#sweetheart sugar love

[sihtryggr]

can I say something maybe controversial?

i really dont like when vi calls reader cupcake in v ifics 💀

[rosemaryreality]

So like, you know how our Megumi's name means blessing/grace? But it can also be written with the kanji for love?

Hear me out: Imagine that Yuuji and Megumi finally get to first name basis, and after that Yuuji decides to change Megumi's contact name on his phone, but Yuuji hasn't ever seen how Megumi's name is written, and for some reason he writes it with the kanji for "love" instead of blessing (maybe becuse he subconsciously associates Megumi with love 👀)

And then, after Yuuji gets to see how Megumi's name is actually written he feels a little embarrassed but...doesn't change it, it's not a big deal, anyways, and he's already used to reading the kanji and knowing it's Megumi, he doesn't need to change it. Not changing it is a perfectly normal and platonic thing to do...right?

[poedays]

Some Headcanons I have for the listener characters for Redacted/Castle Audios (for funsies):

Castle - Ranger, Seer, Knight, Sugar, Dewdrop, and Dear/Bud

Redacted - Angel, Babe, Sweetheart, Tank, Lovely, and Honey

Castle:

Ranger:

- Looks like the phrase ‘ladies and gentleman’.

- Owns a pair of docs but stopped wearing them because they hurt their feet.

- Has a vintage Hindustan Contessa car in a beige colour.

- > has one of those fluffy dice decorations because Isiah gave them one for Christmas.

- >> they took it down after getting their memories back.

Seer:

- Has grey-ish blue eyes and when they use their powers they flash a bright white.

- Framed a piece of paper with Beth’s work signature on it and hung it where she pushed them against a wall in their house.

- Likes really big dangling earrings but can’t wear them for long otherwise they give Seer a headache.

- Tristan asked Seer to see into his future but instead of something cool, they saw him tripping over his own untied shoelaces.

Knight:

- Has an ‘I love my lesbian sister’ T-shirt, and Claire has a matching ‘I love my ally brother’. (Can be queer sister, ally sibling, or literally any matching queer shirts - I just thought it was fun).

- Is totally into Evie biting them and liked the thought before she was turned into a vampire.

- Knight never walks in front of Claire when the two are walking together, only beside her or behind her. They’re scared she’ll disappear again.

- Being introduced to people as ‘Knight’ gives them a confidence boost every time.

Dewdrop:

- Would own a pet snake.

- > Would call it something either ridiculous or super serious.

- >> “This is my little boy: Sir Serpent Snake-Sir the third”. Or “That’s Bob.”

- Chloe has a birthmark on her thigh that they love to kiss.

Sugar:

- Had a favourite jacket they were wearing before getting turned with a bunch of pins and patches on it -> but it was covered in blood stains after they were attacked and now they never wear it.

- > Their turning was a full on attack that was very bloody.

- Looks 20 but is like 98

- Is such a Valentine’s Day snob and would either proclaimed it’s a false holiday made to make profit from love, or they’d be 100% into it and go wild with roses and wine. (Basically they’d either be Damien or Huxley when it comes to Valentines).

- Saw Liza when she was a high school student but only has a vague memory of it so they can never place where they’ve seen her from before.

Dear/Bud:

- Has Heterochromia, left eye is blue and the other is brown. Totally doesn’t symbolise the two different characters that they’re involved with. Totally.

- Has GAD and takes medication for it, but prefers to have Rose in their head sometimes to help their overwhelming thoughts.

- Monster energy drink addict (Abby got them into them) it is not good for their anxiety (Rose would much rather they drink tea).

Redacted:

Angel:

- Likes to bake but forgets to set a timer, then forgets there’s something in the oven and has almost ended up burning the house down -> David has banned Angel from using the oven when he’s not around.

- Tried and failed to get their driver’s license five times.

- Has a tattoo sleeve with little Animal Crossing and Minecraft references mixed in there.

- Romanced either Sebastian or Shane in Stardew Valley.

Babe:

- Is an only child but has a younger step-sister they see on holidays.

- Likes to carry Asher around sometimes -> wears light and layered clothing so you wouldn’t assume they have muscles but actually have quite a bit.

