#talking to oneself

[coffeexxcigarettes]

Hubris

-

It must be exhausting.

The screaming in your head;

Reaching out and brushing your fingertips

Against loved ones who turn,

Concerned.

And you laugh.

You fucking laugh.

It must make you choke,

Thinking of the way you stared in that mirror,

Ready to face nothing with certainty.

Vivid flashbacks ripping you

From state to state,

Their bodies rotting in your embrace-

How dare you?

It is not embarrassing to cry,

And yet I swallow until my throat cracks.

If you could speak for once,

Purge the darkness that plagues your bones-

Maybe you'd have a fighting chance.

But instead,

I stare in this mirror.

And nothing worthwhile stares back.

x

[voidling-prince]

I hope I'm not imagining a guy here but, did people actually think that Ludinus is right?

[pal-pi]

December.

I am nervous as the answer date seems to be looming.

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[puppetmaster13u]

Prompt 293

Jason takes a deep breath. He takes a deep breath, in for ten seconds, out for eight, and just takes a minute before looking again. Nope, there’s still the strange quartet of orbs in the box of what should be stolen weapons (What, the government had enough, honestly) that gave his workers the heebie-jeebies. 

Which is not the vibe he gets from them. In fact, he’s actually kind of concerned with how much he has to beat the Pit back with how quickly it lurches to latch onto the… Well they’re not gems, and he’s a little wary about touching them at first, but the Pit does seem to settle when he does.

Alright, he can deal with this. It’s not like he has several heads in a duffel bag that needs to be delivered or a tiny assassin child back in his safehouse (Seriously Talia, why was he the preferred babysitter?) or an entire gang in Crime Alley to deal with. It’ll be fine. 

…

He would like to curse out his past self, because there’s now four babies in his safehouse that appeared to have fucking hatched from the orbs. Goddamnit. 

[arthur-lesters-right-arm]

From anyone else's perspective Arthur's just got one hell of a fucked up soliloquy huh. ​

[vickyvicarious]

seeing ppl go "lol jonathan why are you admitting you found them hot what will mina think of you when she reads it!!!" has me go "*shakes you* you are going against the thesis of the book!!!"

I know some of why is dependent on knowledge of future events, and so people new to Dracula Daily won't be aware of it. But to be honest, Jonathan admitting his attraction to the vampire ladies is so, so important to me. On several different character levels, even outside of the entire book proving over and over again that sharing knowledge is absolutely vital (and is also an expression of deep love/trust/support).

Let's just stick the quote in here for reference:

There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain; but it is the truth.

Firstly - he needs to keep an accurate record. This is his only place to speak freely, his only opportunity to be precise about what he is going through. It is vitally important for him to keep his sanity intact that he be clear and try to remain logical in this diary. We see him fact-checking again and again. We can extrapolate from other statements that he doesn't always mention everything he suspects unless he feels it relevant or possible to prove. For example, repeatedly noting Dracula himself doing things before ever getting around to voicing the theory that the Count has no servants (he collected evidence first, didn't speak his suspicions until they were proven). Or putting the crucifix above his bed and taking the opportunity to sleep elsewhere, thus pointing to feeling unsafe and possibly experiencing bad dreams in his own room (he mentioned what he does about it, but not the feeling on its own or whatever nightmares he may be having). Jonathan works very hard to keep his diary focused on a few things above all: what the Count/ladies are, what everyone does, what Jonathan observes or learns, his actionable plans. He of course expresses his fears and emotions at times in his diary, more than he can out loud, but never going all the way down the rabbithole of fear, hopelessness, etc. He tries to calm himself by sticking to facts (all the harder when something strange is happening), which is in itself a soothing process for him so that's helpful too. His goal is to make this diary useful to himself and to others, if he ever gets the chance to share it. There is a goal here.

