#that's not a thing it'll never be a thing

[zephyrchama]

It was late evening when your DDD started ringing. An unusual time for someone to call unless they were either drunk or in mortal peril. This occasion happened to be the latter.

Karasu's caller ID flashed a photo of Luke across the screen after the first ring. The angel was always early to bed and early to rise and never called without good reason, so you scrambled to answer, moving so fast that your finger slipped and you initially missed the right button.

"Hello?" you said. It took a moment for the call to connect.

"Hi... Sorry, umm, is now a good time?"

Luke sounded close to tears. He was trying to keep himself composed for your sake, but the distressed warble in his voice betrayed him. By the sound of things, he wasn't in his bedroom. He wasn't even in the living room or kitchen of Purgatory Hall. It was somewhere small, where his voice echoed off the walls.

"Luke, are you okay? Where are you?"

You recognized the sound of splashing water when he sniffled just before responding, "I'm in the bath."

It was an odd answer, but at least he was somewhere safe. So, why was he crying?

"Did Solomon feed you anything weird?"

"No, that's not it." Luke took a deep breath and winced. The sounds of agitated water accompanied his explanation. "You see... Simeon got a new shampoo that smells like cloudberries, and I really wanted to try some. Just a little bit, honest! But it came out of the bottle really fast, and it fell into my eyes." The crying began in earnest. "It really hurts and now I can't get it out of my eyes and Simeon's going to find out I used his shampoo without asking."

You felt slightly thankful that Solomon wasn't using the little angel as his food taster, but his small sobs over such a small matter made your heart ache.

"I'm going blind as punishment for stealing Simeon's shampoo," he confessed.

"Hey! Hey, no you're not! It's going to be okay!" you assured him. "You're not going to go blind. Listen. Turn on the faucet and try to splash some clean water in your eyes. Also, keep crying."

The sound of a running faucet could be heard through the phone. "Why? Will my tears prove that I'm repenting and weaken the punishment?"

"It'll... uh, yeah? Yeah, sure. It will also rinse the shampoo out of your eye so they stop stinging, but it'll do that, too."

There was a soft thud as Luke set his DDD down, followed by several minutes of loud splashing noises and weeping. He was having a tough time. You tried to be encouraging, unsure if he could hear you or not, by chiming in with the occasional "you're doing great!" and "hang in there!"

The tears came to a stop and Luke turned the faucet off. There was a beat of silence, followed by him exclaiming from afar, "it worked!"

He picked the phone back up. "It worked! I can see again! It doesn't hurt as much! Thank you! I'm so glad I called." The boy sounded like he was crying again, this time in relief. He had his usual cheery demeanor back.

"Everything OK now?"

"Yeah! I really owe you. I have to go tell Simeon what I did now, but I'll properly thank you tomorrow at school."

You wondered what sort of treats he would present. A drain popped open and you heard the water swirling away. Your muscles were still tense from concern, but the emergency had been swiftly dealt with.

"Glad I could help. Be sure to get lots of sleep, okay? You need to rest your eyes."

You could tell Luke was nodding even if you couldn't see him. "Got it!"

"Good night, Luke."

"Good night!"

[madebycloud]

Make it Special

violet "vi" x female reader — 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

summary: vi's birthdays are usually quiet, but this year? the whole family is doing their best to make it special. (requested by twinklestarslight) warnings/themes: fluff, birthdays, found family, modern au words: 3.6k notes: THIS IS SO LATE IM SO SORRY BUT BELATED HAPPY BIRTHDAY TO THIS WOMAN!!

Vi's birthday was, like most of her other birthdays, uneventful. Vi tended to keep to herself. The day usually passed with more than a quiet “happy birthday” on everyone's lips. However, this year will be different. This year, Vi will find out just how loved she was and just how much she meant to the people she cared about.

“There's streamers in the cabinet, if you could help me hang those up,” Vander says, giving you a nod as you go to grab a chair to reach the ceiling. From there, you make yourself busy decorating—streamers along the walls, lanterns to dim the lights a bit.

“You think she'll like it?” Silco asks, leaning on the counter. He has a cigarette in his hand, but he's doing his best to keep the smoke away from everyone else. “Think she'll be mad?”

“I don't think she'll be mad,” you say, “she'll probably be shocked or confused, but not mad.”

Benzo is setting up the tables around the bar, taking chairs from the barstools and setting them around. He's been helping with decorations since Vander asked him, and he's been trying his hardest to keep the place neat. He even got a box of party hats, hoping to find a way to talk everyone into wearing one.

Claggor and Mylo are messing around with the music, trying to find a station that plays punk rock or heavy metal, which they know Vi likes. The first song that plays when they finally get the right station is punk rock, and the two look at each other, a smirk spreading on their faces.

Ekko is bringing down plates of food from the kitchen. There's cake, which Powder bakes earlier, sandwiches, cupcakes, and various snacks. Anything that can possibly satisfy any of Vi's cravings.

Sevika is at her usual spot by the bar. She's not doing much decorating wise, but she's there, and she's helping with the more heavy things like the tables and chairs.

Benzo nudges you when he's all set up, motioning over to the box of party hats. He's already put his own on. It's black and pink, with hearts on the sides. “You think I could get Vi to wear one?” he asks with a chuckle. “Or y'think she'd try to knock it offa my head?”

“I'll try to convince,” you say, putting down the streamers you just hung. “Maybe if we all wear one, it'll seem more welcoming.”

“Maybe she'll say yes,” Ekko says, passing by and stealing a chip off the plate on the table. “Not a guaranteed one, probably a ten percent chance.”

“But,” Claggor starts, walking to help Ekko with the food. “It is a small chance, so you might be able to get her with it,” he says. “She's a sucker for you.”

—

You still need to get Vi's birthday gift, which, admittedly, should've been done a lot earlier, but decorating the bar had come together so fast, you barely had enough time to think, let alone pick out something for Vi.

Now, you stand outside the animal shelter, shifting nervously as you look up at the sign. Vi has been thinking about getting a dog for a while now, and you know this shelter is one of her favorite places to visit, even though she has never gotten a dog of her own. Maybe it's time to change that.

You push the door open. The shelter is mostly empty at this hour, and you make your way towards the front.

The lady at the desk greets you with a smile. She's an older woman, and she's wearing a jacket with various cat hairs on it. “How can I help you?” 

“I'm looking to adopt a dog, actually.”

“Oh, how nice,” the lady smiles, setting the paperwork she was working on aside and giving you her attention. “We have a lot of dogs available for adoption. Any breed you're looking for in particular?”

“Do you have any huskies for adoption right now?” You look around the shelter, trying to look for any cages that might have a dog inside.

The lady nods. “We do have a few, actually. Would you like to see them?” she asks, standing from her chair.

“I would, yes.”

She leads you down a hall that's lined with cages. Different breeds of dogs of different sizes and coat colors are barking and yelping when you walk by, trying to get your attention. if only you could adopt all of them. Impossible. But still, if you could, you would.

The lady leads you down another hallway after the first, and you stop in front of a cage. Two huskies. They're curled up together and asleep, but they lift their heads when they notice the two of you stop in front of them.

One of the huskies perks up, getting to its feet and moving closer, wagging its tail as it looks up at you with wide eyes. The other follows suit, looking up at you through squinted eyes, as if it has been woken up from a deep sleep.

“They're siblings,” the lady notes, crouching down to pet the closer of the two, smiling as it nudges her hand, tongue lolling out of its mouth. “They're still only pups, about one month old,” she continues. “A young couple dropped them off a week ago. They couldn't keep them. They didn't have the time for them anymore.”

It sucks, people giving up on animals like this. Huskies need a lot of care, a lot of attention, and a lot of time spent training. They're not dogs made to be stuck inside or alone for the whole day. You know most of the people who gave up huskies—or any dog for that matter—did it because they didn't know what they were doing. They couldn't take care of the dog, and they had to give them up. It's hard, for you and for the animal.

The lady continues to pet the puppy in front of you. “Are you thinking about adopting one of them?” she asks, looking up at you.

“They're siblings,” you repeat, looking down at the two dogs. They're still focused on you, wide eyes looking at you. And, god, that look. You can't leave just one, they'll miss each other, they're siblings. “I'll take both of them.”

“Oh.” It takes the lady a second to process that, but then she smiles, standing up to her full height again. “That's… nice of you to take siblings. Not many people want to take siblings,” she says, walking over to the cage door. “I'll get you the paperwork, it's in the back. Make yourself comfortable, they don't bite.”

She leaves you to the cage with the dogs, who seem to have gotten even more excited, their paws scraping against the cage as they stand on their hind legs, putting their front paws on the edge. They're both panting, their tongues lolling in the same way as their tails wag back and forth, hitting the side of the cage. The lady comes back quickly and pulls out a clipboard, setting it on a table outside the cage door.

The lady goes through a bit of paperwork with you, questions regarding whether or not you're able to actually take care of the dogs if you have the time and the money to take care of them. That sort of thing. 

She talks to you a bit, gives you advice on how to take care of them, and then she gives you a crate, one for each of the dogs (but of course, you'll keep them in one crate, no reason to keep them separated), and now, with the crate in your hands and the dogs inside it, you're on your way back to Vander's bar.

You push the door of the bar open, hearing the quiet footsteps of everyone inside, the sound of the music turned off and silence having replaced it. You can hear Vander shushing everyone, and-

“HAPPY BIRTH-” the light snaps on suddenly, and they pause, looking you up and down with confusion... and the crate on your arms. 

“...day?” Mylo continues, awkwardly.

Vander shakes his head. “So, it's not Vi,” he starts, walking closer to the crate. “What's in there?”

“It's for Vi,” you reply, holding the crate closer to your chest. “She's not here yet?”

“Nah,” Ekko answers. “She's still hanging out with Powder. We thought it's Vi when you entered though.”

—

Everyone has their own party hats. The last thing to be done is hide the gifts, and everyone does. Vander puts the presents in the back room. Everyone scrambles for their spots. Mylo, Claggor, and Ekko hide out near the table, while Silco, Sevika, and Benzo are next to Vander behind the counter.

You hear the door creak open, the sound of footsteps entering the bar.

“Thanks powder—oh god, it's dark.”

There's just a moment when everything is silent, the bar silent, and then the light snaps on—all the party supplies go off as everyone around the room yells, “HAPPY BIRTHDAY!”

Vander leads the chorus, with everyone jumping from their spots, some popping the confetti poppers they had, others just yelling the words.

Powder walks to the table, picking up the cake she made. Bright pink frosting and a plethora of multicolored icing dots decorate the cake. Everyone around screams and rushes towards Vi, pulling her in the middle to join them.

You grab another one of the party hats off the table, setting it atop Vi's head, your own hat still perfectly secure on your own. “Happy birthday,” you mutter, pecking a kiss on her cheek. She looks up at you with a smile that makes you melt. The others let out an OOOO sound, clearly trying to embarrass her.

Vi flushes, looking back and forth at everyone. She punches the nearest person (Mylo), telling them to “shut up.”

Vander walks up to her, pulling her into a hug and a pat on the back.

“Happy birthday,” Silco hums, giving her a nod, smirk sitting on his lips.

Everyone else joins in, pulling her into one large group hug, wishing her a happy birthday, and making remarks to tease her. Mylo is getting another punch to the arm.

Powder walks over, carefully making her way through everyone to stand in front of Vi, holding the cake in front of her with a grin. “Make a wish.”

