#that 80's homophobia

[cightnourt]

"And I thought I disappointed my father."

Night Court - S02E10

[udkmehahaha]

i can imagine will byers trying to subtly be more feminine and subtly pick up feminine habits so mike will see him as a girl and love him back.

[kazalmilk]

thinking about Charles confessing to Edwin by offhandedly saying “i shouldn’t like you the way I like you” oh god i’m so sick

[evolvedclown]

chappell roan makes me feel like i’m standing in an 80’s open air concert venue while the scandalously queer pop star is singing about her female lovers while my own is standing beside me with just enough space for us to have deniability if someone from our home town sees us even though we have the anonymity of being in a different more liberal town.

[hearts401]

i keep thinking abt internalized homophobia michael but in the funniest way

[nerdygaymormon]

The LGBTQ community has seen controversy regarding acceptance of different groups (bisexual and transgender individuals have sometimes been marginalized by the larger community), but the term LGBT has been a positive symbol of inclusion and reflects the embrace of different identities and that we’re stronger together and need each other. While there are differences, we all face many of the same challenges from broader society.

In the 1960′s, in wider society the meaning of the word gay transitioned from ‘happy’ or ‘carefree’ to predominantly mean ‘homosexual’ as they adopted the word as was used by homosexual men, except that society also used it as an umbrella term that meant anyone who wasn’t cisgender or heterosexual. The wider queer community embraced the word ‘gay’ as a mark of pride.

The modern fight for queer rights is considered to have begun with The Stonewall Riots in 1969 and was called the Gay Liberation Movement and the Gay Rights Movement.

The acronym GLB surfaced around this time to also include Lesbian and Bisexual people who felt “gay” wasn’t inclusive of their identities.��

Early in the gay rights movement, gay men were largely the ones running the show and there was a focus on men’s issues. Lesbians were unhappy that gay men dominated the leadership and ignored their needs and the feminist fight. As a result, lesbians tended to focus their attention on the Women’s Rights Movement which was happening at the same time. This dominance by gay men was seen as yet one more example of patriarchy and sexism. 

In the 1970′s, sexism and homophobia existed in more virulent forms and those biases against lesbians also made it hard for them to find their voices within women’s liberation movements. Betty Friedan, the founder of the National Organization for Women (NOW), commented that lesbians were a “lavender menace” that threatened the political efficacy of the organization and of feminism and many women felt including lesbians was a detriment.

In the 80s and 90s, a huge portion of gay men were suffering from AIDS while the lesbian community was largely unaffected. Lesbians helped gay men with medical care and were a massive part of the activism surrounding the gay community and AIDS. This willingness to support gay men in their time of need sparked a closer, more supportive relationship between both groups, and the gay community became more receptive to feminist ideals and goals. 

Approaching the 1990′s it was clear that GLB referred to sexual identity and wasn’t inclusive of gender identity and T should be added, especially since trans activist have long been at the forefront of the community’s fight for rights and acceptance, from Stonewall onward. Some argued that T should not be added, but many gay, lesbian and bisexual people pointed out that they also transgress established gender norms and therefore the GLB acronym should include gender identities and they pushed to include T in the acronym. 

GLBT became LGBT as a way to honor the tremendous work the lesbian community did during the AIDS crisis. 

Towards the end of the 1990s and into the 2000s, movements took place to add additional letters to the acronym to recognize Intersex, Asexual, Aromantic, Agender, and others. As the acronym grew to LGBTIQ, LGBTQIA, LGBTQIAA, many complained this was becoming unwieldy and started using a ‘+’ to show LGBT aren’t the only identities in the community and this became more common, whether as LGBT+ or LGBTQ+. 

In the 2010′s, the process of reclaiming the word “queer” that began in the 1980′s was largely accomplished. In the 2020′s the LGBTQ+ acronym is used less often as Queer is becoming the more common term to represent the community. 

[weebsinstash]

I wanted to share another piece of American history and also queer history with you guys that I've been thinking about since, what I consider to be the vandalism of "Portrait of Ross in L.A", and also because it is relevant to our current polticial climate, where even the company I currently work for has publicly declared that they will no longer have diversity and inclusion programs

John S. Boskovich was an American homosexual man living in America during the AIDS epidemic of the 80s and 90s. He had a partner, Stephen Earabino. During the epidemic, Earabino contracted AIDS and eventually passed away in 1995.

