#that was very... interesting to write and draw about
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This reminds me of when I was in the MLB Fandom, early 2019, I was just beginning my account and drawing (really bad drawings) when I made a little comic with an unusual ship, someone asked me if they can repost it in their page, I was happy someone took so much interest even when it wasn't that good, my post got barely any likes at the beginning, then it become my most liked post with 200 and increasing, normal stuff, then after some days I decided to check the page who asked me about the mini comic, it had thousands of likes and hundreds of comments, it was there that I could see how many people liked my silly idea, now that I think about I felt weird, there was joy of course but every now and then the only way to see more comments was through that page, to see people talking and laughing, it was like invading something I myself created (don't blame the person, Instagram algorithm was always a sh* with my account (still is). Later I deleted it.
Now back with the subject, since last year I was reading fics and loved them very much but I was too shy (introvert even online) to say something, it wasn't until I made my own fic that I understand the impact of a comment and knowing that people like what I write, even if it's bad, I even was able to finish a multichapter fic with the idea of make 1 person that commented happy, so yesss I get it, from the moment I see the truth I decided to go back to all those fics and leave my thoughts and kudos and everything to return the feelings their fics made me feel, I wasn't usually very open but I'm still trying to be better, hope for all your projects and drawings and fics to receive the love they deserve 💜
A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.
My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.
My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.
This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.
Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.
I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.
So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.
#I'm so sorry for your friend#Hope they can get inspiration someday or if not don't feel bad about it#For all the creators out there please continue someone loves what you do#Think of me as that someone#jul's rant#personal experience
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Starrk time travels with Ichigo to TBTP is everything I never knew I needed! The pain of surviving again, of still being too strong to die- to give up and rest with Shunsui is chef’s kiss beautiful.
I have questions, ideas, thoughts- feel free to ignore any of them lol. First is do you think Hollows/Arrancars have pack instincts/pack bonds. I can imagine the horrible aching emptiness of reaching for friends and family who aren’t there anymore. Pack is forever, should be forever- but now they have to go on looking in the faces of people who loved them once and see nothing in their eyes. No pack bond or instincts that used to link them.
Second is do you think Starrk and Ichigo would eventually start napping together once they settle in a bit more? Starrk might be able to control it now, but I feel like there would be something reassuring about the fact that Ichigo could take it, wouldn’t buckle under the pressure. And then there’s the fact they’re the only ones who know, who understand the weight of it all.
Third is do you have an idea of who you’d ship Ichigo with in this au? I myself am partial to Koyonagi, but I can also see Shinji noticing something off and prowling around like the big cat he pretends he isn’t to investigate. I also imagine that not a few people would assume Starrk and Ichigo are in a relationship lol.
Lastly is I think it would be really interesting if Starrk and Ichigo ended up in the same division, especially since the draw to join the Eighth would be even more tempting. Do you think they’d stick together or try to spread out to be able to investigate/access more.
Thank you, I'm glad you liked it! And I haven't even gotten to the ShunStarrk parts yet but the prospect of it is incentive to write more lmao.
This got a bit long so I'll shove it under the cut:
1) I haven't thought much on this particular aspect of Hollows, although I do see it around a lot, it seems a pretty common headcanon. I def do think they have pack instincts, because even in canon you see Harribel and Grimmjow and others forming "packs" but idk if I'd go all the way to pack bonds. For me it would prob depend on where I want to take that particular fic. In this AU, I imagine Hollows do have pack instincts (again, that's basically canon) and Hollows in general are more sensitive to the reiatsu of pack members, but Starrk's gone so long without them that he's used to the pain of not having anyone. Plus he's like part wolf so I think that makes it worse, but after a thousand years he's probably numb to it. Then of course he got Shunsui for a while, and I imagine he kind of adopted the Fourth as his own and probably a few other Shinigami he'd grown close to, and now all of them are gone. He's in the same situation as Ichigo and grieving that loss, but it prob also feels physically worse for him. He knows what it's like to have pack now, and then he loses them all, and yeah he can sense Shunsui's reiatsu signature halfway across the Seireitei, and half the Fourth is a comfortable bubble at the edge of his awareness, but at the same time, they're not the same and his instincts can tell that too, so it's basically just a constant reminder of everything he no longer has. But he has a thousand years of experience at ignoring this sort of thing, and it's easy to fall back on it, he has to fall back on it because it's not like he can do anything about it anyway. His people, his pack, are gone, and like all the other things he was never able to change over the course of his long life, he can only resign himself to it and shoulder it as best he can.
But Shunsui in particular is a relentless ache in his chest, at the back of his mind, in the pulse of his very reiatsu, like pressure on a bruise on the days he can force himself to ignore it, like a gushing wound when he can't. It's still okay when he's at the Academy and doesn't actually have to see the man. Then Ichigo goes and picks up a stray who just so happens to be Shunsui's family, damn you too Mimihagi may you suffer from carpal tunnel for the rest of eternity, and because his luck has never been what anyone would call good, Starrk's practically expecting it the first time Ichigo awkwardly pesters him into joining their tutoring sessions behind the Eighth Division compound because Ichigo's excellent at Shunpou but he's never quite managed Yoruichi's flawless execution of it, and even before they'd become allies, Starrk's Sonido had been her equivalent, which had seamlessly translated over to Hohou once he'd gained the ability to learn it. Fujiwara's decent enough at it for an Academy student, but still far too slow for Ichigo's liking and also stupidly clumsy and Ichigo can't for the life of him figure out why, so can Starrk please come take a look and see if he can spot the problem or just tell him that there is no problem and all Academy students are just hopeless like this. Starrk wants to say no, but for all that Ichigo gets irritated with his own family for not being able to take no for an answer, the kid himself is actually no better than them, he's just a little more self-conscious about it, but the family resemblance is definitely there beyond just the appearance. Repeatedly refusing would take energy Starrk doesn't have, and he supposes it's nice too to see Ichigo starting to make friends again in this time period, starting to look past his grief. Starrk knows if he really puts his foot down, Ichigo will back off, but he doesn't want to set the kid back in case Ichigo gets the idea to also return to being a perpetual shut-in just because Starrk is, and if that means indulging Ichigo's whims, then so be it. He'd been sent back to serve as babysitter anyway so he may as well do the whole thing properly. And because his luck is just like that, the first time he goes, he finds that Ichigo has already somehow managed to lure his nosy Shiba cousin, his cousin's captain, and the Eighth Division captain Starrk's Shinigami but no he isn't not really not anymore never again to the training grounds even though it's the middle of the afternoon and they should all be at work. At least, judging by the disgruntled expression on Ichigo's face, this hadn't been Ichigo's idea of a good time either. Familiar grey eyes meet his from across the clearing, and for a moment, Starrk is certain someone's ripped his heart out again, leaving only an empty gaping hole in its wake once more, but a thousand times worse than it had ever felt when he'd still been just a Hollow and had never known anything else.
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2) Honestly Ichigo already spends like 70% of his time in Starrk's room, his own is there just to gather dust and like fake out Kaien cuz the guy either hasn't thought to or at least still has enough manners to refrain from invading Starrk's room too (for now). So like two weeks into the Academy and Ichigo spending five days out of seven crashing on Starrk's floor, Starrk just gives up and goes out to buy an extra futon (and even more pillows because he's a pillow fiend and you can never have too many in his opinion) and Ichigo basically moves in after that. It's definitely comforting for both of them to have the other close by, especially Ichigo because his reikaku abilities are still hit or miss some days. Starrk can relax because his control hasn't been anything less than perfect since his Aizen days but occasionally he still worries about slipping up, except Ichigo is one of the few who can bear the brunt of it so it wouldn't matter even if he does. And Ichigo can relax because he's never really been one for subterfuge, it's actually killing him a little that he can't just bust out his Bankai and either beat Aizen to death or beat some sense into him over the skies of Soul Society like the good old days, but there's nothing he has to hide from Starrk, and Starrk's one of the ones - the only one left now - who's seen Ichigo at his very worst, and likewise it would take a lot of conscious effort on his part to actually hurt Starrk. Lashing out in the midst of a nightmare would wake Starrk but otherwise wouldn't even make him blink.
They can lower their guard around each other in a way they can't anywhere else outside of their room, and with Starrk's habit of carpeting most of the floor with soft things to sleep on, it's only natural to go to sleep next to each other and wake up - in the middle of the night or in the early morning when dawn hasn't even broken yet because it's easier to stare at the ceiling than spend another minute dreaming of faces they'll never truly see again - the same way. Neither of them really moves much when unconscious, and their instincts mark each other as safe, so these days, they sleep best in each other's company.
(This aches too though, sometimes, even though Starrk won't ever voice such a thing out loud. But sleeping with someone else beside him, even when they don't touch beyond an accidental brush of shoulders or a nightmare-fueled flail of a limb digging into his gut, reminds him of another warm body he'd spent close to a decade sleeping beside, half-draped over him or plastered against his back or letting him curl around them in return. It's another thing he'll never have again, but that's hardly Ichigo's fault, and he knows the kid doesn't do well alone either - who in this world does? - so Starrk's hardly going to say anything that would definitely chase Ichigo away because the kid's stupid like that. He locks the sense-memories behind his teeth instead, even when it keeps him up all night or wakes him in the morning just to make him feel like shit all over again when he remembers where and when he is. And it's not always bad. In this era, Ichigo is the only truly familiar thing that doesn't make Starrk's instincts bristle, which means he can sleep more deeply than he would allow himself anywhere else, and that's a comfort in and of itself.)
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3) This I actually don't know, even in SP I don't really have a ship for Ichigo. But ship candidates are a dime a dozen for him lol. Kisuke's always my go-to for him but I guess he hasn't really been that prominent, although I can def steer things that way. I've written a few KoyoIchi so that's def also a possibility. Shinji is equally likely, and if they could give past!Aizen future!Aizen's memories, I could even pull off AiIchi, although if they could do that, I'd just do the same with Shunsui and then we would have less angst lmao. And it might be weird but I'm not opposed to Ichigo/Asuka but in a platonic neither of us are interested in other ppl and don't want to be bothered by marriage offers so let's just get engaged and it'll even be good for clan politics close friends sort of way. They might develop feelings for each other sometime down the road, but arranged marriage AU would be how it would start (this is actually a wip idea I've had for a long time that I've just never written). Also I just feel like Starrk would be vaguely amused by how they both got attached to Kyourakus (or Kyouraku-adjacent I guess), like what is it about that family 😂 But yeah nothing really concrete yet. Ppl might assume that Starrk and Ichigo are a thing because Ichigo doesn't hang out with anyone else at first, and Starrk basically only leaves school grounds to accompany Ichigo somewhere, but I imagine that would clear up after like thirty minutes of watching them interact, esp once Rangiku and Asuka and Gin are more permanent fixtures in their group and Starrk's just trailing after them like a long-suffering dad, the generational gap would be pretty obvious.
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4) Oh man I've definitely thought about this. So unlike SP where Ichigo's like It Is My Duty To Go To The Fifth Just To Keep An Eye On Aizen's Shenanigans Even If That Means Self-Inflicted Emotional Torture The Entire Time, Starrk puts a stop to that nonsense in this AU. He doesn't actually care where Ichigo wants to go, Ichigo can take care of himself even if Aizen breaks cover and goes all traitor on them a hundred years early, and he's not here to tell the kid what to do anyway, but when Ichigo's waffling between the Eighth or the Fifth, and it becomes pretty fucking clear that he only wants to go to the Fifth because he thinks he has to, because there's no other way to keep track of Aizen, and he starts getting tunnel vision the way he does when he's brooding and obsessing over protecting people, that's when Starrk steps in.
"It's one thing if you want to go because you want to," Starrk says, watching the kid pace their room like a caged tiger. "But I don't think you do, not with the way you behave around Hirako. Besides, are you even going to be able to get anything done when you'll be constantly stressed out by being so close to Aizen?" He pauses, then adds with a ghost of a smile, "And then there's the fact that you're a really bad liar."
Ichigo swings around to splutter indignantly at him. "I am not! I can lie!"
Starrk shrugs. "Good enough to fool Hirako and Aizen when they'll be right there observing you up close every single day?"
Ichigo opens his mouth, then closes it again. Good, at least he's self-aware.
Starrk lets him think it over for a moment, tracking the conflicted shift of emotions across Ichigo's face - and he wants to play spy in front of the likes of Aizen like this? - before continuing quietly, "This is it, you know."
Ichigo blinks at him, thrown by the non-sequitur.
Starrk sighs and leans back against the windowsill at his back, slanting his gaze to the sky outside, winter-pale but clear. "What we're doing--it isn't a job with an end date. We don't get to go back home once we're done. There's no home to go back to."
In his peripheral, Ichigo is suddenly very still.
"This is it," Starrk repeats without taking his eyes off the distant horizon. "And you gain nothing from focusing all your energy on one man who won't even be showing his hand anytime soon. If anything, finding out you're suspicious of him will only move up his timeline or cause him to do something drastic, and then we might not be able to predict him at all. And that's not even getting into what the Quincy might do if you show your hand too soon, with or without their king. But even that's beside the point."
