#thank you english language

[marigold-field]

i love reading thank you “text only” search filter <3

tumblr users love reading. you literally stopped for this post just because it has words in it

[hana-loves-bumblebees]

English: barn owl - uninspired and unimaginative, 3/10

Czech: sova pálená, literally singed, burnt owl (because of the markings on its head) - creative, unique, 8/10

Slovak: plamienka driemavá - the sleepy little flamey (not kidding) - somebody looked at the owl and went “aww eepy flame babey :))))” and I think that��s amazing, also it sounds super cute, 11/10

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[bakuhatsufallinlove]

here’s the OTHER leaker translation I would explode out of existence

listen.

I know, okay?

I know everyone loves this. I know everyone lost their shit for it. But I hate it.

I will admit honestly that it is 70% abject fury over the misuse of one word. Another 20% is frustration over how the fandom reacted to the official translation with such vitriol and how the leaker fueled it with their smug comments. That final 10% amounts to what some might consider pedantic or nitpicky. But I don't care.

This translation sucks. It doesn't sound cool, it doesn't sound threatening, and the leaker's rookie mistakes ruin what makes this moment great for me.

Allow me to elaborate.

The emphasis is on the wrong part

I’ve talked about some of the pronoun differences in this line before, but did you know Katsuki also changes the particles every time?

‘Cause I sure don’t think the leaker noticed. Grammar particles are what determine the relationship between words in a sentence. They pack a lot of punch, denoting subject, object, indirect object, purpose, location, time, origin point, direction of movement, means or method—and a bunch more shit that can be hard to describe.

Word order and particles work together to direct our attention to specific parts of a sentence, emphasizing the importance of what is being said. They are some of the most difficult parts of Japanese for learners to grasp and use with the same ease that native speakers do. I’m acutely aware of this weakness, so I often pay particular attention to them. Let’s break down how each iteration shifts the meaning and emphasis of the base sentence.

First time

Chapter 322 おまえが拭えねぇもんは俺たちが拭う omae ga nuguenee mon wa oretachi ga nuguu

Katsuki uses ga with both the second person pronoun for Izuku and the first person plural pronoun for himself and Class 1-A. Ga emphasizes the word that comes directly before it, so this focuses not on the verb itself, but the persons doing the verb. Katsuki's first person plural pronoun oretachi of course means "we," but if you wanted to highlight his literal meaning, he's saying: "the things you cannot handle, me and the people with me will handle."

Second time

Chapter 323 てめーが拭えねーもんはこっちで拭う temee ga nuguenee mon wa kocchi de nuguu

Here, Katsuki retains ga for Izuku’s second person pronoun, but changes both his first person pronoun and its particle, giving us kocchi de. This shifts the implication of who is doing the act—the first time, Katsuki's "we" pronoun highlighted the classmates who accompanied him and acted with him to help save Izuku. But by the time he says this line again, a number of people outside their class have stepped forward to defend Izuku’s return to UA.

Unlike distinctly singular pronouns like ore, kocchi both refers to oneself and something greater than oneself. By switching to this, Katsuki expands that narrow “me and the people with me” into “our side,” presenting the people who support Izuku as a unified force.

You see, kocchi de subtly shifts the verb to being executed by subject(s) defined by a specific characteristic or condition.

Explanations of particle de from Mainichi Nonbiri. The heading and explanation read, "Subject: 'De' is used to denote the subject who deals with or engages in the action expressed by the predicate."

The first example uses jibun de (by oneself) to describe the conditions under which the listener is asked to execute the verb. The third uses gikai de (in the parliament or by the parliament, as a governing body representing many people) to explain the plurality and nature of the subject executing the verb.

The second example uses socchi de, which is the second person "you" version of kocchi, meaning your side. With this, you can see the purpose is to highlight division: "you did that over there on your side of things without any input from me."

Kocchi de as Katsuki uses it likewise creates "sides" by highlighting connection.

These details emphasize Izuku as the person who cannot handle these things and the relationship he has with the people supporting him, a collective Katsuki aligns himself with.

If we maintain this emphasis and the conditions in a literal way, we have: "The things you cannot handle, our side will handle for you."

Third time

Chapter 405 OFA(あいつ)に拭えねーもんはこっちで拭うってなあぁああ！！！ OFA (aitsu) ni nuguenee mon wa kocchi de nuguutte naaaa!!!

I want you to look really close at the particle ni.

Then look at the way the first word balloon ends with the particle wa.

And hear me when I say that this does not emphasize Izuku.

Ni is not a particle for emphasis. If Izuku's personal inability to handle AFO were being highlighted, Katsuki could have used には, which I talk about briefly in this post:

The combination of the two particles ni and wa are used to emphasize, compare, and contrast. This is extremely telling just on its own. Izuku is emphasizing the fact that, compared to everyone he could possibly tell, he cannot tell Katsuki this. He might be able to tell other people, but when it comes to Katsuki, he cannot. Ienai does not specify where the limitation stems from, but ni wa sure implies it.

If Katsuki wanted to disparage Izuku in comparison to himself, like "that guy obviously can't handle you, so I'll do it," he would have said something like this. He even could have slapped his own singular pronoun and ga in there (俺が拭う) to emphasize himself as an individual actor. But that's not what he did.

The particle wa tells us what the topic is. Neither Katsuki nor Izuku are the topic in any iteration of this line; they are subjects engaging with the verbs. The topic is "the things OFA (that guy) can't handle."

Now, because every other time Katsuki said this line had ga in it too, wa wasn't quite as strong as it is this third time. If ga emphasizes what comes before it, then wa emphasizes what comes after. It tells us, "this is the topic, now hold onto your seats."

Katsuki is emphasizing the predicate and the verb. What's gonna happen and how it's gonna happen.

He's saying, "our side is gonna fucking crush you."

The wa particle and the separate balloons build tension, suspense, and excitement—which the leaker instantly deflates. By front-loading Katsuki as both topic and subject ("I'm the guy"), the emphasis is no longer on the promise of destruction he will deliver on.

The emphasis is indisputably on the part after the balloon break, so the mention of Izuku ("when that nerd can't handle it all on his own") reads weirdly like an insult. Hell, most of the words the leaker uses are about Izuku's inability to handle the situation, which bloat the second half of the line and effectively kill the momentum.

Fumbling the flow of a line is a common mistake for amateur translators. Sometimes, it's hard to avoid because Japanese grammar is often the inverse of English grammar; maintaining the original order may render it awkward or even unintelligible.

