#take this any way you'd like :)

[wtslpod]

some lesbian thoughts on elrond & galadriel

The dynamic between Elrond and Galadriel, despite being central to the show, sometimes feels under-appreciated in the fandom. Like many relationships in TROP, it doesn’t easily slot into a single category. It’s not merely one of friendship or kinship or mentorship

It’s not romantic, but it is emotionally intimate—and that seems to trip a lot of people up, even before 2x07. We’ve always appreciated how emotionally open Galadriel and Elrond are with each other, particularly given how guarded Galadriel is with most other characters.

She and Elrond have a long history prior to their reunion in the first episode, and during the course of the show they rely on each other as they navigate disappointment and loss, both personal and as relates to elven-kind.

They don’t always see eye to eye, but even when Elrond feels hugely betrayed by Galadriel’s choices, it doesn’t erode the love between them.

They’ve been separated during their respective darkest moments, but find solace and healing in each other’s presence. They bring light into each other’s lives, and together will be instrumental in banishing the rising darkness.

One of the strengths of Tolkien's work, and one of the reasons fans (including queer fans like us) return to these stories time and again, is the focus on platonic bonds that defy societal norms through the strength of their intimacy and commitment.

Of all the relationships we've seen on the show so far, Galadriel and Elrond embody this wonderful category-defying emotional intimacy most of all.

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[disastergenius]

by far the worst take i've seen so far post-ep19 of Junior Year is that having a week-by-week live play would have allowed fans to essentially influence the direction of the story in the way they want it to go and that would have resulted in the cast being more sympathetic to the Ratgrinders (ie getting them a redemption arc)

why do you feel the need to try and control this story? YOU ARE NOT THE ONE TELLING IT. if you want to tell a story please go write your own, or go write fanfiction to cope or whatever but you don't get to say that the players are telling the story wrong when it's their story they are telling

[tulpar-transmissions]

i love having to pretend to hate myself. i love not being able to tell people to stop talking about me like that. i love people telling me to my face what awful things they wish would happen to me. i love sitting here and typing out my own brutal deaths because i can't tell anyone who i am. i love having to pretend because everyone sees me as subhuman. /sarc

[momentomori24]

Long-ass fandom rant because I need to scream into the void to find a reason to live let's gooooo

[For context I wrote most of this last friday which I thought was good to mention so the timeline makes a bit more sense. I really held off on this one XD Welp, let's start this trainwreck.]

Ok, I know I have other long posts I should be paying attention to (*cough* Keiji's shady shenanigans rant *cough*) among other probably more important things, but quickly wanna get this off my chest because it's kinda started to bug me and add even more concerns about the yttd fandom than I already have. This is specifically going to be about soushin-- yeah, yeah, I know-- but also bleed into something more... broad. Or broader. Idk, I'm a Tumblr user not a grammar teacher.

While browsing through Twitter I've been noticing a little spike in popularity for yttd with more fans and soushin shippers emerging as well. Which is cool, the game deserves all the praise and popularity it can get. And as someone whose been here for years, I'm glad that the fandom is slowly and steadily grown more accepting of soushin compared to the attitude around it way back when. There's been some genuinely really cool stuff that really does the ship justice from a lot of talented artist and writers that I absolutely love (will link some later), but something I've also been seeing a lot of from fans is what I can only describe as a "sanitisation resurgence" (but not really. kinda). A week or two ago on Twitter I stumbled across some soushin discourse where some people were sharing the sentiment that "if soushin end up being related and/or have a big age gap the ship is ruined". That they can only be two years apart max or else Nankidai has "fumbled them".

And the only response to that I had is "what". Like, how is that a deal breaker to you lot? How did you even get into the ship without accepting that those things could very likely end up being canon? How are you here and not ready to ship them no matter what's revealed about them after everything we've learned about them? Midori and Shin possibly being related was always on the table, and Midori potentially having already been an adult when Shin was in high school was always a very real possibility ever since we learned that he was never actually a student at his school. This is literally what soushin shippers got harassed by antis for years ago. Soushin is "problematic", and that's why people who shipped them where treated so badly in the fandom or just excluded all together. I can't count how many timed I've come across a "soushin shippers dni" or "soushiners are freaks and I hope you all have a bad day" or soushin fanfics/art with "I DON'T ACTUALLY SHIP IT BTW" and "not a ship" and "actual soushin shippers dni" attached to it. I can't recall how many times I had to explain myself with the "I ship but I don't condone it irl" or explain why I shipped them to not be labelled as a freak as if you need an excuse to ship anything fictional to begin with. I still remember soushin artist @uououoon and how they ended up deleting their Twitter account years ago because of the harassment and slanderous comments they were receiving for ships the fandom deemed problematic. When a person was saying their goodbyes to them on reddit and made some goodbye art (which is now deleted), some assholes in the comments were calling them weirdos and pedophiles for how they explored fiction and "glorified abuse" (which are the usual comments to uououoon's art posted on reddit unfortunately). I only caught wind of this one because back when they were still active in the fandom they were my favourite soushin artist and I went through their stuff almost every day and was tipped off when I randomly couldn't find their account anymore. They were such a nice and incredibly talented person too so the fact they essentially got bullied by a flock of stupid western fans seriously irritates me thinking about it again. This is why we cannot have nice things.

Soushin is "problematic". It's toxic and subtly abusive and important to the characters in question, but that didn't stop people from going after people who wanted to explore a dark, canon relationship (romantic, platonic or otherwise). How the actual hell did we go from "soushin has very toxic and problematic elements and you shouldn't be shipping it, you fucking freaks" to "you can ship it but don't make it actually problematic, you fucking freaks" like what is happening right now???? The worst part is that this is coming from other soushin shippers. The fact that there's actually soushiners with "proshippers dni" or "soushin is not for proship" genuinely makes me want to bite someone. Like, you horrible summer child-- not only are you demonstrating that you don't even know what "proship" actually means, but you're also spitting in the face of the people in our community that have CARRIED this ship for us for years. Why throw them under the bus to be one of the “good ones” in the eyes of antis when they hate us all anyway?

This brings us back to the sanitisation point: I feel like soushin is slowly being "sanitised" to fit the sensitive palette of antis by trying to make them as "morally acceptable" as possible. It's a worry I’ve had for a long time that once the fandom grows more accepting of the ship we'll be seeing more people basically scrubbing soushin of everything that made, well, soushin, to justify enjoying it. I've seen a bit of it already with a few people trying to say it's "not abusive" or just erase Shin's very obvious trauma by Midori all together for quite some time. Guess it's starting to happen on a bigger scale sooner rather than later. Maybe. Personally I don't think soushin having a big age gap or being related would ruin the ship. It just adds another layer of fucked up to their already fucked up relationship (I already hc Midori to be significantly older anyway so maybe I'm just biased). It doesn't really matter. I came here for toxic yaoi. I want nuclear waste level toxicity, not nuclear waste level toxicity presented in the most conventional and moral way possible. What would the point even be? It’s like packaging poison in a grape juice box. Like, it might be harmless to look at and more justifiable to think of as delicious, but it’s still poison. You making it look all cute and innocent isn’t going to change that. It's kinda funny and by that I mean not really that people will talk about wanting more "toxic yaoi" but when the yaoi is actually toxic and messy and horrific they will cry about it being "bad" or "ruined". You don't actually want dark dynamics, you want dark dynamics stripped of everything that makes them uncomfortable and dark so it's digestible to your tastes that don't even align with said dynamics in the first place. The worst part of this whole "soushin isn't proship so it's fine" bullshit is that it relies on trying to make the ship more "morally acceptable" or "legal" than other ships. Dawg, we are talking about abuse. You shouldn't be minimising that to say "well it's not [insert other terrible thing] so it's fine!!" That's not the "gotcha" you think it is. It’s one of the reasons why antis being into soushin made me feel weird cuz like you can’t ship it and then turn around to insult someone else, man (I’ve seen so many soushin defenders bash other “proships” to justify theirs like what are you doing--).