Everyone else backs up some, giving her space to think of one. Vi looks around the room, looking each person in the room in the eyes, everyone who showed up for her, her family before her eyes land on you. When she turns back to the cake again, a smile tugs at her lips, and she blows out her candles.

The group cheers, and everyone smiles. Mylo and Claggor are both nudging each other and whispering to each other, grinning widely. Even Vander's eyes are a bit misty, but he blinks it away before Vi can notice, putting an arm around her shoulder.

“The cake better be good,” Mylo mutters, rubbing his hands together, wanting a piece of cake. 

“Obviously,” Powder tells him, giving Mylo a dirty look. “I made it, the cake will be fine.” Powder sets the cake on the table, pushing it out of reach from Mylo, who tries to get a piece right then and there only to get his hand swatted at by Powder.

“Behave,” Silco scolds him. “It's her birthday, not yours.”

Mylo groans. Vander pulls out the cake knife, looking at Vi. “It's your birthday, you get to cut the cake first.”

Vi takes the knife from him, walking forward and staring at the cake. It's a pretty big cake, enough to feed everyone. 

Mylo stands behind her with his mouth practically watering, looking over her shoulder and trying to get a good look at the cake itself, ignoring everyone's protests and telling him to stop breathing down her neck. Everyone crowds behind Vi as she starts cutting the cake, with Mylo making a comment about wanting bigger pieces than everyone else, which he gets a quick shove and a scolding from everyone.

Eventually, after a bit of bickering, the cake is cut up and everyone gets their piece, save for Mylo, who only gets a small slice. “And you get what you asked for,” Vander says, smirking at his pouting face.

Everyone starts eating their piece of cake, complimenting Powder on how it turned out. It's delicious, of course, and the first slice is always the best. Vi sits beside you as she eats, and she nudges you with her shoulder. When you look at her, there's a forkful of cake up to your lips. “Say ahh,” she teases. You can hear Mylo fake gagging.

“I already have,” you hold up your plate as well as the fork still filled with cake.

“Still,” she says. “Pretty please?” she presses, pushing the fork closer to your lips. You can hear Mylo fake gag again, Powder telling him to shut up.

You open your mouth and let her feed you the cake. She waits until you swallow it before setting the fork aside, and she watches to make sure you like it as you chew.

“Ahhhh,” Mylo mocks. Powder kicks his shin, causing Mylo to yelp.

“It's good,” you hum, earning a smile from Vi.

The conversation continues around you, and while everyone else talks and eats, Vi pulls you closer to her, putting an arm around you and resting her head on your shoulder while listening to everyone, her thumb rubbing against your side.

Mylo and Claggor are now bickering, and you can never really tell over what, so you don't question it. It's not your business either way, and you don't care all too much. Silco is watching the two bicker, rubbing his temple, and Benzo is eating his cake, nodding along. Sevika is watching Mylo and Claggor fight, a smirk on her lips.

Vi absentmindedly traces her finger on your forearm, the cake in her other hand long forgotten. 

Everyone continues to eat, and the cake gets half eaten until everyone is satisfied and full. Mylo is complaining that he should've gotten more cake, Powder tells him again to shut up because it wasn't his cake to begin with, and Vander is trying his hardest to keep the peace.

Vi pulls away from you as Silco clears his throat, gathering everyone's attention. “Alright,” he starts. “Who wants to give something to Vi first?”

Everyone looks around at each other, as if trying to figure out who should go first. Claggor nudges Mylo into motion, and the two start to banter while Vander walks over to Vi with a box, setting it on the table in front of her.

Vi looks at the box, eyes trailing over the wrapping paper, and then backs up at Vander before taking the box delicately from the table. She takes the time to slowly unwrap it, not tearing into it too quickly, instead slowly taking the wrapping paper off one corner at a time.

Once she gets the paper off, she starts opening up the box, taking the lid off, and looking inside at the contents inside of it. It's a framed picture of the two of you. The picture is of a Christmas party with everyone at the Last Drop. All grouped up in the picture, surrounding her with smiles, and Vi has her arm wrapped around you, smiling as well.

“Oh,” she starts, trailing her finger down the glass, pausing to tap on your face in the photo. “This is amazing.” 

“There's more,” Vander says, “look at the back.”

In the back of the frame, Vi finds a picture. She pauses when she sees herself, Powder, and her parents. Her eyes linger, fingers stroking the picture. She's so much younger, so much smaller. They are smiling so wide as if they didn't know how things would change soon.

Powder sits down beside her. She rests her head on Vi's shoulder, watching her look at the photo, and she reaches out to take Vi's free hand, squeezing it in support.

Vi's eyes are glossy as she looks up, a faint smile on her face. “Thank you,” she mumbles, looking back down at the photo in her hand and at the faces of her parents. “This really means a lot.”

Vander nods, resting a hand on her shoulder. “I know you miss them,” he murmurs, low enough that it's just the two of them. “Thought you might like that.”

“We all love you, Vi,” Powder says, squeezing her hand.

“Yeah,” Mylo agrees. “You're stuck with us forever, don't forget that.” It earns him a jab in the side from Claggor and a look from Silco, but Vi snorts at him.

—

Everyone else has given Vi their presents. Some smaller, more simple, some more pricey than others.

Silco gifted her a few bottles of alcohol, with the advice not to drink it all in one go. 

Mylo gave her a new set of punching gloves that he saved up for, black and pink with ‘VI’ on the wrist. 

Claggor gave a new brass knuckle set, along with a nice pair of red leather gloves and a new beanie for the winter, since he had noticed hers was old and falling apart. 

Sevika gave a new leather jacket, black and lined with deep red, with silver zippers. She puts it on right away, getting some “ooo's” and “ah's” from everyone upon seeing how she looks with it on.

Benzo brought her a blanket. He explained that he didn't know what to get her, so he walked into the store and looked for the softest blanket they had, thinking it was the only thing that made the most sense.

Ekko gave her a painting. On it was a detailed, almost perfect looking Vi, complete with her tattoos and everything.

Powder gave a whole handmade care package. She made her favorite snacks, made her a book full of scrapbooking items and stickers, made her a bracelet with a few different colored beads, and made a cute mini scrapbook of the two of them and everyone else together. She got a few tears for that one and a tight hug.

Now, there's only one gift left for Vi. You hold the crate in your hands, the crate that holds the two sibling huskies.

The dogs are finally awake and squirming around inside, making noises as they try to greet everyone. You set the crate on the floor and let the pups run out, watching Vi stand up to come over to see the dogs. She kneels down to pet them, scratching behind both of their ears. She smiles as tears form in the corners of her eyes. She scoops both up into her arms, petting its fur and burying her face in its fur, just to take in the fact that she finally has a dog herself, and it's with her favorite person.

Powder grins. “Can I hold the other one?” she asks, and Vi nods her head, adjusting the dog in her arms to give Powder a better opening, allowing her to scoop the other one up, which starts nuzzling against her hand.

Vi turns to look at you. “Do they have names?” She strokes the puppy's fur.

“They do not,” you reply. “I figured you should be the one to name them.”

“I'll have to think of a good one.” She looks back down at the pup in her arms. “Maybe a matching name for them?”

“What about Mylo and Milo?” Mylo suggests, earning another elbow from Claggor.

“Ha ha,” Vi jokes back. “No.”

“That's so corny,” Powder mumbles. “How about a matching 'M' name?” Powder suggests. “like Mandy and Mack.”

“A dog should have a more badass name like Spike!” Mylo says.

Everyone throws out ideas. Some are better than others. Some are more serious, some are funnier, but none of them really stick. Vi listens to everyone's ideas, occasionally humming or shaking her head “no” to the suggestion.

Mylo even suggests one named “Mylo Junior” in a desperate attempt to include his own name, but gets shut down once more. Powder is getting annoyed, and even Ekko is trying to get Mylo to stop. 

Powder keeps suggesting names, and while there are some that seem like good suggestions, Vi doesn't quite agree with them. Claggor throws out a few names, each also being denied, though they are much better than the names Mylo suggested. Sevika even pitches in, the names that she suggests are a lot more serious and more mature sounding.

In the end, Vi still doesn't feel 100% on any of the names that have been thrown out, until she looks back up at you. “Any ideas? You haven't said anything.”

You look over at the dog on Vi's arm and the one on Powder's, looking back at your girlfriend. You're silent for a second before you suggest, “Bacon and Biscuit?”

“Bacon and Biscuit?” Mylo groans.

Sevika gives him a look, her eyebrows raised. “Odd but interesting.” 

“It's kind of cute,” Benzo agrees.

“It suits them, actually,” Silco nods next to him.

Vi thinks about it, looking at the pups as if considering the name. “Bacon and Biscuit,” she says, testing out the sound of it. “Bacon and Biscuit,” she repeats, and a smile creeps on her lips. “You guys like that?” she asks the dogs, as if expecting them to answer her.

Everyone nods their heads, even if they find it corny, it suits the puppies—or at least it suits them at that moment.

“Bacon and Biscuit,” Powder coos, scratching one of the dogs behind the ear.

“It's not the worst thing we've heard,” Mylo admits. “But Mylo Jr. is way better,” and this earns him a punch in the arm again.

She looks back up at you. “I love it,” she says, looking back down at the dogs. “Bacon and Biscuit,” she repeats once more, loving the way it sounds.

“The names are set, then,” Vander says. “Now that that's settled, let's continue with the birthday party, shall we?”

notes: i do NOT know how to name a pet so....

[warblogs17282]

Sinsmas is coming out today! So let's quickly discuss what we know about the episode right now.

Vivzie's Bluesky Thread:

Things we learn from this thread:

There will be quite a long wait until the start of season three, but we will have closer releases of episodes, considering that the team wants to commit to a more traditional release. This also has double confirmed that season three has 15 episodes. Season three will also be 'bigger and better'.

We will be getting shorts during the wait until season three, I assume it'll be like last time where we get a short every single month.

And of course, we gotta prepare ourselves to go out with a BANG!

Sam Haft calls the episode 'PACKED!', meaning yet again we're in for a ride and a half, that's for sure.

Yea, all the confirmation I need that Octavia's song is going to absolutely destroy us all emotionally when we hear it, SAM HAFT WHAT DOES THIS MEAN, WHAT DOES THIS MEA-

Brandon's Instagram Story:

Transcript:

"I'm so anxious for the new helluva boss episode to drop. I went back and I've been rereading the script over and over and over and I don't read."

So we also have Brandon fanning the flames of our anxious waiting as well.

Right as I was in the middle of writing this post Vivzie said that she was doing the final checks on the episode, and that she's in constant awe of what the artists at Spindlehorse are capable of.

The sneak peek gif:

We see a sinner at the I.M.P office, and it looks like the entire I.M.P crew is going on a mission somewhere where it appears to be snowing and naturally has all of the Christmas decorations up as well.

Although I will admit, it kinda strikes me as weird that they'd just leave a sinner completely alone within the building, unless, of course, that there is someone else within the building, with the most likely candidate for that being Stolas, but that's just a theory I'm spitballing here. It does also raise the question of 'where the hell is Stolas during this scene anyways?'

Onto the other not-so-new things, it was confirmed by Sallie May's VA that she is appearing this episode. (The 'next month' is supposed to be 'this month', I think she said at a panel after the first short that she'd be appearing again before this year ends.)

The trailer scenes:

This scene where Stolas appears to be getting attacked by someone while Blitz protects him with some kind of sword, with the floor appearing to suggest that this takes place outside of formerly Stolas' palace, said attacker has been commonly theorized to either be Andrealphus or Paimon.