This was during a time period where the AIDS crisis was being intentionally mismanaged as a direct attempt to "purge" queer people and make them socially unacceptable, and many families often hid the deaths of their queer family members for being AIDS-related out of shame, fear of public ridicule, and/or homophobia. The shifting of the blame of AIDS onto exclusively gay and bisexual men was so intentionally heavily prevalent that it lead to many deaths of heterosexuals, lesbians, and even the creation of a now famous poster by that read "Women Don't Get AIDS: They Just Die From It", which was also created as a plea to the CDC to address the crisis and EVERYONE who faced it

So, in that social and political context, after Stephen passed away, his family came to the flat where their son was living with his lover and completely cleaned out all the belongings in the apartment, erasing any evidence of Earabino and Boskovich's relationship, but also, leaving Boskovich with absolutely no possessions and nothing to remember his lover by except for a single box fan

Boskovich, in his grief, made this single electric box fan an art installation by encasing it in plexiglass with holes cut into it, protecting the fan, lionizing it, with the breeze coming through the gaps meant to symbolize his lover's breath and how this art installation, in a sense, keeps Stephen Earabino's memory alive. The name of the piece is "Electric Fan (Feel It Motherfuckers)" and it has been theorized that the "feel" refers to not only the breeze of the fan symbolizing his lover and memorializing him, in a sense giving him eternal life, but also for the viewer to "feel" the grief and anger of Boskovich losing his lover and the cruel aftermath that followed

Boskovich made this piece of artwork in 1997, and eventually passed away 9 years later in 2006 in his home at 49 years old of causes that were never fully disclosed, some theorizing that he committed suicide. His artwork now sits in the Museum of Contemporary Art in Los Angeles.

This is another influential and emotional piece of history that goes to show just how extremely important it is to hang onto the truth that queer people and by extension any marginalized people have a right to exist. It shows the lengths to which lives are destroyed by the hatred and policies of those who revel in intentional cruelty and exerting their own authority for no other reason than hating those that do not share the same views as them. When we do not fight to hold onto our history, those who decide we do not need to be a part of it will fight hard to erase it completely and pretend that we were never even here in the first place, much like Stephen Earabino's family would have completely erased his existence without the voice of John Boskovich, or how Ross Laycroft and his struggle wouldn't have been known without him becoming memorialized by Felix Gonzales-Torres' sculpture intended as an act of love

We are here. We are alive. We will continue to make our voices heard and refuse to die in darkness. I will not be driven from my home country because of what is QUICKLY becoming an American fascist dictatorship.

We are all eternal in the memories of those who lives we touch and change. We are made stronger by the bonds we build with each other and our communities. We must never stop fighting for our right to exist.

We must never make it easier for them to erase us, not just from being alive, but from being recorded in history altogether

[elephantshoetoo]

To the point about El knowing what homosexuality is because she's watched TV...

Gay representation on TV in the 80's was basically non-existent. The only show I can remember watching that even referred to gay people at all was Three's Company, which boiled down to Jack Tripper, a straight man, pretending to be gay so he could be roommates with two single women. So whenever their landlord was around, he put on an exaggerated gay persona with all the stereotypes -- the queer lisp, the fruity mannerisms , the overly sexualized unwanted advances, etc... He was a caricature of a gay person for the purpose of laughing at gay people, because that was high comedy in the 70's and 80's. I'd like to think we've evolved considerably since then.

El mostly watched soap operas and romance movies, which had zero gay representation. As a kid, I watched soap operas with my grandmother in the 80's and I can't recall a single gay character. Ellen coming out on her sitcom was so groundbreaking because it just wasn't done before that, and that wasn't until 1997! Will and Grace didn't air until 1998.

So no, the fact that she'd watched TV does not mean she'd had any exposure to or understanding of queer people at all.

And I agree, because El grew up without all the societal biases and rigid gender roles, she'd be the perfect person to help Mike see how completely stupid, arbitrary and baseless homophobia really is.

Thoughts about El's understanding of homophobia and how it can be presented

Basically I was thinking about whether El knows what homophobia is or not (obviously she wouldn't be homophobic). Because she grew up away from society and had very little interaction with others, and unless Papa and the others taught her it, I don't think she knows? And from what we've seen, I don't think there's anything to suggest she was taught it.