Realistically, the simplest and smartest thing to do when I see someone mischaracterise or butcher my faves is to either block or ignore and pretend to not care so I don't act on my sixth sense telling me to off them and myself. Realistically, this shouldn't be a big deal or anything that important, but this attitude is usually weaponized to harm and harass people who don't conform to their purity crisis over fiction. I'm in the unfortunate position of being not only a Your Turn to Die fandom dweller, but a Hazbin Hotel and The Coffin of Andy and Leyley one too. I'm used to being labelled a rapist and incest apologist irl who's delusional and deserves to be harassed and insulted by virtue of the media or ships I like (probably not a good thing). But people who are more active in these fandoms than me have it much worse as they get this shit directly waaaay more often while I mostly get called these things indirectly, which is what motivated me more to make this post.

So a couple days ago someone made some art of Monika from ddlc, Nikole (don't know the game sorry) and Ashley from Tcoaal. A lot of people on Twitter, unsurprisingly, bashed it for including Ashley to the point where some felt the need to clarify that they like her as a character but her actions (for some reason I do not understand like Monika has also done some seriously evil shit why are you not applying that logic to her too?). What struck me the most is that a yttd fan-- a self proclaimed "Midori enthusiast"-- ALSO quoted it to bash having Ashley in it. A freaking Midori fan. I told them to mind their business and start separating fiction and reality and to stop being a hypocrite, and thus ensued the most hilarious and stupidest convo I've had in a while:

You can literally count the seconds it takes for these guys to start throwing predator accusations and slurs at people. So "not exploring fiction correctly" makes me weird, but harming or putting real people on blast for nothing is free game, apparently. They're not the worst, both in this instance and in general, but it just stuck with me. Which is impressive, cuz I normally don't have much emotions to spare aside from general mild irritation for things like this. Maybe it's the Sonic feet.

But it ties into my issue. Midori's an absolute piece of garbage, yet some people will convince themselves that his actions are in some way justifiable to justify their hatred of something else (that is a lot less severe in this case) rather than love and let love. Tcoaal is not an "incest game" and if you describe it like that unironically you are not ready to be on the internet. No, it doesn't condone or glorify incest-- it literally does the opposite. If you need the characters to look into the camera and say "what we're doing is wrong and immoral" before doing something bad, I think you're the problem at that point. For the same reason you liking Midori (probably) doesn't mean you support human experimentation and torture, someone liking Tcoaal doesn't mean they support incest and someone shipping soushin doesn't mean they support abuse. These things are dark and shouldn't be condoned irl, but this is fiction. We can do whatever the hell we want. Being into darker themes and media doesn't have to reflect your real world views, but the inability to grasp that sentiment leads people to make their interests as moral and sanitised as possible and, feeling morally superior, will go after people who don't do that. This person deadass said that "incest is not morally grey and absolutely unjustifiable" (didn't even say that it wasn't btw) as if their blorbo hasn't committed so many atrocities for kicks that I personally find more unjustifiable. That line implies that they think that everything else Ashley has done and everything Midori has done can be justified because it wasn't incest specifically, which I find is a WILD thing to insinuate XD But it really does encapsulate the hoops antis will jump through to defend their likes while attacking yours despite the fact that it's literally the exact same as theirs. Rule of thumb: if someone accuses you of condoning something immoral because you like it in fiction, apply that logic to them, look at what they like and if their wet little meow meow is the Joker, Eren, Killua, Makima, Midori or whatever other morally bankrupt character you can come up with, take that as a confession and run. Cuz half the time these guys are actually nuts. While quote tweeting someone to shit on their art isn't the worst thing, considering how twitter has treated tcoaal artists the fact that they'd potentially open them up to harassment pissed me off, which is probably evident from my tone.

[Hi hi, this is me from the present right now cuz a more recent development came up so I’m using it as an example here too.]

While most of the things listed here have all been happening online, this attitude can come up in the real world as well.

As OP states, a bunch of hellaverse cosplayers were targetted at a french convention by haters of the show trying to ruin their cosplay. This is already completely unacceptable but the thing I can’t for the life of me get over is torching their costume while they’re still wearing it. Literally attempting to set someone on fire. All over a fucking show. It’s baffling how people can justify actions like this because they think your taste in fiction is so disgusting it’s Ok for them to hurt you. Not just online, but outside as well. It’s not the first time a hellaverse cosplayer has been harassed (last time it was a Valentino cosplayer but then again Val fans get shit from all sides all the time), and while I’m pretty sure these will remain as isolated cases it’s still scary to think about. What’s even more scary to think about how people think that their opinion on hazbin hotel has any relevance to the situation. So many of the comments in that post are just “I hate Hazbin Hotel, but—” or “I hate the fandom, but--” or “I hate Vivzie, but—” and I’m literally here ready to start pouncing like SHUT UP. No buts. That is not in any way important here. You not liking the show or the creator should not be important to the situation of cosplayers being actively harmed. You don’t have to signal your allegiances before showing basic human empathy, goddamnit. And what’s even worse is that some people have just turned this into a “b-but the hazbin fandom!!” issue, which is insulting. For example:

The “Hazbin fans do blackface and disrespect black people daily” is a reference to ONE Alastor cosplayer that nobody had defended. Not even fans. At least no one I can find. Yet they are using this one bad apple to generalise the whole fandom as "bad" and down play the amount of bullshit the hatedom does to fans on a regular. It kinda makes me feel sick that someone would look at a situation like this and spin this into a “fandom thing” rather than focusing on the victims. That they don’t deserve to be taken as seriously just because of the fandom their in. Some lunatic in the comments was literally completely minimising this whole thing saying “some red paint (fake blood capsules) isn’t nearly as bad as lynching and what black people have gone through in America” before calling anyone who called out that that’s completely irrelevant racist for liking Hazbin Hotel like are you kidding me. My homies in Christ, someone almost got lit on fire can everyone please stay on the goddamn topic. This is one of the rare moments where I was kinda proud of twitter as the majority of the comments and quotes where calling out their bullshit, but the amount of likes and some of the comments are still disappointing.

So what points am I trying to make here? This was very spontaneous and rushed so apologies if it feels messy cuz it very much is messy. But my main points boil down to this: Purification, sanitation and the “fiction equals reality” and "your fictional tastes reflect on you morality irl" arguments need to die. They just have to. While petting Shin on a daily basis gives me enough serotonin to find the will to live, the only true solace I will find is when people start being normal. People shouldn’t be getting harassed or labelled as freaks for fiction you don’t like both online and real life. People are not less worthy of basic human decency and empathy solely based on their fictional interests. People should be able to explore fiction however the hell they want without worrying about there being made a call out post on them somewhere. I search Tcoaal on twitter and there’ll always be a bunch of posts with over 10k likes calling all fans annoying weirdos or say it’s an “incest game” even tho it literally isn’t. I will try looking for some Valangel art on tumblr and see some loser use the tag to basically shit on everyone who ships it and lying about the treatment these shippers get while defending Charlastor or just shit on the ship in general. I just exist on the twitter side of the HH fandom chilling with other Val fans and literally every single one of them has either received death/rape threats or told to kill themselves, got ratio’d by a bunch of haters, had a call out post saying not to follow dedicated to them, had their art reposted and Val scribbled out, repeatedly accused of ““romantising a rapist””, or all of the fucking above. Valentino’s VA gets asked if he’s actually like the character he plays in real life or a fan being “relieved that he didn’t abuse them like Valentino” when they met (kudos to Joel for being chill about it btw I would be fuming this fandom does not deserve this man). I type in a certain controversial yttd ship to search and most of the latest posts are just people being rude, saying that if Nankidai makes them canon they’ll drop the game, calling the man himself a freak, calling other shippers freaks, shitting on soushin as well and then having soushiners defend their ship while also shitting on said controversial ship. It genuinely feels like fanbases are circuses and we are the clowns 💀

I could list other examples people being weirdos but I can't do that without breaking the momentum of this post even more than I already have. I guess what I wanted to vent about is how these attitudes regarding fiction and the way people police how others engage with it and how people think of you based on what you like can go from just annoying to downright dangerous more often than you’d think. That belief that you are morally superior to someone else based on the fact that you ship or like things the “legal” and “pure” and “healthy” way (which is never actually the case btw) can lead to you being really disrespectful or a complete asshole and not feeling bad about it at all, which does more harm than good. Which is why I thought it was important to bring up more extreme cases to empathise how this obsessive gatekeeping of fiction can and does hurt real people, who should be more important to you than fictional characters.

