#the bane witch

[twochaptersahead]

The Bane Witch by Ava Morgyn

⭐⭐⭐⭐⭐

The Bane Witch by Ava Morgyn was a 5/5 star read for me!

I thought the writing was incredibly well done and did a great job of adding atmosphere to a book about a woman named Piers Corbin who has always been drawn to poison—both in plants and dangerous relationships.

After faking her death to escape a violent marriage, Piers moves to the mountains to live with her estranged great-aunt. There, Piers discovers her legacy as a Bane Witch: a woman who can consume deadly plants and eliminate evil men. As she embraces her dark inheritance, working at her aunt’s café and toying with a local sheriff’s interest, she catches the attention of a nearby serial killer. With her past and present closing in, Piers must confront her own nature and the killer before it’s too late.

​This book was a great moody rumination with feminist overtones that didn't feel heavy-handed. Instead, this added to the empowerment of what being a witch is about, which we have learned about from other tales and folklore. The author left me at the edge of my seat enough to keep me turning the pages while still maintaining an atmospheric tale that centered on a unique form of magic.

​I would recommend this to any reader in my life who loves thrillers, mystery, and fantasy.

Pub Date Mar 18 2025

[astra-ravana]

Music Magick

Music has long been recognized as a powerful tool for evoking emotions, altering consciousness, and connecting with the divine. In the realm of witchcraft, music can be used to enhance rituals, set intentions, and amplify energy. Here are some ways to incorporate music into your magickal practice:

• Listening to specific songs to help you get in the right mood and mindset for the spell/ritual you're going to perform.

• Creating/charging sigils.

• Magickal choreography (casting spells by dancing).

• Use music to guide a meditation, or meditate on the song itself, its meaning, and what emotion it represents.

• Using beats/rhythms to induce a trance state.

• Sing your incantations.

• Keep music on in the background while doing your craft or studying magick to raise your vibration and improve your results.

• Audiomancy; divination through music (ie: specific lyrics or songs playing at synchronistic times).

• Create playlists for/with the deities and spirits you work with. This can be used as both an offering and an invocation.

• Listen to angry music while doing baneful magick to amplify your rage.

[folkandbooks]

Folk witch tip #2

Someone did you dirty but you don’t want to get down into the nitty-gritty? Instead of hexing or cursing, bless them.

Bless them to learn their lesson sooner rather than later. Trust me, life lessons hurt.

Ooooor, you can bless the people around them to see their true nature.

You’ll make them pay for sure ✨

[banefolk]

[caidenthewitch]

How to set a curse upon anyone

It's no secret that I'm a baneful witch. I don't hide from the fact that I don't fear consequences for my spells and neither do the people I set forth my wrath had tried to retaliate. I'm not here to judge anyone for wanting to set forth harm unto those that wronged them, I am merely here to teach you how to do it properly.

So here it goes:

Like any good spell there are components to making an effective curse. First, it's the intention. No good spell is complete without the intention in mind. All spells, remember, start off with the mind. So imagine the curse' affliction on the target. Imagine the curse making your tormentors suffer all the pain they've put on you.

Visualize their pain, fear, and suffering and relish in it. If you can't relish it then that's when you cut it out because this act is not for you. Putting curses on people is not for the faint of heart. If you can't find peace in their pain then focus on healing yourself instead. It's the only thing you can do at that point.

Second, a good spell needs a power source. This can be through the gods you worship, your soul, the energy in the atmosphere or objects and herbs you have around your house. You can pray to gods and goddesses of wrathful demeanor to carry out the curse for you. Or you can feel then bend the energy in the atmosphere then visualize it hitting or stabbing your target. Or you can burn or charge the object or herb of your liking and let the curse manifest.

And lastly, emotions. Or lack there of. This one will entirely depend on your own disposition to your emotions. Raw anger, resentment, deep sadness, or a pit of darkness deep in your stomach are all valid emotions that will tether your curse in reality.