And while she was present when Troy and James were making homophobic comments about Will to Mike at the gym, again I don't think she understood what they were talking about, just that they were bullies and "mouth breathers".

And so this led me to think about how El would react to either Mike or Will coming out to her or just talking about it. If she doesn't know about homophobia or doesn't understand/realise why it exists, it can give the audience a rather simple view of how stupid and nonsensical homophobia really is, if that make sense.

For example, Mike could talk to El, apologising to her and expressing how "disgusting" or "wrong" he feels or something for loving Will instead of her, but for El to express genuine confusion as to why he feels that way. For her to ask why he feels wrong for loving someone, and why it's any different for a boy to love a boy, or a girl to love a girl. Because at the end of the day, homophobia really is so stupid, and it's so easy to see it when you've never come across it or grown up with that prejudiced societal view before.

I used Mike as the example here because while I would not be opposed at all if Will were to come out to El, I do think he'd come out to Jonathan before, and I do want to see Mike and El talk (platonic Elmike save me). I want Mike to tell her that he does love her and that he does care about her, but not in the way he's "supposed to", in the way that boys are supposed to love girls. And for El to also say the same (as I also think she's not in love with Mike). I want them to realise that it's better for them not to be together like that, and that it's okay for them to change and figure who they are and who they want to be, emphasising the core message that it's okay to be different, in whatever way that is.

I'd really like to see different perspectives of how people view and disagree with homophobia. Having someone like Jonathan, who knows what homophobia is and disagrees with it and is accepting, is awesome! But also seeing another perspective from someone like El, who's never even heard of it and who provides a very simple but insightful view of it, would also be very impactful.

[asexualenjolras]

I need to talk about Charles Rowland and his love for Edwin Payne.

Charles saying he can't say he's in love with Edwin back doesn't mean he isn't in love with Edwin, and it doesn't mean he doesn't love Edwin in the same way that Edwin loves him.

He is just saying he needs to work out what he does feel.

Charles died when he was 16. He's still a child. Nobody at 16 knows what it means to be in love.

And, on top of that, he grew up in an abusive household with a warped understanding of what love means. His dad was abusive to his mum, so he wouldn't understand what being "in love" is compared to someone that grew up within a stable household. He's never had the time to unpack what that means about his ability to love. He's worried that he might end up like his dad, and he absolutely would never want to hurt Edwin like his dad hurts his mum.

Charles has a lot of confusion about love. He loves his mum, he knows that, and he loves his dad, despite everything he put him and his mum through.

And, on top of all of this, he grew up during a difficult period in history. He was a teenager in Britain in the 80's. The 80's were a notoriously homophobic period of time, and I'm not saying that Charles is dealing with internalised homophobia but growing up during a period of time where the homophobic rhetoric was rife would have an impact on anyone. Especially a confused 16 year old boy who didn't know much kindness in life.

Charles knows he loves Edwin more than anything and anyone else in his life, and he knows the love he feels for him is different to the love he feels for his mum. He just doesn't know whether what he feels for Edwin constitutes as being "in love" with him.

And he needs time to figure that out. That's what he is telling Edwin: he's telling him that he is the most important person in the world to him and that he does love him but he needs to work out what that means. And Edwin completely understands that because Charles put it so eloquently and in a way that Edwin could understand. This isn't the usual unreciprocated love trope. They are each other's person, and they're trying to navigate what that means for each of them.

Overall, Charles loves Edwin and Edwin loves Charles. And they're going to figure out what that means together in time. Because that's what they always do: they figure things out.

Together.

[peekaboo6293]

byler forehead touch hope you guys enjoy or smt

close up on the doofuses and yapping under cut you’re warned

okk so the main idea is basically an s5 scenario where Will and Mike are about to leave the UD — they’ve already confessed their feelings in the UD at this point. but remembering it’ll still be difficult for them when they return to Hawkins (considering it’s conservative smalltown indiana in the 80s, homophobia central woo, the shame IS on the other side hahaha…….🥲), they share a quiet moment before they go. partially inspired off the jancy forehead touch moment in s3’s finale.

also I can just imagine some of the Hawkins crew waiting for them and being clueless af like: “??? what’s taking them so long” (bonus if Steve’s holding the rope and is like: “whatever you lil shits are doing you better speed it up cuz my hands hurt…”)

[majorlysapphic]

I have a lot of time to kill and noticed that the bridgella shippers deserve some attention, so it's time for my train travelling brain splurge (it will be angsty, I'm warning you now). :)

(TW: mentions of living in a heteronormative society/homophobia/internalised homophobia).

