#that whole thing would hurt

[flawlesslogic5]

Imagine being Shermie Pines

How do you think it was for Shermie Pines, learning about Stan being kicked out at seventeen over a single action?

Going off the idea that the baby in ATOTS is Shermie, how would it feel growing up, knowing one of your brothers had been kicked out and shunned when you were an infant? Knowing that your father made the choice to do that once, and could easily do it again? Knowing your mother didn't, or couldn't, stop him? Knowing your other brother, his twin, didn't argue, didn't follow his brother and try to bring him home?

Your mother tears up when she talks about him like he went missing, like he just wandered off one day and didn't come back. Your father talks about him like an old irritation, something he's glad to be rid of. Your other brother doesn't talk about him at all- not that you see him much to begin with, he's away at college, studying, and later, he moves out to Oregon for some kind of scientific research that nobody can make heads or tails of. He doesn't write much and calls even less.

You wonder what's he like? Where did he go? Does he miss us? Does he miss New Jersey? Does he wish he could come back? Nobody answers your questions. You learn early on not to ask them aloud.

Imagine being ten years old and answering the phone and a voice you don't recognize from a brother you barely know asking to speak to your mother. Imagine your mother breaking down in tears, wailing over her little free spirit Stanley. Imagine your father deciding not to go to the funeral, and not knowing whether it's out of guilt or apathy or both. Imagine trying to mourn a brother you never knew, in a family that doesn't discuss him.

So you grow up with one brother dead and the other brother living out in Oregon and the minute you're old enough, when you're barely older than your brother was when he was kicked out, you head out to California and don't look back.

Alternatively, if Shermie is older, presumably he's not home when Stan is kicked out, otherwise why would his son be with Caryn and Filbrick? Maybe he and his wife were called away because of a problem on her side of the family, such as a death. Or maybe Shermie was drafted and serving in the military.

Regardless, imagine dropping off your baby son to your parents, and maybe you visit with your little brothers for a bit. Maybe you listen to one of them talk about his science fair project- maybe the other tells you about his boxing match. You ruffle their hair and tell them to stay out of trouble and you'll see them soon, okay? Then you come home and find your mother grieving and your father stone-faced and one of your little brothers alone for the first time in his life, and your youngest brother gone. His car gone and his clothes thrown out and his pictures covered up and gone.

What do you do? Do you go looking for him? By the time you get there he's left the beach. By the time you ask around the boardwalk he's gone. By the time you go to the police they're the ones asking you for information about your little brother because he's been banned from the state of New Jersey for his schemes and cheap scams.

You can't follow him further than that, you've got a family to support. So you pack up and go to California, far as possible from your folks and the emptiness left behind by your little brother. Sometimes you call your other brother, off at college, but he doesn't usually like to talk about the youngest. You don't necessarily blame him for that. It still hurts though.

Then comes the phone call from a suspiciously familiar voice, claiming your brother was killed in a car crash. You can't make it to the funeral. You hear your father didn't go at all. Your not sure which one upsets you more.

In either case, your son grows up out in sunny California. Your brother apparently runs a tourist trap in Oregon, and that surprises you, because that sounds way more like something Stan would do than Ford.

And one day your son turns seventeen and you wonder how the hell your father could look at a kid that age and kick him out. And you wonder, was he hungry? Was he cold? Did he miss home? Was he safe? Was there something you could have done?

Life goes on, your son gets married, and you get the news that you're going to be the grandfather of twins. You make a call and before you know it your brother is in the hospital with you. He doesn't take off his gloves. He doesn't talk about research or theoretical physics. He steals snacks for you both out of the vending machine and winces when you call him by his full name. He cries and fights you off when he holds the twins for the first time. Neither of you bring up your father.

You don't talk about your dead brother with the twins. Why would you? It's a sad story to tell a couple of young kids. You know history won't repeat itself between father and child, and that's what matters.

Years later, your son is looking for somewhere to send the twins for the summer and you recommend your brother's place- Oregon is supposed to be nice, right? Your brother is a good guy, and he's got a dozen PhD's, surely he can watch the kids for a summer. Besides, it might be good for him to be around another set of twins.

What could possibly go wrong?

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[bunnieswithknives]

Dev this is serious stop beatboxing.

[vaguely-concerned]

'my cousin is all stomach and no heart' is such a funny thing for illario to tell rook if he maybe is picking up on a little bit of a Vibe going on there. the 'LMAO. well good luck with that friend. better hotties than you have tried and failed and dashed themselves against the legendarily unamorous cliffs of my cousin's complete obliviousness and lack of interest to no avail. (optional 'may I suggest a more hah-hem *undoes another few buttons on his shirt that thing is open almost to his navel now it's borderline obscene* available dellamorte for your consideration. I mean if you're like in the market for one anyway' devious undertone as you see fit)' energy is off the charts.