We see a frozen over version of formerly Stolas' palace in the background, considering the events of Mastermind it now appears like Andrealphus is defending the palace against whatever it is that he's looking at, not a hostile takeover that we assumed it would be initially.

We see Octavia during this scene, everything about this shot seems to suggest that Octavia is getting a song of her own this episode, with this further getting backed up by Sam Haft's response to "Sam what heartbreaking song did you write this time."

It's also very likely that the conflict between Stolas and Octavia reaches it's boiling point this episode, considering that Octavia says "You never loved mother and you don't love me. You love him!" at some point during the episode.

Finally, in the helluva 2022 trailer, we see a shot of Andrealphus (I think this is a beta design of him or something), standing in front of what looks like formerly Stolas' palace, with a bunch of what looks like ice in the background, placing this shot after Mastermind, meaning that this shot also takes place sometime during Sinsmas, if this scene wasn't scrapped.

[cavesalamander]

(Replying on this thread bc i really like your addition and think it's important.)

Jimmy reminded me more of people that I know and love than of myself on my own playthrough. But all the stuff written above is such an eloquent and coherent way of putting into words this unease that I feel whenever people bash him utterly uncritically. When they write him off as nothing, a monster to be hated, etc. It's felt like they're missing something and I couldn't put my finger on why. And this! This is it, isn't it?

Now, I say I didn't relate as much to him not to be all self righteous but because Curly on the other hand?

While I've definitely never been in his exact position there is a lot about what he was that is relatable and is meant to be relatable in the same messed up way that Jimmy is... The desire to pacify, to take the brunt of responsibility and ire for things on behalf of those around you even if nobody asked and it's not going to be better for anyone. Being trapped between the options of bad and worse while you yourself are cushioned from the worst impacts of either. Wanting and hoping for the best for someone who keeps self destructing because maybe this time it'll stick and they can get their feet under them and have some stability...

There's more obviously but those are the ones that especially hit me personally for various reasons. His flaws are very there too and are very ones I've seen in myself and have been trying to work through, and it's super relevant that his POV is half the game too for that reason.

There's a lot of nuance to Jimmy and Curly both, in how they're meant to be relatable, that's just really unfortunate when they're written off the way they are. Curly gets it both ways, where his flaws are brushed over or he's treated like the same irredeemable monster that Jimmy is.

I think it's important that Anya is the one who says what she does. "Our worst moments don't make us monsters." And not Curly for this very reason. That it's Curly she said it to. Coming FROM Curly, it would just read like another one of his placations and excuses for Jimmy.

Thinking about how the creator of mouthwashing said that a huge part of the horror is meant to be that every player will identify in some way with Jimmy, relate to him on some level, and realize that they share some traits with such an awful person, with that being what "I hope this hurts" was meant to mean. The point is that Jimmy is someone you are going to feel a connection to and that should hurt, that should cause you to reflect. Anyway I think the mouthwashing fandom really missed that because there is a truly awful self righteousness problem that no one is doing any self reflection on. I actively avoid the fandom for this reason every post I see from the mouthwashing fandom is people talking about other fans the same way Jimmy talks about the other members of the crew (esp Curly and Anya) with 0 self awareness lol.

[wineonawhitetee]

ALRIGHT SO

One of the things I noticed mildly in Mastermind and was given more content of in Sinsmas: Blitz is having a really good time. Like, ofc he's still suffering, but, the ending of the episodes are really good for him. And this is hugely contrasted by the fact that Stolas...isn't.

Blitz is so sweet and gentle with Stolas because he’s doing fine and Stolas isn't. Think about it

By the end of Mastermind, Blitz is in a pretty good position. He's basically become a celebrity among the working class imps. Combined with that, he's INSANELY relieved. Just a few months ago he thought he was going to never see the love of his ife again. A few hours ago, he thought he was going to die. A little after that, he thought the love of his life was gonna die. Then he didn't. He still has his family whole, Loona is freely admitting that she loves him, his employees are okay, Stolas is okay and living with him now. He's doing well.

Compare that with Stolas

He has just lost everything he has ever known. He's lost his powers, his money, his books, his house and -most importantly- his daughter. He is lost and shell shocked and miserable.

While Blitz is relived and hopeful.

This carries forward in Sinsmas, where Blitz is a lot more chipper and Stolas is still downtrodden.

The responsibility of working is weighing on Stolas while Blitz is happy to get him on the job. He doesn't take offense to Stolas's groaning and carries on like normal.

At work, it's also an instance of Stolas being miserable and Blitz trying his best to comfort him and to be supportive, even disagreeing with the client to make Stolas feel better.

Then it's the two things that fucking GET ME in this episode

Blitz trying to warm Stolas up, to be close to him, to cuddle him, to touch him, to comfort him and Stolas being cold and un-receptive (also both of them are hugging themselves nooooo please hold each other it'll helpppp 😭😭😭).

And these last shots that really sell it

Blitz is soft and happy. Stolas is defeated and distant. It's clear in the previous scenes that he loves Blitz and this is everything he ever wanted but it seems like a hollow victory because he thinks he's lost his daughter forever. He's so tired and it's so clear that he wants to enjoy this moment - to give in to the comfort - but he can't.

It also illustrates the development and reversal of Stolitz's dynamic perfectly. Earlier on, Stolas would've jumped at the slightest sign of Blitz’s affection. Now he can't even hug him back. Blitz is kind, hopeful and affectionate. Stolas can't find it in himself to reciprocate.

Y'all, I hate them so much

[yazzwrites6962]

Chaos and Cure ♡ Jinx (Arcane)

˚ʚ♡ɞ˚ Arcane Jinx x GN!Handy!Reader ˚ʚ♡ɞ˚

Author's Note: UNEDITED! This could be interpreted as a platonic relationship, or the buildup to something romantic. It's up to you! I do not own any characters/images!

Genre: Fluff

Summary: You are a quiet, handy, hardworking Zaunite who is used to fixing up broken tech and gadgets. Your life changes completely when, one day, the infamous Jinx storms into your shop.

Word Count: 1137

Warnings: Mild mentions of exlopsives and destruction, mentions of trauma

-ˋˏ✄┈┈┈┈

The first time you met her, it was quiet. Not in the literal sense, of course. Nothing about Jinx is quiet. You were in your workshop, huddled over a broken panel from some long-abandoned tech. Suddenly, the door slammed open like a gunshot.

You didn't flinch. Not because you were brave, but because you had grown used to Zaun's chaos crashing into your life uninvited. That's just how things were. However, the girl who stormed in wasn't just disorderly. She was the embodiment of madness.

Bright blue hair, wild eyes, and a grin that sat crookedly on her face. You recognize her instantly. She's Jinx. Her reputation is infamous, but nothing prepares you for how real she feels. How alive she truly is. Your mind goes silent for a moment.

"Hey gearhead, fix this!" She chirps, dropping something metal and smoking onto your worktable. The piece clatters, nearly knocking your tools to the ground.

"What is it?" You know better than to expect any sort of formal introduction, although the nickname surprises you. You also know that Jinx is mechanically brilliant. At least, from what you hear. You wonder why she can't fix the gadget herself.

"it's supposed to be a trigger mechanism." She crosses her arms, unamused by your hesitation. "It caught slightly on fire. Don't worry. It'll probably only explode if you're really bad at this."

You blink, picking up the damaged device with careful, gloved hands. The metal is warm and warped. There is a faint smell of smoke lingering in the air. You examine it thoroughly, turning it over and over in your hands.

"You overloaded it." You mutter, glancing up at her. She tilts her head, giving you an almost offended expression, like a curious crow staring at a shiny stone.

"Overloaded?!" She scoffed. "No, I improved it! Just... too much..." You resist the urge to roll your eyes. "Relax, gearhead. I'm a genius! I just need someone to keep up. That's where you come in."

"Give me an hour." You smile at her dramatics before turning back to the device. "It's not unsalvageable." She raises an eyebrow; a sharp and disapproving look on her face.

"An hour? Are you that slow? I heard you were supposed good at this." So, she had heard of you from somewhere. Her tone is a bit rude, but it doesn't seem to carry any real malice.

"Do you want it fixed, or do you want it fast?" You reply without missing a beat. Her laughter bounces off the walls of your dainty little shop.

"Alright, gearhead. An hour." She chuckles, headed for the door. "Don't blow up!" You don't dignify that with a response. You're already focused on disassembling the smoking pieces of the device.

-ˋˏ✄┈┈┈┈

Jinx returned an hour later, and then she never really left.

It started small. More gadgets needing repair and weapons she swore shouldn't be jamming. You wonder, at first, why someone like her would come to you. Surely, she could handle all these simple repairs herself. Yet, she keeps showing up, slamming the door like she owns the place and sprawling across your workshop like a cat who refuses to leave.

Her presence is overwhelming. She chatters while you work, her voice filling every quiet corner of your shop. Sometimes, she even sings. Once, she threw a wrench at you to see if you would have any reaction.

"You're so weird." She told you one day, hanging upside down from the pipe which ran across your ceiling. "You're not really scared of me. Most people are. They treat me like a ticking bomb that could go off at any second."

"I know." You mutter without looking up from your work. You feel so opposite to her. She's loud, vibrant, and always moving. You, on the other hand, are quiet. You own a little shop on the edge of Zaun, living out your days monotonously.

"Why?" She swings back and forth, like a pendulum, watching your gentle movements with her electric eyes. "Why are you not all freaked out about me?"

"I think..." You pause, considering how you want to word your thoughts. "I think you're smarter than most people give you credit for. You're a genius, Jinx. Just like you say. Sure, maybe you're a little reckless sometimes, but I've seen the things you bring me. The things you make. I doubt most people can dream up designs like yours."

She is silent. For the first time since you met the girl, there is a long stretch of silence between you two. You look up from your work, worried. You see something shift in her expression, like a crack in a mask you didn't know she was wearing. She looks vulnerable. Then, as quickly as it came, it was gone.

"You like me." She smirks, pointing a finger at you as if she were accusing you of something. "You think I'm pretty and smart and you like me."

"I think you need to be more careful." You chuckle, returning to the gadget you were repairing. "Someday you may end up blowing yourself up, along with everything else."

"Maybe that's the point." She mutters under her breath, so softly that you almost don't hear it, but you do. You choose not to say anything for the meantime, turning back to your work as silence once again stretches between you.

-ˋˏ✄┈┈┈┈

Over time, you became her calm. You don't know when it happened, or why. Jinx storms in and out of your life like a hurricane. Yet, you are fond of those rare, quiet moments when you get to see glimpses of something softer. Something she doesn't show to anyone else.

One night, she sits on the floor of your workshop, surrounded by blueprints and half-finished creations. For once, you have nothing to do but keep her company. You watch her tinker with a clockwork bomb, trusting that she won't blow you both to pieces.

"You really think I'm smart?" She asks suddenly. You take a deep breath in, leaning back in your uncomfortable wooden chair.

"I do. Of course I do. I wouldn't lie about that. I wouldn't lie to you at all, Jinx." You say calmly. She doesn't respond right away. Instead, she picks at a smear of grease on her palm. Her expression is impossible to read.

"Everyone else thinks I'm just crazy." She whispers, looking up at you. There's no teasing in her eyes. No crooked grin. She doesn't feel like an insane criminal. Just a girl who doesn't know how to take a compliment. "You're weird."

"And you're a genius. Don't forget that." You smile. She says nothing else, but you can see the soft smile on her lips. The real smile. You wish you could stay that moment, where the chaos feels a little quieter.

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[wingsoffirenews]

Compilation of new(ish) WoF News!

