#the alston family

[yen-sids-tournament]

Darwin v Binyah Binyah v Cerberus

Darwin

Animal: Chimpanzee

Person: Eliza Thornberry

Media: The Wild Thornberrys

Binyah Binyah

Animal: Frog

Person: The Alston Family

Media: Gullah Gullah Island

Cerberus

Animal: Hellhound

Person: Hades/Zagreus

Media: Hades

[daveyfvckingjacobs]

breaking: alanzo rossi spotted in local pizzeria

[yr-obedt-cicero]

Been in a doodling mood

[oilpalette]

The Family, 1955

Charles Henry Alston - American, b. 1907 - 1977

oil on canvas, 122.4 × 91 cm

[lowcountry-gothic]

Corey Alston (Mount Pleasant, SC)

“​​My name is Corey Alston. I'm a fifth generation Sweetgrass Basket Weaver. I currently run the family business in the Charleston City Market. Sweetgrass Basket Weaving has been a major part of the Gullah Geechee Culture dating back to days of Enslavement. This coastal art form has been recognized as South Carolina State Handcraft and has been known to be kept alive the longest along Sweetgrass Basket Makers HWY of South Carolina. This skill is one of the rare arts of our country that is founded nowhere else in America. Gullah Sweetgrass Baskets are a national treasure.

“​​Being chosen as one of the artisans of Mt. Pleasant does not only bring awareness to my skill set and my culture as a Gullah Geechee representative, but in collaboration with Acres of Ancestry raises awareness of the unjustifiable treatment that Black and minority farmers have endured. The more that this topic is brought to the forefront, the more that our nation's leaders will see that treating white farmers one way and then treating Black farmers another way will not be accepted. I applaud Acres of Ancestry for working tirelessly on making sure that everyone understands what our elder farmers are going through.

“​​These two Sweetgrass Baskets are called ‘Poppa’ and ‘Big Momma.’ It took six months to complete ‘Big Momma’ and four months to complete ‘Poppa.’ They both measure 36 inches tall.”

​​—Corey Alston, fifth generation basket weaver and cultural preservationist from Mount Pleasant, SC, Artisan Statement

[glitteringobliteration]

Something bugged me about what Brennan said about Fabian’s new gold maximum legend tattoo: he’s now immune to Dragon Madness.

Why would that matter? Yeah, it’s probably great for Fabian’s future adventures but why would it be relevant now? The Bad Kids already got rid of all the gold they received from Kalvaxus’ hoard, right?

Please bear with the red-string bulletin board-making side of my brain while I talk through my theory:

It’s always struck me a bit odd how much attention is being paid to Fabian’s finances this season. I totally get that it’s partially due to his parents being gone all year/turning 18 and gaining access to the funds left by his papa, as well as the general arc Fabian is going through of navigating going it alone for the first time, but it feels like there’s more to it than that. Fabian has never wanted for money before, and it hasn’t really factored into this season either (for him. points about Adaine being broke are irrelevant rn.) beyond the handful of conversations (and one altercation lol) we’ve seen between Fabian and his banker, Alston Hughes. A couple of things that Brennan has mentioned feel very much like breadcrumbs, and I’m not sure if the Intrepid Heroes have clocked any of it yet (as of Ep 15: The Last Stand).

Fabian banks with KVX, which Alston Hughes tells him has gone through a shift in management since their board of directors were smote by the Council of Chosen. Their branding and logos have changed from Kalvaxus red, to blue.

I also find it worth noting that we did discover Alston Hughes to literally be a member of The Harvestmen. 👀

This brings to mind the subject of Oisin.

Oisin is a blue dragonborn in his junior year at Aguefort, the conjuration wizard of the Rat Grinders. We learned at the shrimp-jump party that he’s descended from a blue dragon, who’s said to live atop a great hoard of treasure.

Oisin offers to help Adaine get some of her much-needed spell components, and she turns him down.

Aelwyn tells us that Kipperlilly can’t use Oisin to get the material components she needs - hence why she’s using Aelwyn. Kipperlilly says she needs to protect Oisin.

Why?