- Makes Asher little packed lunches for when he has pack meetings and they’re not going.

- Is dyslexic, and needs glasses, words don’t like to word for Babe.

- Has painted Angels nails on numerous occasions.

Sweetheart:

- To empowered people they have tattoo like white marks on their collarbones and under their eyes (Stealth things (also can choose to show them, so people can’t tell right away)).

- Needs reading glasses.

- Has phased in their sleep and woken up above the blankets somehow?

- When they panic they cloak and uncloak really quickly so it kinda looks like they’re teleporting.

Tank:

- Has a bunch of siblings (Tank is towards the older end of the lot) and was heartbroken when they all moved away and none of them chose to stay with them in Dahlia.

- Easily sunburnt.

- Tried to count Sam’s freckles once without telling him what they were doing and kinda just stared at him while gradually getting closer. Eventually they ended up getting his shirt off to count more of them, and Sam just sat there flustered and confused.

- Has 100% played ‘Save a horse (Ride a cowboy)’ to serenade Sam.

Lovely:

- Their hair has started to turn white from stress.

- A lot of their hair was muddy and bloody after getting captured by Adam, so the morning after they were saved Vincent helped them chop off bits that couldn’t be salvaged.

- Used to think their brown eyes were boring but after they turned they miss their old eyes every time they look in a mirror.

- Is absolutely amazing at board/card games.

- > Somehow always wins Game of Life even through it’s pretty much a game of chance.

- > Got Sam, Vincent and Tank to play Monopoly with them and all three were bankrupt within half an hour.

- > Also dabbles in chess.

Honey:

- Works from home most days and has an office with a ‘No Guy Allowed’ sign on the door.

- For Guy’s birthday one year Honey learnt how to crochet and made an amazing sweater with a bunch of granny squares specific to Guy’s interests. Honey is all embarrassed about it because they know where all the little errors are but Guy loves it to death.

- Has picked up Guy to move him out of their way.

- Also plays Stardew Valley sometimes and is like five years in but hasn’t married anyone.

- > Has high hearts with the Wizard.

Thanks for reading! I’ve got more Redacted/Castle rambles on my blog. ❤️

[fisheito]

EVeryONE STOP SENDIGN ME THE mOoncake YAKUMO IM NOT OK!!!!!!!!+++++++++

[winepresswrath]

can I just say that armand was extra wet and pathetic in this most recent episode and i could not appreciate it more. local vampire judge jury and executioner cannot stop throwing it all away for the men he's stalking and isolating from their loved ones.

[the-blossica-fan]

Greetings!

Yeah i remember that Sonetto and Schneider swap art, probably could find it later.

Yk what would be a funnier combo? Lilya and Vertin swapping, or really anyone swapping with Lilya.

Literally the both of them suffering withdrawal; Vertin suffering in Lilya's body with alcohol withdrawals because ofc shes not drinking, and Lilya in Vertin's suffering picrasma withdrawal because she HATES the stuff probably.

Horropedia and Blonney swapping? Idk anything but the pure chaos in it happening, Jessica would IMMEDIATELY know they have swapped but idk the rest? Up to you!

You always give me the best stuff to put my brain to work, I love this!!

Allow me to use my beloved overworked brain for this.

Lilya in Vertin's body would not be able to hold onto the primal need to eat Picrasma Candy. Her mouth feels empty and waters taste like some sugary substance (I believe this happens when you eat too much sugar), her (Vertin's) body NEEDS Picrasma, but oh Lord Lilya is NOT eating that shit.

Drinking Vodka has a wrong reaction as well, she ends up on the floor 5 seconds before throwing up. She can't drink, nor does she want to eat Picrasma, she's in mental pain.

Meanwhile, Vertin can't eat Picrasma candy because of not drinking alcoholic beverages. Lilya's body is used to a certain quantity of alcohol, so even if she drinks something light, her (Lilya's) body NEEDS vodka, and Vertin is not Lilya and it tastes like shit so she's having terrible withdrawal symptoms.

She can't even nap it out nor concentrate on her work, her body demands alcohol and the nausea is way too much. She had to drink way too much low alcohol drink in order to get it to hold on for a while. She was drunk.

