#that's just who I am as a writer sorry lol

[azaharinflames]

I’m loving your theories on the whole BuckTommy (sorry Lou ilu but the name BuckTommy has stuck with me) arc. So I have to ask… why do you think people (read: fandom people) are convinced this is the last season? I really don’t see ABC/Disney undertaking this big of a show (money and following wise) and being like “yeah we’ll put time and effort into this production, but only for one season”

Thank you! Glad you love them, I feel slightly less of a clown when people understand how I think lol. Also - I was rooting for Tevan hard, and even Firefly, but I've accepted Bucktommy and now it has a special place in my heart.

As for your question... I think it all comes to change.

Let me explain. For shows to have a long life, they have to change. They have to evolve. We cannot feel as if we are tuning in to the same thing every week, especially when the same thing has long become boring. I will put Modern Family (my ultimate comfort show) as an example: the whole eleven seasons are of constant change. We are growing with the characters, we are happy, frustrated, sad, whatever, with their actions and choices. And because they are changing, we want to tune in next week to see what will be next.

911 has a severe issue of lack of change. The characters go through these cycles constantly; we said Buck was in a hamster wheel, but the truth is that every single character is in there, too. The writers are somehow unable to find new storylines or conflicts, that aren't what we have seen already, only this time with a new context.

This is partly the reason why so many people, and why a big part of the GA, latched onto Tommy and BuckTommy so quickly - because they were a breath of fresh air, and they felt like the much-needed novelty we were all expecting. If we don't have them, we go to the same repetitive stories - with Buck, but with everyone else, too, to be honest.

And if there is no change... people get bored. There are just so many times you can see Henren on the brink of losing their kids, or Buck trying to find the one (it's stopped being cute, especially when he just had the perfect partner for him walk away), Eddie being unable to move on or forget Shannon (because as much as he's 'better' - has he actually dealt with it?), Madney having either a kid storyline or a Dough-influenced storyline, Bathena having issues with communicating... eight seasons is a long time of this. And unless they change it up, just how much longer can they go? We joke about Grey's sometimes, but the fact is that they are constantly changing.

So. That's partly it.

But (without wanting to make this a whole novel), there were also rumors that some cast was hesitant to continue. Take this with a grain of salt, please, but rumor has it that Peter was kind of ready to walk away a while ago. He even has said in interviews he cannot do this for much longer, as 911 is a very exigent show to shoot. He even wanted Bobby to be killed off at the S7 opening emergency. Angela has also expressed a desire to be on Broadway, so that could also be conflicting. Again, take it with a grain of salt.

And as for ABC - you're right, they bought 911. But with the upcoming spin-off, one can't help but wonder if it is not complimentary but, rather, a substitute. Perhaps they are planning on moving someone from the OG there, who knows. The fact is that they managed to catch the audience's attention with the OG, enough that if they lose it but immediately have a variation of it, they might tune in. And this new show would be cheaper than OG is right now because let me tell you - it ain't cheap, as far as I am aware.

If you want my personal opinion on this - I am 50-50. I think it would be a very weird final season if this was the last, but I wouldn't be that surprised if we find out it is. I can see them going for a ninth season, but I cannot see them going further than a tenth, and that is being really generous. If they prove me wrong and are willing to adapt to change, I will happily eat my words.

PS: I do think if this is the last season, or even if we have it in the next couple of years, they could bring Tommy back (if they haven't yet), as a sort of rushed HEA. Kind of playing with the whole 'right person, wrong time', just bringing it to the right time finally.

Thanks for the ask <3

[mareenavee]

WIP Whenever~

Hello my friends <3 Been tagged by @thequeenofthewinter to participate in WIP Wednesday Wife Worship Wednesday! I never get to play this because Nyenna and Athis have... so, so many problems. But today we do, because Nyenna is dreaming. Having brain nonsense, really. But first, tags.

Let's go! Tagging the most esteemed @paraparadigm, @changelingsandothernonsense, @thana-topsy, @rhiannon1199, @snippetsrus, @orfeoarte, @inquisition-dragonborn, @the-storytellers-seer, @archangelsunited and @polypolymorph!

Below the cut, part of Chapter 28 from The World on Our Shoulders.

