#I do not accept counterarguments

[hinalatte]

A Thematic Analysis of Chapter 2’s Killer

Drdt spoilers. Obviously

There’s a lot of people who have started liking Ace more since this episode. I am not one of those people. He’s always been my favorite character. I’ve suffered from paranoia as well, and it sucks when people don’t take that shit seriously. Just because it’s irrational doesn’t mean it’s not harmful, and just because it’s stupid doesn’t mean the person suffering from it is stupid. I related to him a lot because of that. His issues are constantly downplayed by the people around him. Either that, or they think he’s irreversibly crazy for fears he can’t really control.

But besides that, I like him because his brain is fun to pick apart. He has so many problems. It’s a genuine shame he’ll never be able to get over them. It’s not the direction I expected his character to go, but it makes a lot of sense.

All that glitters is not gold.

The title made me think that a “good person” would be the killer, but it was Ace, a “bad person.” And his victim was Arei, another “bad person.” The people who died this chapter were the cast’s “worst people,” people who were outcast by everyone else for being bullied. But this chapter also shows their human sides—maybe they were only bad people because they were never given a chance to be good, like Arei. Maybe they were pushed to extremes because nobody treated their problems seriously, like Ace. Meanwhile, the cast’s “good people” are all revealed to be worse than they seemed. That was the thematic reason behind the motive secrets. Some of the others have done things far worse than Arei or Ace.

Nico was someone most of the cast liked. They were never mean to anyone, and they were constantly the victim of Ace’s bullying. They were easy to like, or at least easy to not hate. They quickly formed a bond with Hu (because Hu seeks out people she thinks need her protection). But in this chapter, they tried to kill someone. They admit themselves that it was reprehensible. Nico is a “bad person”.

Hu was supportive of everyone in chapter 1, positioning herself as a motherly figure. She was kind, caring, and helpful. But in chapter 2, she infantilized Nico to the point that she thought they can’t speak for themselves during the trial. She let biases cloud her judgement. She derailed the trial without good reason, because she wanted to be helpful to Nico, even when they weren’t asking for her help. Hu is a “bad person”.

Levi was called a good person by Eden at the start. He’s polite, takes care of other people, and reached out to Ace of all people. But in this chapter, it’s revealed that he did all of that for his own convenience. He doesn’t care about other people. He’s a murderer. He’s a “bad person”.

Levi threatened Ace, making Ace’s paranoia worse. Nico tried to kill Ace, confirming Ace’s idea that he was going to die if he didn’t get himself out of the killing game. Hu defended Nico, confirming Ace’s idea that everyone was against him.

The so-called “bad people” are cursed to die, while the so-called “good people” are shown to have been bad all along.

And isn’t that far more interesting than showing that good people can do bad things, and ending it like that? Now all the so-called “good people” have to live with the fact that their actions led to Arei’s death, without having been Arei’s actual killer. Arei was killed by the cast’s mistreatment, negligence, and trivialization of Ace Markey.

Thematically. Not literally, of course. Ace did that.

But their culpability in Arei and Ace’s deaths, even tangentially, shows in full color the consequences of letting their flaws go unchecked.

And in the context of Nico and Hu specifically, I can’t wait to see how that impacts them in the long run. Chapter 2 was all about facing the darkest sides of some of these characters. So wouldn’t it stand to reason that Ace’s death would influence some of them (like Nico) to examine their actions more closely and try to grow from them?

I can see Nico cutting off their friendship with Hu after this. She refused to acknowledge their fault in the situation. Since Nico is an objective person, I think they’ll understand the part they played in the Ace/Arei situation, and want other people to understand it as well. They won’t want Hu’s misplaced protection anymore.

And for Hu, I have no idea where she’s going after this. After her performance in this trial, where her flaws were pointed out to her by all the other characters, is she going to reflect and change? Or is she going to regress first, especially now that Ace, who she believed to be a villain, actually snapped and killed someone?

A big theme of chapter 2 has been growth. Ace shows the consequences of not growing. He was pushed to murder because of the rest of the cast not confronting their flaws, and he himself committed the murder because he didn’t know how to change.

It’s a bit of a hopeful spin on his death, but I’ll be honest—I’m still majorly bummed out about it. His life has just been terrible and will be terrible until it ends. He’s a horrible person with blood on his hands. He’s a coward and a bully who is hated by everyone. It’s all he’ll ever be, because he’ll die before having the chance to be someone else. Nico, through the sheer coincidence of having their murder interrupted, will be able to grow and change. Ace never will. A terrible life and a terrible death for a terrible person. And he won’t be missed. Not like Arei. Not like Min. Not like Xander. People like Nico, Rose, and Eden may feel bad about it, but no one will miss Ace specifically, because no one likes him.

If you were able to change and become a better person, it only means you were a good person to begin with.

If you weren’t able to change, it means you were doomed from the start. There’s no use trying.

There’s another world where people took Ace’s fears seriously. Where they didn’t dismiss him as a joke at the start and a volatile dog at the end. He might’ve survived if that happened. No matter what David says, bad people can change, if they know how to do it.

When this chapter finishes, I might make a full thematic analysis of it. There are still a bunch of things to say. I’ll just leave this post off with: Nico survivor stocks going up! Invest now!

[hoboblaidd]

speak your truth about solas the ginger tho

AHEM.

Your Honor, Plaintiff offers the following exhibits pursuant to FRCP 1001(c), 1003:

Exhibit A:

caption: come on

Exhibit B:

caption: come on

Exhibit C:

caption: COME THE FUCK ON

Upon timely request by the opposing party, the state has additional lower quality, but no less dispositive, in-game photographic evidence. Disclosures pursuant to Brady* have been provided to the opposing party.

Accordingly, the court should award summary judgment to Plaintiff on the issue of SOLAS HAD RED HAIR.

[brittlebutch]

actually first ep of Voyager where Janeway talks to Tuvok about how his family misses him is that when she says they Worry about him Tuvok contradicts her and claims that Vulcans don't do that but when she corrects and says they Miss him he accepts this and admits he misses them too; implying perhaps a pedantic difference between 'Vulcans do not Feel Emotions' (false) and 'Vulcans do not Act Out of Emotion' (accurate) -> 'Miss/Longing' is an emotion, but 'Worry' is an action one does out of emotion -> one Vulcans do; one Vulcans do not.

[i-spilled-my-soup]

hmm what did you think overall

fun to read! i can recall a handful of nice moments, will probably quote them in the future. yet i didn't consciously think of it as canon, though, just because i'm too attached to the original pjo and in every new installment some part of that is deteriorated. i liked the descriptions and the tensions and conflicts, yeah it felt bad that they were so irritated at each other but it was sort of refreshing. i skipped over some parts, because i could sort of tell where the plot was going and the actual sentences seemed like just providing the audience with a predesigned opinion on social issues.

[serpenlupus]

I want Sentinel to suffer, and then to die in darkness.

I've been thinking about this line for a while now,

"No, I want to kill him! I want to put Sentinel in chains and march him through the mines so everyone can see him for the false Prime that he is! I want him to suffer, and then to die in darkness."

I find this sentence so revealing about the general Miner's state of mind.

