#that would makes sense to other people

[lady-grace-pens]

You’d think writing fanfic would be a breeze coming from someone who’s only ever written original fiction but…

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[bolithesenate]

What happens when a Jedi Initiate dies?

It cannot always be prevented, the galaxy is a dangerous place, especially for children, and the Jedi are still only mortal.

Accidents happen. Illnesses exist.

Tragedies do too.

The Crèchemasters are highly trained to prevent that, of course, but they too are only mortal. They too can fail.

The death of an Initiate is a heavy burden, for the entire Temple. It doesn't happen often, but when it does it is a heavy burden. It is from that burden that one of the Order's most sacred traditions stems from.

They may die an Initiate, but they will not join the Force without guidance.

When an Initiate dies, they automatically gain the rank of Padawan – no matter their age. They will posthumously be taken in by a Master and be gifted a braid and a lineage. If they already found their crystal and built their saber, these too will be taken care of by their new Master.

Some Masters of such Ghost-Padawans, especially those who had a bond before their passing, will live the following years as if they had a living student. They will not take on another until the Force or they themselves deems them ready, at which point the High Council will hold a honorary Knighting.

Because while the Order might lose an Initiate, no Initiate will ever be left alone.

[themirepirate]

was reading Sherlock holmes and this popped into my head

[literallyjusttoa]

"Sunny!" you cry, "Why did you draw the entire Trojan royal family from oldest to youngest in two days? That seems wildly unhealthy!"

"hurghhhhhhhh" I reply.

Anyways here's the full family portrait

(Only four of these people survive the Trojan war btw :D)

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[unfinishedslurs]

gay bar (steddie)

“Well, well, well,” says a voice from behind. “Steeeeeeve Harrington. I must be dreaming.”

Steve turns around to see a guy, dressed in black and chains. Rings decorating his fingers, studs in his ears, curly hair pulled back in a ponytail. He’s hot, yeah, but something about him has Steve squinting, trying to figure out why he looks so familiar. 

“I know you from somewhere,” he says, pointing out the obvious. The guy knows his name.

The not-a-stranger snorts. “Of course you don’t remember me. Why would the likes of King Steve stoop to—“

As soon as the nickname leaves his mouth, Steve’s brain lights up. “Munson!” He exclaims, snapping his fingers. “You used to climb on the lunch tables to give speeches.”

It was so obnoxious, too. The kind of thing that had him and Robin reminiscing late at night, celebrating some of the weirder shit about Hawkins that didn’t come from monsters, or Russians, or government conspiracy. Remember that one asshole? Yeah, he stepped on my lunch one time!

Condolences to Robin’s pb&j. She never sat at that table again.

Munson’s whole face turns pink. “Seriously? That’s what you remember?”

“It was pretty fucking memorable, dude. Like, gross, doesn’t this guy know not to put his feet where people eat? Dustin thought you were so cool for it too. I had to nip that in the bud before he started imitating you or some shit.”

“Oh,” he says, voice gone flat. “Because God forbid some poor kid try to immolate the freak.”

Steve gives him his bitchiest, most deadpan stare. “Feet,” he says slowly. “Nasty, fifteen year old boy feet. On my kitchen table. He almost slipped and cracked his skull, and I would have sent you the hospital bill.”

He had to get creative to make him stop, too. Stood there, hands on his hips, and made Dustin tell him exactly how many germs he thought were on his shoes. Then when he tried to do it barefoot, decided the only course of action was to stuff Dustin’s abandoned sock in his mouth and ask if he wanted that shit with every meal. Erica still has the photos. 

Munson has the decency to look embarrassed, face flooding an even brighter red that wouldn’t be out of place in a tomato patch. “What are you even doing here, Harrington?”

What does he think Steve’s doing here? It’s a fucking gay bar, it’s pretty self explanatory. “My friend is here somewhere,” he says, waving out at the crowd of people. “She’s going through a dry spell, so…”

“Right,” Munson says. Steve squints at him. Does he look disappointed?

