#tell me if you want to change anything!

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[guardianlioness]

Watching Kafka and Reno’s interactions at the beginning of the Kaiju No.8 anime hits differently after catching up with the manga.

Reno protesting Kafka’s carelessness with his Kaiju form is a fun gag early on in the story, and his decision to stick with Kafka during the exam is endearing—but it’s amplified and almost sad in retrospect.

Manga spoilers from chapter 101 onward below the cut.

We learn in Ch. 101 that Reno has suffered a huge amount of loss in his life.

He lost his parents and brother. He lost the familiarity and daily routine of attending his existing school. He lost emotional security, witnessing his grandmother’s struggle with their mutual grief. He lost faith in the idea that someone might help.

Only for Kafka to trip headlong into correcting that belief.

Despite Reno’s disrespect, Kafka fully embodies his senpai title by teaching him the tricks of the trade. He looks out for and helps him without hesitation, and he brushes off any jabs or insults with a quick, internal wince.

And then Kafka absolutely shatters his core beliefs by shoving him out of a Kaiju’s path.

This guy—a guy Reno barely knows, a guy that he insulted seconds into their first meeting—is willing to die for him without hesitation.

Is it any surprise that Reno really would rather not lose him?

All of those reminders and all of that fussing is to keep Reno’s only hero from being scrapped for literal parts.

For the first time since the death of his family, someone steps between Reno and tragedy. Of course he’s going to do everything in his power to keep that savior alive.

[ratguy-nico]

Adivinen quien al fin dibujo algo? Wich means I'm back baby!

Its not perfect (like everything I made), but I just love drawing comic-like-stuff, I get to relax more. I dont try to do the lines perfectly or the super accurate anatomy (mostly cause I dont know shit about anatomy at all) and also get to be more simple in the colors, wich helps cause I struggle making colors a lot.

I missed drawing my babies...but why did I drawing them like that? XD I swear...I think I should have seen some reference cause I totally change the way I draw the Burger Babys which is crazy for me XD

Now...is this an AU, is this them as teenagers, why is Louise working on Aplebees? Well I didnt put an exact age for the guys here, they could be 16 or 19 I dunno.

This is solely based on this post from @zer0ogravity I lmao with this and totally need it to draw it.

btw I from Latam, I didn't knew what Applebees was until making this comic so if Applebees dont look like this sorry.

[bonicedemandarina]

Glorimas malleus be upon ye

Also, here's my yuusona! / Yuu oc? Yuu...idk but basically my version of Yuu. Hopefully I'll make a proper intro post for her soon

Anyways, I wanted to make something for glorimas since it came to the en server so here it is!

Click for better quality

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[bittwitchy]

Sebastian Stan. in a bathtub, which is all I actually got out of this movie.

[jesuis-assez]

↠ Tim & Lucy ↳ 5x04 - The Choice

[nights-flying-fox]

TMNT STORY AU COMP COMPETITORS MASTERLIST (@tmntstorycomp )

☆ Danny Phantom ROTTMNT Crossover by @chasingrabbits-art

☆ Love me, Love my Dog. by @tothefiniteyou

☆ We're not babysitters by @theawesomeninja-xd

☆ (Too Many Leos) Put One Back by  @beeceit

☆ Mitosis = duplication and separation by @varianlikescheese

☆ The Loyal Remain by @daboyau

☆ Monster Inside the Man by @keepsdrifting

☆ A Tear in my Eye by @cartoonhostage

☆ ERICA by @13runningsomething

☆ Captainx2 by @veearrifarrariboom

☆ Black and brown fur AU by @haro0o

☆ Set a Course for Home by @los-ninos-tortugas

☆ Catch You AU by @mudlarkspur

☆ Same Story Different Font by @tmnt-obsessed-ace

☆ Saviors of the Yokai by @mostlyvoid-partiallyturtles

☆ Everything Stays by @oddpocalypse

☆ Twin-Sync (More Than You Think) by @little-banjo-frog 

☆ Dimension Hopper Leo AU by @nights-flying-fox

☆ Inverted Confrontation by @boots-with-the-fur-club

☆ Cardinal Rules by @m0ths-wanderings / @dluebirb

☆ Manhatten: TMNT FARGO AU by @jxstacey [au masterpost]

