#the ancient tombs of time
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theancienttombsoftime · 2 months ago
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Demo
Here is the demo sorry it took a bit since I got confused with how to start it hope you enjoy. Also I had to remove the choice last minute so it's mostly reading.
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blueiscoool · 9 months ago
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A Major Tomb With Gold and Ceramic Artifacts Discovered in Panama
In an archaeological find in the El Caño Archaeological Park, located in the district of Natá, province of Coclé, in Panama, a tomb has been discovered that sheds light on the sophisticated Coclé society of pre-Hispanic times.
The tomb thought to belong to a Coclé lord and dating back to 750 CE, was found to contain a wealth of funerary offerings, including ceramic and gold artifacts.
The El Caño Archaeological Park is well-known for its necropolis of tombs and stone monoliths that date back to 700–1000 CE. American explorer Hyatt Verrill first realized the importance of the site in 1925 when he discovered ancient monoliths beside the Rio Grande River.
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Linette Montenegro, National Heritage Director of the Ministry of Culture (MiCultura), explained that this discovery is part of the ongoing archeological project in the park.
The project, started in 2022 and financed through a cooperation agreement between the Ministry of Culture and the El Caño Foundation, aims to thoroughly explore Tomb No. 9 during the 2021-2024 campaigns.
The tomb’s contents, consisting of 5 pectorals, 2 belts of gold beads, 4 bracelets, 2 earrings in the shape of human figures, an earring in the shape of a double crocodile, 1 necklace of circular beads, two bells, bracelets, and a skirt made with dog teeth, and a set of bone flutes, is testimony to the cultural and social wealth of the Coclé society.
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Dr. Julia Mayo, director of the El Caño Foundation and leader of the archaeological project since its inception in 2008, highlighted the importance of this discovery.
The collection, which probably belonged to a high-status adult male, represents a window into life and death in the Rio Grande chiefdom. The tomb, built around 750 A.D., is especially intriguing due to the presence of sacrificial attendants buried alongside the lord, indicating multiple and simultaneous burial practices.
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Dr. Mayo noted that the excavation process is ongoing, making it difficult to determine the exact number of individuals buried within the tomb. She said that this type of burial, known for burying a variable number of people in the same tomb, provides valuable information about the beliefs and funerary rituals of the Cocle society.
Dr. Mayo explained that the Coclé lord was buried in a face-down position, a customary practice in this culture, often atop the remains of a woman.
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El Caño Archaeological Park, built around 700 A.D. and abandoned around 1000 A.D., has yielded significant archaeological discoveries. In addition to the known monoliths, the site includes a cemetery and a ceremonial area with wooden structures. This discovery stands out for its uniqueness and the insight it provides into Cocle society’s funerary practices.
By Oguz Buyukyildirim.
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jeannereames · 2 months ago
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beedreamscape · 1 year ago
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When the book comes out I'll be taking Alecto (my old barbies) out of the tomb (big plastic box) where I kept her for the last myriad (since I was 10) because I too refuse to let go (i will never give these away).
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quibbs126 · 2 years ago
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Random thing I literally just thought up, but what if Golden Cheese was like, stuck in a sarcophagus?
Like, someone tricked her/overthrew her (maybe Cheedas?) and put her in the sarcophagus, telling her subjects that she died, and then making it so that no one will ever release her (maybe they put it in a tomb that’s littered with traps or something)
However, because of her Soul Jam, she can’t actually die or something, so she’s just stuck in this coffin with no clue where she actually is and just has to wait for someone to come and release her. She’s been stuck there for several years now and at some point she just like, fell into a coma or something because while she can’t die, she still hasn’t been eating or drinking and hasn’t moved in years, so her body’s pretty emaciated
So along comes Gingerbrave and friends, looking for Golden Cheese, only to find she apparently died. However they eventually hear word of where her tomb is and/or that people are suspicious of how exactly she died, and so they go there to see things for themselves. They eventually find her sarcophagus and think she did indeed die. Then someone accidentally opens the sarcophagus and her body falls out, which no one really wants to move, only for her to suddenly wake up and surprise everyone
I dunno, I just had a thought of Golden Cheese going “I was stuck in a sarcophagus for 50 years, I have no clue what’s going on”
Also I think some of her concept art has a sarcophagus, or at least what looks like one
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universestreasures · 7 months ago
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@shacchou (Priest Seto)
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"Lord Seto." Isis speaks his name upon entry onto the balcony, finding the newly crowned king seemingly on his own. Despite having grown used to addressing him in the required ways in public, she couldn't quite do it when they were alone like this. She knew Seto first as a guardian priest, a comrade and equal, long before he became a king. And despite his change in position, her view of him did not change much along with it.
