#that’s why it’s not her real name

[fruityfroggy]

📖 📞 and potentially 💕 for Lady Clef, i want to know about the toxic yuri event 👀

Hehe, the toxic yuri you say? There’s a couple spicy interesting dynamics there, I tell you what. We’ll get to that later…

(I’ll start calling Lady Clef by her real name, Madeleine Norvellaire, btw)

📞 : Are they associated with any canon characters? Who and why?

So, the thing is, the detective protagonist of the event, Gaëlle, associates Lady Clef with Manus Vindictae. And to be fair, she isn’t too unreasonable for this, since Norvellaire does know Arcana, and has even been invited to join her before. But, she declined that offer, which happened years ago.

The character she’s actually associated with is a man by the name of Ringmaster; Who, I suppose isn’t a canon character, but he fits as being associated with Madeleine a little better than Tennant and Centurion, who she’s simply friends with. I’ve very briefly mentioned Ringmaster before, but he’s essentially the owner of a famous circus and casino, and he’s helped Madeleine out of a sticky situation in her past.

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I’m pretty sure I’ve done 📖 last time, but I can definitely expand on Lady Clef’s event a little more (if that’s what you meant). Last time, I ended off on her character story pretty quickly, so I’ll cover that this time.

So for Lady Clef’s character story, it reveals more about how her personality turned out this way, as her parents had a big influence on her thinking processes. Growing up in a family filled with deception and infidelity, she was simply a trophy that needed to stay pretty for the next beauty pageant; a source of pride who’s used like a drug. Her personality goes through a couple major shifts (fearfully obedient, to cold and jaded, to her current cunning self), which is shown in the different parts of the story. But hey! She went from being taken advantage of for her looks, to using her looks to take advantage of others! So good for her!

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💕: Do you ship them with any characters, canon or otherwise? Who and why?

Okay, TOXIC YURI TIME! There’s three characters that Norvellaire is shipped with atm: (as you’ve probably guessed) Tennant, Centurion, and Gaëlle.

“You’re such a tease, my lady. Don’t you get tired of it?”

“If it means I get such priceless results, why would I waste the opportunity?”

So, let’s start with the double toxic yuri, cuz why not? Oh these two are complicated, but they were kinda meant to meet at some point, y’know? It’s a game recognizes game situation, where both Lady Clef and Tennant are just throwing their player tricks at each other to see who breaks first. Though, a major part of their dynamic is how Norvellaire likes to outsmart Tennant’s flirtatious lines to frustrate her, since she’s always so calm and polite “She can’t possibly play good forever.” They’re many things to each other (which will take too long to explain fully), but to put it very simply, they’re in a situationship, since they’ve kept each other around for way longer than their dozens of other lovers (To the point where they’ve kept track of some of each other’s lovers, just to ask about them like they’re pets or smth. It’s a whole thing).

“Aren’t you afraid I’m stealing your spotlight, darling?”

“No. I’m afraid you won’t steal more than that.”

Next up, we have Lady Clef’s other situationship, which is with Centurion. They know each other through fame and- well, being at Ringmaster’s casino (it’s a given). Norvellaire knows that she’d never win when playing against Centurion, so she only accepts one game with her (with a side of flirty banter) if she receives her enthusiastic invitation. And Norvellaire doesn’t even gamble that often, which essentially makes her attention a gamble on its own, which Centurion obviously likes. Yeah, that’s kind of their dynamic honestly. It’s a very confident chaser of a prize that never stays for long; And in that sense, Lady Clef is the kind of danger that Centurion craves.

“And why should I trust you?”

“You’re a sharp shooter, aren’t you? I’ll let you take a couple shots where it hurts…if I turn out a traitor. I promise I won’t even fight back.”

And lastly, we’ve got the classic detective x femme fatale, enemies to lovers film noir trope between Gaëlle and Lady Clef. In the main event, Lady Clef is Gaëlle’s top suspect for the case she’s working on. But, Lady Clef is still a big flirt, even in the face of a literal detective accusing her of crime…and it’s working? Yes, she’s made Gaëlle more hostile towards her, but she’s also made her start to question her entire being for finding her actions enticing and not knowing what to do about it (aka she gave Gaëlle the most confusing gay awakening of her life). Their dynamic is essentially the definition of this meme audio, where Gaëlle’s just over here like:”You…evil woman! You can’t just get away with…this!”, then proceeds to let her get away with exactly that. (They do join forces after a lot of push and pull tho)

(Now two of the playlists from this post makes a lot more sense, doesn’t it?)