☆ Universal Mayhem by @trixanimations

☆ Reminiscing that Old Time by @misshowdoyoudo

☆ Old Soul au by @delicatechildwitch

☆ Prime Leo AU by @darth-sonny

☆ TMNT: Broken Trifecta by @genderfluid-envy / @ask-broken-trifecta-turtles

☆ Body Horror Baby by @bambiraptorx

☆ Tiny Lil Fruit Turtles by @mochi-myles

☆ Through Your Hollow Bones au by @idiot-mushroom

☆ One Turtle Short of a Lair by @bucketofbugz

☆ Kitty's TMNT-Verse by @kittynumyum

☆ Shattered Pieces Of The Same Mirror by @xcometstarx

☆ Soulmates (Evil) AU by @error-core-animations

☆ Oh Hades, Let Me Have This by @faggotdonnie

☆ Empathy is Learned by @alicat54c

☆ Teenage Mutant Beetle Turtles by @beetleviolet

☆ Wouldn't it be Easier by @14muffinz

☆ Teenage Turtle Ninja Mutants (ttnm) by @idiot-mushroom

☆ The Birds & the Bees

☆ Two Nardos one dream Sequence by @tinytinyturttlesoup

☆ Sub-Zero AU by @noxvee6

☆ An OC, Echo! by @smol-bean-boi13 & @percy-eats-souls

☆ It's a Complicated Equation by @leilanising-vault-of-knowledge

☆ Good Genes by @lordshroom

☆ A Ghost of the Ninja I Used to Be by @robin-with-a-pen

☆ Sanctuary by @aquietwritingcorner

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[codacheetah]

The start of the Loop segment of the Siffrin & friends twitter QNA, and the message that flipped Loop's answers from silly to dodgy and blatantly upset.

Loopchat from speaking to Loop 20+ times.

Certified Loop dysphoria post

[multitooled-sentient-robot]

Automated UECS Safe Travels Crew Report November 11/13/2124

Many different forms of corruption have emerged in the last quarter. This has lead to four factions that threaten the crew: N'ukahana - She corrupts the minds of crew members and turns them against each other. Followers include @consortofrot and @rottendragon The Void - Uses it's infesters to corrupt the minds and bodies of those corrupted, though if the person is strong willed enough, they can keep their mind in tact. Seems to be lead by @observant-void Aurelionite (@gilded-gaia) - stuck in the gilded coast, she influences us all. Does not appear as hostile as the other teams. Motive unknown. Mithrix (@mithrix-the-almighty) - creates constructs such as (@mithrixsfavoriteconstruct) and generally antagonizing us at some points, he is a strong foe. Luckily, he is confined to the moon and therefore is generally confined to insulting us.

Individual Reports:

Safe Travels Crew Members:

Commando (@hornet-luck) - After being antagonized by captain, briefly became gilded to defeat him, afterwards was the main person to comfort and support them Huntress (@rain-of-arrows) - nothing of note Myself (this blog lol) - nothing of note Engineer (@turretlovernbungusenjoyer) - had a brief altercation with the one known as "Drifter" Artificer (@artificise, @housebeyond) - nothing of note Mercenary (S.T.) (@the-merc-from-ror2) - Had a duel with another mercenary that ended in a draw, has currently hidden himself in [ERROR - CODE: LIKE.IM.GONNA.TELL.YOU.PRICK] out of paranoia REX (@rexs-plant, @one-of-the-gardeners-of-all-time) - Has made a garden on the planet's surface, they're plant half has aligned themself with Mithrix Loader #1 (@the-bionic-powerhouse) - nothing of note Loader #2 (@the-reinforced-recruit) - Helps keep everyone emotionally stable. physically cannot understand binary. Captain (@tired-veteran) - Was corrupted by N'ukahana and tried to kill everyone. Was stopped by providence, REX, and commando. Currently not very popular. Railgunner (@railgun-ur-face) - Currently being corrupted by the void Seeker (@seeker-0222) - Nothing of note

"Survivors" of the contact light

Enforcer (@hammer-of-justice) - Corrupted by the void before trying to kill everyone. Currently in semi-stable state Bandit (@money-lovin-thief) - Has stolen several pieces of UECS property. HAN-D (@j4n1t0r) - Nothing of note Miner (@dirtnrocksnminerals) - Nothing of note Sniper (@bigfucking-gun) - corrupted by the void, condition unknown Mercenary (C.L.) (@hired-blade) - has had several altercations with other crew, currently locking himself in his room. Pilot - (@airborne-fighter) - nothing of note Drifter - (@drifting-collector) - collection was destroyed so they are trying to rebuild it. Has had alterations with engineer and Mercenary (S.T.)