But that is not the case here.

pikahlua's literal translation

There's no reason to reorder the clauses. You can spruce up the wording, but the lines are perfectly understandable and effective in this order even at their most literal.

The leaker chose to reorder the lines this way, and their translation is worse for it.

Viz Comparison

Official translation by Viz

After what I've said about particles, pacing, and emphasis, I think you can plainly see that the official translator understood these details and made his own choices to highlight them.

Any time you get text with furigana (explained here), you have to decide how to incorporate those dual pieces of information into the text. He could have translated this as "that guy couldn't keep you in the ground," but instead he prioritized the reference to OFA.

By doing this, Viz's translation avoids the implication of insult towards Izuku that the leaker falls prey to.

He also made the choice to translate kocchi as "we."

First, I’m bringing this post back around to remind people that kocchi is a pronoun of ambiguous plurality. This means that an interpretation of “we” is just as correct as an interpretation of “I.” Readers may interpret it differently, but on simply linguistic grounds, they are of equal validity. You will often see this kind of ambiguous language used in Japanese, even with characters that are forthright. The reason is one part cultural expectation that the listener will read between the lines, and one part a willingness to accept two things as simultaneously true. This exists and is frequently found in English as well, there just isn’t a direct parallel for kocchi itself.

A number of people were infuriated by this, because they felt some sort of bkdk moment was erased by Katsuki saying "we" rather than "I."

Yet it seemed like these same people were also mad one week prior when the leaker and the official translator worded Katsuki's rallying cry slightly differently.

Chapter 404. Leaker, left. Official, right.

The claim there was apparently that the official translator was ignoring Katsuki's character development.

And like, which is it, guys? Do you want him centering the collective or himself?

The fact is that the official translation's characterization of Katsuki in the final battle is internally consistent with itself, while the leaker's is all over the goddamn place. Let us never forget that the leaker was just straight up WRONG here while the official got it exactly right.

Chapter 408. Leaker, left. Official, right.

People were losing their shit that Viz made Katsuki "insult himself" and "expect failure" as though he's never used temee to refer to himself self-deprecatingly before.

And then the leaker just had to pretend that didn't happen in the next fucking chapter, while the official got to correctly reiterate their interpretation like they were taking a victory lap.

Chapter 409. Leaker, left. Official, right.

All of this makes it unbelievably rich for the leaker to go and say shit like this:

The leaker is an amateur translator. They spent ages stealing an artist's work and releasing it illegally for a profit with shoddy translations and misleading, even outright false "summaries."

Based on the nature of their translation mistakes, it is obvious to me that they are not fluent in Japanese, yet here they are bragging about their inability to understand how kocchi could mean "we."

Right before the line in question, Katsuki emphasizes himself as an individual in declaring himself to be the final boss.

Chapter 405 俺がラスボスだ AFO!! ore ga rasu bosu da AFO!!

And then, by using ってな, Katsuki is basically quoting himself.

"I said we were gonna handle what that guy couldn't, didn't I!?"

This suggests he is repeating the established meaning for emphasis, not changing it. If kocchi was plural when he said it in chapter 323, it's reasonable for it to still be plural here. Katsuki is not ignoring himself as an individual by doing this; he is rubbing it in AFO's face that neither he nor Izuku are solitary actors fighting this battle alone, they both belong to something greater than themselves.

I'm gonna step up on a soapbox for a bit.

I am kinda tired of people calling Japanese vague. I often see it used to imply Japanese is inherently hard to understand or that it doesn't have the capacity for specificity. Like any language, Japanese can be used to express specific, clear, and direct information. While it is true Japanese culture values indirectness as a way to maintain harmony, I would like to challenge the ethnocentricism I feel sometimes goes unaddressed in this topic.

Japanese is less tolerant of repetition and verbal excess than English is; information that has been established should only be repeated for a purpose. Japanese speakers expect their conversation partners to maintain awareness of context, social expectations, and specific interpersonal information to grasp the intended meaning of their words. Specificity is doled out when it is warranted or desired.

Specificity divides one thing from another, drawing lines in the sand and saying "this is this, and that is that." English often requires repetitive specificity to even be grammatically comprehensible. And while this might not be directly related, many English-speaking countries tend to have a more individualistic outlook on society than collectivist countries like Japan.

To me, "vague" often smacks of a value judgment: "there should be division here, and there isn't."

I said earlier that kocchi creates division by highlighting sides, us vs. them, but when people press on and ask, "but did he say we or I? which did he REALLY mean?" I just want to say that really? truly? he meant both. all of the above.

I think it is unproductive to think of Japanese as vague just because it doesn't exclude possibilities as often or as strongly as English does. I think it is a lot more useful and interesting to think of Japanese as expansive.

Why should there be division between Katsuki and the people fighting by his side? Why should he separate himself from the people who saved his life and risked their own in relentless pursuit of their common, heroic goal?

Why is it unacceptable to imagine an "I" belonging so sincerely and wholly to a "we" that their voices are one?

Katsuki's words reflect the fact that this fight being fought by a collective, a team.

In this context, OFA is a weapon in their arsenal, just as Katsuki himself is.

He is a force of nature, an agent of their willpower.

Chapter 404

He rode upon the winds of their prayers, ushered on by Izuku's hopes

and his own regrets,

to change the course of fate itself.

For much of the series, Katsuki is our beacon of individualism, of defiant refusal to bend to the will and expectations of others.

But Katsuki is also our image of victory. He shows us how to face our failures and change our hearts. He is our proof that rejecting others only hurts us in the end—his love for Izuku and Izuku's love for him is the story's greatest proof that as human beings, we are not better alone, we are better with each other. Other people change us, inspire us, and we do the same for them.

We need each other. We belong to each other.

It is in this final battle where Katsuki becomes his truest self, overcoming every obstacle in his path, making up for every painful regret in his heart, and utilizing every single thing in his grasp to save and win.

If Katsuki ever truly belonged to something bigger than himself, it is in this moment right here.

English divides the one from the many, and while that has its benefits, I think there is real, honest beauty to be found in a word that smooths those lines in the sand until there is no distinction at all.

That's who the fucking "we" is, rukasu.

Now onto my next gripe.

Katsuki is supposed to sound badass here

Frankly, the fan fury surrounding Viz's use of "we" completely overshadowed the fact that the phrase "One For All couldn't keep you in the ground" is fucking metal.

It rules. I'm fucking jealous I didn't write those words. It is such a good translation and it packs so much punch and I wouldn't have thought of it in a thousand years.