All of this is very likely going to sound very aggressive in tone and I want to quickly clarify that this is not meant to be an attack towards anyone in particular. I'm just tired and recalling all this stuff is making my mood sink like a stone lmao. Who knows, maybe I'm just overexaggerating and things won't get worse when the game gets more popular. This is just what I've been witnessing both in and out of my side of the moon. The amount of yttd fans I've seen act like this are a lot tho. No fandom is perfect obviously, and this one is the farthest from it, but with new people coming in and this weird attitude and need to sanitise not only towards soushin, but other "problematic" ships and media as well growing more prominent (mostly on Twitter and Tiktok) my biggest worry is that the hostility in this fandom will just... increase? Roulettefeel made pretty good posts about it-- my favourites being this one, also this one and this one's pretty short and sweet, summarising most of my soushin points a lot better and shorter than my trainwreck of a post so I recommend checking them out. If you like soushin, go check them out. If you don't like soushin, go check them out anyway. They make stuff outside of soushin too. They're pretty cool.

[I also want to add that the whole sanitisation thing in the yttd fandom is nothing new. It’s been a thing for longer than I have been here. I’ve just been seeing it again with soushin, which is was what made me want to do this in the first place. There’s another dynamic the fandom obviously does this for, but uttering it would not only get me flamed but straight up burned at the stake of bad takes so I’m saving that for a rainy day.]

Aaaaannd, I'm done, I think. I didn't have a good conclusion for this in mind. Idk, just be nice? You don't have to like "proships" (or what the fandom has defined as proship cuz that's not the actual definition), but that's what the block buttons for. Don't like, don't read, I say. Fandoms are for everyone and as long as what the person is doing is harmless, let them feel safe being themselves without having to worry about someone coming after them. Real life cops already suck. Let's not bring them into our collective escapism. And something you personally don't like ending up canon doesn't mean the game or ship is "ruined". That doesn't just go for soushin. That goes for other things too. To tie up loose ends, soushin having an age gap or being related has always been on the table and fits with other themes in the narrative. That does not count as "bad" if it makes sense. Soushin is not "Ok to ship" because it's "not an illegal ship" (whatever tf that means) and it's not "bad to ship" because it's "romanticising abuse". It's fine to ship because it's fictional. You don't need a moral justification to ship anything. That goes for all ships. That's why NOTPs exist. And "proship" doesn't and has never meant "shipping problematic pairings". It's a stance on shipping. It means being pro people being allowed to ship whatever they want. That includes being cool with problematic pairings, but is not limited to those. It means not being a fandom cop. Please stop saying otherwise, I cannot keep living this way--

Soooouuu, to end off on a more positive note and finally put this whole thing to bed I'll link some of my fav newer soushin accounts for anyone who's interested:

Hyo (orewagahai on ao3 check that out too): They are an amazing, amazing writer. If you're into dark, abusive co-dependent, complicated soushin with beautiful characterisation I would highly recommend. They just posted another soushin drabble on twitter and it's great.

jinn: They've been putting out banger after banger ever since getting into the game. Their art is absolutely stunning and they upload frequently, so go check 'em out if you can! It's actual medicine for the soul, I promise. They also draw for dead plate, so if you're into that go ahead too.

angel: Also cool. They're soushin art is hilarious and cute. As much of a sucker as I am for toxic, abusive sludge, they give thses two idiots a silliness that I enjoy. Also if you like trans!Shin content they're pretty good.

欣武 (my dumbass forgot to add them the first time sorry): They are INCREDIBLE. Extremely incredible artist. Their art is so, so freaking good. Not checking them out is absolutely your loss, ngl.

Be nice to them. If I catch anyone attempting to annoy them I'm coming after you and your entire family. Let's be better and not chase new comers off this time :3 Thanks for listening to my incoherent venting. This is mostly for me to feel a bit better, but anyone is free to read. If anyone's got an opinion or observation, feel free to offer it. I need coffee. Coffee sounds good.

[angelsdean]

me, dean, and everyone else watching: ok sure, sammy

[notasapleasure]

Kay, thanks for this link, reading the essay was almost quasi-religious to this lifelong atheist. It's an absurdly optimistic piece and all the more rebellious for it, I think.

I could quote so much more from it, but perhaps this is the most relevant bit right now...

For radicals, fetishizing the guillotine is just like fetishizing the state: it means celebrating an instrument of murder that will always be used chiefly against us.

Those who have been stripped of a positive relationship to their own agency often look around for a surrogate to identify with—a leader whose violence can stand in for the revenge they desire as a consequence of their own powerlessness. In the Trump era, we are all well aware of what this looks like among disenfranchised proponents of far-right politics. But there are also people who feel powerless and angry on the left, people who desire revenge, people who want to see the state that has crushed them turned against their enemies.

Reminding “tankies” of the atrocities and betrayals state socialists perpetrated from 1917 on is like calling Trump racist and sexist. Publicizing the fact that Trump is a serial sexual assaulter only made him more popular with his misogynistic base; likewise, the blood-drenched history of authoritarian party socialism can only make it more appealing to those who are chiefly motivated by the desire to identify with something powerful.

-Anarchists in the Trump Era

Now that the Soviet Union has been defunct for almost 30 years—and owing to the difficulty of receiving firsthand perspectives from the exploited Chinese working class—many people in North America experience authoritarian socialism as an entirely abstract concept, as distant from their lived experience as mass executions by guillotine. Desiring not only revenge but also a deus ex machina to rescue them from both the nightmare of capitalism and the responsibility to create an alternative to it themselves, they imagine the authoritarian state as a champion that could fight on their behalf. Recall what George Orwell said of the comfortable British Stalinist writers of the 1930s in his essay “Inside the Whale”:

“To people of that kind such things as purges, secret police, summary executions, imprisonment without trial etc., etc., are too remote to be terrifying. They can swallow totalitarianism because they have no experience of anything except liberalism.”

[memento-mariii]

There's something I find hilarious about this perjorative korean incels (and honestly just about any korean website whose userbase tend to lean male; the incel problem is depressingly widespread and normalized here) use for non-misogynist men, "스윗남 (pronounced "sweet-nam")", that translates literally to "Sweet Man".

Like, that's just objectively not a bad thing to be??? Sorry that guys who actually respect women and have actual personalities get more pussy than you, bro. Maybe if you were a better person you'd get laid more.

It's just so embarrassingly obvious that they're just seething in jealousy 😂

EDIT: a TERF reblogged this so here's a reminder that trans women are women, trans men are men, and punching down at a group of fellow marginalized people who are *also* oppressed by the cisheteropatriarchal gender roles will not free us from the patriarchy.

[thebirdandhersong]

i personally think there was no need to make remarks about age

[e-adlirez]

Treasure Seekers 3 Review/Ramble

Welcome to the third and last entry of the Treasure Seekers trilogy :D

"Wait what?" I probably hear you ask. "What about the other four treasures they said the girls would find?"

And to that I say

yeah it do be a bit sad that they never made a book 4

But make no mistake, Legend of the Maze is a doozy of a third book, and I'd say it's almost on-par with book 1 if not surpassing it. Unfortunately there is no free digital copy of the book, so uh if you're down to spend a bit on a digital copy on the E-book site of your choosing or on a physical copy in a bookstore, I salute you for your determination.

As for the rest of you, you're just gonna have to trust me bro :] /j

Ready? Let's go :D (also this is being written by a sleep-deprived E running on hyperfixation juice so if you find any grammar issues feel free to let me know so I can fix them)

The story begins with the Thea Sisters touring the Capelletti House in Verona with their Italian friend/tour guide Sebastiano. Yes, this Verona.

