#tell me i’m wrong i DARE you!!!

[lil-miss-brainrot]

ja’marr “walking art billboard” chase and joe “if someone got me flowers, i would be pumped” burrow as the tattoo artist x florist trope

[anachronistic-falsehood]

dirk strider homestuck 🤝 vash the stampede trigun

depressed blond bitches with spiky anime hair, cool glasses, agonizing self esteem issues, and are in gay love with their dark haired best friends who shoot guns

[dimplyowl]

Ofmd Season 3 opens with a shot of the exterior of the inn, all fixed up with a garden and new rooms added on and all cute. Then a shot to the interior, where Ed is staring forlornly out the window. He’s in the depression robe, now threadbare and clearly having seen much use. Stede is nowhere in sight. SOS by ABBA starts playing. There’s a montage of Depressed Ed. He lays on the bed, staring up at the ceiling. He cradles what is clearly Stede’s shirt to his chest, occasionally smelling it and tearing up. More forlorn staring out the window. Maybe holding a cold cup of tea this time.

A shot of Ed’s back, still staring out the window. From behind the camera, we hear, “Ed, for god’s sake, I was only gone for half an hour” and the music stops in a record scratch.

Ed whips around, robe twirling magnificently, reminiscent of Stede in season 1, and the camera follows as he absolutely tackles Stede to the ground, hugs him tightly. Peppers him with kisses as Stede laughs and hugs him back.

“I missed you,” Ed’s saying, “I don’t care if you’re gone for 30 minutes or 30 seconds, I always miss you.”

Stede goes all soft, brushes some of Ed’s hair out of his face. “I always miss you too, you nut.” They kiss, and it’s like so sweet and romantic. He pulls out a small package, hands it to Ed. “I just had to pick something up. Happy anniversary, darling.”

The camera cuts away to the title screen, Our Flag Means Death spelled out with their discarded clothes. A pair of pants is thrown in from out of frame, messing up the letters, and over the opening music, we can hear giggles and indistinct voices.

[mydadleft471]

The secret ending of the DLC is becoming Messmer’s consort and giving him daily hugs

[vitaminss]

RIP ronan lynch, you would have loved dog motif, cannibalism as metaphor for love, brat by charli xcx, gerard way and i’m not a violent dog i don’t know why i bite

[ineffableteeth]

Crowley: “I know what you smell like!”

The way snakes smell things:

[tacomics-biggest-fan]

TW: EYESTRAIN

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Guys I’m so glad this is canon

[messervixen]

Sirius Black is real.

His name is Conan Gray.

[twistedappletree]

wei wuxian: lan zhan, lan zhan! good morning! ☀️

luo binghe: shizun! 🥹

hua cheng: good morning, gege~ 🦋

wen kexing: 🎶 good morning pineapple 🍍 looking very good a-very niiiiiiiiiiiiiiceeeee 🎶

[chasingthestarss]

Rip basically all marauders era characters

You would have loved arguing over which Taylor swift era is best

[secretagentsagainstwhatever]

what’s the best halloween special of all time and why is it Community’s S2 halloween special Epidemiology

[head-empty-river]

okay, but like.

i have not been able to stop thinking about how being trans works as a gerudo. bc i hate myself apparently.

like i don't think they count trans masc people as the "once in a thousand years" thing, bc it isn't mentioned. so i think being born "male" is a biological sex assigned at birth thing. but if the amab person transitions, then i think they just act like it never happened (yes this justifies a headcanon of mine, what of it).

so maybe they just have to leave town when they come out. which is tragic in its own way, and would be an interesting conflict to explore. like they'd never see their family again unless they leave town to visit. or they'd have to dress up in drag, or not be out to most of town except for a select few (obviously the voe clothing store is a safe space, and its how she makes money making them despite being in a heavily guarded city).

then the dreaded question arises: why don't we see any non femme presenting gerudo anywhere, in or out of town?

it could be that the game just isn't showing us them, sorta like the completely new characters (pelican man, sidon's fiance, josha, etc.) weren't anywhere to be found in botw.

also honestly nintendo are just cowards when in comes to representing minority groups with tact, especially in zelda and especially the gerudo.

so though it isn't explicitly anywhere in the game, i believe trans people are in it, until (but tbh even after bc aforementioned cowardice) they flat out say otherwise.

my current headcanons of characters we do see are:

nonbinary josha (all pronouns)

trans woman riju (it's been a thousand years, she could've been amab)

trans masc link (he/they) don't tell me some magic and/or ancient tech shit couldn't get rid of top surgery scars. also idk he's just got the vibe iykyk.