If you do the curse right then you should see results in the near future.

That's it. Keep your head high, you'll get your revenge soon enough.

[rosemaze-reveries]

Hello! I found your blog and love the writing

Here’s sit with me while I tell you my favorite idea 💡

✨So the hunters (all if possible) come back to the manor after a long match of smelling sweat and blood upon walking towards their shred room with reader they catch a scent of their lovers perfume- mind going a mile a minute with the idea of their lover being in they arms and just melting from the stress of the day ✨

Thoughts 💭

ANON. anon...... this is the kind of scenario that makes me CRAZY uegh.. when their judgment's clouded by bloodlust but inhaling your scent brings them back to their senses >>> 🤒 let me be your lighthouse home etc etc. sign me UP.

for some blurbs, this turned into a broader "hunter comes straight to you after a rough match" without the perfume bit. kind of misunderstood the assignment but either way, here's this!

🌪️✂️👘🏳️🏴🦌🐍🪞🎻🔩🐟🕯️

🌪️ Ithaqua brings an air of gloom with him into your bedroom. Driven by nothing but a searing want for you, he skips over any pleasantries to tear off his mask and shove you onto the ground. A bed of wind tries to break your fall, but his impatience gets the better of him; he pins you to the floor with such force that he disrupts his own gale from cushioning your way down. Not that you care in the moment. You’ve been waiting to have him in your arms all day. He leaves a scattering of love bites and wet kisses up your neck.

✂️ Jack has one particular tune that he hums after his worst matches. Months of living together have left you all too familiar with it. His song begins from the foot of the staircase and steadily crisps itself to your ears as he draws nearer. Afraid of the state you might find him in, you rush outside to meet him at the top of the banister. He pauses with one foot on the next step. “Curious,” he says, greeting you with a cordial smile. “It’s not often a little mouse stands in my path—not on purpose.” His blouse is soaked a shade of reddish brown, and no amount of easy banter can hide the weariness in his eye. “Well, you’ve saved me the trouble. I was on my way to ravage you next.”

👘 Michiko drags her nails along the walls of the corridor, leaving a dull streak of blood behind. She doesn’t make a sound when she slips inside your room, practised in her delicate step; you don’t even feel the dip in the mattress before she has her shoulders arched over you. Eyeing you tenderly, she rolls a warm thumb over your cheekbone. “I’m home,” she murmurs. “Your sweet scent led the way again.” She realizes she left a smear of red on your skin, and her hand jerks away, startled by the reminder of what she had been doing just minutes ago.

🏳️ Bi’an’s arms wind around the small of your back, drawing you into his chest for a slow, tender embrace. It’s the first thing he does after returning to the manor: falling straight into your arms. As his lips trail down your forehead, peppering soft kisses in their path, you wrap your arms around his neck to bring him closer. A whisper escapes you about how out of the blue this is, and in response he brings a kiss to the corner of your eye, prompting them to flutter shut. “Let me have you, just for a little while…” Those sweet kisses he’s so good at descend your neck, growing rougher the lower he goes.

🏴 Wujiu’s arms wind around your stomach, pressing his chest flush against your back. He hasn’t uttered a word since returning from his match, aside from a tepid “Nothing worth mentioning” when asked about his day. This sudden affection takes you by surprise. You try to turn your head to face him but he catches your chin, steering your gaze back to the wall. “Don’t look at me.” Whatever is clouding his mind today is better left alone, you realize. You lay your hands on top of his, squeezing them, encouraging him to let your presence blot out everything on his mind. Warm breath fans your collarbone as he nuzzles into your neck, drinking in your scent.

🦌 Bane doesn’t like to discuss his matches. It makes no difference whether they are quick or slow, a win or a lose, they always weigh on him the same way. He sits on the edge of the bed lost in thought. You decide to break the tension first by greeting him with a hug from behind, your chin hooking over his shoulder. Bane isn’t big on physical affection. But after a while he cups a tender hand to your temple, palm taking up the entirety of your face, and presses you gently into him.