(illario is above all a funny petty bitch and that's why I love him so indescribably. no no lucanis is right we need him around to drop shade like this he is in fact also an essential crow. we all contribute in our own ways)

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[fawn-tongues]

Drawing of a scene from chapter 7 of @entryn17 ‘s fic uncanny all along

[ivyithink]

okay, but armand getting to see baby!vamp lestat? still so excited about how different the world is to a vampire?? teaching him stuff and witnessing the joy that brings???

[stevesbipanic]

"It's just a weekend trip." Steve tries to remind himself as he watches Eddie's van drive away.

Eddie's band got a gig in Indy for two nights and Eddie looked so excited and Steve would've gone too but he had an really shift Sunday morning and after all, "It's just a weekend trip."

Eddie calls of course the moment they get settled at Jeff's cousin's apartment. Steve can hear his smile through the phone and picture it clearly in his mind. He can hear the others teasing Eddie in the background, classic fake kissing sounds from the other boys.

"I'll be home before you know it, sweetheart."

"Yeah, it's just a weekend trip."

Eddie is back in his trailer happy and smiling ready to tell Steve everything that happened by the time he's back from his shift two days later. Just a weekend trip.

Except it wasn't.

"You're going again?"

"Yeah just for the weekend, no biggy."

"Right, just a weekend trip." I was the fourth in six weeks.

Eddie wasn't in Steve's bed by Sunday night and there was a voicemail left on the machine.

"Sorry sweetheart,"

"Sorry Steven,"

"They want us to play a couple more shows this week."

"Your father has a few more meetings to go to."

"This could be really great for the band though!"

"It's going to be great for the business."

"I'll be back soon."

"We'll be back soon."

"Love you!"

"Goodnight Steven."

He's back by Wednesday night. He looks so excited, Steve wants to be too.

"Are you going next weekend?"

"Of course not, that's your birthday baby, can't miss that."

"Course not." See it's fine Eddie isn't them, he's different, he loves Steve.

"I've just gotta go for a meeting in the morning sweetheart I'll be back by the end of your shift you won't even notice, then we'll have cake and I'll make you dinner which will be burnt but burnt with love Stevie!"

It's easy to get swept up in it, to take the kiss on the cheek and the wave goodbye and the promise of later.

There's a leftover slice of cake in the fridge when he gets the call.

"Hey, sweetheart I'm so sorry I missed your birthday, the fucking van carked it a mile outta Indy, I'll be there when you wake up ok? I love you."

"Love you too Eds."

It's easy to accept the excuses because they're easy, the van breaks all the time, Eddie's band is getting more shows, just one more weekend, just one more night.

There's boxes scattered around the trailer.

"Going on a trip?"

"Three months."

The Harringtons last three month trip was four years ago, Steve wonders if they even remember the house phone number.

"It's just three months."

Steve can feel the end is standing in front of him. He wants to freeze this moment, he wants to hug Eddie and he wants to tell him he'll see him Sunday night and he wants to get excited hearing about Jeff tripping in a wire and he wants Eddie to stay and he wants Eddie to go and he wants this moment to just freeze and never end.

He wants his parents to choose to stay in Hawkins and not miss his birthday or graduation or hospital trips and he wants his mom to have kissed his cheek goodbye or his dad to at least wave, he wants one more phone call of we'll be home soon.

"I won't go if you don't want me to and if you want me to go I've gotta have you there, Stevie."

Steve feels his heartbeat stop.

"What?"

"I don't want to miss your birthday ever again, sweetheart, I don't want to come home and you're already asleep, I want you there or me here no more it's just one trip. I don't want to be your parents, Stevie."

Slowly, Steve's heart starts beating again, and the moment doesn't have to end.

[demaparbat-hp]

How does that first encounter go down between them in your Spitfire AU? I imagine some real conflicting emotions on all sides!

I would love to hear you ramble!! ❤️

*cracks knuckles* Alright, let's do this.

As far as the world is concerned, Lu Ten II doesn't exist and the Royal Bloodline ends with Princess Azula. The little kid that follows Prince Zuko everywhere? That's Ten Ten, an orphaned stowaway his Crew found and adopted for some weird reason no-one ever questions—the kid is just that lovable.

(It helps, honestly, that Lu Ten II is a carbon-copy of poor, forgotten Ursa. No one would ever think to connect him with Fire Lord Ozai, long may he reign.)

Little Ten Ten loves to run off when the Crew is on shore leave. He gets into trouble sometimes, but only because of his chronic inability to look away from people who need help (it makes Zuzu both so proud and so shouty-because-he's-worried. It's fun until it isn't).