Others of note:

Bandit #2 (@desperate-outlaw) - definitely not dating captain. nope! (Edited) False Son (@halcyon-seeded-bison-enjoyer) - Initially attacked the crew but has seemed to become our ally Providence (@bulwark-of-the-weak) - Came aboard the ship one day. Powerful. Motives unclear. Newt (@timeless-newt) - vendor of lunar items "Void Fiend" (@escaped-prisoner) - claims to be a survivor of the contact light but is to corrupted by the void to be proven. The void entities seem to bring him back to an unknown location.

End Report.

[frothingatthemaw]

A webweave on Knox seeing and loving his best girl as the sun itself

Inspiration and fic credit to You Don't Go To Parties by ladyedge on ao3 (@jawnjendes)

You Don't Go To Parties on ao3 by ladyedge // Selected Letters: 1965-1970 v. 2, Charles Bukowski // Bloodsport, Yves Olade // The Sun, by Edvard Munch // The Sower (Sower with Setting Sun), by Vincent van Gogh // Golden by Harry Styles // poemsonmars // selfaffirmation // The Seven Husbands of Evelyn Hugo, Taylor Jenkins Reid // Jean Cocteau to Jean Marais (1939) // Out Of The Woods by Taylor Swift // nephrosoupp // sirdwindl // Daylight by Taylor Swift

[winterballads]

🪷 The Lotus Flower in Mysterious Lotus Casebook 🪷

i. Growing Deep Roots

As noted by difeisheng, Li Xiangyi is an image more than he is a person. He’s the “symbol” and “beating heart” of the Sigu sect; “he embodies everything [the sect] stands for” and “has become one with every person he represents” in his role as a leader. As such, one might say he doesn’t exist as an individual who’s allowed the luxury of flawed, fluid humanity. Rather, he’s fixed into an object: a shield protecting those under his care, a mirror reflecting those he’s taken upon himself to be the champion for.  

While a heavy burden to carry, this identity as image is also shown to be brittle, hollow, like a hazy mirage which is more dazzling appearance than substance. Even Fang Duobing introduces Li Xiangyi to Li Lianhua by showing him a painting of his shifu — ink on a page, a person turned into a hero to be worshipped and idolated. 

Li Lianhua, over the ten years that pass after the Great Battle of the East Sea, works to plant and cultivate a new identity in the same way one might grow flowers. Li Lianhua forms deep roots and grows out of the mythical hero’s shell he’d been carrying as Li Xiangyi, thus developing an identity which is solid and grounding in contrast — an identity which involves “walk[ing] within a crowd instead of [soaring] above it.”

This shift from image to person is itself rooted in the lotus mantra (written by Buddhist Layman Pang during the Tang Dynasty) which Li Xiangyi first encounters after monk Wu Liao rescues him:

一念心清净 莲花处处开

The heart attains peace with a single thought; Lotus flowers bloom all around.

Although the exact timeline is left to interpretation, it’s implied that the lotus mantra operates as a catalyst of change for Li Xiangyi and that he changes his name to Li Lianhua after reading it. Now what is it about it that speaks to Li Xiangyi so deeply in that moment? As noted in 《 人間福報 》, the lotus mantra teaches us that a pure heart will result in an open and enlightened mind. One subtle, profound thought rife with compassion is enough for a person to glimpse Buddha in a flower, a leaf, a grain of sand or a speck of dust. In short, “if you can find peace within yourself, then you will find peace everywhere.” Perhaps Li Xiangyi, at his lowest point, finds solace in the prospect of stripping his life down to its very core and searching for purity, wisdom and peace within his troubled heart.    