He turns back to Ichigo, taking in the weary grief in the furrow of his brow and the bitter curve of his mouth, and he knows Ichigo already understands. Still, he finishes as gently as he knows how, "This is where we live now, and maybe it isn't home yet, but maybe it's time to start thinking about what it will take to make it one. How do you want to live, Ichigo? Once everything is over, what kind of life will you have built for yourself by then? Or will you let Aizen dictate that too?"
A minute flinch ripples across Ichigo's shoulders. Starrk presses on, as ruthless as he'd learned from Aizen, from Shunsui even more. "Will you let him hound you all the way to your final grave? Or will you let Yhwach do it again? Your mother died to save you. Your friends died protecting you. Is their love for you only worth yet another suicide run at a bunch of madmen and would-be-gods? Do you think that this was all you were worth to them?"
Ichigo flinches again, and for a split second, his expression scrunches like he wants to take a swing at Starrk.
Starrk waits him out, because Ichigo isn't an idiot, but sometimes, it's like he just can't understand certain things without them being spelled out for him. And some things, Starrk thinks, should be heard, should be said.
He wonders if anyone's ever told this kid that he's allowed to live for himself too.
(He also wonders how much of a hypocrite every word coming out of his mouth right now is going to make him in the future.
But it's different, with Ichigo. Starrk is over a thousand years old. At this point, going to his grave isn't a big deal. But Ichigo hasn't even reached three decades, and he's spent a solid ten of those years on one battlefield or another. If one of them has to die at the end of all this, it definitely shouldn't be Ichigo.
This kid needs to learn how to live. There's no time like the present to start, and if that means Starrk has to hit where it hurts, well, infections must be lanced sooner or later.)
At last, Ichigo's shoulders slump, and he deflates like a balloon, anger and hurt deserting him, leaving only exhaustion in their wake.
"Sometimes, you sound so much like Kyouraku-san it's scary," Ichigo informs him, flopping bonelessly onto a nearby pile of pillows.
Starrk says nothing. If that had been meant to hurt, well, he probably deserves it.
"Aizen does need to be watched," Ichigo persists, but he sounds almost relieved at the possibility that he won't have to be the one to do it.
Starrk grunts dismissively. "I can sense him from here. I know when he's in his office, and when he leaves a double and takes off for Rukongai. I think that's enough for now."
Ichigo's eyebrows shoot up in surprise. "His hypnosis isn't affecting you?"
Starrk tips a glance at him. "The soul remembers. It doesn't affect you either, does it?"
"That's true," Ichigo concedes. "But wait, did he never show you his Shikai? Or you touched his blade somehow?"
"My reiatsu ate it," Starrk summarizes succinctly, then clarifies with a flicker of exasperation at the wide-eyed look he gets, "His hypnosis, not his blade. He never put much effort into hypnotizing the Espada, just enough to make sure we'd obey without too much fuss. And when it comes down to it, even Zanpakutou abilities is just reiatsu cast in a specific shape. It was easy enough to get rid of it after I was whole again."
He thinks of Lilynette and breathes through that particular ache, old now, more scar than open wound, but there all the same.
Ichigo makes a comprehending sound. "That's pretty handy. Can your reiatsu eat it if it's cast on someone else?"
Starrk nods. He'd done as much for Shunsui, and a few others as necessary. Aizen had never been able to affect the Captain-Commander again after he'd been let out of Muken. And for all that they'd been nominally on the same side, Aizen had actually tried a few times. Starrk thinks he'd probably just wanted to see if he could, because after each attempt, he'd turn and look at Starrk with something like amusement and something like contempt.
(Once, he'd remarked in private that Starrk certainly had a preference for kneeling at the feet of Shinigami masters, and he'd asked what made Shunsui the better one to serve, if perhaps he also should've forced Starrk to spread his legs for him, if that would've succeeded in breaking Starrk further, in making him even more eager to please, as much as Shunsui had clearly accomplished with him.
Shunsui had overheard. On hindsight, Starrk's fairly certain Aizen had wanted him to, had waited for him to get close enough to hear everything, though for what purpose even Starrk hadn't been able to figure out, because the resulting confrontation hadn't been pretty. It'd been one of the few times Starrk had seen his Shinigami lose his temper, his wrath a silent deadly creature no one would expect, and in that moment, the shadows around them had almost devoured Aizen whole. They'd certainly left their mark in the aftermath, Aizen's flesh cracked open with scars as black as the void. Even then, Starrk doesn't think Aizen had truly been intimidated, but he'd also never said another word of the sort to Starrk ever again.)
"I'd have to get closer to detect his more intricate workings," Starrk admits. "But I think between that and being able to sense him, it's enough of a safeguard without needing to join the Fifth as well. There isn't much of a point to that anyway. It's not like we don't already have a general idea of what he's doing, or where he's doing it. He isn't the sort to leave evidence lying around either so I doubt you'd be able to gather any."
He glances at Ichigo again, finally letting himself relax when he sees the kid nodding along, albeit with a rather grumpy expression.
"For now," Starrk concludes. "It's best to establish our presence here in this time, make connections, make allies, and eventually make sure we have enough people on our side to tip the scales in our favour. Aizen is one thing, but even the two of us can't take down the entire Wandenreich on our own. When the time comes, there must be people willing to believe us even without concrete proof of the Quincy's existence."
He catches Ichigo's eye, intent to get this point across, if nothing else. "No matter how powerful, there is only so much one can do alone. And you are not alone, Ichigo."
Ichigo's face crumples a little, and for a half a heartbeat, Starrk is terrified he's about to cry. Thankfully, that doesn't happen, and a moment later, Ichigo nods, his eyes a little brighter now, his shoulders a little less weighed down.
"Okay," Ichigo says decisively. "Then… I think I want to go to the Eighth." He smiles a bit wryly. "You're both bastards, but somehow, I like that about you guys. And if it's Kyouraku-san, it wouldn't be hard to work under his command."
He stops and grows more solemn, his gaze a little too sympathetic this time. "Will you join the Eighth too?"
"No," Starrk doesn't hesitate. He's already thought about it, had already made up his mind months ago, even before he'd met Shunsui again. His answer had only cemented further after meeting him. Besides, "I'm going to the Fourth."
He thinks of the agreement he'd hashed out with Mimihagi. He thinks of one of the things that had immediately come to mind when time travel of all things had been proposed to him. He thinks of the things he can do, the things he can create.
He thinks of the life he'd bargained for.
"Back in our time," Starrk only says in the end, meeting Ichigo's gaze calmly. "I was told by everyone who knew her that Unohana-taichou was the best healer in living memory. Now she is alive again, so that's what I want. I want to learn from her."
Ichigo snickers, oblivious. "Well, you are a huge medical nerd so I should've known. So long as you're happy I guess. Try not to take over the division again within the year. I wouldn't bet on your odds against Unohana-san."
Starrk rolls his eyes because honestly Kotetsu had practically gift-wrapped her division for him, he hadn't meant to take over, he hadn't even been a halfway respectable healer at the time, he'd just been strong, with the manpower to support the actual healers, and apparently, that'd been enough. He'd been horrified when Shunsui had sided with them.
Ichigo laughs outright, Starrk shakes his head, and with their choices made, the future begins to take shape once more.
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hi i don't know if i have questions specifically but want you to know i'm obsessed with your transfem hua cheng and he xuan and that it's super meaningful to me to see other people doing transfem characters and headcanons and I love to see it and love your art so much too so thank you for doing that!!!
yw!!!
hua cheng and he xuan have such interesting relationships to their bodies and powers. to me, trans headcanons not only acknowledge their complex identities within the text, but also add a layer of meaning. plus i just love drawing and writing girls.
more of my thoughts on trans & tfem huaxuan below.
⚠️warnings for: mention of transphobia, canon typical violence, tgcf spoilers⚠️
hua cheng is incredibly metaphorically trans. being born under the star of solitude with a cursed eye, he spent his childhood enduring abuse and covering up his face. (one thing that especially sticks with me for a transmasculine headcanon is that he is smaller than expected for a 10 year old, canonically due to malnutrition). still, he snuck into the army out of a sense of duty (re: tmasc hc, i believe he lied about both his age and his gender to enlist). however, to become crimson rain sought flower, instead of harming others, he wrenches the source of his pain (his eye) out of his body with his own hands. once he removes his eye, instead of dying like a weaker spirit would have, he becomes much more powerful and starts forging an identity for himself. his self-mutilation doesn't just free him from the burden of his cursed eye; he eventually claims blood as his signature. for his whole life, hua cheng has been injured and beaten, but after tong'lu, blood becomes a symbol of his power. his blood rain shows that he does not shy away from brutality and that he feels at home within violence.
this is why i'm always talking about hua cheng's DIY top surgery within the kiln. hua cheng carved up his own body in a way that massively empowered him. he reclaims violence as his own natural habitat, rather than something he has been forced to endure. i think this is very transgender; transphobic rhetoric often labels medical transition as mutilation, but to many of us, that is how we become our true selves. it is a tool to make us stronger.
hua cheng's story is about self-determination. despite his circumstances, he was able to literally brute force fate and luck into his favor with the power of his devotion. i also like to read ghost city (and hua cheng's other miscellaneous acts of good) as a metaphor for disability. to the public, it's dangerous and sinful, but in actuality it is hua cheng's way of 'saving the common people'. ghost city provides safe haven for the undead and their wares, making both the mortal and ghost realms safer. the traditional channel for serving believers is from heaven, but hua cheng forged his own path and refused to take part in its corrupt system. he has a radically different approach to executing his goals, so he is excommunicated and misunderstood outside of the vilified community that he provides a home for (the ghost city residents).
it's important to me that hua cheng is trans -- whether in hualian or hualesbians -- because her story revolves around forging her own path, turning the parts of her body that she hated into sources of power, and defining herself (SHE NAMED HERSELF FLOWER CITY!!!). as a spirit, she hangs around because she wants to be the best version of herself: not out of self-love, but because she is a means to an end (the end being xie lian's will).
beefleaf are literally genderfluid in the text. i personally read shi qingxuan as a trans woman rather than genderfluid because she is 1) more powerful as a woman and 2) does it for fun -- being a woman brings her joy. she begrudgingly turns back into a man when her brother tells her she needs to be more proper. additionally, she was raised as a girl and -- iirc -- doesn't have a problem with this.
he xuan, in addition switching back and forth between male and female forms, also has a very trans narrative. they were literally forced to live the wrong life. his power, similarly to hua cheng's, also comes from their body (eating other ghosts). however, hers is additive. she, to me, is the type of trans person that doesn't see their transition as a loss of anything, only a gain (hua cheng, on the other hand, enthusiastically lost his weakened past self). hua cheng killed the girl he used to be, while he xuan morphed into an unrecognizable, more powerful version of herself. hua cheng purposefully built his ideal self, while he xuan strayed from her AGAB more passively.
i don't think that he xuan would crossdress with shi qingxuan if she didn't want to. even if that was the case, i think their woman-sona is very developed for a guy that reportedly doesn't like it. in my headcanon, she is still in denial by the end of the novel. i think that both his love for shi qingxuan AND the unsettling feeling of gender dysphoria would keep him from dissipating. my final and silliest reason for headcanoning he xuan as nonbinary tfem is that she eats a ton because she's on estrogen and is trying to gain boob weight.
tl;dr: trans women can accumulate power by cutting out their eyes and eating ghosts and i think that's awesome
#i use she he they for he xuan#i use he and she for hua cheng#hua cheng is always trans. no matter her gender she must have always transitioned to it#q&a#ask#not art#tgcf#tgcf spoilers#tgcf meta#hua cheng#he xuan
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Chapter 5- Miles Between Us
Summary: Frankie's decision to join the Army was the catalyst in the collapse of your friendship. When he's forced to reconcile with his past, packed away in boxes in his childhood basement, he finds pieces of you in everything he's left behind.
Word Count: 5.0K
Pairing: Frankie Morales x f!reader (reader has a name/nickname)
Warnings: Angst, lying, guilt, military deployment, FEELINGS, Frankie's mom not putting up with his shit
A/N: IT'S TIME TO PEEL BACK ANOTHER LAYER OF THE ONION, BABY!!! I hope you guys don't hate me that this is a slow burn- I know this is not how I normally write at all, but it's been really fun to build this story up bit by bit (if you hate it though, please tell me lmao 💀) I'm excited for this chapter and how it hints at next chapter (we're finally getting to some smut y'all, omg) Thank you as always for your kind words, it makes my day to hear what you have to say about these two 🥺💛
All The Things We Never Said Masterlist
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You, Age 17, Spring of 2006
“You’re late, Morales.”
“Can’t be late to something we don’t have a set time for, Anderson.”
It’s true, you and Frankie have never set an official schedule for your afterschool ritual, but it never seems to fail that at 3:45, only 10 minutes after you’ve gotten home from soccer practice, he’s at the foot of your bed with his forest green Jansport backpack, ready to complain about the homework he doesn’t want to finish and the tests he has no interest in studying for, just so he can keep you company while you stress yourself to death about the same assignments.
And for as much as he hated school work, Frankie was never late. Never. So to watch him mope into your bedroom an hour later than his usual arrival time, it almost would have been safer to assume he was dead than anything else.
“What took you so long? Get lost on the way here?” You joke, trying to keep it light while still prodding for an answer about his absence as you write down the answer to the math equation you’re trying to solve.
“No. Don’t worry about it.”
