#thanks if you even read half of it

[umblrspectrum]

the Solver of the Absolute Fabric, the Void, the Exponential End acting like an entitled toddler is the funniest thing

[buglaur]

fireworks show 🎆

material preview version is very cute also :)

i struggled with the lighting on this one so badly, but it turned out alright in the end.

i actually started it last year for new years 2023 but never got around to finishing it, hence no progress pictures this time sadly lol. i do have a very low-res, first draft, test gif though

stills 🥳

[katkat030]

There’s a fond tilt to his lips as he begins carding his fingers through Bdubs’ hair, the sensation of the strands slipping through his fingers and the weight of the head pillowed on his chest grounding. It feels right, just so, a surety that seeps into his bones and nestles there. With Bdubs curled up on the grass beside him, face turned outwards and the sleepy smile tugging at his expression just barely peeking out from beneath the arm thrown over his eyes, the irony isn’t lost on him.

Six months in the making! :) An Ethubs-focused one shot based on @shepscapades' Detroit Become Hermitcraft au!

[thanatika]

yeah i agree with your point about survival mechanics and i feel the same way about the lack of combat mechanics. "why would an educated city doctor need a weapon" because shit is hitting the fan in every way impossible and pretty much everyone is walking around armed... also why am i supposed to believe the the fact that he's a man of intellect will somehow provide him with food? i don't think anyone is going to be too eager to share food during an outbreak intellectual or not...

+ follow up for the previous ask but actually my favorite quest from the original pathologic is the day 11 bachelor quest that involves shooting down soldiers. i think it really drives the point home about how this random fuckass guy who is supposed to be battling a plague doesn't even have the time to do that anymore because the people in charge are asking completely irrelevant things of him now and he's at a position where he cannot refuse what is being asked of him. like i think it was good storytelling that even as the guy who lowkey wants to deal with the plague and solve its mystery you still have other, more pressing, less interesting and or pleasant tasks to complete

i agree! honestly, i feel this way about the combat mechanics even more than i do about the physical survival (food, health, illness, sleep) mechanics. because sure, i can see how it makes sense for daniil's position of authority to mean that his basic needs are somewhat provided for -- although i don't think it makes more sense than what we got in the original game. i've never seen anyone bring up "isn't it kind of unrealistic that the bachelor isn't given lots of food during a massive food shortage?" as a plothole that needed to be resolved. the townspeople generally don't like him much, and most of the people with power don't either, except for the kains. sure, maybe it's kind of weird that you can go see the kains while broke and on the verge of keeling over from hunger, and they won't do anything to help you, but... the kains are pretty self-centered, and they're so goddamn weird that maybe they forget that you need to eat food to live anyway. and it's half-implied that the powers that be are ultimately giving daniil this role as a convenient way to kill him, so it makes sense that they would put no pressure on the town authorities to keep him alive.

(and honestly, artemy is taken under the olgimsky's auspices as much as the kains take daniil's under theirs! which is to say, selfishly, with ulterior motives that are more important to them than the well-being of their healer, but... the olgimskys are set up as the wealthiest of the 3 families financially, as well as the ones with the most access to food, given their control over the meat industry. so if anything it's "weirder" that artemy isn't more materially provided for, though to be clear i don't think there's an actual plothole there either way.)

but anyway, you could handwave it and say that daniil's position of privilege and authority gives him more perks than he got in the original game, but the amount of fighting you have to do to get through town is... kind of an unavoidable physical reality? like you're given so many sidequests that you often wind up walking around town after dark, and that's when the bandits come out. is the idea that the bandits would be too scared to attack him because he's so important? because that doesn't make a lot of sense to me, and even pathologic 2 establishes that he's seen as a valuable target by the bandits:

and then there's the quests where combat plays a more direct role in the story itself, like getting involved in saving andrey from the firing squad, or killing guards to break artemy out of prison, or the quest where you have to kill var in attempt to stop the arsonists (which i include on the same tier as the other ones because i really like the quest journal entry he has if you complete it where he blames himself for willow's death. it's a good character moment.)