The official translator focuses his efforts on genre-specific tone translation, and sometimes he really nails it. I will freely admit that I find his style grating or overwrought at times, and indeed, one of his key weaknesses is that the flavor of comic-book dialogue he pulls from can sound one generation too old to be cool.

One of the most damning examples of this is him having Katsuki utter the word "bub"—

Chapter 406

—which I think no English-speaker under the age of 30 had actually heard before Deadpool & Wolverine came out.

Honestly, if you just read Wolverine comics from the 80s, 90s, and early 2000s, you can see the character archetype he leans into for Katsuki's dialogue. 405's tagged-on "—and then some!!" is straight out of American action movies.

But the main point here is that Katsuki is taunting AFO and threatening him. He blows up AFO's face, announces himself as the final boss, then vows to kick his ass to death on behalf of everyone. It's amazing.

The line sounds cool as fuck in Japanese. The "naaaa" flourish at the end is nearly untranslatable in any direct way that still captures the appeal and impact of it.

I tend to think of sentence enders like this as flavor text or tone tags. To properly convey them in English, you may have to add a bunch of words, and you have to choose them carefully.

All of this is to say, the official translation tries pretty hard to make Katsuki sound cool. Do they succeed? I think to an extent, they do.

I actually think it's possible the translator did recognize the callback, but wasn't satisfied with the effect of repeating it. You can see that "finish the job" is supposed to link Izuku's actions to theirs, while also sounding grandiose and final.

The Viz translator might've simply prioritized showcasing the cool-guy threat while maintaining the collectivist angle, rather than matching the callback word for word. I don't really think that's the best choice, but I can see why it might be made.

The leaker's translation doesn't make any real effort to up the ante. Maybe this line is cool to somebody, but it ain't me.

In fact, are we ever gonna acknowledge that the leaker's translation just scoops up most of its wording from the official release of chapters 322 and 323?

"I'm the guy who steps in when that nerd can't handle it all on his own!!"

The leaker was not responsible for these translations, but just look at how other people tried to grapple with Katsuki's metaphor.

In fact, the only person whose choice of words prophetically matched Viz was pikahlua, four days before the official release:

And even then, you can see that "step in when" is unique to Viz.

I'm not saying that similarities in translation are unacceptable or that directly referencing the official release is bad, but I do find it truly incredible they had the gall to shit-talk the official translator after cheating off his damn homework.

The leaker basically contributed six words: "I'm the guy who" and "that nerd." I personally disagree with "the guy who" as a translation addition, just because I think it too strongly isolates him in a way that using "I" and "I'm" by themselves do not, but it wouldn't have been terrible if they had also maintained the original clause order: "One For All couldn't handle you... but I'm the guy who—", something like that.

This brings us to my final gripe.

Katsuki did not say “that nerd.”

The leaker made that shit up, they inserted it for no reason and ignored the two pronouns the original text actually provides, OFA and aitsu (that guy).

In the manga, Katsuki has never called Izuku a nerd to villains, not once. It is rare for him to use it while speaking to someone other than Izuku, period. It’s an insulting pet name he uses towards Izuku or while muttering angrily to himself about Izuku.

To be clear, the narrator who uses "shitty nerd" is not Katsuki, they merely validate the accuracy of his nickname for Izuku. Yes, I just linked to my tag for the whole damn 348 chapter, because I've argued against this theory a lot, just read 'em all, it's a good time.

By my count, he only uses it once while talking to Todoroki in chapter 42 and once to Ochako in a 5-page bonus chapter for the first character guide, set shortly after chapter 65. Both take place very early in the series and both are examples of his intense grudge against Izuku.

Did you know that the last time Katsuki uses "nerd" towards Izuku directly is in chapter 320?

Who's ignoring Katsuki's character development again?

The fact is the word doesn't exist in 405's text, and there just isn't precedent for him to say it to All For One.

Trash-talk doesn’t work if your opponent has no clue what the hell you’re talking about. AFO would have no idea who “that nerd” is even supposed to be, because they were not already discussing Izuku, unlike both canon instances of Katsuki using it in conversation with others. The audibly-pronounced aitsu just means "that guy over there (physically near neither you nor me)" and you could argue that is unclear, too, but it's relatively neutral and context clues everyone in to the fact that he means Izuku, with whom he just did an explosive, flying duo move.

I think some bkdk fans were keen to see him use the tsundere insult we all love so much, but it just doesn't read right to me. Writing an insult towards Izuku into this kind of line, even an affectionate one, misdirects the aggression and fails to highlight how Katsuki makes a mockery of AFO during their fight.

I really do think it undercuts how, in his big moment of taunting the greatest villain in history, Katsuki brings up making good on a vow he made to Izuku.

And let's not forget that there is a definitive moment where Katsuki references his relationship with Izuku while taunting AFO:

Chapter 406

To roast the villain for his stupidity in misidentifying him, Katsuki loudly announces himself to be Bakugou no Kacchan.

Katsuki proudly identifies himself with the cutesy nickname his childhood friend has used for him their whole damn lives. That's a far cry from somebody who'd insult Izuku just to hype himself up.

So, no, I don't accept "that nerd." I think the leaker just added it to make their translation sound cooler, but they did so at the expense of Katsuki's character. It's tacky, cheap, and not based in any honest reading of the text.

Put the nickname in your fanworks however brings you joy. Really, go for it, I know I sure do!

But let's not pretend Katsuki said it here.

In conclusion

Katsuki's dialogue offers a unique array of challenges to translators. I would never argue that he is easy to translate, and so much of his characterization is expressed in the minutiae of what he says. Much of his dialogue contains layers of meaning, and any translator is going to have to make a call about how to interpret those layers and what to highlight.

I made this post to say my piece about a translation tons of English-speaking fans love. In the process of dissecting what frustrated me about it, I researched and studied and learned so much.

And to be honest with you, I don't know that I have a solution for this line. I thought of a ton of options:

One For All couldn't keep you in the ground... but we're here to step in and finish the job once and for all!!

I promised we'd step in when that guy couldn't handle it on his own... and I fucking meant it!!

After all, what One For All can't handle... he's got us here to handle for him!!

One For All couldn't stop you… so it's a good thing that guy's got us here to step in and finish the job!!

If the guy with One For All can't get it done alone... then we're here to take you down for him!!

Maybe One For All couldn't handle the job alone... but our side is still gonna kick your ass!!

Some of them are very fun, and each highlights a different set of priorities: collectivism, connection, coolness, intimidation, and so on.