And what that means, is that the things Jonathan writes in great detail are things that feel relevant to him. The entire encounter with the vampire ladies was extremely important. It revealed a ton of new information to him, as well as being a truly horrifying and traumatic thing to go through. Jonathan's feelings are as relevant as his observations/actions here, because both are directly affected by the presence of the vampire women. Jonathan can't move. He feels dreamy. He feels attracted to them. He cannot resist and in the moment a large part of him didn't even want to. These are all effects they are causing, at least to some extent. I know mileage can vary a lot on how much of Jonathan's attraction is just coming from him, but honestly, I can't agree with any version that doesn't have a natural attraction at the very least being exacerbated by supernatural vampire abilities somehow. If not caused or called forth by them in the first place. The way he narrates, with so much obvious fear and revulsion mixed in with the desire, makes that clear to me. He sounds like he doesn't fully understand his own feelings at the time, at least where they all came from or why they were so strong. It goes along with all the other symptoms he is experiencing, and the other abilities they demonstrate. And so, to keep his record accurate - it has to go in. He cannot leave it out. It might become very relevant later.

Secondly - Jonathan is honest with Mina, specifically. I love this about their relationship. I don't think it's so much 'I noticed they were attractive' that he fears might hurt her, because Mina isn't particularly shy herself about noticing both women and men as good-looking, and even admiring their looks while on a date with Jonathan (poor Pretty Girl in Piccadilly). He also called local women pretty in his first entry as well (though he did say "except when you got near them" so it felt a bit backhanded to me), so again it's not the noticing that's an issue either way. It's more that he felt actual desire to act on an attraction, or rather for them to act. This is unusual, this is a separate matter from noticing people are hot, this is something that comes much closer to cheating or at least wanting to, and he feels very guilty about it. There's no real sense that he is worried Mina will be angry at him, and there's no sense that he will ever outside of that one moment ever want to act on any attraction he feels for someone other than Mina (or someone Mina also approves of, varying depending on your polycula headcanons). I personally do kind of tend to view Jonathan as some form of demisexual so how much he even tends to feel attraction to other people is often a little wibbly to me, but that's kind of irrelevant for the point of this. We can also set aside the shared language of "kiss" between Jonathan and the vampire ladies, and how this may point to a desire to become available for being drunk from, rather than necessarily sexual desire specifically, even if that's the type of language used. With regards to Mina: he's not worried about being caught, because he is choosing not to hide. He feels bad talking about the attraction because it might hurt her feelings, but he'll admit to it regardless because it's more important to him to be honest with her. Jonathan hates hiding things from Mina. This actually becomes plot-relevant later on. Even when she herself expressly forbids him from telling her stuff, he feels anguished about it and is certain to ensure that records are kept which she can read later. He trusts her completely. Embarrassment, shame, bad behavior, or whatever else - he will still share that with her. The only times he doesn't confide in Mina are when he's trying to repress everything because he thinks he was crazy (and possibly may even have some PTSD-related memory loss as well), or when he and the other men are trying to make sure she isn't exposed to danger (which is wrong in several ways but this post isn't about that so I won't get into it), and of course when she tells him not to. Every single time he feels upset about it. So yeah, he's going to regret that she may feel hurt, but deliberately hiding things from her would be worse.

Thirdly - Jonathan admitting his attraction here is a huge comfort to Mina later on. I truly believe this. I've talked about it before actually, but let me try to rephrase a bit to keep it on the same post. By being open about his own attraction and experience with nearly being drunk from, he provides precedent for Mina's October 3rd trauma. It makes it easier (though obviously still not easy) for her to admit to the same kind of desire:

"I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim."

Mina never blamed Jonathan for expressing such thoughts. She wasn't concerned about the issue being another woman when she came to him in the hospital, and when she read his diary she never mentioned any hesitations or misgivings about this scene at all. But even if she had secretly felt upset before (I personally don't see her thinking that way at all, but for the sake of argument), I think that experiencing something similar would make her grateful for Jonathan's candor. In a moment when she's already feeling deeply unclean and complicit, Jonathan's earlier honesty here relieves her from a little bit of the guilt she is feeling. It lets her recognize her own lack of desire to stop Dracula as something he did to her, just like Jonathan experienced with the vampire ladies when he couldn't/didn't want to move away. It's possible even that Mina felt more explicit desire for Dracula's 'red lips to kiss her' but didn't feel comfortable saying quite that much - even if so, again Jonathan's account would be a comfort.