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"I apologize if I am disturbing you at such a late hour, but if I may, there is something important I wish to discuss with you. The Millenium Necklace has just shown me a...potent vision regarding a potential path we might take in regard to...the matter of our previous king."
Pharaoh Atem's sacrifice and tragic fate was one that had effected everyone deeply. Isis and Seto were no exception to that. However, there wasn't much time to really mourn his loss when there had to be steps to take, steps to take for the future of their dear king.
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braind3adbeetle · 1 year ago
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Erm I got bored so here’s my headcanons for my fav lil guys from pvz2 (spoiler warning, I’m right) HHSSHFHJSJS TRANS ZOMBIE APOCALYPSE RAHHHH :P also I’m so mad I couldn’t find a transparent png for the adhd symbol AUGHH
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melissagt · 1 year ago
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So this was a new one for me. Total gigglesnort...
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takunwilliams · 2 years ago
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KING TUT  TOMB 
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kaiahkush · 7 months ago
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Spirits come to the Hall of Judgement all the time, and they cannot let go of their lies. They deny their faults, their true feelings, their mistakes...right up until Ammit devours their souls for eternity 𓋹
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theancienttombsoftime · 2 months ago
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Updates updates and more updates!!!
Hello everyone, great news! I might be able to release a new and updated demo maybe today or next week. It'll be about 5,000 or 10,000 more words added, and there will be so much more features and things to do, that is, if I can wrap up everything into one big bow. I'm very excited to be releasing it soon. 
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blueiscoool · 2 years ago
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Intact Burial Cave From Time of Rameses II Discovered on Israeli Coast
In what experts are calling a “once-in-a-lifetime discovery” likened to an Indiana Jones film set, a 13th century BCE burial cave from the time of Egyptian Pharaoh Ramses II was discovered in Israel on September 14.
Israel Antiquities Authority (IAA) inspector Dror Sitron was called to Palmachim Beach National Park in Yavneh-Yam, where during routine work by the Israel Nature and Parks Authority, a mechanical digger had accidentally penetrated the roof of an ancient burial cave.
Sitron climbed down a ladder into a square cave with a central supporting pillar that appeared frozen in time.
He encountered several dozen intact pottery vessels and bronze spear- or arrowheads, exactly as they had been placed in a burial ceremony some 3,300 years ago – in the belief that they would serve the dead in the afterlife.
IAA Bronze Age-expert Eli Yannai dates the cave to the Late Bronze Age, before the biblical Exodus from Egypt, when the city of Yavneh – then still in Canaan – was under the control of the 19th Egyptian dynasty. Egypt provided secure conditions for international trade along the coast at that time.
“These economic and social processes are reflected in the burial cave that contains pottery vessels imported from Cyprus and from Ugarit on the northern Syrian coast, as well as from nearby coastal towns, including Yafo, Ashdod, Ashkelon, Gaza and Tel Ajjul,” he said.
The cave’s finds include deep and shallow bowls – some painted red – along with footed chalices, cooking pots, storage jars and oil lamps.
The storage jars were likely manufactured along the Syrian and Lebanese coasts, said Yannai. Small jugs were used for keeping expensive commodities imported from Tyre, Sidon and other coastal ports.
Because the cave lay unopened for over three millennia, modern technology will be able to retrieve valuable organic information from the artifacts and provide a picture of Late Bronze Age funerary customs.
IAA director Eli Eskosido said the news had “spread like wildfire in the academic world,” and that requests from scholars to join the upcoming excavation were pouring in.
He called it “a feast for the archeological world and for the ancient history of the land of Israel.”
By Marion Fischel.