But you could pick apart my words the same way I picked apart the leaker's and Viz's.

There will never be a one true translation. There can't be. For as many readers as there are, there are just as many interpretations to what Katsuki's words mean and what is important about them.

In every translation, you face loss—loss of information, loss of specificity, loss of ambiguity, loss of emotionality, loss of cultural meaning. Your job as a translator is to lose as little as possible, and to make sure you can stomach the things you do lose.

You also gain things in translation. New meanings, new layers, new cultural implications. By showing the audience what you see and choosing how you say it to them, you add something of yourself to the work. You can't not.

As a translator, I want to keep learning and trying and going beyond. I want to do right by the things I translate. I want to share the things I love with other people and figure out, as best I can, how to make them see what is beautiful about it.

Unlike Bakugou Katsuki, we translators can never achieve a perfect victory.

But it's always worth trying.

[mikookosmos]

Alternative: Sylus has succumbed to his frenzy and when he wakes up, he's faced with absolute horror. 1.3k words. ─ ⋅ ⋅ ⋅ ──── ♡ ─── ⋅ ⋅ ⋅ ─── ⋅ ⋅ ⋅ ──── ♡ ─── ⋅ ⋅ ⋅ ─ A deathly silence reigned in the dim room. Dust slowly settled, dancing through the pale beam of artificial light. The air was heavy, thick with iron and remorse, as if the very space itself mourned in silence. In the center of the vast cage, Sylus stirred back to consciousness. He didn’t know how his awareness had returned—only that the first thing he saw were the cold metal bars enclosing him. As thoughts and memories began to resurface, his numb body sent a sharp reminder: the premeditated strike meant to bring down Ever, the fighting, the desperate cries for help— And you. You.

As though connected by instinct, both his mind and body reacted in tandem, his very being tethered to the thought of you. You must’ve escaped, just as he had planned should things go wrong. Nothing could’ve happened to you. You were capable, strong—you would have locked him in and walked away without looking back, exactly as he had begged you to do.

But then, as his fingers combed through his long, snowy hair, he froze. The scent of blood was far too close for comfort. Startled, he looked down at his right hand—slick with blood, from what appeared to be claw marks. Only one person could’ve done this to him. Alarms went off in his mind, screaming louder than any siren, as his crimson eyes searched the cage for something he dreaded finding.

And when his gaze landed on your motionless body, sprawled a few feet away, his heart stopped.

Maybe it was an illusion. Maybe you were unconscious. He had once possessed strength beyond comprehension, but his legs refused to move. His body no longer belonged to him—it was weighed down by lead. And still, that weight was nothing compared to the ice-cold terror that crawled up his spine when he realized your head wasn’t facing him. Not even slightly. That one detail sent him spiraling. It made it unbearable to determine whether this nightmare was real.

When he finally reached you, the first thing he noticed was the absence of your pulse. Your chest remained still—frozen in a breath you would never take again. Sylus’s heart thrashed in his chest, frenzied, uncontainable. Trembling, he reached out for you.

Your neck was red, marked with bruises—strangulation. He couldn’t bear to look. He couldn’t have. He would never have done this. Not to you. Not to the only light that had ever pierced his endless night. And yet… If a sound could express the breaking of a heart, Sylus was certain he heard it—deep within the hollows of his being. You were cold. No warmth remained. There was nothing left. Only the void.

Refusing reality, he pulled you into his arms. He held you as if his love alone could drag you back to life. He, the man always composed—calculating, restrained—was now a ruin of himself, desperately seeking life in your lifeless form.

He pressed your face to the curve of his neck, searching for a breath, a shiver—anything. But it was the chill of your skin, your nose, your cheeks, that finally shattered him. His crimson pupils widened in horror, and in the absolute silence, he stopped breathing—almost hoping your soul might return in place of his breath.

And then, everything he’d held back exploded.

His tears fell—heavy, unrelenting. They stained your body, the ground, the shame. He had killed you. It was him. No one else.

You, the woman he loved. You, for whom he would have kneeled without shame, obeying your every word. You, who had bloomed under his care, discovered your true self with him. You, whom he had dared to dream of loving. Now those same hands cradled your hair—so gently, as if tenderness could erase their crime.

What a cruel irony.

Perhaps it was guilt—or the desperate need for truth—that made him lift your face one last time. He took your features into his large hands with infinite care. You looked as though you were simply asleep. But the dried tears on your cheeks finished what was left of him. You had cried. He rested his forehead against yours, eyes closed, as though trying to fuse your memory with his.

What did you think in that final moment? Were you afraid? Did you despise what he had become? Did you hate him—for hurting you, despite every promise he made never to do so? And him—what expression had he worn as his hands closed around your neck? What kind of monster had you seen in his eyes before fading into nothing?

The more the thoughts swarmed him, the more tightly he held you. Sylus couldn’t let you go, as if your body might still summon back your soul. In his arms, you were so fragile—and he had been the one to destroy you, in the most brutal way imaginable. He loathed himself for being able to hold you like this, when he was the reason your body no longer breathed.

“I’m sorry,” he whispered, brokenly—his voice cracking like something long unused. “I’m so sorry.”

This hadn’t been what he wanted. This wasn’t the future he had envisioned for you. He had sworn to protect you—to give you a gentle life, maybe even one that included him. Because deep down, Sylus had held the naïve hope that he could make you happy, even just for a moment. A year or two. A lifetime. Perhaps, somewhere, a monster like him could have brought you joy. But in the end, he had been your undoing.

A darker hatred began to swell inside him—for the world, for Ever, for his enemies. Pure resentment for his life, his presence in your life. He cursed himself. He despised himself for what he had done.

The agony twisted into rage. And when his gaze fell upon your weapon, still strapped to your thigh, a new thought emerged: He could end it all. Oh yes, he could. Life had no taste left. He wasn’t foolish—he knew he’d never forget you. Not ever.

But to die so easily—a bullet through the skull—would be too simple. Too merciful. It would be an insult to your pain, to the terror you must have felt as he tortured and strangled you.

His lifeless eyes locked on your face as his hand slowly removed your weapon and cast it away, beyond the cage’s bars. He slumped back, pressing his body to the cold metal, still holding you, refusing to let go. He would never release you, not as long as he remained in this cage. If death were to come by thirst, starvation, infection—so be it. He would welcome any form of death as long as—

As long as he could still live in the same world as you. Just one more time.

Maybe in another life, circumstances would be different. Maybe your meeting would bloom into love, mutual and soft—like the nights when you’d fall asleep beside him on the couch, lost in romantic comedies. Maybe then, he would love you as he should have.