I’m willing to bet that his family has something to do with the new management at KVX. I’m also willing to bet Kipperlilly knows exactly how to protect herself from Dragon Madness.

And Fabian’s new tattoo is gonna save everyone’s asses. True Maximum Legend.

[goatsandgangsters]

god, these two. the Ridiculously Broad-Shouldered Boys 

Even though we don't see as much of a one-on-one relationship between them as the others, I think there’s something about Jack that Robin implicitly understands, even from the beginning

Robin meets him and decides “okay yeah, he’s a dick,” but he still arrives at a surprising amount of sympathy for someone he’s met once and who did not make a good first impression. Robin's uncomfortable with the Penhallick table gossip about him, enough that he’s still chewing over it with annoyance even after dinner

AND it sticks with him enough that Robin brings it up again later with Edwin and asks if Elsie's death/losing his magic is why Jack is Like That. Throughout the evening, this new information follows Robin from scene to scene

Then by the end of AML, after Robin is really hurt by magic—not just physically but emotionally—and considers walking away from it altogether, he starts thinking about Jack again. Robin correctly sees beneath his exterior, describing Jack as “even more full of sharp edges than Edwin” and attributing this to tragedy

It’s worth noting: Robin is dressed in mourning through all this 

For all that Robin is outwardly a Very Good Person, what I love about him is that he is often quite irritable in his inner monologue and impatient with others. He just chooses not to voice it. He and Maud are both very aware that goodness is not an innate quality—it is a choice. Inside, both Blyths know they have the same capacity for cruelty as anyone, as their parents, as all people. They’re just choosing to act otherwise 

But I wouldn’t be surprised if it crossed Robin’s mind, sitting in his mourning clothes a month after an abrupt death that certainly upended his life unexpectedly, even if it didn't emotionally devastate him. If he listened to the dinner-table gossip about the Alstons and thought, “Thank God. Thank God it was my parents, not Maud,” and wondered who he'd be now if this recent experience with death had been more gutting

Robin and Jack as mirrors of each other.

Robin seeing Jack's tragedy and feeling relief that his own recent brush with sudden death didn't upend his world the same way.

Maud being the same age that Elsie was when she died.

Jack instinctively stepping in to fill Robin's brother role when Maud's away from Robin.

Jack being coaxed back to himself—first and foremost—by Robin's sister, so like his own.

There's a reason why Robin claims Jack as family when making blood oath with his land.

[maud-blyth-wannabe]

I was thinking about the Newport RI gilded age museums (an important part of my childhood) and how one of them has a massive collection of suffragette memorabilia because the lady of the house was a big suffragette and the museum gift shop sells a ton of votes for women Tchotchkes and things of the like and then I was thinking about maud and thornley hill and what if thornley was to become a museum? Robin isn’t going to have kids, the estate would likely go to one of addys niece’s or nephews and then I really started thinking about thornley as a museum and I got so emotional.

Because there is no way of hiding who they were. Not in a magical way, I mean who they were and who they loved.

Owners of the house, sir and lady Blyth, who lived here accompanied by many adult loved ones but never children of their own.

It’s obvious in every inch of this house who sir Robert, “robin” to family, loved. In the well worn chairs of the library and the words in diaries and the things around the master bedroom. It’s obvious that Robin was gay, and the love of his life was not Adelaide, but Edwin. Edwin, who maintained his own estate in the country, but spent the most of his time here. And from the looks of photos and accounts of staff, Edwin and lady Blyth seemed to truly love eachother as friends, without a drop of jealousy or malice.

The suffragette posters and China and sashes are credited to robins sister, miss maud Blyth. Maud who, by all accounts, was a wild woman. Split her days between this house and one not far away, with the eccentric heiress Violet Debenham. All signs point to them being lovers, by the sepia photographs in a hatbox and the stories told. Maud is one of the first women who went to the University of Oxford, and violet fallowed her there.