Because, make no mistake, the movie is telling us in no uncertain terms, that the Miners are expected to die doing their job. And also, that they're punished if they don't accept this. Because the system views them as expendable, and tries its best to convince them as well.

The scene of the cave in shows this perfectly; protocol demands that a trapped miner be left behind, even if that means their death. Elita says it outright when Orion comunicates that Jazz is stuck: "Do not break protocol, EVACUATE" a.k.a, leave him. And maybe it's becase the only ones near Jazz at that moment were Dee and Orion, but the thing is, none of the other miners show any attempt to go in and help them. They remain still even when they see them near the exit while Elita does everything in her power to keep it open, to the point that it's D-16 the one that has to tackle her away from it when they're going out (also D-16 punching the walls of rock out of the way? Danm son).

The narrative is showing us that stopping to help is the exception, not the rule, and we can presume that if Jazz had been accompanied by different bots, he would have died. It took two of them to barely get him out of there. And man, you cannot tell me that Orion Pax never had to come to terms with the fact that if the one trapped in one of those tunnels was either him or Dee, one would have to choose between staying behind to save the other, possibly dying in the attemp, or leave their friend behind to save himself.

I want Sentinel to suffer, and then to die in darkness." - D-16.

We know that Orion could never live with this knowledge and do nothing about it. Because if he was in that scenario, he could not leave Dee, nor could he accept to be the cause of his end. So it gives additional meaning to his actions on the movie.

Because, sure, the movie presents Orion Pax as sort of bull headed and self centered (D-16 certainly calls those out as flaws), but his motives may not be so selfish as we're led to believe at first glance. He wants to find the Matrix of Leadership, not because he will be hailed as a hero if he does so, but because

"We will have to stop mining for energon" (We will stop having to die to find energon).

"We are meant for more than this" ( We are meant for more than to die in the mines).

"Don't you want to choose your own path, be able to do whatever we want?" (I don't want us to die)

It's always a "we". Because, after all, he doesn't want to see Dee die in the mines (or any of his friends, I dare say). This desperate desire to save D-16, and not just himself, is what puts the plot into motion. And he tries to save him by attempting to find the Matrix, but Orion also looks for ways to bring small joys to D-16 in the day to day, like bringing him the sticker, or participating in the race. Of course you could argue that he brought Dee to the race despite his protests because he wanted someone that he knew would watch out for him, I won't deny that, BUT, counterargument:

Look at his smile. This dude is having the time of his life participating in a race with his boyfriend and you can take that truth from my dead cold hands.

What I mean to say with all this, is that the movie tries to tell us in subtle ways that while both are trying to save the other, they're funtamentally different. D-16 is saving Orion from more inmediate problems, like hiding him from the guards, looking out for him in the mines and the race, etc. He has accepted the place they have in that society and he is resigned to it, because he thinks there's no other option. Meanwhile Orion is looking to save D-16 in a long term sort of way, by changing the Status Quo, because he refuses to accept that there are no other options.

They both cared so much for the other that they kept trying to keep the other safe in the only way they could fathom.

AND THEN THIS HAPPENS

This fucking movie

[patricia-taxxon]

Genuine question ; I'm highly confused what proship stances have to do with plurality/acceptance of all different plural existences even in the slightest, I don't know how to word it but that feels entirely unrelated.

Apologies if I've missed context, and apologies if I'm asking at a bad time or if my wording seems rude, this question is only out of genuine confusion.

Not the stances themselves, but the way they're conceptualized. "Proship" is not just an ideology, nor is "Anti," they are binary boxes of beliefs that can't be disassembled, expressing exactly one belief from the proship side of the tracks will have antis attributing every single other proship belief to you instantly and irrevocably. I said 1 negative thing about endogenic systems and got a 700 word ask of assumptions about my beliefs, attributing every sysmed meme to me and giving every stock counterargument in turn based on nothing but a snap categorization.

[fanaticsnail]

Every day I wake up and think "Why is there no Childhood Friends Doflamingo x Reader fics?" and every day one of my Discord friends tell me "because Kid Doffy would literally treat Kid Reader like someone beneath him cus everything is still fresh for him" but I bring you counterarguments for the Childhood Friends Doflamingo x Reader story:

1. He meets Reader after his house gets burned down. Reader is Rosinante's age, so eight years old. It's when DQ brothers are being beaten by the thugs; kid Reader gets a bat and protects him and Rosinante from the thugs who were beating on them over bread

2. she brings them food from the restaurant her parents own - home cooked - and meets Homing & Mrs Donquixote, who encourage Doffy & Rosi to befriend her but Doffy remains careful

3. Doffy has confused feelings about Reader but she's only ever treated his injuries (the first human not to hurt him) so he decides Reader is "his human to protect" not "human to enslave" yep he has groups in his mind, little crazy baby flamingo boy

4. Reader teaches Doffy & Rosinante to climb trees. Doffy comments that's what monkeys do, but Reader teases him that whether it is what monkeys do, he still can't reach her if he doesn't climb. Doffy accepts the challenge. He doesn't take long to get the hang of it. Right when he is nearly at the top, he nearly falls but Reader grabs his hand and pulls him onto the branch. I think this is where Doffy starts having a little crush on Reader. He doesn't realise that's what it is.

5. I don't know Ace, Sabo, Luffy I know Doffy, Rosi & Reader. Sure they would not be as wild as ASL since the thugs in North Blue are probably much more deadlier than in East Blue, but they'd be good thieves.

6. Reader is so gentle with Rosi and Doffy gets jealous and says his brother is a crybaby and Reader shouldn't help him, he needs to learn on his own. Reader just blows Doffy a raspberry which makes Rosinante giggle - the first time Rosinante has laughed since their house burned down

I just think if we just put in some thought, it can be plausible for Kid Doffy to have Kid Reader as a friend in his childhood days. He'd feel challenged by a "human", someone younger than him, and want to prove his heavenly status, why he's better. Reader just nods along with it and is kind to them both. They don't do any sort of competitions, they just co-exist.

Kid Doffy is like a street cat. He bites and scratches, and tries to claw your face off, but it's cause he's been through terrible shit and he doesn't trust strangers. He needs patience and kindness.

The fic would require just some patience and kindness I think, for the childhood part of their story, so Doflamingo by the end of it considers Reader precious to him to the point he thinks he is the best person to protect her. That it's his duty. He'd probably call himself her heavenly guardian or sth in his mind when he reaches that point.

Of course, that then can turn into him becoming very possessive of Reader as they grow up (Doffy even when becoming the young 10-11 year old leader seems to stick to one headquarters in that timeframe) and his crush from childhood evolving through time from protectiveness into a wish for a romantic relationship.

Anyway, kid Doffy & kid Rosinante deserve to have a friend during that terrible time, and they both latch onto that little amount of kindness, they appreciate it a lot. Doflamingo only realises it later down the line how much it meant for him Reader supported him.

They show appreciation for that differently later. Doffy comes into the restaurant Reader inherited from her parents all the time and makes sure everyone in the North Blue knows that's his territory, and the place where his crew gathers to celebrate things. He always sends Reader gifts such as jewelry, and kisses her on both cheeks whenever he sees her, using the excuse of it being a custom in Dressrosa to his advantage. Rosinante shows his love with hugs. When he sees Reader when he's Corazon he just hugs her. He doesn't give a shit.