hell, even in pathologic 2 itself, one of the biggest Bachelor Moments is on day 11, when you have that big dramatic convo with him after he killed a soldier for the papers he was delivering. plus one of bad grief's idle dialogues in patho 2 is commentary on the bachelor being "quick on the draw" and that he "already shot someone". like he just straight up is not living a combat-free existence. and overall, combat isn't just a good tool from a mechanical perspective, heightening the stakes and placing pressure on the player (though it is), it's also pretty important for him on a thematic level imo, almost as important as artemy and his "rivers of blood". in patho classic, daniil has this early interaction with the inquisitor:

which, thinking about it from a doylist perspective, was probably the writers' attempt to make it sound more plausible that this random medical researcher from the big city was competent with multiple types of guns. and i appreciate them coming up with that hint of backstory to cover their bases a bit, but with those bases covered, i think the fact that daniil ultimately spends more time shooting people than he does prescribing medicines for them actually does a lot for him thematically? i mean, if his whole thing is that he's this "tempted destroyer", someone who frames his career as a combative battle with death rather than a quest to save people's lives, whose "default" solution is to raze the town with artillery because he's too limited by his rationalist worldview and military upbringing (and bitterness over being manipulated and sabotaged) to come up with a solution that saves the any remaining infected survivors on his own. plus the way that clara frames artemy and daniil as two sides of the same coin in being violent destroyers and killers, who without player intervention will immediately devolve to running around chasing each other down in what's either an insanely dedicated tom and jerry LARP or some really elaborate foreplay. imo, that whole dichotomy (which is pretty core to the game, as the idea of dichotomies are core to it in general) works so much better with the way they're both presented in classic, stalking around with gun/scalpel in hand. hell, not to mention the effect that spending 12 in-game days trying not to starve and getting killed by bandits or guards or worms or soldiers every day would have on the player, and the way it would make them feel about the town and their natural projection of those feelings onto dankovsky, who is a perfectly fitting vessel for them as the avatar actually undergoing those virtual experiences.

ultimately i think they are mainly going this direction out of a desire to do something more creative and original, which is fine... it just seems a bit silly to me that they keep saying "well obviously that doesn't really work for the bachelor's scenario", when, well... even as recently as patho 2 in 2019, they seemed to think it fit his narrative pretty well! i'm also guessing that a lack of combat won't be that bandits are just no longer roaming the streets at night. it sounds more like pathologic 3 is set to be more of a nonlinear experience, where you'll probably fast travel from place to place instead of having to walk across town so much? so you'll be avoiding bandits just in the sense that the gameplay will be avoiding them. i guess i'm hoping that at the very least, there's still the implication of the crunch of not getting enough sleep or food and the threat of being stabbed to death while trying to get through town occurring to dankovsky in the background, even if those mechanics are deemphasized in favor of more macro-level town resource management, time control, and sherlock holmes fruit ninja or whatever the hell they were on about back in 2022 lmao.

[welcometogrouchland]

your talia in your newest comic is very pretty 💜 shiny hair save me….

AHH THANK YOU SM I didn't shade her hair originally when I was coloring cause I was trying to streamline things but it looked so incomplete without it...I can't help it if she has L'Oreal model energy. Anyway you're always really nice on my Steph posts so here's some misc Stephs I had lying around as thanks for this ask (feat one of those alt cowl designs i posted back when!)

[good-beanswrites]

If you're still taking requests, could I ask for Futa finding our that Yuno was lying about getting beaten up in her first interrogation?

You sure can 👀👀👀👀 Omg, I'm a fake 02-03 fan, how have I never thought about that moment before? I assumed he'd know eventually, but for someone who's so honest (and likely already has issues with a disloyal friend group) an actual confession would be so painful... Thank you so much for the request, it reminded me how much I loved writing these two ;--;

“I can’t believe it!” Fuuta laid across Yuno’s bed, staring up at the ceiling. “I can’t fucking believe it!”

“Ooh~ is this about Shidou-san?” Yuno stepped out of a pair of shoes, grabbing another. She walked back and forth with accessories she’d requested or borrowed from the others. After scrutinizing them in the mirror, she’d try on something else. 