Then perhaps he'd cherish you as he should and love you exactly as your heart and his would wish.

***

Since then, it is said that the HQ of NightStrix HQ has been invaded and destroyed in order to build new structures for Linkon's future, unaware that beneath the rubble, two tangled souls still lay in their final farewell, frozen in the icy embrace of an aborted love. Their names faded from the record books, their faces from memory, but those who passed by the place spoke in hushed tones of how the nights there seemed longer than elsewhere, colder, as if silence itself were still mourning their tragedy.

And in that silence, somewhere, perhaps in the shadow of a memory or in the folds of a forgotten dream, your laughter still echoes in the heart of Sylus.

Because even though everything has been reduced to ashes—his future, his convictions, even the little humanity he had left—he still believes that your soul will come back for him. One day. In another life. Under different skies.

Maybe then, he'll love you the way he should have.

Without violence. Without chains. Without regrets.

[myrquez]

so you’re telling me bezz told sky sport that he made a little mistake during the sprint bc he saw that “marc was coming to catch him”. he said that he was trying to focus on martin, but he knew marc was getting closer and closer and then he fucked it up

( “ehi bezz your crush is here act normal” bezz: fall off his bike )

[faeriefully]

what do you MEAN American public schools don’t teach what a verb’s aspect is??? what do you MEAN they expect all students to take foreign language classes without teaching them the foundations of their own language?!?!? what do you MEAN you want to address literacy without providing a deep education of descriptive grammar usage they already subconsciously use!?!?!?!? WHAT DO YOU MEAN!???

[virgothozul]

Jsdcbbccbhcb !! Merci !! tant de personnes ont réagi au précédent post en français ahahahah 🤣 c’est incroyable ! je ne m’attendais pas à tant de réactions merci merci ! Thank you everyone for the attention on my last post !!!

This is when Miles drops at the police station like a prince, a whole year later, nonchalant about his hiatus. And Phoenix is most likely losing his 💩 3 feet away.

[bithcisweartogod]

“lu guang?”

“hm?”

“do you believe in parallel universes?”

they’ve been sitting quietly for a while. it was an overall normal evening, except for the gloomy weather that’s been hanging around for some time. raindrops were hitting against their window in a steady rhythm and everything around looked rather grey, save for a little lamp on the table. lu guang sat on the sofa trying to read a book, but he’s been stuck on the same page for a while now, his focus hazy. cheng xiaoshi, after playing a game for about an hour, was staring into the window. rain oftentimes got him into this sort of mood. pensive. more quiet than usual. 

“why are you asking so suddenly?” - lu guang looked away from his book, grey eyes studying cheng xiaoshi’s hunched frame.

“just. dunno. so, do you?” - he asks again, gaze not leaving the window. 

silence was suddenly back between them, but it didn’t feel pressuring. lu guang had to think. scientifically speaking, the existence of parallel universes wasn’t totally in the realm of fantasy. yet still, it remained too complicated of a concept to grasp and even harder to fully believe into. though the same could be said about their powers, so, well, touché.

“probably don’t. but i wouldn’t reject the idea altogether”.

lu guang’s eyes caught sight of two droplets slowly making their way down the window. as they moved forward, the distance between them grew shorter and soon enough the droplets collided, merging into one. 

“and you?” - he asked cheng xiaoshi. 

a low hum followed.

“don’t know. i suck at physics and all that, but…the thought that somewhere out there, far far away through space and time, there’s one more me living a totally different life…it’s kinda interesting”.

he was looking at lu guang now, familiar glint in his eyes. it felt right. his eyes should always glow like that. as much as lu guang complains about cheng xiaoshi talking too much, prolonged periods of silence are way worse. they make lu guang shift in his seat uncomfortably, stealing glances at him, trying to understand if everything’s alright. 

“maybe there’s a universe where i’m an elite basketball player!” - cheng xiaoshi continues, actively gesticulating. - “or where i’m an actor, or— wait, what’s that expression? you think i don’t fit the role?”

lu guang chuckles, putting his book away. he’s not coming back to it any time soon anyway. not like he was immersed into it in the first place.  

“or maybe there’s a universe where you take your studies seriously and end up pursuing your masters degree like shanshan-jie”, - he says jokingly.

“no, no, no” - cheng xiaoshi waves his hands in protest, expression twisting in disgust. - “ew. what a nightmare. it’s like if…” - he looks up, as if searching for the right example on the ceiling. then he snaps his fingers. - “like if there was a universe where you’re an idol. dancing, singing, modeling, constantly in the public eye, no—”

“alright, i get it” - lu guang cuts him off. the description cheng xiaoshi gives actually unsettles him. 

“see!”

cheng xiaoshi looks at him, laughing, and it suddenly doesn’t matter that it’s pouring outside, because their photo studio is warm, filled with cheng xiaoshi’s laughter. 

“the changes could also be very small, you know”, - lu guang prompts, unexpectedly for both of them. - “like if you were shorter and i was taller”.

“you wish”, - cheng xiaoshi scoffs in return, but continues the train of thought. - “what if my hair was white and yours black?”

he shifts closer, picking a strand of lu guang’s hair and trying to put it on his head. lu guang hisses at a slightly painful tug. 

“how do i look?” - cheng xiaoshi inquires.

“idiot, how am i supposed to tell from that?”

he shoves him away, but cheng xiaoshi’s persistent, so he pulls his hair tie down and picks a long enough strand of hair, lifting it to lu guang’s face. 

“yup, that’s a no”, - cheng xiaoshi declares after a minute of careful consideration. 

lu guang fails to hide his surprise, eyebrows flying up as in asking really? that bad? 

“sorry, guang-guang, black’s not your colour. white suits you best”.

cheng xiaoshi ruffles his hair, ignoring lu guang’s annoyed protests completely, and pulls him closer, arm settling over his shoulders. and even though a second ago he was more than annoyed, now lu guang can’t find it in himself to try and wriggle away. so they both just seat there, eyes closed, listening to the drumming of rain drops against the window. suddenly cheng xiaoshi’s voice breaks the silence. lu guang turns to look at him.

“what if there’s a universe where my parents never left?”

the question hangs in the air, half-rhetorical, half-genuine. lu guang wonders how many times cheng xiaoshi thought about that. wonders if this question was the root from which this entire conversation stems. he wants to say something reassuring, but no words come to mind.

“then everything would be different”, - that’s what lu guang settles for instead. 