There’s been very few occasions you’ve seen Frankie so stoic. Even on his worst days, he’s at least still got a little tolerance left in him for your stupid banter. It’s enough to draw your attention completely away from your homework and onto him.
“What’s wrong? Why are you being so weird?”
You can tell then that something’s clearly not right, the way he’s angrily yanking loose papers and textbooks from his backpack and nearly slamming them onto the edge of your bed, making you gnaw anxiously at the end of your pencil you’d been using.
You’re too nosy for your own good to let up until you find what you’re looking for.
“Nothing’s wrong.”
“Well obviously something’s wrong.”
“What? I’m not allowed to be late, ever?”
“No? Frankie, I just asked where you were and you’re acting like I’m asking you if you just shot the fucking president or something. What’s going on?”
“It’s nothing, MacKenzie!”
“If it’s nothing, then why are you so upset about it?”
“I’m not upset!”
“You clearly are? Frankie, what the hell are you-”
“I’m joining the Army, okay?!”
Out of all the things you could have expected to come out of Frankie’s mouth, that would have been at the bottom of your list. In fact, it’s so out of left field, you’re not even quite sure you believe him.
Your forehead hurts from how tightly your brows are knitted together in confusion, scowling at Frankie with a dumbfounded intensity that probably had you looking like you had just gotten an unsuspecting whiff of the world’s most sour lemon.
There’s no way he’s being serious. He can’t be.
“Ha ha, very funny, Francisco.” You mock, frown still splayed across your face, “Now will you please tell me what’s actually going on?”
His silence makes your heart drop into the pit of your stomach. You can feel the way your face falls, the muscles once tensed in adamant skepticism now sinking into a quiet panic. You can hear each breath as it flows in through your nose and out through your mouth, blood pounding louder and louder in your ears with each pulse of your veins.
“Frankie, if this is one of your stupid jokes, it’s not funny.”
“It’s not a joke.”
His eyes are still peeled to the floor, too afraid to bring himself to look at you. All he can do is stare at his pinky toe, poking out of the hole in his socks that he refuses to replace. You wait for what feels like hours, days, for him to say something, but his silence is deafening. And the sound of Frankie’s silence is the scariest thing you’ve heard in a very long time.
It’s so terrifying, the only thing you can do to cope is fill the quiet void with your rambling and pray that Frankie Morales is choosing to play the world’s worst joke on you.
“What- what do you mean? Frankie, I thought- When you and Santi talked about doing the same thing as Will- I thought you were fucking kidding? What about college? We already both got accepted to Florida State, what are you gonna do-”
“I didn’t get in.”
Please let him be kidding. Please, please, let this be a sick joke.
You can feel your confusion starting to bubble into anger, jaw clenching at the way Frankie’s too coward to even look in your general direction, gaze still glued to that stupid fucking hole in his worn down sock.
“Frankie, what the fuck? We both got accepted back in January? You’ve been lying to me this whole fucking time?”
“I didn’t wanna lie, okay?!”
He’s riddled with enough guilt to speak up, trying to keep himself from the brink of tears as he works up enough courage to finally look you in the face. You can hear how hard he gulps, like his heart is bobbing in his throat, trying to buy all the time he can to come up with a reason for his deception that won’t hurt you any more than he already has.
“I just- fuck,” he sighs, chewing at his bottom and bouncing his leg against the bed so intensely it’ll make him sore the next day, “I didn’t know what to do, Kenz. I’m sorry. I’m really, really sorry.”
It’s hard to stay mad at him when you know he means it. It’d be easier if it weren’t for the way his brown eyes flooded with disappointment in himself, spilling out in tears onto his cheeks. For as frustrated as you are, you have enough sympathy to ease up on him enough to at least try to understand.
“Well, not lying to me about it for the last four months probably would have been a good start.” You huff, the air that puffs from your nostrils still tainted with the let down you’re trying so hard to not let override your conversation.
You can’t help but let yourself find a spot next to him on the edge of your bed, a peace offering that you hope is enough to signal to him you’re willing to listen to what he has to say.
“I- I didn’t think you were being serious when you and Santi were talking about it. I- I thought you- I thought the plan was to go to Florida State. Together. What happened, Frankie?”
It’s quiet for a few more moments. Frankie takes a few, slow deep breaths as he runs his hands through the curls twisting at the nape of his neck. The silence isn’t as bitter as before, but it stings enough to gnaw at the edges of your nails, the anxious habit you can’t seem to break, and certainly have no intention of giving up right now.
“Stop chewing at your nails, Kenz. You’re gonna be pissed at yourself later.” Frankie sighs, gently grabbing your wrist to pull your hand away from your mouth, trying to fulfill his duty of being the one to stop you from ripping your nail beds to shreds.
“You’re kinda making it hard not to.” You try your best to attempt a laugh. It’s the only way to keep yourself from crying. “So are you gonna tell me what’s going on or what?”
“Y-yeah.” Frankie re-adjusts himself on the edge of the bed, twisting the fabric of your comforter between his fingers, trying to ground himself in the reality of the truth he’s forced to tell you, “I- I didn’t get into Florida State. I told you I did because I didn’t know what I was gonna do. You were just so excited when you thought we both got in and I- I panicked and I lied. I didn’t even think I was gonna get in anyways. I didn’t think I was gonna get in anywhere. Even if I did, I don’t know if I even could have afforded it. It’s just me and my mom and neither of us-”
“It’s not too late. I can help you look for scholarships. To help you with tuition. I’m sure that there’s a bunch out there that you could apply for. I’ll even write your essays and stuff for you if you want me to-”
“I’m pretty sure you can’t do that, Kenz. Plus, you hate cheaters.”
Frankie tries to reciprocate the same half-assed laugh you gave him. He looks over at you, the small smile he’s forcing to keep between his lips quickly fading as he sees the way you’re pleading with him to realize that you would forge a thousand essays in his name if it meant he wasn’t going to leave you. He’d be a cheater you’d gladly forgive.
“It’s not even just the money. I just- I- I don’t even like school, Kenzie. I suck at it. If school is already hard now, how much harder is it gonna be when I get to college? To study for a job that I’m probably not even gonna want when I graduate? At least with the Army I can have a job and benefits and hopefully make enough money to help my mom so she’s not working at the hospital 6 days a week. MacKenzie, the only reason I applied to Florida State was because of you. I thought that maybe there would be some miracle I got in and I could figure out how to pay for it and I could magically get smarter and better at school so we could spend the next four years together. I wanted it to happen. I wanted it to happen so bad. I’m sorry. I’m sorry I lied to you. I just- fuck- I just didn’t know how to tell you.”
Neither of you are quite sure what to say next. That quiet comes back to fill the space between you, allowing enough room for the silent sobs you’re both trying your best to hold in, small sniffles still escaping from each of you. You’re not sure if your brain has fully processed what he’s had to say. The only thing you can understand is the swirling of sadness and confusion in your gut and the pounding ache in your chest.
You take a scooch closer to him, the outsides of your thighs barely brushing together as you tilt your head to rest against his shoulder. It’s heavy, the weight you can’t help but lean against him, but the arm he wraps behind your back and around your waist tells you that he’ll gladly take it. He’ll take it all, if he has to.
“Did you already sign a contract to go?” The whisper of your words is so soft, like you’re hoping he can’t hear you. If he can’t hear you, then he doesn’t have to tell you the answer you don’t want to hear.
“Yeah. Me and Santi did a few weeks ago.” His voice is almost quieter than yours, convinced he has the same idea as you.
His truth stings worse than the lie he’s been masquerading behind the past four months. You want to scream at him- To curse him with shouts and sobs, question how he could make this choice for himself and leave you in the dark until it’s too late for you to change his mind. You know it’s selfish, the way you want him to stay, the way you would have fought with every bone in your body to keep him from leaving. You know it’s the reason Frankie couldn’t tell you.
It’s the same reason why Frankie couldn’t bring himself to tell you that if he had given you that chance, he probably would have stayed.
“Do um- do you know when you have to leave?”
It hurts to hear the words come out of your mouth. It’s an admittance of defeat. Because once you ask that question, there’s nothing you can do or say that will make him stay. No fighting, no begging, no pleading. You have to accept he’s leaving.
“Not ‘til the end of the summer.”
“Where?”
The more you ask, the more it makes you want to keel over the edge of the bed and vomit, the reality of it all setting in at an alarming pace.
“Missouri for basic training. I don’t know where after.”
He doesn’t have to say where. You both know. Even if he doesn’t know the exact longitude and latitude of where the Army will deploy him, there’s nowhere else they’re sending him besides Iraq or Afghanistan or whatever godforsaken, war ridden country in the Middle East he’ll be forced to put his life on the line for.
And for how much the reality of Frankie leaving scares you, when you’re hit with the reality that Frankie may leave and never come back, you’re absolutely terrified.
“I don’t want you to go, Frankie.”
You can’t beg him to stay. There’s no amount of bargaining you can do with him or the powers that be to change what’s been done. All you can do is tell him your truth as you sob into his chest while he holds you. Maybe if you’re not enough to make him stay, you’re at least enough to make him want to come home.
You’re not sure how long he holds you while you cry. Maybe it’s minutes, maybe it’s hours. However long it is, all the moments you have left with Frankie feel that much more precious. You won’t let any of them slip through your fingers.
“You promise you’ll come home, right?”
“I promise, MacKenzie. I promise.”
If there’s one thing you’ve learned about Francisco Morales, it’s that he’ll never break a promise. You just hope the universe is kind enough to let him keep this one, too.
“I promise that we’ll have a really fun summer together before I leave too, okay? Whatever you wanna do, Kenz, I’ll do it.”
“Anything?”
It’s enough to peek your head out from the crook of his neck, trying your best to wipe away your tears with your sleeve, like you hadn’t just stained the better part of Frankie’s sweatshirt with the same wetness.
“Anything.”
“Alright, well, I guess we’re gonna go to Dairy Queen and get an extra large blizzard every day until you’re too fat for the Army to want you anymore.”
The two of you giggle, a quiet symphony of soft snorts and sobs at the idea of rolling an ice cream filled Frankie off to boot camp. It makes him laugh even harder that he wouldn’t put it past you if you really did try. Perhaps it wouldn’t be the worst thing in the world if you did.
“Whatever you want, MacKenzie. I’m all yours.”
Frankie, Present
Frankie’s convinced he might as well start training for a marathon at this point.
He’s not really sure how else to spend his time. It’s hard to keep himself occupied when all he can do at home is sit around and wait for your dad to die or stare out the window like a creep to watch your comings and goings.
At least if he’s running, he can’t think about you.
Well, he can’t think about you as much.
It’s been a day and a half since he decided to follow you on your run. He’s already pushed his luck enough that you didn’t damn near kill him for it, let alone that you even gave him a chance to talk to him.
He let you take the first shift on the morning yesterday, despite the fact he’d been awake well before the sun rose. The irony wasn’t lost on him at the way he watched you through his bedroom window the same way he did most Saturday and Sunday mornings for the first few years of your friendship. You’d be up at the same ungodly hour as him, except you’d be pacing up and down your driveway, stretching and lunging across its length as you clicked around on the iPod wrapped around your forearm, searching for whatever song would pump you up for your run.
It wasn’t until you had finally noticed Frankie peering out his bedroom window every weekend that you began to drag him along on your runs with you.
“If you’re awake too, you might as well come running with me, Morales. It’ll be fun!”
“Fine. I gotta warn you though, Kenz, I am actually pretty fast.”
“You barely run the mile in gym class.”
“Savin’ up all my energy for when I need it most, Anderson.”
There was once a time where you would have to beg Frankie to come with you on a run. Now, he’d give anything for you to tolerate his existence ten feet behind you.
But he’ll sacrifice another run alone through all too familiar roads of his childhood subdivision if it helps him kill time and keeps you from hating him anymore than you rightfully deserve to.
Yesterday, he went on two runs to pass the time. Hell, today, he’d consider adding a third run to his underwhelming schedule just to keep himself busy. Fortunately, (or unfortunately, he can’t tell yet) for him, Maria Morales has other plans.
And when Maria Morales has plans, it’s in Frankie’s best interest to drop anything else he had in mind for the day.
Even when it means he’s got a hot date with his basement and a mountain full of boxes in his basement.
“Okay, anything in this pile to the left is for you to go through.” His mom grunts, lifting up one last box to add to the heap labeled “Francisco’s things” in her perfectly curved cursive, “If you want to take it home, find an empty box to put it in, but not my new clear, plastic bins, entiendes (understand)? Those were expensive.”
“No clear plastic bins, got it.” Frankie chuckles, following the exaggerated step his mother takes over his scattered belongings.
“If you see something and you don’t want it now but you want me to keep it for later, you can put it over on the shelf by the stairs. If you think it’s basura (trash), leave it over here and let me look at it first before you throw it away.”
“Comprendido (got it).” Frankie nods, sizing up the stack his mom has set out for him, “Jesus ma, this is gonna take me all morning to go through.”
“If you were home more, there would be less things to go through now.”
“Yeah, well, you got me there.” Frankie grumbles under his breath, grimacing at the harsh reality of his mom’s words. He knows isn’t meant completely out of malice, but he can’t deny it’s certainly got some truth to it as well.
“Okay, well I need to go run some errands, and I want this pile sorted by the end of the day, so standing here and moping certainly isn’t going to help that. Get to work, mijo (son).”