“Of course it is! Why aren’t you freaking out about this?”

It was a rhetorical question, she knew. This was one of those times Fuuta wasn’t really listening to anything except the rant in his own head. It could be annoying, but between him and Mahiru, Yuno actually enjoyed the chance to sit back and let someone else take over the conversation. 

“He comes out of his interrogation, casually laughing about the warden being young and kicking him, then expects us to be okay with it? That makes four out of five interrogations someone got hurt! It’s a good thing I showed them they can’t fuck with someone like me, eh? But a pushover like Shidou gets abused and laughs! Argh!” 

Fuuta sat up suddenly, trying to find somewhere to put his anger. He caught Yuno’s eye through the mirror. “There’s no way this is legal, locking us up with some violence-crazed warden! You know what I just keep thinking about, every day?”

Yuno gave a small “hm?” knowing he’d tell her anyway. She turned her eyes away, pretending to fix the ribbon in her hair. It was becoming less and less enjoyable to sit back and let him talk, this time. She was starting to see where this conversation would end. She knew what she needed to do.

“I just keep thinking, what are we going to do about Mahiru?”

“What do you mean?”

She was met with a dumbfounded look. 

“We can’t just let her go in there by herself! Haruka and Shidou have some size and strength on Es, so like a coward they only showed a bit of force. But they know you and Muu were much smaller and weaker, so they really took it out on you both. I mean, I could hear Muu crying during her interrogation, and she came out still sniffling. Whatever the hell happened, it can’t be good. Just think of what’ll happen to Mahiru if we leave her alone in there! I’ve started thinking about what we can do.”

She laughed, picking up a headband. “Fuuta, you can’t do anything. It’s not like you’d be able to break in during the interrogation. I’m sure Mahiru-san will be just fine.”

“You can’t be sure, in a place like this. I’ve been thinking about this! I was even talking to Kotoko, and we think it’s possible to sneak in beforehand.”

“And if you get caught? What if you get Mahiru-san in more trouble?”

It was all she could think to say. She knew the truth had to come out eventually, but if there was a chance she could calm Fuuta down and avoid a fight altogether, she’d take it. Yuno wasn’t afraid of him. However, just because he was all bark and no bite didn’t make his bite any easier to handle. If she was putting the pieces together correctly, it still did end up killing someone…

Instead of slowing down, his face lit up with even more intensity. He leapt to his feet, appearing behind Yuno in the mirror. “See, that’s where my backup plan comes in! We’ll get the others involved. An interrogation will be the perfect time to stage a riot because –”

“Oh, Fuuta.”

“– I mean it! How are they and that stupid rabbit going to stop all of us, huh? It’s high time we stood up to this injustice! Give that brat a taste of their own medicine –”

“Just, listen for a second.”

“– We won’t use any violence or anything! Unlike them, we’re above that. Just give them a good scare, and demand that they –”

“Fuuta.”

“What?” He sounded exasperated, but paused to let her speak. She hadn’t raised her voice; he was learning to tell when she was serious.

“There’s... something I need to tell you.” Her tone made it clear that this would be a pretty weighty confession. Annoyance flashed across his face, like is now really the time for this? 

Yuno turned to face him. She reached for his hands, knowing the wonders a bit of physical contact can do. Fuuta just rolled his eyes as he tore his hands away. She was constantly reminded that her usual tricks didn’t work on him. She also reminded herself, however, that it was a relief. She didn’t feel like holding hands now.

“I… I wasn’t honest about my interrogation. Es didn’t touch me. They were actually really calm, and we had a good conversation. They didn’t want the others to hear that and just walk all over them, so I promised to tell the story they came up with. I heard Muu talking, and she didn’t face any violence either. She was just scared.”

“You – she – what?” Fuuta sputtered on his words. His face turned a few shades redder than it already had been in his excitement.

“The lie wasn’t supposed to be a big deal, or drag out this long. Definitely not to the point of inspiring a prison riot, oh god. I felt bad that you even went after Es because of it–”

“Yeah!” His voice rose. “I stood up to them for you! I coulda gotten punished for that!”