---

She heard the wind before she felt the morning mist on her skin. Things were slowly greying, like a light after she’d hidden under her covers. The sun, maybe, though she couldn’t recall when last she’d seen it. It hid behind clouds, mimicking her own hesitation. She opened her eyes, not having realized they’d been closed before. Whatever this was, with how quickly the image changed, she was thrown off balance at best. But the mist — yes. This felt familiar. Something like Whiterun, out by the river. Yes. The tundra cotton. She could see it now. She could feel her hands and feet where they’d only been vague concepts before, and liminal ones at that. She sighed and flexed her fingers. She’d never seen Skyrim in the height of summer, but she’d always imagined it like this — warm, plenty of flowers. Even bees buzzing, working as if all was exactly as it had always been and not this odd dream-version of things. Nyenna turned her face to the sun, let herself bask in its warmth as if she was one of the scraggly trees which dotted the landscape. She reached her arms toward it, and a dusty blanket fell from her shoulders with a strange, muffled, heavy sound. “What are you doing?” came a voice. Familiar, but distant. Something ached in her chest at the sound. Athis. Gods, she missed him. Her heart hurt trying to decide if he was really here or if this was some cruel madness. Likely the latter. She turned anyway, her grey mage robes billowing in a warm breeze that cut across the plains. He was as beautiful as she remembered — all the stress gone from his eyes, none of the weariness held in his shoulders or jaw. The weariness she’d caused. “Waiting for you,” she felt herself saying, though this seemed like a lie. He accepted it easily. He ran a hand through his ginger hair, ebony mail gleaming in the summer sunlight. She closed the distance between them and crushed into his embrace, heedless of heavy layers of metal between them. He didn’t say anything, only shifted to hold her against his chest. He smelled of mead and snowberries, like he always did. The memory struck her like steel against steel. Like she’d only dreamt of leaving, and she would wake up any moment now, wrapped in his arms, skin against skin. “I waited so long,” Athis said, voice quiet and somber, incongruous with the life that thrummed through this place, like the cry of Nirnroot at the river’s edge. “I’m sorry. I was on my way back to you,” Nyenna said, and somehow, that too was a lie. She tried again, forcing the words from her throat, which still hurt. “I miss you.” “Do you?” Athis asked. Not sarcastic, nor accusatory. A question, which needed an answer. A real one. “Of course.” He accepted that, too, and kneaded the muscle of her shoulder blade as he held her. He’d looked off into the distance, eyes focused on the mountains or the clouds. Mist gathered on his beard, his armor; he seemed like a permanent fixture here, rooted deep into the soil, never to be cut down. And she loved him. The ache of it was tearing her apart. She’d do anything at all — anything — for this to be real. For this image to love her back. She looked at him and felt rootless. Unmoored. A scrap of parchment fluttering in an ethereal breeze, belonging nowhere and to no one. He took her face in his hands, expression still oddly distant, eyebrows knit in confusion. He kissed her and her eyes fluttered closed. This was was right. If she had to be lost in a dream, then she was glad it was one of Athis.

[bonefall]

.. opinions on wind runner? i feel like im one of the only ones that genuinely hates her sometimes

If you feel like the only one who genuinely hates her, I think you need to look around more. Wind Runner is a very widely disliked character, because she's often used within the story as a small antagonist who "threatens" the authority of Tall Shadow. Gray Wing dislikes her. Thunder is openly cat-racist to her. She spends several books trying to break through the moor cats' xenophobia to join a group that came to HER LAND.

Then, when Moth Flight is old enough to be a relevant character in Forest Divided, Wind Runner is turned into Yet Another mean mom the very moment Moth displays ADHD. She's contrasted to her mate Gorse Fur, who is a Soft And Good Dad, and ultimately MASSIVELY punished with the harrowing events of Moth Flight's Vision (even though, for most of that book, she's completely right.)

Ask yourself why they're especially harsh on WIND RUNNER for being mean to her child, in the arc with Tom the Fucking Wifebeater and his redemption death, plus Thunder being forced to stop being mad at his abuser Clear Sky, please.

To me, Wind Runner is an intense, ambitious woman who's demonized for it in a way that men just aren't. She's subject to several misogynistic trends within WC, plus a huge helping of xenophobia that goes absolutely unexamined. If DOTC cared at all about women, it would have treated her with the nuance she deserves.

Wind Runner is treated with nearly endless suspicion by Gray Wing through books 1 - 3, while he's bending over backwards to suck Clear Sky's toes.

Her wanting to join the group that came TO HER HOME and being a bit pushy about it earns a stronger reaction from Gray Wing than Clear Sky murdering people.

She's pressured into changing her name "to fit in," and it's still not enough. She wanted to join the group so bad she changed her name, at the request of the Mountain Cats, for a chance of being better accepted

This came after she'd already saved Jagged Peak's life when a burrow collapsed on him. She's plenty trustworthy.