His mom will never be one to throw a pity party for anyone, and most definitely won’t be throwing one for her son, based on his own, self-inflicted problem. Frankie helps her step over another makeshift pile scattered for sorting across the basement floor, giving him a quick pat on the back before disappearing upstairs, leaving him to quite literally unpack his past.
“Fuck. Okay.” He sighs to himself, gently kicking one of the edges of flimsy cardboard at the bottom of the tower, trying to formulate his best plan of attack to make his sorting as painless as possible.
He’s thankful that his brain has always worked in a way that allows him to analyze things so quickly, doing some quiet calculations in his head as to the most effective and efficient way to sort through god knows what may be hidden in the pile his mom has created for him.
He runs his hand through the still messy curls of his morning bed head before selecting what feels like the lightest boxes and moving them off to the side, opening up a cardboard container from the next layer.
Besides the trophies still in his room, every prize he’d ever won for every sport he’d ever played sits in the box below him. Frankie chuckles to himself, picking up some from the top to examine them, thumb gliding over the fake gold plating to read plaques like “Florida Junior Divisional Freestyle Swimming Finalist- 2005” or “Regional Championship Winners- Florida Firebirds 2007” glued to poorly sculpted plastic statues of swimmers. A few more medals and certificates had sunk to the bottom of the box, Frankie quickly grazing through its contents before rehoming it to the “trash” pile, unsure of when he would ever need proof he won several swimming competitions in high school.
The next few boxes were more of the same- His varsity jacket, old t-shirts he wouldn’t stand a chance fitting into, considering the gangly figure that stretched them more than a decade ago, some old books from high school he’d only kept because of how much you loved them and he promised you that one day, he’d read them, too.
It’s the shoe box that catches his eye next, sure that no matter how much his mom loved to hoard, whatever was in there most definitely was not a raggedy, holy pair of Converse from high school.
It’s not until he picks up the box that he knows exactly what’s inside. It’s one of the lightest things he’s picked up in the last hour, but when he knows the weight of its contents, his arms want to tremble.
It’s with a long deep breath that he brings the shoebox over to an open patch of floor, letting out a grunt and cursing his knees as he sits down cross legged with the box in front of him. He gently flips open the lid, hand running over his face and down the back of his neck when his suspicions are confirmed.
Open envelopes spill out over the edges of the worn cardboard, the box stuffed to the brim with every letter you’d ever written to him while he was away.
Even if he wanted to, he’s not sure he could ever physically bring himself to throw them out. Those letters have more miles on them than most people’s cars will ever reach in a lifetime, flimsy, stamped pieces of paper following him to every corner of the globe he’s traveled to.
Some letters he’s read so much, they’re worn on the edges where he’s held the paper, smudging the pen that’s reached the sides of the pages. Others, he’s only read once. He’s not sure he could ever bring himself to read them again. But regardless of their contents, he’d made a promise to you they’d stay with him.
“Better not get rid of those letters, Morales. Do you know how many hand cramps I’ve given myself trying to find the words to send halfway across the world to you? You better promise me you’ll keep ‘em.”
His commitment to the folded pieces of paper ring in his ears as his fingers drag across the tops of the open envelopes. He can’t help the way his index finger and thumb pinch the paper below his grasp, carefully tugging a random letter out of its shoebox storage.
It’s a gut wrenching gamble, the game he’s about to play, a roulette of making his heart ache from joy or pain depending on the one he chooses to pull. He’s already placed his bet as he pulls the lined piece of paper out of the envelope- He’s not getting the money he’s already placed on the table back, so he might as well pray he makes a return on his investment.
With one more deep breath, he unfolds the tri-fold creases, ready to watch his bet play out before him.
August 18th, 2006
Frankie,
I hope I sent this letter to the right place! I looked on the website and it said to send mail to new recruits (that’s you, Morales), to this address, so no one better be holding my letter to you hostage.
Anyways, how’s training so far? Did they make you shave your head yet? I hope not. I’m not sure why the Army insists on making you all look like Dr. Evil from Austin Powers. I’m sure you’ll still look cute even with short hair! I don’t think I can say the same for Santi, but you didn’t hear that from me… hehehe
I just moved into my dorm yesterday! My roommate seems pretty nice. Her name is Jessica and she’s from Georgia. She claims that she’s neat and she better be, or I may lose my mind. I’ll send you pictures of my dorm once it’s all set up! It’s kind of a mess right now, but I made sure to put the picture of us from prom up on my desk :)
I don’t start class until next Tuesday. Hopefully I’ll meet some new people in my dorm or on the soccer team so I’m not a total loser with no friends. LOL.
Have you met anyone new yet? I can’t wait to hear all about your new Army friends! I already started a countdown calendar until we can see each other again. Only 70 days until basic training is done and I can hear about everything in person!
I miss you a lot. I know that’s dumb to say because it’s only been a week, but still. I wish I would have kissed you again before you got on the plane to leave. I promise I will when I see you. Nothing says perfect place to kiss like South Missouri, romance capital of the USA (haha).
I know you’re gonna be busy, but write me back when you have time. The return address on the envelope is my dorm address, so use that, or risk Doug and Michelle reading your mail if you send it to my house!!! I can’t wait to hear from you. Miss you, weirdo.
From,
Kenz :) <3
His luck of the draw sends a wave of relief through him, smiling down at the curvy loops of your perfectly neat printing signed at the bottom of the page. It makes his heart skip a beat, the same kind of butterflies coming to life in his stomach as they did the first time he read it. He’s earned his money back and then some. He gets how casinos never go broke, because the high of good fortune is enough to have him reaching back into the box to put another gamble on the line.
October 13th, 2009
Frankie,
I always feel dumb sending multiple letters before I hear back from you, but you know me, I love to worry. I know you can’t tell me where you are right now (stupid military and their secrets for the safety of society lol) but I’ve been seeing stuff on the news and it makes me scared for you. I just hope wherever you are, you’re safe.
My dad’s cancer is back. He’s been in the hospital for almost two weeks now. They found a new mass on his liver, but they said hopefully they can target it with radiation before it starts to spread. Cassandra at the front desk asked how you were when I was at the hospital yesterday. I said that you were good. I think she’s only asking because if you’re not there, there’s no one to keep me from burning a hole in the waiting room carpet.
I wish you were here. I feel really lost right now. I just know if you were here, you’d find a way to make everything better. You always do.
Sorry this letter isn’t longer. I haven’t been sleeping that great and don’t have enough brainpower to write something decent. Just wanted to let you know what’s going on.
Counting down the days until you make good on your promise. I hope you come home soon, Frankie.
Kenzie
He curses himself for an unlucky draw, heart sinking at the tear stains smearing the blue ink of your trembling letters. An overwhelming wave of guilt washes over him, vivid memories of reading your notes in his bunk alone, wishing there was a way he could fly halfway around the world for a night just to hold you and tell you that everything was going to be okay.
It’s the addictive itch in the back of his brain that makes him decide to pull one more letter from the box, taking one last gamble to see if he can prove the nagging pit in his stomach to quit while he’s ahead, wrong.
February 4th, 2011
Hey,
If you don’t want to write anymore, that’s fine. I was trying to be friendly, but clearly you don’t really care. Just let me know and I’ll stop bombarding you with mail you obviously don’t want. Or I guess you not responding is letting me know. If you want to send anything back you can send it to my parents house. I’m moving into Liam’s house and it’s only 20 minutes away so I can just drive there and pick it up. No need to send you a new address you probably aren’t going to write to, anyways.
I guess I’ll see you when I see you.
MacKenzie
And that’s how Vegas will always stay in business.
Because now Frankie is forced to walk away, all his money stolen from him at the stupid risk he’s decided to take. The one letter he’d give anything not to read again is the one he had to pull.
Heat seethes in his chest- he can’t quite explain why. Because he lost at a rigged game he’d set up for himself? That he still hasn’t quite come to terms with the ugly truth of what he put the both of you through? That he wishes with everything in him, he could go back and change what he’s done?
Or maybe, it’s because now might be the last chance he has to fix what he’s broken, and he’s not sure he’ll ever be able to live with himself if he can’t.
He leaves the pile in the basement unfinished, shoes barely tied to his feet before he bursts out the door in a sprint.
He's not sure where he's going. He's not even sure how long he's run for. All he knows is the pounding of his feet against the pavement, trying to outrun the stupid decisions of his past.
He tells himself if he runs fast enough, he'll beat them.
If he goes far enough, they'll be forgotten.
If he outraces them, you'll be there waiting for him at the finish line.
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What is the purpose of a sex scene? Well on a completely literal level, it is to depict a character having sex. And if you only watch films on a completely literal level with no nuance or examination, I expect sex scenes would be as pointless as eating or sleeping.
It is an interesting question though. Departing from that framing, sex scenes can convey an awfully large range of themes and messages. But, the more interesting piece of the question, which I think you are right to contribute, is where exactly do we think the messages effectiveness is enhanced by a full sex scene rather than fade to black?
I remember Oppenheimer in theaters, and thinking that the sex scene was overdone. I don't quite recall how explict it was, but it seemed over the top, and exposing a historical event which gave insight to his character was not really added to by drawing it out.
On the other hand, there are movies and shows where the full explicit sex scene is narratively important. This is not to suggest anything about the writing chops of the directors, but rather that the plot, the way it is arranged, benefits more from an explicit sex scene than fade to black.
Horror films in general, and Jason in particular, make a lot more sense to have explicit sex scenes. They are generally operating off an old fashioned puritan idea of sexuality, and the logic of the movie is that the characters brought it upon themselves for being so slutty. Which is why the virginal good girl ends up living. The sex scene is important for the message, as something for the movie to rail against. Sure, leaving things ambiguous might have implied the teens were fucking, but that is pretty weak when the subtext is that extra-marital sex is bad. Its like a movie with an anti-drug subtext, but the main character who looks like a stoner is never actually depicted lighting up.
Since Netflix is on my mind, let's talk about a couple animated shows. I've joked with friends that a lot of Netflix shows have a 'Netflix Syndrome', which I use to mean that a somewhat more lax approach to what gets greenlit means a corresponding increase in blood, murder and sex, because it is perceived to be allowed. Particularly with 'adult animation', which needs to prove to its audience that it can be a cool and grownup artistic medium, and swings the pendulum a bit far in the other direction of edginess by overcompensating.
The two shows that spring to mind here are Castlevania, and Blue-Eye Samurai. Now, Castlevania, while I did enjoy it, I think does swing heavily into the Netflix Syndrome arena. Edgy for the sake of differentiating from children's shows, to the point where it feels like overcompensating out of insecurity. There are a fair couple sexy scenes that I think were unnecessary, with fade to black being better options. Also grimderp plot twists lmao. But I do think that one of the biggest sex scenes, Alucard in the BDSM threesome, had its message enhanced by the explicit nature. Spoiler alert, Alucard is lost and directionless, opens his heart and his home to strangers to make friends. One thing leads to another, they are all in bed together, in what should be a culminating moment for him to get out of his depressive funk, see the light and joy in the world, and open up. And when he is at his most vulnerable, being tied up in a particularly kinky threesome, they betray and try to murder him, and he tries to murder them back. Now, there are other ways to write a story in which one gets betrayed while vulnerable. But if you are going to have a sex scene, the scene is better served by going through with the whole thing, instead of fade to black, which deeply weakens the impact.
Blue-Eye Samurai has a couple of sex scenes, which I think work, because the titular character has a lot to work through with regards to her sexuality. Between not being comfortable with female norms and behaviors in a still very male dominated society, crossdressing as a man 90% of the time, and having a particularly odd relationship with her sexuality as an object of desire, owing to her mixed race Japanese-European status which has people see her as a hideous abomination or 'exotic' beauty, full sex scenes exploring these dynamics I think are warranted. Particularly the one with spoiler again, her husband, and the feeling that she could reclaim a degree of femininity in being desired sexually, before being betrayed for her masculine qualities.
I'm not the biggest film buff, so I struggle to name more movies, because there are truly an abundance of movies with no sex whatsoever, and the ones with sex do utilize a lot of fade to black themselves.
"sex scenes have no narrative purpose" is such a funny take on so many levels. people will really believe that the whole human experience is valuable to portray artistically except sex, which of course has never held emotional weight or significance for anybody
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Day 50
Wow. fuck it’s weird to think we’re halfway there. 50 fucking days of Junkan . . . How’s everyone holding up?? I’m still writing these in advance so I have no idea if Future Jem is holding it together having to wait day by day for these, especially as we enter the period of the project where a lot of our favorite pieces come in.
So anyway “No Regrets” There’s the fic again for if you haven’t read it and are interested.
There is a LOT to talk about with this one. So much that I’ll likely put this in a read under once again. I’ve got history, fun facts, scrapped(?) ideas, and memes.
Let’s start with my history with writing in general. Because the biggest thing that comes to mind with this fic is that it was the first time in Four Years that I had ever written something.
When I was, say, around 15 or 16, I entered the Death Battle Community on Deviantart (I swear to god this is relevant and I won’t take too long). It did a lot of things for me, it gave me a source of income when I was confident enough to open commissions, it helped me make a small amount of close friends (eventually leading to even closer friends), is the community that introduced me to Danganronpa in the first place, and it’s where I first started writing.