Eh. Doesn’t matter. 

“You gave my kids the best freshman year of their nerdy little lives,” he tells him, because he knows Dustin would want him to. Plus, the guy was Mike’s gay awakening. He should probably get some credit. “So thanks for that.”

He lights up. “Yeah! How was Hellfire in my absence?”

“I had to hear them bitch and moan for months about how it ‘wasn’t the same,’ but it’s doing pretty all right. Erica Sinclair is running it now.”

“Erica Sinclair…” Munson mutters, snapping his fingers. “Lucas Sinclair’s little sister? Lady Applejack?” He beams when Steve nods. “She kicked ass. Best finish to a campaign my entire high school career. How’s Lucas, anyway? And the rest of the runts.”

“He’s doing great,” Steve says. “College basketball at Yale. Pretty sure he’s dying under the workload, but that’s what you get for majoring in physics. Dustin’s at MIT, and Mike’s taking a gap year.”

He whistles lowly. “Yeesh, I don’t blame him. How about Byers?”

“Which one?”

“Zombie boy.” Steve’s hackles raise, but Munson just grins. “God, that nickname was badass.”

“How do you even know about that?”

Munson taps the side of his nose. “A magician never reveals his secrets. Besides, all it took for you to remember me was calling you by your high school nickname.”

“That wasn’t my nickname.” Steve rolls his eyes. “Literally three people ever actually called me that, and you were one of them.”

He has a feeling it was Tommy who started it, bitter and vicious. Told himself Steve was self possessed, high and mighty, above it all. That’s why he left his old friends behind. Not because he was in love, or because he wanted to be better. No, King Steve just sits alone in his castle, looking down on the peasants with contempt. 

Billy must have taken his angry ramblings and run with them. After all, what better way to get a start in a new town than declaring yourself royalty? Never mind that Steve hadn’t cared about anything like that for almost a year by then. 

Munson had just been a drama-loving asshole. 

“That can’t be right.”

“I stopped being popular in junior year. Why the hell would anyone call a sophomore King?” Steve points out. 

“You were Prom King.”

“Again, in junior year. Pickings were slim. Who else would it have been? Tommy?” He has to laugh. 

Luckily, Munson takes the hint and swerves the conversation into new territory. “You know, I always figured you’d be homophobic.”

Steve snorts. “What, and get kicked out for nothing?”

Munson stares at him, and Steve furrows his brow, looking into his glass like it will have the answer to why the hell he said that to this guy he barely knows. He just decided he wasn’t going to spill all his daddy issues to a near-stranger in a dingy bar, dammit. Is he already on his fifth drink?

Actually, this might be his sixth. That tracks. 

“What?”

“My dad caught me kissing a boy,” he says. If he’s going to give Munson his life story, he might as well commit. “Can you believe that boy ruined my life in three different ways? Two of them didn’t even have anything to do with the gay thing.” 

Maybe four ways, if you accounted for the way he broke his goddamn heart, but everyone and their mother saw that coming a mile away. Even Steve. Especially Steve. 

No offense to Jonathan. None of those things were really his fault. Or actually life ruining, but it sure fucking felt like it at the time. 

He should give him a call soon, actually, see how he and Argyle are doing. He misses the guy. Maybe he and Robin should save up for a visit to Cali. Get Nancy on it. They could see San Francisco while they were there, that’d be cool. Apparently it was the queer capital of the country. 

He’s thinking about asking the bartender for a napkin and a pen to write down the plans he’s forming when Munson speaks up again. Steve honestly forgot he was here. 

“I thought you said you were here for a friend.”

What?” Steve blinks, confused, and then catches on. “Yeah, to get her laid. I’m not in the mood right now.”

Munson cocks an eyebrow. “Wearing that? Could’ve fooled me.”

Steve looks down at his Springsteen T-Shirt that Robin cropped, and picks at the frayed hem of his shorts. Okay, yeah, they’re on the skimpy side, but in his defense it’s summer and even if he’s not cruising Steve likes being looked at. “Yeah, yeah. What about you? Here for anything in particular?”