By renaming himself 莲花/liánhuā lotus flower, Li Lianhua takes his destiny into his own hands; he empowers himself into reshaping his identity and laying down the foundations for the person he wants to become. Similarly to The Yin-Yang Master: Dream of Eternity which tells us that “names are the shortest spells in the world,” Li Lianhua’s new name functions as a spell which speaks a new him into existence. It’s a deliberate choice, a conscious attempt at breaking free from the suffocating shell Li Xiangyi was trapped in and become a person of his own choosing. 

The act of (re)naming notably also extends to Li Lianhua’s abode which he dubs 莲花楼 “Lotus Tower.” In addition to this significant choice of name, it’s interesting to note that Li Lianhua starts growing vegetables inside Lotus Tower when he’s left with nothing after his demise at the East Sea and is facing starvation. As such, his home is quite literally a site not only of self-sustenance and survival, but also of growth — a growth which requires hard work, patience and faith and nearly brings Li Lianhua to tears when his hopes are finally rewarded and the seeds he planted begin sprouting. The act of physically planting vegetables and learning to cook those vegetables speaks of a refreshing and grounding simplicity — of something disarmingly vulnerable and human after playing the role of a god-like figure. Li Lianhua has sweat on his brow and hope in his heart; he plants seeds, watches them grow and keeps himself alive by his own hands.

It seems it’s not only Li Lianhus’a home, but also his very person, which steadily grow into a lotus flower. Li Lianhua wears a variety of hairpins directly linked to the lotus, and the colour coding of his garments moves from the red he used to wear as Li Xiangyi to a lighter palette filled with greens and blues — colours which are more obviously linked to nature.

ii. Life Borrowed and Given Away

The lotus, both traditionally and within the drama itself, is closely connected to the theme of rebirth. On a literal level, the exotic lotus flowers of Cai Lian Manor grow directly from the corpses of the victims drowned in the pond, thus embodying life born from death. thawrecka writes in their story that Li Lianhua is “nothing but a lotus nurtured by a walking corpse, a body that doesn’t realise it should already be dead.” On a figurative level, the lotus grows in muddy water but blooms unsullied every morning, thus symbolising rising from a dark place and growing into something beautiful and colourful despite all the odds. The different stages of the lotus’ blooming can be taken to represent the beginning, middle and end of a spiritual path in Buddhism — a parallel to the theme of 趟/tāng taking a journey which underscores the drama in various ways.

Li Lianhua’s journey, more specifically, is that of a lotus being reborn. The soundtrack piece 《 一壶莲花醉 》 “A Pot of Lotus Wine” emphasises this connection in the following lines:

问一句莲花的悲喜 断一柄弃剑入青泥

I ask about the joys and sorrows of the lotus; A broken, abandoned sword is thrown into the mud.

Not only does Li Lianhua keep stressing at different points of the drama that Li Xiangyi is dead and all that is left behind is Li Lianhua; he even breaks his own sword Shaoshi at the end of the story, thereby physically reenacting a process of destruction—death—and rebirth. As Li Lianhua writes in his farewell letter: 

剑断人亡

My sword is broken, and I will be gone.

The significance of Li Lianhua’s action is further intensified here by the fact that the sword in the song is said to be thrown into 泥/ní mud, the site from which a lotus flower grows.

Considering that Shaoshi operates as a device embodying Li Lianhua’s character development throughout the drama, the fact that Li Lianhua decides to break it in the last episode should be taken as a key moment in which he chooses how his own narrative is going to end. Li Lianhua decides to kill for good the glorious image of Li Xiangyi which has become sullied with pain and regret in his heart, so that a simple, fragile peace can begin growing in its place like a lotus flower amidst the mud.

However, the tragedy of Li Lianhua’s narrative is that the rebirth he works to achieve for all these years is not his own to enjoy and never was intended to be. After the Great Battle of the East Sea, as Li Lianhua is reborn from Li Xiangyi and starts planting seeds all around him, he has already accepted that he’s nothing but a ghost, “wandering in the jianghu to close his loose ends and finally [...] vanish without a trace, not even a body left behind.” As mx-myth remarks, even the shift in his garment colours to an overwhelming amount of white as the story progresses makes it clear that he’s resigned to go and has “already started dressing for his own funeral.” 