Horropedia and Blonney, my Lord...

Blonney HATES it. She feels so sweaty and she can't see shit every time she takes off his glasses. She definitely took off that sweater and wore something more comfortable on his skin, she's also complaining so much about his skin. He sleeps well, that's for sure, but my Lord is he greasy. He eats junk and she eats healthy.

Horropedia Is definitely more curious on this change from an investigative perspective. Blonney's chest is big so... He's experiencing the pain of women with big breasts and he doesn't like it

"Blondie, how can you live with this?! This is, really painful. I can't lie on my stomach!"

"Could you PLEASE stop mentioning this?"

They have so many troubles regarding each other's bodies but that's because of the gender of each person, and Horropedia's lack of skin care which Blonney will fix. Horropedia doesn't hate the body but he definitely wasn't made for it.

And Blonney is such a lesbian she can't hold onto this body any longer.

Jessica definitely has a dilemma. She loves Blonney and the softness of her body... Blonney's body is Horropedia. What is she going to do?! She throws a couple punches at Horropedia though

"Oh, finally, you don't smell like sweat and dust!"

"Hey! How dare you? I don't smell like that!"

"You're right, it's worse."

She definitely hangs out with Blonney more but, in her mind, she's probably like "I miss Blonney's soft body 😞", but she's not hugging Horropedia.

Mmmm, as for a couple extra body swaps... Matilda and J.

Matilda would be so proud in J's body, definitely happier to be taller and presuming her (his) muscles. She also loves his style so she's not changing anything.

J is quite in pain. He is now small and in the body of a silly girl, he has fun being small and the fact Matilda is pretty strong even with her body type fascinates him. He's working out in her body to have some muscles since Matilda had a lot of work and doesn't exercise outside of work.

"Hah, I can finally understand why you never appear in photos. You're so small you can't even see the camera"

"Consider your next words carefully! The great Matilda is in care of YOUR body and isn't afraid to damage it!"

And maybe Isolde and Marcus! You would think it's Isolde and Kakania, oh Lord no I'm not THAT cruel 😞

Marcus can't breathe in Isolde's body, she still wears corsets, and they're very, very tight. Marcus is actually pretty worried for her safety but it seems she's used it, meanwhile Marcus is suffering. Yeah Isolde's lungs are used to it, but Marcus' brain is not and Lord does it hurt to breathe. She did take Hoffman's coat from Isolde and ended up wearing it over Isolde's nightgown as the only clothing that's comfortable for her.

Isolde didn't find any issue with Marcus' body, not like she has any complaints to make. Without the coat, it just feels so comfortable and calming. She feels like she could be peaceful forever. She can't sing and can't hear the ghost's voices so she's quite peaceful. Drinking tea by the window, equally as gloomy as ever but you can feel more comfortable.

Oh, by the way, Marcus is having a fistfight with Heinrich's ghost while she's in Isolde's body.

[marigoldbaker]

i think the first time khalid actually correctly reads jaheira as afraid + unsettled when no one has done that before is well before they actually get together and it is such a formative moment for her that he DOES NOT NOTICE because he is just being himself and gently reassuring her in a moment of stress :’) she’s standing there spellbound overwhelmed and in love and he’s like good talk!! hope you’re going to feel ok a little later down the road buddy :) and he leaves and she’s losing her mind

[lintwriting]

"Goodbye My Danish Sweetheart" and "Love Like You": The Poetry of Envy

by Mitski and Rebecca Sugar respectively

"Comparison is the thief of joy," and "Of all the seven deadly sins, only Envy is no fun at all." In the moment, envy is all the pain of humbled pride and none of its glamor, with only schadenfreude as a reprieve.

But what if you sat with that envy and accepted the humbling, instead of praying for someone else's downfall?

What if you grew to love that which you envied? What if they loved you back? What if you humbled yourself and matured past that petty need?

Well, there's pain in that, too.

Mitski and Rebecca Sugar know it well. They approach it from completely different angles, but it's surprising how closely they match in conclusion: There's a special kind of drama in the pain of disappointing someone you think is better than you.

(And behind it all is self-hatred.)