“Just to talk to some pretty boys,” Munson says, leaning on the bar to flag down the bartender. Steve smirks, reaching out a hand to tug at the hanky in his back pocket. Pinned, damn. 

Munson whirls around, a flush starting to crawl onto his ears. 

“Wearing that?” Steve echos snarkily. “Could’ve fooled me.”

He swears that for a minute Munson’s eyes darken. 

He’s almost tempted to follow through, high school reputation be damned, when someone crashes into his side and nearly sends him careening. 

“Steeeeeve,” Robin yells happily into his ear. “This is Bernie, she’s gonna take me home, see you la—oh, hi!” She says, noticing Munson. “I know you from somewhere.”

“Eddie Munson,” Munson greets. “Steve and I went to high school together.”

“Munson! That’s it, you climbed on tables and had shit music. I’m Robin. Okay, I’ll call the apartment and leave a message when we get there. Bernie’s waiting on me, it’s-nice-to-meet-you-bye!” Just like that, she’s gone. 

Munson’s mouth has dropped open. “You told her I had shit music?” He demands. “Wait, you talked about me?”

“She went to school with us, dumbass,” he says, as if he can talk. He still barely remembers her as more than a vague, glowering figure in his peripheral. “It’s not my fault you blasted your screamy music for everyone in the parking lot. Such a fucking headache, God.”

Munson turns his nose up. “Sorry for having offended your jock sensibilities.”

“Oh, I don’t play anymore,” he says, and knocks on his head. “Concussions, yanno. Apparently brain damage will fuck you up. Who knew?”

“What, like the fight you had with Byers? He did you that bad?”

“He did me just fine,” Steve blurts out, before he can stop himself. Munson chokes. “Shit, sorry, I’m kind of a horny drunk.” Weird thing to say, Steve. “Also, I cannot stress enough how much I needed to be punched in the face. It was a monumental moment for me, you know. Started me on the path for changing my entire worldview. Plus, he was my first guy crush.” He swirls his empty glass, lost in thought, before brightening up. “I should call him!”

Munson is staring at him, mouth opening and closing like a fish. 

“What?”

“You’re drunk.”

“Well, yeah. Duh.”

“I should probably stop you from booty-calling the guy who punched you in the face.”

Steve wrinkles his nose. “It wouldn’t be a booty-call,” he says. “He and Argyle are happy together, man. I’m not gonna ruin that.”

“Oh, so you’d call him because…”

“I call him all the time,” Steve says, confused as to why this is such a big deal. “We’re friends.”

“Jonathan!” He yells happily into the pay phone. Munson is standing to the side, looking on in annoyance. Whatever, it’s not like Steve asked him to do this. “Jonathan, man, how are you?”

“…Steve?”

“Yeah!”

“It’s like…” he hears something clatter in the background, like Jonathan is looking for something, “two in the morning there. You okay?”

“I’m doing great!” He exclaims. “How about you? It’s been ages, man, I miss you.”

“This is so fucking weird,” Munson whispers behind him. Steve ignores him. 

“Are you drunk?”

“No,” he says. “Well, maybe a little. Do you not miss me too?” He pouts, and Jonathan sighs loud enough he hears it over the phone. 

“I just talked to you yesterday.”

Steve frowns. “Yesterday? That can’t be right, it’s been, like, forever. Oh, hey, have you heard from Nance lately? How’s your mom? I love your mom, she’s so fucking cool. Does she know I think she’s cool? How’s Will? It’s been so long, is he taller than me yet? How’s Argyle doing with his degree? I miss you guys.”

“We miss you too, Steve.”

“Awww, Byers, getting soppy on me? Gross, man.”

“You literally just—yeah, okay. Are you alone?”

“Nah, I’ve got this guy with me, he’s walking me home. Oh! Dude, do you remember Munson?”

“Munson?”