By now the Crew knows not to panic when the kid goes missing for a couple of hours in a harbor town—which is why no one noticed Ten Ten's disappearance until it was too late.

"Could someone please explain to me," what starts as a mutter becomes a shout as anxiety takes over Sokka, "why on earth did we go into town to buy necessary, highly specific supplies, and returned—not only with a stolen waterbending scroll—stolen! From pirates, Katara!—but with a Fire Nation-looking KID?!"

While Ten Ten is having the time of his life goofing with Aang, out-sassing why-is-this-happening-to-me Sokka, and melting Katara's heart—Zuko is losing his mind, sanity, and temper because how on Agni's name do you lose a Prince of your nation?

But, sir, he's like three-feet-tall—

HOW, JEE?!

Needless to say, the pirates kidnap the pretty waterbending thief and her kid with the sharp tongue and fancy-looking clothes. Which turns out to be a Bad Idea™ because, well, a skinny guy from the watertribes and his way-too-young-to-be-bald companion? They can absolutely deal with them.

A Crew's worth of murderous Fire Nation soldiers lead by the unforgiving, terrifying, bloodthirsty Prince?

They are not ready for that.

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[gazumirei]

the pressure fandom right now

[hinalatte]

A Thematic Analysis of Chapter 2’s Killer

Drdt spoilers. Obviously

There’s a lot of people who have started liking Ace more since this episode. I am not one of those people. He’s always been my favorite character. I’ve suffered from paranoia as well, and it sucks when people don’t take that shit seriously. Just because it’s irrational doesn’t mean it’s not harmful, and just because it’s stupid doesn’t mean the person suffering from it is stupid. I related to him a lot because of that. His issues are constantly downplayed by the people around him. Either that, or they think he’s irreversibly crazy for fears he can’t really control.

But besides that, I like him because his brain is fun to pick apart. He has so many problems. It’s a genuine shame he’ll never be able to get over them. It’s not the direction I expected his character to go, but it makes a lot of sense.

All that glitters is not gold.

The title made me think that a “good person” would be the killer, but it was Ace, a “bad person.” And his victim was Arei, another “bad person.” The people who died this chapter were the cast’s “worst people,” people who were outcast by everyone else for being bullied. But this chapter also shows their human sides—maybe they were only bad people because they were never given a chance to be good, like Arei. Maybe they were pushed to extremes because nobody treated their problems seriously, like Ace. Meanwhile, the cast’s “good people” are all revealed to be worse than they seemed. That was the thematic reason behind the motive secrets. Some of the others have done things far worse than Arei or Ace.

Nico was someone most of the cast liked. They were never mean to anyone, and they were constantly the victim of Ace’s bullying. They were easy to like, or at least easy to not hate. They quickly formed a bond with Hu (because Hu seeks out people she thinks need her protection). But in this chapter, they tried to kill someone. They admit themselves that it was reprehensible. Nico is a “bad person”.

Hu was supportive of everyone in chapter 1, positioning herself as a motherly figure. She was kind, caring, and helpful. But in chapter 2, she infantilized Nico to the point that she thought they can’t speak for themselves during the trial. She let biases cloud her judgement. She derailed the trial without good reason, because she wanted to be helpful to Nico, even when they weren’t asking for her help. Hu is a “bad person”.

Levi was called a good person by Eden at the start. He’s polite, takes care of other people, and reached out to Ace of all people. But in this chapter, it’s revealed that he did all of that for his own convenience. He doesn’t care about other people. He’s a murderer. He’s a “bad person”.

Levi threatened Ace, making Ace’s paranoia worse. Nico tried to kill Ace, confirming Ace’s idea that he was going to die if he didn’t get himself out of the killing game. Hu defended Nico, confirming Ace’s idea that everyone was against him.

The so-called “bad people” are cursed to die, while the so-called “good people” are shown to have been bad all along.

And isn’t that far more interesting than showing that good people can do bad things, and ending it like that? Now all the so-called “good people” have to live with the fact that their actions led to Arei’s death, without having been Arei’s actual killer. Arei was killed by the cast’s mistreatment, negligence, and trivialization of Ace Markey.

Thematically. Not literally, of course. Ace did that.

But their culpability in Arei and Ace’s deaths, even tangentially, shows in full color the consequences of letting their flaws go unchecked.

And in the context of Nico and Hu specifically, I can’t wait to see how that impacts them in the long run. Chapter 2 was all about facing the darkest sides of some of these characters. So wouldn’t it stand to reason that Ace’s death would influence some of them (like Nico) to examine their actions more closely and try to grow from them?

I can see Nico cutting off their friendship with Hu after this. She refused to acknowledge their fault in the situation. Since Nico is an objective person, I think they’ll understand the part they played in the Ace/Arei situation, and want other people to understand it as well. They won’t want Hu’s misplaced protection anymore.

