#thats the only tag he gets.

[dizquized]

please ignore that vox. (i ignore him all the time)

[extravagav]

Too🤨 many?? Too🤨🤨🤨 many dudes????? How many dudes are there normally sanji?🤨🤨🤨🤨🤨🤨🤨🤨🤨🤨

[haunted-xander]

I made this AAAAGES ago and forgot to post it and now I'm annoyed by how it's rotting away on my phone so here. Bratty teen Thancred being a menace to Fourchenault (and a bad influence on Urianger lol)

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[letsplaythermalnuclearwar]

hey you know what would be like. the WORST possible thing? if no time had passed for mortals during God Games. if the entire time, Odysseus had just been frozen on that ledge. and at the start of the Vengeance Saga, Ody's still on the ledge. he looks to the skies, to the trees, out over the ocean. he looks for an owl with knowing eyes and strains to hear her voice over the waves, because surely, surely she'd come for him. the haven't spoken in nine years and he ruined whatever relationship they had when he stupidly, foolishly let the cyclops live, but she has to still care, right? she was his mentor. she was his patron. he meant something to her. he's sure of it

but she's not there. he waits, but she's not there. he closes his eyes, sparing himself the view, and steps off the ledge

and is saved by Hermes. and Odysseus briefly thinks that he has died, since Hermes escorts souls to the underworld. but Hermes assures him that, no, he's alive, Athena heard him, she bargained with Zeus, he can go home now. he can finally go home

his friend came through

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[potatobugz]

ITS JUST. ALL CREEK

im glad we can all agree that Craig approaching Thomas in "Le Petit Tourette" and asking him if he could do his laundry was very gay

[feliformiaboy]

[heartorbit]

the star you've longed for

[art-is-kayos]

I will be very normal about Warp Express. I swear.

[m00nbuggies]

had a moment of weakness and drew them last night. ugh. stupid dumb idiots

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[orphiclovers]

It's sort of implied Yoo Joonghyuk starts off every regression in his signature outfit already and I have. Headcanons on how that is possible.

It's explicitly stated in canon that his coat does not travel back to him when he regresses (kdj says so to sp), so the two possibilities are either he buys it as soon as possible and just does the first couple scenarios in a normal outfit (boring, unsupported by canon) or... he was already wearing the coat on the day the scenarios started. Which is what I think, and is more interesting. Since those coats already have so much narrative weight in yjh's story let me add a little more.

I think when Yoo Joonghyuk spawned into existence on the side of the road one day, he was wearing the full WoS outfit, coat included. Because, what else would the protagonist wear? This was the only outfit he was written in.

Eventually, he of course did buy normal clothes (in yoo mia side story, which happens a few years later, he wears 'an old jacket') but that coat he started off with with would have been one of the very few pieces of evidence of his supposed 'past' that he wanted to discover so badly. So even if he stopped wear it day-to-day, I think he wouldn't have gotten rid of it.

For years, A Black Infinite Dimention Space Coat hangs in his closet, totally anachronistic in a pre-scenarios world. Like Yoo Joonghyuk himself.

It's important to note that on the day the scenarios started, Yoo Joonghyuk was taking the train to meet his parents for the first time. Perhaps he felt the need to dress up, and what better way than the unusual clothing he wore on the first day he remembers? He would have finally gotten the answers he had been looking for - perhaps even to the comparatively insignificant question of why he was wearing this coat when he forgot his past.

Well, his parents house was empty, but he still gets the answer to his questions eventually, when at 7 p.m on the ride back, the scenarios start.

In a bitter irony, that outfit he chose to wear on that day would be what he wore for the next thousand regressions. But of course, it never could have happened any other way.