“No, Es knew why you did it, so I’m sure they never would have –”

“You can’t be sure!” He turned to pace the cell, emotion leaking out in sudden pitches in his voice, or a hand jerking up in wild gestures. “So when were you planning on telling me? Or were you just going to lie to my face for another few months?”  She could see the gears turning in his head – all the arguments and comebacks and insults he was formulating. “And what else have you been lying to me about?” 

That’s when she noticed that the look in his eyes wasn’t one of rage. Nor was the blood in his cheeks. Though he was indeed angry, he was also dealing with the embarrassing truth of being lied to for months.

“I haven’t lied about anything else,” she assured him. She bowed her head. “And I won’t. I’m so sorry. It was supposed to be something quick that everyone forgot about. Once they had their interrogation and had their own impression of the warden, no one would think about it.”

“You expect me to believe a shitty excuse like that? Why would we all just forget?”

“Fuuta…” She smiled sadly. “Everyone did forget. You’re the only one who still talks about it. You’re the only one who’s done anything in response. I felt so guilty you’d put yourself out like that, for me, someone you barely met.” 

Yuno paused. She hadn’t meant to use any flattery to steer the conversation. She was supposed to just tell him the truth and leave it at that.

But this wasn’t flattery. She was still speaking the truth. “Everyone else did exactly what I expected, except you. You stood up for me. I don’t take that lightly, okay? I’m grateful.”

Fuuta’s eyes burned with more fury. He jabbed a pointing finger at her.

“You’re right!” 

“...eh?”

“Those bastards didn’t do a single thing! They heard a young girl got abused and they just let it happen? They tried laughing it off? How dare they!” He whirled around. “Oh, I’m gonna give them a –”

Yuno grabbed the back of his uniform “You aren’t going to do anything. If you get everyone riled up now, it’ll be for nothing, remember? But you can’t tell. I still promised Es I’d keep their secret through the first trial.”

“Tch, you don’t owe them shit.”

“If you tell, you’ll get me in trouble. Please.” She let go of him. “Can I trust you with this?”

He kept his back to her. “You didn’t before.”

“You’re right.” She wasn’t the type to waffle around with excuses.

She started putting away her things. It was almost mealtime, and she didn’t have the heart to continue, anyway. Through the mirror, she watched Fuuta hang around the doorway. His expression shifted through emotions that Yuno couldn’t quite put her finger on. All his fire was fizzling out.

“Just… you swear it won’t happen again?” 

“I swear.”

Fuuta nodded. Then, a grin. “And you swear I can tell them off after this trial ends?”

She returned the smirk. “One promise at a time, ’kay?”

[sciderman]

howard the duck (1976) #10

[camellcat]

you guys I'm losing my MIND

I have NEVER seen this sort of thing in any other fandom I've been in and I LOVE IT

[thefirstknife]

The Observatory

I've been rotating a piece of the TFS CE lore in my brain so long I forgot to write about it. There's no transcript yet that I can find (I might do it myself tbh if nobody else does), but here's the scans with the whole text.

So, there's a lot going on in that CE, but the main gist of it is that the whole CE is written like a report from Eido. She investigated information about the Witness and the Collapse to try and help prepare us for our inevitable fight against it. Through her investigation, she found old Eliksni databanks that contain ancient records of past civilisations; main one being discussed is the civilisation that would eventually end up becoming the Witness.

There was a lot going on with them, shown to us through discussions between two specific individuals; they're only identified through code as HNW047622 and RS6243199. I'll call them HNW and RS. I've mentioned this before because we could see one of the pages in the preview of the Collector's Edition.

These individuals talked a lot and gave us insight into the Witness' civilisation. In short, they were super advanced and had something they described as the "Gardener's tools" which they apparently used to terraform other planets. They also talk about the concept of "the final shape" a lot and lead philosophical debates about its meaning and whether or not they have a responsibility to bring that concept to others in the universe. I'll probably go into their civilisation in-depth at some point, but for now I want to go off about something that appears to be a minor detail.