[nightthinker-08]

I couldn't sleep so I drew some Pomnies shes surprisingly fun to draw lol Oh and some doomed yuri too I guess xD buttonblossom is cute n all but calling them doomed yuri or digital yuri is a lot funnier to me

[kittynette]

*marinette noises intensify*

marinette’s voice appreciation post because i’ve never seen one on tumblr<3

[kacievvbbbb]

Honestly with the workload these kids be getting, what they are studying in school and just generally how they are treated. You really forget these kids are like 6 years old.

Anya is the only one that consistently acts her age and so she sometimes comes off as immature which is insane when you think about it they are all literally 6. This also works cause we can assume she is a year or 2 younger than the rest of her grade, still, even then it’s insane.

Which is why when the other kids actually start to show their age usually in situations of great emotion, the bus hijacking for one. Or even when the kids think one of them is going to have to leave because his family is now poor and they all rally around this kid they never even really spoke to, or when they literally think that some macaroons will make them smarter and help them pass the test. Or when they simply want to play outside.

it’s so jarring and you’re left being like oh right they're six, this isn’t normal. Six-year-olds shouldn't be put under this kind of pressure.

It's another neat little insight into just what kind of society these kids are living in. And a little bit of irony that Loid who wants to create a society where little kids don't have to cry anymore is on a mission that requires the infiltration of a school where little kids can't even be ones.

[sonadowkismesis]

sorry, no art this week. just edits of fem!ford of varying quality. her name's andromeda. grauntie andy. and i love her

[biruesque]

one time i dreamt i was the second mind in the body of a girl. i couldn't control her, only watch her thoughts, feelings, and memories. i woke up when she died of suicide. if my dream diary clearly says i was her, why do i really feel like we're two different people?

[twentyfivemiceinatrenchcoat]

YOU DRINK YOUR COFFEE BLACK AND WE ARE AFRAID OF EACH OTHER ; SHOKO IEIRI

synopsis; shoko makes you a morning cup of coffee; turns out she’s not very good at that, but it’s the thought that counts.

word count; 4.2k

contents; shoko ieiri/reader, gn!reader (but written w a fem!reader in mind), fluff fluff fluff!!, just normal morning shenanigans at the ieiri household, implied stsg (my brand), shoko can be a girlfailure. as a treat, reader is absolutely whipped (and so am i)

a/n; been writing too much gojo n geto lately. neglecting my wife :((((((( let it be known that i am a shoko stan first human second. this one is for my wlws pls eat up!!!!

you wake up to the sound of your girlfriend’s voice.

melodic and soft, low and saccharine; almost like she’s coaxing you out of hiding. a sound so lovely you wish you could drown in it, laced together with a distinctly raspy tilt, one you can only attribute to the copious amounts of cigarettes she smoked back in high school. a leftover residue, bittersweet memories ghosting her lips — one that gets you a little bit weak in the knees.

in the mornings, it’s particularly prominent, a little intoxicating. manifesting itself as a shiver down your spine, a jolt of your heartbeat, a flush on your skin for every word that she speaks. it’s enough to have you slipping from sleep’s embrace, carried back into the cradle of reality.

why you notice her voice first, and not the smell of something burning — or the sound of insistent beeping — is honestly beyond you. 

it doesn’t take long for your sleepy brain to react, however, a pang of anxiety rushing through your slumbering veins. hurriedly stirring you awake. abrupting your dreamlike, drowsy state, tangled up in silken sheets with your neck smudged by lipstick marks; an alluring red, one shoko typically favors when she’s going out for a drink. coming home just a tiny bit tipsy, affectionate and giggly.

and when your eyelids finally flutter open, your mind melting into the motion of the waking world, you shoot up in a sudden bout of panic.

because fuck, you belatedly, groggily realize — that’s the fucking fire alarm.

and shoko is spewing curses, from afar, loud enough that you can hear it even through the fog of fatigue that clouds your brain. a raspy string of words that you don’t quite catch, but they’re enough to have you scrambling out of bed, nearly bumping into the doorframe as you kick the blanket off your legs.