The Darkstalker Graphic Novel will come out on November 4th, 2025 and will be illustrated by Jake Parker! Talons of Power Graphic Novel will also be coming out in 2025.

For some reason around 5 years ago, Lego set a blacklist on the Wings of Fire IP, meaning they couldn't make any merch with them. But as of recently, the IP has been confirmed by an employee to be unblacklisted, meaning it's possible that WoF Legos could be a possibility for the future!

Escaping Peril: Graphic Novel is out early in certain Barnes & Noble locations. Here's an official trailer!

On Instagram, Tui stated that there will be more WoF merch made in the future!

Here's a video of an interview Tui was a part of for The Flames of Hope's launch! Things to note: She says dragons currently think there's no animus magic but with the way the spell was cast it leaves a door open for future animus dragons & at the time Dan Milano (executive producer) said there was a planned release date for the TV show but it was a long while away.

Tui says if she could rename any character it'd be Scarlet because her scales are orange and not red/scarlet.

Book 16/Arc 4 notes: We'll find out more about Beryl, it will have nothing to do with Pantala and it'll take place somewhere we've never been before, Tui says the reason she's disappeared from socials for the past 2 months is cause she's been writing Book 16, Umber is planned to come back and be given a boyfriend (if she doesn't just give him his own Winglet), she wants to bring Blob back somehow, she also wants to bring back Auklet, she mentioned she can't say where Leaf and Ivy are at the moment due to potential spoilers, the book will take place after A Guide to the Dragon World, Tui watched/read a show/book for inspiration on Book 16 that she claims is the opposite of Life in The Underground that contains creatures she calls "the absolute cutest things" but she won't share what this show/book is yet until Book 16 is done (when asked if this means there'll be new dragon tribes, Tui says she can't say and is still deciding on what "it" is), Tui has a planned release date for the book but wont disclose it in case something happens to push it back, she says Peril and Sky will not meet in Book 16 but might make them meet in a Winglet instead, Snowfall will either get another POV in Arc 4 or we'll see her from someone else's POV, she doesn't want anybody else who's already had a POV to have one again in Arc 4, she says she wants to put Lynx in Arc 4 as well, when asked if there'd be a new continent she said she'd like to see Pyrrhia and Pantala on the same map alongside "something else," Tui says there'll be a new ship written in Book 16, right now Tui is working on backstories for new WoF characters that'll appear in Book 16.

Tui says Book 9 was the hardest book to write and says Kinkajou would've happily taken the POV from Turtle which is why she's such an important character in the book.

Tui was inspired to write WoF based on her favorite book series Pern, saying that her idea for WoF at first was to write a book series about dragons' POVs and how they feel about humans.

Voting for where the first FanWing Fest will take place is still ongoing! Places include San Diego CA, Decatur GA, Minneapolis MN, Portland OR, Dallas TX, Boulder CO, Chicago IL, St. Louis MO, Philadelphia PA, Salt Lake City UT, Washington DC, Northampton MA, Southern Pines NC, and Austin TX! It'll take place in April-June 2025 and Tui will be present to read a bit of Book 16, plus there will be other activities planned. The fest will take place in around 3-5 of the most voted cities.

There's currently submissions open for people under 18 to submit their WoF art to be used in a picture booklet that'll be sold at the FanWing Fest. You can only submit one piece per person and the contest ends January 17th, 2025 at 11:59PM EST. In total 250 illustrations will be included. AI art is not allowed and the art must be submitted by your parent/guardian. The illustration must be on a single sheet of unlined 8.5 x ll paper in a portrait orientation, and all submissions must be sent through the website. The file must be named with your first + last name. The art pieces themselves will be judged around February 3rd, 2025 and will be picked based on imagination, creativity and interpretation of the WoF series. Winners will be contacted through email around the same day.

Special Editions for books 2-5 are set to release on September 2nd, 2025. Each will be $10.99 and will have exclusive content, including new covers!

Tui claimed Wren's second favorite dragon is Deathbringer.

Myles Warden, someone who worked a little on the WoF TV show, stated on Twitter that when the show was cancelled, they were pretty far into the show's development.

Although poor quality, this is Tui's concept art for Pantala.

During an interview back in 2021, Tui stated: She chose Snowfall to be The Dangerous Gift's POV because both Starflight and Turtle weren't very active POVs for their arcs' 4th book, her first idea for the third arc was of Pantalan refugees coming to Pyrrhia, she says Snowfall thinks both Winter and Qibli are annoying, Tui likes to look at WoF fanart, when The Brightest Night was just being written is when she had the idea to make a second arc, she likes to leave bread crumbs in books for potential future books, she plans to make a sequel to Dragonslayer and she wants to write more Winglets, she says Kinkajou was easy to write, she likes writing fierce dragons into her books, she has a draft where the boulder to the DoD's cave is animus touched, she says if she were a dragon she'd be a RainWing with a second choice of SeaWings and third choice of LeafWings, she usually gives herself 6 months to write a book, she says Peacemaker will never get Darkstalker's memories, she says something happened with The Lost Heir that made her have to rewrite it with different characters, Peril and Sky and Winter were originally going to also be DoD, Sky's original name was Ember, originally in Darkness of Dragons Darkstalker was going to talk Qibli out of "something" but it was scrapped because Darkstalker would've been too convincing, originally NightWing moon powers were always going to be fake, she got the idea for Darkstalker when she kept getting fanmail trying to understand Chameleon and Morrowseer which made her want to write a bad guy on the outside who was complicated on the inside, Cliff and Qibli are based off Tui's three-year-old son.

In a different interview from March 23rd 2021, Tui stated: She avoids reviews of her books because she doesn't want to get upset and potentially interfere with her work (she said Sundew and Willow's relationship didn't seem weird to her when writing it and believes LGBTQ+ representation should be represented in her books), she has an idea for what the Rainforest Kingdom was like while Sunny was gone during the Brightest Night and would like to make a graphic novel about it, she heard about the WoF Roblox games and thinks they're really cool, she has a melody in her head for The Dragonets Are Coming, she reads her own books once they're published so she doesn't forget anything she's written about, she confirmed dragons don't have eyelashes and that she instead imagined them batting their eyelids like humans, she often rewrites the prophecies she makes to get them perfect, she says it was hard to come up for The Dangerous Gift's title and she came up with 50 different ones before choosing one, she'd like to make a mini series for Ivy and Leaf, she came up with the dragon tribes through inspiration from Animal Planet, she originally believed Anemone would challenge Coral someday but is against it now (saying Coral is a decent queen who makes mistakes from time to time), she thinks the Great Ice Cliff reminds her of Twitter but didn't explain how, she names dragons with things relating to their tribe to help her remember them, she says Mink is based of a friend of her son, she says the reason Snowfall hates Tundra is because every time she appears to remind her of her responsibilities she thinks she's failed in some way, she thinks she's most like Sunny but says there's piece of her in every character she writes.

Tui claims she sees Starflight and Cricket as neurodivergent alongside Whiteout.

Tui considered Swordtail to be The Flames of Hope's POV but went with Luna instead.

Tui claims one out of many reasons Scarlet wanted to kill Glory was because Glory became queen of two tribes while her own life was going downhill.

Tui has expressed interest in the past on making a Winglet for Cobra and Vulture.

The Winglets are being translated to French and will be called Destinies.

We'll be getting graphic novels for Arc 3 and and that The Lost Continent Graphic Novel will be released roughly a year after Darkness of Dragon's graphic novel. Tui says she's most excited to see The Poison Jungle as a graphic novel.

Right now, the WoF TV show is on step 6 of 100 towards completion, and Tui has hinted something "good and important" has just happened with the show that has her very excited. Right now the show is in the writer's room and the script is currently being worked on.

Tui says she has a list of every character's theme song, with Winter's being That's How You Get The Girl by Taylor Swift and Luna's being I Can Do It With A Broken Heart (she didn't say who it's from).

Tui says Snowfall will likely get together with Lynx in the future and that she had chemistry with Sky, but Tui thinks Lynx is better for her compared to Sky.

Tui says if Blaze had won the war, the IceWings would've ruled over the Sand Kingom and that Glacier would've been Book 6's POV, struggling on figuring out how to run 2 kingdoms. If Blister had won, all of Pyrrhia would be set down a dark path. And if Burn had won she'd be a decent and strong ruler, but that she'd be a threat to the Dragonets of Destiny.

Tui claims Winter will find love eventually (that isn't Moon) but right now he has growing to do. She mentioned she's fond of both Winter and Qibli but right now Moon and Qibli are together, but stated they're both young and anything can happen in the future.

In a different interview Tui stated: Krakens do exist in WoF by that no other mythical creatures exist in the series, Tui said if she did make a spider tribe she'd name them WebWings.

[district4loading]

OMGGGG is there any way your could revive that fic 😭😭 somno fits sana so well and if were to turn this into a full request, can it be fem reader but can use strap hhdhehehehe thank uuuuu

Snooze (WLW)

Twice Sana!Sub x Female Reader!Dom

3K Words

Content Warning: smut, somno, praise, oral, fingering, strap, some fluff at the end

Minors DNI

A/N: Didn't plan on making this a full blown fic but anon asked so they recieved. Apologies that its so short. Enjoy!

Also i'm sorry but doesn't Sana look so pretty?

-

It's sick and twisted but for some reason, you like it.

-

"Sana, thats the weirdest thing I've ever heard you say" You look up from your phone to gauge whether or not the brunette was serious about what she just said.

Sure enough she had those expecting eyes fixated on you "It's not weird! It’s hot" She protests your comment, climbing into your arms like she usually did.

You were on the couch in your living room, scrolling on your phone when Sana came in and made a rather peculiar request. "You want me to fuck you while you're asleep?" She nods with a cute smile on her face and she hums in response "And you don't want me to tell you when I'll do it, or warn you before?"

Sana giggles softly when she sees the look of pure disbelief you give her "Listen you have nothing to be worried about, I want you to do it" She holds your hand in hers "and make sure i'm out cold, I literally want to wake up with your face between my legs"

"I don't know, what if you're not in the mood? Or-"

"Shh" Sana puts her finger over your lips then leans forward, removing them in the same instance to plant a small kiss on your lips "I assure you, I'll be in the mood"

-

So you agreed to it, fulfilling one of your girlfriend's wildest fantasies because you love her and you'll do whatever you can to make sure she's happy. Even if you think it’s a bit odd.

You waited a couple of days so it'll come as a complete shock to her. It's maybe one in the morning and you're more than sure that she's out cold but you think it wouldn't hurt to make sure. So you tap her arm a few times "Sana" you whisper. You take notice of her body and the way it rose, then fell with such gracefulness as she breathes in and out, the slow noise of it filling the silent room.

Then you shift a bit, getting on your knees so you can gently pull the covers off of her. She's wearing what she usually does to bed, a loose tank top and some shorts. You start to feel a bit of a rush as you watch her lay there, asleep with with no knowledge of what's to come.

Maybe it's not so weird after all

You touch her thigh, the soft warmth making you aware of how cold your own hands were and you start to worry that it'll wake her. It takes you a moment but you finally manage to get your hands on the waistband of her shorts. Your fingers loop under her panties too because there's no need for teasing. The only one you'd be teasing is yourself. So you begin to pull the pieces of clothing off, having a bit of a hard time because she's not awake to lift her hips.

Soon enough the garments slip down her legs and past her ankles and you toss them to the side. Your heart begins to race because the tension in the room is thick, like you're doing something you're not supposed to and if she were to wake up and catch you it'll all be over.