So yeah Colette is fantasizing about Romeo and Juliet as a romantic ship, Vi is trying to kill her Santa by telling her that Romeo and Juliet are fictional characters (which Colette responds to with "oh hush I can dream"), and oop-- loose floorboard-- what's this package under the flo-- LE GAAASSSPPPP LANE LOOORRREEEEE

The girls fangirl about the ABL jumpscare a lil' too loudly and Sebastiano is a lil' confusion, soooooooo the squad goes out for some snacks outside the Capelletti house to explain stuff to Sebastiano

buckle up Sebastiano you're about to get two 300-page books worth of Lane Lore™

While listening to the story, it turns out that Sebastiano may or may not have heard a peep about a legend about a treasure called the Treasure of Eternal Love (adapted Scholastic name is "Treasure of True Love" which ew, snatches the original Italian name instead), which was said to have been owned by Juliet and tho a lotta people are trying to find it, they dunno where it is now. Sounds very Seven Treasures of the World to me :]

How does Sebastiano know a peep about this very obscure legend? Turns out he learned about it from a letter written by his great-grandpappy Jacopo, who was an archaeologist like Aurora :3

So Sebastiano invites the girls to dinner at his place so the girls can look for the letter. Vi don't get too comfy with the house library I know it looks very cool and antique but we got a goal and that is sifting through a lil' box of Jacopo's kept things and find some-- HOLY CRAP LANE LORE™

-

"Hi Jacopo, tysm for helping me with my research on the Treasure of Eternal Love, you're a real g my guy, regards from me and my sister Linda, also tysm for the tour of Verona."

-- ABL

-

The girls tell Sebastiano their findings over a dinner of bigoli al pomodoro, give some extra Lane Lore™ about Jan von Klawitz and Aurora's six sisters, and mention the possibility that Linda knows where the treasure is, which means that Luke is probably after it too, but also Linda might know where the treasure is, which means a lead >:3

First stop: Verona's city hall, where Sebastiano's friend Guido works and is able to help them with finding information about a Linda Lane who may or may not have lived in Verona approximately a century ago. They find a document that says yes, Linda did in fact live in Verona once, and also her address is listed there because legalities, y'know how it is.

So the girls head on over to the address, knock at the door, and are greeted by an old lady, and :0 turns out this old lady (her name is Mia) knew Linda personally.

-

Linda and Mia met when Linda was in her older years and Mia was a smol child. Mia would read for Linda since her eyesight deteriorated in her old age, and they hung out a lot together. When Linda left to return to England, she left the house to Mia, as well as a good chunk of the stuff she had in said house as mementos for Mia to remember her by.

-

Hey guys you wanna see a trick, it's called "the Lane Lore™ %", aka how fast can we get this old lady up to speed with the ABL drama-- /j

Unfortunately Mia doesn't really know anything about the treasures, but she does have this wack painting of a scenery in Japan that just won't align correctly no matter how much finagling you do to it-- oh there was an envelope inside-- LANE LORE™?

So the letter inside the envelope is a letter from Aurora to Linda basically Aurora telling Linda she found the Treasure of Eternal Love, but because Jan is on her tail, she left the treasure in the "House of the Sun" for now. Now, if you tried looking up "house of the sun", you'd get a hotel in Florida, a manga, a former Incan temple that's now a monastery-- you get the picture, it do be a weird detail and probably not it bro, besides Aurora's too much of a gremlin to be that obvious with her riddles.

At least if you're not a Shakespeare nerd like Colette is (the kind that never read past Romeo and Juliet's wedding), because if you were, you'd know that at one point Romeo equates Juliet to the sun rising in the east. Romeo is simping for Juliet, Juliet is the sun, ergo, the Capelletti house.

But uh, thing is we already went to the house and we already know that Aurora came back for the treasure and took it somewhere else. Sooooo might as well see what the last letter says--

"Hi so I'm on the run rn I can't chat for long because Jan is pissed and he wants to find me and force me to reveal the treasure, and I don't think I wanna know how not-kid-friendly this is gonna get if he does find me. Thanks for introducing me to your friend tho :D she's cool and thanks to her help, the treasure is safe and sound in the shade of the cherry trees! I'll come back for it one day, hopefully that day comes soon. Anyway, hugs and kisses, Linda." - ABL

Spoiler alert, despite having a beeg cherry tree on the painting, there was in fact nothing else hiding behind the painting.

LUKE TRANSITION

So Luke is doing Luke things, not touching grass as per usual. Cassidy comes by to give him a lil' souvenir from great-grandpappy Jan von Klawitz's house in London: Jan's old notes. Luke immediately dismisses Cassidy without even so much as a thank you -- Cassidy girlypop you're not scoring that man no matter what you do, he's the Adrien to your Marinette girlie we're only at book 3, you might as well accept your fate -- and Luke takes a lil' peek into Jan's notebook (he also calls his great-grandpappy "Jan", like just "Jan". I dunno maybe I'm just finding it weird because I'm Asian . .) for the goods.

And goods Luke does find, which he proceeds to consume like a goblin. Bit of Klawitz lore here:

-

"Grrr grrr stupid Aurora and her smartass tricks grrrrr who does she think she is grrrrr she beat me to the Treasure of Eternal Love in Verona grrrrrrrrrrrr well at least now I know how she works, I managed to find this friend of hers Jacopo, who definitely knows about the treasure even though he keeps playing stupid like I don't know that he knows Aurora. Something something cherry trees, I ransacked every single cherry tree in Verona and there was literally nothing, wth, Aurora why are you like this" - Jan von Klawitz

-

Luke responds to this seedy lore from his great-grandpappy with "hehehHEHEHAHAHAHAHAHAHH JAN YOU IDIOT, YOU COULDN'T SEE WHAT WAS RIGHT IN FRONT OF YOU BECAUSE YOU UNDERESTIMATED THE LITTLE PILOT GIRL, I ALREADY KNOW WHERE TO LOOK"

Cut back to the girls, and they know where to look next, too

It's Japan, i-it's Japan, y'know Japan's relationship with their sakura/cherry blossoms

Turns out Linda has a friend named Kyoko Bianchi, a Japanese-Italian botanist who was raised in Japan. Since Aurora mentions in her letter that Linda's friend came in clutch, she was obviously referring to Kyoko and now the treasure is in Japan.

So Japan transition :D (based on my personal experience in Japan and also a bit of canon continuity consistency, I headcanon that despite being written in English, this segment of the story mostly had the girls speaking in Japanese, a language they would know how to speak a bit of at least (and apparently Vi is conversational in Japanese so c'mooonnnn).)

The girls land at Narita Airport and take a train to central Tokyo (damn Kumi from Cherry Blossom Adventure you came in clutch possibly teaching the girls how to Japanese subway offscreen because they actually didn't get lost using it on their own :D). Kyoko's hometown was Tokyo, so might as well start searching for her descendants/relatives there. First stop: Shibuya.

Colette is playfully ribbed a bit for having a big-ass bag while everyone else only brought smol backpacks around with them, the luck of the girls not getting lost using the Japanese subway must be balanced out so Paulina's GPS decides now is the right time to be a dick, Shibuya Crossing, and finally they make it to the hotel where Amrita Bianchi, their first Kyoko descendant candidate, is at.

And this is the first time the girls come across the concept of cosplaying, I genuinely don't know how they managed to sidestep it for so long especially since they've been to Japan before for a student exchange, all I can really justify it with is that university has been kicking their a-- RATSUNE MIKU??

Gahd even in 2018 Italy there was no escape from her /j

Anyway so Amrita didn't know Kyoko, so their second candidate is Shinobu Bianchi, a guy living in Shinjuku. They find him-- or more accurately run into him (literally) on his way to work, try to explain things to him but this man is running late, so he invites the girls to follow him to his workplace. They find themselves in a cafe on opening time, customers start filing in before the girls can even tell Shinobu what the whole deal is, soooooo karaoke break :D

Vi c'mon it's not like there's much else to do while waiting for Shinobu-- what're you gonna do, sit there and wait? A-actually y'know what that sounds like something Vi would happily do but c'mooonnn Vi where's your sense-a humor :D

Thirty minutes of singing later, they finally get five minutes to explain to Shinobu what they're looking for and Shinobu says "sorry I dunno Kyoko, I am half-Italian on my dad's side, but my mom has a different Japanese surname"

So the girls Peter William a bit emotionally, Pam goes to what Scholastic is telling me is a kiosk but might as well be a 7/11 based on the banger food Pam got from said kiosk, the girls take a taxi to a Capsule Hotel (judging from the illustration it looks like the Shinjuku Kuyakusho-mae Capsule Hotel), and after a bit of dinner, Peter William into their capsule rooms physically.