She keeps doing shit to try and prove herself to this group of assholes. Remember Bumble being dragged back to her domestic abuser? Gray Wing interprets this as a power struggle, when WIND RUNNER WAS NOT EVEN PART OF THE GROUP AT THE TIME.

From Wind Runner's POV, she did something that the Moor cats wanted done. It was fucking evil. It was committing violence against another member of the out-group the cats see her as.

But who actually has the power here? Tall Shadow does.

Gray Wing said it himself that she could have come up with some excuse for Bumble to stay, and she didn't. In fact, any cat could have spoken up. No one did.

and still. STILL. Wind Runner gets nothing. Her reward is Gray Wing surmising that actually, her doing their sick dirtywork was a political move.

It's more consistent as a motivation with how Wind Runner wants to join their group. The thing she's been doing.

She only actually gets to join the group after Thunder starts publicly hurling slurs at her for suggesting they need to be ready for Clear Sky to attack them. "What do you know about peace? Last time I was here you were NOTHING BUT A ROGUE WITH A ROGUE'S NAME"

Gray Wing even starts purring when she gives birth, because her ambition goes away briefly and she "stops bossing everyone around." this is treated like a sweet thing. god forbid women retain their personalities when they have kids

She loses her first premature child to a seizure and Gray Wing starts proselytizing his religion to her. "Maybe it's a good thing your weakest child died because Jesus has them now" I want to beat him with a hammer

When her second child gets sick, Clear Sky has a bright idea that involves killing it. I refer to this as his "reverse leper colony" suggestion. He only develops a sense of humanity towards the sick when his brother's pregnant wife is in danger. Wind Runner and her kitten barely seem to clock as people to him.

It's only after her SECOND baby succumbs to a horrible, painful death that she decides the moor cats are assholes, and she goes to start her own group. It's LONG overdue. I was extremely excited to see it.

Now. Listen.

I've been treated just like Moth Flight before. I've practically heard the scolding in Book 6 Chapter 3 verbatim. I'm not downplaying anything about Wind Runner being harsh to her; being yelled at like that never fixed the problem.

What I'm saying is that this is the SAME arc that summons the hollowed-out ghost of Storm to coo that Clear Sky "never drove anyone away" with his abusive behavior and gives Tom the Wifebeater a heroic redemption death.

So why is the scolding from Wind Runner treated as unambiguously harsh? What's the difference between her and them?

Why is it that outside of this little bubble of the community, you can get buried in a flood of people crying about how "Clear Sky made Summisteaks Butt he thought it was the right thing :((( He feels bad about shoving Thunder's face in a weeping, pus-filled wound and trying to kill him :((((" but Wind Runner is mean about Moth Flight not catching a rabbit and she should be skinned alive

Why is WIND RUNNER held responsible for the death of Clear Sky's child in Moth Flight's Vision, WHEN IT WAS COMPLETELY HIS OWN FAULT??

So, why should I hate her? Because she's mean to the idiot protagonists? Because she's Yet Another Bad Mom whose actions ARE treated as Bad in the story, in the arc famous for openly weeping whenever someone's mad at their abusive dad?? When she has this whole horrific, unexamined story about how incredibly bigoted The Settlers are towards her and the extremes she goes to in order to please them?

I'm glad she's mean, actually. She should have been even meaner. I think she should have a gun

[blobpsycho]

This gif perfectly encapsulates what I love about Tome. All girls have been this gif. Like remember having undiagnosed mental issues and your family makes you go on an outing that should be fun but you’re just pissed off constantly because youre a 14 year old girl? Tome gets it.

Like YOU’RE GOING SOMEWHERE TO DO SOMETHING THAT SPECIFICALLY PERTAINS TO YOUR INTERESTS. But youre a 14 year old girl and nobody will ever take you seriously and you’ve just got this pit of hopelessness in your stomach despite the fact that nothing is technically wrong

so even though youre on an outing planned for you you can’t shake the feeling that everyone is just making fun of you for being so upset over seemingly nothing. These are your friends and family, you deep down they wouldnt do that, but why else would they go out of their way?

They certainly wouldn’t do it for you, right? I mean nothing’s even technically wrong. You’re just being a crybaby and they all must think youre just being a dramatic teenage girl. And you are and you know that you are so why can’t you just get over it and be normal?

And when you finally can’t take the pain that’s screaming in your chest because everything feels wrong wrong and everything is going wrong and everything is wrong wrong wrong you can’t help but cry. And you’re embarrassed and you’re furious and you’re supposed to be mature and you’re supposed to not care but you cry.