Now obviously, what I was writing were fights between fictional characters, most often to the death. With some attempt at a logical outcome for the match. And the account is so old and untouched that it still has he/him pronouns baked into it. I still have a lot of pride in some of the work I did on that account despite the equal amounts of dumb bullshit, grammar issues, and a severe lack of proofreading.
But shock of all shocks, Rocky Balboa fighting an Anime Character (yes that’s really the last thing I published online, it was like 40,000 fucking words and it made someone cry allegedly), is a far cry from a fic about Junko Enoshima really wanting to swap spit with Mikan Tsumiki.
Suffice to say, I was very, very nervous about writing again. However I’m a woman with too many ideas, and not every idea can be done through just drawings alone. Especially with how I was doing things at this point. This wasn’t the first time I had desired to try writing fanfic, I still have a RWBY x Kamen Rider W fanfic haunting my brain to this day. But it was the first time I had felt so tempted. However as you might have gleamed over time whether through these posts, or talking to me personally, I have a severe lack of self esteem, ESPECIALLY when it comes to writing. And it was even worse at the time of this fic. This was the biggest roadblock for the it.
However, Junkan broke me once, causing me to draw Angst shipping art for the first time. So it only makes sense that it would break me a second time, making me write a god damn fanfic. And I made plenty of memes about this too, which i’ll post in order of creation.
As you can tell by that last one I was fucking nervous as hell making this, which is understandable since it’s completely new territory for me in a medium i hadn’t touched in years. However, enough friends who also liked DR seem to be into it, so I was able to post it.
My AO3 account was of course originally a secret because at the time of this fic being made I was still deeply paranoid over anyone knowing I shipped Junkan. Now granted CJ is kind of an obvious alias given y’know, it’s just the initials of my fuckin main account. However it does require that someone on AO3 also have a Tumblr account and also be aware of a chick named “Carbonated-Jem” who at the time was drawing a suspicious amount of separate Junko and Mikan art.
Last thing before I talk about the actual fic. This was posted February 4th. Which fucks with me because I’m pretty certain that means that the first 50 Days of this project (reminder that most of the colored ones were after the fact) were made before that date. Half of this project was done in One Month at most. How the fuck did I do that????
Okay. So the fic.
The idea was simple at first, what if Mikan saved Junko from dying at the end of DR1. And then it spiraled from there.
This is not something I plan to talk about on this blog or anywhere but the privacy of my friend groups very often. But I am not a big fan of Danganronpa 3, I have very little nice to say about it, but my biggest issue with that Anime is it’s handling of Mikan. I do not like that Mikan was boiled down to just being whatever that was in the anime, since while I’ll never say that it was definitely a perfect relationship even with what we had teased in DR2, I think there’s a lot of nuance to the way Junko and Mikan described their relationship (moreso Mikan since last I remember at most Junko just made heavy implications that she broke each class member one by one with unknown methods). So seeing it be . . . that in the anime, just never sat right with me. If it were not for events that will be discussed later in the project, I would have been fully adverse to this ship as a result.
As you can see now I’m not only all for the ship, I’m dangerously brainrotted over it dsljfhsdlaf. How things changed.
Point is, regardless of whether you like DR3 and how it handled this dynamic (In which case, more power to you despite my lack of understanding), I had less than fond thoughts toward it. So you can kind of see this fic as also like, a way of me trying to do something more productive with that negativity rather than just wallowing on it.
I’m gonna be real until Mikan jumps in to save Junko I don’t feel very strongly about the intro. You can very much tell this was my first time writing in 4 years, and not just that but it was me writing Junko for the first time rather than drawing her, and to take it EVEN FURTHER this was at the time the closest I had ever gotten to depicting the canon versions of the characters rather than Non-Despair takes on the characters like I was for every pic before and after this. Which yeah spoiler, beyond I think 2 instances later (there MIGHT be more) everything in this project is non-despair in nature.
You can probably still look at a lot of the art as like, just them dating Pre-Tragedy I suppose? But that’s up to you and your suspension of Disbelief.
Tangent, sorry. Back to it where was I.
Oh yeah, so I don’t know when the hell the idea for the Neo-World Program being implemented came in. But when it did that’s when I had like a solid vision for where I was going.
I think originally Junko wasn’t going to enter the program alongside everyone else? But the more I thought about it, it was like the only sure way that she could get what she wanted in the end. Since if Mikan came back reformed, whether with partial memories or nothing at all it’s a hard sell to think Mikan would be willing to go back to Junko outside of the specific circumstances that brought them together in the first place (that said i can’t say the idea of Junko trying to win her back isn’t interesting). I’d find it more likely for a full reformed Mikan in this context to like, get with Hajime or Ibuki.
So I threw Junko into the program as well, despite my concernsI did actually have a lot of fun writing the interactions. Not just Mikan (we’ll get to her in a sec) but also with Makoto.
Writing Junko’s first moments in the program was my favorite part though, from what I remember at least. Especially once she starts giving Mikan her full attention. And that’s where we finally get to the art piece.
So here is the singular fun fact about the art. Junko had the bear clips originally, but I realized after the fact since the Neo-World program put the cast in their outfits prior to becoming Remnants, it’d make more sense to give her the bunny and bow clips instead. So I edited the art at some point to make that more clear.
Anyway here’s the interesting part. There was in fact a time where this was going to be a series.
The original intention was always a Oneshot, but you know how the mind tends to wander, it was inevitable that I’d be tempted to think about what else could happen in this timeline.
It would have mostly been a Slice of Life series, more rom-com elements. Focused on the developing relationship between Junko and Mikan, essentially kind of recreating how they first met and fell in love, albeit with less of the evil girlfriends stuff.
Another part of it is that because Junko’s plans are on a hard hiatus till she gets off the Island, and more specifically because of Mikan’s influence on her in these very specific circumstances, the NWP actually does start reforming Junko on some level. I’ve always loved the idea that Mikan could have the potential to help Junko become a better person, whether it’s a Non-Despair AU where that means she just stops being a bitch to everyone (or at least mostly stops), or in Canon where she ponders that maybe starting the apocalypse isn’t the best course of action.
I did plan to try and write the rest of the DR2 cast, which admittedly was a roadblock because I had no idea what the fuck I was gonna do for characters like Nekomaru for example. I’ve only really latched onto a small handful of the overall cast of DR, so i’m severely lacking in my ability to write most of them. I did plan for Junko and Chiaki to become besties though, I feel like under a normal context Junko would just think Chiaki was really funny.
So it would have mostly been romance and shenanigans, one way I thought of to just give random little plotlines for Mikan and Junko was the MonoMono machine. Have Junko just get a bunch of coins and gamble away at the thing getting random items. And then said items just make the plot for the chapter.
That idea is what made me think of the other half of this fics equation.
So you know how there’s a fucking painting of Junko made during the Tragedy??
First off, missed opportunity to have that be a “Love” item for Mikan, would have been great foreshadowing.
Second off, actual point. I was like “how the fuck is junko gonna react if she sees this??” So I realized that while I wanted to have this overall fic have a lot of fluff and shenanigans and Junko kissing Mikan. There is in fact the elephant in the room of what’s outside of the program.
So, why not have Junko by some means start remembering reality, and realizing everything she’s been responsible for. Most importantly, killing her sister and killing Chiaki (yeah I would have kept Chiaki being a real person and not just an AI, partially just cause I think that’d hurt Junko more), and then having to cope with all of that because by that point Mikan would have unintentionally helped to make Junko a less apocalypse hungry person.
And beyond that I don’t think I had any plans to show like, the aftermath of the program working. Partially because I feel like that’s reaching a level of writing I’m not mentally strong enough to pull off properly, partially because I think keeping it vague similar to how DR2 did it would have worked.
Now all that said, on some level I would try to like writing that story. There’s just a lot of hurdles I’d have to get past first. Not just my normal “Writing makes me want to slam my head into the wall” issue, but also stuff like-
How do I write the other characters when I have very little experience with them?
I actually have to make a plan for this one, I can’t just wing it like I did for the Vampire AU.
I have to write the Canon version of Junko for a big stretch of it and as I already established I barely grasp how the fuck to do that.
I just have other things I want to do which includes other writing.
So if you’ve made it this far into my inane ramblings, would YOU dear audience like to see this fic? I can’t say for sure how soon it would be assuming the response is positive, but I wouldn’t be opposed to making the attempt if there’s even mild interest for it.
Anyway, thankyou for your time! Hopefully will be awhile before I yap this long again.
As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~
#danganronpa#junkan#junko enoshima#mikan tsumiki#enomiki#junkomikan#junko x mikan#enoshima junko#tsumiki mikan#shipping#fanfic#fanfiction#AU
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Genuine question, as someone who has characters of my own: how do I get over my embarrassment for having OC’s? I’d never make fun of someone for having them, but whenever it comes across my dash (especially if it’s ship art) I can’t help but… (for lack of a better word), cringe. I love people being creative but it feels like I can’t get over the backlash against things like that.
It's something you have to unlearn, and that's not always easy. I think as a whole, most fandoms are not OC friendly unless it's something like a videogame in which you create the main character from scratch. Most people will stick to already established characters, because that's easy to write. Very few are brave enough to make their own story.
Firstly, l'm going to discuss comics, this is a world of many worlds. DC as example has so many universes, and there's no way I could name them all. I think many of them are numbered, and fans who create their own usually make a numbered or named verse. Like, Codotverse! (if Codot can put his whole voice out there, you can do it too, btw)
Personally, I think the open ended-ness of comic worlds is a positive for fandom. It makes it so anyone can tell a story and despite it being fannon, it's really no less canon than what's in between the pages. Comic writers themselves can't get things straight half the time, heck I've been known to nit pick comics because they forget some fact about Jonathan that SHOULD be well known.
Now, lets talk OCs. The fact is, and this probably sounds mean, people would rather read about Scarecrow or Riddler then -insert Hench character for shipping here-
The reason is as stated above, it's easier to get into. They know what to expect. And unless this OC is someone you've been talking about for years and they have curated their own mini fandom within the fandom, most ARE gonna scroll by. That's sad, I know.
BUT that doesn't mean you should quit or be embarrassed about an OC. People can come to love them, but this usually takes effort and dedication on your part. You are the one and only author and content creator of this OC. Nobody else is gonna make content for them without insensitive. That means you gotta talk talk talk, and draw draw draw, then write write write. MAKE them care. People can very easily come to love and OC,. and i know this for a fact because I used to have my own and I always got asks, people wanted to draw them, or write stories, etc.
The thing is, you gotta embrace being potentiality embarrassing. If you don't take a step forward and put yourself out there, who will? This sounds very internal for you, and it's literally something that is taught to the youngins of fandom very quickly. Fandom, as a whole (think big here) will squash or despise anything that isn't palatable. And what is palatable? that changes often. Usually, fandom is a progressive space but that doesn't mean each and every sect doesn't have issues. Big issues that are spread between a lot of fandoms include misogyny and fetishization. This is why you sometimes see creators and fandom goers attacking canon female love interests and OCs. This is also why you see a huge influx of men being shipped together and any mention of either man loving or having a relationship with a woman is often erased. These two things go hand in hand quiiiite a lot actually. Just, a thing to watch out for and think critically about.
In the end, it boils down to making your audience care amongst a sea of easy to read and already palatable content. You gotta swim against the current. Make a space for yourself, provide something that doesn't exist yet. (for me, it was hi res comic scans)
Basically, don't let the haters win.
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Rating TMA Fears
Rating Criteria:
how many shivers i get (shivers)
amount of icks i get (icks)
if i audibly react to it (reactions)
is it cool as fuck (intrigue)
notes deconstructing the fear cus I like to talk about it
These are based off of personal opinion and not factual. Fears definitely effect different people differently.
1.) Buried
Shivers: 5/5
Icks: 3/5
Reactions: 5/5
Intrigue: 5/5
TOTAL SCORE: 5
Notes: Before witnessing TMA I did not know I had a fear of being buried alive. TMA taught me the earth can be devious and hungry. When before I viewed it as lovely and protecting. The buried doesn't mean to be deceptive which I think is the most terrifying part. It's alluring petrichor and earth scents are meant to be warnings. Warnings I saw through rose tinted glasses. I used to visit local caves a lot around my local area. I no longer wish to do that anymore. It freaked me out so bad it has irreparably changed my life. Very good writing. It is simultaneously my favorite and least favorite. Well done rusty quill.
2.) Corruption
Shivers: 3/5
Icks: 5/5
Reactions: 4/5
Intrigue: 2/5
TOTAL SCORE: 3.5
Notes: Ew ew ew ew ew ew... Bugs are cool but not in me or my house thanks. Horrible, disgusting, terrible little creatures. Do not touch my skin, thank you. Wonderfully done to put it in the focus of the first season to draw in all the horror fans and cortisol addicts. The corruption puts much emphasis on emotional responses that should not be had in the context they are had in. Love replaces repulsion. Comfort stands while disgust falls. All while it digs in your skin and tears through your life. The desolation destroys your life out of anger while the corruption festers in your bones because of its affection for its victims.