🐍 Yidhra might be the hunter most detached from the nightmares of the manor games. They provide nothing but leisure for her, and she’s never felt particularly passionate about them, win or lose. Her followers are the ones who give her the most trouble. When they resist her will, her consciousness splinters apart, some days leaving her too weak to herd them back again. These are typically the days she comes for you. You aren’t sure when she enters your room, but sometimes you catch glimpses of her tail in your peripheral, never to be seen when you’re looking on purpose. Her voice floats in the back of your mind: Mine, mine, mine, mine… There is nothing that binds you to her, yet you’re the only one who never resists her.

🪞 Mary barges into the room clumsily for someone of her poise. She struggles to prop herself against the door, muddy skirt stiff in awkward folds. “My mind is a mess,” she exclaims, voice clear but breathless at the same time. “Where are you? Come settle me.” The second she spots you, she sulks over to toss her arms around your neck, finding a seat in your lap. Clearly she isn’t concerned about observing her usual decorum today. Her dress is heavy and splotched with muck you don’t care to identify, but you don’t mind holding her as the burdens of the day ease off her shoulders.

🎻 Antonio’s fingers instinctively travel to the liquor cart by the window. He hadn’t bothered to turn on the lights, but feeling around to find nothing but an empty platter gives him pause. One resigned cluck of his tongue later, you feel tendrils of hair coil around your waist and wrists. They pluck you up from your side of the bed and present you in front of him as if you’re nothing more than a doll. “Not a drop to console me?” he complains, knowing you’ve hidden his bottles again. Then his head tilts slightly, taking in your scent. You can practically see detention’s fiery glow return to his eyes. “No, perhaps you are right—there is something more intoxicating for me here.”

🔩 Percy - “Hm...” He’s scrutinizing you with such intensity that you wonder if something’s on your face. He leans over to take an exaggerated whiff of you, and your heart sinks in offense. You have half a mind to tell him you showered just that morning, so it’s probably not you — besides, he’s the one who’s been tangoing with carcasses all day — but Percy keeps a thoughtful look about him. “You smell full of life,” he muses. “That fragrance you wear, it was popular back in the day. Transports me to the city again.” He would know better than you; you just found this perfume in the trunk of a dusty old room. When he comes closer, clasping either hand around your face, you let him lose himself in the nostalgia. Moments like these are all you have to keep yourselves sane in the manor.

🐟 Grace’s mouth is pulled into a taut frown when she flings open the door. You can see a slight quiver in her lip if you squint. Her harpoon clatters on the ground and she drops onto your bed, braid falling out, face buried in a pillow. There’s little you can do except rub a soothing hand in circles on her back. When she peeks over her arm with a gentle plea in her eyes, you wonder if she’s asking for a deeper massage—but you don’t get the chance to ask before her hand latches onto your forearm, tugging you down to lie with her.

🕯️ Philippe settles for a glass of brandy and his bundle of sketches. He’s resting on the chaise by the foot of the bed, not his work desk where he’d usually be. Rather than drafting new ideas he’s simply thumbing through the old ones, mechanically, breaking from his cycle only for a sip of his glass. It’s like your lover’s been replaced by a puppet. You feel unnerved enough to intervene: stripping him first of his glass, his sketches, then his monocle, you tip him back onto the cushion. You expect him to complain about having to get back to work, but he doesn’t protest. Tonight is for him, you decide. As his dark hair sprawls out beneath him, you straddle his thighs, and his hand reaches up to cup your cheek. “I’m terribly jealous of this magic of yours,” he murmurs, faint lilt in his voice. “It’s always you who brings me back from the stars.”

[coven-of-genesis]

Protective witchcraft

Witchcraft can be a powerful tool for protection, but it is important to approach it with respect and caution. Here are some tips for using witchcraft to protect yourself:

Set intentions: Before you begin any ritual or spell, it is important to set clear intentions for what you want to achieve. Visualize yourself surrounded by a protective energy that keeps you safe and secure.