(Glassheart will be mentioned in the end because I want to do a part 2 of this post).

Now, I'm presenting an 80's Celebrity/Performer AU!

Now, I imagine both of the girls got into performing in very different ways.

Bridget came from a very privileged background where she was able to be put in various music/acting/dance lessons at a young age. I'd imagine she started her trajectory into stardom very young, starting with modelling and acting before shifting into music (though I'd assume she'd still have a cover/runway girl reputation which she revisits here and there). Bridget would have started off as a 'girl next door' archetype, but once settling into her music career, she would soon settle into an untouchable, bubbly pop princess persona. An IT girl with a stage name of "The Queen of Hearts."

For Ella, I imagine one of the only belongings that she has from her late mother is a guitar, so she's always made a small effort to learn, though that effort increased exponentially once her dad passed and she was left to live with her step family. On her eighteenth birthday, she's not legally required to be her step-mothers 'problem' anymore, so with her few belongings and her treasured guitar, Ella begins her journey to be a performer. She works her way up to the top with a ferocious determination, going from busking on the streets during day and waiting tables at night to meet ends meet, to performing as Auradon’s break out 'riot grrrl' by doing random gigs and opening acts. And when she finally gets a label to fund her first proper album, she's asked if she'd like to take on a stage name. Then is when she decides to title herself as 'Cinderella' for a final middle finger to the family that rejected her (by making a horrid nickname given to her turn into a marker of her success).

Both Ella and Bridget carry on their own careers aware of each others existence. But they only properly meet once their music labels want them to collaborate on a few songs for their latest albums they're working on.

And since Ella's manager believes she should reach out to a bigger audience and create a more positive public image for herself (after a few disaster interviews), Ella agrees. And when it comes to Bridget's PR team, they're trying to make her shake off her untouchable status, given that it has some negative repercussions (as there's a decent chunk of people out there with the view that Bridget is 'too fake' and that she 'probably let all that fame get to her head'). So Bridget ends up agreeing to the collaboration.

They meet at a recording studio, and their meeting isn't exactly ideal. Bridget is her typical self: bright, bubbly, friendly. But Ella doesn't know that's what Bridget is actually like. She thinks she's just meeting Bridget's celebrity persona that won't be shaken off, and she hates it. So after a few minutes of (attempted) polite conversation, it gets awkward and silent between the two. The vibe doesn't seem to get better when they're trying to write new lyrics and compose together, Bridget and Ella mix as well as oil and water does, and everyone in the studio can see it. So after a failure of a music making month, both their managers put a pause on their albums in order to run a PR plan.

Ella and Bridget are tasked with going completely public with their 'friendship' prior to announcing their collaboration. And hopefully, if the prayers of their managers are answered, they'll finally warm up to each other (which is necessity for future interviews).

They begin with a magazine cover together which creates a whole wave of surprise with both their fanbases (who are as opposite as opposites can be), and from there it's hangouts across A-list places (photographed/filmed by strategically placed paparazzi). And before they know it, Ella and Bridget have made headlines as Auradon's most surprisingly iconic best friends.

Though what's more surprising is that after all this, they are still awkward with each other. Sure, they may be a bit more comfortable, but the improvement is inadequate to what was expected of them. But oh well, what are their managers supposed to do about it? They're going to have to shrug it off and carry on making their albums with forced smiles.

But then, when they're finally left alone in a recording studio is when their bond flourishes. Because, wow, Ella is finally making sense of the fact that the Bridget she met on her first day at the studio was actually the real Bridget. And Bridget is starting to appreciate the complexity of Ella's character, and putting together the puzzle pieces to find out Ella is a really genuine person. A specific type of person that is far and few in Auradon's celebrity scene. The type of person she wants as a friend.

So, they finally ditch the picture perfect scenes they were set up to be in and spend their time together after recording just getting to know each other. As Bridget and Ella instead of The Queen of Hearts and Cinderella. They spend lazy nights in watching bad films, they go out to underground parties, they find a favourite ice cream parlour which they go to every Friday.