3.) Dark
Shivers: 2/5
Icks: 1/5
Reactions: 2/5
Intrigue: 1/5
TOTAL SCORE: 1.5
Notes: The dark in TMA has only ever spooked me when there was fleshy or stranger bits involved. I do however enjoy the idea that there is something in the dark that's desires are beyond my knowledge. Beyond even the knowledge of the Eye. Not a favorite that I am rather indifferent too. However, there is the interesting theme TMA uses when utilizing the dark. It touches on the concept of what hides in the dark. As well as how it claims those writhing with despairing as it's own and desperately asks them to worship. It begs them to work in it's name. It grasps for control that only the web can have by manipulating hopeless people.
4.) Desolation
Shivers: 2/5
Icks: 2/5
Reactions: 3/5
Intrigue: 3/5
TOTAL SCORE: 2.5
Notes: The desolation comes off as almost helpful in some cases. It causes truths to be revealed but comes with a hint of destructive mystery as well. The fact that it assists the Eye is a fascinating choice of writing that left me wanting more. We have all lost important things to the lightless flame so it is a very relatable entity. The combination of terror and power is a lovely touch drawn by the writers. I do enjoy the gasps I get when skin melts or when the beloved are ignited. Interesting. Almost liberating to be destroyed beyond recognition. Not the spookiest of the lot but still good.
5.) End
Shivers: 4/5
Icks: 1/5
Reactions: 3/5
Intrigue: 5/5
TOTAL SCORE: 3.5
Notes: One of my favorites despite its score. I love the motifs of chance and gambling. I love the tendrils. I enjoy that it is a passive entity. It does not need to chase you because you will always run to it regardless of where you go. I enjoy the dream themes as well but I have always enjoyed to concept of dreams. To think when we dream we are grazing the finger tips of the end is delicious to think of. Very mysterious yet so finite and sure. The duality is written perfectly and I honestly wish there were more episodes of this entity. But maybe the mystery of it is what makes it so tantalizing and alluring.
6.) Extinction
Shivers: 4/5
Icks: 1/5
Reactions: 3/5
Intrigue: 4/5
TOTAL SCORE: 3.5
Notes: Very close to home for this one. My parents were dooms-day preppers so I'm very familiar with the feeling of mass extinction. I enjoy this one because it comments on how humans have terribly effected our world/civilization. It is a fear we have placed upon ourselves, much like the slaughter. It is not natural for a great change like in TMA to happen without human intervention. Interesting and compelling writing overall but unfortunately does not spook me that much because of my background. I am desensitized to it. Although it is still on the horizon always. Peaking it's head to make us pay for what we have done.
7.) Eye
Shivers: 2/5
Icks: 1/5
Reactions: 4/5
Intrigue: 4/5
TOTAL SCORE: 3
Notes: The eye is stimulating. The eye takes a role no other fear takes in TMA. This entity is prideful and almost appears to have a hero complex. It knows all, it sees all. But it doesn't understand all. That is clear whenever the eye interacts with other fears. Particularly the dark or the corruption. It isn't scary because it is watching me. It is terrifying because it thinks it knows what is best for me. Even when it clearly doesn't. The eye and the web sometimes work together for this commonality. It doesn't ick me out to be watched like it once did. The eye may see me. It may know me, but it does not know how I experience things. And despite its seeming all-knowingness. It'll never know everyone's experiences. It just sees them.
8.) Flesh
Shivers: 5/5
Icks: 5/5
Reactions: 4/5
Intrigue: 3/5
TOTAL SCORE: 4.5
Notes: I think this one got me bad for two reasons. The first reason being, body horror. It is intriguing and horrible. The flesh is a reminder that despite our intellect that we are piles of biomass. We can face disfigurement at any turn that can forever change our experiences. The second reason taps into our primal roots of fear. Most animals don't want to be someones lunch and the flesh reminds us of that fear. You are made of the same material as the meat you have on your dinner plate. Our biology is fragile and easily torn. It genuinely makes my stomach sick every time a flesh episode comes up. The only reason this one isn't a 5/5 is because the more I think about it, the less I desire to think about it. Fantastic writing. I will stop thinking about it now.
9.) Hunt
Shivers: 3/5
Icks: 1/5
Reactions: 4/5
Intrigue: 2/5
TOTAL SCORE: 2.5
Notes: The hunt is interesting. It makes me feel similarly to how the desolation makes me feel. It is terror but it is also power. Like the flesh, it sinks into our primate brains and reminds us what it is like to experience being prey. It doesn't often feel great to be somethings food. However, the hunt doesn't just rule the prey. There is horrible panic and dread in being the hunted but there is pleasure and satisfaction from being the hunter. It embodies what it feels like to be the predator. The thill of hunting is truly exciting when you aren't the prey. The power dynamic of being the predator makes you feel sadistic gratification.
10.) Lonely
Shivers: 3/5
Icks: 5/5
Reactions: 2/5
Intrigue: 5/5
TOTAL SCORE: 4
Notes: Another fear that calls to my life experiences. To be lonely is to be numb. Apathy is a roadblock for drive. To block drive is to exist adrift to no where with nothing to do. What is the purpose? There isn't one. It is bitter and dissatisfactory entity. The lonely does not scare you until you are in it. Forced to face the fact that without others you are nothing. You are surrounded by people but they care not for your existence. So much to the point where you feel alone despite the people around you. This fear lightly draws from our fundamental human need for companionship. It seems harmless but you won't know it's true horror until you've experienced it yourself.
11.) Slaughter
Shivers: 5/5
Icks: 4/5
Reactions: 5/5
Intrigue: 5/5
TOTAL SCORE: 5
Notes: The slaughter has to be my favorite of the entities. It is another fear conjured by humanity. Its existence is evoked by meaningless carnage just for the sake of violence. The imagery of war instruments like drums and pipes give an incredibly cool and eerie vibe. There are NOT enough slaughter themed episodes in TMA. In spite of the minimal amount of time put into this entity the few episodes focused on it are so gorily and beautifully written. The Piper episode is my favorite episode. The imagery that captures "The War" is perfect. The wrath, terror and determined stoicism descriptions will stick with me for years. The slaughter is meaningless and yet it must happen. It must continue. It must bleed.
12.) Spiral
Shivers: 5/5
Icks: 2/5
Reactions: 3/5
Intrigue: 5/5
TOTAL SCORE: 4
Notes: I enjoy the spiral for its concepts of unreality. What is, isn't. Insanity has always been a captivating idea. Fractal patterns and impossible realms are fantastical enough to draw me in to engage. Mystery with no answer is alluring to puzzle solvers. The parts of the spiral that infect me with horror are the deceptive friendships. It is a terrible thought to think those who are closest to you are lying to you. It hits very close to home. Gaslighting is terrifying. What are you meant to do besides trust the people you have invited into your circle. Betrayal is a parasite. It feeds off of love and trust. Who can you trust now?
13.) Stranger
Shivers: 5/5
Icks: 3/5
Reactions: 3/5
Intrigue: 4/5
TOTAL SCORE: 4.5
Notes: The unknown is the most universally feared entity I think. The stranger is something we have all experienced fear for at least a little bit. Many of us were warned about the stranger as children. The unknown makes us wary and confused. It doesn't gaslight us as much as the spiral but it does lie. It does tell us to ignore the uncanny valley reaction you get when you see it. It is human but isn't. The unfamiliar familiarity in them is the most terrifying. Especially because I don't experience uncanny valley often. Even when I should.
14.) Vast
Shivers: 5/5
Icks: 1/5
Reactions: 3/5
Intrigue: 5/5
TOTAL SCORE: 4
Notes: I am already written a paper about the vast. I adore the concept of the void. It does not ick me as much as the other fears because of my massive interest in the concept. It is scary to feel small, it can cause hopelessness. I have found in some people, like myself, it causes euphoria. It relieves the pressures of human life by letting us know those worries that seem so important are actually not really that big of a deal. I think the episodes exploring the concept are beautiful and anxiety ridden. I still think there should be more of the vast in TMA.
15.) Web
Shivers: 4/5
Icks: 3/5
Reactions: 4/5
Intrigue: 4/5
TOTAL SCORE: 4
Notes: The web is an entity that easily draws you in with a false sense of security. It allows you to be free of the need to make decisions. It is peaceful to be controlled. Although we are often blinded when we are controlled to the motives of the controller. We are deceived into believing the puppet master means us no harm. You lose who you are as you perform the spiders assignments. You drift away into peaceful sleep. Just to be eaten when you are at your most vulnerable.
#ghost talks#ghost writes#tma#the magnus archives#the buried#the corruption#the vast#the web#the flesh#the hunt#the stranger#the slaughter#the spiral#the eye#the lonely#the extinction#the desolation#the dark#14 fears#tma fears#rating tma fears#writing#rating#tma podcast#the magnus archives podcast#podcast
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I have been feeling weird these days. Frankly, just not great. Pretty bad. I have been belittling myself, trying to hide and disappear. What has helped me? Going for a walk by myself. Listening to an audiobook and realizing there are things that I enjoy doing and that make the time pass. Belasting music through my earplugs while in the bathroom, and looking in the mirror as I start to move my body and dance. Write with myself; so pure and vulnerable. So understanding and loving towards myself. I felt like myself again. I reflected on a drawing, where I added a text. I realized that I was, or am, trapped. I try to disappear, trying to hide from everyone. Hoping to protect myself from dissapointing people and being too much. From them leaving, or realizing they no longer love me. Then I went on to mention how lonely it is here, isolating me and who I am, while there is someone out there who does love me for me. It then turned into wondering why I am here. And why these leaves, in which I tried to disappear, are so heavy. I realize that I am no longer wanting to hide. Rather, I am trapped. Trapped into my own hideaway. Where the leaves are no longer lovingly embracing me, they are cutting into my skin. Reflecting helped me realize it, and realize I want to get out. And I have the power to do so.
Frankly, I want to be like in the gif every single day. I also honestly know that I could. I can find casual magic in everything. I can be so passionate about life and everything it has to offer. That feels like the true me. The one who experiences it all, and is grateful for it. Sure, the other parts of me are also me. But I feel my best when I am I that mood. The mood from the gif. My boyfriend is out right now, volleyballing until the very early hours. His roommate is also not home. It is just me, and gash. I am excited. I have already listened to music and danced, but I also ate too much and feel very full right now. Either way.. it is scary to be so me. To be so vulnerable and truly myself in front of someone. I know I can do it. I acted this way during our vacation. Why is it so hard to just be myself? To trust someone enough to be my true self? It's a safe space, babygirl. Sure, sometimes it hurts in this place. But don't you dare pull back because of it. I mean, to be fair, how could anyone ever do anything but smile when they see someone living life like that? What do I expect? The worst that could happen is that someone finds it interesting how you can enjoy and aren't ashamed in public. BUTO BE FAIR EH? WHHHHHYY IS IT SOMETHING TO BE ASHAMED OF? I fucking LOVE people who enjoy like that. I wish I could be surrounded by them. So baby, if the people around you aren't like that, okay and??? Be like that for yourself. He doesn't show his emotions the way you do? Okay and??? Let him experience his emotions the way he wants to. He can honestly count himself blessed to be with a person who can enjoy life so fully. Please, love this part of yourself. Well, you already do. But do it without shame. Do it proudly. Embrace it, truly. You have been taking everything for granted. It's time to be grateful, and be so without any doubt. Please, enjoy life the way you were meant to. Learn to be yourself, the way you are yourself when you are alone. He might not vibe on the same level, but that doesn't mean you should dim your own light. Yoyoyo, please learn to be yourself. Your silly, cute, life-enjoying self. I love the way you are , babygirl. So will he. And if he doesn't, that's big time his loss. Though, I'm pretty sure he loves this part of you, too. I know you love this part of you, so show off that you love her. She is yours. Show your love off by letting her out, the way you'd want someone to love this part of you. She deserves to come out and enjoy life with you. Whoever else is around. She feels safe with you. Please let her feel safe around him, too. He'd embrace her the way she wants to be embraced. Just like on our vacation. That you can still come out during the daily life without any judgement, you know?
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Alex V. “Ajax” Johnson moodboard + random headcanons
🎸⋆➤Imagine him to be born in the early 80’s, ok 1988 which makes him a millennial of course, raised in very supportive but sassy asf parents, he could've been from the hood but he's too nice for hell. His momma is very good at coming up with insults, but she's got a very good voice, and dad is clever dude who knows life hacks n shi then they all moved to a citylife. He has to be a city boy...
🎸⋆➤He and Keegan were either childhood best friends bc they were neighbors, went to the same school, playing pranks and causing trouble but always having each other's backs. Their moms being friends is also a nice touch, maybe they even used to arrange play dates for them when they were younger.
🎸⋆➤Being a bit of a 90s video game nerd. Maybe he had a SNES and Genesis when he was a kid, and now as a teen he's moved on to the 360 or PlayStation. (challenging Jemima to random games or competitions, just to see who can be the more competitive) He might even have a Game Boy stashed away somewhere for all those late-night gaming sessions. He'd probably be the one to drag the others into retro gaming binges where they'd spend hours playing old school Mario or Zelda, until Merrick or Keegan finally puts a stop to it. Always trolling Keegan at Mariokartt, Ajax's goal isn't to win the race, his goal is to green shell Keegan in game.
🎸⋆➤Ajax as the 2nd bassist in the band, making it a duo with Keegan. Maybe they bonded over their mutual love for bass, spending hours practicing together and jamming out to their favourite songs. They could even have a friendly rivalry going on, trying to outdo each other during rehearsal and constantly one-upping each other's riffs and licks.