And for Hu, I have no idea where she’s going after this. After her performance in this trial, where her flaws were pointed out to her by all the other characters, is she going to reflect and change? Or is she going to regress first, especially now that Ace, who she believed to be a villain, actually snapped and killed someone?

A big theme of chapter 2 has been growth. Ace shows the consequences of not growing. He was pushed to murder because of the rest of the cast not confronting their flaws, and he himself committed the murder because he didn’t know how to change.

It’s a bit of a hopeful spin on his death, but I’ll be honest—I’m still majorly bummed out about it. His life has just been terrible and will be terrible until it ends. He’s a horrible person with blood on his hands. He’s a coward and a bully who is hated by everyone. It’s all he’ll ever be, because he’ll die before having the chance to be someone else. Nico, through the sheer coincidence of having their murder interrupted, will be able to grow and change. Ace never will. A terrible life and a terrible death for a terrible person. And he won’t be missed. Not like Arei. Not like Min. Not like Xander. People like Nico, Rose, and Eden may feel bad about it, but no one will miss Ace specifically, because no one likes him.

If you were able to change and become a better person, it only means you were a good person to begin with.

If you weren’t able to change, it means you were doomed from the start. There’s no use trying.

There’s another world where people took Ace’s fears seriously. Where they didn’t dismiss him as a joke at the start and a volatile dog at the end. He might’ve survived if that happened. No matter what David says, bad people can change, if they know how to do it.

When this chapter finishes, I might make a full thematic analysis of it. There are still a bunch of things to say. I’ll just leave this post off with: Nico survivor stocks going up! Invest now!

[hitlikehammers]

PART 2/2: in which lock-picking⛓️‍💥 is 100% a valid love language, and waking up with ✨Steve Harrington✨ was NOT the future (exactly. maybe. ish.)

...but waking up in a hospital bed just might be ♥️

<<< last time: And Eddie thinks that’s highly fucking debatable—he’s not sure where it comes from, because it’s a little out of place, Eddie didn’t say anything but maybe he’s just that transparent, the heart of him so quickly, so completely, and if that’s the case then it’s entirely fucking debatable because Eddie thinks he’s going to burst, splinter like a starburst, glorious in the unmaking for how big this thing that’s building in him feels, how certain he is that it’s about to break his ribs and he fucking looks forward to it, so no: Steve doesn’t love most because he can’t, because Eddie is overcome with this feeling and he, he— He’s drifting, because Steve’s heat is a heady fucking drug, and his heartbeat’s a metronome, a lullaby against Eddie’s back and it’s instinct, it’s unquestionable when he shimmies tighter into Steve’s hold and sighs the weight of the world out between his lips because… Because goddamnit, this feels right.

OR: y'know. Eddie thought he was dying in the Upside Down but then he's waking up in the future, in bed with Steve Harrington like what the fuck

Eddie comes to—again: un-fucking-expected—with the same sensation of his ribs snapping, the pain of it a dull thing he thinks he can just float through because his heart’s so gone on the impossible possibility of some future imaginary day where he, where Steve, where they—

“Eddie?”

Wait.

Wait, that’s…okay.

Back up.

He tries to take in what his senses are willing to offer him: something starchy, itchy against his skin, both sides—definitely not the sheets from the bed he’d just felt visceral underneath him. Pressure and aching at his chest: but less sweet the longer he focuses on it. Stinging and the pull of maybe-bandages, maybe-sutures, maybe both and something deeper, like…oh, wow, fuck, it’s entirely possible his ribs are already broken. His heart still feels full, but also scared, unsure, wrong-footed as more and more little clues seep into his consciousness, before maybe the clearest of them all: a shrill little beep that’s fast, like embarrassingly fast—

A monitor.

He draws a shaky breath—iodine, like, burning levels as he inhales and holy fucking shit, he’s in a goddamn hospital.

He’s, did he…

Is this what Steve meant, when he said ‘wake up’? Did Eddie…

Did Eddie fucking survive?

It’s in the spiral of that thought that Eddie clocks the same voice that jarred him out of his own head…in his own head, before. With the fancy sheets and the warmth and the home and—

What…what if it wasn’t in his head at all—

But his body, his pulse recognizes that voice as safety. As…rightness incarnate.

“Oh fuck,” and that’s the Steve Eddie knows best, right there, a little breathy and a little pitchy for frayed nerves and constant worry and the weight of the fucking world to make sure everyone—everyone else—makes it out as okay as possible.

And it’s in thinking that, that Eddie recognizes what Steve-in-his-headin-the-future-in-his-dream-in-his-maybe-not-quite-death-hallucination meant, when he’d said Eddie’s eyes softened. Because Steve’s heart on his sleeve, in his eyes, had looked peaceful, then. Content, even.