There’s another bedroom, a guest room decorated with traveling goods and letters. The room is said to be a favorite of a frequent visitor, and close friend of the family, Johnathan “Jack” Alston. The room, by all accounts, was even referred to as ‘Jacks Room’ when he wasn’t there. letters, often addressed or from a Mr. Alan Ross, are explicit in the nature of the relationship between Jack and Alan. Quite enamored and amorous lovers. There’s letters to maud at Oxford too, ones with a familial lovingness. Brotherlike. From stories, it seems Edwin and Jack were childhood family friends, and became reacquainted when maud met Jack and Violet on a ship from New York. It’s quite fuzzy, but they seem to have grown all very close around that time for some reason or another. Some of Alston’s letters to Ross indicate they may have met on that trip as well.

Just the idea of them being remembered, the way their legacy would be construed. The shadows of love that would be left when they were gone.

[fahye]

A Power Unbound

Secrets! Magic! Enemies to… something more? Jack Alston, Lord Hawthorn, would love a nice, safe, comfortable life. After the death of his twin sister, he thought he was done with magic for good. But with the threat of a dangerous ritual hanging over every magician in Britain, he’s drawn reluctantly back into that world. Now Jack is living in a bizarre puzzle-box of a magical London townhouse, helping an unlikely group of friends track down the final piece of the Last Contract before their enemies can do the same. And to make matters worse, they need the help of writer and thief Alan Ross. Cagey and argumentative, Alan is only in this for the money. The aristocratic Lord Hawthorn, with all his unearned power, is everything that Alan hates. And unfortunately, Alan happens to be everything that Jack wants in one gorgeous, infuriating package. When a plot to seize unimaginable power comes to a head at Cheetham Hall—Jack’s ancestral family estate, a land so old and bound in oaths that it’s grown a personality as prickly as its owner—Jack, Alan and their allies will become entangled in a night of champagne, secrets, and bloody sacrifice… and the foundations of magic in Britain will be torn up by the roots before the end.

Coming November 2023

PRE-ORDER: US

PRE-ORDER: UK

ADD ON GOODREADS

[psikonauti]

Charles Henry Alston (American,1907-1977)

The Family, 1955

Oil on canvas

[sagesskies]

ᴛᴏ ꜱᴛᴇᴀʟ ᴀ ʜᴇᴀʀᴛ I

✒ ʜᴇ ᴡᴀꜱ ɴᴏᴛʜɪɴɢ ᴍᴏʀᴇ ᴛʜᴀɴ ᴛʜᴇ ɢᴀʀᴅᴇɴᴇʀ'ꜱ ꜱᴏɴ, ᴡʜᴏ ᴋɴᴇᴡ ʜᴇ ᴄᴏᴜʟᴅ ʙᴇᴄᴏᴍᴇ ᴍᴏʀᴇ.

ᴄᴏɴᴛᴇɴᴛ ɪɴᴄʟᴜᴅᴇꜱ: ᴄʟᴀꜱꜱɪꜱᴍ, ᴍᴇɴᴛɪᴏɴꜱ ᴏꜰ ʜᴏᴍᴏᴘʜᴏʙɪᴀ, ᴘʀᴏᴍɪꜱᴄᴜᴏᴜꜱ ʙᴇʜᴀᴠɪᴏʀ ꜰʀᴏᴍ ʀᴇᴀᴅᴇʀ (ᴍᴇɴᴛɪᴏɴᴇᴅ ᴏɴʟʏ), ʀᴇᴀᴅᴇʀ ɪꜱ ᴠᴇʀʏ ᴀᴘᴀᴛʜᴇᴛɪᴄ

You always loved a good romance. 

Sure, it was looked down upon for a man such as yourself to be reading a novel instead of a thesis, or helping your family manage the estate, but you never cared. Your siblings all begged you to do your job as the first born, and take charge, especially now with your parents growing old, but again, you never cared. 

Currently, the book you were reading was one with a most interesting premise. A young noblewoman is mugged by a dashing thief, and instead of punishing him, orders for him to be made her guard. Between the two, a beautiful romance blossoms. And to think their first meeting the thief thought to steal from her. 

You chuckle, “The only thing he managed to steal from her was her heart,” 

Before you could turn to another page, you hear the sound of heavy footsteps marching to your room. 

You sigh, it’s probably one of your siblings. What would they complain about now? Perhaps your laziness, perhaps your waste of intelligence, maybe this time they’ll complain about your lack of a wife. 