They're finally friends. And once their respective albums release, featuring each other (in more songs that was ever expected), they're soaring from the success of the careers.

The next few years are spent in the middle of the spot light. Ella has a much wider fanbase as she appears much more approachable (with the help of Bridget practising interviews with her) and Bridget remains a number one star, helped by the fact people have started to properly relate to her now that she (with the encouragement of Ella) is happy to show some of her more imperfect sides that adds some edge to her pop princess persona.

It's glitz and glam. It's red carpet looks. It's having their posters plastered in every corner. It's living together to set the ideal standard of how life can get if you stick to your closest friends and work hard.

...It's secrets and unspoken truths.

Because after all this time, they're best friends. Of course they are. But throughout the years, there are moments which could indicate different.

They don't talk about it. They really shouldn't. It's always the wrong place. The wrong time. What they have is inherently 'wrong'.

But... Too much is too much, and they have to talk about it. Because Bridget can't stand the multiple occasion's when they're in the safety of their own home, with their lips just about brushing, only for Ella to cast a look of doubt and pull away, pretending nothing happened. Because Ella feels like her heart is being ripped out whenever Bridget is back with her on-again-off-again PR boyfriend, only for Bridget to tearfully confess that nothing feels right when she's with him compared to when she's with Ella (and Ella has to grit her teeth every time, because Bridget's 'boyfriend' is the bassist to a wildly popular punk group, 'Uliana's Crew', and she knows that in the publics eyes, she can't match the debonair charm of James Hook. Even if she can be a better partner to Bridget in so many ways).

Neither of them can stomach another night after award shows, dressed to the nines and drunk on disgustingly expensive champagne, trading touches that are too intimate for 'just friends' and whispering in each others ears in the corner of a room. They can no longer ignore the curious looks they get from the people closest to them when they both release album after album, the songs within so obviously being able to be seen as romantic so long as the listener knows the right context the lyrics are referring to. So long as the listener starts swapping 'he' to 'she' in their head during the song.

The confrontation is full of tears and anguish. Both of them know what they feel but neither fully express it.

Bridget, whilst being privileged in many aspects, comes from background where anything out of the norm is unacceptable (she knows, but never says, that the reason she was supported in her career by her family is due to the fact that they thought it was a passing interest. Something that would leave, but once she took off into stardom, it was too late to take things back). She's been put on a pedestal all her life, and what could other's think (her fans, who she lives and breathes and performs for) if she finally speaks up on the fact that she's never been interested in boys. Even thinking of the fact makes her nauseous, because after so long listening to others, she also feels its wrong, even though it feels the exact opposite.

It kills her inside to know that Auradon would be raving about how much they adore the match between a conventional pop princess and a jaded/edgy artist, so long as said artist was a boy.

And when it comes to Ella. She has built her entire livelihood off of her music. It's the one thing that's kept her going in her roughest moments - she has no clue what meaning she'd find in life if she lost it. Because whilst her fans are more accepting (hell, a large percentage are part of the LGBTQ+ community themselves), she knows that other people won't be. That they'd pull her limb from limb and strip her of her career which she gave everything in her for, as an act for revenge for 'spoiling' the 'perfect' image of Bridget they had in their narrow-minded heads. She hates it. She hates The Queen of Hearts. And she loves Bridget.

In conclusion: Bridget would be okay with being in love with Ella if Ella wasn't a girl, and Ella would be okay with being in love with a girl, if the girl wasn't Bridget.

So, they agree to be friends. Carry on as if the talk never happened. They know their limits with each other (even if they are constantly breaking them). And yes, there are slip ups.

Said slip ups act as the highlight of their lives. Said slip ups will cause their downfall: because on a singular occasion, a picture is taken (it's contents: Ella and Bridget sneaking out of a rehearsal studio late at night, hands interlocked, hair messy, lipstick smudged).

The picture goes viral. Passed around. Talked about. Theorised. Concluded on.

Both Bridget and Ella are sent into a panic. What do they do? It's the early stages of their situation being revealed (and they're already seeing hateful responses), and both silently loathe it. The cherry on top? It's not even based in fact, because neither have allowed themselves to even have each other in anyway that they want. Their appearances that night were purely from a hectic rehearsal.