Use protective symbols: There are many symbols that are commonly used for protection in witchcraft, such as the pentacle, the evil eye, and the hamsa. You can wear these symbols as jewelry or draw them on talismans to carry with you.

Use herbs & crystals: There are many herbs and crystals that are believed to have protective properties in witchcraft. Some popular options include black pepper, rosemary, black tourmaline, and amethyst. You can use these herbs and crystals in spells or carry them with you in a sachet or pouch.

Create a protective charm: You can create a protective charm by combining herbs, crystals, and other materials in a small pouch or container. This charm can be carried with you or placed in your home to provide ongoing protection.

Use visualization: Visualization is a powerful tool in witchcraft. Visualize a protective bubble of energy surrounding you, or imagine yourself surrounded by a circle of protective light.

Call on deities or spirits: If you work with deities or spirits in your witchcraft practice, you can call on them for protection. Some popular options include Hecate, Artemis, and Archangel Michael.

Cast a protection spell: You can cast a spell to protect yourself from harm. This can involve creating a protective circle, calling on the elements, and using candles, herbs, and other tools to set your intention and create a protective energy.

Create a protective sigil: A sigil is a symbol that is created to represent a specific intention or desire. You can create a sigil for protection by writing out your intention and then using the letters to create a unique symbol. This symbol can then be charged with energy and used for protection.

Use divination: Divination can be a helpful tool for identifying potential sources of harm or danger. You can use tarot cards, runes, or other divination tools to gain insight into potential threats and take steps to protect yourself.

Practice grounding & centering: Grounding and centering can help you stay grounded and focused, even in stressful or dangerous situations. This involves connecting with the earth and your own inner strength to create a sense of stability and protection.

Remember that protection is not a one-time event, but an ongoing practice. Incorporate these tips into your daily witchcraft practice to create a strong and lasting protective energy around yourself.

[awakeningthevioletswithin]

Denizens Of The Darkness

Watercolor On Black Paper

2022, 22"x 30"

Monkshood, Aconite, Aconitum

[damonblack966]

[breelandwalker]

Friendly reminder to all witches (and especially newer practitioners) that it's a good idea to include the basic mechanics of curses and other baneful magic in your studies.

EVEN IF YOU NEVER INTEND TO USE THEM.

The choice of whether to cast baneful magic is yours and yours alone, but you should still know how it works and what types of spells are out there.

While protection and warding magic are all well and good, certain magical countermeasures like bindings and turning spells may be considered baneful by some practitioners. Despite this, you may need to employ them proactively or reactively as a matter of defense.

The chances are very low that you'll ever find yourself in a situation where someone uses baneful magic on you or someone you know, but if that should happen, you need to know how to recognize it, how to undo it, and how to protect yourself in the future.

If you do not understand the nature of a potential threat, you are not adequately prepared to avoid or combat it.

[thevirginwitch]

City Magic: Painted Rock Wards

This post was released a week early over on my Patreon! You can subscribe for free to be notified of important projects announcements, or subscribe for as little as $2 a month to gain early access to my content, exclusive access to research/reading notes, and free digital goodies! Your support means the world to me and helps me to continue doing what I love.

We’ve all seen those pretty painted rocks over on Pinterest, right? These bad boys? Or perhaps you’ve even seen them around your neighborhood/public parks.

Traditionally, these are meant to be painted (sometimes with words of encouragement) and left in public spaces for people to take home, as an act of kindness. Some others paint them for their garden, either to deter pests with vibrant colors, or they’re used to label whatever’s in their garden.

Now, if you live in a big city, you probably have felt a disconnect from your craft or your practice. It’s difficult to connect with a nature-oriented spirituality, such as witchcraft, when you live in a concrete jungle! But there are many, many ways to feel connected to your craft, even if you don’t live in the middle of the woods or have a lot of nature around you. One of these ways is to connect with your neighborhood.