“Yeah, Eddie Munson! From high school! The one who used to climb on tables and shit, remember him?”

“Jesus Christ,” Munson groans. “Please let that die.”

“No one is dying,” Steve informs him seriously, and turns back to the phone. Munson sighs. 

“Wasn’t he a drug dealer?”

“Yes! Yeah, drug dealer Munson! Did you ever buy from him?” He turns to where Munson is looking around furtively. “Did Jonathan ever buy from you?”

“How about we not talk about this here,” Munson says through gritted teeth. Steve sighs and turns back to the phone. 

“Never mind, he says he doesn’t want to talk about that. Not like we can judge him, but whatever. Maybe the guy’s turned into a prude—“

“Okay, give me that.” Munson wrestles the phone out of his hand, and Steve whines at him. “Hey, Byers,” Munson says. “Yeah, it’s Eddie. Or Munson. Whatever. Listen, I’m getting kind of sick of standing here watching Harrington slobber all over the receiver, can he call you tomorrow? What? No, I don’t sell anymore—yeah, total bummer, whatever. Listen, I’ll get him home safe—no, I’m not going to serial murder him. He’s gonna be fine, he’ll call you tomorrow—Nancy Wheeler? Like that girl he dated? Didn’t you—shoot me? Jesus, okay! I’m not gonna kill the guy, Christ. He’s gonna be fine, oh my God. He’ll call you tomorrow. Uh-huh. Uh-huh. Yeah, okay. Bye.” He slams the phone into its holder with more than a little contempt. 

“Hey!” Steve protests. “You didn’t let me say bye.”

“You can call him tomorrow and apologize,” Munson says. “Now c’mon, Harrington. I’ve been tasked with getting you home safe, and if I fail, apparently Nancy fucking Wheeler is going to shoot me in the balls.”

“Oh, yeah, she’s really hot when she does that,” Steve says fondly, and Munson splutters. 

“What, does Wheeler just go around shooting people? Does she even have a gun?”

“Of course Nancy has a gun.” Steve frowns. It was one of the sure things in the universe at this point. The sky is blue, Hawkins is fucked up, and Nancy Wheeler has a gun. “And she doesn’t shoot people, stupid. Well, she shot at Billy, but he deserved it.”

“Billy?” Munson mutters, starting to usher Steve in the direction of home. “Who the fuck is Billy?”

“He was trying to kill her first!” Steve defends. “I hit him with a car before he could, so she was okay.”

“Okay, yeah, sure. Why wouldn’t you hit some guy with a car? 

“It wasn’t some guy,” Steve says. “It was Billy. He was, like, possessed or some shit. Oh, and he beat me up. Total psycho.  And that was before the melted flesh monster.”

Munson stops and stares at him. “You know what, sure. Demonic possession. Yeah, okay. Some guy named Billy kicked your ass—wait, are you talking about Billy Hargrove?”

Steve lights up. “Yeah! You remember that? That’s one of the concussions I was talking about. I gotta wear glasses 'cuza that shit. Man, fuck that guy.”

“Didn’t he die?”

“Oh, yeah,” Steve frowns down at the ground. “Shit, I’m, like, speaking ill of the dead, aren’t I? Max wouldn't like that. Unfuck him, or whatever.”

“You wanna come up?” He asks. “For old times sake?”

Munson stares at him like it’s the craziest thing he’s said all evening. “‘Old times’ was your asshole friends calling me a satan worshiper and pushing me around in hallways, Harrington.”

“I know.” He grins. If he was sober he’d definitely feel worse about that, but as it is he’s pretty single minded. “Don't you kind of want to make me cry about it?”

Deer in headlights isn’t usually a good look, but Munson’s got the eyes to make it work. Or Steve is drunk. Either way, it’s kinda cute. 

“You’re drunk,” he finally says, stumbling over the words a little. If Steve pays close attention and ignores most of reality, it almost sounds like he’s trying to convince both of them. “You’re so incredibly drunk.”

“I’m not that drunk.” He totally is. 