“yeah…”

cheng xiaoshi stares blankly at the ceiling, little bittersweet smile on his lips. he turns his head then, gaze catching lu guang’s.

“but you know what? even if there is a universe like that, and even if i had a chance to go there and leave this one - i wouldn’t”.

lu guang doesn’t dare to take his eyes off of him. no amount of timelooping could ever be enough for lu guang to study cheng xiaoshi through and through. a moment ago he was joking like a kid, and now he looks mature beyond his years. 

“you know what’s funny, i barely remember them. mom’s more clear in my memories, but dad just feels… blurry and distant. it’s like i don’t know them, not truly. and then i thought, what if in that universe i’d never get to spend my childhood with qiao ling? what if i’d never get to meet you?”

it’s rare to have cheng xiaoshi talk about his feelings so openly, and something tugs and pulls inside lu guang’s chest, aching with the love he has for him. “i’d never trade a life with you for anything too”, he wants to say. but it feels like too much. he hopes his face can tell everything for him. words were never a necessity between them anyway. and for some reason he feels that cheng xiaoshi understands everything. everything lu guang’s eyes scream about, everything his lips don’t allow to let out. they’re partners, after all.  “how sappy”, - he says instead, smiling, eyes locked on his. that surely destroys the intimate atmosphere between them, and that’s for the best, lu guang tells himself. he’s not sure how long he’d be able to bear it without doing or saying something stupid.

“how can you be so cruel, lu guang!?” - cheng xiaoshi exclaims, flailing his arms. - “i’m baring my heart out for you and that’s what you tell me? seriously, you—”

[nowandforalways]

Today I'm thinking about how playing Frodo Baggins is a thankless job in much the same way Frodo actually carrying the Ring was.

Like, when people talk about performances in LOTR adaptations, they talk about Sam, they talk about Gollum, they talk about Gandalf and Galadriel. All these characters that have iconic lines and big flashy moments of greatness or bravery or twistedness that let the actor show off. Frodo doesn't have any of those. What Frodo does have is the arguably harder job of making something external that is almost entirely internal, and, in most adaptations, having the most to do, just from a time-on-stage/screen/microphone perspective. But this never seems to get acknowledged and that's always kinda weird/interesting to me. I suppose people just respond to the big heroic/heartwarming/menacing moments, and not so much to littler moments of the same kinds. In the musical, in one of the dialogue breaks in "Now And For Always", Frodo says to Sam "It's not me they'll remember, you know". And that's funny because even if Sam tries to fight that in-universe with the finishing of The Red Book, it consistently ends up being true in a meta sense.

Anyway I suppose what I'm saying is appreciate Christopher Guard, Sir Ian Holm, Elijah Wood, James Loye, James Byng, Louis Maskell, and Spencer Davis Milford or die by my blade.

7/11/24: EDITED TO INCLUDE CHICAGO FRODO

[beannoss]

Hi Bean!

I have a question for you! I have noticed in your writings that Twilight and Yor begin a romantic relationship after their secrets are revealed. Are you opposed to any romance between them before they find out? I assume if so, it’s because it’s morally questionable, though a lot of fans find romance before compelling as it raises the stakes considerably. I’m not suggesting one is right and the other is wrong, I’m just interested in your take on this! I love your writing! Thank you! 😊

Hello you! I'm always chuffed to see your name pop up 🫶😊!

Oh boy! Thank you for this ask — it's a big question but also I do have thoughts XD Sorry it's taken me a few days to get my ducks in a row!

I want to start, though, by emphasising that my thoughts and preferences here are exclusive to Spy x Family as a canon enterprise; they don't pertain to fanworks or other fan theories, I'm not out to yuck anyone's yum ✌️ ditto for even my own writing! You're right that I don't really have an interest in exploring that dynamic but I reserve the right to change my mind ;)!

[Reference herein to manga chapters not yet animated]

Right, so. There's lots of things I love about SxF, but one of the things that interested me early and keeps me engaged is that it operates under an interesting and complex morality. Spy work and contract killing are obviously an ethical minefield, and in the real world, generally to the bad. Within the world of SxF, Endo takes pains to write Twilight and Yor both firmly on the morally right side, even if Twilight’s tactics or Yor’s actions in a vacuum are frequently questionable. With Twilight especially it seems Twilight is currently (resisting) working through the impact and ethical implication of his actions on Anya. When it comes to Yor, I expect that’s where we’ll see him wrestle with similar questions through a romance lens. I think it was quite deliberate and important that Twilight specifically articulated that he’d been wondering if Yor had previous romantic relationships, and that it was now confirmed she hadn’t. As far as I can remember, it’s the only time he’s had that sort of reflection on Yor's life before the Forgers; I mention it because it mirrors times he’s reflected explicitly on Anya’s history and trauma and her needs as a child, with implication that his actions and motivations for adopting her could/probably will hurt her. I hazard that his observation about Yor will be similarly indicative of an arc down the line.

When it comes to canon, if the Yor x Twilight romance were to firm up while Yor still believes Twilight is Loid, I admit there’s a high chance I’d nope out. I want to emphasize firm up though… I tend to think Yor already has feelings for Loid (Twilight?) whether she’s fully aware of them or would necessarily articulate them as romantic (and I think this is being really interestingly conveyed and explored through her current feelings about kissing, though I may differ with some on how I think that may shake out). I also think there’s a… less high but not impossible chance that Twilight is aware he has or is developing feelings for Yor. I’ve argued before that he knows he has formed/is forming an attachment to her and that he knows he trusts her. I don’t think it’s too far from there to romantic feelings for Twilight: after all, attachment and trust (intimacy) are not things he's had in a long, long time. And given his current pseudo-short temper and general malaise comes out most with Anya, with Yor he’s been notably softer and more receptive. In my view, this is partially because so far he hasn't really done much that would really hurt Yor and nor has she done anything that would really hurt Twilight. So far, Twilight and Yor are on a fairly even footing.

This is a very long way of saying that I trend toward thinking we’ve got at least a few toes into the romance already.

The reasons I’d be a squicked by the firming up of the romance, pre-reveal, are related to its being morally questionable as you pointed out (I'll talk a bit more about that in a moment.) But it's also because I think it would undermine character arcs and dominant themes.