Your neighborhood has mass significance to your life, whether you realize it or not: this is where you live, where you work, where you breathe, where you practice your craft – you must make yourself known, and make the neighborhood known to yourself as well. One of the best ways to do this is to take walks!

Whenever you’re ready, take a walk through your neighborhood and bring a map, notebook, and a pen. As you walk, observe the behaviors of the residents around you. Do they seem to be struggling with anything? What kind of people are they like? Write these characteristics down. If you notice any parts of your neighborhood that evoke any specific emotions (such as unease, happiness, peace, or anxiety), mark them on your map. You might also notice some “problem areas” – perhaps some patches of the road or sidewalk are horribly paved and need to be repaired, or there’s a lot of loud dogs constantly barking at the end of your block. Mark these areas on your map as well, and report back to your home when you are ready.

Picking Your Purpose

Now that we’ve identified a few “problems” and made observations within your neighborhood, we can decide what we want to do. Do you want to protect against thieves? Ward against illness for one of your elderly neighbors? This is the time to select the primary purpose for your ward.

Picking The Area

Take the map that you marked up during your walk. Connect any common points you see (for example, connect up the "peaceful" areas you marked on your map, or connect any points that have a common theme). What kind of shape does it have? Does it remind you of any popular symbols? Can you use the general shape of the area to generate a sigil or symbol that represents the area? What area(s) would most benefit from your rock wards?

Here is an example of how I created a sigil from a fictional city map I found! Obviously, play around with this idea until it makes sense to you. You can connect up different routes, or perhaps create a border around the areas that feel safest to you.

Now is the time you also want to pick where you want to place your wards - you can use your neighborhood sigil to influence where you place them, or, place them based on intuition or based on need. For example, placing a rock ward at the end of the noisiest block, or in the middle of the block that has the most number of children in the area.

Creating and Using Your Sigils/Symbols

Now, you want to develop symbols or sigils for your purpose. You can use any method you’d like! You may wish to incorporate your neighborhood sigil into each one you create, but ultimately the design is up to you. This is also the point where you would “charge” your sigil, with whatever method you see fit - as long as the design, intention, and charging method makes sense to you, that’s all that matters!

Painting Your Rocks

Finally, onto the fun part!

Now, you could simply paint your sigils on your rock and call it a day. Or, you could paint your sigil, and layer a more “mundane” piece of artwork on top of the sigil, leaving the sigil hidden underneath. This technique works best if the “mundane” artwork connects with the ward’s purpose in some way (for example, if your ward is for protection against nosy neighbors, you could paint eyes; or if your ward is for health, you could paint green colors, or even a red cross). I definitely recommend this “layering” method of painting your rocks so no one in your neighborhood ends up reporting any “suspicious looking rocks” with “satanic symbols” on them to your local Facebook groups!

Materials

acrylic paint

rocks

paint brushes

toothpicks (optional)

paint markers

outdoor/water-proof sealant such as Mod Podge: Outdoor

Instructions

Lay out your rocks and other materials

Seal your rocks with a coat or two of your sealant before you begin painting. This is an important step, since rocks are porous and will suck up any paint you try to apply!

Paint your rocks to your heart's content! If you are layering paint on your rocks, please make sure each layer is dry before painting the next.

Once your rocks are completely dry, seal them up with your outdoor/water-proof sealant so they don't get damaged in the elements.

Lastly, take another trip through your neighborhood to place your rocks. Converse with the neighbors if you feel inclined, and make double-sure of the locations you chose for your wards. I recommend taking regular walks throughout your neighborhood to check on these wards, and make sure they’re doing their job. You may wish to refresh the wards with a new coat of paint, or replace them with something new if the situations within the neighborhood change.

Ultimately, magic is what you make it, especially when you live in a big city. Warding your neighborhood and showing care for the people that live there is one of the many ways you can connect to your neighborhood on a deeper level and feel more connected to your practice locally.