“I just had to supervise you calling Jonathan Byers so you didn’t say something you’d regret in the morning.”

“What’s that supposed to mean?” Steve asks, offended. “I love Jonathan! I tell him all the time. Just because I said he ruined my life—“

“That was him?”

“Did I not say that? Huh. Whatever. Point is, I’m not that drunk.”

“You’re definitely drunk,” Munson says. “I’m not—yeah, no. I’m not coming up.”

“Damn.” Steve shrugs, not too put out about it. It’s a bummer, sure, but he handles rejection like a champ. Just ask Robin. “Worth a shot. See you ‘round, Munson.”

“Don’t kill me,” Steve says. 

“Oh, god, did you punch him?”

“No, I, uh.” Steve rubs the bridge of his nose. “I think I tried to fuck him.”

He has to hold the phone away from his face so Dustin’s screeching doesn’t break his eardrums. 

“Your exes are weirdly protective of you,” Munson says blandly. “Also, didn’t they date?”

“Yeah,” Steve shrugs, not exactly eager to start spilling his life story again now that he’s sober. Munson doesn’t need to know more about his dating history than he already does. “We’re all a little weird about each other, sorry.”

“Weird about your exes,” he hums. “No wonder you’re single.”

“Oh, fuck you. It’s not like that.”

He raises an eyebrow. “No?”

“Are you always this nosy?” Steve asks, a little waspish. 

“Absolutely,” Munson replies without hesitation. “I’d say sorry, but I’m not. When did you even date him?”

“Dude.”

Munson just cocks an expectant eyebrow, hip resting against the bar. He can’t imagine why someone would be so interested in the romantic lives of their old high school classmates. It’s not like Steve is about to ask what was going on between him and Chrissy Cunningham. 

“Well, Harrington?”

“First grade,” Steve answers, deadpan. He grins when Munson chokes. “Nah, it was actually after he and Nancy broke up. Fall of ‘86.”

Arms squeeze him from behind, and Robin slides into view, leaving one hand wrapped pointedly around Steve’s waist. She gets clingy when she thinks someone is bothering him, or when she’s just on the side of drunk that she gets possessive. She told him, embarrassed and hungover, that it’s because she registers someone he’s getting along with as infringing on “her Steve time.” Steve thinks it’s hilarious and kind of sweet, an obvious lesbian trying to pretend he’s her date. Especially because he gets the same way when he’s tipsy and feels like he doesn’t have enough of her attention, so she can't yell at him for being a cockblock. Cuntblock. Whatever the lesbians call it.

He wonders what category she thinks Eddie is. Of guy, that is. Not block-anything.

He'd actually be pretty damn happy if the guy miraculously changed his mind and decided to sit on his cock instead.

“What’s going on here?” She asks, almost cattily. He loves when Robin gets bitchy. It brings him back to their Scoops days, except he gets to see it turned on someone else. 

“I’m telling Eddie my life story,” Steve says blithely.

“Ugh. Who would want that?”

Eddie grins. “I’m curious about the adventures of a former king.” He dips his head in a bow, waving his hand in a flourish. “I don’t know if you remember me from last time, I’m Eddie—“

“Munson, I know. You stepped on my lunch in junior year.”

Eddie turns beet red in record time. 

“Aww, Robbie,” Steve almost coos. “Leave him alone. I wanted to be the one who made him blush like that.”

“It’s not my fault your boy’s easy.”

“Not my boy, clearly,” he mutters under his breath. “And if he were easy, I’d have gotten fucked by now.”

Eddie’s mouth drops open with a choked little sound. Whoops. Steve forgot volume control again. 

Robin takes one look at Eddie’s face and bursts into cackles. 

“He was asking about,” he waved a hand in the air, “the whole Nancy-Jonathan thing.”

Her eyebrows jut up. “You told him about the threesome?”

“The what?”

Steve sighs. “No, Robin. I did not tell him about the threesome.”

“…oops.”

“When?” Eddie demands. 