Goodbye My Danish Sweetheart by Mitski

This song is an apology for ever failing to appreciate someone (or cheating on them), and as you listen to each verse, Mitski is singing in real time on how she's learning to humble herself.

Unlike the soulful croons of Bruno Mars's "When I Was Your Man," which is an ode to the break-up regret caused by feeling lonely again, like he's begging to come back now that he's seen you with someone else, Mitski's verse is less a reaction to her own loneliness and more self-flagellation, like we're listening to a therapy session wherein she explains why she treated you wrong in the first place.

Maybe this is why Miley Cyrus wrote a girlboss anthem ("I can buy my own flowers") in response to Bruno ("I should've bought you flowers") and not Mitski ("You can see how it's blossomed for you")/s.

To tell this story, Mitski uses repeating refrains to contextualize the previous, recreating the experience of maturing enough to see your past mistakes and taking advantage of the structure of songs.

The most important repeated line within the song is "There's nobody better than you."

It opens the song, is directed at her ex-lover, and it contradictorily sounds like she's questioning their worth.

Because that is a BOLD statement.

Really Mitski? There's nobody? Nobody at all better than 'you?'

Mitski admits to this boldness with the next line: "It took me a while 'til I knew."

That there is what she's apologizing for—a failure to appreciate them. A microcosm of the song in the first two lines.

Her mistake is direct contrast with her lover, who "knew from the start it was us, didn't you?"

This is how Mitski characterizes what makes her lover the best.

The undisputed number one person whom no one can be "better than" is simply someone who had faith in 'us,' in Mitski.

All the while Mitski makes excuses: "It just took me a while 'till I knew"

The ambiguity of the phrase is useful. Not “took too long” but just “a while.” 

“Just” is also an excusatory statement. I just forgot. I just didn’t notice. Just protects pride. This is a prideful thing to say, to be in the position to judge someone (and failing to judge them correctly)

Skipping to the chorus, the refrain is:

And I don't blame you

If you want to bury me in your memory

The first time you hear this, it's Mitski describing the pain of understanding why someone would want to forget you.

I'm not the girl I ought to be, but

"Ought" is doing a lot of the heavy lifting, implying a failure to do good.

Maybe when you tell your friends

You can tell them what you saw in me

And not how I turned out to be

This ‘saw in me’ transforms "bury me in your memory" from a line about forgetting Mitski to a line about only keeping alive the memory of what Mitski could’ve been—her lover's idealized version of her. 

In effect, she wants to kill and bury that part of herself that failed to justify her lover's faith in her, the part that disappointed them. Self-hatred!

Thus, "ought to be" and "not how I turned out to be" become lines about failing to meet their expectations. This last line is the one that changes meaningfully with each refrain, recontextualizing the previous. In the next chorus, she sings:

And not the way I am

Instead of "not how I turned out to be."

With "Turned out to be" in the past tense and "I am" in the present tense, the changing of lines indicate a progression of time.

Not only a progression of time, but growth over that time as well, since "I am" creates the sense that Mitski is actively accepting that she was at fault for the break-up, while "turned out to be" created the sense that she was distancing herself from that before through its passive voice.

With the introduction of "I am," she demonstrates, in comparison, how much "turned out to be" protected her pride, recreating the experience of maturing enough to see the past clearly.

In the last chorus, she sings:

But could we be what we're meant to be?

I'm just about to beg you, please

And then, when you tell your friends

You can tell them what you saw in me

And not the way I used to be

With the last refrain of the chorus, she's begging to come back and be the couple her lover believed in, but it's to demonstrate that she's changed for the better, not just because she's lonely or jealous.

This is because the focus is on how, instead of "way I am," it's "way I used to be." She's recontextualizing herself as having matured, once again, past her previous mindset.

In this case, she's saying it'll be different this time because she's buried who she "used to be," or the self that didn't appreciate them as she should've. And she proves it with the last line that bookends the song:

'Cause there is nobody better than you

In effect, the whole song is a thesis on why there really is "nobody better than you," and THAT in itself proves that she's changed! It's a song about the lowering of herself and her pride, of recognizing that they're better than her, and of recognizing the pain of having disappointed them because of how much better they are.

