#tbh I think she did well

[thestressedsimmer]

March 6th, 1315: The Despenser Estate

Elanor's birth team arrived quickly. It comprised of the servants Elanor chose to attend her, her midwife, and a holy woman in case the baby needed a rushed baptism or Elanor needed last rites.

Her labor progressed quickly, but since all of her labors moved swiftly (even her very first!) they were prepared for this and didn't let their guard down as they monitored the baroness.

Her screams could be heard throughout the entire estate. The difference this time being that she had time to feel the pain. The women by her side did their best to calm her.

"One more push, Your Ladyship. You can do this!" Her midwife encouraged. It wasn't as if Elanor had much of a choice - she probably would have given up if given the option.

With one final push, Baroness Elanor cried to the Watcher. Sister Emma gripped her hand tightly and prayed over her to try and bring her some form of relief.

The moment was only broken by the loud scream of a baby first born and her midwife's joyous shout of:

"IT'S A GIRL!"

[journey-to-the-attic]

the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>

i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[beforetimes]

i also think it's fair to say that charles was projecting onto erik a tiny bit during that fight on the jet to paris. when he says that erik took raven from him. when you're watching first class it's sort of very clear to see that charles did his share in pushing raven away throughout the film. especially when she's portrayed to be in this space between acceptance and rejection of her mutation. after erik enters her life around the same time she finds more mutants to bond with, she gets positive reinforcement surrounding her blue skin. when before, she asks charles and he sidesteps the question, and hank outwardly rejects her. she was definitely a kid at the beginning of the film before transitioning into someone who decided she deserved more than to be hated for who she was at the end. and in that process left the person who had raised her but also never seemed to see things the way she did; see her the way raven saw herself. becoming mystique and shedding the name raven was a way to divorce herself from charles' influence but! erik still played his fair part in bringing her over to his side. both charles and erik pushed her away from home and both charles and erik needed to work together to bring her back to her family

[paperglader]

it hit me again yesterday- literally as i was about to fall asleep- how stupidly cute it is that marisha as beau randomly burst out "i could be her beacon [that guides her home]" all awkward and earnest about jester, for then one campaign later, finally, laura as imogen come back to her with "you're my tether, laudna. sometimes i feel like i’m about to float away, but as long as you’re there" and i just think that's beautiful and another reminder of how in so many ways CR continues to be endless love letters from the cast to each other.

[0809sysblings]

Childhood Antecedents of Multiple Personality - Richard P. Kluft

Q.10 Have you ever gotten angry at other people? I don't think I've gotten angry before. Isn't it kind of disgraceful to get angry?

[laurrelise]

guys i’ve drawn lila some more

decided to draw 2 of her saddest scenes for what reason????????

i actually don’t have an answer i just liked the references

(also here are the references)

and i can’t remember if ive dropped these here before but i did some pencil drawings of her a whiiiiiile ago and im actually really proud of them so i’ll just leave them here regardless :)

v also their references

[pandorem]

Okay so I don’t feel the most qualified to talk about this, especially to make any value judgements on how any of this was handled, so I would love other people to add in if they feel like it, but this is eating my brain actually so.

Esther Finch is a funny villain. She’s a joy to watch on screen, even if part of that joy is in hating her. But there’s something that feels very deliberate in the fact that the only two girls (barring in the animated flashback) we see her target are black girls. Becky Aspen and Crystal. I don’t think we’re supposed to infer from this that she only ever targets black girls, but the casting of Becky feels deliberate. While there’s plenty of in universe explanation for why she wants to use Crystal to feed to her snake afterwards and doesn’t ever say, specifically target Niko, it’s still there. And though Niko was just hurt because she got in the way, she’s also another woman of colour we see Esther hurt.

And then at the end Crystal, who many have pointed out has been a voice for women throughout the whole season, stands in front of Lilith, the goddess of wronged women, and screams to her about who gets justice for all the little girls Esther hurt. And then Lilith, played by a black woman, is the one to drag Esther away.

Crystal says to Esther that she knows how anger can poison you. Esther says she learned to be predator instead of prey a long time ago. Do I think that the show literally wants us to think that Esther is a racist who deliberately targets black girls? No. Do I think the casting choices that they made bring up themes of the kind of people who, because they have been hurt or marginalized, want to push others down to have others that they can have power over instead? Whose problems with societal oppression is not that it exists, but that they aren’t the ones who get to benefit from it? I think so.

[cloudyvulpine]

hate when i'm info dumping about a *FICTIONAL* villain and someone has the audacity to be like "but they've killed people" or "but they've committed crimes"

i know

but they aren't real

i still want to make out with them

[tvckerwash]

you know, an interpretation of ct that I don't see that I personally really love is that she's a fuck up. like yes she's cool and she has some good fight scenes, but a huge part of her character is that she makes mistakes. the mistakes that she makes are ones that on their own aren't the end of the world, but she keeps making these little mistakes, and they eventually add up until she's out of room to make any more.

a really good example of this phenomenon in action is the actions she took leading up to her final confrontation with carolina and tex.

strike one, she thought she saw something in the water, but when asked by the leader what it was, she brushed it off as nothing when even if it had been nothing, it would've been smart to tell him what she thought she saw.

strike two, she didn't sense or notice florida's presence when the leader did, and she looks at the leader twice, once as she pulled out her magnums, and again after she did a scan of the room, almost like she was looking at him for guidance before he finds florida and takes him out with one good axe throw.

strike three, she couldn't convince the leader to leave when they had the chance to get away, and her cheap tricks were not enough to hold off either tex or carolina in a fight. they were only good for incapacitating her opponents enough for her to get away, which doesn't work when she has no escape.

ct is not tex, or carolina, or south. she is not a one woman army who can get herself out of trouble when she's stuck in tough situations. she needs people who can watch her back, she need a team who can cover her when she does mess up, and the leader and his team were not those people. she couldn't bring herself to trust them, and they couldn't bring themselves to trust her, and that cost all of them their lives.

[eff-plays]

I think Wyll is prettier than Astarion. There I said it. Astarion is more interesting certainly but mainly because Wyll is easier to look at. I just kick my legs and giggle whenever he's on screen. Mesmerized by him. Cannot tear my eyes away type shit.

[namakes]

One extremely flattering angle of Big Man for you

[essektheylyss]

It took me like two hours to process that Caleb's description of dunamis actually was somewhat new information and then go back to grab the transcription because, uh, both "form of magic that exists between the fabric of all of forces of power" and "one of the oldest and most fundamental forces" are far more confidently firm descriptions than we ever got in campaign 2.

Was I actually roughly correct about what dunamis was??? HELLO???

VINDICATION?!?!

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[spite-of-the-grifter]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete opposite of what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[ultfan]

me when tumblr recommends me someone defending dr3 in the tags and i read through the entire thing and get mad bc they don't understand what brainwashing really is.