This fantasy of hers is something different, something you never thought you'd be into until now when you're faced with the opportunity—and you want nothing more than to touch her right now.

There's a bit of uncertainty in your movements, you reach for her legs and while you're opening them your hands are trembling. Your breathing quickens as you admire the sight of her perfect body before you, highlighted by the moonshine through the bedroom window.

You try your best to shrug off the nerves, then you position yourself between her legs. The moderate moistness isn't something you're used to at all. Usually, by the time you make it down there she's fucking dripping and soaked so bad that it's spread to her thighs.

However, you know it's nothing you can't fix. So you grab her thighs with your hands, refraining from squeezing them like you normally did so she doesn't wake up. Then you stuck your tongue out and flattened it against her cunt. You pause and look up. She's still asleep.

Ever so slightly, you drag your tongue up her slit, making a soft humming noise when the tangy taste attacks your tastebuds. Still no response. So you keep going as you normally would, swirling and flicking your tongue on her clit.

It only takes a few seconds for Sana to shift a bit. She tries to close her legs but you hold her a bit tighter so she doesn't. You pause for a moment, then you continue eating her out like you've been starving for her.

A soft hum escapes her lips and then her hips start squirming. You push your face deeper into her cunt, taking her clit into your mouth to suck. Then she gasps loudly, her head lifting weakly just enough so she can make eye contact with you. "Babe- what are you" Then you witness the exact moment the realization of what's going on hits her and it's priceless. "Oh fuck"

Her voice is rough and tired as she reaches her hands down to tangle your hair in between her fingers. You smile and remove your mouth then you climb over her so you're face to face. Your hand finds it's way to her sopping cunt and you rub slow circles before you connect your lips with hers.

Sana moans into the kiss, reciprocating it with some newfound strength, cause she has to reward you for doing so good. You prod her entrance with your fingers and you slide two digits inside. She breaks the kiss and moans out loud when you curl them "Pleasant surprise?" You question her with a smirk on your face as you pump in and out.

"Yeah" Sana nods frantically, all breathless with her words "I - fuck - I wasn't expecting it tonight" She moans again because you've found that spongy spot that makes her walls squeeze you tighter.

You leave a shorter kiss on her lips again "That was the point wasn't it?" You ask and she only hums, although it comes out sounding like more of a moan. You kiss along her jawline, then down to her neck "Did I do good?"

Sana can only nod her head and close her eyes "So good baby" She keens, her hips bucking into your hand as you fuck her faster and harder with your fingers. She's so wet that you can feel the slippery warmth dripping down your forearm. You think to yourself that this must've really turned her on, the thought of you using her in her sleep.

It's sick and twisted but for some reason, you like it.

She starts babbling incoherent words and you know it’s something she does when she's close. "Gonna cum for me baby?" You ask as her jaw goes slack and her moans go silent. There's only a faint, high pitched, whiny noise coming out of her mouth and she has that look of pure devastation in her eyes, like she’s cumming so hard that she almost can’t handle it.

"Yeah, Yeah, Yeah, Yeah" She mouths the words and then a very audible "Fuck!" and she's cumming all over your fingers. You can feel it inside, the way her walls clench and pulse in an erratic rhythm as her back arches. Her body stutters to a complete stop and then she goes rigid.

It's only a matter of time before... and there she goes, her body relaxes as the pleasureful waves wash over her and her moans turn weak and broken. You kiss her lips softly and she doesn't even try to kiss back "Now how was that?"

"I can't fucking believe... I came so hard" She tiredly runs her fingers through her hair. "I need you to do that more"

"I think I could get used that"

-

Now Sana's definitely got you into this shit. 

By now it's almost been a month since you've had sex and it was really killing you. She's been working a lot, so you refrained from doing anything that could disturb her sleep. You only found yourself watching her at night, touching her cheek, her thighs and really any bare skin she had exposed. She looked so peaceful just laying there, breathing so slowly that you can barely hear it when she inhales.

It's exactly what you're doing right now. Her smooth skin feels so warm and soft on your palm and you don't mean to stare but you just can't take your eyes off of her face. How could someone look so pretty while they're sleeping? It's what you ask yourself every night. 

You really don't intend to slide your palm higher up her leg, but you just can't resist her. Everything about her is almost too addicting. You need her. Need her creaming on your fingers, cumming in your mouth, writhing on your strap. and you need it now.

The sheets are covering her body, so you peel them off and almost immediately you feel that rush in the pit of your stomach. Then the feeling comes back tenfold, like more of a surge when you get an idea.

Maybe you're more sick and twisted than you thought you were because you crawl out of bed slowly and gently so she won't wake up. Then you go into your closet—where you have your toys stashed—and you grab this lavender strap on that you bought just recently. You haven't gotten the chance to try it out with her yet and nows a better time than any. 

You pull off your clothes in the dark room, the sound of the fabric sliding against your skin so loud that you think it might wake her up. It's all in your head and you know it, but you still slow down your hurried movements.

Excitement courses through your veins as you think about how she'll react when she wakes up with your body on top of hers while you're inches deep. That unparalleled look of shock she gets. It has you fumbling with the straps as you try to get it on nice and tight. You crawl back into bed, the dip causing Sana to move just slightly.

She's sleeping like she normally does, on her side with her knees folded. You separate them so they're spread for you and you stop for a moment to see if she'll wake up. She doesn't. So you pull her shorts off, noticing that she isn't wearing any panties tonight. It's something she usually did for comfort reasons though, so you don't see it to mean anything more than that.

Still, it gave you easier access. You shuffle on your knees so you can position yourself between her legs and you reach for the lube on the bedside table. The toy is girthy and she isn't aroused right now so you don't want to hurt her. You coat the toy, and lather it up. Then you put some in your hand and gently you rub it on her cunt. 

Sana hums then she takes in a deep breath and your heart drops because you think you've ruined everything. But then she's back to the way she was and you exhale in relief. 

Now's the time, you guide the head to her entrance and you press it inside. Almost immediately her body has a reaction but it doesn't quite wake her up. An adorable whimper escapes her lips and the way her lips press together almost makes your heart flutter. You push your hips further inside, leaning over to get your body on hers and when you make it to the hilt you put your face in the crook of her neck.

It's around that time that she actually wakes up with a sharp gasp, her upper body trying to rise into you off of pure instinct. "What - Oh fuck... babe" She whines, dragging the four letter pet name out as you begin to move your hips nice and slow, pinning her body to the bed with yours. "Fucking hell - I can't.." She moans and you bite the flesh on her neck, a surge of arousal taking over your body while you rut into her.

"I'm sorry baby, I know you were trying to sleep... but I couldn't help myself" You mutter the needy words into her ear and she almost loses it right then and there. It's the idea that you can't control yourself when she's around you, so much so that you'll even fuck her and use her body while she's peacefully sleeping. In the back of her mind she knows you're only doing this because she asked, but it still has her clenching and dripping.

You kiss her neck and her arms sling around your back "Fuck, fuck, fuck" She chants in that breathless tone like she's struggling to handle everything. Your lips on her skin, your body on her body and most importantly this thick fucking toy stretching her out. You're ruining her.

"You weren't wearing panties darling, you have to forgive me it just seemed so easy, you should've known this would happen" You whisper it into her ear, really playing off of her little fantasy. It's sort of like role-play which is something she's also been into for a while now. 

She gasps again and another choked up sob forces its way out of her throat. Sana is fucking loving this. The way this toy feels, stretching her, rubbing against her walls and hitting all the right spots has her going fucking feral. You know it because she's digging her nails into your back, scratching you so hard it'll leave red marks but you don't mind at all.

Sana's hips buck into yours and you finally bring yourself to pull your head up. Now you're facing her and the look on her face is nothing you've ever seen before. Her eyes are screwed shut and her eyebrows are upturned in the prettiest way ever. You observe her porcelain skin and the mole on her cheek, noticing the sheet of sweat which covers it. "Pl-Please don't fucking stop... don't fucking - Fuck baby it's too much" She pleads.

You only move your hips faster then you bring your hand down and you show her what "too much" actually is when you begin circling her swollen clit. 

"I don't fucking.. I can't - You're so good, so deep in my cunt, so fucking good" She murmurs all the praise in the world, just make sure you know that you're doing a good job. 

"Look at me princess" Your voice is steady and soft when you say it because her pussy is clenching so fucking hard on this toy and you think she might actually be trying to suck it in. Her eyes soon flutter open but they're only squinting "C'mon, let me see those pretty brown eyes" This time you're voice is a bit less steady, more shaky cause this is one hell of a workout.

Like the good girl she is, she opens them wider staring deep into your soul as you fuck her. "So pretty" You mutter, your breath hot against her face and then you lean in to kiss her "Want you to cum on this toy for me"

Sana nods her head when you break the kiss and she's staring at you again, those big beautiful eyes just begging for you to make her cum. She needs it so bad. So you keep going, pressing hard on her clit just the way she likes it and then "Fuck I'm fucking cumming baby, I'm fucking-" She cuts herself off with a loud high pitched squeal.

"There you go" You mumble, watching how her eyes roll to the back of her head as her body arches into yours. "Keep cumming for me, that's my girl" You keep it up and she begins to shudder, taking her bottom lip in between her teeth to bite down harshly. Her eyes eventually do shut and her body sinks back into the bed.

You let yourself lay against Sana's body, feeling the deep and heavy rising and falling of her chest as she catches her breath. "I never expect it" are the first words she sighs with a breathy giggle. Then she wraps her arms around your body, rubbing her hands over the scratch marks to soothe the welted skin "I'm sorry, I got a little carried away"

"I really could care less about that. I'd let you do it over and over again cause it tells me that I fucked you good" You lift your head to look at her. She smiles and you kiss her lips softly again "I love you" you mutter.

Sana can't hide the way she blushes when she says it back "I love you" She whines a bit and you wonder whats wrong "I don't wanna get up"

"Then don't" You mutter

The toy is still buried in her cunt, all the way to the hilt as you two stay like that. She doesn't seem to mind it at all. Sana only hums tiredly in response and the two of you stay like that for a while. It almost feels perfect.

[just-my-latest-hyperfixation]

Home for Christmas

Written for the day 20 of the @steddieholidaydrabbles, and round one of the @steddiebingo

Prompts: Alone & Second Chances

Rated: G

Tags: Post-Vecna; Future fic; Everybody lives; Exes Steddie; Rock star Eddie; Single dad Steve; Reunions; Second chances

Notes: Continued from this one

It starts snowing again as Steve parks the car, flakes settling on the windscreen the second the wipers still. 

“Looks like a white Christmas,” he mutters. “You packed your hat and gloves, yeah?” 

Beside him, Leah scoffs. “Yes, Dad.”

“Just asking,” he says. The snow crunches under their feet as they get out to fetch her things from the trunk. “I don’t want a repeat of that one year where you forgot and caught pneumonia. Your mom never let me hear the end of it.” 

She scowls.

“That was three years ago. I’m fifteen, I can take care of myself.”

“Oh yeah?” He throws her duffel at her, grinning when she sags under the weight. “Is that why you left your phone charger on the table?” 

Her eyes go large. “Shit! Why didn’t you tell me? We have to- ugh, hilarious, you asshole!”

“I’m gonna pretend I didn’t hear that,” Steve smiles, stuffing the charger he just pulled from his pocket into the front compartment of the duffel. Leah makes an annoyed sound as he ruffles her hair. “Now off you go. Say hi to your mother for me.” 

She grumbles something inaudible, but she does stomp off towards the house.