As part of their conversations, In the 5th image from the scans, they extensively talk about the final shape. The RS individual mentions something called "the Observatory." It is apparently some sort of a prediction machine. Full transcript of the relevant conversation and the rest of the post under:

[RS6243199]: I agree with you, in theory, but we do not exist purely in the theoretical. This suffering is already happening now, all the time, everywhere we look. Come see me, and I will show you the Observatory's readings. Such sights as we have seen, my friend, make me sick to my soul. [HNW047622]: I thought that the Observatory could only see possibilities. The future-branches of past visible-light readings. [RS6243199]: We have made improvements. The glass-minds*** trim the excess branches. What we see now are the strongest paths. And in the seeing, they become true. [HNW047622]: Then tell me what you have seen. I gain nothing from running from the truth, no matter how uncomfortable. [RS6243199]: Cities turning on themselves in a frenzy of self-destruction. Children offering up parents in superstitious sacrifice to bloodied gods. An entire people who would boil off their own atmosphere rather than let their neighbors enjoy fresh air! Great waves drowning worlds. Bodies which do not decompose, for everything, down to the very bacteria, has died as well. Machine-plagues carving their prediction-machines into moons. Your garden, destroyed. As the Observatory saw it, so it came to pass.

The footnote is a text from Eido:

*** From the context, some sort of computational assistant? There appears to be some etymological overlap with the names of Vex Minds. Something to investigate later, perhaps!

This made me instantly lose my mind when I was reading. Very early into Lightfall's release, I made a post about the Veil and the history of the universe. It's about some very peculiar similarities between a lot of prediction technology and caches of information that preserve ancient history and ancient civilisations and how they may connect to the Veil.

Mind you, this was before we knew a lot about the Veil; I wrote this pre-Veil logs and before it was confirmed that the Veil is linked directly to consciousness and memory. It was also before Season of the Deep which gave us Akashic Revelation: a lore tab in which a Guardian tries to go through the portal and experiences a vivid flashback of memory of his own pre-Guardian life. The name of the tab is important: akashic records is an esoteric concept for a supposed existence of a record of everything that has ever happened in the universe, past or present or future, human and non-human.

This is basically what I proposed in my post, before this lore tab, about the Veil; that the Veil or some source the Veil can tap into, is something similar to that. That all of the prediction machines are essentially pulling from this same source. In the post, I mentioned the OXA machine (the "black box for galactic civilisations" that allowed the Psions to see the future), Inspiral lore book (in which various civilisations and individuals left their records in the Darkness), the Device (the machine built on Vex technology by the Future War Cult in the Golden Age, led my Maya Sundaresh, used to displace consciousness and also see the future as used by Lakshmi-2), and even maybe the Sundial made by Osiris. I also mentioned how there's a possibility that even the whole scope of Vex prediction technology is somehow based on or tapping into this same source.

I am very amused at how I wrote: "It’s also interesting that Maya Sundaresh seems to be quite involved in pretty much every aspect of this." So true past me, that really is interesting! Her connection to the Veil and Lakshmi (and the importance of the Device and FWC) will later be revealed in Veil Logs. Almost like these connections were made deliberately, between all of these machines and the Veil.

With the benefit of new lore being released in the time since I made the original post, I am even more convinced that there's something going on here, and especially after TFS CE because the section I copied here mentions yet another incredibly similar machine: the Observatory of the Witness' species. It's not described in a lot of details, but from what we did get, it's quite unmistakeable that this is similar to things like the OXA and the Device.

The Observatory is clearly shown to be some sort of a machine that can see the future. Or, rather, as HNW says, it can see "possibilities." This matches what we've seen of the Device when Lakshmi-2 was using it; she was able to see different possible futures, futures that were getting increasingly narrow and biased to what she wanted to see. Identical formatting for using some sort of a machine to predict the future is shown as well with a Psion Ixel using... something (? maybe the OXA?) to do the same.

And again, the same formatting is used this season when a Psion Qorix uses her inate Psion abilities to project visions of the future into the minds of those present at Caiatl's War Council. It's worth noting that Psions have huge ties to Darkness abilities, as well as their entire species having been influenced by Nezarec to an unknown extent, but enough for them to share psionic/psychic abilities, an affinity to void, helmets that reflect his head shape and possibly more we don't know about. It's also worth noting that Nezarec was the one who was transporting the Veil on his Pyramid ship and lamented how Neomuni were not using it to its full potential. Nezarec may have used the Veil to influence the Psions.