🎸⋆➤^And considering Ajax's "cheesy goofball" personality, I could see him always coming up with the cheesiest bass-related puns and jokes. Like when Keegan asks him to play a funky bass line, Ajax might respond with a cheesy line like "Oh, you want funk? I've got the funk, baby! I'll hit that note so hard, you'll hear it in your bones!" or "You want to make the bass sing? Well, I've got the perfect recipe - a pinch of slapping, a dash of popping, and a whole lot of attitude!"
🎸⋆➤Can beatbox decently but only to the point he can impress people who don't beatbox, not the crazy sounds. Hes just very good with rhythm and beat.
🎸⋆➤DEFINITELY be all over Keegan for having Jemíma, just picture him constantly teasing Keegan about her, saying things like "Hey, look who's got a pretty girl tagging along with him lately!" or "Hey, loverboy, can you spare a minute from your little date to focus on the music for once?" Maybe he'd even write a cheesy love song about Keegan and Jemima, just to get under Keegan's skin. "Love Ballad of the Bassists," anyone?
🎸⋆➤Ajax's bassist skills would pair with Keegan's - both of them are pretty damn good. But where Keegan is more technical and focused on precision and technical skill, Ajax would be wilder and more energetic, playing with raw energy and power.
🎸⋆➤Loves indie rock and the classic boy band sound of the Backstreet Boys. And the drummer covers are a great touch too! Maybe he stumbled across a video of a sick drum cover on YouTube one day and got hooked, spending hours watching and rewatching the performance and trying to mimic the insane beats. Now, he's a total drum cover enthusiast, always keeping an eye out for the latest and greatest covers on the internet. (Meanwhile, Merrick might roll his eyes at Ajax's love for drum covers, saying something like "Seriously, man? You're more obsessed with those drum covers than you are with actual music. But Ajax would just wave him off and say, "Hey, you're not the one playing the thunder-making instrument here)
🎸⋆➤Has a few other quirky habits and interests outside of music. Maybe a secret love for collecting vintage action figures or sports memorabilia, or a hidden talent for painting or drawing. A weird addiction to eating way too much chocolate or candy and strange obsession with collecting rare bands vinyl's like ''Yo check this out''. He’s also a bit of a wisecracker and loves to banter back and forth with his friends. Habit of accidentally dropping his bass during rehearsal and blaming it on the other guys, saying they spooked him or something.
#alex ajax johnson#ajax call of duty#cod ajax#ajax cod#call of duty ghosts#cod ghosts#teen au#mid 2000s#2000s
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after seeing this post by the artist afkeii on instagram, i got inspired to write a poem... and then i drew something to make it into a zine...
the way i feel about romantic love is... complicated... but i've known i'm on the aromantic spectrum for over a year now ! yippiee !
if you'd like to have a physical copy, feel free to [download the print version here] , and check [how to put it together / make a 8-page zine here]
#zine#personal zine#art#aromantic#aromantic spectrum#my art#id in alt text#that was very... interesting to write and draw about#dont ask me how i feel about romantic love its too tiring to explain#(<- thats a lie- do ask me about it as much as you want i have so many thoughts on it. probs more questions than answers tbf tho)#also yeah the black ring on my middle finger and right hand is bcs im asexual too#but ive known im ace since i was 13 so i dont have nothing poetic to say about it cuz its been just a normal thing for me for so long lol#aight its getting late and i need to go sleep byeeee
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Zelda goes mushroom girl
#tloz#a link to the past#zelda#link#my art#I was happy with that first one but for some reason decided it still needed a companion piece so I spent way too long on that second one...#I don't think there was any time during the progress where I was happy with it but hfduhdfu at least I got to Attempt drawing moss hell yea#I also at some point sat in Pyu's art stream and said I enjoy drawing legs As I was being murdered by the infamously impossibe (imo) squat.#it's ok I had fun !! but I need to learn how to let doodles be doodles or I'll never finish stuff at this rate dfsuhfd#if everything in my tloz tag looks like it was drawn by different people uuuh 2023 was art crisis year ngl......#I'm falling back into my old ways rn though#anyway I think about these two a lot I think they're both stone faced and awkward ppl in different ways but they try rly hard to be friends#like I like to think it starts out so incredibly awkward and a bit sad bc they keep stepping over each other's toes accidentally the harder#they try but idk they find comfy middle ground idk in my brain they have a very interesting friendship I wanna get around to drawing it#in a proper way that might make sense....#if I don't write 200 tags I will die maybe it's bc I grew up on dA or smth#and yes I know how to find 1 (one) type of mushroom /I/ am not mushroom girl unfortunately smh
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I want to talk about Jaster. Like many among us I knew him first through fic, and he fulfills some very specific roles there. This is cool. I like fic!Jaster and I like those fics. But as this is not a fic, and as we all know misinformation is the death of democracy, I want to draw attention to a couple of things from the only source he actually appears in (andis his original appearance).
One is the general idea of Jaster being the Mand'alor, rightful king of Mandalore, basically Arathorn to Jango's Aragorn or whatever. So, uh. These continuities really do barely mesh, but at his inception, Jaster was the leader of a militia- a mercenary army. They called themselves The Mandalorians (the 'True' bit was added later). There was a leadership challenge and a split, which is where Deathwatch comes from. Deathwatch wanted to do straight conquest instead.
Jaster's previous job had been law enforcement on Concord Dawn. And look, I refuse to read the traviss book, so anything introduced there could prove me wrong and I don't care. But it doesn't really seem like Jaster was ever in the actual government- or for that matter trying to be.
As an aside I just want to note that the darksaber at this time was probably in the hands of Tor Vizla. I think it was Tor Vizla. The Vizla that challenged Jaster for control of the militia and then formed deathwatch, anyway. If the darksaber means something.
It's an interesting trend that fanfic so often has him claiming a throne and at the head of an empire, because that's… what the deathwatch split was about. Power and conquest was what they wanted.
The main thing about the Jaster of the comic though, is the nature of his work. There are mercernary militaries in today's world, and they're generally considered bad fucking news. But Jaster is fictional, so why can't he occupy an idealized role? This is the quote at the top of his wookiepedia page: "So what's wrong with being a mercenary? Is your war worth fighting? If it is, then why does it matter who fights it for you? Aren't we imbued with the righteousness of your cause when we take up arms for you? Would you rather your own men and women died to make the point? And if your war is so noble, so necessary—why aren't you fighting it for yourself? Think of all that before you spit on us, aruetii."
That doesn't sound so bad, right? But weirdly enough, that's nothing like what he's shown actually doing. Actually the canon is surprisingly realistic about what being weapons for hire actually looks like, as we're given two 'slice of life' missions to serve as backdrop for his ongoing conflict with deathwatch.
They involve working for corrupt governments to supress "poorly armed natives" and "political activists". I am not using scarequotes, those are direct quotes. There is no suggestion of taking prisoners- they are there to kill, and that's what they do. They are not fighting armies. They are not choosy about their clients. They take easy credits for killing natives with less equipment and training than them.
I guess this is barely on topic since I'm not even making this into a case about why he shouldn't rule mandalore. I just know that while many of us have watched the clone wars and therefore at least know Satine through the show, Jaster is a hazier figure.
There are a few other misconceptions. The True Mandalorians are generally depicted as diverse in fic, for example, but that is a fanon addition to the lore, originally his whole gang (except for jango) were drawn as white men. There's also the whole thing about valuing children- there's no suggestion that he doesn't, mind, but his version of correct child rearing certainly does not match everyone else's values. I've read umpteen fics where he's appalled by padawan endangerment, for example, but uhhh he was sending Jango into combat as an 8(? i am told) year old.
So those are the main fandom misconceptions that come to mind for Jaster.
I could probably write an essay on why I would choose Satine and why she did a better job. Maybe I will. But for now I'm going to leave it at this: ultimately, he was murdered by deathwatch. And ultimately she was murdered by deathwatch. Same foe, different decade.
So maybe the idea that he would have saved mandalore where she couldn't is some sort of easily demonstrable wishful thinking. Since they met the same fate and lost to the same group of guys.
FINALE - You might want to read the propaganda this time. Lots of misinfo in fandom on these two in particular.
Remember, this is NOT about who would win in a fight. This is about who makes the best leader for Mandalore as a whole.
Explanation post
Seeding
More propaganda below the cut! You can submit more on this post and I will reblog it back to here!
Yes, I will even reblog the stuff based on fanon, but I will judge you for it.
SATINE KRYZE
Anon: Satine because she served. Mandalorian fashion week would love her. Manda'slay.
Anon: Satine Propaganda: Was supported by the STRONG MAJORITY, led Mandalore to be in peace for NEARLY 20 YEARS, didn't ban mando'a or armour or any part of the culture like fandom claims, is a good fighter, considered EVERY Mandalorian a Mandalorian and didn't discriminate
@lightsaberwieldingdalek: Satine propaganda: she actually ran a functioning government. Not a mercenary band, or a death cult, or a terrorist extremist organisation, an actual functioning government. Yes there was corruption, corruption she did her best to stop to the point of personally getting in firefights with smugglers, but she took a planet devastated by civil war and by the end of her rule she had schools, public works, and a justice system. - Sure, the rest can run military operations (and we don’t know Satine couldn’t, only that she *won’t*) but can they make the bins get emptied regularly to go to the recycling plants?
@lightsaberwieldingdalek: I understand Jaster has the tacticool appeal, and has the iconic armour, but guys. He did an interpretation of some problematic historical values for the more modern day, led a mercenary band, and under unknown circumstances his group started calling him the historical-cultural title of the ruler of their entire cultural group. I know he’s cool looking, and shoots real good, but at most he’s the equivalent of someone who could be a cult leader but doesn’t want to be. - Meanwhile. Satine. You have issues with her ethical code, and she’s not a cool cause she doesn’t wear the armour. And yet she is the one who *actually ran mandalore*. For 20-ish years, and not only kept it stable but built it up from the ruins of civil war! - Yes yes T-helmet cool and military man competence nice, but that cannot equal taking the ruins of a war torn society and turning it into a mostly peaceful (when terrorism happened it was a big shocking deal, not normalised) urbanised people who eat well, have access to luxury and specialised education (get a offworld Jedi to come lecture) and can ACTUALLY BREATH IN THE ATMOSPHERE RUINED BY ALL THE WARLORDS LIKE JASTER TRYING TO FIGHT THE REPUBLIC TO PROVE THEMSELVES.
Anon: Satine propaganda: she knows what the aftermath of war is like. Jaster knows war from a soldier's perspective, a commander's perspective. But Satine knows it from a noncombatant's perspective. She's seen the aftermath and wreckage it leaves behind. Rebuilding after a war takes far longer and likely costs more than the war itself. I don't think Jaster cares about what happens after the battle. But Satine most certainly does.
@archangelsunited: Efficient and long lasting leader of her faction for years, was able to navigate neutrality with the Republic during the Clone Wars. Excellent Hair pieces.
@publiusmaximum: She allowed her society to experience it's first moment of peace and prosperity in a thousand years. - After she was killed, her society was taken over by fascists and gangsters. In short order Mandalore was razed, made uninhabitable, and her people scattered. - Satine was right about everything.
JASTER MEREEL
Anon: Jaster is the one who should rule Mandalore and all Mandalorians, although he started small he searched to make a new code of conduct for Mandalorian bounty hunters, he tries to keep the culture intact yet keep Mandalore progressive and not stuck in the past and from killing each other.
@spacetime1969: He literally rewrote what it means to be Mandalorian, and he created an entire movement around said philosophy that had a good chance of becoming the controlling party of Mandalore if he hadn't been assassinated. What more do you want?
Anon: Jaster for the win, he's the most recent one who actually knows some shit (as much as I love Din Djarin this poor man doesn't know ANYTHING), besides Jango and Boba but they're both very unstable individuals.
@nerdpickle: Jaster, his philosophy perfectly balanced tradition and reform, keeping the best of both worlds, he was also one of the few people chosen by the people
Mereel is a strong and powerful leader. He defeated the traiter Tor Viszla in battle and even took in a poor, orphaned Concordian child after the battle. No more will Mandalore be forced to consider such petty ideals as peace in order to avoid outright war. Instead, we shall be known throughout the galaxy as the greatest mercenaries the galaxy has ever known. Under his rule, we shall triumph over the foolish savages of planets unconquered and be paid handsomely for it!
Anon: Mereel is a strong and powerful leader. He defeated the traiter Tor Viszla in battle and even took in a poor, orphaned Concordian child after the battle. No more will Mandalore be forced to consider such petty ideals as peace in order to avoid outright war. Instead, we shall be known throughout the galaxy as the greatest mercenaries the galaxy has ever known. Under his rule, we shall triumph over the foolish savages of planets unconquered and be paid handsomely for it!
@archangelsunited: Had a structured document for Mandalorian Culture in the modern (tm) day. He fought with the warriors he sent out and took personal interest in the results of his actions (Jango Fett mentorship). Pissed off Tor Vizla.
@nerdpickle: Satine’s Mandalore was like Switzerland, except without the well trained military, incredibly advantageous terrain, high gun ownership and giant nuclear armed alliance providing a free buffer zone on all sides.