”what happened?” you croak out, chest heaving a little, having stumbled into the smoke-filled kitchen. disgruntled, reeling with the aftermath of your deep slumber, cold air nipping at your bare skin. the balcony door is open, and the smell of rain invades your apartment.

when you look out the window, all you see is a gray sky, blanketed by a thick coating of wool. smothered by clouds, not a single ray of sunlight slipping through the cracks. the world smells dewy and sweet, asphalt and flowers melting into a nostalgic fragrance, one that reminds you a bit of high school smoke breaks — huddling under the slide at the nearest playground, watching a pretty girl wrap her lips around a cigarette, exhaling smoke just for it to melt into the pouring rain.

one that reminds you a bit of the woman right in front of you, balancing on a chair and stretching her goosebump-ridden arms towards the ceiling, wearing nothing but a lacey bra and a pair of unbuttoned jeans. messy hair that cascades down her back, brows furrowed, eyes simmering with irritation — before flitting over to meet your own.

shoko blinks. then sighs. ”you woke up?” she mutters, and you try not to shiver when the tremor of her voice deepens, morning-fatigue seeping into the syllables. “fuck. sorry, i —”

she stumbles a little, shifting her weight from one foot to another, and you take a step forward. on instinct, as if getting ready to cushion her fall. ready to be of service, in any way you can.

”don’t worry,” she fumbles with the fire alarm, clicking her tongue. nails scraping against plastic. “it’s fine, i just need to — there we go.” 

finally, the beeping stops. and your shoulders relax, immediately, the tight little ball inside your chest untangling. with a deep inhale, the fragrance of espresso and smoke fills your nostrils, and a sense of calm washes over you. rooting your feet to the floor. 

shoko settles down, too, seating herself on the wooden chair. a huff slipping from her lips. they’re smudged, a blurry red she still hasn’t found the energy to wipe away. 

bringing a hand up to card through her hair, lithe fingers in between her messy auburn locks, she exhales. a blend between fatigue and relief.

”god. i need a cig.”

a moment passes. she raises her head, and sees the sleepy little pout playing at your lips — her eyes softening. blooming with something fond. giving you a smile, tired, small. but reassuring. 

”i’m just kidding, love,” she chuckles. “relax.”

”don’t joke about that,” you frown, rubbing the sleep from your weary eyes. stifling a tiny yawn. ”.. took me so long to get you to quit.”

(sometimes you can still see the smoke leave her lungs when she exhales.)

shoko keeps smiling, but doesn’t say anything else. the pitter patter of rain against your balcony railing fills the silence of the kitchen, still brimming with a light layer of smoke, slowly dwindling. cold air drawing it out. clad only in one of suguru’s old t-shirts, you shiver, and shoko seems to notice.

“good morning,” she coaxes, opening her arms slightly — and you move forward, a moth to a flame. without thinking. “sorry for waking you.”

she wraps her arms around your waist, attaching her jaw to the curve of your shoulder, and you melt into the embrace. leaning close, to tuck yourself into her neck. she smells like lavender shampoo. “‘s fine,” you mumble, a yawn muffled into her collarbone. “what happened? are you okay?”

when her plump lips press against the sensitive skin of your neck, right next to one of the kiss marks she left there last night, you can’t help but shiver again. she must feel it, because you can hear the smile she’s trying to bite back in her voice when she answers.

“mm,” she hums, a gravelly noise that makes your throat clog up a little. “just burned something, it’s fine. don’t worry.”

tentatively, you take a step back. just to see her. gazing down at her, into her hazel eyes, the fading crescents beneath them. not as dark as they used to be, not as heavy with lost sleep.

shoko is gorgeous. always, every single day, but you think she’s particularly breathtaking like this. when it’s early, and she’s groggy and a little disheveled, eyes weary and lipstick smudged — bra strap close to slipping off her shoulder, black lace against pale skin, moles littering her forearms and chest like star clusters. oversized jeans that expose the curve of her waist, the fat of her hips, and you don’t notice how intently you’re staring until shoko’s raspy voice reaches your burning ears.