Love Like You by Rebecca Sugar

One of the best parts about this song is the way it truly works as an ED song to Steven Universe. It, in effect, is the theme of the whole show, and therefore it works to embody the ...theme of the whole show, which is the transformative power of love.

This song can basically represent the relationship between any two characters in the show in BOTH directions—Rose Quartz and Greg Universe, Greg and Steven, Steven and the Gems, Steven and The Diamonds, etc. And it's such a poignant message as well, managing to create depth with nuances like how self-hatred affects your ability to love, the importance of connection in healing from trauma, and even the limiting nature of only having one perspective—again, all those being themes within the show itself.

Video by Let's Talk Cartoons that talks about this theory that it's about Rose. This theory is right, but misses the point that EVERYONE deals with this in the show lol not just Rose.

If I could begin to be

Half of what you think of me

These two lines are a microcosm of the song, as Mitski's first two lines were, and, like Mitski's song, it's about the disappointment of someone who has faith in you. Someone better than you, as implied by the next two lines.

I could do about anything

I could not put this any better than Rebecca Sugar has already put it, which is characteristic of good poetry!

They think of you so highly that achieving even half of their expectations would be hanging the damn moon! What I'd like to bring your attention to is that it's the same characterization that Mitski used for her lover—part of what makes them so amazing is simply how much faith they put in you!

Within Steven Universe, everybody has had experiences with betrayal of trust and the resulting fear of ever putting your faith in someone again. So this kind of earth-shattering faith can seem naive, but doing so with full knowledge of its pain reveals a kind of invulnerability and confidence that would make someone seem someone god-like, hence your idolization of them.

I could even learn how to love

This line is the one that gets recontextualized over the course of the song, like Mitski's "There's nobody better than you." The idea that someone loves poorly or can't love, though I will say, is beautiful and relatable.

The next refrain of it:

I could do about anything

I could even learn how to love like you

"Like you" is the magic phrase!

Because while they have a god-like faith in others, being on the receiving end of it—that's buoying, too! Much like people have "faith" in god, your idolization of them represents your own earth-shattering faith in the opposite direction! It's a mutual idolization! You're loving "like them." It's a faith that spurs you to do better in return!

But better than what? That's where the verse comes in:

I always thought I might be bad

Now I'm sure that it's true

'Cause I think you're so good

And I'm nothing like you

Comparison is the thief of joy, and unfortunately you've compared yourself to them and found you don't measure up. You're using your faith in them for your own self-deprecation. But, this is tempered by the next lines.

I just adore you

I wish that I knew

What makes you think I'm so special

The last one is a conflict resolving line. It reveals that this painful, comparison-based self-hatred isn't just something you're doing, but something they could be doing as well, as it highlights that the faith is mutual. That although you think they're special, they think you are, too!

And therefore that—since you're so alike—that they could also be struggling with the pain of thinking they're not enough. It's this mutual aspect that makes this song sing, why it works so well to connect basically all the characters of the show in any combination.

This is further supported by the next refrain:

I would do about anything

I would even learn how to love

When I see the way you look

Shaken by how long it took

I could even learn how to love like you

The fact that the "Love like you" refrain follows this "mutual" revelation then implies that loving IS truly "seeing" them by seeing yourself in them, and the way this relationship/self-hatred/revelation is mirrored on this other side.

You're both shaken by how long this took!

Love like you

Love me like you

And this line is the natural end of this line of thought. You can't learn to love without loving yourself first, but being loved and loving in return can teach you how to love yourself. You can learn how to love yourself by following their lead.

But also-- in this song, to love someone else means you see yourself in them—and therefore you learn to love the part of you that's in them.

Comparative Analysis

Mitski's "nobody better than you" and "took me a while 'till I knew" and Sugar's "nothing like you" and "love like you" are repeated throughout the song as symbols of their object of envy.

They're better than you because of their faith in you, in contrast to your own disappointment in yourself. To reach their level, you have to learn to have faith, either in them (Mitski) or yourself (Rebecca Sugar).