Also, Reader & Kid Law & Baby 5... Reader would feed them all the food and pamper them.

Doffy can't go without Reader's home cooked meals. Food is very important to him, I think, after experiencing starvation. He probably invites her to join the crew as their chef cook when they head for the Grand Line. If not...

Well, kidnapping you is always an option 🤣

(he would lie about what happened to Rosinante. either that or get completely drunk and cry in your lap, confessing everything. You know what, I like the latter. Let the big man cry. I love pathetic drunk Doffy.)

- Yandere Doffy Anon

Okay okay okay okay okay. This was gorgeous. I am in love, and all of the relationships with all of the kids, and the coddling of Rosi. Yes. Please. I love their relationship, the silent confusion in the "what is this feeling" -> it's addictive, and I love it. "My human to protect" WHERE DO I SIGN UP????

Here is my interpretation of what childhood friendship would look like with Doflamingo.

What about a young son of a celestial dragon having regular interactions with a contractually bound daughter of another celestial dragon? And then he's taken away from you by his father? Doflamingo x f!reader image.

Your parents schedule regular playdates with one another so your faces do not grow lost on you both over time. From toddlerhood, to childhood, your friendship grew with your betrothed spouse as you both read with one another, and made puzzles and sculptures together. He pulled your hair, you brushed off his glasses, he bit you on the hand, and you cried to your maid.

You are a bit stuffy and spoilt, but what child of the pinacle of society isn't? Similar to Doflamingo, it is your birthright to be treated with the utmost respect and worshipful adoration.

But your heart becomes kind.

When becoming lost in a crowd of unfamiliar faces, the kindness of a stranger who knew nothing of your face changes you from a prissy young miss to a girl spun in webs of charity and compassion.

It makes the young Doflamingo disgusted seeing you interact and thank his servants when they fix you and him lunch. Conversing so freely with the chaperone, asking questions about his children, it makes the eight year old sick. He'd rather trick them into being scolded and thrashed.

When Donquixote Homing defects, the ties that strung you together lay severed and desolate. The friendship between you forbidden, but your mind often wanders into what had become of him. You both had this unspoken hatred and the closest friendship with one another any two children could have.

Inseperable.

Until you were separated.

It took four adults to restrain you from running to him in the council chambers. Hearing Doflamingo had returned with Homing's head, you had nearly lost yours with glee at his return. When he was denied a rise in reinstating his former title, you were overwhelmed with a grief beyond your years in capacity.

Over the decades, you wondered what had become of him. Your heart had been broken when your father renounced your coupling. Each time a potential spouse was presented to you, you would shut it down with haste. Although you were only young, you spoke with such indignation regarding your disdain for such an alliance. What if this one was taken from you too? Nothing would ever match up to him.

They would never be Doflamingo, and you refused to be the spouse of anyone who didn't meet his equal. His insanity mirrored a darkness in your heart that you had since clothed in kindness. He was your absolute, the stop at the end of the line. He was yours, and you were his completely.

When Tsuru had invited you to the first gathering of seven warlords of the sea, you had no idea what to expect. No matter what you prepared yourself with, your readiness mattered not for the sight that was to welcome you in. Charity was your character, and your humility is what made you the chosen celestial dragon the world government asked to converse with the most.

Pink feathers, rosy glasses, blonde hair, and a sinister grin you had long since burried, had your chest swell and eyes flood with every emotion. Silence was all you offered in your shock, your face shrouded behind a veiled cloth you often travelled with.

You knew exactly who you were looking at, and he had no idea it was you. The way his presence demanded attention, his sinister playfulness with Sir Crocodile and Tsuru, the way he openly taunted the former Marine Hunter Mihawk: each motion captured your soul and held you hostage.

It was only when Tsuru had asked you to speak did you stifle the warmth in your chest. You knew Doflamingo would likely hold disgust for the Celestial Dragons due to their lack of restoration, and you chose to ignore him - just as he ignored you.

When your attendants removed the veil from your extravagant headpiece, the first sound to travel through the realm was a collective gasp. You were young, a woman, and incredibly beautiful. Nothing any of the seven warlords were expecting was anything amounting to a single scrap of you. And you chose to play coy to the slack-jawed blonde in the corner.

After speaking your well rehearsed speech, Tsuru thanked you with her head bowing low, encouraging the other marines to pay their respects in kind. Sir Crocodile offered you a polite bow alongside Kuma and Jinbe. Mihawk tipped his hat to you, which you nodded in kind.

Immediately rising to his feet, Doflamingo's arms hung limp as his lips lay parted and almost quivering. His hands shook, his shoes feeling like lead in lieu of leather, and he finally stood before you. Your attendants sprung up to your side, your guardians guiding their hands to the hilts of their weapons: only ceasing when you hold up your own hand to stop them.

With that same hand, you hover it in front of Doflamingo's face, guiding it in an intimate expression without ever colliding with his skin. He rises his own, mirroring your motions and causing your eyes to flutter shut. An inaudible movement of your name courses through his lips, no sounds to voice them other than a single breath.

"Time has not been kind to you, mi amor," you whisper, Doflamingo's knees buckling at the tone your voice had grown into. It was the greatest symphony he had ever heard, the voice of his childhood friend blossoming into the bloom of the most beautiful woman he had ever seen.

"Time saved all it's kindness for you, mi querida," he managed string together beneath his petrification.

The room was silent, all watching in awe as the most detestable inhabitant in the council chambers was brought to his knees with a single look from a powerful woman. The familiarity had Tsuru's stomach tighten, wondering if extending an invitation to you was in her best interest. Although, seeing Doflamingo behave with his absolute best manners had her lip twitch up at the corner.

He was yours again. A man who was once everything, became nothing, and built himself up to something again. And he was yours.

And he couldn't be happier to be in your presence once more. Why else would he have fought so hard to rise to the top? For mere power alone?

No. That is far too simple. He is far from simple. It was for the chance to be once again worthy to stand in your presence and kneel at your feet as an equal in potential matrimony. But would you still have him after all the time that had passed between you?

Only you held that answer.

Edit to add, I got distracted by the roast chicken and forgot to add the tag list. I'm sorry everyone.

Tag list: @mfreedomstuff @daydreamer-in-training @since-im-already-here @gingernut1314 @writingmysanity @sordidmusings @i-am-vita @indydonuts @feral-artistry @the-light-of-star @empirenowmp3 @racfoam @sunflowersatori @carrotsunshine @skullfacedlady

[sword-bunny]

Unpopular opinion: I don't think Luka is actually that bad

(Casual reminder first that all of the unwilling participants of this death match are slaves who were essentially raised from childhood to compete in Alien Stage. None of them are competing by choice, and this is Luka's second time being forced through this nightmare, and he will probably be made to do it a third time.)

"But he's enjoying this!"

Is he, though?

I don't feel like this moment gets talked about enough. Obviously we don't get to see the actual match so we can't say anything about it, but Luka kissing the dead girl's hand afterwards was important enough that some of the very limited time this series has was used to show it.

Here, he's not smiling, he's not making a show out of it. The show is already over. His back is to the audience, and he isn't even on stage. He lived, she died, and to me this read as a gesture of respect.