“eyes up here, baby.”

you do as you’re told, and she stifles a chuckle. eyes rich with amusement. you try not to blush.

“sorry.” you chew at the inside of your cheek. eyes trailing to the houseplants by the windowsill. “.. you’re just so pretty.”

shoko tilts her head, an exasperated little breath rolling off her tongue. almost a coo. she’s incapable of blushing; but if she wasn’t, you’re sure she'd blush. 

“thanks.” her touch is light, fingertips trailing down the expanse of your arm. “you are, too. red is a good colour on you.”

you blink. shoko’s eyes are crinkled at the edges, soft lines of crows’ feet, and you huff when you realize she’s talking about the marks on your neck. suddenly a little self-conscious, you bring a hand up to rub at the skin — as if hoping to wipe them away. you doubt it works. shoko just breathes out an airy chuckle, getting up from her seat.

she looks tired, still. stretching her limbs out, sleepily, blinking drowsily.

and it’s odd, you think. that she got up this early, that she didn’t cling to you and make you stay with her in bed like she usually does. you don’t know anyone who loves sleeping in more than shoko does. especially after a night out.

so it’s strange. very strange.

“hey, sho.”

“hm?”

you tilt your head. “why are you up this early, anyway?”

she blinks, and then glances at the clock on the wall. ticking idly, counting down. when she looks back at you, she’s got a single eyebrow raised. “it’s not really early.”

“for you it is,” you quip, something resembling a grin tugging at your lips. and she rolls her eyes, smiling, before linking her arm with yours. bringing you to the stove.

“i was, uh —“ a pause. she does a little cough under her breath, clearing her throat. “trying to make coffee.”

silently, you look at the mess in front of you; what used to be your squeaky-clean stovetop, now stained with a muddy, rusty residue. an unassuming coffee pot sits to the side, having seemingly boiled over, smoke still drifting up into the air.

shoko cringes, a little, before a wry smile makes its way to her lips. ”it was…” she clicks her tongue. sighing softly. ”an attempt.”

”… wait.” you turn to look at her, dubiously, and she avoids your gaze. ”that’s what you burned? coffee?” still no answer. a tiny smile tugs at your lips, and you can’t help it if your voice comes out sounding a little teasing. ”how is that even possible?”

”look,” shoko exhales, heavy. ”i don’t know, okay? i think it was the coffee grounds, or something. i look away for one second, and it’s just —”

a little giggle slips from your lips, and shoko shoots you a glare. mostly harmless, but she untangles her arm from your own. ”sorry, it’s just —” you apologize, failing to hide your amusement. ”why didn’t you just use the espresso machine, honey?”

she bites her lip, and you think she might be just a little embarrassed. averting her gaze, briefly flitting towards the machine in question. ”… i didn’t know how to use it,” she mutters. ”i’ve seen you do it, obviously, but i never paid attention to the steps.”

a smile graces your lips. “it’s not that complicated once you know how it works,” you nudge her arm with your elbow. ”it just looks that way.”

she hums. a click of her tongue, as she adjusts her bra strap. ”well, anyway. i tried. so.”

”right.” you try to stifle a grin, to no avail. ”so… you burned your coffee.”

”and woke you up.” she grins, herself, just a tiny bit self-deprecating. but pretty, always, hair falling over her eyes when she tilts her head. ”a mess, aren’t i?”

”not at all.”

shoko looks at you, and your eyes meet hers. unflinchingly. tired irises falling into the gentle hue of your own, trickling down to the curve of your lips. there’s an honesty to your voice that she’s never quite been able to deal with. 

(love, she thinks. a kind of love she finds somewhat hard to stomach. a sea of acceptance that she fears she’ll eventually drown in.)

before she can properly fall into a morning spiral, you stretch your neck a bit, idly, and she gets a good look at the red marks littering your skin. the way your pulse beats at the base of your throat. tender, slight, a mantra she’s grown just a little bit addicted to. 

