me and my personal struggles. As a queer person trying to navigate one of the most devastating years of my life and wondering, fearfully, how my friends and I will endure in the face of the imminent danger we know is coming our way, I found myself returning to this album more and more frequently as the year went on. And each time, Freetown Sound proved to be uniquely therapeutic for me, providing the same comfort and reconciliation that I found in talking with friends about the issues that envelop the album, grateful just to know that I had people on my side, ready to stick by me. Even though Freetown Sound doesn’t provide any concrete answers to the issues it covers (and, if 2016 is any indication, any potential answers are easier said than done), Dev’s album helps in at least one way: opening up a dialogue. As he noted in an interview with Pitchfork earlier in the year, “Well, there really isn’t a takeaway, especially on this album. You’re just kind of listening to me thinking for 58 minutes. There’s no real solution or answer.” Reading back those words, listening to the album once more, hearing the soft, slightly warped guitar of “Better Numb” trickle through my headphones as Dev cries out the refrain, a reprisal of the one on “E.V.P.,” the one that never fails to incite chills or start tears welling, I feel like I am finding that comfort, that support, in the music.

Favorite Lyrics

Choosing what you live for It's never what you make your life How could you know If you're squandering your passion for another?

“E.V.P.”

It's real as gold Chains and all All the things that make us bold Make us bold Black is gold Rightly so

”Juicy 1-4”

Oh, they took and skinned my name Try to raise the feeling I saw right through, tried to love them They threw it in your face Tell you what you're feeling How could they know?

“By Ourselves”

Looking at the girl with the thick, blonde braids And you're tryin' to make out what her t-shirt says No one really ever cares what 'thug life' means They wanna be surrounded but they hate to breathe The air is thick as I plan my escape

“Chance”

The door was open I could've stepped inside Oh to be brave, want to be brave To be brave In this battle of the ages

“Hadron Collider”

Talking Points

What do you see as the primary overarching themes of the album? What resonated with you?

How do you think this album compares to similar continuously flowing and/or socially conscious 2016 releases like A Seat at the Table and Blonde?

What are your thoughts on the various soundbites and interviews spliced into the album? Thoughts on the guest features?

Dev Hynes’s voice: fitting for the type of music he’s making or undercooked? If you find his voice lacking, what kind of vocal style would work for you on an album that sounds like this?

I know Dev only toured the album at a few festivals and cities, but did you get the chance to see him perform the album live? What did you think? Did it improve or weaken your thoughts of the album?

[tshirttrend]

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During an interview Marvel Black Panther Brave Dad Father’s Day 2020 shirt . on the Happy Place podcast, Maisie Williams revealed that being in the spotlight from a young age has taken a serious toll on her self-esteem and mental health. Cast as Game of Throne's Arya Stark at 13, the constant social media criticism she experienced through the show's run was overwhelming. Marvel Black Panther Brave Dad Father’s Day 2020 shirt, hoodie, sweater, longsleeve and ladies t-shirt Classic Women's Long Sleeved Unisex Sweatshirt Unisex Hoodie Classic Men's "It gets to a point where you're almost craving something negative, so you can just sit in a hole of sadness," Williams explained Marvel Black Panther Brave Dad Father’s Day 2020 shirt . "I still lie in bed at, like, 11 o'clock at night telling myself all the things I hate about myself. It's just really terrifying that you're ever going to slip back into it. That's still something that I'm really working on, because I think that's really hard. It's really hard to feel sad and not feel completely defeated by it." Having built up her inner confidence over the years, Williams has been able to shift her perspective. "It sounds really hippy-dippy and like look within you to find peace, but it is true," she said. "At the end of your day, you're making yourself feel this way for a reason."Also affected by the Game of Thrones mania was Williams's co-star Sophie Turner. On Dr. Phil's podcast series, the 22-year-old actress discussed living with depression, as well as how deeply affected she's been by negative social media commentary in the past. It was when Turner hit puberty that she started to take negative feedback on social media to heart. "It was just a lot of weight comments," she said, "Or I would have spotty skin, because I was a teenager, and that’s normal, and I used to get a lot of comments about my skin and my weight and how I wasn’t a good actress.” Self-conscious and feeling a lack of motivation, Turner said there was a point she had a hard time getting out of bed, and once contemplated suicide. "I don't think I viewed myself as worthy of anything that I was doing," she admitted. In addition to therapy and medication, her relationship with husband Joe Jonas has been healing. "When someone tells you they love you every day," she said, "it makes you really think about why that is and I think that makes you love yourself a bit more. So yeah, I love myself.” You Can See More Product: https://luxuryt-shirt.com/product-category/trending/ Read the full article

