#that’s the thing i’m sensitive about

[swiftiesbuddie]

STOP

i’m gonna have feelings

😭😭😭😭😭😭😭😭

EDIT

and Eddie’s voice would’ve been the one HURTING him then

i’m gonna kms

[its-wabby-stuff]

Characters who have the same problem as me:

Donatello Hamato (rottmnt)

Sakura Haruno

Saitama

The problem: a massive forehead.

[piningbuddies]

“we’re officially gonna be family”

[neurodivergent-brain]

Society: be yourself!

Me as a child: *be’s myself*

Society: ewww omg what is wrong with you! We said to be yourself not weird! We’re gonna reject you and make you an outsider!

Me: but I followed your rule of being myself? Why don’t you like me? What’s wrong with me? Why does everyone else get the rules that need to be followed but I don’t?

[fireladybuckley]

I can’t believe a boyfriend made a silly sex joke to lighten the mood after both partners had a moment of vulnerability. The audacity. The horror. The normalcy! Unbelievable. How dare a conversation about feelings turn to levity. How dare a couple have a light chat about trauma-related things over dinner that doesn’t turn into an incredibly deep heart to heart instead of a joke and moving on. Unbelievable. I’m never watching this show again! 👎🏻

[cupiidzbow]

we’re autism4autism have i ever mentioned that

[biscuitrule]

I’ve been trying to figure out how to describe the pain I feel at seeing all the Dead Boy Detectives stuff and love for it online without it coming across as hating on the show or the fandom lmao

Like “no don’t mind me crying you guys aren’t doing anything wrong and I’m so happy for you this just reminds me of a love I lost” type beat lol

[millenianthemums]

parents of disabled kids will be like “we know our kid is disabled but we just won’t tell them about it. we don’t want them to think they’re less valuable than other kids. we don’t want them to feel limited by their disability, we want them to know they’re capable of anything.”

meanwhile those kids are growing up thinking “why is everything so much harder for me than it is for everyone else? there’s no reason i shouldn’t be able to just do this. i guess i’m just a failed, broken person.”

[heyclickadee]

Okay but for all we know Saw and his buddies picked Tech up (alive) on Eriadu.

[stuckinapril]

One day I’ll go through med school and then I’ll go through residency and then I’ll go through a fellowship and then I’ll be the most crybaby neurosurgeon you could think of. Bursting into tears if I so much as graze ur hypothalamus with my forceps

[chappell-roans]

when you’re fat but your thin friends keep talking about how fat they are (when they’re not)

[vaperarmand]

'babe' and 'mister'.... I fear that the possible online daniel molloy age gap couple discourse next season(s) will become a real life thing once the s3 promo gets started

completely failed to consider the babe + mister combo. i need to take a walk and think about this. also you’re so right and i can’t wait. i need season 3 promo to get downright REPULSIVE with it. need people to be canceling daniel and armand’s relationship because eric and assad are too freaky about them

[wavesoutbeingtossed]

One day I’m going to finish that essay or whatever it was in my drafts that’s about the themes of womanhood/relationships/thirtysomething stuff and TTPD but since part of this discussion has been revived on the dash but also it’s Saturday so this won’t ruffle as many feathers, I think one thing that sometimes gets lost in the shuffle in the conversation about the muses and stories in the lyrics is just why the recurring theme of the broken dreams pops up all over the album, and why they permeate the discussion of both muses, if not *all* the muses in the album.

Not to project things on Taylor, but it feels pretty clear to me* that the dreams she’s talking about specifically are about having a family, and that is the through line in the album, and why the successive blows devastated her. (*I don’t want to presume that anyone else feels this way and this is just my interpretation etc.)

The suburban gothic allegory in Fortnight depicting a miserable, lonely marriage. The ring on the ring finger in TTPD making her explode with joy because it was a shorthand for lifelong commitment. “He saw forever so he smashed it up” in My Boy. “I’m pissed off you let me give you all that youth for free” and dying on the sacrificial altar in So Long London. Marrying her wild boy in But Daddy. “Get the matches, toss the ashes off the ledge” in Fresh Out the Slammer (as in, she burned her life down). “You shit-talked me under the table talking rings and talking cradles” in loml. “The deflation of our dreaming leaving me bereft and reeling” in How Did It End. “Promises ocean deep and never to keep” in Peter. The allusion in The Manuscript that the man in question made her think he was in it for the potential of a serious commitment only for her to feel used when he moved on. And there are probably more examples I’m not thinking of off the top of my head here.