When the footsteps stop outside your door, you brace yourself for whatever nonsense they’ll be bringing to you today.

“I cannot believe this- [Name], have you heard?” Your brother burst into your room, looking dishevelled, and clutching a piece of parchment tightly. 

You set down your novel, “Heard what exactly?” 

James slams the piece of paper down on your table, “Your loverboy,” He sits down on the leather armchair across from you, “He’s back in town, and he’s apparently come to ask for your hand in marriage!” 

You blink, not many things can render you speechless, but this is certainly not what you expected to hear today. 

What did James mean, your loverboy? No matter how good your looks are, and no matter how many people you’ve slept with in the court, you don’t have a loverboy. Hell, you’ve made sure that none of your family ever found out about your various affairs.

“What, who-” You shake your head, “James, what exactly are you on about?” 

James simply taps the paper, “Just read it, [Name].” 

Sighing, you pick the letter up and do as you're told. 

 —

To my dearest, [Name]

Good day to you, my love. I am writing this to inform you of my return to the estate. I apologize for my sudden departure all those years ago, I assure you that I will never leave you again.

You may be wondering where I’ve been all this time. Well, I anticipate that you’ll be pleased to learn that I’ve been studying under the esteemed lawyer Maxwell Yates, you may remember him from multiple cases such as that of Nathan Lynch, Carol Wolf, and Jonah Hewitt. According to him I am the best student he’s ever had. 

But enough about me, I’ve heard you are still yet to wed. Though it is no good for a man such as yourself to remain a bachelor, especially at your age, I cannot express to you enough my happiness that you’ve remembered our promise and saved yourself for me. 

Despite the distance these past years, I promise to you I have not strayed away from you. You are the only one who understands me, who accepts me, and sees me for who I am, my dearest [Name]. You are the only one for me, and that will never change. 

We may still be separated for now, but I promise you, we will not be apart for long my love.

Best regards, your future husband,

Glenn Alston

—

You set the paper down, and you bury your face in your hands. 

You can hear the pity in James’ voice without even looking at him, “I know that you and Glenn were close, and had a special relationship, but you cannot marry him-” 

You raise a single hand, and he stops speaking. You sigh, and sit up straight, “I won’t marry him, James,” You smirk when James looks visibly relieved, “Same sex marriage may be legalized, but I won’t dishonor the family name by engaging in sodomy.” 

James groans, “You know that’s not why we’re against it,” Your family may have high standards for you and never failed to express their disappointment, but they weren’t narrowminded, god imagine how horrible they’d be if they were. 

You chuckle, “Yeah yeah, he’s still the gardener’s son even if he’s some sort of bigshot lawyer now.” 

"And you won't authorize his entry into the estate, right?"

That makes you wonder if you should. Regardless of how you feel, Glenn's father would still like to see him again, even if the man ran away. And Glenn would be a useful asset to the estate, considering how your other lawyer was already getting old.

You shrug in response, "Probably not." You say that to only appease your younger brother, who'd surely throw a fit if you said otherwise.

James nods, clearly satisfied, “Well then, I’ll be going now,” He glares at the romance novel, “And please stop reading that senseless drivel, [Name].” 

You roll your eyes, and ignore his protests as you push him towards the door, “This ‘senseless drivel’, is what your fiance reads in her pastime,” You raise a brow at him, “I’m sure you don’t want her to hear what you said about her hobby.” 

James sputters and tries to find the right words for a decent comeback, but clenches his fists and huffs in frustration, “Fine! Keep reading then,” He turns to leave, but then stops, and turns his head to look at you, “Wait, what did Glenn mean by you remembering your promise?” 

“Aaaaand that’s my cue to close the door,” You grin at him, though it’s strained, “This was fun, bye bye Jamie!” 

“I told you to stop calling me that-” The door closes, and you let out a breath you didn’t know you were holding. 

Your gaze settles back on the piece of parchment. You walk over to it, and pick the letter up. 

“When did his penmanship get so neat…” You can’t help but feel a twinge of envy, writing was never your strong suit. Well, you never really had a strong suit. No matter how hard you tried, your performance would be mediocre at best. No amount of sucking up from your instructors would change that. 