This is important because these devices aren't exact, and the Observatory seems to share the same caveat. It shows possibilities, not certainties. Different users might see different things, painted by their own desires and experiences. However, there's something in all of these prediction machines that can lead to a real prediction of the future. The invididual RS mentions several visions, most of which are not specific enough to identify, but sound plausible given the sheer size of the universe; they must've happened somewhere at some point. There's one specific that we know: "great waves drowning worlds." And there's one mentioned by RS that also happened; the destruction of the "garden" made by HNW. This is mentioned in the beginning of the CE. HNW terraformed a planet, but that planet was later completely destroyed.

Even more interesting, the way the Witness' species used the Observatory seems to imply that they employed the Vex directly to help them manage this machine. RS explains that the "glass-minds" are capable of "trimming excess branches" and allowing only the "strongest paths" to be explored. Perhaps this was their way of not falling into the trap that the people using the OXA or the Device could fall into; by having the Vex monitor and manage this prediction machine, it stops the user from inserting too many personal variables. And yes, as Eido noted as well, "glass-minds" is a phrase that indeed shares similarity with the Vex and is almost certainly referring to the Vex.

This is incredibly interesting for a lot of reasons. First, as I've already mentioned, these sort of prediction machines are common throughout the universe and keep being mentioned. Different species at different times have been capable of creating similar machines for similar purposes. Inspiral also goes deeper into how species could use the Darkness to access memory and history through it; the Ecumene and the Qugu had these abilities and used them as part of their civilisation. Through Psions, we get a mix of these two things; the Psions have both tangled with prediction machines like the OXA, but they also posses seemingly inate Darkness abilities that function similarly. They can project futures and possibilities to others, they can merge their minds (and bodies!), and their old religion was based on ancestor worship. Emotions, memories, consciousness itself: these are part of Darkness and governed by the paracausal entity we know as the Veil. It seems like machines capable of giving insight into the past and future are connected to the consciousness of the universe.

Second, these things somehow always come back to the Vex. We don't know how the OXA was built, but the Vex could access it. The Device was build from Vex technology and so was the Sundial. The Observatory is very closely linked to the Vex as well; either built by them or simply being close enough to be accessible for the Vex to manage it. The Vex are more or less known for their manipulation of time, their ability to move through it and use it as a tool, as well as for their prediction and simulation machines and constructs.

And of course, this year revealed to us that the Vex, or at least a part of the Vex, have tried recreating the Veil in the form of Black Heart, but failed due to their inability to understand paracausality. However, it seems like the Vex are drawn to the Veil even outside of just the Sol Divisive, as can be seen from Neomuna. The Vex were a constant threat to Neomuna throughout its existence and the Vex have been trying to access the CloudArk, an alternate reality engine built on the energy of the Veil.

This season in particular has been fairly suspicious with the Vex as well, showing us a concerning evolution of the Sol Divisive and the Vex in general; their radiolaria emitting Darkness energy, Oracles appearing outside of the Vault of Glass and also resonating Darkness, their attempts to "merge with the Witness" and a strange message that seems to be implying they're still not done with reaching out to the Veil in the form of the Black Heart. I talked about this more here.

Are the Vex drawn to the Veil for a particular reason? Perhaps they unknowingly tap into something the Veil is responsible for, like prediction, through the simple fact that the Veil is the paracausal entity responsible for Darkness which is memory? For the Vex, memory could work outside of time; perhaps their prediction abilities are simply them being able to "remember" the future, because they can exist through and outside time.