[luxuryt-shirt]

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During an interview Marvel Black Panther Brave Dad Father’s Day 2020 shirt . on the Happy Place podcast, Maisie Williams revealed that being in the spotlight from a young age has taken a serious toll on her self-esteem and mental health. Cast as Game of Throne's Arya Stark at 13, the constant social media criticism she experienced through the show's run was overwhelming. Marvel Black Panther Brave Dad Father’s Day 2020 shirt, hoodie, sweater, longsleeve and ladies t-shirt Classic Women's Long Sleeved Unisex Sweatshirt Unisex Hoodie Classic Men's "It gets to a point where you're almost craving something negative, so you can just sit in a hole of sadness," Williams explained Marvel Black Panther Brave Dad Father’s Day 2020 shirt . "I still lie in bed at, like, 11 o'clock at night telling myself all the things I hate about myself. It's just really terrifying that you're ever going to slip back into it. That's still something that I'm really working on, because I think that's really hard. It's really hard to feel sad and not feel completely defeated by it." Having built up her inner confidence over the years, Williams has been able to shift her perspective. "It sounds really hippy-dippy and like look within you to find peace, but it is true," she said. "At the end of your day, you're making yourself feel this way for a reason."Also affected by the Game of Thrones mania was Williams's co-star Sophie Turner. On Dr. Phil's podcast series, the 22-year-old actress discussed living with depression, as well as how deeply affected she's been by negative social media commentary in the past. It was when Turner hit puberty that she started to take negative feedback on social media to heart. "It was just a lot of weight comments," she said, "Or I would have spotty skin, because I was a teenager, and that’s normal, and I used to get a lot of comments about my skin and my weight and how I wasn’t a good actress.” Self-conscious and feeling a lack of motivation, Turner said there was a point she had a hard time getting out of bed, and once contemplated suicide. "I don't think I viewed myself as worthy of anything that I was doing," she admitted. In addition to therapy and medication, her relationship with husband Joe Jonas has been healing. "When someone tells you they love you every day," she said, "it makes you really think about why that is and I think that makes you love yourself a bit more. So yeah, I love myself.” You Can See More Product: https://luxuryt-shirt.com/product-category/trending/ Read the full article

[newshirtonlines-blog]

Marvel Black Panther Brave Dad Father’s Day 2020 shirt

During an interview Marvel Black Panther Brave Dad Father’s Day 2020 shirt . on the Happy Place podcast, Maisie Williams revealed that being in the spotlight from a young age has taken a serious toll on her self-esteem and mental health. Cast as Game of Throne's Arya Stark at 13, the constant social media criticism she experienced through the show's run was overwhelming. Marvel Black Panther Brave Dad Father’s Day 2020 shirt, hoodie, sweater, longsleeve and ladies t-shirt Classic Women's Long Sleeved Unisex Sweatshirt Unisex Hoodie Classic Men's "It gets to a point where you're almost craving something negative, so you can just sit in a hole of sadness," Williams explained Marvel Black Panther Brave Dad Father’s Day 2020 shirt . "I still lie in bed at, like, 11 o'clock at night telling myself all the things I hate about myself. It's just really terrifying that you're ever going to slip back into it. That's still something that I'm really working on, because I think that's really hard. It's really hard to feel sad and not feel completely defeated by it." Having built up her inner confidence over the years, Williams has been able to shift her perspective. "It sounds really hippy-dippy and like look within you to find peace, but it is true," she said. "At the end of your day, you're making yourself feel this way for a reason."Also affected by the Game of Thrones mania was Williams's co-star Sophie Turner. On Dr. Phil's podcast series, the 22-year-old actress discussed living with depression, as well as how deeply affected she's been by negative social media commentary in the past. It was when Turner hit puberty that she started to take negative feedback on social media to heart. "It was just a lot of weight comments," she said, "Or I would have spotty skin, because I was a teenager, and that’s normal, and I used to get a lot of comments about my skin and my weight and how I wasn’t a good actress.” Self-conscious and feeling a lack of motivation, Turner said there was a point she had a hard time getting out of bed, and once contemplated suicide. "I don't think I viewed myself as worthy of anything that I was doing," she admitted. In addition to therapy and medication, her relationship with husband Joe Jonas has been healing. "When someone tells you they love you every day," she said, "it makes you really think about why that is and I think that makes you love yourself a bit more. So yeah, I love myself.” You Can See More Product: https://luxuryt-shirt.com/product-category/trending/ Read the full article