"What about him purposefully invoking the images of Sua and Ivan to make Mizi and Till lose their shit?"

Yeah, he definitely did do that, and I'll get back to that. But take a look at his face during his duet with Mizi:

It's shockingly different from the smug, smiling face he has for the rest of the song. From the background behind him, we can tell that Mizi is blocking the view of his face from the audience.

In comparison, the bit where he rolls his eyes, he isn't even looking at her. He's looking at the audience, making a show of his lofty condescension.

Look at the way he's portrayed in the "promotional footage" we see in Top 3. He's the "Ruler of the Stage", the elegant personification of victory. In other words, it's a stage persona.

We got this new expression in Blink Gone, and I did think he was laughing at first! But why would he be hiding that? He certainly never has before. There would be no point, he'd be playing it up, even. But the more I look at it, the more I think he's covering up something else.

Luka has outlived a lot of his opponents, some of whom very likely were people he grew up with, and I think he's starting to crack.

This leads us back to the tactics he uses to win.

Luka is undeniably ruthless! You could definitely make an argument that he goes beyond what's necessary to win.

But remember, he's trying to survive. I don't think he can reasonably be called a sadist for trying his best not to die, even if his methods are underhanded. Is he a good person? I wouldn't even try to argue that. Is he a bad person? I genuinely don't think so.

The situation he's been forced into is unimaginably cruel, and I genuinely believe it doesn't make someone a bad person to try to survive, even if it means someone else doesn't.

Imagine a modified version of the trolley problem: you and a person you do not know are each tied to separate tracks. You get to choose whether the train kills you or the other person. In this situation where you are not there because you want to be or because you're experiencing any kind of consequences for your actions, is it morally acceptable to choose not to die?

Anyways, that's my rant about why it's been getting on my nerves to see Luka constantly getting called a sadistic psychopath. Feel free to make counterarguments, just please try to be chill about it if you do✌️

Edit: I totally forgot about the Alien Stage promo video, which pretty clearly shows that Luka is having a Less Than Stellar time (pun intended)

This is the first shot we ever get to see of Luka, and I've left the lyrics on because I think they're pretty important since Luka is the contestant that's been in this situation the longest. He won and it's still not over. I'm not surprised he feels like it won't ever end!

Then there's this shot. Hooooooo boy this shot makes me feel a lot of things. It's so clear that Luka is even less than a pet, barely more than a toy to his "fans".

Finally, there's this bit where he hides his face behind his arms like he can't bear to be looked at any longer.

Your honor I'm so normal about him I swear

[tawnfawn]

the fact that john price is a millennial to me is astounding. like what do you mean he's not ancient? what do you mean he's not father time?? i refuse to believe this man doesn't have the soul of some ancient terrifying deity. the rest of tf141 calls him grandpa every time his joints pop!!!! i will not be accepting counterarguments

[thezombieprostitute]

Worth It

A/N: Written for @the-slumberparty's December Daze Challenge.

Prompt: putting up christmas lights isn't as easy as it looks

"Why the hell are we doing this again?" Frank sighs.

"Because Mary asked us to," you reply, unpacking a second box of Christmas lights.

"I blame you for this," he grumbles. "She was only okay with Christmas for her whole life and then she meets you. Now it's all 'we need a Christmas tree' and 'why do we never put Christmas lights'."

"You're the one who said you wanted to make sure she knew how to be a kid," you counter. "Kids are into Christmas!"

"I can think of at least five counterarguments for that, just off the top of my head," he gripes.

"And all of those counterarguments are negated by the fact that Mary asked if we could put up Christmas lights!"

Frank sighs. "Then why isn't she here helping us? Why'd you wait until she was with Roberta?"

"Because I want it to be a surprise!"

"If I get hurt doing this I'm blaming you."

"I'll happily accept the blame if you agree to share the credit when Mary loves it."

"Deal."

Several hours later you and Frank are panting and groaning and not for the usual reasons.

"Okay," you pant, "maybe putting up Christmas lights isn't as easy as it looks."

"Ya think?" Frank snaps at you.

"Hey, it's for Mary," you snap back.

He rolls his eyes as he continues to complain about all the work. You want to send a few more snipes his way but you need his help. Besides, he'll change his tune when he sees Mary's reaction. It'll all be worth it. You know it will.

The two of you finished up and opted to get some rest, and take some pain killers, before calling Mary and Roberta over. A shower would also be a good idea.

When it's finally time you send a text a Roberta, letting her know everything is ready. She brings Mary, who face is wearing that adorably confused expression you love so much.

"What's going on?"

"Frank and I have a surprise for you!"

You give Frank the signal and he turns on the lights. Mary's eyes widen with surprise. You've lined, pretty much, every line along the house. It's nowhere near perfect, but it's something.

"That's so pretty!" Mary compliments.

"That's not all," you wink.

You give Frank the next signal and the lights start blinking in time with the piano opening of Bruce Springsteen's "Merry Christmas Baby", making Mary gasp. Mary's favorite Christmas lights were the ones that were paired with music as she was entranced by the programming that went into them. Thankfully for you, Frank had a connection to help with that. One of the guys whose boat he fixed is a tech genius who was more than happy to help program the setup for you. Especially to Springsteen.

Frank's eyes are on Mary the whole time. Her obvious joy at the ensemble melting his heart a little. He doesn't even need to say it when he looks at you. It's written all over his face: Totally worth it.

Tagging: @alicedopey; @delicatebarness; @icefrozendeadlyqueen; @irishhappiness; @lokislady82; @ronearoundblindly; @thiquefunlover63

[redhoodinternaldialectical]

Thoughts on Jason Todd’s choice of weaponry?

:D an ask! Yay!

Oooh, lets see, I'll start with the crowbars because I appear to be like one of three people on the entire planet who actually likes them.

They're a tacky as fuck riff on the fact that Jason's death is central to his character. They overemphasize the manner in which he died, muddy the waters about what part of his death is important to him, and strangely cheapens the manner in which he died through the parody feel of it.

No one seems to really disagree with my analysis here, but I happen to enjoy that about them and think it's very on brand for Jason. What can I say? They're fun!

Best Quality - His Wiggles

This ultra-sharp curved blade used to be his signature character design feature, the way the white streak in his hair is now, and I'm really not sure why it didn't stick!

Best weapon he's ever had, bring it back please!!!!!

The All-Blades

hmmmmmmmmmmmmmm....

HMMMMMMMMMMMMMMMMMMMMMMM...

I have mixed feelings about the All-Blades. Like much of Lobdell's work: phenomenal idea, poor execution. Giving the guy who is most known for being morally grey a set of powers that is exclusively based on moral absolutes sucks shit, I gotta be honest, and the trick he pulled on the blood blade was cool but ultimately does nothing to solve those problems.

HOWEVER

I want to love them so fucking badly. A set of glowy soul blades is a dope sicknasty off the chain concept and I wish the well wasn't poisoned with the moral implications and the restrictions to use them only on the "Untitled", a set of enemies that only exist for Jason so far as I can tell. If someone seriously took Jason down a magic based path that removed the DnD alignment chart bullshit, I would be so game to see them come back! Hell I wouldn't even insist on a better cooler design for them!