The next morning, Nicky goes out for a morning jog as usual (she prolly slept with her capsule open so she wouldn't get claustrophobic), and she finds a gardener tending to a Kyoko Bianchi flower :0 like no joke that's the name, it's a K. bianchi, named after a botanist who founded the Fairy Garden (Disclaimer: neither the K. bianchi nor the Fairy Garden Foundation in Japan exist, they're fictional bits for this fictional story and that's fine :3). Nicky gets the address for the Fairy Garden, runs back to the girls who are having breakfast, and they head on over to the venue.

At the Fairy Garden, the girls meet a gardener named Toshio who happily shows them around, and despite not knowing all the Lane Lore™ (yet), he knows enough to lead them to Kyoko's perfectly preserved office, where the late Bianchi has displayed some pictures from Verona, as well as her furniture and encyclopedia collection.

After a search, they find what was presumably a haiku alluding to Jomon Sugi and the writer's voice being hidden in there, and one jaunt to the record of Jomon Sugi in Kyoko's encyclopedia collection and uhp-- a hidden cassette tape inside the volume!

On one hand, victory, the girls have found a VHS tape that is implied to have a personal recording from Kyoko Bianchi herself, so they're super-close to the treasure now :D

But on the other hand, they found a VHS tape in the year of our lord 2018.

Good news, Toshio knows a buddy who's super tech-savvy, and that's including tech things. Bad news, he's in Kyoto, which is about 445 km/283 miles away from Tokyo.

So the girls quickly take a shinkansen and some bento boxes to Kyoto :D (their wallets are probably sobbing in an 86-USD ticket per person)

At Kyoto, meet Ren, are lowkey surprised that his house is a traditional Japanese house as opposed to a modern flat but hey it's a pleasant surprise, and Ren is able to play the tape for them.

In the tape, Kyoko explains the Treasure of Eternal Love, how it ended up in her hands at the ripe age of 20 through Linda and Aurora, and some Treasure of Eternal Love lore, or rather Ring of Eternal Love lore:

-

Yeah sure Romeo and Juliet were fictional characters, but reality, so it goes, isn't that much different. The Ring of Eternal Love was a courting gift from a suitor to a bachelorette of the Cappelletti household. The suitor and the girl's families had hate boners for each other for a while now, but instead of spiraling into a destructive mess of family feuding and death like in Shakespeare's play, they decided to call off the feud so the two lovers could be happy together. And now the ring, as Kyoko puts it, has been passed down from her to "one who shows love every day, in every way, towards everything that grows from the earth."

-

The girls are happy they got to see the tape and its contents, but they Peter William emotionally once more because well, they're back to square one now-- literally the only clue they have is the thing Kyoko said, and what is the thing Kyoko said? It's cryptic and weird and h a h ? Ren offers to accommodate them for the night, the girls get to sleep on futons for the first time since Secret of the Snow, and the next day they decide to have some downtime vacay-ing in Nijo Castle. A vacay that results in Vi having an epiphany about the riddle and thus who has the ring.

Meanwhile with Luke, he's planning something. Something that's got Cassidy in Japan and putting her master's degrees in Engineering, Chemistry and Computer Sciences to use by assembling a drone (I'm wondering how Cassidy has so little braincells out on the field despite having THREE MASTER'S DEGREES like holy crap--)

Cassidy tries complimenting Luke on the motherboard he sent in from Alaska and-- ew Omar why are you here I thought Luke fired you-- ooh what's that package thing-- oi don't diss on Japanese people being polite, once you see the ruder options you're gonna be pining for that shnit-- wait what how's this drone gonna find the Ring of Eternal Love--

Anyway the girls plus Toshio and Ren take the train back to Tokyo (istg if they took the shinkansen--) and back to the Fairy Garden Foundation, where they talk to the current head gardener: Mr. Murakami.

Mr. Murakami does in fact know Kyoko personally, and after a bit of persuading (it involves a bord like many good things in this world), he decides to bring them to his hometown Nara (which involves a train to Kyoto and then a train from Kyoto to Nara which on the Kodama plus the cheapest option from Kyoto to Nara is-- CHEESUS CRUST 91 USD PER PERSON AND THEY HAVE TO GO BACK TO TOKYO AFTER THIS???)

ANYWAY Mr. Murakami takes them to Nara Park, where he hid the treasure. He brings the girls to it, he checks the hiding place and

It's empty?

Wait, the hiding place is empty?

WAIT WHAT THE HIDING PLACE IS EM--

Off in Alaska, Luke is cackling in his fancy custom-made not-gamer chair.

Mr. Murakami is distraught, most of the girls stay to comfort him while Nicky and Ren scout out the area. In their search, Nicky and Ren find a big broken drone that seems to have crash-landed in the garden, and oop-- LVK logo. It was probably used to spy on Mr. Murakami to snatch the treasure. "DAAAMMMNNNN YOOOUUUU LUUUKKEEEE" Nicky probably would've shrieked at the top of her lungs if she weren't A. in Japan (it's very quiet generally), and B. within earshot of poor Mr. Murakami, who's still recovering from the horrible shock. The girls, Toshio and Ren take the drone to Kyoto while Mr. Murakami stays in Nara with the fam to recover because man, he deserves the break :(

In Ren's house in Kyoto, Paulina and Ren get to work hacking into the drone to snatch its data, and they find that the drone's memory goes as far back as to being in Alaska for some reason. Why would an LVK drone be in Alaska? Unless-- :OOOOO SECRET BASE??

With that lead, the girls depart for Anchorage, Alaska (if I plugged it into Google correctly the price for the flight totals out at a 567-USD one-way flight holy crap girlies have mercy on your wallets-- not including the mini shopping spree for winter clothes Colette was more than happy to drag the girls on). Ren gives Paulina a little flash drive with some written code that could come in clutch in whatever shenanigans they end up in in that secret base of Luke's. Yes Violet as much as I think you're the only person in the group who seems to be concerned for your wallet, ya'll are nawt surviving Alaska with those summer clothes ya'll are wearing.

Behold, a long rest/14-hour timeskip in the form of the last two letters the girls have yet to read from Aurora to Linda. (Well the girls besides Vi, God's sleepiest soldier over here is eeping in the back before the flight's even taken off--)

-

(These are the real letters this time around lmao, if you're confused, Aurora addresses Linda in these letters via her middle name Amaryllis.)

Dear Amaryllis,

I'm very sorry that, because of my job, you are taking on a responsibility that is perhaps too great, and that puts you at risk.

It's all because of the greed of my former professor, a mouse who is incapable of recognizing that beauty should be shared. My dear sister, I have thought about it for a long time, and I have come to the conclusion that the best solution is to take the Treasure of Eternal Love from Verona, where it is not safe... and put you at risk. I am sending you a copy of one of the photos I hold the most dear, in memory of the love that binds us. I hope it will help you make the best decision...

Yours, Aurora

-

Dear Amaryllis,

You wrote me that you are making a decision about the treasure. I agree that the mouse you're planning to entrust it to is worthy of that trust, and I will wait for more news. But you must be careful, even when you write to me, to not mention names or places. We need to watch out, because my former professor is more alert than ever.

It seems that he's building an underground shelter for his riches, designed as a kind of maze to test anyone who manages to enter it...

Professor Jan is clever, and he's always loved riddles, puzzles, and mysteries. I wouldn't wish for any mouse to find themselves in his maze!

Now I must say good-bye, my dear. Sending a big hug.

Yours, Aurora

-

Once the girls land in Anchorage, Alaska, they rent an SUV, pull out Google Maps, read some of the brochures Ren printed out for them just in case, fangirl over a moose (Nicky that's not something to fangirl about have you seen what they're capable of--), and accidental secret tunnel discovery?