Not so frantic. Not so…scrambling.

Still just as blinding, though.

“Thank fuck, you’re awake,” Steve half gasps, a tiny clattering against the tile floor vying to draw Eddie’s gaze away but there was genuinely nothing in the whole goddamn universe that could take Eddie’s eyes off of Steve just now, those lips parted ever so slightly, cheeks that tiny bit rosy, pulse maybe-maybe-not visible just below the bandages on his neck.

He’s beautiful.

“What do you need?” Steve’s leaning closer, hands reaching but then kinda fluttering, kinda hovering, not sure where to touch and even if they knew the answer, kinda like they’re not sure if they can touch in the first place, yet all Eddie can do when he sees them, when he feels the shift in the air for how close they are; all Eddie can do is remember what it’s like to be pressed close to Steve’s body, to feel Steve’s arms around his chest, like they’re keeping him.

“What can I do,” Steve asks, so earnest and Eddie’s pulse does a little skip for it, how good it feels; “I—”

And Steve’s eyes are already big, just short of pleading, darting to the corners of the room maybe for water, maybe for a button to call someone to help more than he can—as if anyone can help more than Steve can, just now, because Eddie’s waking up from what it feels like to have Steve, and the most pressing possible thing in the world just now is SteveSteveSteve, near enough to feel, to breathe in—

Steve’s eyes are already big, though, is the thing, even before the full-on fucking crash of something to the floor makes him freeze. Eddie tries to peer down, winces as it pulls to much at…everything, kind of, Jesus H., but he hurts everywhere, and…

“The hell were you doing?” he asks in the absence of being able to see because…metal. Metal had hit the floor, from the height of probably-the-bed, after Steve had pressed into the mattress, shifted the weight, and then he’d blinked all owlish and adorable: culpability for whatever he’d been up to written all over his gorgeous fucking face.

“Umm,” Steve chews at his lip a little, eyes peeking up through his lashes, that look that makes Eddie weak and wobbly at basically every juncture it’s possible to tremble at like that, but he doesn’t duck away; he doesn’t even blush. He’s not…whatever he was doing—and Eddie’s range of motion is fucked, he’s already super well aware of that shit when he even tries to move to see the floor, to follow the sound—but whatever Steve was doing, he’s unrepentant. But in a way where he maybe recognizes that other people would have been less brazen.

Eddie’s wrist tingles out of nowhere—weird, when all of him is already kinda in a sort of dull, narcotic-shrouded pain—and he frowns, glances down at least that far and notices the slightest ring of red that’s less angry, not attached to bite marks and broken skin, and he has the wildest thought cross his mind just then, and he steels himself to crane his neck as far as he can, to limit the strain he’ll put on his middle because now he needs to see, because he kinda knew before he cut the sheets and ran into the fray that coming out on the other side meant life behind bars if there was any life at all, yet here he is, increasingly seeming like this is real, and this is his ‘other side’, and…

He’s just in a fucking hospital. He’s…he’s here, and he’s, he’s not…he’s not in fucking chains.

And it stings like a bitch, and Steve’s a second away from stopping him, reaching for him and pressing him safely back onto the the bed, but Eddie gets the glimpse he needs. Recognizes the shape on the floor, shiny steel against the scratched-up linoleum.

“Were you,” Eddie traces the ridges of his teeth with his tongue, because there are layers to what he’s about to ask; “were, umm, were you picking the,” and the first little clatter from before makes more sense if he’s right, and if he’s right, well, fuck.

It’ll be hot as hell, if he’s right.

“That?” Eddie tilts his head toward the floor because: cuffs. What he’d seen, what had fallen: handcuffs. On the floor. And they’d have had to have been not on the floor, and probably on him before, and so, he—

“Possibly,” Steve answers with a straight face, as unapologetic as ever, maybe more; maybe even defiant, and oh, wow. Steve Harrington picking his fucking handcuffs, setting his stupidly-quickly-lovesick ass free.

Hot as fuck; seriously.

“How positively criminal of you, Harrington,” Eddie grins half-maniacal, feels the stretch of it burn against a cut that’s gotta run half the span of his cheek but fuck it, the warmth flooding him is undeniable, is incredible—he’s giddy all of a sudden, straight to his bones.

“S’nothing on hot-wiring,” Steve shrugs, like it’s not fucking everything; “but I wasn’t,” and Steve takes a deep breath before he squares his shoulders, looks at Eddie straight-on and shit, if he thought the warmth in him up to now was something?

It’s kinda got nothing on what consumes him under those eyes.

“I wasn’t going to let you wake up fucking…shackled.”

And goddamn if the fire in that voice, those words, doesn’t light Eddie up like burning, doesn’t shake him to the core and then blanket him in sureness and the kind of protection he didn’t think really existed.