Recommended further reading: Urban Magick by Diana Rajchel

[prismonautic]

Let’s Discuss: Energetic Cleansing

Let’s get some clarifying details out the way before we get into the material.

This article assumes that you already know + can execute the basics of energy work without the hang-ups that a beginner would get stuck on.

It’s not going to hold your hand discussing theories about energy, the astral realm, etc. Intermediate practitioners are the target audience for this passage.

Don’t know if you’re intermediate or a beginner? Here’s a difficulty benchmark for this article:

Do you know how to safely cast a functional + effective spell without having to be supervised by an elder for safety?

Are you able to direct and cast that energy with absolute confidence in your ability to do so?

If yes to both, this article is relevant to your skill level.

If no to either:

You can use this article as study material to go over with a spiritual elder.

If you’re a solitary practitioner, use this article as supplemental material for your research under your own discretion.

If you’re a complete beginner and feel like you’re going to end up with more questions than answers, continue doing more research + practice on the basics and save this for later when you feel ready.

Now that we’ve gotten those important details out the way, we’ll begin our discussion.

About cleansing

“Spiritual cleansing” is a term frequently thrown around in witchy and spiritualist spaces alike. “Energetic cleansing” is commonly used interchangeably with “spiritual cleansing.”

The general definition of cleansing is removing/clearing any energy that’s considered “negative” or “toxic” – which in turn causes spiritual blockages that could hinder manifestations, health, growth, prosperity, etc.

It’s a broad definition. For practical application of cleansing in your craft, I want to offer some extra details that can support you in crafting your cleansing works.

Factors to consider in your cleansing works

Why you’re cleansing depends on the situation. Sometimes you need a sterile environment for raising a specific energy in your circle. Other times, you’re aiming to “reset” the ambience of a space (e.g - after a house party, you cleanse any lingering foreign energies that have been brought in by your guests.)

The form of your cleansing rituals will depend on the following factors:

What energy you’re intending to cleanse / “wash” away

The subject you’re directing cleansing energy to (e.g talisman, room, shoes) + your relationship to the subject AND the energy that you’re cleansing away.

The magnitude (power) of the energy you’re trying to cleanse away.

Depending on what you’re facing, you could end up with a simple cleansing ritual, or a more aggressive and targeted ritual. We’ll go over the factors in detail.

– What energy you’re intending to cleanse / “wash” away

A lot of power lies in names. Naming a person, naming a phenomenon, naming an energy… a name can reveal a lot of context and information you wouldn’t be able to get otherwise.

The clearer you name an energy you’re trying to cleanse away, the more effective that the cleansing will get. Even if you don’t know the name of what you’re trying to cleanse away, describing its presence, physical manifestations, and energy signature is enough to distinguish it from just any other energy around you.

Identification of what you’re working with allows you to better understand:

Your relationship to that energy (harmonious? chaotic? stable? unpredictable?)

The magnitude of that energy (how pervasive its energy is astrally AND physically)

How that energy affects the subject (which you should take into consideration while crafting your cleansing!)

Not only does it help with the above, distinguishing the negative/undesired energy will help you have a better time with your recordkeeping. Whether you keep note of your rituals through a notebook, binder, or online journal, having specific energies charted down can help you recognize symptoms of its presence again.

(A rather loose) Example: Natalie is moving into a new apartment, and she feels an unsettling heaviness in the master bedroom. She can’t tell if the heaviness is an entity, or residual energy from an event that happened before she moved in – nobody mentioned anything about someone dying here or anything…

Regardless, she sets out to investigate for an answer on how to clear it up. After taking necessary precautions (insert Natalie doing a protection prayer here), she stays in the room to observe what emotions and sensations come up. She records the following:

The longer she sits there, an unexplainable feeling of bleakness comes up.

The room feels like it’s closing in, almost suffocating.

She doesn’t pick up any usual signs of an active entity inhabiting a space.