Well, accidental secret garbage chute discovery, anyway, since the one thing that allows the girls to not break their ankles when landing is some garbage bags. Food waste garbage bags no less :D Ew :D

Some old aircraft bits are found too which is nice but it's never elaborated on whose old aircraft bits those were so we're moving on to the girls entering Luke's secret headquarters and Nicky trying not to die from claustrophobia :D

CCTVs pose an initial problem, but Ren's flash drive comes in clutch and allows Paulina to freeze the cameras so they can go in undetected (Ren how do you know how to program that is there something you wanna share to the class--). One lengthy labyrinth later, the girls manage to get out of the "we're walking in circles" loop-dee-loop they wound up in and find this little room with a little lit fire pit and an ominous riddle involving the "elements of nature". Pam has the idea of extinguishing the fire pit, and sure enough, inside the fire pit is a key that fits perfectly into the door across the room.

And right after Pam turns the lock on the door, a trapdoor opens up beneath her and she falls into the pit below. It's padded, it's kinda cozy, but it's way too deep for the girls to reach Pam from above without a rope or attempting to risk falling in and getting trapped as well. The girls are very reluctant to leave Pam, but Pam unfortunately only metaphorically slaps some sense into the girls and tells them to go on because they've gone too far to back out now so COMMIT TO THE BIT GODDAMMIT

(you guys like the rhyme-y bits? They're kinda fun to write I do like the rhyme-y bits a bit <:])

And thus the girls minus Pam go through the door to the next room, where there's this swimming pool with a key inside it, which Nicky swims down for, assuming that the trap in the room will only activate once they get the key into the door leading to the next room. Obviously she winds up being very incorrect, as the moment she takes the key from the bottom of the pool, the water starts to drain away until all you got left is a sopping wet Nicky in an empty pool and the key to the next room, which Nicky tosses over to Paulina while asking for her shoes and her dry clothes that they packed. Colette is devastated, devastated I tell you at the idea of leaving Nicky behind, on top of having to leave Pam behind, but Nicky's got faith that the girls will pull through and come back for her; so Colette, Paulina and Violet move on to the next room.

A LOT of walking down a twisting hallway later, the trio make it to the next room (which they use Nicky's key for), and we got four pots with something or other in them, lighting too dim to discern properly what's in the pots, a button sequence puzzle with no margin for error, and a wack riddle. Oh and Paulina's tablet's finally died after possibly uh, 18-ish hours of not charging it. RIP Paulina's tablet, that's gonna be set aside in the corner for the time being.

The pots turn out to have different types of sediment in them, and the wack riddle turns out to be the clue to the correct sequence to input, so the three figure that out fairly quickly and slide down the chute leading to the next room. Except for Paulina, who had to get her tablet from that corner she set it aside in, and wasn't able to make it to the trapdoor-chute in time before it closed on her face, leaving her trapped "forever", as the wack riddle states. The one time you're told to stop holding it, man, unbelievable. I'm never letting go of my tablet again /j

Now Vi and Colette find themselves in an empty room, and they only realize when they get down that Paulina wasn't able to make it out in time. Now this entire time, Colette has been going through it. Of the girls, Colette's been taking the whole leaving-my-friends-behind-for-the-greater-good thing not well at all, and it culminates in an emotional breakdown. Violet comforts her and reassures her that they'll get the ring, they'll pick up the other girls and they'll get outa here soon, but they gotta be brave now for the other girls. (Kinda hard to capture in short and sweet words what the emotion of the scene was but oh well). After a bit of calming down, Colette and Violet look around to find themselves in a... surprisingly simple room? There's a door on the other side of the room from them, and besides that there's literally nothing but thin air.

The two go to the door and move to open it. Yeah this one's surprisingly simple. Just walk on over, pull the door open, walk o-- a gust of wind slammed the door shut . .

Yeah that's right. You ever leave a window in your room open on a windy day and leave your door also open, and the wind going into the room slams the door shut? Yeah, it's that multiplied by uhhhh how much is a vent opposite the door opening up just to blow f%#ken WIMDY-level winds just to slam that metal door shut? However that much multiplies that. The two find themselves in a situation where had all five of them been there to do this puzzle, it would've been far easier; but it is doable with only two people. The plan is one of them wedges themself between the door and the frame and prop it open, while the other crawls under the first person's leg. Transitioning to the second person propping the door open for the first person is gonna be a bit dodgy, but it is doable kinda.

Now Colette has been going through the ringer emotionally, and if you've seen this trope before, you'd know that it'd be a real damn shame if they lost their emotional pillar and had to carry the entire plan on their own, riiiiggghhttt? She's been the handling this situation the worst (emotionally), and it would bring her a belly of the beast to trump all bellies of all beasts and force her to do a The Next Right Thing (hot take: Anna's arc in Frozen 2 was really good), presumably after a lot of sobbing in the corner! It's perfect for angst, and it's perfect for empowerment to see Colette pick herself up and be strong for the girls and save the day!

Which is why Colette doesn't end up being the last one standing :D

Colette was the one who propped the door open for Violet, who crawled through to the other side. The plan was to have Vi switch with Colette so Colette can get through, but one thing they didn't take into account was the fact that the vent would slowly create stronger and stronger winds the longer the door is held open for, so Colette winds up allowing herself to be trapped in the air room so Violet can do the thing. (Oh and the plan was Colette's idea too.)

Heeyyyy Viiiiiiii~ Do you have some cash left over in your wallet? Because I think it's time for you to put your money where your mouth is :DDD

So yeah Violet continues on alone.

Also if you're wondering where Luke is this entire time, he is in fact in his base, still not touching grass and none the wiser about the whole five lil' rat girls sneaking into his base because of the whole frozen cams situation. He does technically notice something's off, but he thinks that the clock in one of the cameras is broken and he ends up complaining about it to Cassidy, haha L. It is also at this point where we learn that the girls have been in Luke's base for a little over three hours at this point :D

Meanwhile, Violet goes down the narrow metal staircase in the hallway outside of the last room and finds herself reminding herself to stay calm but also inside Luke's treasure room, where treasures of all shapes and sizes reside. From whole dinosaur skeletons to ancient Egyptian statues to paintings to suits of armor and-- holy shnit Luke has the Ark of the Covenant in there too o o yeah this guy means business holy crap--

The Ring of Eternal Love is in there too, the lone treasure in the set of seven empty pedestals that Luke was prolly intending for the Seven Treasures of the World. So Vi, clearly not having watched Indiana Jones Raiders of the Lost Ark, attempts to lift the glass case protecting the ring, which sets off the alarms in the treasure rooms, and whoa holy crap there's a robot voice speaking through the alarms? WAIT WHAT DO YOU MEAN FIFTEEN MINUTES TO SELF-DESTRUCTION

Luke, having the shock of his life, comes down to the treasure room to see what's up, and of course it's one of the five brats who's been getting in the way of his endeavors. Hardly a surprise, really, those five have been a pain in the ass from minute one of Luke looking into the Seven Treasures-- from stopping him getting the Alabaster Garden (he didn't even get to see what it was smh), to duping him with the most audacious of gottems to exist only partially due to his goon's stupidity, and now sneaking into the heart of his base without him, his cameras, or his sensors noticing. Strange how there's only one of them, though.

Just like Aurora Beatrix Lane almost a hundred years prior, this young lady is naive, morally stubborn, and idealistic. She is preaching out about sharing these treasures to all, even when the worth of these treasures comes partly in the luxury of not everyone being able to enjoy them. There is value in that sense of rarity, and it's not like any of the uncaring, ignorant whelps working in the museums look at the pieces that sit before them and realize the true value that they have the privilege of looking at everyday. They wouldn't care about them-- they would do the bare minimum to these unique masterpieces and leave it at that. And this naive brat thinks that they are more loving, more caring to these pieces than Luke is?

But as naive and morally pretentious and... ignorant of time and place this woman is (did she really not hear the self-destruct alarm and is thus willing to babble to her grave?)... she is clearly very intelligent. She was able to affect the base's security system such that she could come in undetected. She was able to get past all four traps without getting trapped herself. It is strange how she is alone here, though. She is usually with four other girls-- ah, that's it. They got trapped, and she left them, so she could get to the treasures on her own. What a show of common sense, that is! She must've seen that the traps were designed such that risking oneself to rescue a trapped person is just not worth it, and that first point already makes her far more intelligent than Cassidy or her buffoons could ever be. It could even be on-par with Luke himself. What if... perhaps....

What if they worked together?