There is also the even more mysterious possibility here that revolves around a few hints in regards to the Veil and the Traveler being a single entity at some point in time. If the Veil and the Traveler used to be one before becoming separated, this may be what Unveiling talked about through metaphor; the mythical Garden before the universe existed could've been this singularity that was just the Veil and the Traveler together as one. And as Unveiling also noted, in one of those parts of Unveiling that seem to be closer to the truth than others, the Vex already existed then. The reason they're so out of place in a universe of paracausality is because they appear to have come into existence before paracausality so it is foreign to them. They might remember the time when the two were one, therefore they still have an instinctual draw to the Veil; and honestly, to the Traveler too, given how close to it they've settled in our system. As the lore on Scatter Signal notes, someone told us that all Vex agree that "Sol is Salvation." It's where both the Veil and the Traveler are.

This is beyond speculative, but it's been on my mind since that first post well over a year ago because of how closely linked Darkness, the Vex and these peculiar prediction devices have been throughout the history of the universe; now added with one more, the Observatory, most likely the first one ever made (or found), by the species that would later become the Witness. I could be off on the exact nature of this connection, but I feel like there is some sort of a connection all the same. I also feel like they wouldn't have mentioned this in TFS CE for no reason, especially because we're clearly not going to deal with the Vex until after TFS.

Either way, the Observatory mention and description really got me spiralling into unhinged territory. It added such a specific little detail about something I've speculated about before and made it fit perfectly. I wonder if this will remain just like a little curiosity and background worldbuilding or if there's a more direct reason for including it; namely if this is more hints about post-TFS stuff regarding the Vex.

Until we know for sure, I will continue to believe that all prediction abilities and prediction machines are tapping into a single source; the consciousness/memory of the universe, produced by the Veil as a part of the inherent propery of Darkness. The Vex are key to this because they may be doing it in a very specific way given their relationship to time, the possibility that they existed in the universe before anyone else, and possibly because of their memory of a time when the Veil and the Traveler were one.

It could be also something simpler and not entirely interconnected. But I was very pleased to see yet another Vex-based prediction machine being introduced into the universe, adding to the existing ones that have been fairly relevant this year and mentioned several times like the OXA and the Device. Can't wait for TFS and post-TFS content to see if this is something we'll be exploring in more detail, especially as we start dealing with the Vex!

All this about a half of a single page of TFS CE. Girl help.

[morphogenetic]

yknow. i know I've said before in tags that I don't care about US voters abstaining from the presidential vote as long as they vote for their state/local elections

...after reading that supreme court decision I don't think that any more. if youre a US voter vote for the fucking president please christ I do not want another term of trump because if he wins it might be the last election we ever have

[vynegar]

"Albie" (main story 11-21)

At the end of Episode 11 (Part 1), we find out that "Albie" is simply a name that Vyn made up on the spot when Rosa asked. He may have been inspired by his own birth name, Vilhelm Richard Albert de Haspran.

In Chinese, Vyn choose the name "阿明". "阿" is a prefix used to form nicknames, "明" can be a name but also means "bright, clear". In Vyn's Romantic Rail Getaway card "Food for Thought", he tells us the meaning of his name:

You can see the character 明 appear in the word 明亮 ("bright"), although 明 is such a common character that I wouldn't say that this Chinese text alone is enough is sufficient evidence to show the connection between the two names. It's the way that the "Albie" and "阿明" happen to coincide in the name "Albert", which made me take note of Vyn's "careless" choice in name.

If the Chinese name was intended to subtly reference "Albert", I can certainly imagine imagine this as one way to preserve that reference through translation, even if it becomes more obvious. We do have an example of the translation preserving plot-relevant wordplay in a name: Lowe Leare ("Lowly"), originally 萧仁 ("小人", both pronounced "xiao ren" but with different tones). However, there's also an incident of a plot-relevant name being missed through translation, though it was in an event (not the main story) that probably foreshadowed a distant plot point and had infamously bad translation issues.

Anyway, it remains possible that "Albie" is a coincidence. However, after Vyn and Rosa wrap up their conversation about Albie's name, the narration makes a comment on the importance of that moment:

It isn't until the whole case is settled that you are surprised to realize something... You had briefly touched on the key to cracking the case at this very moment.