Crying feels worse than the growing internal discomfort did because now everyone is looking at you. They’re staring in uncomfortable suprise at what you’re sure is the most unsuprising sight in the world - a 14 year old girl crying. You want to go home but you can’t. You’re 14. You can’t do anything on your own.

You react to the terrifying ordeal of being reacted to the only way you know how - with anger. You monologue through hot tears and sobs and snot how you didn’t even wanna be here and how you just *know* everyone is just doing this to make fun of you and how they should just go on ahead and leave you wherever you are (you know this can’t happen. They wouldn’t leave a 14 year old girl somewhere unfamiliar on her own) and something in you hopes that they’ll yell back, that they’ll treat you like you’re irrational and make you feel justified in your anger.

…But that doesn’t happen. The silence persists but you realize that it’s more contemplative than judgemental. They’re not afraid of you, though you think they should be. Rather than letting them say something sentimental about caring and being concerned or any sappy bullshit that will only serve to make you cry more, you wipe your face on your sleeve continue on your journey.

The day gets better. After everyone gathers that no, you don’t wanna talk about it, it almost feels like nothing happened to begin with- besides the slight exhaustion you feel every time you blink and the intense stress sweat you choose to blame on anything else.

By the time you get home, the day is mentally logged as a good day. You decide - albeit tentatively - that maybe you’re going to be ok. Maybe you won’t be a 14 year old girl forever.

You go to bed and have the best sleep you’ve had in months.

[obey-me-headquarters]

So, I haven't gotten too far into Nightbringer to write any specific smut for it. (Literally only just started lesson 6). But I do have some ideas!!

A lot of my ideas revolve around being the demon's "first" in something. Like, you know your demons inside and out at this point. You know all their kinks, fantasies, and where to touch them to make them squirm. So you can introduce them to all sorts of things that make them scream in the future but they have no experience with now.

For example, showing Lucifer how much of a masochist he is. I don't think Lucifer is a complete virgin in Nightbringer as I think he fooled around as an angel at least a few times. I mean, he's still a few thousand years old, he was bound to get curious and try getting frisky with a few angels. But him trying out BDSM? I seriously doubt it.

So once you and him finally fall into bed together, you show him all the ways he didn't know he loved to be touched. Having such an inexperienced Lucifer is a bit of a novelty and a bit of an annoyance. Present day Lucifer knew what he wanted and he wasn't ashamed of asking for it. The Lucifer you're currently bedding? Doesn't know what he wants.

It's actually really cute how shy Lucifer is. How he tries so hard to stifle his moans when you heard much louder, much needier ones from your present Lucifer.

And you don't want to push him. It's entirely possible that past Lucifer has no interest in BDSM. That his particular taste for masochism and being owned evolved after many centuries.

But you still want to try, to possibly open his eyes to a new world of domination and submission.

So one evening, one careful evening you've been planning for. One evening in which you make sure that his brothers haven't wreaked havoc, one evening where Diavolo doesn't up to distract Lucifer cause him stress. One perfect, relaxing evening, you spring the question onto him.

"Lucifer, have you heard about BDSM?" You ask in your most light, most casual tone to not raise any alarm bells and spook the demon.

Lucifer pauses his undressing, his hands suspended in the air as his tie hangs loosely around his neck. He turns to you in slow motion, looking so bewildered and confused that it makes you want to laugh. Surely your demon couldn't be that pure right? You know he's only been a demon for a little more than a year now, but, come on.

"I'm sorry, have I heard about what?"

"BDSM! Like, Bondage, Domination, Submissive, Masochism. Have you heard of people doing that sort of thing in bed?"

Lucifer's face turns a bright scarlet and he turns away from you. Like, actually physically turning his full back to you, turning away from you. You can see his ears still burning though, and elect not to tease him about it in worry that if you do, Lucifer might become so embarrassed he'll stop being the Avatar of Pride.

"It's fine if you haven't. If you would rather I never bring it up again say the word and I wouldn't." You tell him, concern starting to creep in.

"No. No, it's fine. I just. Why did you choose to bring that topic up?" He asks stiffly, hands clenching and unclenching at his sides. A classical Lucifer "I'm nervous about this topic because it inflicts Feelings in me" move.

"I was just wondering. I have been in dom/sub relationships in the, um, past, and was wondering if that was something you'll be into," you say gently, so extremely gently. "It's fine if that's not something you're into." You add.

"You have?" He asks in surprise, and because you know him so well, with a hint of excitement. "What... what role did you fall into?"

Relief crashes into you like a tidal wave. He's into it. He's really into it from what you can tell. He hasn't had any experience with subbing, you know because your Lucifer didn't when you meet him, but he was so desperate to finally try he practically threw himself at your feet.