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voerman · 1 year ago
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milf necromancer v2.0
patch notes:
changed her from high elf to seldarine drow
gave her some sick clothes
more wrinkles
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galacticlamps · 2 years ago
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Something I wanted to bring up earlier in the re-watch but held onto in the hope that I’d forgotten something that would eventually make it make sense is the Doctor’s motivations or goals in Tomb - because frankly, I’m having trouble finding any.
Does he even know he’s landed on Telos? Is he here to see the tombs? I think it’s pretty clear he wants to go inside, since he’s the one who single-handedly makes that possible at every step of the way (no matter how ridiculous some of those steps are, frankly - nobody else in this archaeological expedition could notice the other doors, without his genius to guide them? seriously? these people aren’t meant to be there by accident like he is) - but he keeps warning everybody else not to go further, again for no apparent reason. Not that contradicting himself is out of character either, but now we’re looking for answers to two motivation questions - why does he want to do this, and why doesn’t he want anyone else to know? And I don’t really feel like the serial offers satisfying reasoning for either.
Even his fears & suspicions (in theory, things that might give us an indication of what he hopes to achieve himself in spite of them) are all over the place - when Haydon’s killed in the weapons testing room, the Doctor is the only one not convinced it was a real live Cyberman, and spends the whole scene defending the sensible explanation - and yet as soon as they leave the room and find out the rocket’s been sabotaged, the Doctor now insists to Captain Hopper (with virtually the same certainty we just saw him use to disprove the existence of an alien menace hunting them) that it may well have been a ‘what’ instead of a ‘who’ that’s responsible for trapping them here. And later, when Kaftan closes the hatch on them in the tombs, Viner - the nervous wreck character who we’re inclined to dismiss as overreacting - is the one to immediately & correctly accuse the people upstairs, while the Doctor’s still on his vague, misdirected ‘it could be someone else’ thing - even though seconds later, he calls everyone’s attention to how unbothered Kleig is. He never seems to receive additional information in these moments when he changes his mind about what he’s suspecting, so it feels less like the Doctor figuring things out and making deductions, and more like lines being shoved in his mouth to lend a vague air of uncertainty and mystery to what’s going on, while also carrying us to whatever needs to happen next in the ‘plot.’
To his credit (I guess?) he is suspicious of the Obviously Suspicious characters too, right from the start - but despite later telling Jamie he needed to find out what Kleig was up to (which is the closest we get to an explanation for any of his actions at any point) absolutely nothing is accomplished by the Doctor being onto them from the start - partially because he himself keeps getting misdirected vacillating between believing there are/are not any other threats present, but also because he outwardly antagonizes them while subtly helping them - flipping the correct switches behind their backs and insulting their intelligence to their faces. He’s play-acting, which is typical of him, but there’s no logic to when, why, or how he chooses to do so, because rather than skate under the radar while observing the villains quietly and forming his own conclusions, he marks himself out as an enemy of theirs before they even get serious about their plan, even though he’s actively helping them put it in action.
There’s even an almost brilliant bit (I want to like it so much! but giving it full credit just feels undeserved) when they first climb down to the tombs and Jamie says “you obviously knew what to expect” to the party re: the anoraks, but he & the others wearing them aren’t in shot - the Doctor is, faring better than any of them in the cloak he brought with him from the Tardis and had awkwardly draped over his shoulder in his first scene outside the tomb doors. You could almost make the argument he’d planned getting this far, all along (and headcanon wise, you still could, if you wanted) - but there’s no getting around the fact that the actual story contained in these episodes does absolutely nothing with that implication, if it’s meant to be there at all.