Luke, after a bit of back and forth with Violet, gives Violet an offer to ditch her friends and become his partner. If she accepts they can divide everything between each other in the vault, and together, they'll be able to uncover the treasures of the world and enjoy them all to themselves.

I mean of course Vi turns down the offer in favor of sticking with her friends but y'know what it was worth a shot, Luke, kudos to you for spotting a gemstone instead of covering it with mud and pretending it's not there.

Heavily disappointed by Vi turning him down for the sake of "the power of friendship" (I wish I was kidding)(Scholastic!Vi's (?) words not mine)(I would be incredibly disappointed too), he turns to leave her in the treasure room, and it's only then that Vi realizes she kinda effed up. Luke is the only guy here who knows the base inside-out, and thus would know a way to get the girls out so they can Not Die. And to add insult to injury, Luke made a bomb shelter out of his treasure room, so the entire base may explode and the girls might die, but the treasures are gonna be completely fine. Intact, even. Luke leaves, and the robot voice announces ten minutes before self-destruction.

As soon as she's able to, Vi calls the elevator, juggling anxiety and being able to think under pressure. She figures out that Luke oh so helpfully uses pictograms for his elevator buttons instead of numbers, and presses the button for the control room (the heliport floor is locked by a key). She arrives in the control room, eight minutes before self-destruction.

Just as Vi enters the control room, the cameras get kicked back into action, oh so conveniently showing to Violet a timer ticking down to the big kaboom in real time, and footage of Nicky waiting anxiously in the pool room (and Luke leaving), for extra stakes. One Perception check said "yeah, this is a LOT of buttons, TOO MANY BUTTONS", and the tablet sitting on the desk required a password, so oh god what do

Six minutes before self-destruction and one panic attack later, Vi manages to psyche herself up enough to roll for Investigation. She finds a button for disarming the traps, and that allows the girls to get outa the traps and meet up again in the treasure room. Happy reunions aside tho, four minutes to self-destruction

Turns out the girls (thankfully) didn't know about the self-destruct situation. No need to explain tho because Vi is deadlifting the group braincell like she's never done before. She drags them down to the base's... basement, where a train that was probably used to carry the treasures into the base sits unused and ready for the girls to figure out how to work. Three minutes before self-destruction, no pressure :D

Pam sits at the train's controls, Paulina tries to help but immediately brain crashes at the old-timey controls, thus deciding she'd rather help Nicky get the bars off the rails up ahead. Two minutes left, and Pam figures it out and is ready to-- wait they need electricity-- okay cool Nicky and Paulina are taking care of that, cool

Pam gets the train to start up, Nicky and Paulina manage to hop back into the train, and escape the base's explosion range with about ten seconds to spare :D

After stopping the train in a spot where their braincells could afford to deflate, the girls take a minute or two to breathe y'know, just take a minute to breathe, nibble on some wild raspberries growing in Denali National Park, before figuring out what the hell their next move is.

Vi suggests they tell the authorities about the whole secret-base-under-the-park situation and the treasure room and the stuff inside it (since Luke oh so foolishly gloated to Vi about the treasures being perfectly safe), on top of removing the train so it's not getting up in nature's business. They head back to the car talking about their adventure, get a bit sad that they weren't able to find the Ring of Eternal Love-- and oop just kidding, Vi pocketed it in the treasure room right after Luke dipped :D

So on top of the girls escaping with their lives, not only is Luke gonna lose the Ring of Eternal Love as quickly as he got it, he's also losing his entire treasure vault. Can I get a ripperooni

And that's Legend of the Maze :D

I would say that the hyperfixation-that-consumed-these-girls'-lives-for-a-whole-week energy is very strong in this one in the best way, and the girls' personalities are at their most showcased here. The banter is bantering, the girls' dynamics with each other is very believable here, Vi is carrying the group's braincell the entire time and she looks like she's a bit tired from carrying it but y'know wut she's still willing to carry it because it's honest work and she knows how important it is to have it :3 also her trying to kill Colette's "Romeo and Juliet are so romantic" Santa but failing miserably because Colette unashamedly likes believing in the power of love is hilarious

The main thing I wasn't sure about was.... all the infodumpy bits? The infodump goes a significant bit harder in this book than the previous ones (even more than Compass of the Stars, which is an achievement), and it's Scholastic-style infodumping, so you get the girls calling Luke an "evil mouse" or "selfish mouse" and I'm sitting here like "just call him sewer rat please ya'll had no problems calling him that before please for the love of god use that instead it sounds better--"

Don't even get me started with Amrita Bianchi explaining to the girls what cosplay is like she's the damn Merriam Webster dictionary--

Also the Japan segment with y'know Japanese culture and stuff had the terms localized for some reason??? Like haori became "dark jacket", kimono became "long, elegant Japanese dress", they didn't even mention Ren's hakama (he was wearing a very traditional Japanese look), they felt the need to explain bento boxes as "typical Japanese portable lunch boxes" even though "Japanese lunch box" probably would've gotten the point across just fine and also there was an illustration of the bento boxes, Japanese characters became "logograms" for some reason, and dango became "rice dumplings" which became infinitely more confusing for me because the illustration made it look like takoyaki--

I could go on and on but yeah, there are a lot of these and it felt very infodump-y to me. I'm hoping it's just a translation thing, because the story overall feels pretty solid. Scholastic, what happened to the asterisks? Were they just too much for one page? I feel like you would've been able to squeeze them in just fine to make the reading experience a little smoother,,, just like, so it's an optional thing for the reader to read the mini-infodump of the term if they dunno what it means,,,

Other than that tho I don't think I have much to complain ab--

COUGHS GAGS SCREAMS CRIES WRITHES ON THE FLOOR

(I have the magic-of-friendship-invocation tolerance of an angsty teen I'm sorry :'3)

Scholastic, buddy chum pal buddy chum buddy chum pal,,,,

You could've had Vi say "the only way I got here was thanks to my friends", and it would've been fine and infinitely better-sounding and probably more in-character,,, o<-<

Gahd I hate it when Vi's used as the power of friendship prophet -m-

There's a more minor one as the girls are going back to the car and Vi is telling the girls about the deal Luke offered her, and the girls ask her what she said, and she says "I told him I already had the greatest treasure in the world... true friendship!"

Meanwhile I'm sitting there like "MMMMMGGGGGGHHHHHH 'friends like you' or 'sisters like you' or 'my friendship with you' would've sounded better -m-"

(Also the girls call each other like "friends", so like "you were in fact right, friends", which is like, what happened to "sisters" or "girls" those work perfectly fine and get the girls' close relationship across significantly better than "just friends")

Most of what I'm saying here tho are just nitpicks and probably (hopefully) are just stuff with the English translation-- in all seriousness, the book is pretty good.

Aurora's trail here makes sense and is rather logical, and the interesting thing I find about it is that it feels different from the previous two books' worth of shenanigans. Aurora in this one had far less veers and nation hopping shenanigans, and I feel that it was perhaps intentional. Perhaps to give off finale vibes-- Aurora works far more closely with her sister in this one, and the main thing the girls had to work with was not Aurora's diaries, but the letter she wrote to Linda when they were discussing the Ring of Eternal Love. Something about it feels closer, more intimate, more tragic than the previous ones. I felt the need to put her last to letters in the book verbatim because they were emotional dammit -m- Damn you British Amelia Earhart you've done it again /lhj

Luke's character I think is the strongest here. He gives off in a way the most... normal? Vibes here? He's still not touching grass and muttering to himself ominously a whole lot, but his mindset is nice and easy to wrap your head around here. He literally doesn't care about his goons unless he needs something from them, he is more than happy to overanalyze the crap out of a piece of text if he feels Cassidy didn't look through it thoroughly enough, and he wants what he wants right away, and that includes the things he needs to get the thing he actually wants. He as a character literally observes everything happen from his base in Alaska and backseat gamers the crap out of his goons if he sees something they didn't, or if they fumbled the bag and it was perfectly avoidable had it not been for SM being SM--

Also his blatant disrespect for his great-grandpappy Jan is holy crap haha-- it might just be my cultural background, but when I saw Luke call his great-grandpa "Jan" and then say "you disappoint me, Jan", I was flabbergasted haha, not a criticism I just wanted to mention it because I thought it was funny

I really like the fact that Stan and Max (aka SM) didn't show up at all in this book. It would've been easy to have them show up for regularly scheduled hijinks, but in Luke's mind, none of SM's operations have ever been... up to Luke's standards. Especially with how much of a ruckus they tended to make with their presence, they were more of a liability to Luke than an asset; therefore Luke changing up his strategy to be as hands-off and clean and non-intrusive as possible feels like something he'd do, what with how laser-focused he is on min-maxing efficiency to get what he wants as soon as possible.