[kairospy]

6 foot James flexing the one (1) inch he has on Regulus at every turn

[newlabournewromantics]

did you guys know tony blair actually wrote supercut by lorde?

this is dedicated to @tonyblairwitchproject thank u for enabling me

the process of putting together a supercut, of rewriting and reimagining an (artificially) positive version of a particular storyline, is eerily similar to what tony blair does in every aspect of his life. this is especially noticeable when it comes to his relationship with gordon though — he rarely goes into detail as to just how ugly their interactions were, and his public statements about why they grew apart are always imbued with soulless language about “professional” and “political” disagreements, rather than any honesty about the deep personal betrayal that was actually going on. plus, whenever tony does express any sense of anguish over the breakdown of the relationship, he’s always incredibly quick to defend his own behaviour (denying granita even happened… what the hell), erasing any responsibility he might bear. he is LITERALLY creating and playing a supercut, one which only has any traction in his own head.

journalists have written about new labour in 1997 being drenched in a certain magic, offering the public something to believe in. “gave” is past tense though, as the tbgb relationship began to deteriorate just months after getting into government, and newlab’s popularity would only dwindle as the years went on.

remember that one clip in the gq alastair campbell interview where tony refused to say he didn’t dream about gordon? yeah i remember it too, isn’t that funny!

two things to say here. one, tony can’t reach for gordon because they are not on speaking terms like whatsoever not even remotely. two, i truly think that tony has repeated his own version of events concerning gordon, both in his head and in public, so many times that he’s come to view them as reality — even if tony did interact with gordon properly, he would only be able to see the version of gordon that he’s created.

1994-2005 (ish), they wanted to reconcile and ease the tensions, but external pressures (teams around them, pressures of the jobs, emotional blockages etc) prevented them from truly fixing anything.

Tthese lyrics give me the impression that the speaker would twist themselves into any shape, fashion themselves into any persona, just to hold the attention of the person these lines are directed at. Very much reminds me of accounts re the 1994 leadership discussions, where it’s said that tony was promising gordon anything and everything to get him to swing behind him, then making similarly wild promises about succession later in government just to keep gordon playing the game. Also, it reminds me of that absolutely fucking awful (positive) rawnsley quote that goes something like “tony would cajole, plead, argue, rail against gordon”, just to get him to talk to him.

in my head, this section relates to his immediate post-pmship period, where he’s taking on international roles left and right to try and recreate the pure magic of newlab (and ultimately failing! lets’s not be dishonest here).

THIS IS THE MOST TONY BLAIR SET OF LINES IN EXISTENCE!!! PAY ATTENTION HERE!!!!!!!

first line relates to the nonsense (very sensible accurate analysis) i was spinning about tony rewriting his and gordon’s history, erasing his own culpability and capacity for TREACHERY! the lines about calling… such an obvious parallel with the infamous three hour phone calls, the “endless circular conversations”, the screaming fits down the telephone line…….

another dreaming reference? more likely than you’d think

this outro, although repeating lines i have already covered is actually very important to cover separately. the way that it just repeats itself, over and over and over and over, until the song finishes is actually incredibly aligned to tony’s mentality when it comes to tbgb. as i said earlier, i truly think that tony has repeated his own narrative regarding the way that he treated gordon — and his responsibility for how their relationship played out — enough times to view it as reality. he is insane and i understand him like nobody else.

[that-dam-heartstopper-fan]

I feel like if I were to have just one phone call with a mutual would be so chaotic! Also like if you got used to calling them, I feel like it would go like “hey I did/made this thing that relates to what we bond over can we call?” “Sure, but only for a few” “ok!” Then y’all call for 10 hours

Tell me I’m wrong-

[labyrinthhofmymind]

THE WIZARD AND I????

NO I THINK YOU MEAN DUMBLEDORE AND REGULUS!!!!!