SATINE
@bosooka: Originally here
i wrote way too much for my original draft of this (and it turned into a "fuck jaster mereel" party) so here's an abbreviated version
Why Satine is a Better Ruler Than Jaster in 2 Simple Points
Point #1: Satine actually maintained order on Mandalore for decades
This one is simple. Mereel became Mandalore in ~60BBY and Tor Vizsla tried to overthrow him a mere two years later (and nearly succeeded). He was only in power for six more years before he was betrayed by the very same violent people he allowed to remain by his side because of his belief that a Mandalorian warrior was "merely a highly-paid soldier".
Contrast Satine: ruled from approx. 42BBY until 19BBY, a reign of 23-odd years. For twenty-odd years of her reign New Mandalore was completely peaceful and there were no challengers to her authority among the people or elsewhere. Death Watch only became an issue again when they received Separatist (and ultimately Sith) backing, and Dooku discarded them for being useless. Had Death Watch not allied itself with Maul's Shadow Collective I don't think she would have been overthrown at all.
Point #2: Satine kept Mandalore out of places it didn't belong
As we've established, Mereel had no issues with Mandalorians being mercenaries, used however their clients saw fit. I won't go into the weeds of the ethical implications of mercenaries and why they are illegal under international law on Earth, but in short: letting anyone pay one to kill others is the easiest way to become the cudgel of a fascist. Coincidentally exactly what the Fett clones become when Sidious uses them to exterminate the Jedi. Mereel's "reforms" of the Mandalorian ways did not prevent his troops from getting into a fight they couldn't win against the Jedi on Galidraan (and yes, the Mandalorians shot first:
not that anyone in the fandom remembers this...) after they but an insurrection down on behalf of the corrupt governor of the planet. To be clear, the True Mandos knew that the governor of Galidraan was corrupt and most likely harboring Tor Vizsla, but they still agreed to kill "insurrectionists" for money. Their problems came when Death Watch arranged to make it look like they had also killed women and children. Truly a war between saints and monsters.
Meanwhile Satine: the head of the Council of Neutral Systems, she refused to take sides in a war pushed by the greedy and violent. Yes, she was briefly protected by clones when it comes to light that Death Watch is aligned with the Separatists, but it was immediately followed by the Republic attempting to militarily occupy Mandalore and Satine risking life and limb to keep her people autonomous. Satine refused to become a useful idiot for warmongers, even knowing that it would have been economically advantageous for her to do so. Unlike Jaster Mereel, she has ideals that she values more than credits. He would have accepted an offer from the highest bidder and turned Mandalore into a machine of war for the Sith, just like his Crusader ancestors once did.
Tl;Dr
Satine was actually respected as an authority on Mandalore for literal decades and was only challenged by a miniscule faction of terrorists who had to get foreigners to interfere in their political processes (FML) in order to actually take power from her
Satine kept Mandalore out of conflicts it did not belong in, which largely protected it from military occupation and destruction until the year she died; Mereel made a career out of interfering in the affairs of other planets if they were paid to do so
Unlike Mereel and his successor, Satine had morals to motivate her decisions that were not the pursuit of cold hard cash, including the protection of Mandalorian independence and neutrality
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having a very rough night so raph doodles needed to be made
when in need, mash two interests together
#i love him so muhc ghghgh#and uh please stop sending me asks straight up demanding me to draw more /nm#if u've sent me an ask just regarding art before pls dont feel anxious this is about people actually DEMANDING like im some sort of machine#im absent due to my work/mental health situation going up and down#tmnt will ofc always be special interest but right now its in the back row#theres little time for anything but work and meetings and thinking about work and.. well.. monster hunter escapism egsfkhjhh..#but yeah i promise im still here#and i want to draw him when i can#but stress is high right now and drawing takes too much wrist stamina to do often now#i hope u understand#sorry if i worded myself badly im very tired and stresed n its ... oh its 5am great. wellp. goodnight skafklgsjdklfnshh#my art#rise of the tmnt#rottmnt#nordidia art#rise of the teenage mutant ninja turtles#rottmnt raph#id in alt text#also one would think my art style is easy on my wrist but#i gorilla grip my pen and when i learned to write as a child i held the pencil jank#and it stuck like that#so its really rough on my hands#sadly
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okay internet, i know that you not ready for this but
it's strange being all omgyes #slay yay totaly okay for like, all kinks, but going #omg wtf cringe scull emoji about fat kink
like we as society know how kinks works (importance of consents, special rules for practices like using special candles for wax play, etc), we know how really infinite can human fantasy go and so on and so on but why is it still taboo to be openly horny about things like big tasty meal with your lover
can we be finally chill about it
p.s. i have post which gives good arguments on this topic but i couldn't find it by search, only in my blog archive, so here is the link.
The problem with fat kink is not in it existing, but in not-exsisting of range of image of fatness in media
#i have even more old post there i make smth like comming out like:#guys i am the biggest sinner i had fat kink-#- but i hated myself so much and spiralling myself into selfhate because of that so hard that i don't have libido now and don't feel sh it-#-how cool is that guys! i defeated the evil inside!#this post is a mess because its like#it literally has quote smth like “i will better feel nothing then feeling the kink”#like#oh old me#it was good that i posted it back then because people were like#“dude you spiralled for * this * for six years?”#and yes i did spiraling on this for six years#thinking i am worst human on earth#especiallly because i draw representation#btw i am NOT planning to change smth in art or draw fat kink#i mean my art goal is to make art for balance#there are aaaa lot of fat kink art so i am not needed there#but art with just fat characters being interesting characters with lore and story and in some project like leads in game or comics#or art with fat characters who are hot but it isn't about common food theme (i write about it in linked post)#this art is very rare and that is that i do#and will do#thank you for coming to my tedtalk#close y puter and go to the bed with loony tunes noise
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Firey, eway was actively and fully arguing in bad faith there. I've talked to eway about this exact topic before and they just 100% backslid on everything we talked about. By giving them an inch/benefit of the doubt, you are allowing your own reading of the text to become less coherent in the process.
A lot of this stems from the direction SEGA has taken Puyo Puyo these days. Obviously I'm not saying they're doing all bad, or that they're going strictly to child friendly, but these are some observations I've made. Whether they're true or not is up to interpret.
You're already so much better faith here than eway, tbh. Like, you're not arguing on the same level, you are actually trying to properly read the text as it exists and leave a margin for error.
SEGA has been going a bit more kid friendly with Puyo Puyo as of late, especially compared to the direction that Compile did. Let's comprae some; Compile's version of Puyo Puyo stems from their original dungeon crawler series, Madou Monogatari. This is not new news to most people, in fact it's very common knowledge. However, I'm bringing this up to display the tonal shift SEGA and Compile has. Madou Monogatari was an RPG dungeon crawler, it was gritty, it was gorey, it was less 'kid friendly' and more 'a kid could play this if they really wanted to'. In fact, the majority of Compile villains listed above where from Madou Monogatari games instead of ones released under the Puyo Puyo title.
That's not really true, though.
I've played all of the Madou games, most of them are extremely kid friendly (sometimes more so than the Sega games by a huge margin) and the only real "not child-friendly" stuff in them is in 90% of cases sexual jokes/content, not dark storytelling or gore.
The PC 98 ports of Madou 1-2-3 are extreme outliers that were so badly received by the games' fanbase in Japan that Compile immediately backtracked on them and went back to cutesy art and kid-friendly text pretty much permanently. There's an actual interview in a compile magazine about this that I should probably translate at some point. The idea that Sega Puyo is "more kid-friendly" is something of an urban legend that exists solely due to people seeing screenshots of the PC 98 Madou 1-2-3 ports and misreading them as the norm.
The Count was a villain in Madou Monogatari R. Runelord was a villain in Madou Monogatari S. Yoggus was a villain in Madou Monogatari (Saturn). I sure this doesn't need to be pointed out, but Compile kept a lot of their more irredeemable villains in their Madou Monogatari series. One exception to this is Doppelganger Arle. Doppelganger Arle, while she originally appears as a doppel through the Madou series, a trait not strictly bound to Arle as Schezo also encounters doppels, has her most prominent appearance in a Puyo Puyo title.
That is *PARTIALLY* true, but it's not because Madou Monogatari is "darker", it's because Madou Monogatari doesn't have a need for a large recurring cast, because most of the characters are just mook encounters. All the villains that aren't "redeemed" as Eway calls it (that verbage is so loaded, I dislike it immensely tbh) are characters who never appear again and aren't actual "characters" so much as obstacles for Arle, Rulue, Schezo and Ragnus to smack down. They're glorified natural disasters, basically.
Sega Puyo, on the other hand, wants to keep guys around, so they need to be more interesting and have more depth than "this thing that we cast Jugem on reaaaaaally hard that one time".
Like, think about it, do we care about Runelord in isolation? No, we care about what he MEANS to Schezo's ongoing character development and how his presence ties into the latest developments, such as the bunch of stuff that happened with Schezo in Puzzle Pop.
Does anybody ever draw/write anything about the Count or Yoggus? I drew a SINGLE Yoggus-related commission once for a person I'm not even in contact with anymore, and even that was more of an OC than the actual monster from Madou Saturn.
These 1-time obstacles just aren't characters. They're facilitators. That's a big distinction.
Doppelganger Arle appears as the overarching villain in Puyo Puyo~N (Puyo Puyo 4), and while the non canon light novels give her a more tragic backstory, she doesn't have a concrete one in Puyon. She's simply a scary villain, and she does a good job at it. Due to her ties with being a Puyo character, this means SEGA can use her as they please.
This is also a misunderstanding. Doppel's "backstory" isn't in any of the non canon lightnovels either. It's in a blog post made by a former Compile writer in the early 2010s, of which the original isn't even online anymore, because the social media said blog was on shut down. So in the Compile era, people didn't even KNOW that writer had that headcanon, because it wasn't out there. So this isn't even a Compile era thing, this is a "a single writer had an idea he never used" thing.
As SEGA has taken over, such things have been watered down to make it easier to digest for children.
Uhh, that's not really true either. What Sega did was make the characters more *consistent*
Compile had a HUGE issue where the franchise had no series bible, to the point every single writer would write every single character differently. Even some of the Puyo Puyo Tsuu manuals made FUN of that by pointing out how Arle's character and lore are insanely inconsistent and wondering if that means there's multiple of her running around. So a lot of "traits" people think the characters had in Compile are traits they only had for a single game, then never again, and that directly contradicted what came before/after. This extends across all of Madou and Puyo (and Nazo Puyo)
When Sega came around, the writers there immediately started "clean up" by solidifying what each character is and isn't in a series bible, as is standard in the entertainment industry for any sort of narrative media. So if any traits you have seen anywhere in Compile Madou/Puyo is absent, it's because that trait didn't make the cut for the series bible during the clean-up phase, which served to make everything consistent and coherent.
But, it's also rather frustrating when you want to see an evil villain. SEGA is, of course, capable of doing such a thing, but at the end of the day they do need to make money, and it's easy to make money off kids games.
This is really a bit of a misunderstanding of how Puyo is marketed. It's really not a kids game (in fact, Quest has a disclaimer that you should only play it under the age of 14 under the supervision of an adult, because, it's, well, a gacha game, and gacha games are not made for kids at all), but a "nostalgia bait" game, aimed at millenials primarily. Kids are actually just a SUB-SECTION of Puyo's market, which, yes, Sega is happy to get into the fold to, but are not the primary focus. The primary focus are millenials who grew up with Madou/Puyo in the 90s, which is heavily reflected in the merchandising and the character polls. There's a reason why Arle, Schezo, Witch and Draco dominate the polls and merch the way they do.
The reason we don't get Madou 95 type stuff anymore is, again, as I said above, there was a HUGE backlash against Madou 95 back in the 90s. This is NOT what the Japanese fans want. They want cute slice of life shit with these characters, and they want jokes. I actually had a discussion about that with a Japanese fan a week or so ago, where said fan outright said they don't WANT Puyo to go harder on the lore, because it would ruin so many fandom-wide headcanons, it would be more of a hindrance than a help.
Puyo/Madou was never perceived as a plot-heavy franchise by Japanese fans, and plot-heavy installments always tended to be far less popular than plot-light, which makes it a miracle modern Puyo goes as plot heavy as it does and is a testimony to how much the writers care about writing plots with these characters. Back in the compile days, the most plot heavy entries in the series, such as Saturn Madou, tended to be sales failures that contributed to Compile's bankruptcy. The primary reason why Madou Saturn is such a rare game these days is because it sold very poorly.
I'm not well versed in Aya and Klug's lore, though I know the basics. I'd be delighted to see Aya stay irredeemable, or at the very least difficult to sympathize with. We'll just have to hope I suppose.
And, as I said in my response to eway, this is just eway completely misreading the contents of all the games.
Aya was never portrayed as "evil".
Fever 2, from the very beginning, made it outright clear they are just a desperate victim of racism that stole their life away and that their ruthless actions are a result of wanting that life back, not of "evil".
Thanks for being such a level-headed person in discussing this, but I kinda feel you gave too much effort here... and so am I. >_>
Neni out.
I am getting sick of the redeemable/not really evil villains. Yes I do like them but there's just so many now! It was far more varied in Compile!
[Post this and I will reblog with my rant about this subject]
shit, sorry I didn't post earlier. Yap away. Or... yap eway...?
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