“Dad?”

Steve, already with one hand on the driver’s door, pauses. She’s standing by the porch steps, watching him with a furrowed brow. 

“You sure you don’t wanna come in? For a minute at least?” 

He shakes his head. “I’ll be fine, sweetie. You have a great time.” 

He waits just long enough to see the door open in front of her before he ducks back inside the car. When he turns the keys and the radio comes alive, Chris Rea is singing about driving home for Christmas. 

His phone buzzes. 

Steve stops pinching his nose and pulls it from his pocket, assuming it'll be Leah texting him about another thing she forgot. When he sees who it's actually from, his breath hitches.

Hey, big boy. You home? 

*

He's waiting in front of the apartment building when Steve rounds the corner. The snow is still shrouding the world in a curtain of white, and he’s wrapped in about three layers of clothing to protect himself - not only from the cold but also from prying eyes. Steve still knows it's him immediately. Knows from the lines of the tattoo poking out from his scarf, the one that covers the scars on his neck and jaw. Knows from the way he holds his cigarette. Knows from the restless shuffle of his boots in the fresh snow. 

It feels unreal, him standing here, outside Steve’s home. The last time they saw each other was in a crowded concert hall, surrounded by fans and cameras. The last time before that was in another town, in another life, seventeen years ago. Sharing one last cigarette on the porch of the old trailer, the setting sun basking the world in hazy oranges, tears drying on both their faces. It was for the better, Steve told himself with that iron conviction you only have at twenty-one, when you think you have life figured out and know all the answers.

He didn’t know shit, he thinks, forcing himself to get out of the car.

Eddie’s eyes flick up when he hears the door shut, and Steve can see how they grow round and large.

“Hey,” he says, a little breathless, a little shy. Not at all like a world-famous rock star who has toured the world and filled whole stadiums. So agonizingly much like the boy Steve used to know. “There you are.”

“Here I am,” Steve confirms, watching how Eddie grinds the cigarette under his boot. “To what do I owe the honor?”

“Ah, y’know,” Eddie says vaguely. He reaches up a hand to tug on his hair, but comes up short because most of it is hidden under his hat. “I was in the neighborhood, so I thought-”

Steve flinches when he lurches forward. Even after all those years, he still doesn’t do well with sudden movements or loud noises. Eddie tilts his head, eyes large and expectant, and it takes Steve a second to realize that he’s holding something out to him. 

A gift bag. It has little Rudolphs on it, and shiny red ribbons for handles. Nestled inside is what looks like a band shirt, and on top of that- 

“Wait, are those concert tickets?” Steve blurts. “No way, I can’t accept these.” 

He raises his hands in defense, but Eddie steps right into his space and shoves the bag into them. Their fingers brush. 

“No takesies backsies,” Eddie winks. His smile is cheeky, but Steve imagines there’s regret in his eyes as he steps away. “They’re not for you, anyhow, your taste in music always sucked. They’re for Leah. Gotta nurture talent when you-” 

“She isn’t even here,” Steve protests weakly. “She’s spending Christmas with her mom.”  

Eddie’s eyebrows arch. “What, and you’re all alone?” 

Steve shrugs, suddenly self-conscious. “It’s for the better. She’s got her cousins there, and grandparents who actually care for her. I usually spend a day or two at Robin’s, but she’s taking Vickie to Paris this year, so-” 

“Oh no,” Eddie says, and starts walking towards the door. “Oh no, no, no. This won't do. I'll stay and keep you company.” 

“Wha-?” Steve stutters, following after him, gift bag in hand. “But you can't- … Don't you have- … What about Wayne?” 

Eddie shrugs. “I'll call him, he'll understand. Come on, Stevie, it'll be great. We can rent a movie, order Chinese. Just like old times.” 

Steve, already fumbling for his keys in his pocket, freezes. Eddie smiles back at him, bold and bright, but he imagines there's hope there. Hope and fear and seventeen years of unspoken things.

“Yeah,” he says, and unlocks the door. “Just like old times.”

Maybe they can have this, if only for one day. 

More holiday drabbles

More Steddie Bingo

[d33pd3sire-blog]

Grace and the Sickle

Emily Prentiss x reader, reader doesn’t know how to communicate her feelings. No use of y/n

Word count: 498

The ending probably feels a little cut off, I didn't know how to finish it/continue. Hope you guys enjoy it anyway.

"I like this. A quiet breakfast with you." Emily looked up. "On mornings like this, I sometimes pretend we're retired and living in our little apartment. Just us two. Oh, and Sergio of course."

You hummed into your tea, smiling up at her. "Sounds.. peaceful. Hopefully one day it'll happen." You say, half of you unable to comprehend how Emily could think such wonderful things about your relationship. Sometimes you find yourself wondering how Emily could love you as much as she does, never having experienced this kind of affection before.

Emily wrapped her hands around yours, noticing a change in your demeanour. 'Hey, you still with me?' She snaps you out of your thoughts.

'Oh, sorry, you were saying?' You blurt, Emily rubs her thumb over one of your knuckles as you come back down to earth.

'Where were you just now?' She gives you this half confused, half worried look. You shake your head and look at the half drunk cup of tea in front of you, kind of hoping she would drop it.

'Nowhere, really. I just..' You shrug your shoulders, contemplating whether you should keep up the front or be truthful. 'Never mind.'

Emily scoots her chair closer to you, moving her hands from yours to your arm and pulls at you slightly. 'You know you can tell me anything, right? I love you, I want to know what you're thinking.'

Part of you is still hesitant, wondering if Emily would still be saying those things if she knew the thoughts that plagued your mind on a regular basis. It wasn't Emilys problem to shoulder, it was yours. She was perfect to you, you didn't want to darken her mind because you couldn't accept her love fully.

Emily nudged your side. 'You know I love you, right?' You nod. 'So you know, i'm here for you. In any way you need?' You nod again.

You finally gather the courage, taking a deep breath you start. 'I just.. I don't get it sometimes.'

Emily scrunches her brows slightly, confused. 'Don't get what, baby?' She continues to rub up and down your arm to comfort you.

'You're so great, you know? You love me so much but I just.. I don't get how. People like me aren't supposed to have people like you. I think fate was being cruel to you.' Immediately Emily raised a hand to your cheek and caressed it, kissing the other side.

'People like you? You mean the kind, loving, beautiful and powerful woman I see before me. Those people?' You try not to, but her words force the corner of your mouth to crack into a smile.

'You're just saying that to make me feel better.' Your smile doesn't fade, Emilys love was hard to fight.

Emily shrugs. 'Maybe, but that doesn't make it any less true.' She smiles at you, showing off her dimples with ease. You could never look at them and think negatively. She truly did love you.

[cirilla-fiona-riannon]

Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies. Not a full translation.

Gilbert: "I'd like to dance with you again."

Two pairs of feet echoed in the dance hall, where countless stars shone like a chandelier.

Gilbert: "You said you couldn't move earlier."

Emma: "I was just too happy."

Gilbert: "Even though I was just being selfish?"

Emma: "I'm glad about that selfishness."

(Even though you sit on the throne as a villain for the sake of others, I want you to feel as much happiness as possible for even a second.)

Even if countless corpses pile up behind you, I'll keep committing sins without regret.

Emma: "By the way, are my steps correct?"

Gilbert: "They're perfect. You're better than me."

Emma: "If you keep praising me, I might get carried away."

Gilbert: "Fufu, go ahead and get carried away."

Gilbert: "The more you smile, the more 'vivid memories' we'll make."

Gilbert: "That way, you'll surely find many things you want to do."

Emma: "Maybe in a few years, a selfish, great villain will be born."

Gilbert: "If that happens, it'll be a real pain."

Gilbert: "You'll either listen to my request or be made to listen."

Emma: "But I bet those requests would be filled with love for me."

(Even at this very moment, the kindness of his touch, the warmth of his smile, and every word he says to me make love overflow.)

Gilbert: "You're right. I can't help but love every moment I spend with you."

Gilbert: "I hope you feel the same way about me."

Our intertwined fingers squeezed tightly together.

My warmth melted into his, and I felt a faint heat radiating from his palm.

Gilbert: "I'll always be a bad guy. That won't change. I never know when or where I might lose my life, and I don't know how many more times I'll get to celebrate my birthday like this, so make sure you celebrate it with me and make it a birthday you'll never forget."

(I don't care if I'm hated or resented as long as Gilbert can freely express all his selfish desires like this.)

Gilbert: "Let's fall deeper and become great villains together."

[violenteconomics]

I am in dire need of more of that AU that The First years get The upperclassmen toxic traits,i realy want more of It,like;

A way to include octavinelle and scarabia,maybe like,3 First years(Ace,deuce,Jack) get some of azul's toxic traits,other Three(epel,ortho and sebek) get Jamil toxic traits and yuu get both

Second thing

More reactings please,i NEED The staff,ALL The dorms and even the relatives seeing The First years developing those toxic traits,the overblots+Trey and cater for deuce getting their toxic traits right back at their face i beg you🙏🙏

anything 4 u, baby.

(but for real, though, this is an AMAZING idea, love you so much for tilling the ground for my brainwormies, mwah mwah 😘)

(also, this might get REALLY long, so hang tight!)

it was just a seed at first — a tiny idea that stuck around despite the first-years not even realizing it was there. but as the poison from their actual housewardens starts to develop into something truly deadly, so does that seed. it shows up later... but it makes itself known nevertheless.

ace, deuce, and jack have all worked for azul at the mostro lounge at one point, and though it was a very brief moment in time, it was just long enough to worm its way into their heads.

it starts with ace trappola, who's already pretty slippery with his words. but working at the mostro lounge, taking subconscious note of all the underhanded deals azul is making, he starts to pick up new... skills, let's say.

it starts small, with ace starting to give out certain favors to his fellow freshmen to earn some money. if you give him ten thaumarks, he'll do one of your everyday chores for you — dusting your room, cleaning your bathroom, making dinner, what have you. if you give him fifteen thaumarks, he'll do your homework if you don't feel like doing it, or take class notes for you if you don't feel like showing up. if you give him forty, he'll help you with something less-than-moral and definitely against the rules (he did it once back at the atlantica memorial museum — he can do it again).

there's an obvious power imbalance in all of these scenarios, but ace effortlessly words in a way that makes it seem like it's a win-win situation, when in reality, it's more like a zero-sum game.

it gets to the point where ace builds a black-market sort of reputation, and all of the freshmen know that if you need something done, ace is the person to go to.

...but then, something shifts.

at some point, ace starts a black-mailing campaign for the people who paid for the forty-thaumark favor. if you don't want your secret — one that might get you expelled, suspended, or worse — getting out, then you can pay for ace's silence with a favor or more money.

the worst part is: there's no way out. if you try attacking ace, it'll seem like you assaulted him for no reason, since if you try to explain he was blackmailing you, you'll have to tell them what he was blackmailing you with, which you obviously can't do — or else what was even the point? the same rule applies if you try tattling on him to one of the teachers or the housewardens or anybody else. and ace is a better liar than most people will ever be in their lifetime, so it's a losing battle even if you do manage to get someone to take your side.

so if you want to cross the bridge, my sweet, you've got to pay the toll.