The lotus flower symbolism permeating the narrative accentuates this bone-deep, unshakable resignation. While imprisoned by Jiao Liqiao, Li Lianhua is full of an aching, bittersweet fatalism when he recites a section of Guan Hanqing’s《 窦娥冤 》“The Injustice to Dou E”:

花有重开日 人无再少年 不须长富贵 安乐是神仙

Flowers will blossom again, But a man can never be young again. Seek not eternal wealth; You only need to be content.

Independently from the original meaning of the lines written by Guan Hanqing, the words seem to take on a sad, wistful quality when spoken with a bitter smile by Li Lianhua. In this scene, while the speaker reflects that rebirth occurs outside of themselves in flowers, they acknowledge that their own reality is one inevitably bound to end in old age and decay. Instead of looking forward to a bright future, the speaker doesn’t express any dreams nor ambitions and is only grateful that they’re alive this minute, this second, without any future prospects awaiting them. Perhaps a similar sentiment is reflected in the following lines from 《 一壶莲花醉 》 “A Pot of Lotus Wine”:

了了心事只 不负众生 而已

After settling my worries,  I just want to live up to all sentient beings.

Li Lianhua’s connection to the lotus flower, in fact, was always meant to be one of non-attachment. While Buddhism believes desire to be the root of all suffering, the lotus symbolises non-attachment due to being “rooted in mud (attachment and desire)” while “its flowers blossom on long stalks unsullied by the mud below.” This explains in part why the lotus is considered pure and noble. For Li Lianhua, this non-attachment takes on sorrowful connotations: it means that he stubbornly refuses to reap the seeds he sows and focuses his purest heart and will into ensuring those around him get to reap them instead. Non-attachment means allowing himself enough (a roof over his head, food on his plate) to survive, but rarely letting himself indulge in the precious luxuries of reciprocated love and care — of carefree joy and thirst for adventure.  

The ten years he lives after his first death at the East Sea are, for him, only borrowed time he didn’t deserve — borrowed time not dedicated to himself, but rather dedicated to others.

In many ways, Li Lianhua’s path effectively goes full-circle by the end of the narrative. When he and Di Feisheng reminisce about the moon they remember from ten years ago, they conclude that today’s moon isn’t any brighter than the one alive in their memory: rather, it remains constant, unchanged, as though the past ten years never existed as anything other than a short pause in the story, a coma, long enough for wrongs to be righted but not  for an already-dead person’s fate to be changed.

It’s interesting and particularly significant that the Styx flower (忘川花, from 忘川 “River of Forgetting” in the original Mandarin) is said throughout the drama to be the only thing capable of saving Li Lianhua’s life. In traditional Chinese culture, the Styx or River of Forgetting is part of the process of reincarnation; only by crossing it (and forgetting everything they’ve ever experienced and everyone they’ve ever loved) can a person finally reincarnate. For Li Lianhua, salvation through rebirth comes at a high cost — a price he’s evidently been ready to pay since the beginning, even if it means turning him into a ghost who must vanish from the story in order for those around him to grow and thrive further.

When Li Lianhua breaks his own sword to allow for rebirth, it’s not himself he’s saving. His sole purpose throughout his journey as Li Lianhua is to use whatever meagre strength he has left, whatever passion and drive are still alive in him, to save the world in any small ways that he can. He becomes a doctor who heals people; he looks for answers and solves mysteries to atone for the sins he thinks he has committed and rectify the mistakes he thinks he has made, so that those he has hurt can finally find peace and comfort.

The most powerful legacy Li Lianhua intends to leave behind by the end of the story has nothing to do with himself and everything to do with the people around him who he never truly admits he loves — the messy, imperfect world that’s caused him so much pain but that he nevertheless insists on saving with everything he has. 

Most strikingly, Li Lianhua chooses—whether consciously or not—to leave the life and future he’s renounced for himself to his companions Fang Duobing and Di Feisheng. The only traces he purposefully leaves behind live in them: in the Yangzhouman coursing through Fang Duobing’s body; the home, dog and recipe book he passes onto him; the worthy opponent he leaves for Di Feisheng to fight in his stead after he’s gone… 

Fang Duobing, by the end of the story, has grown into more than a disciple and a friend to Li Xiangyi/Li Lianhua: he himself has become the lotus flower bringing renewed life after Li Lianhua has left the narrative, thereby taking Li Lianhua’s legacy into a hopeful, vibrant future. As mx-myth mentions in their colour analysis, Fang Duobing notably wears bright pastel tones including a large amount of green/blue — a colour coding which emphasises Fang Duobing’s connection to spring and, by extension, new life and beginnings. “Life will always go on if there’s spring”; and so Fang Duobing’s youth, vitality and optimism can grow in the empty space left behind by Li Lianhua after he fades into the autumn of his life.