Despite the bitterness you feel, your eyes soften as you trace Glenn’s elegant strokes. Your mind can’t help but wander to when he first asked you to teach him how to write… 

—

Rarely did you ever willingly go to the library, much to your parent’s chagrin. The entire atmosphere was so stuffy, and you hated how quiet it was. It felt dead, and the old lady who worked as the librarian didn’t help. You swear, one day she’ll fall off the stepladder and her ghost is going to haunt the library for eternity. 

Today was a special occasion however, it was Glenn’s twelfth birthday, and because you forgot to get him a gift he got to request something from you. He didn’t tell you exactly what he wanted, all he told you was to meet him at the library. 

You sigh as you walk inside, ignoring the librarian’s glare when you don’t bother to minimise the sound of your footsteps. 

Sometimes you wished Glenn could be a normal kid, and ask for something like a sword, or a new kite, or something else dumb kids liked to play with.  But then again, if he was anything normal then you wouldn’t like him very much. 

The library was a large room, with various shelves all arranged according to genre, like an actual public library. Your mother told you there were many ancient books and tomes within the shelves, all brought here by your ancestors. You tuned out most of what she said if you were being honest, the only other thing you remembered her saying about it was that there was a book that could make a mini explosion happen. 

You wandered through the room, looking for Glenn. It didn’t take you long to find him, the dark-haired boy was carrying a stack of books in his arms and set it down on one of the tables. You waved over to Glenn, and sat beside him. 

“Why are-” Before you could finish your sentence, Glenn, very rudely, placed a finger to your lips and his hazel eyes hardened into a glare. 

“Lower your voice, [Name]!” He whispered, “We’re in the library.” 

You glared back at him, and licked his finger. Glenn yelped, and immediately pulled back quickly, nearly toppling out of his chair. The noise he created earned him a stern: “Shhhh!” from the librarian. 

Glenn pouted, his cheeks flushed and his ears red. You smirked. It was so easy to fluster him. 

“Anyways, before you oh-so rudely interrupted me,” You spoke softer now, “Why are we here?” 

Glenn was still clutching the finger you licked, and he avoided your gaze, and muttered something under his breath. 

You rolled your eyes, “Geez man, I only licked your finger.” He was acting like you bit him instead, or something else weird. Sighing, you grabbed his chin and turned his face towards you, “Seriously, speak up.” 

Glenn gently pulled away, having learned his lesson now, and then cleared his throat, “I, uh… I wanted to ask…” He took in a deep breath, “Couldyouteachmehowtowrite?” 

“Uh, what?” 

Glenn sighed, “Could you teach me how to write?” 

“Oh,” You blinked, and then furrowed your brow, “That’s it?” You expected him to ask you to read him some big boring book about history or something, this was way more manageable. 

“Yeah, I don’t want to keep asking you to read for me anymore,” He pushed a pad of paper towards you, and handed you a pencil, “It’s embarrassing.” 

That was true, at his age usually he should be the one reading to others, but people from Glenn’s social class never learned how to read unless they were being sponsored by a noble family. But Glenn never seemed to mind before, what changed? 

“Did Emil tease you again?” Emil was the asshole son of the captain of the guard, your presence always warded him off from picking on Glenn, but you couldn’t always be there for him. 

When Glenn didn’t respond, you sighed. Glenn had some weird complex about being seen as capable and dependable in your eyes, but you could care less about whether or not he could handle himself. Unfortunately, you were never the best at expressing your emotions. 

“Emil’s a little prick,” You ignored Glenn’s soft gasp, and started to write the alphabet on the pad of paper, “Guys like him are everywhere, Glenn. Stop caring about what he’s saying, his words don’t matter.”

Glenn muttered, “But they still hurt.” 

Glenn, for how much he tried to look tough, was always so sensitive to what others thought about him. It was another way you two were so different from each other, he could never stop caring, while you just didn’t. 

You set the pen down after finishing the letter z, “Yeah, that’s because you let them.” You glanced at Glenn, since he was shorter than you, all you could see was the top of his dark hair. You wondered what the expression on his face looked like.