Based on the observations she made (+ if applicable, any input from her ancestors / guides) she concludes that the dense energy she’s feeling is residual emotional energy that has culminated over time in this space. After determining this amount of information is enough, she labels this specific heaviness as “this room’s emotional past.”

Now that she has successfully identified + named the specific energy she’s wanting to clear away, she can move on to crafting the cleansing energy she will cast within this room.

Now, think about the last time you cleansed the energy of a space. At that moment, you were Natalie.

How did you handle it?

What did you use to distinguish that undesirable energy from everything else?

What did you use to record your findings about that energy? Was the energy ever recurrent?

If you have a solid grasp on this part, we’re moving on to the next one.

– The subject you’re directing cleansing energy to (e.g talisman, room, shoes) + your relationship to the subject AND the energy that you’re cleansing away.

It’s important to recognize the subject that you’re directing cleansing energy to, since you want to ensure that your cleansing energy isn’t interfered with / nullified by other forces. With recognizing the subject, you’re also tasked with the duty of acknowledging your relationship to the subject.

If you’re cleansing something like your house, something filled with your own personal energy – you likely don’t have to worry about anything getting in between your cleansing ritual unless you’re dealing with more extreme circumstances (e.g possession, haunting, etc..).

If you’re cleansing something that has heavy past energetic/spiritual ties to another’s energy, you’ll want to make sure you read the energy of that subject thoroughly to ensure that you’re sending the proper amount and type of energy necessary to cleanse away your undesired energies.

Due to how situational energetic ties to specific subjects are, it’s better for me to give factors for you to consider when crafting your cleansing spell.

Consider your relationship to any existing history with the subject (e.g if you were cleansing a talisman, are you initiated within the tradition / culture necessary for you to work with said energy?)

Note any prominent energy signatures you pick up within the subject.

Note any prominent spirits and archetypes related to the subject, along with you / your cleansing energy’s relationship to it.

If you pick up any energetic points that give off high activity (abnormally high amounts of a specific type of energy, or in some cases some energetic points acting like a portal) note that down as well.

Use all the recorded details to come to a conclusion about how to effectively counter (which in turn, allows you to cleanse) said factors in your cleansing spell.

– The magnitude (power) of the energy you’re trying to cleanse away.

The main reason I wanted to point out magnitude is because I know that there are a lot of practitioners out here doing the work in the mud for their communities – for this group of people, it’s easy for them to come across heavy energies that are way too difficult and potentially unsafe for the average practitioner to address. For example:

Situations where ancestral curses run DEEP in the energetic field of your subject.

Subjects where extreme trauma + ill intentions (murder, sexual assault, suicide, etc) are significant in their signature.

When you start practicing outside of your daily life, you get exposed to just how fucked up reality can get + just how malicious entities can be. It's important to know your depths and what you’re able to handle.

Do NOT entangle yourself in any energetic situations that you know little about.

I’ve observed that when this happens, it’s usually because someone else dragged them into it (whether it be intentionally or not).

Know your limits, educate yourself on what you’re entering, and double down on your protections.

If you’re being initiated into something, make sure to get the “fine print” of what you’re truly getting yourself into.

If you find yourself becoming overwhelmed by specific energies to the point that it’s affecting your physical wellbeing, STOP and withdraw to recover ASAP.

Keep your protections, spiritual hygiene, and energetic cords updated and strictly moderated, especially if you are frequently involved with any work that regularly requires tapping into external/foreign energies. Staying on top of spiritual hygiene is a given, but the severity in consequences varies by the practitioner’s activities. Slacking can be a minimal issue for some, but a devastating mistake for others.

Conclusion

Feel free to use this as a general reference when crafting your cleansing works, or a little checklist to see if you’ve covered all the cornerstones that you’ve needed. Hopefully this document serves you well.