And having that account written down long ago means she has already internalized this. If Jonathan had kept it hidden only to try and ease her mind later, well... first off, Mina too might have kept her reaction hidden out of guilt. And even if she didn't or he told her then, a confession at that time wouldn't mean nearly as much or carry the same kind of weight, I don't think. It would feel like he's making excuses for her, like he didn't trust her enough to tell her earlier, just... bad stuff mixed in, which are all avoided by having Jonathan be truthful from the start.

[stunfiskz]

dae dislike using the word “transmasc” when talking about their gender/when other people refer to you as it? like to me whenever i hear it it feels kind of like… dancing around actually calling me a man.

[fallen-kingdoms-crk]

Well... thanks kid? Is it just me or am I hearing the voices of the orchid. Is that normal?

"Well... yes and no? I hear their voices just fine, but... I didn't think you would be able to hear them... Though I suppose the others could interact with my friend here just fine, so I guess I should've expected you to hear GingerBrave as well."

[GingerBrave seems excited about this]

[crazykuroneko]

Saw this old article (early last year) getting shared again on Twitter. There are some parts I didn't remember reading, so I'm sharing it here

(All automatically translated by Google Translate)

Alternative translation by Deepl:

Hovering over the story of the relationship between Louis and Lestat is a question that, for whoever created the series, is the real central theme and was always what interested him most about the script. "For me, the most interesting thing is the memory. There are a few little moments in episode three where he wonders if it was raining or not raining. That's really the most important thing that happens in the first season in terms of where we're going to go in the second season," he analyzes. One of the resources to explore the concept of memory is, as he adds, to put a good journalist in the room to ask questions and even push the interviewee to go "deeper into their memories to see how fragile and malleable they are". Objectivity, when someone tells the story of their own life, is not always present, even if they are not aware of it.

"I think these things are really hard, in the series we address issues of race, queer and other things that are really important," Jones continues, "but the series talks about the act of telling my life story and how hard it is. Because it affects more people beyond oneself, because it involves "strange decisions" made over time and even manipulations because you can't "face the trauma or because you want to think better of yourself". In this sense, adds the creator of 'Interview with the Vampire', "there is a significant little line in episode two, when Molloy says that memory is a monster. I think this is the biggest monster in this series, memory".

[thebirdandhersong]

you guys God is so good and life is so surprising…… the barista gave me a free chunk of lemon loaf (I LOVE lemon loaf) today did I mention for FREE…. I saw an awkward looking young boy walking to his car from the florist with a little bouquet of pink flowers in hand for his girl……. there's this professor from Nanaimo who translates Ancient Greek stuff for free and I found his translation of The Iliad online….. the latest articles on Ekstasis are SO good and they made my heart so full after two hours of drudgery (class)..... I read this poem called Let God Become the Quiet in All Things and it twisted my heart a bit..... had Rocky Road ice cream with an unsettling amount of caramel and chocolate syrup last night before bed....... and in two hours and a bit, I shall be at my friend's house singing hymns with her and her other friend at our first English-lit-girls-choral-enthusiasts meeting......... everything is going to be fine, I think :)

[campbenji]

THE PARALLELS

[dreadfutures]

if I could write down my whole life it'd be a pretty good YA novel and it pleases me, despite the angst

like you can't make some shit up like this

i do feel like I have finally managed to escape the Plot by doing enough therapy (☺️) and being isolated as hell in the bay (😩). life isn't very exciting at that point but it's not bad and I'm not complaining too much about not being in a YA novel anymore.

like that part is pretty great. not being in a YA novel plot.

[unproduciblesmackdown]

omgg lol [guy who won't stop going "more like scapeGOATED" voice] now hold! on!! lmao [same guy just saw encanto voice] Hold on!!!