Twilight’s arc involves finding and forging a new pack, a new family. Somewhere safe and loving that he’s been denied essentially for his whole life (I don’t dispute that his mother loved him deeply and did her best to protect him: living with an abuser and then with her under war was never going to actually be or feel safe). A big part of this safety and love for Twilight is about being accepted, warts and all. Twilight started lying because he wasn’t accepted by his father as he was. There’s a fair bit to work through by way of accepting Twilight’s warts already — I think Yor will be fairly understanding as things currently stand, and that’s part of why they’re a good match. Their moral compasses, their sacrifices, how they see the world and how they want to try and make it better, align and/or resonate in foundational ways. However, given their current standing, pursuing deeper intimacy of a romantic/sexual relationship with Yor before reveals, I think would take it past the line. And particularly when considering Yor’s character arc.

Yor’s arc is also around finding love and security, but centred less around acceptance (although that obviously also explicitly features!) and more around self-worth and understanding her value. If the romance were to firm up pre-reveal, the false pretences are… I mean, to me, they lob a Molotov cocktail into that theme of self-worth and being valued, as she really would just be being used: the intimacy could never be real because Twilight is not Loid Forger. To expand a bit on an earlier point, perhaps ironically, Yor’s relationship with Loid is mostly on the up-and-up: they both know any marital connection they demonstrate is fake. They may be (are) friends, and also they’re under no illusions that it’s something of a tenuous friendship (at least for now). They co-parent Anya but are clear that this co-parenting comes with clear lines around and between their relationship otherwise. I want to tread mindfully here, because I also really like and appreciate aroace interpretations of Yor and Twilight and their relationship: I think this discussion around firming up their romance actually also holds true in the case of attempting to substantially deepen their platonic bond, pre-reveal. In the same ways, Twilight needing acceptance and Yor learning self-worth would be severely undermined by a pre-reveal apparent and false deepening of their commitment to one another.

On the point of it being morally questionable generally, yeah it is. I mean, look, it's fiction and they aren't real people who can be hurt by those actions. So in principle, Endo can write what story he wants, I wouldn't think it reflected poorly on him or anything like that. I just don't really want to read a story that goes to that place; it’s a squick. I'm sure this has been discussed before in fandom, but my read on the moral dubiety centres around the idea that it isn’t possible to actively choose or meaningfully consent to emotional or physical intimacy when one person is lying about who they are (and in this case, they're both lying about who they are... Although Twilight to a greater extent). This does tie back into SxF themes as well, as choice and consent are also… maybe not big themes of SxF exactly, but active choice and informed consent are things which have come up more than once (I have my thoughts as to why: for a character whose choices drive so much of the narrative, Twilight is actually also a character who’s shown to have little actual choice or control over much of his own life. Considering his motivations for a world where children don’t cry, imo valuing active choice and meaningful consent are important factors required for that world. And I also actually suspect the theme of choice will become more important the more we learn about Donovan, and his role as foil for Twilight.)

Also, honestly for me, it would be too close to a common trope in a lot of popular western fiction/media that I don’t like: a woman being taken advantage of by a man in some way, shape or form, and then through the magic of her non-specific womanness, forgiving him his gross transgressions under the thinnest of pretences. Particularly as Endo has already taken pains to sidestep that as a foundation of their arrangement. To be fair, I wouldn't be surprised that were Endo to take the pre-reveal romance path, it would be a deeper interpretation of that trope, but as with other sexist tropes utilised in pop fiction/media, I have to ask why the choice couldn’t have been for a more interesting path, rather than retreading that one. And particularly given everything he's established for Twilight and Yor: it goes against much of what Twilight stands for — and indeed goes against much of what he meaningfully brings in his current relationship with Yor, that of encouraging her, supporting her, and shoring up her thoughts, opinions and self-image, particularly when she voices upset or doubt about them. It also goes against much of what Yor stands for: while the power imbalance would lie firmly with Twilight, it remains true that Yor’s lies in an apparently deepening intimacy would also undermine the safety and security she ostensibly creates for Twilight. She also so obviously hates lying, the prospect of her keeping her secret into what she believed was a real relationship would wreck her. Doubly so, given the weight Yor puts on Loid's acknowledgement of who she is and what she believes: something she hangs her self-worth on, a recognition of her value. And I'd argue here that it would actually, conversely, be impossible for Loid Forger to acknowledge or accept Yor's truth: that's only something Twilight can do.

And so I guess there’s also just the bare fact following from the above that I think a pre-reveal firming up of their relationship is the less interesting choice for what is a major franchise that has otherwise done innovative things. Another reason I love SxF is that it subverts tropes and complicates cliches. One of which includes communication: for a pair who have crossed lines as a foundation of their relationship, Yor and Twilight actually do a lot of communicating. That’s a subversion of many heterosexual romantic tropes and norms, at least in a Western context, and, to put it sort of flippantly, it would bum me out if it failed at the final hurdle.

I just want to emphasise one more time, my opinions and preferences here are strictly related to Spy x Family in an official canon capacity, and nothing to do with fanworks or fan theories or what fans want to explore in whatever fashion. Part of my feelings here are also honestly because of the tone and pacing of SxF. I think it entirely possible to do interesting things with those tropes and actually think Endo is the type of writer I would trust to do so. But the way SxF is written by way of tone, pacing, narrative priorities and audience demand, I don't think even Endo would be able to do them within SxF in ways that wouldn't squick me out and make me lose love for Twilight, specifically, pretty entirely. I'd rather he just didn't 😂

Tl;dr: in canon exclusively I’m not into a firming up of their romantic relationship pre-reveal! Their situation is complicated enough as it is; give these goobers the love they want and can share with one another, kindly and gently, when the world has been neither kind nor gentle with them. In my view, it’s already primed in their character and thematic arcs 🫶

[bloggingboutburgers]

Tbh I feel like going to the US while the Nazis are in power is suicidal. So of course I don't understand your choice of going instead of your SO coming to Europe. But while I don't understand, I wish and pray for you to be safe. Whatever you choose, I hope you guys will be okay

You might be right. I have no idea what the future has in store or if I'll come to regret it. But I've already stated my reasons. As it stands, with the year-long process we've already started and that we can't just flip on a dime overnight, my partner can't come and stay in Europe legally just like that. Legal immigration is not that easy in one way or the other. Also... Yeah, I've stated that before, but one shouldn't underestimate how shitty things have been getting in Europe for the past few years as well, and how the influence of the US (which is huge) is likely to make things worse. So again I'm not 100% sure whether that'd have been better anyway.

Also also... Ima be real, I've shared that before, but the time where I was separated from my partner due to the travel ban was the only time in my life where I had actual suicidal ideation. I don't want this to happen again. That's why I'm making moves so it doesn't, first and foremost.

