#the Man of Sin

[sapphic-storm69]

Spiderverse thots

[dykealloy]

how does shanks manage to have some kind of sexual tension with every warlord in the sea whilst also having practically zero screen time. ramona-esque dilf of the east blue. luffy wants to be king of the pirates but is stuck sailing through the several deadly seas of his dad's evil exes. they see the straw hat and it activates their fight reflex. half-convinced that shanks gave it away with full knowledge of this

[memingursa]

*firebombs your dashboard*

[crismakesstuff]

“What if I become him and I don’t even know it?”

[byfulcrums]

Most straight relationships in media: “Even though there's no development and no chemistry and we don't look like we love each other that much we'll date because we're straight and that's what we're supposed to do. Right??”

Most queer relationships in media: “If saving you is a sin, I'll gladly become a sinner.” — “Dying together also included a ‘together’.” — “You changed my destiny from the moment we touched.” — “I would know him in death, at the end of the world.” — “The hero and the warrior were like the sun and the moon...”

[kayit-z]

Protective bird man over his wet cat platonic husband ft protective egg child

It's ok bagi, you didn't know *pat pat*

[mischievous-thunder]

Professor Howlett~

AU where PhD student Wade Wilson meets his mentor aka the devilishly handsome Professor Logan Howlett whom the entire university has a crush on and realises that he's not going to finish his degree and leave the university unscathed

[heart-of-the-morningstar]

"You come at me, and my daughter?! Don't forget, you're in my house, bitch!"

[buggbuzz]

cotl doodles cause the new update fucks (literally)

[sky-is-the-limit]

I'm going feral. Someone put me down permanently, I can't go on with my life knowing that I will never have this man.

[midnightsslut]

religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.

taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.

the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.

when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.

side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?

the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.

the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.

ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.

[aarafox]

kinda meant a lot to me that he said this lol, after they made fun of him and Stolas back at Ozzie's

[fuzzyelfsbf]

Super religious Kurt who's unapologetically gay and a whore you will always be special to me

[andfangs]

ONE BRIGHT MORNING COMES

[charmac]

The fact that The S.I.N.N.E.D. System is not only the reverse of The D.E.N.N.I.S. System by name, but in its actual goal:

The D.E.N.N.I.S. System ends with Separate Entirely and begins with the avoidance of going on a date. It’s purely about sex.

The S.I.N.N.E.D. System ends with Do You Want a Tissue? Dennis’ tried and true method to secure a second date, and:

it works for Dee but she sabotages herself—because she has no interest in pursuing a man romantically; it works for Mac but he bows out—because he already has a man he’s pursuing romantically;

The S.I.N.N.E.D. System is about romance. Dating, consistently, something Dennis makes very clear he doesn't do...

Except:

"This is a man we're talking about,

it's always about him."