...though uh, yeah those are the least interesting magic sword designs I've ever seen tbh

Normal Ass Swords

They're alright I guess. Like, there's nothing in it really, but it's not bad?

Guns - Real Bullets

Excellent, evocative yet simple, straightforwards and to the point. It makes hella sense thematically to boot, love this for him, please give him back his pistols and miniguns and shit

Guns - Rubber Bullets

Hate. HATE. hate ick disgusting bad NO.

I just fucking hate rubber bullets, like, as a concept. I refuse to accept "non-lethal" bullets as a valid use of gun, either in real life or in fiction. Guns are for putting many holes in things very fast!!!! If you're gonna use a gun, fucking well own up to that!!! Do not play this silly ass game of pretending that you can change out the material and do the same things as with lead bullets but with the video game status effect of "non-lethal" applied. YOU ARE GIVING PEOPLE SMALL CIRCULAR BRUISES. This is still harmful, yes, ooph ouchie, but it is not even slightly a good use of a gun, you are wasting holster space, and carry weight, and the physical materials used to make it all!!

JUST USE A FUCKING STICK! YOU DON'T RUN OUT OF STICK AMMO!

My belief in his capacity to take out enemies is shattered the instant those fuckers are on panel. Maybe this ain't entirely rational, or realistic to how fights go with rubber bullets IRL, but I hate them so much on principle that I will ignore any counterargument you might have that they'd work. I will die on this hill. Rubber bullets BAD. Please stop making him use this!!

Bombs

Love it, give him more bombs forever

ka-BOOM!!!!

His Brain

This is actually his best weapon - sorry wiggly knife, you're being shunted down to number 2 on a last minute technicality! I think Jason is at his best when he's outsmarting people and making long term fucked up schemes to ruin people's lives.

He's so good at it! It's so fun to watch him do it!

Genuinely a shame that this facet of him was mostly lost after Flashpoint, though to give credit where it is due, in Rebirth Jason did ruin the Penguin's life in an impressively elaborate way, which I did really enjoy. I want to see him be a tactical deliberate menace to one person in specific again idk, that's part of why I do kinda agree that he works better as an antagonist than a protagonist - which it should be noted does not mean I think he works better as a villain necessarily, his ethics aren't what matter here - he's just had his best moments as the schemer, and it's hard to have a protagonist schemer even when you make them ethically the good guy.

I hope you enjoyed my nattering on about Jason's weapons :D thank ye again for ask!

[tealmaskmybeloved]

Explaining the Toxic Chain Kieran Theory (and why I loved it so much)

DISCLAIMER: You CAN like how things went in canon, or you can dislike the theory entirely. All I ask is for you guys to be respectful when discussing it. The last thing I want is people getting harassed for this.

I'm aware that this isn't going to change anyone's mind on the theory, but I figured I'd do my best to at least explain why I enjoyed it so much (as well as to find other people who like the theory because it seems like they all dipped after the epilouge dropped like seriously where are yall PLEASE /lh /j)

I will also be using other people's art and interpretations on the theory, and I will do my best to credit and link every single one I use. Any art that is not credited is due to me cannot finding the original artist, and if anyone knows who drew any non-credited art can let me know and I will update this post with credit.

This is also a long post, so get ready for a lot of rambling!

With that out of the way, let's begin!

What was the theory about?

As the name suggests, this theory was that Kieran would let his desire to get stronger than the player consume him, to where he'd become another one of Pecharunt's (called Dokutaro in the game files) retainers.

There have been some variations to this, from subtle whispers of power and some manipulation to straight-up possession.

But the one thing the theories had in common was that Kieran was influenced, manipulated, or possessed by Pecharunt/Dokutaro.

Some examples I found:

Credits:

Note: Mist_the_moth's art (the one in the top right) was deleted due to Instagram's AI scraping

1 2 3 4 5 6 7 8 9 10 11 12

But a theory doesn't become a theory without some evidence, so let's dig deep into it!

The Evidence

(Some of this is debunked, but at the time it was considered)

1. The purple mist

When Kieran punches the shrine of the Loyal 3, an ominous purple mist is briefly shown around Kieran's fist.

This mist is also in the Indigo Disk promotional art

When the epilouge Mochi Mayhem released, the mist around Kieran's fist is identical to the one around Pecharunt's victims. While this was not known at the time, it is a pretty strange connection.

2. Kieran's Parallel to the Loyal 3

The Loyal 3 each wanted something.

Okidogi desired strength

Munkidori longed for cleverness

Fezandipiti wished to be beautiful

And at the time, Kieran wanted power. He wanted to be stronger than the protagonist.

At the time, people theorized that Kieran could have sought out Dokutaro for a Toxic Chain and Dokutaro would have given Kieran want he wanted in exchange for his free will.

Kieran would also fit to be the boy on the signboard along with the Loyal 3.

With Kieran tying up his hair at the end of the Teal Mask, a lot of people (myself included) thought the hairband would be a Toxic Chain like the Loyal 3 had.

3. The connection to the story of Momotaro

The story of Momotaro follows a boy born from a peach who befriends a dog, a monkey, and a pheasant to help defeat the evil Ogres in the lands.

The Loyal 3 and Dokutaro fit the peach and the 3 animal companions, and Kieran would be the boy in the story.

It made sense for the two to be connected in a way, as it fits the original story of Momotaro. The "boy born from a peach" concept would have been interesting, with Kieran accepting his true potential while under Dokutaro's influence or observation (depends on what fits more)

My personal idea was that Dokutaro is more of a mentor to Kieran, and have Kieran still keep his free will and self. But, say, after Indigo Disk, Dokutaro gets frustrated with Kieran not desiring to get stronger anymore, so it possesses him as a means of winning against the protagonist. That way, people who wanted Kieran to be himself (mostly) could have that, and those who wanted Kieran to get possessed could also have that. Both sides would be satisfied.

This would also solve the common counterargument I've heard where Kieran getting possessed takes away from his character development and ruins his arc, and while I do understand that, the idea I suggested would at allow for Kieran to be at fault for some of his choices, so that nothing everything is blamed on Dokutaro.

Why it appealed to me

While I won't be able to speak on how others viewed it, I personally saw the Toxic Chain Kieran Theory as a nice parallel to the Loyal 3, and especially to the tale of Momotaro. It would be cool, interesting, and an interesting take on the tale of Momotaro.

All these ideas on how Dokutaro would act and look, whether it be subtle whispers and temptation of power to full on mind control. Both were equally enjoyable!

The designs were great, the art was amazing, and the speculation and theorizing were genuinely fun! But I suppose that's the danger of fan theories, you get too invested in them and get disappointed by canon.

Conclusion

I do know that many people enjoy the epilouge and the Untold Story of Pecharunt. It's great that you do! Don't let my feelings with it ruin your experience.

And the same goes to those who dislike the theory, it's fine if you do!

I made this post to explain my thinking and show the evidence we had to believe it. Even with the Toxic Chain Kieran Theory being debunked, it was still fun to speculate, to think of ideas, to have a good time!

I still enjoy the theory (a completely normal amount I swear /j) and I make my own posts and art on my own spin of it.