(it's not even about the money anymore, really. riddle's thirst for control and azul's desire for recognition have clashed inside of ace in the most violent way, and now, it's all about the power it gives him over other people. and after how powerless he's felt this entire school year, being thrown left and right by overblot after overblot with no say at all, this is a power trip he never wants to come back down from.)

but ace realizes he's making quite a few enemies with his little money-making strategy, and he needs someone to help him just in case someone does come up with a plan to wipe him out. i mean, just look at azul — even with all of the loopholes and leverages in the world, even he was taken down eventually without outside help. if he wants this to last as long as possible, he needs... incentive for people to listen to him.

his own jade and floyd.

his own red-and-black collar.

using his riddle rosehearts-born dominance, and taking advantage of deuce's trey-and-cater-born passiveness, ace convinces deuce spade — one of the strongest people he knows — to help him in his economic ventures.

and deuce, seeing this as a way for ace to vent some frustration and unwilling to be on the other end of ace's ire, hesitantly agrees.

he doesn't piece together that ace is acting suspiciously like azul, but he still recognizes his own role in this whole scheme. ace is running a business, right? and deuce has only ever worked in one business before. he remembers what jade and floyd were like back when he worked under them, and so he uses that experience to inform his new position.

deuce becomes known as ace's right-hand man. he'll hunt you down if you don't pay, and he's not afraid to use force to "compel" you to. there have been stories about cat beastmen getting thrown up into trees and being left there for hours. about students getting forks "accidentally" thrown at them in the cafeteria with such precision, it doesn't really feel like an accident. about a student with a spade on his face who can throw back any attack sent his way with just as much force.

and there's nothing you can do about it, because he's in service to someone who has made himself pretty powerful. ace's silver-tongue gets deuce out of any and all trouble he inevitably finds himself in — and is ace is so brutally honest, why wouldn't people believe him? so even if you try to do something to deuce, ace has his back no matter what — and he'll win almost every time.

you mess with deuce, you mess with ace, which is already bad enough. but if you fuck around with ace, you better be prepared to find out with deuce.

they're a pair — that's always been true. but never before has that fact been so threatening.

jack howl comes next. we all know how much jack despises octavinelle's business model. but, begrudgingly, he will admit there are a lot of things he can learn from octavinelle. and more knowledge is never bad. as long as he doesn't actually use it, it should be fine.

(jack is more dangerous than ace and deuce, in a way — his toxicity is insidious in a way it just couldn't ever be with them.)

with excellent hearing, eyesight, and memory, he silently keeps note of every bribe he hears being taken. every lie he knows is being told. every mistake that gets swept under the rug. it's not long before he starts actively looking for it. it's not long before jack's uncovered dirt on almost every freshmen in school. it reminds him a bit of his time working at the mostro lounge. but instead of memorizing orders from customers, he's memorizing all their dirty secrets.

it's to protect himself, jack reasons. after all, it was only his input that put a stop to leona and ruggie's plans back during the spelldrive exhibition. he's just... preparing for another disastrous event, that's all. it's just precaution. insurance.

if it's not, then he'll have to accept that leona's overblot bothered him more than he thought. that he was weak enough to let it.

(and jack can't face that yet.)

and if, once in a while, ace comes to him looking for a little bit of information, then well, that's just lending a friend some advice. nothing wrong with that.

epel, ortho, and sebek don't have any direct ties to jamil, but they are certainly... impressionable, aren't they?

sebek zigvolt is a bit dense, certainly, but even he can see how well jamil takes care of his master. and with a master that's as ditzy and forgetful and all-over-the-place as kalim, that can't be easy. even if they are merely humans, and their experiences can't even begin to compare when it comes to serving a fae prince, sebek reckons that he can learn a thing or two by observing them. so that's exactly what he does.

one day, when kalim spills food on the floor in a hilariously ridiculous move, sebek notices something few others ever would. jamil gives the tiniest twitch of annoyance — the same way silver, in all his stoicism, often does when sebek gets too loud — but then he's back to being perfectly dutiful and polite and says "i'll go get a napkin."

it's... admirable, honestly. sebek doesn't put it into practice right away, but it stays in his mind long after he first sees it.

and then, after malleus's overblot, sebek's emotions feel like they're on fire. after being stuck in a world where it took just the tiniest crack to shatter a perfect illusion, he's wary of nearly everything that disrupts his day. now every single slight against him, no matter how unintentional it may be, feels like a personal attack on his very life. but sebek can't show these ugly emotions so outwardly — that would be dishonorable behavior that could damage malleus's reputation. instead, he resorts to subtle methods that can't be easily traced back to him like putting in frogs in schoolbags and setting brooms on fire or replacing shampoo bottles with tar.

but his repressed feelings of anger start to build to the point where he's now feeling unprecedented resentment towards... well, almost everybody.

when sebek has very first negative thought about malleus in history class — "reckless bastard" — he instantly hates himself for it and throws up then and there because how dare he.

he tries to shut them out, but the more he does, the more these intrusive thoughts start to bombard him with their uncharacteristic cynicism.

he looks at lilia from across the breakfast table, and his first thought is: heartless liar.

he spots leona lying in the botanical garden and he thinks: brainless cretin.

he even sees jamil, walking through the halls, and his mind screams: manipulative bitch.

but sebek shoves it all down because he's in no position to say that. it gets to the point where he's walking around as a silent, unfeeling husk, because to be anything else would be like inviting his inner demons to visit him on the outside. he pushes his emotions down as far as they'll go, and that's just going to have to be enough to get him through the day.

ortho shroud begins to follow a similar principle. his idia-inspired pessimism has led ortho to see others as less like people and more like characters. it's easier to think of every school day as a dungeon in an rpg. it's easier to convince himself that the other students are taunting him because they're programmed to be that way than face the reality that they just don't like him.

but the problem with seeing life as a video game is that you start seeing others as just ways to complete your objectives. like npcs or maps.

and when it comes to using people, jamil viper is king. or, for ortho's purposes, the ultimate survival guide.

ortho shapes himself into a model night raven college student — kind, charming, and sweet for the teachers, but just mischievous and rude enough to still fit in with the students.

he goes to housewarden meetings with idia to "gain leadership experience", taking notes and hearing out of every single little idea he can get his hands on (these are the people who have not just survived, but thrived. they must be doing something right). one time, riddle even pats his head and praises him for his proactiveness.

his classmates adore him for always been willing to help and being so calm about even the worst outcomes.

ortho makes himself as available as possible to the rest of ignihyde, brushing off homework or studying to help them with whatever they need — fixing game consoles, wiring in controllers, checking the internet connection, et cetera.

eventually, everyone believes in him almost as fiercely as scarabia believed in jamil, once upon a time.

ortho doesn't like telling all of these lies, but it's necessary to protect himself. it's like grinding to earn coins until you have enough money to buy that special armor in the shopkeeper's store.

...or maybe it's more like those cheesy dress-up flash games ortho used to play all the time — fleshing out the perfect outfit and hairstyle and makeup that'll earn you the most points.

if people feel like they need him, he'll be able to breeze through school without any more problems. he's put the whole system on easy mode! it feels a bit like cheating, almost.

it is like a game, isn't it? it's fun.

(at some point, ortho forgets how to stop.)

as for epel... well, he knows that his sudden snappish behavior towards the other pomefiore students won't go unnoticed for too long. but this is one of his only ways of venting, so he needs it to go under the radar long enough for him to... to squeeze out all of this sudden venom that's built up in him.

epel's not oblivious. he knows how sebek and ortho have changed over the weeks, and he knows why. but epel can't pull off "repressed" like sebek, and neither can he suddenly turn into the best person ever like ortho. but they do have the right idea about taking inspiration from jamil, so epel can fall back on what there is left: gaslighting.

every time kalim blacked out, jamil blamed it on him being sick. every time someone thought kalim was being awfully uncharacteristic, jamil called it a "mood swing". every time someone asked jamil about why kalim was acting so weird, jamil claimed ignorance.

at least, that's what yuu tells epel.

and it's perfect.

so now, every time someone confronts epel about his overly critical behavior, he lies and says he's doing it for their own good. you need pressure to make a diamond, after all. and besides — vil won't settle for anything less than absolutely perfect.

("i'm just trying to catch your mistakes before he does. and i think you and i can both agree that i'm a lot nicer than he is about it.")

every time vil confronts epel about all of the complaints he's been hearing from the other students about how epel's been tearing down their ideas for outfits and hairstyles with no mercy, and disregarding all of their achievements as "not good enough" to be proud over, epel dons a confused face.

("vil, between studying for tests and the crazy physical regiment you have me do, i barely have time for myself. you honestly think i have the energy to criticize other people?")

epel even starts turning people against each other so they won't focus on him. epel subtly threatens to take away the upperclassmen's position in the hierarchy, which sets up the other underclassmen as a threat, and epel grouses to the underclassmen that the upperclassmen look down on them for not living up to pomefiore standards, under the guise of regular teenage bitching.

but all of this, combined with their self-entitlement, leads to a mini-war in pomefiore. but since this is, well, pomefiore, where being perfect and poised is the standard, the others make sure never make it obvious in front of vil or rook.

epel plays everybody like a fiddle, and ensures that none of it can be traced back to him. it's a good way to get out his frustration. and hey — it seems like everybody's upped their game along the way. vil seems pretty happy that everybody's improving in their efforts so greatly, practically overnight!

epel wakes up with a feeling of accomplishment everyday. for once, it seems he did something right.

now if only rook could stop looking so somber...

then we come to yuu, whose inner darkness has been left to fester all year. if people think they can treat them like a ragdoll, it's only fair they do the same.

there's a lot yuu doesn't have, but one thing they're really lacking is a bit of respect. that's what it means to be magicless in an arcane academy. you're at the bottom of the food chain.

and look at what a bit of self-interest can do for you! yuu studies in the library until late into the night, burning the metaphorical candle at both ends, learning everything they can about magic until they're more well-versed in it than most students in the school. yuu starts making potions that aren't nearly as good as azul's, but they're cheap and work well enough. they start making study guides for others with their new-found knowledge, even if they do bristle with the fact that a damned study guide is what caught them in azul's tentacles in the first place. they start learning anything and everything, clinging to whatever scraps of knowledge they can write down.

with this, they successfully make their case for why they should join ace and deuce's business. eventually, they're just as feared as they are among the other first-years.

but that's not enough for yuu. the power of fear is nice, but the power of controlling other people would be much more cathartic.

so that's what they do. while ace is more focused on monetary gain, yuu uses their mountains of blackmail to convince others to do whatever they want.

if crowley throws another ridiculous task at them, yuu simply hoists it off to somebody else to do. if ramshackle dorm needs a few repairs, it's only a matter of contacting a few people before a whole construction crew paid off by somebody else comes knocking at their door. and they'll do it, if they don't want to get kicked out of the school or have their reputation ruined.

but somehow, even with all of this, yuu sets themself up as the nicest out of their little trio. they're willing to let payments slide from time to time. they listen to their clients' problems. they take constructive criticism and always seem to improve in their potions and study guides based on feedback. and if you do do yuu a favor, they'll give you certain favors right back.

so even when yuu is a covetous, greedy, all-consuming shark, the students still think they're so very, very nice. because compared to ace and deuce, what else is there to think?

but this can only go on for so long. and yuu knows that.

one day, they get called to the headmage's office. yuu is already going through their contact list — a list that's quadrupled ever since they joined forces with ace and deuce — to see who'd be willing to do them a teensy little favor for them, but when they step through the door, they pause.

inside the office are all the housewardens, their vices, the teachers, and everybody else yuu has grown to know over the past year.

yuu narrows their eyes as riddle steps forward.

"yuu," riddle starts sternly, "from one housewarden to another, i believe we need to talk."