Robin gives him the evil eye. “Why are you being weird about this? It’s not gonna make him fuck you.”

Steve wisely keeps his mouth shut. 

Eddie does not. “Your boy here already asked,” he smirks, leaning closer. “I said no.”

Then, as an added punch to his ego, he twirls a strand of Steve’s hair around his finger and tugs slightly. Steve’s too stunned to protest. 

Robin watches the exchange. “Oh, no thank you,” she says. “Nope. I’m out. I don’t want to see whatever this is. Ugh, stop making me hear about your sex life.”

Hypocrite. “We have thin walls, Buckley,” Steve reminds her. He turns to Eddie and stage whispers, “She likes her girls loud.”

“Steve!”

“You do!”

“Oh, because you’re so quiet,” she snaps, smacking him. “How many times have I had to bang on the wall because you couldn’t keep it down? You wanna talk about loud? I know more about you than I ever wanted to.”

His mouth drops open in mortification. “You know it’s rude to be mean to the man who told you how to eat out,” he hisses. 

“I’m not dying without fucking Eddie Munson,” he declares. “I mean, his high school nickname was literally ‘The Freak.’ He’s got to be good in bed, right?”

“I think that was mostly because everyone thought he was communing with the Devil or something.”

“Maybe the Devil gave him sex magic.”

“Of course he thinks I’m cute.”

“I do?”

“Do you not?” Steve turns to him, widening his eyes in the same pout that always has Robin throwing something at his face, or the kids reluctantly agreeing to do what he wants. He’s found it’s useful for guys too, especially if he ducks his head to seem smaller and looks through his eyelashes. Makes them imagine him looking like that on his knees. 

Munson is no exception. He melts faster than Steve can say gotcha. “You’re very cute, Harrington,” he purrs, and Robin snorts into her drink. 

“You’re a weak, weak man, Eddie Munson,” she tells a blushing Eddie. Then she kicks Steve. “Stop bringing out the ‘fuck me’ eyes when I’m around, I’ll gag.”

“You could leave.”

She gasps, affronted, and kicks him harder.

“So you would fuck me if I wasn’t drunk?”

“Uh…” he looks everywhere but Steve’s face, which is just rude. He has a very nice face. He’s been called dreamy before. 

Which made Robin laugh so hard she fell off the couch when he told her, but he’ll take the lesbian’s opinion with a grain of salt. 

He makes his way onto the dance floor. He’s not a particularly good dancer, but he shakes his ass like he means it. Gets up close with a guy, stares at Eddie the whole time. Keeping eye contact as the guy puts his hands on his hips. 

Look, he means to say. This could be you. You could lose your chance if you’re not careful. 

From the burning in Eddie’s eyes, he gets the message. 

The message is a bunch of bullshit. It’s been over four months, he’s in too deep to go fuck off with someone else now. Still, he enjoys the way Eddie’s hands flex on his thighs, like he had to stop himself from reaching out. 

The thing is, Steve’s not an asshole. He can take a hint. No means no, and all that jazz. If Eddie really didn’t want him, he’d fuck right off and find someone who did. He even started to.

Except Eddie pouted up a storm when he flirted with someone else. Got even clingier when Steve tried to back off. At this point, he’s accepted that Eddie does want to fuck him, and maybe even be more (no one flirts with someone as long as they’ve been doing without wanting something like a relationship out of it. At least, he hopes there’s something more on the horizon), but has some weird hang up about Steve being even a little bit buzzed when it happens. Even though they only ever see each other at this fucking bar.

The problem is Steve has no idea when Eddie will be at the bar. He’ll stay sober one night, hoping to see him, and then go home alone only for next time to be when he sees telltale curls and a wide smile. It’s driving him up the wall. 

Robin has been similarly affected.

“It’s been six months,” she growls as Steve looks eagerly around. “Six fucking months of you two dancing around in the worlds most annoying mating ritual. I’m going to kill both of you.”

“We’re not that bad,” he says absently. 