XOXO, PRISMO <3

[astra-ravana]

Cursing By The Moon

Dark/New Moon: Ruined beginnings, job/financial loss, bad health, depression, hopelessness, despair, fear

Waxing Crescent: Destruction, ruined plans, weakness, illness, ruin, sorrow

Waxing Gibbous: Bad luck, arguments, tension, chaos, accidents, injuries

Full Moon: Spiritual warfare, psychic attack, hauntings and possessions, nightmares, legal issues, loss of motivation/will power

Waning Gibbous: Addiction, ending relationships, stress, panic, emotional breakdowns

Waning Crescent: Mistakes, humiliation, bad choices, betrayal, butt of the joke, loneliness

[remington-the-witch]

Reminder that intentions are important in spellwork! A generic intention won't give you exactly what you desire. Be sure to be specific about what you want from your spells! 🌱

[magicianing]

Nontraditional Baneful Work (1)

For the hardcore crystal witch:

Specific harm

On a very sunny day, write on paper: "[Name Of Enemy] will [experience a great misfortune] before [date]" or similar, or use a sigil. Take a sphere of quartz, hold above the paper, and allow the sun to stream through it until the victim's name is scorched from the paper.

Harm in love

Write their name on a slip of paper. On another, write "your/their heart will not find love", similar, or use a sigil. Wrap in cloth or tinfoil with a piece of rose quartz. Unwrap to release.

(Even if you do not cleanse your crystals, I would recommend doing so after using them as described above)

For the elemental witch:

General harm

Create a vial of strong sun water, then "corrupt" with a pinch of pepper or a splash of red dye. On paper, write the name of your victim, and cast them into the vial. Shake vigorously to expedite.

Productivity-related harm

Cast a small item taken from your victim into a vial of ocean water. They now feel as if they are drowning in their responsibilities. Pour out to release.

There are always alternatives to the risk of pickpocketing items on and off of people, but this is a method I have always had success with.

For the nature witch:

Long-term harm

Healthy acorns sink in water, while rotten ones will float (most of the time). Take a floating acorn and and whisper to it its purpose. Sneak it into your victim's belongings and let it take root.

Bad luck

Paint the name of your victim in water on a maple leaf. Place the maple leaf under the candlestick of a black candle and let burn for as long as you like. Negative energy, including that of any standing hexes against you, will be captured and sent on to your victim, even if they are its originator.

(All are based on my own research, practice, experience, and theory. I encourage you to modify these for your own use if I have inspired you.)

[shadow-and-flamethrowers]

Baneful Magic Requires Trigger Discipline

Apply the Four Universal Laws of Gun Safety to your magical practice and you'll be golden.

Always assume all guns are loaded. For some reason I will never fully understand, a lot of people do baneful magic under the assumption it isn't actually going to work. When you're doing baneful magic, you need to assume that it will work, and that it will work devastatingly, to its fullest capacity.

Don't point your gun at someone you aren't prepared to kill. Don't do any magic if you aren't prepared for it to do exactly what you asked it to do. If you cast a spell with the potential to kill someone, you have to be prepared for it to do that. If you cast a spell that could destroy someone's family, you need to be prepared for it to destroy the family in any way the magic sees fit. If you aren't ready for that, don't fucking do it. When I made a poppet of some fucker who attacked my goddaughter, and started breaking its bones, I was fully prepared to actually break his bones. When he ended up in the ER for an injury on the same limb I had just broken, I accepted that as the consequences of my actions. If you don't know how to set and enforce parameters on a spell, don't use a spell that can do things you aren't ready for.

Keep your finger off the trigger until your target is lined up and you have made the decision to shoot. Don't just be flinging shit out into the universe. Don't send out a spell until you have fully laid out what it will do, what you won't allow it to do, the consequences, the sacrifice, and everything else. Don't cast that spell until you are fully confident in your informed decision.

Always be sure of your target, and know what is around and behind it. Make sure you're going after the right person. Make sure you're aware of all of the various ways that this spell can impact the people around that person. Make sure you can accept those consequences. Make sure you can deal with any magical repercussions for your spell.