And if you happen to also like the theory, let me know! Feel free to send me an ask or DM me! I enjoy discussing it with others, and sharing ideas! Plus I'm always open to more Toxic Chain Kieran stuff.

I love this small community of us who enjoyed the theory, even if it's only a few of us.

Thank you for reading.

[synthetickitsune]

Vernon/Dino with angst 22 but its them who have the words unsaid

Dino (SVT) | Words left unsaid angst | 0.7k | gn!reader

He runs a hand through his soaking hair and groans. He hoped a hot shower would make him relax, help him forget, but so far it only seems to be doing the exact opposite as he rants on in an imaginary fight number nine of the evening. 

He’s winning, of course. On a righteous vent, breaking down your defenses and demolishing your counterarguments because he’s not the bad guy. He’s not flawless either, he’ll admit, but he’d never stab you in the back like you did to him.

Chan has recently moved from the state of denial. 

Kind of. 

There are stages in grief, and even though he’s switching between them like he’s on an emotional rollercoaster, this angry one is hitting him hard.

He’d probably call you and get it off his chest for real, but his phone is kept safe by Seungkwan and messaging is below him. He has too much to say and he might be good with essays, but it wouldn’t have the right punch right now.

There comes a lull in the fight in his mind, and his head is held high and his chest is puffed out and-

“I’m sorry, Chan. This never was how I wanted us to end.”

The tears in your eyes, your voice cracking, your nails leaving indents in your skin from how hard you’re trying not to shake.

You apologizing. Over and Over.

But that’s real. That happened. It’s not just in his head.

He didn’t even had to yell at you or raise his voice. You came to him brokenhearted already.

He didn’t want your apology.

He wanted you to stop crying.

He wanted you to stay.

He can’t make you, of course. And the more he tried to find a way to have you back, a reason why it was a mistake, the more he realized you were right. It was just a matter of time and you just didn’t want to put off the inevitable. You never meant to hurt him, so it was only fair you weren’t hurting yourself more either.

He wasn’t the bad guy - but neither were you.

The water makes him oblivious to the tears rolling down his face. He tries to make sense of it. If there was a bad guy, if there was someone at fault, it’d be easier to accept that he can no longer hold you in his arms and dance with you in the kitchen.

But there’s not. Things just didn’t work out, and that’s fine - that happens, even if it hurts. He’ll learn to live with the pain until he’s able to push it to the back of his mind. At least that’s the way Seungkwan put it, and maybe that’s why he’s the one sitting on Chan’s sofa with his phone in his hands and bouncing his leg because what if his friend tried to drown or worse - run out the window?

He didn’t. He walks into the living room very much alive and here.

Seungkwan is about to scold the younger - that is until he sees him. Then he can only sigh and pat the space next to him.

Chan comes as easy as a new wave of tears and he lets himself be held and comforted while he sobs into his friend’s shoulder about why and how it’s unfair.

He just wants you back, and in his head he’s on his knees and begging.

There’s more he never told you.

Not just the infuriating little things that always come up when you’re living with someone. All the nastiness he unleashed on you in the nine imaginary fights. No, he had much more left to say - like that you were just right for him to hug and when he’d rest his head against yours his worries would just disappear. That you always smelled wonderful and he still whips his head around when he smells the scent of your perfume on someone else.

Who’s he supposed to say that to now?

Seungkwan is patient as he holds the younger and pats his back. 

He hopes he’s sneaky enough when he takes out his phone and sends you a quick text.

He’s not fine but he’ll be. We’ll take care of him for you.

[demodraws0606]

Not gonna lie as someone who has kinda changed their opinion on culprit!Eden as I think she's the most likely to have commited atp from the fact that she could've gotten hold of two pieces of evidence (ball of clothes + tape).

There are a lot of arguments that I think about people who don't want Eden to die now, and honestly the only good argument i've found was "killing her would upset the balance of the cast".

Killing Eden would definitely lead to the main source of sunshine on the cast being murdered, however a slight counterargument to that would be that we don't know how Eden's death would change other contestants. The biggest exemple would be Levi, as I can see him trying to take on a role of support if Eden if she ever passed away (he clearly seems to want to be helpful to the cast).

I also think people overexagerrate the amount of characters that are actively antagonistic as most of chapter 2's goal was to show (most of) everyone's darker side. Character like Hu, Nico, Charles, J, Levi and Rose I feel like could be helpful in the future. I don't think we necessarely need Eden to have companionship or light in the cast.

It would definitely damper the mood 100 pourcent but depending on how her death would be executed, I feel like it would definitely leave an impact on the cast that would influence how they act.

Another argument that I find credible against culprit!Eden would be how it would cause regression in Teruko's character.

However I think that depends on how Eden's death is handled and how Teruko just handles it in general. The reason why Teruko snapped the way she did in trial 1 was because of a culmination of multiple things.

In fact maybe Teruko could find that if she trusted Eden or stayed at her side, maybe Eden wouldn't have gone to the road of killing Arei (but were talking about possibilities of a possibility here). If Eden did end up killing someone, it would be because she ended up being isolated.

One argument though I see often but I find is completely wrong though is "It would be like cutting Eden's arc short, every other character would be better for their arc"

That I heavily disagree with because I'd argue Eden kinda is the character with the least amount of developping to do.

She already has a (mostly) good mindset in terms of her positive thinking. In fact she's almost the paragon in the cast, the one with the most morals which makes her the least likely to really need positive developpement. It also wouldn't be fitting for her to have a regression arc afterwards.

The main two flaws Eden has, is her guilt and her not really accepting of her own "weakness" (negative emotions and all that). Both of which would be addressed by her being the culprit.

In comparison, killing another character would definitely cut their arc short.

Whit, he's the one we've seen the less of the uglier side of, we don't know why he acts the way he does and we don't know what is behind his jokester persona. His relationship to his mother and his past would also be left unadressed. We also don't know what his special intuition means despite it being highlighted constantly. Overall, I feel like despite Whit being my 2nd pick for the culprit, he'd definitely be lost potential.

I could do this with almost every character, like Nico with their relationship to Hu (who also really needs her own developpement) and how they deal with almost killing Ace.

J and her relationship with Arturo, as well as her own heavy belief against murder as another exemple just there is a lot

The thing is Eden seems to have been written as Teruko's companion, the one that would allow Teruko to be softer and open up to people. She does give big protagonist compainion vibes, however it could just as well be easily have been something to subvert our expectations

[stardustizuku]

PART 4: Royalty Kinda Sucks

So, here’s the situation: When we are first introduced to the concept of Nobility, as seen through the Nobility’s eyes, it becomes apparent that there’s a reason behind every nonsensical tradition there is. 

You must always smile and conceal your emotions because else, you’ll be in danger, making yourself the enemy of someone you cannot refuse. Civilians must be devoted to their Lord/nobles because they’re the ones with Mana, and without Mana, the farmers suffer. There’s no food, there’s no agriculture. 

And at the beginning of the series, Rozemyne accepts this as the truth.

She sees how the amount of Mana offered correlates to the very livelihood of the commoners. Just like her, we as an audience, believe this story 100%. There’s an order to things, Nobility is inherently superior, some people just wield more power than others. 

Despite this, however, Rozemyne never fully buys into this idea. 