”why, though?” you hum, and shoko blinks. snapped out of her thoughts, and back into reality. back into you, the faux pout on your lips. playful, but a little confused. ”i thought i was the coffee brewer of this relationship…” 

and it’s true. you’ve been making shoko’s morning cups of coffee for a while, now, even before you moved in together. she likes it black, sometimes with a drop of cream, sometimes with a cube of sugar. never both. you think it’s very like her, to tiptoe that line between bitter and sweet — never entirely giving in to one or the other. there’s a balance to shoko, something stable. something for you to hold on to, a bitter tinge or syrupy taste that always leaves you yearning for more.

truthfully, your coffee brewing skills aren’t anything special. but it makes shoko happy, to wake up and stumble into the kitchen, being able to hug your back. being handed a cup of fresh coffee. sipping from it in silence, muttering out a groggy good morning that makes your heart flutter.

(to you, it’s precious. that lilt of her voice, that bittersweet tinge. the dearest thing in the world.)

plump bottom lip trapped between her teeth, shoko furrows her brows. ever so slightly. nails tapping at the edge of the kitchen counter, a series of satisfying clicks against the marble. “… well.” 

she clears her throat, but doesn’t say anything else. a moment passes. you try to find the answer in the curve of her lips, the crease of her brow, in the depths of her eyes — but you don’t succeed.

something discomforting settles in the bottom of your throat. almost uncertain, maybe a bit anxious. sheepish, as your tired mind spins in circles. parting your lips. hesitant.

“do you… not like the way i make it?” there’s a dejected tilt to your voice when it spills out, one that makes you feel a little silly. so you smile, or try to, eyes trailing towards the windows; you note that the rain has grown heavier. “i can change how —“

“what?” shoko cuts you off. “no. no, of course not — your coffee’s perfect. honestly.”

again, your eyes meet. and again, shoko seems to be struggling with finding the right words. or maybe she’s struggling to voice them.

“i just… haah.” she brings a hand up to her face, pinching the bridge of her nose. you just watch, silent, hungry to hear the thoughts she’s not letting you in on.

a beat. again, the sound of the rain against steel railings, the scent of honeydew and concrete. espresso-flavored smoke, almost entirely faded, leaving only cold air to nip at your thighs. 

and again, as always, inevitably, your eyes are fixed on shoko — a moth to her flame. helpless to the cinders that ghost at your skin whenever she looks at you. a certain contemplation swims inside her eyes, simmering beneath the surface, as she chews gently at the plush of her lips. before turning to face you.

you can only blink. but shoko finally speaks, clearing her throat in a way that strikes you as rather sheepish.

“well — you’re always the one doing all the work. aren’t you?” her voice trickles out into the air, low and saccharine, a blanket pulled over your shoulders. so soft you hold your breath and strain your ears, just to make sure you hear it. “i guess i figured… i don’t know.”

shoko pauses, again, and you can almost delude yourself into thinking there’s a cherry red tint to the tips of her ears. when she parts her lips, that usually carefree voice of hers sounds almost meek. almost, but not quite. more like unsure. embarrassed?

another moment passes, entirely silent. shoko swallows her pride.

“.. satoru always brags about suguru making him those fucked up sugary drinks he likes,“ she mumbles. turning around, to rest her back against the counter, looking out at the downpour. “says it makes him feel so loved. or whatnot. so i just —“ 

she waves her hand, haphazardly. 

“you know.“

a beat. then another. you can physically feel your lips part, a kind of surprise weaving itself into the contours of your face. 

and when you finally speak, your voice comes out a little garbled, scrambling for the right words. not sure if you should feel deeply amused, or just a tiny bit horrified. “wait. you’re saying you…” a moment passes. silent, slow, and all you can do is blink owlishly. in disbelief.

“… got inspired by suguru?”

shoko groans, deep and gravelly, almost comically agonized. covering her face with her pretty hands. “don’t say it,” she pleads, “you’re making it sound as dumb as it is.”

a little giggle slips from your lips. accidental, but she still shoots you a displeased look, huffing under her breath. crossing her arms just to tap at her forearm with her nimble fingers. frowning.

“don’t laugh at me.”