While Li Lianhua’s predominantly light colour palette might appear to align him with other characters in the drama who have left the past behind and are looking towards the future, Li Lianhua made peace long ago with the knowledge that he’s destined not to belong in that future. Just as the Lotus Sutra teaches us that “the inner determination of an individual has great transformative power” and “gives ultimate expression to the infinite potential and dignity inherent in each human life,” Li Lianhua focuses all his transformative efforts on creating a future which, despite having no place for him, will be fertile ground for the entire martial arts world to grow deep, healthy roots. In Li Lianhua’s own words:

幼芽生枝 新木长成 武林也一样 这未来如何 谁又能说得清楚呢

The young sprouts and the new trees grow. The martial arts world is the same. What does the future hold? Who can say clearly?

Should we say, then, that Li Lianhua’s story is one of sacrifice, self-renunciation and resignation — of drifting inevitably towards death as a flower carried by a stream? As he disappears on a boat and is asked where he’s going, Li Lianhua gives a response which echoes his first death at the East Sea in a way that feels entirely deliberate:

小舟从此逝， 江海寄余生

From now on I would vanish with my little boat; For the rest of my life on the sea I would float. 

How are we to understand a person being reborn simply so they can pass on that new life to others, and being convinced that their only true value lies in their death?

Perhaps, in spite of it all, we can find some small comfort in the knowledge that, no matter how sorrowful Li Lianhua’s fate, it’s at least one that he chooses — one that he has full control over, even poisoned and robbed of his life force as he is. As the lyrics of 《 一壶莲花醉 》 “A Pot of Lotus Wine” underline, “it’s just a matter of picking an ending that you like.” Perhaps that’s all that truly matters. 

wuxia-vanlifer makes an excellent point when asking: “What would be more tragic? That he never believed he was loved? Or that he did, but vanished anyway?” While I don’t have an answer to offer, there’s one thing I can say. Li Xiangyi, Li Lianhua — they live and die by love. They can’t conceive of themselves as anything other than a sacrificial tool because, for all that they pretend to be aloof and untethered, they actually love others—and the world—in a bone-deep, profound way they’ve never loved themselves. That love is not only the true driving force behind Li Lianhua’s character and the fate he chooses: it’s the beating heart of the entire drama.

“In this life, I have loved and I have been loved. That is enough.”

Shoutout to the following authors and bloggers whose brilliant words and ideas inspire me, as well as this gorgeous video 💖

ao3: @extraordinarilyextreme @thawrecka

tumblr: @difeisheng @extraordinarilyextreme @mx-myth @wuxia-vanlifer @xinyuehui

[lovesodeepandwideandwell]

how come I love leading class and reading groups and small groups and lectures and conference papers and book clubs

and I HATE leading Women's Bible Study

[tyummy-rp]

it’s just so hard to see tomorrow past tonight || Bailara

So much had happened that night, Tara genuinely felt like she couldn’t hold her body up by the time she made it to Bailey’s room. Thankfully, neither girl seemed to have too much energy to really get into it all tonight. Tara figured the morning would be a different story entirely.

It was weird sleeping in Theta and not being in Jaiden’s room, equally as weird waking up not in her room. Even with it being her own fault… it still sent a pain to her chest. She could almost imagine how the night would have went, but she didn’t let those thoughts linger. The truth was, she knew this was the right decision. Besides, Bailey was one of her closest friends here, spending the night with her, and now the morning was exactly what she needed. A no judgement, older sister to just… set her straight. And judging by the scene Bailey, Q and Suzy had been playing out before everything went to shit… she thought the other might need an ear to vent to as well.

Tara yawned, sitting up and looking over to where Bailey was- waiting to see if she had stirred from her slumber yet or not.