Ferdinand and the rest of the nobles say “There’s no need for commoners, they live entirely by the kindness or lack of it from the nobles”

While, on the surface, Rozemyne agrees to it (or more like, cannot find a way to counterargument), each every action since proves that she very much disagrees. 

She keeps listening to commoners, keeps trying to employ the orphans, educating the kids, and forming connection with the merchants. Her instance on staying on the temple is very much a way for her to cling to her commoner origins and refusing to let go of them. And, whenever someone tries to take advantage of them, she tries her hardest to stop it by any means possible.

My favourite argument she makes, is when she explains, in Part 4 to Hartmut that: 

“If we view this as nobles thinking up trendy goods and commoners making them, then nobles are the thinking mind while commoners are their hands and feet, no? Overloading commoners with unreasonable demands is no better than crippling one’s own arms and legs”. 

On the surface this is an argument that appeals to nobles, seeing commoners as nothing more than another tool that must be properly utilized. However, Rozemyne is inadvertently sneaking in one of her own core views: Nobles and commoners and equals. 

Rather than seeing commoners as an entirely detached object, she introduces the idea of commoners and nobility existing in an ecosystem. And here comes the first bit of proper commentary: 

Hierarchies are fundamentally flawed, and what we need in a society are communities. 

Rozemyne, being a chronically ill person, depends on others to do her work. To survive, we need communities and support networks. Some of the most brilliant minds and powerful players of the game do not thrive in a society that rigidly adheres to power structures such as nobility. Those so quick to toss away and dispose of whoever doesn't "fit in". Best example is Ferdiand - who was stiffled by Veronica.

This is juxtaposed with Ferdinand Hirschurl and Christine, all geniuses in their own right, extremely capable and talented. Neither of which was able to survive Ehrenfest. Even nobles of other duchies state that a single talented individual is incapable of turning the tides of their duchy. 

It’s only when Rozemyne comes into the picture, forcing people around her to function as a community, as a system, that any real change is made. She’s remarkable, perhaps more than for her intellect, in her ability to raise people. Her ability to form systems and networks of highly skilled attendants what allows her to be perceived as a saint. 

This is a direct contrast to her days as Urano, where she only ever submersed herself in books. I don’t doubt that Urano was as much of a genius as Rozemyne is - but her inability to connect and create a community to help her out was what caused her to be isolated. Only ever to see books and nothing more.

As Myne, she was forced to confront how vital to her survival family and community mean. As Rozemyne, she was forced to build her own, due to how nobility absolutely destroys said community in favour of a hierarchy. 

And all of this, is a microcosm of Royalty. 

The same attitude the nobles have to commoners is a direct 1:1 to how royals treat other nobles. They see nobles as little more than objects to be ordered around, and just like noble destroy communities and networks, royalty destroys them. Just on a much larger scale. 

Rather than seeing other duchies as, you know, arms and legs to make Yurgenschmidt more powerful, capable or rich, they see them as pawns to move around to protect/save Royals themselves. As if they are Yugernschmidt.

Whenever they say “for the good of Yurgenschmidt” it’s always synonymous with the “good of Royalty”.

The duchies only exist to serve Royals, and not the other way around. They’re more than happy to cut off Ehrenfest and let it struggle, even though it’s slowly becoming the new hot spot for technological inventions in all the country. They’re essentially crippling their own body, to save themselves. And sure, in other contexts maybe it could work. Rather amputate an arm rather than lose the head. But that’s not what they’re doing. They see their “arms” as disposable. Why bother to save one, when you have another that can work as well? (Which is dumb)

This is a direct criticsm of politicians, or position in powers, that see for themselves, rather than for the greater good of a country or the collective. People who would exploit the most vulnerable in a community to keep the status quo, all while claiming it's "for the greater good".

Sisgwald in particular is a great example of what Wilfred could have become if Rozemyne had no stepped in. He very much sees his wives as nothing but ways of attaining more power. He refuses to even think of other people reaching the throne and sees nothing past his own ego.

That’s why he is so taken aback by Rozemyne. Here comes a girl, with so much more experience at negotiating than him, calling him out directly over the many faults that royals are committing. As she points out, they went into a meeting expecting to extort her so completely blind they couldn’t see why Ehrenfest would be unwilling to enter negotiating. 

Ferdinand explained in Part 3 how, whoever has more information in a conversation between nobles has the upper hand. This ought to be the way everyone approaches anything, but Royals very much can’t comprehend this in regards to a lesser/middle duchy. To them, all duchies are the same (much like all commoners are the same to nobles) and do not require the information. This is, to put it bluntly, idiotic to the point of impressive. 

The best example? The very same meeting they had.

Rozemyne was able to get what she needed. Sure, the Royals also got what they wanted. But that’s it. They were able to obtain the bare minimum. While Ehrenfest was able to walk away with extensive concessions and much more room to make preparations. All while bruising the ego of Royalty.

And because they lack this ability to see nobles as a network, they also have the same problems nobles have. Their petty family drama gets dragged onto the surface for all the country to see. They're giving away information that's critical for negotiations without even noticing.

Hell, they almost exploded a war because Anastasius couldn’t tell Eglantine he liked her. Instead of raising each other up, like Rozemyne does, they drag each other own. Their lack of communication causes Rozemyne to be thrust into the middle of their family feud, trying her damnest to solve their problems, while they worry abt their own selfish desires. 

But perhaps the most crucial network that they’ve lost is: Information. 

Due to the fact that Ascendance of a Bookworm is a light novel about books - it’s inevitable that we would stumble at some point with the importance of achieving information preservation. Urano herself, as a librarian, is acutely aware of how easily information is lost. Rozemyne on her hand, has had to see the direct impact this has. 

The reason why the Grutrissheit is lost, is not just the war. It’s the lack of any real information preservation. And this is artificially created by the Royals themselves. 

The Grutrissheit was passed by from heir to heir, but this also meant that very few people were capable of accessing the information. When war struck, those few people were killed, and the texts that remained were written in ancient languages. A language which all but few could read (Let’s put a pin on that*).

And now, we find out that Royals of the past (possibly) implemented a barrier so that no one BUT royalty could access the Grutrissheit. This makes it so that the best Zent candidate they have right now, cannot even touch it. 

In an attempt to shield themselves from others, potentially, stealing what they think their “rightful” position is - they’ve blocked access to information. And now that they’re been killed NO ONE HAS ACCESS TO IT. 

This is something that Rozemyne, as a librarian at heart, is desperately trying to avoid. Through her transcriptions and the rapid spread of the printing industry, she REFUSES to gatekeep information. She wants it to be accessible to anyone who wants, as long as she can get something of equal value (aka, other stories/books), and that's only to emphasize the VALUE books inherently have. 

This is all to say, that the politics of AoB are quite simple if looked through these perspectives, and framing Royalty as the flawed institution it is. 

It’s about how hierarchies of power are bad. The few, who have not proven their worth, have the power to deny information to a large population and deny themselves any responsibility for their actions. 

Ascedance of a Bookworm initially presents you with the idea of Nobility as something rational, just to later point out all the ways it which it’s failing. The only reason why many things are working or improving in Ehrenfest is because of Sylvester and his ability to properly integrate Rozemyne’s ideas. 