Glenn remained silent, and so you sighed, “Anyways…” You handed the pencil to Glenn, “Copy this.” 

When Glenn finished, you took a piece of empty paper from the pad, and handed it to Glenn, “Now do it again, this time without the reference.” 

You weren’t a good student, in fact you were a terrible one. You never did your homework, you barely showed up to class, and whenever you did you never paid attention. Glenn was unfortunate to be stuck with such a lousy person for a teacher.

When Glenn handed the paper back to you, you hummed, “Well, it could be worse.” That was being generous. Glenn managed to remember A, B, and C, but completely skipped D and E, somehow messed up G, and seemed to have merged I and L. However, it was… okay. Considering how this was his first attempt. 

Glenn frowned, “It’s terrible isn’t it?” 

You ruffled his hair, “It’s not bad for a first try man, hand me the pencil,” You take it from his outstretched hand, “So, this is not how you write G, this is how you actually do it..” 

You and Glenn stayed in that library till it was five pm, and you were both being shooed out of the library by the old hag, and then separated when Curtis took you to get ready for supper. 

Perhaps you weren’t such a lousy teacher after all when Glenn was able to write properly only three weeks later. You still remember his smile when you read the letter he wrote to you for your birthday, and you still remember the immeasurable feeling of pride you had for him. 

You can still remember the letter he left for you, the day he disappeared. The warm, wet tears that fell onto the parchment, as you struggled to read through Glenn’s handwriting. The emptiness in your chest, like Glenn ripped your heart out and took it with him when he left. 

—

How things have changed. 

You wonder who taught him to write cursive, was it Maxwell Yates? A fellow student? Perhaps it was a young woman, who fell in love with him like you did, and wanted to have his heart like he had stolen hers. 

You let out a shaky breath, and place the letter in the same drawer as the other one. When you open the drawer, and see the weathered parchment, the tear stains, and the childlike scrawl, you feel your chest clench. 

“You’re over this, [Name],” You remind yourself, “You’re over him.” 

You fold the paper, and set it down with more care than you should’ve given. You close the drawer, and lock it. 

You look at your novel, and realise that you’re not really in the mood for romance anymore. You pick it up, and set it back on the shelf. 

[greenjacketwhitehatdocmui]

Superman and Lois Thought--The Recurring Theme of Obsession.

I've noticed that many of the antagonists for "Superman and Lois" have been shaped by their obsessions. There will be some spoilers for the latest episode, "Break the Cycle." So, everything will be under the cut.

In Season 1, Tal-Rho is fixated on bringing back Krypton via the Eradicator, no matter the cost. Despite wanting to see his brother, the only family he has left, he's forced by the remnants of his father to carry out the mission.

Also in Season 1, we see why John Henry Irons (first dubbed "Captain Luthor" and "The Stranger) was fixated on killing Superman. As it turned out, there was a very good reason for that.

In Season 2, we see Bizarro Superman's fall, leading to his death in this season. He was obsessed with approval and fame. His life as a celebrity hero was like something out of a reality TV show. He may have done good things, but he did them for the wrong reason. And this obsession led to the dissolution of his family and his burnout as a hero. Sadly, Bizarro Superman's mission to destroy Ally Alston's pendant wasn't so much to save both worlds, but to regain his status as a hero, adored by everyone.

Season 2 also has Ally Alston's fixation with merging 2 worlds endangering both. Her obsession with feeling "complete" and preying on peoples' vulnerabilities destroyed families and, very nearly, both worlds.

Season 3 had Bruno Mannheim's obsession with curing his wife's cancer. He even went so far as to obtain Bizarro Superman's body in order to create the "cure." Unfortunately, this cure didn't take, and Peia died.

Tonight, in the episode "Breaking the Cycle," we see Luthor's obsession. He claimed that he wanted nothing more than to see his daughter, to be a father again. But, he can't seem to let go of the fact that Lois put him in jail for 17 years. Rage is what sustained him, what enabled him to rise from Suicide Slum and a life of abuse. With that rage came a polarized way of looking at the world. Those who were loyal to him were rewarded. Those who betrayed him, interfered with his goals, or otherwise offended him were dealt with.