Omar still being there despite being "fired" might just be a Scholastic oopsie so I can forgive it, Cassidy is still simping for Luke and trying to impress this man and trying to prove she's at an equal level to him, but every time nah. Just nah. Girlie you think you're on the same level as him, which can't possibly be further than the truth. I haven't seen Miraculous Ladybug, but I'd bet Cassidy has even less of a chance of impressing Luke, than Marinette had a chance at getting Adrien to see her as more than "just a friend" before they finally got together.

Now here's something I've been wanting to ramble about for a while: Violet being left alone instead of Colette. It's actually pretty clever when you think about it: Colette is the closest the girls have to a heart (tho she plays hot potato with Paulina when it comes to that role imo), so she's been the most emotional and the most sentimental of the group this entire time. From daydreaming about Romeo, to wanting to believe in love, to happily picking up a microphone to sing karaoke with the girls, to her strong reactions to having to leave the girls behind one by one for the sake of their mission, Colette was being set up for a moment where she is the one who is left alone. You see it a lot in media: the main character is the most sentimental one and as their friend squad make their way to the Big Bad Evil Guy, the supporting characters are forced to get left behind one by one to either hold the evil minions back or because there's no way for the character to move forward with the MC; so the MC is forced to go through the five stages of grief knowing that their friends trust them to get the job they'd set out to do done. It literally happened in Geronimo's third Kingdom of Fantasy book Amazing Voyage, and in that one Geronimo was the one who desperately didn't want to be alone, but he wound up carrying on alone anyway. You see this kinda thing everywhere.

However, in this bit, it makes total sense that Violet is the one who ends up carrying the last leg of the journey alone instead of Colette. Compared to Colette (and honestly the rest of the girls), Violet is the most level-headed. She's the girls' braincell keeper (in this trilogy), the babysitter holding the leash tied to the four gremlins, the one keeping everyone on track and also making sure that the group's collective ADHD doesn't spiral down as badly as it could possibly be. Whenever the girls make a big move that could affect the whole group, Vi is the one asking if it's a good idea or if it's worth doing, and she's the one thinking ahead enough to say "if x happens instead of y, what then?" You get the idea-- Vi is the most capable of keeping herself level-headed even when she's under all this pressure, and she's good at analyzing and planning on account of her often taking the position of the quiet observer.

With this context, it sort've makes you wonder what was going through Colette's head when she offered to help Violet get out of the air room. Violet and Colette in particular get paired together fairly often, and it's probably because of how well they're able to understand each other-- so with the plan, was Colette volunteering herself to prop the door open out of "it was my idea" courtesy, or was she thinking that maybe Violet would be able to figure things out better and thus needed to get to the other side? She probably was expecting to get to the other side with Vi, but would she have thought far enough ahead to a what-if where that wasn't possible? :3c

And Scholastic and power-of-friendship funkiness aside, Violet did handle the situation well, all things considered. The one bit where she only realized Luke was hers and the girls' only ticket out of there was a bit weird, but it can be chalked up to her not being able to take that into account in the moment because of a mix of stress, sheer bafflement from Luke's deal, and the fact that when put on the spot, observers don't exactly handle taking the driver's seat that well :'D (speaking as an observer myself here)

It makes me wonder a bit if Violet and Luke were meant to be foils of each other, what with how similar they are to each other (both of them being observers and planners who delegate more often than they do the work themselves), yet different enough that the contrast between the two is striking. Said difference being

Violet touches grass. Luke does not :)

Anyway so yeah, that's Treasure Seekers 3, and while it is kinda sad that this is where Treasure Seekers ends, y'know what? It gave a solid show as the last installment in the trilogy. I liked it, I liked the canon compliant blorbo angst, I liked the characters character-ing when the dialogue was letting them breathe :]

And of course, we can't forget

God's sleepiest soldier <3

She deserves that nap after what she went through and you know it--

[itwoodbeprefect]

i've been watching things with ghosts in them (as in, fictional ones. the gentlest of fictional ghost stories) and. i won't do it because this is not the sort of thing i do. or even the sort of thing i want to do, at all. but if it were. if there were any part of me that did want to do it. then this would be what gets me to write major character death fic for one of the buddy cop fandoms

[abyssembraced]

so for that meme. ghost reaching the abyss for the first time.

Send me a quote/scene from my muse’s canon, and I'll explain what went through their head during it! (Accepting!)

The door before them crumbled into particles of light. With the mark of King seared into them, no secrets could remain sealed.

A platform ahead, ending in open air. They stepped onto it. Cold metal, unlike the fossils and stone that preceded it. They looked down.

Dark. Their pale shell the only illumination offered. Deep. Couldn't see the bottom.

A calling, below.

They descended.

Platform to platform. Into the depths. Pits of spikes. Broken shells of fallen bugs. Shadow Creepers crawling about (harmless. Source of SOUL if necessary). Corpses increasing in number.

...Familiar.

They've been here before. But when? They didn't know. Yet the calling in their core persisted. They continued on.

Misjudged distance. Missed the next platform. Desperate flutter of wings. Reaching out with claw. Missed. Falling. Familiar.

Impact with ground. Floor of shells. Rise. Careful not to stumble. Familiar.

A shadow emerged from the depths. Living darkness took shape into a creature.

Familiar. Familiar.

So, so familiar. They knew this being, this darkness. Why this was, they did not know (could not recall?), yet it was an undeniable fact, the truth of which they felt with utmost certainty. This being and them, they were... Alike.

There was a word to be used. They did not know it.

They had felt like this once before, had they not? That broken, Infected vessel of Lightseeds had evoked a similar sensation of Alikeness. Albeit lesser, far lesser, than what they felt toward the shadow before them now. Obscured by the Infection back then, perhaps, or for some other reason.

They stood still, watching, as the other, in turn, took proper notice of them. As it floated toward them, drawing ever closer.

PAIN.

An explosion upon their shell, their insides, their mind. Emotions transferred to them from the Alike. Feelings of... Bad. They did not know the words.

Enemy. Danger. Fight back.

The fighting stopped. The being's form split apart by their blade, curling into an orb of shadow once more. Returning to the earth.

Silence.

...

Their nail is returned to their back.

A calling, below. Deeper. Yet there was no distance left to fall. Perhaps, if they pressed onward, some tunnels would lead them further down.

They continued on.

[icewindandboringhorror]

Everytime I face a new character limit on a website that didn't have them before/used to have really long ones... AUGHHhhh the modern social media world was not made for people like me (lovers of details, rambling, elaboration, thorough explanation, and nuance)

[frvckles]

@dreadofred said :: ❛ what are you doing out here by yourself? ❜

❛ but i'm not   by   myself. ❜ he takes one final drag of a smouldering cigarette before flicking it down to the street below, cheeky grin forming across freckled cheeks that flush pink from the biting chill in the air. ❛ you're here. ❜ avoiding the question, it's a skill of his. he knows that the hood had wanted a straight answer, but that's all he is getting. at least for now. the last thing he wants to admit is that he had come a little too close to FAILURE for his liking. while it is a fact of life that people make mistakes, it's not one that scamp is keen on admitting, especially not when it comes to himself, but not too far behind the trademark smile, it's clear that his pride has taken a beating this night.

❛ you   been   following   me? should i be worried there's finally a price on my head high enough for you to take? ❜

various question sentence starters. ➭ always accepting

[theboykingsmichaelsword]

i don't have many fandom pet peeves because if i don't like it i scroll away and try not to think about it but regarding the spn fandom in particular, people downplaying dean's hell trauma will never fail to grind my gears

[inkwell-and-dagger]

"Whumpee? Why are you on my doorstep?"

"I— I didn't know where else to go..."