Ascedance of a Bookworm also states that this is not a fix that can be solved in a single action, in fact it cannot be fixed in single generation. Something that Rozemyne critiques of Sisgwals is his insistence that all problems ought to be solved quickly so they cannot cause harm in the future (again, amputating an arm to save the head). 

But this is proving to be a flawed response. This idea of cutting all crippled arms is what gives way the purges, and the mana crisis they’re having. 

Rozemyne, perhaps as a chronically ill child herself, does her best to avoid this. She recognizes that just because someone isn’t “up to standard”, doesn’t mean they cannot be rehabilitated and integrated back into society. She does this believing human life to be valuable regardless of what can it offer - but because of the world they live in she has hidden this behind the “so they can give back to society”. 

It’s way more productive to save someone than to kill them. This creates a bunch of problems, yes. But it’s worth it. Being a leader it’s not an easy job. 

It’s something even Ferdinand comments on. To be a Zent, you have to give up everything you love for your country. And that means EVERYTHING. Something that, if I’m being 100% honest, I don’t think Sisgwald understands. The mere idea of him waiting to be Zent simply because that’s what he’s been told all his life is tantamount to laughable. 

At this point, the best option is undoubtedly Eglantine. If he fails to understand this and clings to a throne he’s no longer the best suited for - it’s nothing but useless pride wrapped in a cocoon of delusion. 

There’s so much that needs to be learned and work to be put in. Rozemyne does not accept the role, not because she’s humble, but because she understands this. Leading takes hard work, it takes time, it takes effort. She does not want it, and why should she? She has been offered none of the privileges of royalty, yet she’s expected to perform their labour and duties.

Those who benefit from Royalty are basically dumping all their work on her lap. Well, granted, not all the work. But definitely a good chunk of theirs. For example, transcribing ancient languages to find their stupid bible, instead of asking the temple. 

(*PIN: And mind you, people can absolutely still learn ancient languages. But another huge fault of the royalty, as it is right now, is that there’s no one willing to put in the time and effort to preserve or revive their own goddamn culture).

Yeah, sure, maybe Rozemyne has a duty to rule, as she’s the most capable…But. She shouldn’t. Royalty, who’s been trained their whole lives to rule, or support rulers - should be more than well-equipped to solve their own problems. Hell, they have attracted top talen- No. They’ve stolen top talent from other duchies, they have all the resources they could want, and they have the ultimate say on absolutely everything. Tell me why they want to poach another talented person from their duchy? 

It’s not Rozemyne’s responsibility to solve the problems of royalty. In other words, it’s not our duty to solve politicians’ problems. It’s not our duty to solve the problem of first-world countries, it’s not our duty to solve other people’s problems. 

Ugh, I’m getting heated. 

This is all, mind you, after Rozemyne was told in her early years she wouldn’t be able to achieve anything because she’s just a commoner. Which, again, bullshit. She’s the prime example that there’s nothing that prevents a commoner from being on the level of an archduke, or hell, becoming a Zent, other than a social one. Truly, Yurgenschmidt’s nobility as made-up as our own. 

The introduction, or rather, the direct criticism of royalty in part 5, is the house of card toppling in all the themes touched barely in previous parts.

The issues with meritocracy, the absurd power inbalances, the outdated view of older generations that refuse to give way to a better future for the youth, as well as a hierarchy based on an entirely made-up concept. 

It quickly proved to be absolutely a political story. But I find it so impressive that it’s not something you would notice, or at least be explicitly made aware, until Part 5. 

Part 1 - 4 made sure to lay the ground of how this world works, then in Part 5 it decided to break the illusion that it is, in fact, working. 

PREV <;< MASTERLIST >> NEXT

[anistarrose]

So I have only my two cents to give on the "curing disabilities in fantasy/sci-fi stories" trope, as just one disabled person among many disabled people, but here are my two cents nonetheless.

One defense of the trope is that it's simply a form of escapism, and moreover, a fantasy that disabled people themselves can quite reasonably find joy in — as a feel-good story, a break from all the pain of real life. Many — not all by a long shot, but many — of us would jump at the chance for a cure, after all, and it's not like we're not valid to do so. Lots of us take pride in being disabled, but nevertheless, sometimes it really fucking sucks.

The counterargument to the above is this: that this isn't a realistic trope, and that particularly in combination with the suffocating frequency that this trope is used, this becomes the opposite of a hopeful fantasy. When you have an incurable condition, and the only happy endings you see represented for people like you in fiction are inevitably only achieved once the characters stop being like you — that can be indescribably upsetting.

Disabled characters do not get happy endings while remaining disabled — and fiction is fiction and all, but I'm not going to pretend like this doesn't have gradual, accumulative real-life effects on the amount of effort people/society are willing to put into accessibility and acceptance, because of beliefs like "aren't you going to be cured someday anyway?" Or "isn't this disability just going to stop existing, someday? one way or another?"

I hope I don't have to explain how damaging it is to think the above way, or to imagine a future where disability doesn't exist. (Yes, even though disability is partially socially constructed. That's a load-bearing "partially".)

So, if you couldn't tell, I do generally relate a lot more to the harsher, more critical view of this trope — but I certainly don't want to judge actual disabled people for writing it either (and especially not people with progressive conditions), not when there is genuine catharsis and escapist joy that can be wrung from it. I obviously don't trust non-disabled folks with writing "cure" stories any further than I could throw them, due to a long fucking history of non-disabled people fucking it up — but also, no one should be forced to reveal personal details, let alone medical history, to justify their choice to write something.

This is the paradox that I am willing to come to terms with, by throwing up my hands and saying, "okay, so some of the time I sure don't like it, but it's technically none of my business."

That said: if you're non-disabled, or you're writing about a disability much different from your own (a physical disability when you're autistic, for example), and you want to write an escapist feel-good story featuring disabled characters: I also want to stress that "escapist themes" versus "no one's disability gets cured ever" is very much a false binary. You can have both.

I've never written a "curing a disability" story. But I've both written and enjoyed some extremely escapist, unashamedly hopeful stories revolving around disabled characters — and it's all about accommodation.

A story of any genre where society is more accepting of — and willing to collectively help care for — chronic illnesses and chronic pain? That's escapist, and if it's something that characters once fought tooth and nail for, it's pretty damn cathartic. A fantasy or sci-fi story where medicines are still required to treat a condition, but the medicines are more accessible, more effective, et cetera, may also be escapist depending on the context.

Fantasy service animals, high-tech service robots, magical or indistinguishable-from-magic mobility devices? They're all possibly escapist too. (Just note that a lot of disabled people may still maintain a personal preference for seeing the "real world" versions, and that's that's also perfectly reasonable. Remember that the gripe with the original trope has a lot to do with a lack of variety in representation, justified by arbitrary rules about how fantasy/sci-fi "should" look, and the goal should be not to replicate that.)

So, in conclusion: if you find yourself writing a disabled character, and want to give them a happy ending, I urge you not to jump to "their disability is cured now" without at least thinking through the alternatives. Do your research regardless, and accept that disabled people will likely have a wide range of opinions on whatever you decide to go with — but accept that disabilities themselves are varied, and should not inherently have to consign either characters or real human beings to tragic lives by their mere existence.