[silentstaresfanficandfanart]

a reminder to all translators: YOU ARE AN ARTIST!

Translation work *is* art, and it's truly incredible what you do and you touch so many more lives than you realize- and often, those who's lives you touch with your translation work never realize just how much thanks they owe you, but from the bottom of my heart I want you all to know how grateful I am for all people in fandom and outside of it who translate things, those who do it professionally, those who do it for fun, what you do cannot be replaced by a machine, yes maybe it can give a literal translation but it cant really offer any of the human experience or creative choices that actual translators put into things! TO ALL MY BELOVED ANIME AND MANGA LOVING FANS ESPECIALLY i want to remind you to show some love to translators who make it possible for us to enjoy our favorite shows, as well as a special thanks to those who make fan translations of anime openings or things that never recieved an english translation! Pokemon fans you guys should get this especially, remember those guide books that answered so many questions we've had in the west that only got translated thanks to fan efforts and translators who were paid to translate some of the earliest guide books? Naruto fans! If you dont know, but you might, theres also a naruto radio show that theres translations for online that we ONLY have acess to because of fans efforts!

Don't get me started on all the people who make translations and EVEN SING THEM! remember how amazing some of those anime song translations and make them *actually singable?* Don't forget that doing that is a very creative act too! and people who translate fan comics!!!! or fanfictions!!!! please! appreciate them! It takes so much skill to translate the experiences of one culture into another, to make it understandable and meaningful across cultural and language barriers and to make it sound good on top of it all.

Tonight I cried reading an old translation of harmonia, one of my favorite naruto endings, it's 15 years old now, and i used to listen to it and sing it (with the help of that translation) with one of my little sisters, and its one of the only happy memories I have from that time in my childhood.

and so many other magnificent translators filled my childhood with wonder and joy, giving me the meanings of songs that changed my view of the world and helped me cope with hardship, and grow into a person i'm very proud of being.

Thank you, you'll never know just how many lives and hearts you touch. You are loved, you are appreciated, and anyone who thinks your art form can be replaced by a machine doesn't understand language well enough or culture well enough to know just how difficult it really is to capture the essence of someone elses art and I think in many ways, translation is a field where that which we call the soul of an art piece is most tangible, and can be most clearly seen, as it takes human experience and conscious choices based on an actual understanding of the real world and life itself to express that which is human in art. thank you, so so much for all you do.

i could go on for hours, but this is all to say, thank you

and if you THINK you can be replaced by machine translation please just go through an ensemble stars fan comic through google translate its utterly incomprehensible-

[canisalbus]

Here, a quick little doodle i did of your kids, i love these two so much, you are genuinely one of my favorite artists, i have shown so many of your art pieces to my friends and my sister.

Even if you drew them as stick figures i would be as invested as I'm with them and all of their lore, it's really inspiring! so breath, drink some water, and i myself know it's not that easy but take just a bit of that pressure off yourself you are enough and we are here for you!

I hope much better days come your way because you deserve them

(you don't have to answer this I just wanted you to know how much i appreciate your art and your existence, also sorry for bad english jajja)

.

[icriedforthemoon]

I feel so comfortable on Tumblr because you guys GET IT.

Like, I got insulted for calling Paul a twink (people can't take a joke anymore what the hell) and I can share fanart i wouldn't share elsewhere for fear of being judged as obsessive or weird. I like to make AUs ok???

But like, especially on the McLennon part. If I mention that I might believe that something had happened between Paul and John I would be publicly executed for being a perv or something LMFAO (literally received death threats I'm not joking). I love history and analyzing facts so I can have my own opinion.

Also I like feeling like I belong and you guys help a lot <3 thank you Tumblr community, we can be insane about 4 gay British men together 🫶🏼

[icantdothistodaybruh]

oh, are you familiar with the BoM side story? where arthur dreams of different characters in different fairy tales? i’ve become so! obsessed! with the snow queen versions of sebaciel. ciels outfit is so pretty on him!! but i love a ciel that left everything behind to stay with sebastian.. and sebastian, he’s been so lonely for so long that when he gets a pretty boy he can’t let him go. when someone tries to save him they not only get a “no” but get forcefully snow-blasted right out the door. they understand each other because no one sees the beauty in desolation like they do… so of course they stay isolated in a castle together.

there’s the panel where sebastian’s wrapping his coat around ciels whole body… sebastian acting so smugly to ciels rescuers… the line where ciel says he belongs to the devil… i could live here forever… please consider this cold angle of sebaciel

I AM! AND IT'S ONE OF MY FAVE EXTRAS OUT THERE!!

The implication that the whole dream was of Sebastian's doing (which he is very capable of judging by GWA) brings out such an interesting twist to it - we can see a glimpse of Sebastian's actual opinion on other characters! But I'm of course going to talk a little about Ciel solely for today hehe

I might be wrong since I only have ru and eng translation at hand, but the way Ciel talks about his heart being frozen and eye belonging to the devil makes me think of these acts as essentially same thing, especially given that he "adapted beautifully to the world of Ice" by Sebastian's words. I mean that his heart being frozen doesn't equal to death or inability to feel, but rather just that, adaptation and belonging.

Now I know it sounded far-fetched, but the reason It caught my attention in the first place was the mentioning of the heart at all. It's a dream made by Sebastian, the 'emotionless' and 'unfeeling' demon, with clear analogy to the contract built on power, revenge, and hunger for one's soul, or at least that is how it always was portrayed before. So why would his made up dream-Ciel suddenly bring a heart into equation?

You should've seen my face when I got to the chapter were Elizabeth escapes to rCiel. Call me delulu but it suddenly made so much sense when Sebastian started talking how "human hearts are mysterious, complex things" and "no matter if you are demon or god it is truly and utterly impossible to shackle another's heart." Before that I wouldn't even think he'd have any opinion on the matters of the heart, let alone it be a stated fact to him that he can't have it in a way he can own souls or bodies.

And so that man, in his made up dream, with a made up Ciel, made that Ciel say that not only his soul (eye) belongs to the devil, but heart too. Knowing for a fact it can't belong to him in reality. I'm speechless.

Also when I got your ask yesterday I thought I should make a fanart or a redraw of that scene, and once again, you should've seen my face when I found the page:

and if you don't know why I was so surprised I'll gladly explain with two more pics:

My head exploded.

Three pieces. Representing their change of masks and roles. Yet each is the same in it's core. And one of them is character's fantasy while other two his reality. I'm so done with this show.

...could it be that Arthur's dream made by Sebastian is yet another lie becoming truth?...