But what I’m trying to get at delicately is that from what she’s put down in TTPD, as well as what she’s put down in previous albums (“give you my wild, give you my child,” Paper Rings, Lover, renegade, YLM, etc.) building a life and a family with this person (Joe) was not only something she wanted, but seemingly deliberately planning and working towards. So in the death throes of the relationship, her grief was not just about things like losing someone she once loved, the breakdown of this relationship that was once comforting to her, what she gave up to make their life work, etc. but about this important thing she had dreamed of and what she seemed to feel was on the horizon. What I think I’m trying to say is that it had likely shifted at some point (even just based on the album pipeline) from a hypothetical “one day we’ll have ten kids and teach them how to dream” thing you wonder about with a partner to something that felt a lot more… tangible. (Again trying to be sensitive in my word choice/not project or assume things etc.)

I don’t want to make any accusations or assumptions on main, but I think those kind of life plans feeling within reach not only makes it understandable as to why someone would stay in a relationship whose cracks were turning into fault lines, but on the flip side why giving up on something that felt like it was on their doorstep would be so wholly devastating.

But it’s also why what happened in the two successive relationships *was* so devastating in the songs on the album, and why the Matty thing specifically was so twisted. He’d reentered her life and he’d insinuated himself back into her circle and gained her confidence which in turn led her to confide things in him (the “hostile takeovers” of it all, the whole bridge of The Smallest Man with its honey pot spy mission imagery in which like a mark he sweet talked her into sharing her most vulnerable, compromising “secrets” only to then turn it around to use her and ghost her like a trained operative). And given the way the family thing appears in both presumed storylines, it’s again because Muse #2 used the info gleaned about the life with Muse #1 to sell her a con about an alternate path to what she was mourning so deeply. (And why it’s such an unconscionable act because it’s manipulation, at least going by her own words about her experience of it. It’s as cavalier as the organ donor line in The Manuscript, with the same effect.)

The shittalking about rings and cradles is both of them (if not all of them) because in all cases, they ended up raising her hopes only to not plan on following through. One because he maybe couldn’t commit, one because maybe he was never serious about it. (And the one who did it first who was both 🥴.)

If I had to guess (because I am not Taylor so I will obviously never know any of this for sure besides picking up context clues), the dream was like a carrot dangling in her mind, feeling like this is what the “agony” to quote another one of her songs was for — like, things may be hard, but life is hard, and at least they were building towards *something* she felt they both wanted. And as that dream slipped through her fingers, it created a cascading series of events that crippled her emotionally for a time. So when she mourns that life in her songs, it’s almost like it’s the same dream, just in shifting contexts. The conman selling her dream back to her is comforting at first, but hits doubly hard and leaves her broke when it disappears.

The story throughout the muses on the album isn’t “she jumps to the person who promises her these things,” it’s that it’s a whole life she’s built that crumbles under the weight of reality knocking at the door and a foundation that shifts until it disintegrates. And losing that foundation and the dreams built upon it leaves her searching for answers in the wreckage — and looking elsewhere for clarity for a time. And it’s why it’s so hard to remove one muse from the other (or again, all of them), because that central driving force is used by each of them in different ways to build her up and take her down. And why working through the pain of one situation bleeds into that of another.

It’s hard to delve into this more without crossing boundaries or whatever, but it’s just such a palpable open wound in the album, but also why working through the pain in different contexts on TTPD brings to light all these different kinds of hurt but also the emotions that go along with them.

Anyway. That other essay will write itself at some point idk.

[bluee-birb]

the pain of having the extreme RSD that comes with ADHD/autism is wanting to happily indulge in whatever you’re hyperfixating on and like. Tell everyone ever about it. but that Rejection Sensitive Fear™️ says “wtf lol don’t do that what if everyone thinks you’re weird”

[spending-life-pretending]

[soullessjack]

mini-compilation of jack unmasking and being blatantly annoyed with everyone for worrying about him

totally not because he senses mild distrust and fear for sure