#that's what makes the tragedy!

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

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[lazylittledragon]

i refuse to believe that boycotting is hard. my favourite thing in the world is ordering maccies after a late night at work/a concert/getting drunk. yes i do miss it sometimes. but the other night i ordered from a small place near my house instead and it was the most orgasmic burger i've ever had in my life. i very rarely say this but fucking suck it up people are DEAD

[opens-up-4-nobody]

Something something Merlin is Arthur's bane.

[yoursincalendricalheresy]

I keep seeing people complaining about War of the Rohirrim being predictable and it is deeply frustrating. Yes, it’s predictable— it’s a tragedy. The point of a tragedy isn’t to surprise you, it’s to tell you what is going to happen and to make you care anyways. You know this character is going to die from the moment he appears, but you care about him anyways, that’s the thing, it does the thing, it forces you to care.

[superbat-lmao]

A “buddy” vigilante story where Jason and Tim go back in time during Dick’s time as Robin, when the Worlds Greatest Detective was still young.

Basically, they significantly change the past and in the most annoying way possible. Tim knows that no one will know it was them and has been pretty morally flexible about the whole thing. They go down the list of rogues, down the list of siblings, bickering about it the whole time.

Jason kills the Joker, Tim rescues Cass, and both of them try and get one over on the other about their past selves.

Because Tim tries to talk baby Jason into stealing the Bat’s tires early while Jason’s out murdering Zucco, and Jason’s out snatching Tiny Tim and his camera from rooftops trying to leave him gift wrapped in the batcave while Tim’s out stealing info from Luthor.

It’s one giant clusterfuck but they’re successful because Tim and Jason combined are absolutely lethal and no one ever saw them coming.

Meanwhile, they keep running into Robin and absolutely losing it over seeing their oldest brother so young and angry.

Dick tries to track them down after they killed Zucco, he wants to ask why. What the hell they could possibly be doing or why that would matter to them.

Tim pushes Jason off a roof.Jason lights Tim’s ancient computer on fire. Tim tears a book in half. Jason takes pictures of Tiny Tim and sets them as his wallpaper. It’s a comedy, your honor.

And probably the worst headache Batman will ever get.

[butchkaramazov]

hey. what if she isn't doomed by the narrative . what if she is doomed by herself

[a-chaotic-dumbass]

every time someone makes a post about catelyn being the downfall of house stark george deletes another chapter of twow

[bookshelfdreams]

"extremely islam-critical, AfD-supporting Saudi-Arabian immigrant doctor kills 5 and injures 200 in a terrorist attack" sounds like a headline you'd see in a fake newspaper made for a shitty sitcom but it is in fact real news

[aforgottenthing]

Tragedy enjoyers when there’s not one, not two, but three combinations of tragic relationships at the center of the narrative AND they’re bisexual

[anewp0tat0]

i lied i had like atleast one more weston thought to expell from my brain, before i miss this boat entirely. we're heading to green lands woooo

[coulson-is-an-avenger]

god. GOD the Ezra transmission at the end of season 1 still makes me fuckigng sick to think about, especially with the context of Mira and Ephraim hearing it. To think that for eight years his parents had been ripped away from their son all for the crime of speaking out for hope, never knowing what became of their Ezra, of that tiny seven year old left on the streets scared and crying and alone, to spend days and months and years in that awful place with all of that emptiness and then, and then and then and then.

And then they hear their boy's voice again, and they know him immediately, even without name, because of course they do, that's their son, that's their Ezra, and he's speaking out for hope just as they did, and they've been apart from him longer than they ever had him, but his voice is here, his hope is here, and he talks about how they inspired him, how he's carrying on their legacy of courage and community hope, how he has a new family - thank God he has a family, he is safe and he is loved, even if they will never know who has loved him so much as to earn the title of family - and that hope will one day prevail, just as they taught him it would.

They hear his voice, by god they hear his voice, and it's one of the last sounds they ever hear.

[poorly-drawn-mdzs]

The Charcuterie Board, as designed by your votes! Thank you to everyone who participated; this was a fun challenge!

[strawberri-draws]

shuichi posting

[ofswordsandpens]

I do think it was a little messed up for RR to use Jason as emotional fodder in Trials of Apollo and then kill off the poor kid in a series he wasn't even a main character of... but also I can't lie. Jason's story ending with months of self-isolation, suffering, and then death, does make his character infinitely more interesting to me unfortunately

[future-crab]

The thing about TMA is that if I think about Sasha James too much I will cry and if I think about Michael Shelley too much I will cry and if I think about Agnes Montegue too much I will cry and if I think about Jonathan Sims too much I will cry and if I think about Naomi Herne too much I will cry and if I think about Gerry Keay too much I will cry and if I think about Tim Stoker too much I will cry and if I think about Jane Prentiss too much I will cry and if I think about Martin Blackwood too much I will cry and—