Save that he does kinda think it’s exactly what this man’s made of; made for.

And Eddie can’t escape the certainty rising in his veins and pumping, fierce and unshakable, that he wants—more than maybe anything—to be the one to give that same safety, that same promise of something unwavering and permanent and beyond question, right back to Steve.

“You’re an innocent man,” Steve leans in then, emphatic with it; “you’re a goddamn hero,” and he means it, holy shit, he believes that:

“Like hell I was just gonna,” and he shakes his head, like the idea is just that preposterous; like he cannot even consider anything but Eddie being free, and okay, and here, and…

Eddie’s struck with the sudden slap of realization across the fucking face that he couldn’t have gotten topside by himself. That someone had to get him from the hellscape to here. And of the able bodies in the Upside Down, no matter how strong the girls were, only one could have wrestled him through that gate. Only one could have…whatever he maybe needed, between this bed and that bat-strewn ground, it was, Steve would have been, he’d have—

The force his heart trips, then leaps with, is fucking cataclysmic. Eddie’s honestly surprised it doesn’t just tear out from his throat then and there.

“Plus they’re in the process of finishing the paperwork to make it all official, dropping the charges and all that, clearing your name,” Steve gestures vaguely in the air, like it’s all routine, the feds and the cops sweeping shit under the rug but then he remembers all the side comments he’d collected in the back of his mind these last few days about the ‘last time’ and then ‘the time before that’ and fuck all also the first time—

Maybe it is, just…sick and twisted and harrowing and heartbreaking routine.

“They’re just really fucking slow,” Steve smiles at him, all small and devastating and…

And okay, so that overwhelming urge to be a constant in Steve Harrington’s life, safe next to his heart kinda for always, zero to forever in half-a-blink?

Eddie knew he wanted, when he threw his vest at Steve’s bare chest more for Eddie’s own fucking sanity than anyone’s modesty, but it was all washed in the hopeless-helpless colors of desperation, of why not when I won’t see tomorrow; and now.

Now, all Eddie wants is tomorrow. Every tomorrow. No tomorrows without this man. Without what he saw, how it felt: what he knows in his marrow loving him would be.

It’s probably that conviction etching into his cells that makes makes him softer, a little weepy around the edges; drives him to need through the next words that escape:

“Steve,” Eddie breathes, wishes Steve were just that little bit closer so that the distance he can reach could reach him:

“Thank you.”

“Of course,” Steve waves him off almost, like he doesn’t think everything he is, everything he’s done is monumental. Not just the cuffs but with the cuffs like the cherry on top of how Eddie would—will, if he’s given the chance—devote all that he has and all that he is to making Steve happy. To making him as calm and warm and loved as Eddie could feel in that bedroom, in his head or in the future or on death’s fucking door.

“I mean,” Steve starts, and Eddie can already feel how he’s angling to downplay the thing that’s only swelling, building, growing under Eddie’s own ribs and, well: no.

No, Eddie won’t be standing for that.

“Stevie,” and Steve’s gravitated wordless just close enough for Eddie to be able to brush his fingertips against Steve’s wrist, to curl and pull his hand into Eddie’s grasp, palm splayed above Steve’s knuckles, holding. Keeping.

“Thank you.”

And Steve stills a little, stares at him like he can see what’s tucked up tight and dear in Eddie’s chest and maybe he can, because his voice is feather-light and a little bowled-over. A little…a little awed.

“You’re welcome.”

So yeah, maybe he can see what’s in Eddie’s chest, less tucked in this moment now than fucking, like…

Blooming.

“Do you believe there’s anything waiting when we die?”

Eddie’s gonna blame the frantic blossoming warmth coursing through him for the way he blurts that shit out with no preamble, like maybe the flowering wonder of it all pushes it out without permission, sweet on the back of his tongue but heavy because it matters so much; because it’s all just nostalgia.

For now.

“What?” Steve gapes a little, sounds dumbfounded; maybe a little wary. Fearful.

His hand’s still held under Eddie’s, though, so it’s only natural the way Eddie lifts his fingers and presses them palm-to-palm like it means something.

“Do you?”

“I…don’t know,” Steve swallows hard enough the follow down the taut line of his throat, fucking mesmerizing.

So maybe the way Eddie licks his lips before he says anything more isn’t…isn’t just for the sake of the topic and its weight, is all he’s saying.

“I,” and Eddie doesn’t really know where he’s going, here, or else: he knows exactly where he’s going.

He’s just not totally sure the path he’s planning to chart along the way for getting there.

“When we were down there, and I was telling you to go after Wheeler,” which yeah, okay, surprise direction there, weird little detour, but…it doesn’t feel wrong.

