#temple building
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huariqueje · 5 months ago
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Side Gate of Confucian Temple in Tainan - Onchi Koshiro,1936.
Japanese , 1891-1955
Colour lithoraph , 38 x 47 cm.
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sahestatellc · 1 month ago
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Temple Building Company Dubai
SAH Estate LLC is a premier Temple Building Company Dubai, specializing in the construction of sacred spaces that reflect the rich cultural and spiritual heritage of the community. With a team of experienced architects and builders, they focus on creating temples that embody both traditional designs and modern functionality. Every project is approached with meticulous attention to detail, ensuring that each temple serves as a beautiful place for worship.
As a trusted Temple Building Company Dubai, SAH Estate LLC manages the entire construction process, from initial concept to final completion. Their commitment to quality and client satisfaction sets them apart in the industry, making them the preferred choice for temple construction. For expert consultation, contact SAH Estate LLC at ☎ +971 54 340 3066.
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aerikarkadian · 8 months ago
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Ep. 9 - Christopher Penczak, Temple Building, and Personal Pantheons
Christopher Penczak is a witch, a High Priest, and the author of more than 20 books, including The Three Rays of Witchcraft and The Mighty Dead. He also co-founded the Temple of Witchcraft. Music, Myth & Magick Episode 9 premiered on Friday, April 5, 2024 Oh, and did I mention that he has a degree in music? Honestly, you probably already know his name, have read one of his books, or have been…
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icannotgetoverbirds · 5 months ago
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help me escape homelessness and live with my lover!
If you can't help me with donations, reblogs are always appreciated!
Also I have hella bad waiting mode anxiety that is made better by knowing what to expect after what I'm waiting for happens, so if anybody wants to tell me how this process will go, I would greatly appreciate it.
Bonus points if you give me some ideas in the notes of mundane things to do with my wife!
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breathtakingdestinations · 1 year ago
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Wat Arun - Bangkok - Thailand (by Sebastian Dahler)
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shorthaltsjester · 5 months ago
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there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.
i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.
i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).
trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.
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dapurinthos · 2 months ago
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oHO the complete cross-section image of the jedi temple. the leftmost corner is cut-off in the actual book. it's not really anything new but i demand completion if the completion has already been achieved.
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- christian a piccolo
the room of 1000 fountains is supposed to be seven storeys tall (the lake level is five) & the way the cross-section sets it up is that the arcade that goes around the entirety of the temple (as can be seen in the whole cross-section) is also seven storeys tall. which works. it works with how the main entrance is seen in the films.
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wanderlustfuldays · 5 months ago
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Itsukushima Jinja Hiroshima Prefecture, Japan
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skiipst · 2 years ago
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more fem xie lian because i said so.
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merpmonde · 4 months ago
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Temples on the high street: Kyôto Teramachi and Shinkyôgoku
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A typical Japanese covered high street, right? Yes, there are lots of shops left and right, but this is Kyôto, a millennial capital and centre of cultural and religious tradition in Japan. So what happens when a modern high street encounters a centuries-old temple, bearing in mind that it would be very bad form to ask the priests to sell up?
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Well you leave the temple alone and build around it. So, in between the big name drugstores, Animate, clothes shops and cafés lined with the street's signature bricks and tile floor, here's the entrance to Seishin-in, with traditional wooden doors and tile roofing. It is also just visible in the first picture - see if you can notice it.
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Seigan-ji is easier to spot, further illustrating the contrast. Online maps show that this temple even has a cemetery in the middle of the next block, completely encircled by shopping streets and businesses.
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It's a similar situation for Tenshô-ji, though, this far up the high street, the commercial tissue becomes less dense. These temples seem a bit larger and own more land. Still, we've gone from a towering, mineral, covered street in the top photo, to an open path with low buildings and plenty of vegetation, with no transition.
These scenes of coexistence fascinated me when I first visited Kyôto in 2016, with a hotel in this area, so it was great to see them again on my brief return to the city in 2023. More fascinating still is the fact that one of these "just off the high street" temples is not only very old, but hugely historically significant... and I'm yet to mention it!
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connorphilpphotography · 15 days ago
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Cambodian temples are something else
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meidui · 6 months ago
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2012!stevetony + that don't impress me much
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hualianschild · 8 months ago
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the three thousand lantern scene 😭😭
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siriplaymastery · 4 months ago
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Hatshepsut Temple, Egypt 🇪🇬
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yebreed · 4 months ago
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Ancestral Hall of the Tiger Talisman in Fujian
One of those architectural gems that are scattered throughout the Chinese countryside: the Ancestral Hall of the Tiger Talisman (虎符祖殿) aka Huyan Ancestral Hall (虎岩祖殿) or Hufuyan (虎符岩) in Nanfeng (南豐村), Xinqiao, Fujian.
Built in the Song dynasty and rebuilt in the 16th year of Jiajing in the Ming dynasty (1537), the complex covers an area of about 1800 square meters. This temple is dedicated to the Taoist Leifa deity Zhang Shengjun (張聖君), the Master of Five Thunders. The papers with talismanic inscriptions are stuck under the ceiling.
Photo: ©劉江嶺
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wanderingflier · 10 months ago
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しとしと
石山寺
January 2024
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