“sorry,” you search for her gaze, but she keeps looking ahead. so stubborn. “i don’t mean to, ‘s just — not very like you, y’know?”

shoko exhales. nearly a huff, but not quite. and you think she must be embarrassed, gnawing at her lip like that, fingers eagerly searching for something to fidget with. it makes you soften, impeccably, the blood inside your veins warming up beneath your skin. stirring you, coaxing you into soothing her. your very own heartbeat seems to be a little enamored with shoko ieiri.

”i appreciate the thought,” you smile. a tender tone, sincere. lingering with amusement. “really. but let’s not base our entire relationship around satoru and suguru of all people, alright?”

and again, she sighs. brittle, a little fatigued. brows scrunching together. ”look, i —”

a pause. she gnaws at her plump bottom lip, eyelashes fluttering like a battered heartbeat. her voice comes out sounding soft, all duvet pillows and fresh lavender, a lilt that anchors you to earth. sweet words. so honest it makes your breath hitch.

”i want to take care of you.”

and this time, you’re the flustered one. burning under her gaze, feeling a heat blossom on your skin. feeling the fervent pitter patter of your heartbeat, as her pretty eyes look into yours. a nice mocha brown. 

but even with the fresh embarrassment trickling through your veins, you find it in you to speak. desperate, maybe, to cross the distance between you — even when it borders on non-existent. desperate to feel your heartbeats synchronize, figuratively or literally. to stitch them together.

“i want to take care of you, too,” you echo, looking down at the floor. and then back at your girlfriend. hesitant, a tad shy. but sincere.

a sincerity so palpable it makes shoko feel a little jealous. 

(sometimes, she finds herself wanting to put a hand inside your chest. dig around your organs, run her fingertips down every single one, until she finds what she's looking for. that miraculous something that makes you stick around, that makes you so frighteningly easy to love. that makes her want to safeguard you so terribly.)

”then let’s take care of each other,” she breathes, a small smile slipping into the curve of her lips. reaching out to brush against your knuckle, weave your fingers together. delicate. 

she clears her throat. “… i guess.” 

and you can’t help but smile. somewhat cheeky, a little teasing. “ah,” your eyes crinkle, and you stifle a coo. “did that embarrass you?”

a sharp little scoff. shoko gives you a lazy grin, paired with a soft roll of her eyes. brushing her thumb across your knuckles, even still. “oh, shut up.”

the world seems to still, ever so slightly, as you look into each other’s eyes. like everything else is just background noise, from the pitter patter of the rain to the fading smell of coffee all around you. shoko looks at you like she’s trying to see inside your brain, see what makes you tick, see you for what you are.

and when she eventually leans in for a kiss, you’re pliant. expectant. her lips against yours, breathing you in, as soft as ever. like she’s afraid of getting too greedy. she tastes like nectar and cosmetics.

“give me some time,” she says, after pulling back. hands on your waist, squeezing softly. “i’ll make you another cup right now.”

”sure you don’t want me to do it?” you ask. “i don’t mind.”

another little scoff. offended. ”look, i’m not incompetent, okay? i’m just not used to it.” she untangles herself from you, warmth slipping away. you will yourself not to chase it. “just stand there and look pretty for me.”

and she smiles, when those words make you giggle, infected by your sleepy joy. something soft and silky blooms inside her ribcage, mirrored by the glimmer in your eyes when you intertwine your hands again. fingertips brushing against each other, delicate, a love that’s handled with care.

”.. i like making you coffee,” you whisper after a beat. smiling. under your breath, like you’re telling her a secret. ”it makes me happy.”

a moment passes. something in shoko’s bones still, for a second, enough for you to notice. and her eyes fill with a kind of hesitance. doubt, maybe. or fear.

when shoko opens up to you, it’s always like this. sleepy, rainy days, or tipsy afternoons. in no more than a whisper, a fragile breath, the ghost of a confession. when you can feel her heartbeat, one finger on her wrist, listening to the rhythm of her pulse. intimate. a little clumsy, but…

”i just don’t want you to spend too much of yourself on me.”

the words are spoken in passing, almost casually, a lighthearted kind of resignation. a hungry ghost. one that follows her, follows you. suguru and satoru, too. there’s a lump in her throat, you can tell, something that makes it a little harder to say what she means. an intimacy that frightens her in a way nothing else can; frightened to hold it in her palms, to keep it close without having it break apart.