Not this Lucifer though. This Lucifer most likely knows of the idea, maybe he picked up some porn featuring a dom/sub relationship and knows on some level that he's interested in subbing, but hasn't had the time to stew in that knowledge like your Lucifer did.

"Dominate." You say with confidence, a grin painting your face. "I like control in the bedroom."

And judging by the shiver that shoots up Lucifer's spine at your words, so does he.

Grinning, you stand and begin stalking towards your prey.

"I like taking control of my partner. Make them beg for relief. And if they misbehave, I like to punish them."

"Do. Do you?" Lucifer asks breathlessly.

You're standing behind him and you know he knows you're there. His demon sense picking up on it, and by the way he almost leans backward as if to meet your touch, you know he wants you.

"I do." You state confidently, mere inches away from Lucifer.

"But," your hand grasps Lucifer's shoulder and he flinches. "If my partner didn't want that...." You give him a light pull and he complies, turning to face you.

And oh, what a sight that is.

You missed your subby little Luci. You missed his cute moans, his tears as you edged him, and his screams when you overstimulated him. And you missed his flushed face when you lowered him into subspace.

And this? This perfectly mimics that face.

"Oh, baby." You breathe out, fighting the urge to pepper his face in kisses and pull him into your chest.

"And what if I do? Would you do those things to me?" Lucifer asks, and you're so, so proud of him for asking.

"Darling, I would do all that and more." You say as you kiss him.

Like your Lucifer did in the past, like he will do in the future, he lets you take control.

[thatneoncrisis]

oh captain my captain i didn't know what league of legends game was when i watched arcane. so i thought the plot was alright since i didn't (still don't) know the game lore. if it wasn't basically a prequel story, trying to aim the characters at the way they are in canon, do u think the plot and character arcs would have held up alright? or does that actually make the arcane canon story worse since it wouldn't at least have the existing canon as something it needed to land at eventually as an excuse for any "out of character" decisions? thank u

i wouldnt even call it a prequel story? its like a very elaborate au in a sense, one that feels comfortable changing things to a certain extent- clothes, personality adjustments, motivations, but they still have to hit certain beats. vi has to be an enforcer, jinx has to be a wild card harley quinn type, ekkos time powers ect ect. idk WHAT it is maybe the show needed more time or tighter focus or less characters but i just felt that like, some of the story decisions directly relating to LoL lore werent outright bad but didnt have a lot of time to breathe. the standout example being ekkos time thing, where when i watched that scene i assumed it was both a stylistic representation of a fight and establishing his and jinx's prior relationship (which is kind of too little too late considering they did not fucking speak once as kids pre time skip), and then i had to get a friend to explain to me for SEVERAL MINUTES that he literally died during that fight and it was supposed to be showing his rewind thing. it just wasnt clear at all and his character would not change in the slightest if he didnt have it. but you cant NOT include it so. *

really i have no clue the full extent of the story the writers wanted to tell and how much LoL is binding their hands on story beats. and i REALLY dont want to be inflexible considering i still have a full season coming up that might make me more receptive to certain decisions. but considering how much of the cast i REALLY like just straight up are not in the game, i think they are fully capable of making a solid story completely divorced from league

*someone in the comments told me apparently that Wasnt his time thing and my original read of the scene was correct so im not gonna hold it against the show.

[tangledinink]

MY CHILDHOOD LOVE, WARRIOR CATS MY ONE AND ONLY

I MADE MY FIRST OC'S, SELF INSERTS, AND PERSONAS FOR THAT SERIES

WE WARRIOR'S FANS STAND TOGETHER IN OUR SEA OF BLOOD AND PILE OF BONE

oh BIG MOOD. i was obSESSED with warrior cats for AGES. like. lowkey baby's first true hyperfixation. i deVOURED those books. they were typically too expensive for my family to buy (esp coz there were SOO many of them) so every time a new one would come out i'd beg my mom to bring me to the bookstore and then i'd straight up just sit in the aisle and read the entire thing then and there.

warrior cats is definitely, like, a huge part of what truly got me into drawing/writing/storytelling. i used to dedicate hours to illustrating scenes from those books. i had four HUGE handmade posters up on my wall as a tween with each and every cat from each and every clan that i'd update as the allegiances changed in the books. i used to design 'warriorsonas' for each and every one of my classmates because i was a super normal child. warriors is how i got into roleplaying, which was definitely a huge influence on my writing-- i read in an interview when i was, like, 11 that the erins sometimes got inspiration for warrior names from roleplay sites, and i was like!!!!! omg i have to start roleplaying on roleplay sites so that one of my warrior names get into the books!!!!