“You don’t even have his phone number. It’s pathetic. I swear to God, if you see him again and don’t get laid I’m reviving the scoops board. I will go out and buy a whiteboard to keep track of all the times you strike out with a man who used to walk on tables. He stepped on my lunch, Steve. Do I need to keep bringing up the fact he stepped on my delicious, nutritious PB&J? I can’t believe that’s the guy you decide to be obsessed with, that’s so fucking embarrassing for you.”

“Embarrassing? You mean like your crush on my ex girlfriend?”

She screeches wordlessly, pulling her keychain off her belt loop and attacking him with it. 

Naturally, that’s how Eddie finds them. 

“I swear you guys get weirder every time I see you.”

Steve grins guilelessly at him, holding a flailing Robin in a headlock. 

“Eddie! Hey! It’s been a minute.” He hasn’t been able to come in a month, and it’s been longer since he’s seen him. It’s honestly one of the deciding factors on whether it’s a passing fancy or a full blown crush. He still went to sleep every night thinking about Eddie. It didn’t even have to be about sex. 

Although maybe not sleeping with anyone else for half a year should have tipped him off sooner. 

“Sure has, big boy. I was starting to think you were getting sick of me.” It’s a joke, but Steve catches an undercurrent of insecurity. 

“That’d make my life easier,” Robin snorts. She finally wiggles her way out of his hold. “I saw Arty somewhere around here, I’m gonna see if I can crash at her place tonight.” She levels Eddie with a look. “He hasn’t had anything to drink. If you don’t put him out of his misery, I will. And it won’t be the good kind. It will be the bad kind. With bad screams. Lots of screaming, and someone will call the pigs, and I’ll be arrested and jailed for life. Do you want me to go to jail, Munson?”

Eddie shakes his head dumbly. 

“Good! Then do something about it.” She slaps Steve’s back, a mocking echo of his jock days. “Go get ‘em, slugger!” 

With that, she’s gone, disappearing into the crowd. 

“She is,” Steve remarks with amusement, “the worst wingman on planet Earth. Mars too, probably.”

“I dunno, I think it might be working.”

“I’m not doing anything without a condom,” he says, eyes narrowed like he’s waiting for an argument. 

“Me neither,” Steve agrees. “Robin has, like, this big fear of diseases. Totally got me with it. She pulled out the library books, those pictures were fucking disgusting. Shit showed up in my dreams, man. Neither of us do anything without protection.”

“I’m going to be totally honest with you, because I haven’t been and it’s starting to eat at me,” Eddie says, hovering above Steve. 

Steve wrinkles his nose. “What is it? Are you a spy or something? Are you Russian? Do you have superpowers? Is your name not actually Eddie?” He pauses. “Oh, God, you’re not even Eddie Munson, are you? I’m just some asshole who’s been calling you by my old classmates name and you were too embarrassed to correct me. Shit, we made so much fun of you for walking on tables too—“

“What?” Eddie covers his mouth, expression hovering between amused and baffled. “What the fuck, why would I go along with that? No, Jesus, I’m Eddie Munson. Moved to Hawkins when I was eleven, took senior year three times, walked on the fucking tables, could you let that go?” He moves the hand covering Steve’s mouth to play with his hair, looking annoyed for a minute before it smoothes to trepidation. “No, I, uh, I just felt like I needed to tell you that I used to have a hate-boner for you in high school. Like, I used to jack it to the thought of kicking your ass and making a mess outta you. In more ways than one.”

Steve stares. 

“Also, that’s kind of why I approached you in the bar in the first place,” Eddie blabbers on. “And then you said you were just there for a friend, and I was disappointed but it’s whatever, yanno? And then then you told me about your dad, and threw my expectations to the fucking wolves, and then you asked me to come up to your apartment except you were drunk and you probably didn’t mean it. But then the next time I saw you, you kept flirting with me, which you were not supposed to do, and I kept pretending that wasn’t the reason I even talked to you in the first place, and, uh, yeah.” He smiles nervously. “Surprise?”