Which means, if it’s right instead: then that’s everything that is Steve in Eddie’s lungs for breathing, in the chambers of his heart. So he leans into it.

Squeezes Steve’s fingers laced together with his.

“Eddie,” Steve starts, sounds tired, spent, and Eddie was never going to let that happen; no matter where he’s going, or leading them down the path of his revelations, the truth etched new but also deep in his bones like it was only waiting to be found and known.

“It was because that’s what I wanted. For me. I wanted to,” and his breath catches on a little chuckle, so light and choked and a little hysterical as he adds, giddy and a little bashful all together at once:

“Unambiguously, umm,” and he trails a little, wants to hide behind his hair just a touch but to do that would require a broader capacity to move in the first place and more, so much more: it would mean letting go of Steve’s hand.

So: absolutely not.

Especially not when Steve’s gone full dropped-jaw gaping at him, his fingers in Eddie’s grasp twitching like he’s confused, like maybe there’s part of him short-circuiting, and Eddie feels his exhales tremble when he finally blinks, finally tilts his head and takes Eddie in at a new angle before he asks, genuine and not just a little lost:

“Seriously?”

And Eddie…Eddie’s actually never been more serious in his life, so.

“Like,” and he circles Steve’s knuckles delicate-like with his thumb: “I wanted the chance, to try, I guess, yeah.”

And he doesn’t know if he’s risking everything to own it, even if he’s owning just a sliver of the breadth and depth that he feels, but he does know unequivocally that he wouldn’t hold it back if given the choice, the opportunity to do it over and not show his bloody-beating heart on display.

A bloody-beating heart that’s moving quicker, slamming harder against his chest but…that actually feels like the only correct thing it could do. Because this merits it.

This kinda is his whole fucking heart.

“Do you still?”

It takes Eddie a longer string of seconds than he’d prefer to own to, to process the words as having meaning, no matter that he doesn’t fucking understand what they’re aiming at.

“What?”

“Want,” and Steve’s the one squeezing Eddie’s hand now, turning a little to graze at the line of his veins at the wrist; “the chance.”

And he says it deceptively casual, despite how he’s staring at their hands, determinedly not meeting Eddie gaze as Eddie gets his chance at the gaping.

“Fuck yes,” Eddie finally huffs on something not unlike unabashed fucking joy, save that this thing he’s feeling is so much bigger, and when Steve looks up, meets his eyes and his own glimmer, shine so bright and brim with such disbelief, but so much stronger and with such hope, Jesus.

Eddie can’t help the giggle that bubbles out of him. Like his whole fucking soul gets shaped into a single breath of exultant delight.

And they both hold to one another, trace across skin and map the lines and dots and scars, and Eddie’s not stupid, he knows this isn’t how it works but…

But he’d still bet money on the fact that the way he’s touching Steve, so innocent and so quietly intimate, is healing his wounds, shoring up his weaknesses and stitching him up fuller, better, breath by shared-sacred breath.

It’s heady as fuck. It’s exquisite.

“Why’d you ask me about when we die?”

Steve’s the one to break the still, and even that’s not breaking anything, really; he speaks so soft. He’s stroking down from Eddie’s thumb back and forth.

It’s not breaking anything.

“I saw something,” Eddie whispers, not sure what reaction that’ll get, and Steve’s staring at their hands again, marveling really, so Eddie can’t read any hint save for the crinkled furrow in his brow.

“But you didn’t die.”

Which isn’t the reaction he thinks he expected, even if Eddie couldn’t name what he did expect. And it’s also not a revelation he thought he’d receive.

“Not at all?”

Because he’s genuinely surprised. He at least figured he’d flatlined like…long enough to have visions of absolute and total domestic bliss and shit.

But Steve’s shaking his head decisively, holding on to Eddie just a little bit tighter.

“You had a pulse, whole way to he hospital,” he tells Eddie, voice gone a little hoarse; “it wasn’t strong but,” and Steve looks up at him, and fuck, those eyes are too shiny now and Eddie doesn’t want that, he doesn’t want his Steve to hurt, he—

“I fucking held you,” Steve croaks and oh, oh he’s shaking, Jesus—

“I kinda,” and he swallows with a click Eddie can hear, around a throbbing pulse Eddie can see, wants nothing more than to soothe with his lips against that tender skin; “I kinda had to make sure, so,” and the hand that’s not holding Eddie’s comes up, trembling as he reaches toward Eddie’s chest:

“Kept my hand pressed, just,” and his voice gives, and he looks up at Eddie with something like devastation, begging something like permission because he doesn’t know that everything that Eddie is, is his.

But he will.

He will know.

“Yeah?” Eddie breathes out, holds Steve gaze as he nods, as he tries to make it clear that anything Steve needs is his, and then some.