^

(i will address everyone's reactions in a reblog, because this is honestly getting really, really long, lol. but don't worry, the reactions are coming! 🥺)

(but i should mention that there is already a good reblog of the original post by @thenumberhuntress which addresses the upperclassmen's reactions that you can find here. go read it. it's peak.)

(once again, thank you for the great ask! this was fun to make!)

[mama-qwerty]

Oh, if anything we gotta tackle that entire scene with Sonic and Shads on the moon. It was just beautiful

Oh that scene was handled so well.

The way Sonic released Shadow, then moved away and sat with his back to him. Hugging his knees as he spoke of Longclaw, and the feelings that he'd carried after her death.

Sonic wasn't trying to appeal to Shadow's morals in that moment. He was vulnerable, and open, and telling Shadow things he likely had never told anyone else. He made himself small, like he'd been when he lost Longclaw. Giving voice to those feelings, that grief, he'd carried for a long time.

He was talking about his own experience with grief. And that's what drew Shadow out. Sonic wasn't telling him that "it'll get better, you've gotta live for her" and all those other niceties. He knows how much it hurts. He knows that pain doesn't go away completely. And he's not going to tell Shadow it will.

That is what got through to Shadow. Here was someone else who understood what Shadow was going through. Who had wrestled with his own sorrow and pain. And who still did, to an extent, based on how Sonic was acting during that scene. But he wouldn't let that pain and anger control him. Wouldn't let himself hurt anyone else to help rid himself of it.

Because it wouldn't make him feel better. Sonic knew that. He may have been tempted, so very tempted to hurt Shadow because Shadow had hurt Tom, and by extension the rest of the family. But ultimately, Sonic realized that's not who he was.

And that's what Knuckles was banking on, and why he ultimately let Sonic have the Master Emerald. Sonic had to make that choice himself, and Knux trusted that Sonic would come to that realization. Because he knew Sonic's heart.

Sonic was the best person to connect with Shadow like that, because he felt Shadow's pain. They'd lost their loved ones in much the same way, too--Longclaw and Maria had both been killed by invading forces. Sonic was sent to a different planet, all by himself, at just 4 or so years old. Shadow was put in status almost immediately after losing Maria, and woke up to a world he didn't understand, and now had to navigate by himself, all with this crushing weight of grief on his heart.

And in that moment, they understood each other.

It was really wonderfully done.

[heich0e]

hands and knees liv for knight osamu PLS

ask game: a christmas drabble from an established AU AU: the witch's song

osamu slumps down in his seat, a chill stuck so deep in the marrow of his bones he doubts that even the fire burning on the hearth across the room has any hope of easing it. he sniffles, running his hand over his bicep in hopes of speeding up the process of thawing himself out.

"it's FREEZIN' out there," atsumu, his brother, laments loudly in the seat across from him. his nose and ears are pink in a way osamu can only assume his own features mirror—they're twins, after all—and his hair is matted down to his forehead since the snowflakes previously resting in the strands have melted into nothing. atsumu's complaints persist, even as he scrubs at his running nose. "can't believe we're stuck in this shithole overnight."

"s'not so bad," osamu replies, even if he is half-frozen in his seat. "be grateful we managed to get ourselves a room, wouldja?"

not even his brother can argue with that—though he is so very good at it. the inn they'd found in this little village so far from the palace is full to bursting, the tavern around them bustling with activity from the guests and townspeople alike—if not for the knights' crest embroidered on their cloaks when they stumbled in from the blizzard outside, it's unlikely they'd have been offered lodging at all.

"how far are we from home?" atsumu asks instead of refuting his brother's point, picking up his tankard and taking a long swig of his ale.

"about a day's ride in good weather, a week's in whatever you call this," suna remarks dryly from his seat at the round table between the two twins, not bothering to look up from map in his hands. "even if the storm clears overnight, the path back will be treacherous with the snow. it'll take us two days at least to get through."

"two days?" atsumu whines. "yer kiddin'!"

suna looks at him with an expression that clearly conveys that he's doing nothing of the sort.

atsumu grumbles something under his breath, tipping his tankard back again to drain it.

"hope gin's doing alright in the storm," suna remarks, glancing out the tavern's cross-hatched windows into the stormy night.

gin had been sent ahead of the rest of them to report the knights' delay to the king. he was the best rider among them, and grew up in the northern corner of the kingdom where storms like this one were common, so of the four he was the best suited for the task. osamu wasn't so worried about him, even with the snow falling so heavily.

a man passes by the knights' table, rattling it a little. osamu shoots the ruddy cheeked man a warning glance, but the glazed-eyed look that meets him tells him that the guy's too drunk to heed any kind of warning. he stumbles away without so much as an apology, joining another rowdy group of men across the crowded room.

"you'd swear they'd never had a witch hunt around here, the way they're carryin' on."

osamu looks over at his brother, who'd been similarly surveying the room. half the town seemed to be packed into the inn's tavern, and all the boarding guests along with them.

"it's been over a decade since a witch was found in this county," suna remarks. "you know these kinds of things always draw a crowd."

"not like we even caught one," atsumu snorts wryly. "doubt there was even one here to begin with."

he's not wrong. neither of them are. the knights had been dispatched to investigate the rumours circulating in a little village half a day's ride away from where they presently find themselves about the appearance of a witch, but in the days they'd spent investigating they'd found little tangible evidence to prove it.

there's no such things as witches in this kingdom.

not anymore, at least.

but still, the king had to do his due diligence—sending a group of his men to dig into the whispers that had made their way back to the court. the storm had been the only unexpected part of their trip.

"hey sunarin, go get us another round," atsumu says, setting his empty tankard back down against the tabletop.

"fat chance," suna replies. "get your own."

"i'm still too cold to move," atsumu protests. he turns his attention to his brother, trying his luck there. "samu?"

osamu shakes his head. "tough."

"but you need a refill too!"

osamu glances down at the table towards his own beer—at least, the place where his beer ought to be—only to find the tankard missing. on the other side of the table, his brother sits with two empty tankards in front of him and a smug smile on his lips.

"you gluttonous little bast—!"

across the room, a sudden commotion catches all three knights' attention. a fight, possibly. maybe an accident. whatever it is, it sends all three men over to investigate, pushing their way through the crowd.

a man is sprawled on the ground unconscious when they manage to break through the fray, a mounted buck's head—or a previously mounted one—just beside him.

"what happened?" atsumu asks, surveying the scene—all of his childish petulance gone now as he assumes his duty.

"the twelve-point just fell off the wall outta nowhere! knocked the sucker out cold!" the barman who had clearly witnessed the ordeal explains, a bit incredulous. "that things been up there for half a century, must've come loose or something."

"serves the guy right considerin' how he was pawing at that poor girl," the young barback adds.

"girl?" suna asks.

"she was sittin' at the counter just a minute ago," the barback explains, looking around curiously. "the old drunk's been making passes at her all night."

"is she a guest?"

"she was," the barman explains. "checked out just now."

"checked out?" osamu asks incredulously. "she went out in this weather?"

the barman shrugs. "didn't ask."

osamu's head whips around as suna and atsumu continue trying to control the crowd, and get the unconscious man seen to.

across the room, osamu sees a figure slipping out into the night—the winter wind rushing in as they pull the door open. the hood of their cloak blows back, and reveals just the profile of their face.

a woman.

osamu freezes in place, watching as you turn and cast one last glance around the room. if you see him watching you, your eyes don't linger, and before he knows it you've slipped out into the night, the edges of your deep blue cloak trailing behind like curling tendrils of smoke.

he's following you out into the storm before he even has the chance to think.

it's quiet outside once the door slams closed behind him; a stark but welcome difference to the activity that rages on inside the inn.

it hasn't been long since osamu was last out, but somehow everything about the village seems stiller now around him. more peaceful. it's welcome, he thinks, even as the falling snowflakes land against his skin and melt into the warmth of his flushed cheeks.

he looks around for any sign of you. for any glimpse of that figure he'd come chasing after, but there's nothing.

not even a set of footprints in the fresh snow.

[dwobbitfromtheshire]

Dustin moved to the window by Steve’s front door and pressed his face to it.

"Robin. . .why is Steve talking to Santa?" Dustin asked and turned to look at her.

"Oh, he knows him very personally. He called him over for you guys," Robin said.

"Steve knows Santa?!" Dustin shrieked. "He never said!"

"Okay, do you still bel - ," Robin started to say.

"WHY IS STEVE KISSING SANTA?!" Dustin yelled, his face pressed to the glass.

"Oh, well, Steve’s been a very bad boy this year, and he's trying to work his way back onto the nice list," she replied.

"BY SEDUCING SANTA?!" Dustin yelled. "That's not how you do it!"

Mike, Lucas, Max, Will, and El entered the hallway.

"What's going on?" Max asked.

"Steve knows Santa! He called him over, and now he's cheating on Steve with him!" Dustin yelled.

"What? Is he trying to get on the nice list or naughty list?" Mike asked.

"Fuck this," Max swore.

They all spilled out onto the front lawn with Robin following after them.

"You guys do know that Santa isn't - "

"STEVE!" Dustin yelled.

"Oh, goddamn it," Steve cursed as he pulled away from Santa. "I've ruined - "

"Are you cheating on Eddie?!" Dustin yelled, his hands on his hips. "You're my brother, and I love you, but if you ruin this relationship with Eddie, I'll never forgive you!"

"That's sweet, Henderson, but completely unnecessary," Santa said and pulled his beard down to reveal Eddie. "Surprise!"

"Oh my god!" Dustin exclaimed.

"Don't beat yourself up, Dustin, it's an easy mistake to make!" Eddie said cheerfully.

"Why didn't you tell us?!" He asked.

"Uh, well, Steve wanted to keep it a surprise, and I thought you were old enough to know," Eddie said.

"It makes sense now, Eddie wasn't here last Christmas!" Mike exclaimed.

"And it makes sense why his wounds healed so quickly," Lucas said.

"And why he can drive so fast," El said.

"And why he is so good with animals," Max said.

"And kids," Dustin said.

"He's great with kids and storytelling!" Will exclaimed.

"What the fuck is going on here?" Eddie asked.

"I don't know," Steve frowned.

"He loves elves and Lord of the Rings!" Lucas exclaimed.

"Oh my god! Eddie's Santa Claus!" Dustin yelled.

"I have to call Nancy!" Mike yelled.

"We have to call the rest of the party!" Dustin yelled.

Robin, Steve, and Eddie watched dumbfounded as the kids ran back inside.

"Do they still believe in Santa?" Eddie asked.

"This is the first time I'm fucking hearing about it and we've known them longer than you," Steve said.

"Maybe since they know that the Upside Down exists, they think other things like the North Pole exists," Robin said.

"Makes sense," Steve frowned.

"I am NOT telling them that I'm not Santa," Eddie said, crossing his arms. "You do it, Steve!"

"I'm not doing it!" Steve yelled.

"I'll do it!" Robin yelled and then paused. "After everything they've been through. . .don't they deserve to believe in a little bit of magic?"

"I don't know. . .we would be lying to them, Robin," Eddie said.

Meanwhile, the kids were watching them argue from the window.

"So, how long do you think it'll take them to realize that we don't actually believe in Santa Claus?" Max asked.

"A while," Mike snickered.

"Eddie should have done a better job at hiding the Santa costume," Max said.

As Robin, Steve, and Eddie fought on the front lawn, the kids watched with freshly made hot chocolate and Christmas music playing in the background. Snowflakes began to fall from the sky, dancing around to land on the ground.

"The mood is right. The spirit's up. We're here tonight, and that's enough. Simply having a wonderful Christmastime. . ."