(they never did lol)

but i still obSESSIVELY roleplayed online for YEARS, i'd draw all my characters and draw my friends' characters, too, and scenes from the rps. we'd all write PARAGRAPHS upon paragraphs with, like, proper grammar and everything (because at that age and in those circles, roleplaying *with actions in asteriks* and stuff was CRINGE and everyone KNEW that the LONGER you wrote the BETTER your writing was, obvs, and that was the only factor--) i spent, like, every waking moment on this massive chatroom-based site called kugyay that had, like, hundreds and thousands of users in its heyday. granted, like, most people had more than one account (so you could have a custom profile for each character, obvi) but i remember everyone freaked out when we hit more than 10,000 accounts.

i could talk about my experience with warrior cats and all my various ocs for... like.... ages. also like. this is random and won't mean anything to most people, esp coz i only posted, like, a few pages about it, but i also want y'all to know that this graphic novel that i desperately want to bring to life and do justice someday and that i've dedicated SOOO much time thinking about is... like....... 1000% inspired by/based on warrior cats lowkey. like. i am infected. forever and ever.

[mermaidsirennikita]

sometimes it drives me literally insane to see romance requests that are like

--I want a romance wherein it's basically the happy epilogue throughout the book

--I want a romance that has great communication and they never withhold anything from each other ever

--no "miscommunication trope"

The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?

Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).

If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.

I just don't understand the point.

[that-was-anticlimactic]

i think it's about time that we acknowledge that, no, that character would Not change their name in a groupchat! especially not to that. and, no, that character would not change everyone else's names! especially not to that.

[curry-and-gunpowder]

Okay so I have some stuff to get off my chest, might get a bit heated, but I mean no disrespect to anyone, just expressing my genuine confusion and frustration and trying to make my stance on some matters clear.

Clearly I ship Odazai. But that does not mean I reject other interpretations of their relationship. Be it platonic, queerplatonic, brotherly, it's all lovely to me - I genuinely just enjoy their unique dynamic.

However, I am constantly on the brink of losing it over hearing them referred to as a father/son pair by so many people in the fandom. And I'm gonna attempt to break down why this interpretation bothers me so much.

Firstly, it just flies in the face of my personal experience of intergenerational friendships - I'm a young-ish Millennial with many Gen Z friends. And I find it completely incomprehensible to try and force people who are relatively close in age into such a dynamic. I'm aware that a lot of bsd fans are teens or young adults who maybe don't have much social contact with people outside their age range. But as a 30+ person on the Internet, let me tell you, five years? That's nothing. The plain truth is, the older you get, the less age starts to matter. Once you get out of school, you will interact with people of all ages regularly and you will have friends who are older or younger than you and nobody fucking cares. The thought of seeing any of my younger friends as my children is, pardon my french, fucking ridiculous.

Secondly, and I've spoken about this before, the fandom's tendency to parentify Odasaku way beyond what the text ever implies. It's easy to put him into the role, considering the way he cares for his orphans. In that way, he has some parental traits - but it's only a facet of his personality, and, i would argue, one that the fandom puts way too much emphasis on, imho. I'll gladly write some more meta on that at a later time, but doing that here would make the post even longer than it already is. Just to quickly reiterate, for anyone who hasn't read the dark era lightnovel - Oda does explicitly NOT treat the kids like his children. Why then would he treat Dazai like one? Dazai, whom he explicitly invites to go drinking with him in TDIPUD? How does that track? Is he supposed to be just a shitty parent? Or could it maybe indicate that he sees Dazai as his equal more than anything?

(Tangentially, I would argue that Oda's perception of what constitutes a child/an adult is horrendously skewed, considering his own past.)

Thirdly, and this is probably gonna be the one that might get me into hot water with some people, the thing I like to call the Cope. The tendency in fandom to manifest a hard line between groups of characters that somehow should never be crossed when shipping, otherwise that makes the ship badwrongtoxic. This is a phenomenon I've observed developing more and more in recent years, and it's ngl pretty worrying, because it's generally used to present one's own ship as "superior", and all "rival ships" as less than/bad. Ships with "significant" age gaps tend to fall into that category relatively often, but I suspect very few people actually genuinely care about the characters' ages, but rather use it as a shield to justify why these relationships are To Be Avoided. Odazai is an absolute stellar example of such a ship - by all means it should be way more popular than it is, considering the themes that surround it and the way its absolutely center to the nareative of bsd. But without fail, when I look up media for the ship, be it YouTube videos or simply browsing the tag on tumblr or pinterest, I see the same mantra repeated over and over - "how can you ship them, they're like father and son!"