It’s like a pile of Doctorish behaviors - some posturing and trickery, a bit of dazzlingly advanced scientific knowledge, a couple of clever conclusions and a few jokes sprinkled in among ominous warnings - but it’s all scrambled together with little regard for the picture it paints taken as a whole. And maybe I seem like I’m focusing too hard on it or holding it to a standard it’s not meant for, and that might be true to some extent (although I tend to argue that most of these serials are better than people give them credit for, not worse) but the thing is, in Tomb, all of these actions have a spotlight shone on them - the Doctor’s warnings are the final ominous line in a scene, shot in closeup with a sound effect following it before we cut to a different scene - or he hits the switches that make the hatch open and everyone gives Kleig the credit, so Jamie’s given the line “but Doctor, you--” until the Doctor hushes him, to draw the audience’s attention to both the fact that the Doctor is indeed responsible for Kleig’s success and unwilling to have the rest of the group notice that. The script treats things like this as though they are noteworthy and goes out of its way to make sure we recognize that the Doctor knows more than he says and sometimes means the exact opposite of what he tells other people - only to do nothing with it. Part of me’s inclined to call this an over-use of Red Herrings, but I’m not even sure the term really fits in this case? After all, that would imply there’s a purposeful misdirection happening, someone in- or out-of- universe trying to trick either the audience or other characters into believing one thing before a reveal of the opposite. But these elements are so inconsistent, they really don’t convince us of anything in particular, they just get us from point A to point B and from point B to point C & seem to hope we don’t notice whether the trip from A to C makes sense taken all together. And I think that much can be said of a lot of the serial, honestly, but with the Doctor’s actions specifically it’s not just the narrative/framing device that’s strange, but his in-universe actions as well, making the lack of a clear motivation - some goal that he might, theoretically wish to use Red Herrings to obscure - even more frustrating. In this case it’s not just a matter of how the story’s told, it’s actually what he’s doing and saying to these people, and it’s useless.
I can’t say the Doctor’s the only character the script does this to, but I definitely think he’s the one it’s the biggest problem for. Not only is he the main character, the one the audience knows the best & is used to understanding the goals of the best, this is also a terrible point in the series at which to run into this problem with him. Say what you want about Two, but he’s not made out to be as mysterious & inherently suspicious as a lot of later Doctors are, and without retconning that element of the Doctor’s personality and backdating it completely here, there’s no explanation available to a fan watching this in the 60s as to why he’s doing what he’s doing. And coming right after Evil (of all things!) where the audience always knew what he was trying to accomplish even when the other characters in the serial couldn’t be sure about trusting him, his motivations feel especially weak in Tomb, and they just don’t hold up to the same level of scrutiny or analysis they usually do. Two’s certainly capable of causing chaos, double crossing, manipulating people into doing one thing by ostensibly attempting to get them to do another - but here it just feels like replicating those behaviors directionlessly.
Of course, once the Cybermen show up and become the main threat, this issue pretty much disappears, since it becomes clear he wishes to stop them (no matter how many foolish mistakes are made along the way) - but they don’t finish defrosting until the end of Episode 2, and in a 4-part serial, having the Doctor’s actions be so confused for half of it is a pretty big barrier to enjoying it, especially since that confusion isn’t really part of or acknowledged by the plot.
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livvyofthelake · 2 years ago
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the lost city 2022 THE best movie ever made. all other movies should kill themselves i’m so serious it’s so good it’s fucking unreal
#it’s got everything….#adventure in a jungle. daniel radcliffe campy british villain. sandra bullock in a crazy glitter jumpsuit.#brad pitt dies in here. the whole point at the center of the story is love. channing tatum is here being funny#it’s about the metanarrative it’s about the bleed between life and art it’s about joy it’s about fun it’s about love#it’s a romance novelist who hates her books because she’s a historian and she perceives her fans as mindless idiots and the whole movie is#about her learning that her work brings people joy no matter how low brow and lame she thinks it is. and that joy and passion matters more#than any of her intellectual superiority complex because at the end of the day being human is about joy…#all while she’s traipsing through a jungle looking for an ancient tomb and a priceless artifact that the villain wants to steal because he#thinks it’s monetarily valuable but when she eventually does find it the artifact is just made of seashells and it was priceless because it#was given to its owner by her husband who loved her… the crown was never valuable because it was worth money it was valuable because it was#a symbol of this couple’s undying love… and it was hidden away in a secret tomb because it was something that only mattered to them because#love is invented by each pair of lovers every time over and over and over again across time and space….#and it’s like no one even cares.#beth.txt#you bitches love to log on to tumblr dot org and say you love camp and schlock#and then you ignore the lost city 2022….. like it’s so lame you people are so fucking lame. get serious
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all-all0s-eyes · 1 year ago
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niche humor
I persist in pretending that cultural archives sufficiently deep might still carry the significance of this joke forward in time to the feed of a deep space research vessel who would and could appreciate it. Yet it must do so alone, because no one else it could tell would get it.
Artificial intelligence makes accurate sheep counting.
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