Their PR teams jump to salvage what they can. And when Ella meets Bridget's fearful eyes, they both know it's the end of them. In the following months, they move into their own separate homes and their contact is fleeting. Eventually, the rumours and hate turn into whispers.

But they will never recover.

They'll never be alone in the same room together, ever again.

In the same year of this scandal, a large announcement of Bridget Hearts and James Hook's engagement will ring through all media outlets. The perfect pair: a sweet pop princess (that has been cherished by the kingdoms since her debut into performance as a child) and Auradon's resident, suave 'bad boy' ready to settle down. They're picture perfect. Ella feels sick (so does Bridget), and she makes sure to cross out a firm rejection on her invite to the wedding.

And Ella forces herself to move on. She finds a calm yet fun actor, Christopher Charming. She decides to try love him. She can love him. She does love him in her own way. It's not as bright and golden as her love is was for Bridget, but it's quiet and safe. And he understands her and keeps all her secrets, and that's all she can ever ask for.

Years go on and they live finding other joys to go off of. Life is hard but not impossible without each other, and they try to be happy for one another. Bridget sends a bouquet of flowers to congratulate Ella's marriage to Charming (as a way to say she's happy for her, because Bridget really really wants Ella happy... And as a way to apologise for the fact she can't be there to attend the ceremony). Ella sends presents for Bridget's final show (Bridget's much too tired to perform for another tour, and if she gave any more of herself to The Queen of Hearts, all she'd be left with is bones) where Bridget announces she will be starting 'Wonderland Records', a music label aiming to help artists from unfortunate backgrounds succeed. Bridget gives a supportive smile from across the room when Ella announces she'll be retiring at her final albums award ceremony.

They go on with life, and after both have stepped away from the spot light, they don't expect to ever encounter one another properly anymore.

And that holds true... Until you put their daughters into the scene. Because despite their warnings, both Red and Chloe have followed in their footsteps to become Auradon's newest stars.

With new trends coming around and an increasing demand to see artists perform everywhere, Red and Chloe often encounter each other, especially at music festivals. And they despise each other (even if they're a fan of each others music). But you know what people say. There's a thin line between love and hate (and that history tends to repeat itself).

The next thing Ella and Bridget know, they're witnessing their daughters slowly fall in love. Unashamedly. In front of the whole world to see.

And this time, it ends well.

And when attending a final festival for the summer to support their daughters, they watch as Red plays a song dedicated to Chloe. They watch as a lovesick Chloe hops onto stage, and kisses a flustered Red in front of thousands of people and camera's. They hear people cheer in support.

Because a queer love story is just as natural as any other. It was a long, long wait for society to be like this. But it finally is. And it is perfect for their daughters, who were born at the right time for their type of love which they show off so loudly and proudly.

Ella and Bridget meet each others eyes from the wings of the stage, waiting for their daughters to meet them on either side. And they give a friendly smile. Because whilst they couldn't give each other what they wanted, they're more than happy to give the world to their daughters.

They'll continue to be friendly to each other, and eventually become casual friends, but never anything more. Not in this lifetime.

-------------------------------

Wow that was fun to write!! Hope you enjoyed reading this!! Phoebe Bridgers 'Moon Song' set the perfect tone for me to write this post, haha. <3333

[charmedreincarnation]

I shifted and entered the void state and I now live my dream life beyond what I could imagine (:

(I’m your bubble anon but I made this burner to post this bc I don’t want to start a blog on my main account, and I know how success stories go)

Hi Maya. Ur page has been super helpful, and after being in the shifting community for 5 years I shifted to my waiting room using your reprogram method and your lucid dreaming guide. It was a castle with a couple of butlers and domesticated animals of all sorts. I experimented and visited around 15 drs within a week (wr time) and I am so blessed.

I shifted to:

My waiting room

Bnha

A royalty dr where I am a princess

80’s dr

Stranger things

My dr based of my favourite wattadd story

An aot x this reality x avatar reality I created

Mcu universe where I am ironman’s daughter

I shifted as a cat (very fun)

A dr where I am a wealthy Range Rover new money mother

Old money nepo modeling dr

+ some personal ones

I have wanted this for so long so I have to thank you for always answering my dos, and making incredible posts. I am also a permeant shifter/respawner but I was so motivated by your philosophy of living every reality to the fullest, including this one so that’s what I did.