(I'm concerned about the relationship you have with your parents, I say to myself in response.)

And its, quite frankly, just not the case. I cannot for the life of me find any indication of this so-called parental relationship anywhere in the text. All I can see is two people who are friends who have a deep and sincere love for each other.

In conclusion, not every relationship has to fall into the category of familial or romantic. Sometimes... people are just friends. Sometimes friends are some years apart in age. It's not shocking or special or anything, it literally happens all the time.

Just let them be friends. It's fine, really, it's allowed.

[hecksupremechips]

Persona romance routes are all pretty bad but damn they really hit rock bottom with p3p femc route like the misogyny is very blatant and it’s almost hilarious like look at the Shinjiro romance. When you do his social link he’s like very clearly respectful of Kotone as a leader and explicitly says stuff like "oh yeah you’re clearly the best fighter we have, I don’t really know much about fighting like you do, I hope I’m not dragging you down, you’re doing a good job as leader just remember to take care of yourself, everyone looks up to you I know you can rely on them" etc. like he has faith in her leading abilities. But then when you romance him he’s like got dialogue like "bwah bluh i gotta look after you because you’re a GIRL and you need to stick by me, a big strong MAN so you don’t get hurt" and "don’t wear that revealing outfit in front of other guys 👺" and it’s like. Does he respect her or not and also like it doesn’t make sense for him to look down on her for being a girl cuz he literally has never not been led by a girl leader during his time in sees and Mitsuru in particular really has her shit together when it comes to being responsible and a good fighter and she’s always known the most about Tartarus

It’s also like. Idk maybe its just me I’m not a girl so FUCK IF I KNOW but to me the appeal of romancing Shinji is the fact that he’s sweet and sensitive and gentle and has respect for you despite the fact that he acts all scary. That’s like, what made me like this character in the first place. But the writers seem to think what women want is for a BIG STRONG MAN to protect them because they are just DELICATE WOMEN who are inferior in every way it’s like. Shut upppp thanks

[his-tamine]

A visual of how I react when writers way better than me come to me for criticism

[hey-scully-itsme]

reading some essays/lectures by Flannery O’Connor and she has some relevant stuff to say (it’s also Very Catholic so warning for that ig)

This is from Mystery and Manners.

[compacflt]

I have an anecdote about when I worked for a company and a co-worker left to work in a different state on military aircraft. He had to get a TS clearance and because we had worked for several years together he asked if I would be okay with being interviewed for his clearance. I said sure and an interviewer w the gov, arranged to come to my place of work and conduct the interview there. I was asked questions about him like how well did I know him, and whatever answer I gave led to more specific questions like if I answered a question about knowing his wife, they would ask if I thought his marriage sounded secure etc.

This memory of that experience was on my mind while I read your story and I wondered who Iceman would choose for his TS clearance interviews (and who the gov would choose for him) and what would they say? I feel like their "secret" would be uncovered in even a low level clearance (years later I had to submit names for a low level Public Trust clearance for my job) It was so embarrassing because I did not have many friends I was comfortable submitting for that as I kept my work and home life very separate.

Anyway, that is my "cool story, bro"

Thank you for such a great and well researched story!

this is indeed a cool story bro and touches on what is literally my story’s fatal flaw, which is: Yeah, a shitload of people would’ve known about it. I am going to hijack your question to talk about that, so my apologies, though i will get around to your question by the end. This is gonna be a really long post. I have a lot to say and a lot of ground to cover.

So I wanna start out by talking about the structure of this story and its core conflict, because while I’d like to say this story is rooted in an accurate depiction of the US military, obviously that’s not true; it’s rooted in the dynamic of the story that i wanted to tell, which is the story of a guy coming to realize the truth behind a Big Lie—him passing as straight. And that’s a pretty universal story, but it’s made more specific by the fact that a) the guy canonically wants to be the best in an institution that enforces the Big Lie and b) the guy canonically is so successful because he follows the rules/orders of that institution. So, for character growth, to put it simply, the guy (Ice) has to come to the conclusion that the Big Lie is a lie by himself. He can’t be told/ordered that the Big Lie is a lie, otherwise he hasn’t grown out of “just following orders.” (I’ll get to the Big Lie in a second. I made charts and story structure graphs below.)