It takes a second, but the shine in those eyes finally shifts, finally brightens and then Steve’s breathing’s made of tremors, but his hand finds Eddie’s chest and sends something sparking like lighting through him just as the whole of Eddie feels immediately like he’s home.

And Steve’s hand on his chest feels exactly like it did in their future bed, in their future room, in their future life.

Their always love.

“Yeah,” Steve whispers, then takes a moment, palm splayed wide just above Eddie’s bandages, before he’s gripping Eddie’s wrist with the other hand a little harder:

“It’s so fast,” he exhales like it holds the whole world and then some; he wonders at just Eddie’s heartbeat under his touch and god.

God, but Eddie…Eddie couldn’t have imagined he’d ever feel like this. Let alone feel like maybe it’s mutual, maybe it’s real, maybe he can keep it and stay in this feeling for forever.

“Fuck yeah it is,” Eddie murmurs, then he chuckles, inhales deep maybe just to better feel the weight of Steve’s hand; “making up for the lost opportunity, y’know,” and fuck, all he wants is to be able to lean, to kiss the pout of those lips, to taste what it means to love somebody like he’s never done before.

“Making up for what it missed the last time your hand was there to feel it.”

And Steve’s hand above his thrumming heart twitches just a little, but never flags or makes to move, to leave, and Eddie thinks that he’d be fine if he lived the rest on his days with Steve like that, near enough that he could press a hand to Eddie’s heart at all times and just…just know that it’s his.

Because maybe it’s sudden—it’s definitely quick—but Eddie’s never known anything like he knows this.

“Eddie,” Steve finally whispers, a question and a claim and a means of cradling Eddie to his heart, somehow, for how swathed in light and affection Eddie feels in that moment, in just the shape of his name like it’s never been spoken before.

“I saw the future,” Eddie blurts out in a rush, breath coming a little quicker and heart-under-Steve’s-hand pounding harder. “Maybe. I don’t know, I mean, it sounds so stupid when I say it out loud but it felt so,” but then he looks into Steve’s eyes again and Steve is listening, Steve’s maybe doesn’t think he’s crazy, so he feels safe enough to say with his whole fucking chest:

“It felt real, Stevie.”

“What was it?” Steve asks, so quiet, so gentle like he doesn’t want to disturb this thing either, like he doesn’t need to hear it spelled out yet to know it’s delicate, the most important thing in the world, which fuck yeah it is, even as it cracks and chokes for the flood of feeling around it when it presses up from Eddie’s chest:

“Us,” Eddie breathes it out like the precious truth it genuinely fucking is:

“It was us.”

And Steve doesn’t say anything, but his eyes glimmer all the more, swimming with a riot of emotion to a degree than Eddie feels drowned in awe just to see it, and his hands on Eddie hold tighter, more fervent, devoted like a pledge for the way it runs through Eddie’s blood and sings in his veins:

“Even if it wasn’t real,” but Eddie’s doesn’t believe that, not really, not in his heart of hearts where it all pounds into the crevices that map Steve’s touch; “even if I wasn’t seeing the actual future,” and maybe he wasn’t, maybe that wasn’t their future, and maybe he’ll never know, but what he does know, is—

“It felt right, Steve.”

He knows that clearer than he knows the sky is blue.

“It was just a few minutes,” Eddie flounders a little, mostly because he remembers how good it was, written indelible into how much he wants, here and now:

“But I have never felt anything so right.”

He breathes, shaky and shallow and too fucking fast, but then Steve starts stroking his palm along the unmarked spaces of his chest, back and forth over the gallop of his heart like he means to stay there. Like he could ever want to keep.

“Well,” Steve whispers, his eyes on the path of his hand to make sure he doesn’t draw any pain—as if he ever could—until he knows the safe route over and back, again and again, and then he looks up, catches Eddie’s eyes and locks there, doesn’t pin so much as holds, holds, holds.

And good fucking god, Eddie feels it glisten through him like starlight; Eddie feels remade before Steve’s leaning in, lower than to meet Eddie’s mouth but then he’s pressing his lips to the dip between Eddie’s collarbones, holding there, breathing like he means to savor, like he means to cherish, like he means to, to…

To stay.

And Eddie’s heart’s under that hand and those lips all at once, wholly Steve’s while it quivers like a riot, while it leaps as Steve changes the world, writes their fucking future where his mouth drags wet and warm and ardent and there’s nothing in it at all that can be anything other than at least on the way to love as he breathes, fucking vows:

“We gotta try, then, don’t we?”

♥️

>>>also on ao3✨

for @penny00dreadful 🖤 still very fucking sorry it's this late

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[risingsunresistance]

cant stop thinking about this silly dog i saw on twitter the other day, reminded me of him for some reason. The Animal 🐖

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[hoofpeet]

The vision