“I mean, not really.”

“You’re such an asshole, fuck off. At least pretend to be shocked.”

“It’s not my fault you stare at my legs all the time,” Steve says, affronted. “I know I didn’t do too good in school, but I’m not dumb enough to miss that. Like, hello, my eyes are up here.”

Eddie lets his arms give out, flopping on top of Steve heavily. Steve wheezes. “Am I really that obvious?” He whines into his shoulder. 

“You got sad and pouty when I even looked at another guy.”

“You could’ve fucked him,” he mumbles. “The guy you were dancing with. It wasn’t any of my business. I’m a big boy, I can deal.”

“Yeah, but I didn’t want to fuck him,” Steve says. “I wanted to fuck you. Can we go back to that please?”

“Thought I was fucking you.”

“Someone’s getting fucked or Robin will kill both of us. I’d like to live tomorrow morning. And not have to deal with any more of her teasing for having no game.”

“You have unfortunate amounts of game,” Eddie sighs, tracing the side of Steve’s neck. It tickles. “It’s kind of embarrassing for me.”

“Yeah, yeah, are we using those condoms or not, Moodkiller?”

“Oh, I’m the mood killer?”

“Yes,” Steve says matter of factly, and pulls him in for a kiss before he can protest.

[purpleshadow-star]

It's kind of funny (heartbreaking) that there were multiple Ravens who wanted a number, to the point where some tried to manipulate Jean into helping them one way or another, but none of them would have been next in line. No matter what they did, there was always someone ahead of them on the list. Someone who wasn't even on the team. That someone wasn't Neil. Neil was a surprise to everyone, including Riko. That someone was Andrew.

Kevin might have had to beg Riko to go visit Andrew, and Riko might have laughed at Kevin and dismissed Andrew when Andrew turned him down, but make no mistake, if Andrew had accepted and had become a Raven, he would have taken that #4 spot within his first year.

If we're being real, Andrew had more of a chance at becoming part of the perfect Court than any of those Ravens ever had. Even Jean thinks of Andrew as one of them.

The other Ravens never stood a chance.

[ruby-static]

The idea of Riley introducing Arcade to Yes Man has been eating my head for ages- It's gotta be the most awkward first meeting imaginable.

Basic rundown: Shortly after first visiting the Legion Fort, pissing off Caesar and retrieving the platinum chip, Riley decides to open up to Arcade about what he found in Benny's suite after he initially ran off: a new friend with a potential plan to throw all major parties out of New Vegas. So he promises to eventually introduce the two, and imagine Arcade's surprise (or lack thereof) when this 'friend' turns out to be a giant reprogrammed securitron robot.

First impressions are... interesting. I feel like Arcade would definitely be a little unnerved at first, but surprised at the potential for an independent Vegas.

[sympathytea]

Theres a specific moment i think about alot, the scene at the very end of episode 1 of pvp civilization.

In the scene, Evbo is doing something mundane, shopping. And then something startles him. His sword breaks. Then he stops talking entirely until he dies from the sword in his hand breaking. To most, this is probably just an average "Perfectly cut death" type of transition, something to lead into the next episode and to get people hooked more onto the series, this was also done in Parkour Civ, but less naturally executed in that series (in my honest opinion) I think he also does this when he first gets his ass kicked by Ferre in the gold sword layer at the end of episode 4, but i'm not sure about that one. Some folks subscribe to the idea that Evbo monologues when he is scared of a situation, which isn't a bad idea since the guy loves to talk, all the time. However, I want to propose the opposite idea: Evbo goes nonverbal when scared. Personally, I think its more interesting and makes his character more dynamic if you imagine him refusing or straight up unable to speak whatsoever when he is in a state of fear, be it a trigger from previous trauma or a panic attack. Or something else entirely. Maybe as a bonus, he monologues about things happening around him to distract his own thoughts. Thoughts that he would rather keep well hidden from others. And more importantly, from himself.

Idk, just an idea.

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.