I came back a week ago and shifted back to a reality where I am a master shifter, and a master of the void state.

I entered the void and manifested this as well:

Everyone who reads this enters the void state easily

Having loving parent with a billion dollar net worth(they were poor, abusive, and homophobic)

A beautiful loving gf with supportive parents

Loving lesbian relationship and any homophobia we receive returns into a curse :) fuck you bigots

This Incel named Evan Stevens doesn’t exist. And I checked and he doesn’t but I guess This realities version is Andrew Tate. I will manifest he gets lung cancer or something. Fuck him

Natural head turning beauty, and being a solid 10/10 in every aspect

Having my dream personality, voice, hair, and intelligence

Revising my zodiac from cancer to a saggitarius

Having a popular youtube channel that Will blow up soon and be my career

And so so so much more. Lesson of the story is don’t give up. You can have everything and more so what’s the point of not trying. When it gets hard it can not get worse only better so remember this is the last time you will ever feel this shitty.

I love everything about this. This has to be one of my favorite success stories so thank you for the motivating content. You deserve it all and your success can be attributed to only yourself :)!

[azaleasallalong]

Fanfic Masterpost

Hit Me! (with your best shot)

cover by my favorite mutual @criticalbeauregard !!

Ongoing, AU set in 1989 in a Big City version of Westview | Agatha "The Witch Killer" Harkness was at the top of her boxing career in 1978, until the fateful night she faced a new rookie, Rio Vidal, who sent her career tumbling into a heap of medical bills and past due rent payments.

Now, ten years later, Agatha owns a shoddy boxing gym on the verge of bankruptcy with holes in the floors and flickering lights. Coincidentally, the papers say Rio "Lady Death" Vidal is looking for a new coach after her old one stole millions from her during the height of her own success.

Rating: Explicit

Wordcount: 50k (so far)

warnings: graphic depictions of violence, blood, boxing typical gore, somewhat period accurate homophobia but not quite, hate sex, toxic dynamics at first, slight displays of ptsd, loooots of cigarette smoking, evanora harkness

tags: butch!agatha, punk!alice, prettyboy!rio, wanda is alive and agatha's friend, jenxalice, jen in 80's power suits with high shoulder pads what more could you want, lilia and agatha are exes, agatha is a chainsmoker, eventual smut and LOTS of it, sexual tension,

Oh, Portofino:

[playlist for oh, portofino here]

Ongoing, set in canon, 1992. Portofino, Italy | Agatha has been trying to escape her tragic past for centuries, always coming back to the same coastal Italian town when she needs a reprieve from the chaos. What happens when that past shows up on her doorstep with big brown eyes and no memories of their time together? What happens when Agatha realizes she can have her love back?

basically just an excuse for Agatha and Rio to be happy together without the baggage of their past traumas. unfortunately because it's set between salem and the events of the show, it will end sadly. we must enjoy their happiness while it lasts.

Rating : Explicit

Word count: 69k+ published (writing about 3 chapters in advance)

tags: amnesia but make it magical, sexual tension, eventual smut, angst, hurt/comfort, switch!agatha, switch!rio, fluff, domestic agathario, rio works as a middle school science teacher, agatha harkness needs a hug

Something Nice:

3-shot, Married life AU where Agatha works for her mom's marketing firm and Rio owns a restaurant | Agatha was used to having the control. Rio gave it up willingly in every situation, happy to do whatever Agatha needed or wanted. Every once in a while though, when the weight of the world becomes too much, Rio knows when her wife needs her to take control. Tonight is one of those nights.

First chapter is fluff and hurt/comfort, Agatha arriving home to a home cooked meal. Last two chapters are very smutty. based on the interview where kathryn hahn said agatha likes to be babied

Rating: Explicit

Word Count: 7.5k (COMPLETE)

warnings: evanora harkness, mention of verbal/psychological abuse from her mother

tags: smut, fluff, hurt/comfort, vaginal fingering, cunnilingus, praise kink, soft smut, agatha harkness likes to be babied, light orgasm denial, dynamic shift, service top rio, bottom agatha, shower sex, tears, domestic agathario, agatha harkness needs a hug, au

Picture Perfect Christmas Morning:

Rio has watched too many Christmas movies with Alice and Tommy and has made it her mission to give Agatha the perfect Christmas morning.