The only other story about a Big Lie I can think of off the top of my head right now is Passing (1929) by Nella Larsen, which is about a Black woman in Chicago trying to pass as both white and straight. It’s a great book and I’ll try not to spoil it, you should really read it for yourself, but the terminology I’m going to use in this post comes from an analysis of it, so just to bring you up to speed—Clare, the woman trying to pass as white, is recognized by a friend, another Black-but-passing woman, Irene, who is shocked that Clare has abandoned her heritage (the truth of her, that is) and married a hyper-racist white man who doesn’t even know that she’s Black. So the book sets up a dynamic of the Big Lie that I’ve outlined here (hopefully it makes sense):

I built on this dynamic for my fic. Ice is both a “dupe” and a “passing figure,” in that he believes the lie that he is straight and also passes for straight—but it’s also more complicated than that because he’s not actually straight (getting to that). Mav is an “in-group clairvoyant” and can recognize Ice as passing because he is also straight-passing. The Navy are a bunch of “dupes.” But…what is Slider, for instance, or your question’s hypothetical government official who, yes, will 100% find out because people always find out?

In comes my ginormous-and-overly-wordy WWGATTAI Plot and Character Dynamic Summary Graph. You don’t really have to read it all, the only important bits for this discussion are the leftmost column (“plot”) and the green quadrant (“out-group clairvoyants”).

To summarize—people who know the truth can’t actually act on it, because for Ice’s character growth to make sense, he has to come to the truth himself. This forecloses the possibility of any outwardly homophobic action (by which I mean someone like a govt official or one of my lame OCs actually challenging him on his illegal relationship) in the plot, because for 90% of the story Ice is so fragile that he would probably just cave immediately and double down on the internalized homophobia. So, for plot purposes, everyone—including Mav, as it happens—has to sort of tiptoe around Ice’s obvious not-straightness and give him an unreasonable amount of grace so he can figure it out for himself. 

And therein lies the fatal flaw of this story. It is, like, not conceptually viable. Of course people would find out, of course the government would interrogate him about it, of course he’d have to confront the truth much sooner than TWENTY-FIVE years after he first starts messing around with Mav.  Which literally breaks my heart because I didn’t realize it was a fundamentally busted story until long after I had finished writing the base plot & couldn’t fix the overarching problems 😭 The thing is, it had to be this way, because there is at least a thirty-year gap between TG86 and TGM22, and TGM is obviously the emotional climax of the series and my story had to match that. So—fanfic and its canon constraints, everyone. 

But also… I can explain away these logical inconsistencies with story structure & character dynamic graphs to make the story make sense, sure, but it doesn’t change the truth of the matter, which is that… I hadn’t ever really thought about things like security clearances, and therefore wrote around them because I didn’t even know to consider them. And I know there are a bunch of other details in this story that betray my immaturity (anytime I talk about alcohol, for instance—I still am not legal to drink in this stupid country & have only cheap bad experiences to draw on; THE HOUSE—if i could rewrite this story from the beginning they would not have bought a fucking house together, what was I thinking???) and the lack of thought about the real-life logistics and consequences of secrecy is one of them. 

And it’s exactly what I mean when I say “I look at this story and all I see are its flaws,” which is why I wanted to write this post & get it on record. I have just enough life experience to read my own writing and know that it’s fundamentally unconvincing, and not enough life experience to know how to fix it. :(

But, to answer your original question, you’ve got me brainstorming a scene where Ice is asking Slider to be his character witness & Slider’s like “Look bro do you want me to lie to the federal government under oath for you because I will” and Ice has to be like “Legally I cannot ask that of you but”

[chloecherrysip]

Absolutely nothing can stop Mario now. He's fought his way through the airship, he's found Luigi in the middle of a jailbreak, and he's finally about to reunite with his brother. What could go wrong?

Bowser happens to be nearby, though. And he's just had an epiphany about his new foe's biggest weakness.

(Alternatively: A Hypothetical Version of Mario & Luigi's Reunion in the Mario Movie That Would Cause Me Irreparable Psychic Damage.)

(I decided to clean this up a little and post it on AO3 too! A slightly rougher version is still available here on tumblr, but if you'd prefer this format, here you go!)

[orcelito]

OK so I have an inkling of an idea for a trigun ficlet. A one-shot, really. Not really any plot, but I just have the urge to write my own interpretation of Weird Plant Shit. Like for how much ppl tag this stuff as xeno, most of it's honestly pretty tame. Which kinda makes sense, considering a lot of this is being based off of the plants in stampede, which While uncanny are not NEARLY the amount of inherent horror of the plants in the manga. There's some FREAKY shit going on there. So like. You know. What if I took more inspiration from That for Vash's freaky shit?