In tonight's episode, Luthor had the chance to reconnect with his daughter Elizabeth, hidden for so many years. She extended the olive branch, if only he would leave Lois and her family alone.

He didn't take it. He insisted that Lois had to pay, that there should be balance. And in that moment, Elizabeth realized that whatever kindness he may have shown her in the past, it was nothing compared to the his outrage at Lois having sent him away. In that moment, they were no longer family in any meaningful sense.

Some goals were, in fact, laudable--or, at the very least, understandable. But those who let go of their obsessions were better off than those who couldn't. John Henry Irons turned away from his vengeance against a Superman who wasn't evil, becoming a staunch ally. Tal-Rho, after being depowered and imprisoned, had a genuine change of heart. Though, I suppose the villa and the monster trucks helped smooth things out.

And Mannheim? Who wouldn't want to cure cancer? But it was the means he pursued to that end that undid him.

Luthor has thrown away his chance at finding peace. He will not be wronged. There is no redemption for Luthor because this is just balancing the scales to him. And in the end, it really is all about him.

We as the viewers can understand what set these antagonists down the road. But that does not mean that we have to approve of them. We can empathize with these characters, but we do not have to forgive them.

What do you think?

--Doc

[yr-obedt-cicero]

hi ! i hope this isn’t too much to ask but i keep hearing abt philip hamilton and theodosia burr jr being inlove w eachother 🤨 and i rlly don’t know if this is true or not,, what’s ur opinion on it??

Answered here. Overall opinion; there is little to no evidence or material surviving about them or what their relationship could have been like. It is my assumption they, at the very least, heard of each other through their fathers or just public talk in general. Wether they were rivals, lovers, sounds more unlikely than anything—when they were probably just rather acquainted, as it would have been hard to not hear or see of the other with their fathers in close quarters and business throughout their lives. It is mostly fandom based, and the lack of records on Theodosia and Philip in general supplies even less room to analyze what unknown relations could have existed between them.

[weremoose]

PARANORMAL DEERTECTIVE: THE LAUNDRY ROOM HAUNTING IS OFFICIALLY OUT! Available as both Ebook and Paperback! Click here to find it at select stores now!

Guys this has been SUCH a long time coming. I have had this draft finished since 2022 — a whopping TWO YEARS! But, finally, I now have a fully published book that people can actually buy! Isn't that awesome!? I am so happy to finally be able to get this out into the world. Here's a quick rundown the book:

"Elmer's a deer down on his luck with a passion for the paranormal, Finnick's a single sheep dad trying to take care of his son, Finley, and Liam's a young rooster who's the new kid in town. When Elmer's elderly neighbour starts speaking of a ghost haunting the apartment's laundry room, the four of them work to solve this paranormal case, all with the help of an authorless book specialized in contacting the dead.

Paranormal Deertective is a paranormal middle grade fiction featuring anthropomorphic animals, written and illustrated by Kira Alston. Along with being a ghost hunting story, it is a comedy, a tragedy, and above all, is about family, friendship and compassion. Each chapter also contains pictures, providing lovely and fun visuals to go along with the story. Recommended for ages 12+"

If you're interested, please check it out!

[madamlaydebug]

GRAND RA’SINGS EARTH FAMILY☥

THE POWER TO LOVE ❤️🖤💚

Live a story of love rather than lust. Bombarded with stories of sex, impoverishment, and materialism, rarely do we ever see stories of beautiful love. Love, however, is the lost treasure of our lives. We strive to be CEOs, doctors, lawyers, powerful, rich, and wealthy, but we don't have the courage to love. We experience lust, but rarely that eternal love that a man has for a woman, and that uncompromising, non-possessive love a woman has for a man, and the never-ending faith that our ancestors have in our love. Only through discovering love can we breathe, feel healthy, and become beautiful. Experience true and forever love. Don't settle. Experience the power to love. ~Dr. Robbin Alston

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Give and Take: A Power Unbound

I finished A Power Unbound by Freya Marske. I have thoughts...

Here there be spoilers

What do we know about love?