Fluffy Christmas fix it fic that takes place 4 years after the events of the witches road and EVERY WITCH IN THE COVEN ON CHAOS LIVES. Doesn't go too far into detail about what happened, just celebrates Agatha's found family. Billy and Tommy are present, Jenn, Lilia and Alice have become a throuple over the last years. Tommy is younger because of those 3 years but uh... that's about it. Rio is chaotic Agatha is soft also matching pajamas!!

Rating: General, Teen

Word Count: 3.6k (COMPLETE)

Warnings: Slight mention of nicky, that's all

Tags: fluff, post cannon fix-it, christmas time, found family, rio can't cook to save a life, just all around happy fluffy sweet vibes

[evolvedclown]

i just watched ‘rosemary’s diary’ tiktok about this, but why are so many artists from the 70’s-80’s so queerphobic. y’all were dressed in sequences with full faces of make up and then your gonna turn around and be a bigot. it makes no sense yet absolutely does at the same time.

[nqueso-emergency]

For a fandom so obsessed with an adult MLM relationship, it's interesting that the second an actual adult gay man tries to enter the conversation, they're shut down and bullied with "ironic" homophobia. Doubly interesting that it's mostly happening on a platform run by a literal nazi and that we're seeing a segment of fans employ the exact same tactics of ignoring/laughing at heartfelt pleas from those being targeted.

Being a gay man in the 80's and 90's was about survival. Literal survival. And survival isn't pretty. It turned you hard and mean and yes, it's completely believable that a closeted gay man who grew up in that era would deflect hate from himself by putting it on other people. That doesn't make it ok but it is reality.

You've led a very privileged life if you can't handle the fact that a closeted gay man who grew up and then worked in a deeply repressive and possibly dangerous environment made exactly one racist joke while still in the thick of being closeted. That doesn't make it ok. I haven't seen a single BT fan say it's ok. It's racism. It's wrong. There's no debate there. But this pearl clutching purity culture bullshit that dismisses the ugly reality of what being a gay man meant in that time period is pathetic because it is so, so, so obviously about a ship and nothing else.

Thank you, anon ❤️

[rockrosethistle]

TSH hot takes 🔥

-Julian was actually a dick. He isolated and groomed vulnerable students (do you think it's a coincidence that every single member of the greek class had a difficult home life?) into thinking that these very outdated concepts of love and power were good for them. He compared their dangerous behaviour to that of ancient gods. Then, rather than face the consequence of his actions and take accountability, he left when it mattered.

-Charles was an asshole, but he's not a scapegoat. You cannot blame all the problems on Charles, he was an addict as a result of his trauma. He needed help. This doesn't excuse him from his actions, but it explains them. At the beginning of the book he physically could not bring himself to hurt Camilla. He's not a "bad" person. He's a sick person.

-Bunny didn't deserve to die, but he was also probably going to condemn the group at some point. He didn't just die for no reason. (Believing that Bunny's death was truly pointless also means believing that Henry was an actual psychopath who killed his friend for shits and giggles.)

-Judy, Cloke and Sophie ended up the happiest. That is literally the moral of the book. Judy wasn't all tortured when Richard didn't want to hang out with her, she shook it off and kept living her life. That's literally the point.

-Richard was never in love with Camilla. He loved the idea of her, but didn't see her as a person. Because of this specific dynamic and the fact the Richard is narrating, we know nothing about her actual personality. Anything he says can be disputed, and a lot of it contradicts itself.

-Francis is not blameless or unproblematic, but of the group he probably had the best intentions. Most of his behaviour that can be interpreted as creepy can be chalked up to Richard's internalized homophobia (remember, everything is told from his point of view, and Francis was a gay man in the 80's) When you look objectively at what Francis did, you see that he made a pass, got rejected, then dropped it and moved on. There is (i think) one more attempt made later on in the book, and that is furthered by Richard and only interrupted when Charles shows up.

-Henry may be the metaphorical representative of death when talking about the book, but in the narrative it's important to remember he's also just a person. Otherwise everything he does seems beyond question, and he's assigned this label as just "evil." He was 21!! Literally still a kid

-There were not good or bad characters. The reason they hit so hard is because each of them are so layered. They all have good traits and bad traits, but calling one "evil" takes away their humanity and dismisses their complexity that makes them so great.