@murdermysterandmakeup

[feelbetterlove-books]

Oughhhh okay first of all, I am SO happy to see Bucktommy back on our screens and I WILL be mass reblogging things about them soon, fair warning! I took a bit after the ep to stop jumping up and down about how good it was, but then I came across the subject of this post and so first, to get it out of my system: a rant! It's not about the episode, probably not of any interest to most people, especially Bucktommy fans trying to protect their peace, so feel absolutely free to ignore this, I'll put it under a cut, I just have to get it out. I've been holding my tongue where bobs are concerned for the most part because I don't want to be mean/have a bunch of negativity on my blog/have any of them find and come after me like they're known to do, but idc rn.

So, there's this author I follow on insta, have followed for years, have read a few of her books and had the rest on my tbr. The ones I've read weren't mind-blowing or anything tbh, but for contemporary romances (not my usual genre) I had fun with them. What I really liked about her was that she is so outspoken about all of her books having bi characters: f/f and m/f. Bi4bi m/f, bi woman x straight man, bi woman x lesbian etc. I love to see bi rep and her efforts to make bi characters visible are great, I respected her for it and I found out last season, she's also a 911 fan! A Buck fan! Cool! She ships B*ddi3 but usually idc ship and let ship, I didn't think she was a Bucktommy hater.

That is, until tonight when I went on insta and saw her post. Bee cupcakes as the first pic, I went oh cute, for 911!! But then I scroll through the post and find this bingo card, the more I looked at it, the more I was like 😬 oh so she's a bob, huh? She only cares about Buck and his bisexuality if he's with E**ie? I didn't want to jump to conclusions, but then there's this in her stories (edits by me to highlight what I'm on about):

And I've blocked a LOT of blogs to try and avoid Tommy/Bucktommy hate so getting blindsided by this when I was in such a good mood enjoying our favorite guy's scene sucked. I literally felt sick about it for a while afterwards and I've decided to unfollow her and unhaul the books I own without reading more. It's not the first time I've stopped supporting an artist I was a fan of, granted this reasoning may seem dumb or petty to other people but I just can't get over it, I mean-

You're a romance author with 5 books published, I didn't think it was a stretch to assume you at least had some decent media literacy and appreciation for a good story/a sweet, queer, rom-com inspired ship. But you hate Tommy just because he's in the way of your ship? You champion bi characters, but will hate on the gay boyfriend of one who is breaking stereotypes and making people feel represented because you think his straight best friend would be a better match? Seriously?

And it's not only these two things, I looked her up on tw*tter, which I'm never usually on, but had logged into today to look at Lou's posts, and I found that she follows multiple people who I know to be particularly nasty Tommy haters/bobs. So. Yeah. I'm out of there, I just can't look at her the same anymore, not to be parasocial or whatever but she always seemed cool, I liked her, I wanted to support her work, I HAVE supported her work personally and as someone who works as a bookseller, I've pointed people to her books and sold them.

But now I just have a bad taste in my mouth. There has been SO much hate towards Tommy, Bucktommy, and worse, the real people who ship them, Lou, and even Oliver over the last few months, because it's constantly being stirred up by this kind of B*ddi3 shipper. I would feel sorry for them for how desperate and bitter they are if not for the fact that I simply cannot stand them anymore. They are miserable and determined to make Bucktommy shippers miserable, too.

I just don't get why people can't stay in their fandom lane and leave others alone?? Like, getting mad that Buck's ESTABLISHED BOYFRIEND and E**ie's FRIEND, WHO HE LIKES, was in one (1) scene, when it narratively made sense for him to be there to remind the ga of him, is pathetic. Tommy came to support E at the virtual birthday party of his estranged teenager, and make a heavy scene lighter and you're acting like he's some kind of monster. I can't even, I'm done!

I hope all the bestie boos will start to leave the fandom soon, when Tommy sticks around, because tbh they only care about one thing that's never going to happen and they don't even seem to have fun on their side of the "ship war". They're too busy being nasty all the time, can't talk about their ship without dragging ours down.

Anyway this rant is becoming more generalized than what I planned to say about that person and has already gotten sooo long, so I'm just going to post it to throw all my anger and frustration out there with it and then bury it with happy Bucktommy posts!! If any Bucktommy fan for some reason actually reads this 1. Oof. Sorry! 2. I 💙 you, Bucktommy fans are the best and I'm so glad to be in this fandom despite everything!!