No, seriously, I'm asking. The more stories I hear--both real and fictional--the less sure I am that we have any idea what it is we're talking about.

Because love may be patient and kind...

But it also might be dirty degrading sex and someone to argue you into submission.

Meet Jack Alston and Alan Ross: the last couple in the found family of disaster gays trying to save the magical world in Freya Marske's The Last Binding trilogy. The third volume, A Power Unbound, centers the love story of Jack and Alan amidst the final confrontation that will decide the fate of the magical world.

(I actually find the magic and politics the least interesting thing about these books, so let's stick to kinky sex and power dynamics.)

At a surface level reading, Jack and Alan are an opposites-attract trope. Jack was born to power and privilege in every sense, titled and magical, while Alan scrambles to survive in a world where he literally repels power (both figurative and literal). Rather than fall into the temptation of a beauty-and-the-beast narrative or a cinderella story, Marske has the two of them lean into their inequality.

They get off on power struggle.

These two have the kinkiest role-play I've seen in traditional publishing. Full credit to Marske for writing a romance that says: "You can have all the deviant sex you want between safe, sane, consenting adults." (A radical notion when we're reluctant to increase the perception of gay sex as 'deviant,' but seriously, fuck respectability politics!)

But the mastery of character development here is how the push-pull of their chemistry translates outside of the bedroom.

When we first meet Jack Alston in book one, he's cast in a more villainous light. He's nasty and hurtful to his ex, Edwin Courcey. It would be easy to write Jack off as simply cruel, but from his perspective, the whole dynamic translates differently.

Jack is a "mean friend." His love language is to tease, to bait, to skirmish. He grew up jabbing his way through life, all knees and elbows. But every time he tried to draw Edwin out...he only ended up pushing him away.

It couldn't be more different with fiesty Alan. "They fit in ways they shouldn’t ever have fit. Even when they fought, they fit–there was no mockery falling on soft, malleable ground…Only the knowledge that any volley would be met and thrown back, brighter and better."

Jack and Edwin were fundamentally wrong for each other, their chemistry toxic. By contrast, Alan understands the love language of insults and banter. He's strong enough to take it.

But strength and weakness are their own sort of power, and both Jack and Alan are keenly aware of it. During one of their intimate scenes, Jack cuts the moment short because he realizes they are not in a moment of mutual pleasure. "When I fuck, it's because it's what I want. Not because I'm punishing someone, or too angry to be safe." Nor will he let Alan turn their intimacy into self-harm, refusing to be "used...as a rod to make stripes on your own back."

It's a critical piece of self-awareness. Jack knows he has a responsibility to use his power with the utmost control to create mutual pleasure and do no harm.

If Jack's journey is one of learning how to share power, then Alan's arc is about learning how to accept it. "Size and strength, station and wealth. All the advantages possible," Alan marvels as he looks at Jack. "Do you know how hard it is to believe someone won’t use it against you? To put your heart into someone’s hands knowing that?"

Alan may like to play at being overpowered, but that play is a consensual illusion: he knows that at any time he can voice the safeword and end the game. When it comes to sex, he can maintain control. But you can't safeword out of falling in love with someone. "Alan had never needed to lean on anyone. It was intolerable that he now kept turning out the pockets of his soul and finding caught in their seams the desire to let someone take his weight. The desire to be held, even kissed."

It's safer to lock yourself up: to stay in control by keeping the rest of the world out. But you can't have love without putting your innermost self on the line, making yourself as vulnerable as possible.

To take of someone else, you have to give everything of yourself.

I don't think it's a binary switch. The ways and means of how we create a give-and-take change depending on the people involved. Some people need soft and gentle love. Some need bright and sunny love. And some people need to be "kissed like an argument. Alan slid his hand to the nape of Jack’s neck and argued fiercely back."

All of them are good. Because all of them have the power to give and take what we need...and what we want.

Jack can be "masterful in the bedroom" and "take your heart between my ribs and guard it like my own." Alan can be a fighter and submissive, can hold his own and still want Jack to "kiss me until you know me, and unmake me, and love me anyway."

I don't know anything about love. But I think these guys just might.

When it comes to love, you'd better give as good as you get.