(not just her — you all are. all four of you. that’s why you've always been together, you think, why you always will be. four hedgehogs huddling together in the cold of night, too desperate for warmth to stay away from each other's spines.)

carefully, almost cautiously, you bring her hand to your lips. as if you’re handling a flimsy sheet of glass. featherlight, a touch so tender you hope she knows what you’re about to say before the words leave your throat.

“you’re worth it,” is whispered against her skin, your lips against her knuckles. shoko softens, but you think the sigh that slips from her lips sounds just a little shaky. “always.”

and finally, you know you aren't deluding yourself. it’s there, visible, the cherry red of her ears; a red that matches the lipstick on your skin. a flush that never travels down to her face. but it’s enough.

she clears her throat. voice beginning to change shape, slowly but surely, morning fatigue peeled off with the ticking of the clock. there’s still a raspy residue, leftover smoke that’ll never quite leave her lungs, but it’s silkier now. trickling like honey from her parted lips.

and it’s terribly soft, her tongue twisting around the vowels, a low lilt that drips with tenderness. she wills herself to smile. tired, but fond. “just let me make you one cup, then.”

so you do.

you let her, after briefly pointing out the functions of the far too expensive espresso machine that satoru bought you when you first moved in, and she listens intently. those pretty eyes, the intelligence behind them, her lips pursed in focus. shoko’s a genius, you’ve always thought — so effortlessly good at memorization, at figuring out how things work. what ties everything together. 

you think it’s a little comical that she struggled so much with making coffee, of all things, but you choose to attribute it to her slight hangover.  

because she’s focused, when she begins to fiddle with the machine. attentive. as if she’s dissecting it. a satisfaction in the way she moves, the way everything clicks into place as she works. everything serves a purpose, every single part in the machinery, every tube or pump of caffeine. she compares it to the human body, a glint in her eyes, and you can’t disagree.

all you can do is watch her. silently, entirely mesmerized. sitting on the kitchen counter, bare thighs against the marble, swinging your legs. telling her about the dream you had, while she listens. always.

a fresh, thick aroma of espresso and rainwater begins to waft through the apartment. one you drink in, greedy, steam filling your lungs. as you admire how the tiny droplets bounce off the hyacinths blooming on your balcony.

and when she’s finished, producing one cup of espresso, tailored to your liking, you can’t still the beating of your heart. unsure if you should blame it on the caffeine yet to enter your veins, or the proud smile that lingers on your girlfriend’s lips. maybe the way her fingers curl around the handle, the way a soft here, baby, spills from her smudged lips. all of the above, probably.

she’s gorgeous. breathtaking. sometimes you want to give her everything, more than you could live without. your heart, your lungs, your eyes. anything she asks for.

but she would never. all she’ll ever need is for you to keep sticking around, keep telling her about your silly dreams, keep letting her feel the beat of your pulse at the base of your throat. a mantra she’s fallen a little bit in love with.

and when you put your lips against the ceramic, and a bittersweet scent fills your lungs, you think you can taste it. that care, a love soft enough to mend all the jagged edges of your heart.

shoko smiles. smoothing a stray eyelash from your skin, thumb against your cheekbone. “how is it?”

(you swear it’s the best cup of coffee you’ve ever had.)

[thelolarahaii]

FANTASMAS 1.05 | "The Little Ones"

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[coquelicoq]

what if the reason yorishima and natsume have all these vague "who is this guy? he feels familiar somehow..." feelings about each other is because the name of the youkai who's possessing yorishima's arm is in the book of friends lol. yorishima isn't grandpa but there's a part of him (the youkai part) that knew reiko, and maybe he doesn't consciously have access to that part, so he has a reaction but doesn't know why. i'm not sold on this but it would be kinda funny. i'm getting a weird vibe from this guy i just met...oh it's because my grandma had beef with his arm. typical.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[marsbotz]

can you even call urself a real ninjago fan if you dont have at least one side character ur weirdly obsessed abt…

[doctorsiren]

healing together

[cerealbishh]

"You really care about me."

"Yeah. I really, really care about you."

"I- I really care about you too."

"No, but... I like, really, really care about you."

[front-facing-pokemon]