...which at least gives me enough confidence to not feel silly writing up a whole post about it. We've only seen part of this case, and there's a lot of mystery still surrounding Vyn's behavior so I don't have any definitive hypotheses on why Vyn might have chosen his own name for Albie. Is there something that made Vyn seen himself in Albie? Did the delinquent's attitude remind Vyn of the cruel, stratified world that he was born in? Is he reminded of how people who have imperfections will be tossed aside and abandoned? I guess we'll see when part 2 of this episode is released.

[dustteller]

Now that I am mostly over the Absolutely Feral stage of my Radiant Emperor Obsession and can think again, I want to do a proper write up on how the series handles colonialism. I need to get my sources together and make it all pretty and stuff, but the gist of it is this.

I actually really respect SPC for not making it A Thing. Like, the colonialism is an inherent part of the serting, and a lot of important moments hinge around it, but there's also a pretty clear refusal by the author to turn it into A Statement. I think they do a really good job of walking the fine line between aknowledging it and making it clear that its an important part of the setting, without turning the book into a political thesis on Why Bad Actually.

I think a lot of fantasy authors that frankly have no business making their books into political science treatises try to be super philosophical about it, and inevitably have almost all their points ring flat bc the main character almost always ends up perpetuating the system they spent the whole book critiquing. The classic example being, of course, "We've destroyed The Evil Empire! We will now replace it with The Good Empire, which is functionally identical to The Evil Empire except Good bc our Main Character is in charge! This will totally change the systemic issues we've spent the last three million words exploring! How? Don't worry about it, absolute power only corrupts you if you're A Bad Person!" (atla. atla i am looking at you. my love for you does not mean I am letting you off the hook.)

The Radiant Emperor books interact with and aknowledge the colonialism. The empire canonically falls at least in part because of one guy's willfull ignorance of the differences between his culture and that of two of the people he loves the most, because his culture supercedes theirs to the point where he does not even consider the posibility of this difference truly existing as a real-life power imbalance. And still, these books are not about that! That is not the main theme! It is important. It is handled pretty well, it is aknowledged, and it is not The Point. I really appreciate that more understated approach that SPC takes, because ironically by refusing to partake in dramatic philosophical grandstanding the media often ends up making way better and more nuanced points, because then their point actually fits into the story they are trying to tell.

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[the-eclectic-wonderer]

I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.

Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!

I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.

Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:

“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”

And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.

When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):

“Oh, no, honey, don’t do that! No job is worth having to date women!”

But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):

“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”

And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:

“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”

All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!

I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:

“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”

Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:

“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”

“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”

“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”

“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”

“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”

Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.

1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.

2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.

Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:

"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."

So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).

3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.

Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).

The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.

Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.

Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.

[my-thoughts-and-junk]

the thing about chilshi is that i see it as super one-sided on chilchuck's part and that's some shit he's bringing to the grave with him

[wayfinderships]

Greetings!

Actually, no, that just sounds awkward... Here, let me try again. Erm... Hello? Nah, still weird... Um... Hi? Shit, why is this so difficult..? Alright then, maybe salutations aren't that important after all.

Can't help but get all nervous whenever I write to you. Or talk to you. Or think about you. But a good kind of nervous. So I guess I'll just go out and say it, then.

You've been on my mind a lot. Even whenever I'm investigating a case, my mind drifts back to you. When I see a stray cat in town, I think about how radiant your smile is. Whenever Kaito makes a stupid joke, I think about how much your laugh makes me happy.

I know things haven't been easy lately for either of us, but I care about so much... my dear. Shit, now my face feels all warm... Let's go on a date soon, I've been missing that cute face of yours. Does a cat café work? I'm down for an arcade too, they've got cat plushies... Eh, whatever, I'm sure we'll work something out.

Hang in there, alright? You're doing good, I promise. I don't have the words to describe what you mean to me.

Tabo ⚖️

—💚 (insert happy pikachu gif here)

Oh.

👉👈 I'd love to go on a date...my love heck, just saying it is making my face feel all warm. Doesn't matter where we go to as long as I can enjoy your comforting presence by my side 💙 Though I could never say no to seeing cute cats- the real thing or in plush form.

I'll hang in there and you gotta promise to do the same. I know your work can be dangerous sometimes but try your best to stay safe, ok? I. Uh. I love you a lot-