There are slight differences. While in Sugar's version, their faith in you helps you respect yourself, Mitski's is about learning to reciprocate her lover's faith to restore her faith in herself, as she's starting the song from a place of unfaithfulness and regret. Her self-hatred is less self-destructive and more a motivator to improve. In Sugar's song, the threat of disappointment/unfaithfulness looms in the background, but the singer didn't actually disappoint. Or if they did, their 'idol' is strong enough to still have faith in them, in spite of that.

In the end, it's a healing of envy, of the sin of comparing yourself to others. Because the answer isn't taking them down, or stewing in your own self-hatred, it's learning to accept yourself where you're at.

Whether it's by embracing your flaws and improving, or loving the part of you that you see in them.

[keeps-ache]

blue raspberry lover, to me you'll never mar

[sanatomis]

my little satoru plushie came three weeks earlier than i expected it to and maybe life isn’t that bad

[lotus-sunn]

@stargirlly <3 thanks my beloved <333 loving the playlist Im listening to it rn

[vroomian]

Nightwing strikes me as a pet names kinda guy. The first time masa calls him “beautiful’ he flushes so red.

[mysicklove]

You deserve a penguin hug

I LOVE U GLITCH

[cheridraws]

the southern urge to call my friends the plethora of pet names I have available

[sehnsuchts-trunken]

Bradley is the type to call you "babe" and Jake is the type to call you "baby" and I will not explain further

[oops-its-a-fanwork]

H!Sans and H!Papyrus: Skull and Sugar

Today it's Horror! Sans and Papyrus as legendary pokémon! Learn more about their home and the discovery of their fossils here! :)

Now Sans and Papyrus are from this long ancestral line of protector-pokémon, with them being the new generation. However, their family tree seems to be growing some odd branches…

You see, no one has realized that some of the excavated fossils actually belonged to the ancient ancestors of the legendary guardians! Not only that, but these two truly were pokémon of legend, having protected people during the cave-in of the underground and unfortunately having met their end doing so.   The names and legacies of these pokémon are unfortunately lost to time, but recently, a group of scientists has requested temporary access to the fossils for more accurate time dating, cross referencing their database with their DNA in order to determine their species, and collecting data on the fossils with equipment the museum doesn't have. You know, normal nerd stuff scientific proceedings.

  What they didn't tell the museum staff however, is that these fossils would be part of a new fossil revival program. You see, when a fossil has lethal physical damage they can't be revived using the normal method as the damage would be perfectly recreated and would kill the poor pokémon a second time. Therefore, an experimental method was used: a mix of cloning and the revival procedure used for other fossils. And to their credit: it worked! 

  However, the panic of waking up in a place that looks like nothing you’ve ever seen before, combined with your last vague but pressing memory being the panic of a crumbling cave system and the urgency of mass evacuation, meant that Skull immediately broke out of containment, broke everyone else out of containment and then rounded everyone up for evacuation outside. Once everyone was accounted for they took off, and instinctively the guardians found the place their species once called home: Mount Ebott. The group burst in from the top and hasn't left since.

Skull has trouble speaking fluently and has a somewhat slower perception, and the hole in his skull is,,, well, it's in a weird state, obviously. It's not healed (it CAN’T be healed), but it's not an open wound he could die from due to the revival process. He clearly has some memory problems due to both the revival process and the wound, and he needs to be stopped from scratching at it often, as it seems to be a subconscious move.    The distress from it gradually lessens as he settles into his new environment: he has his brother by his side, and though his memories are few and confusing they are still a great comfort to him. It does however influence his ability to transform: where Sans and Papyrus can use their magic to mimic pokémon and humans near perfectly, Skull does not have stable control of his magic due to the wound, resulting in skeletal versions of whatever he's trying to mimic. It's... an adjustment, for sure. Luckily the pokémon instinctively trust him a bit, so he won them over despite everything. Speaking of which:   Skull loves observing humans and pokémon as much as the others of his species, and although he misses the abundance/presence of people and the holidays, he gets fulfillment out of observing and interacting with the ghost pokémon (who seem to recognise him somehow?) and the new species that migrated into the mountain after the incident. They are just as curious about him as he is about them, and his gentle giant demeanor is immediately rewarded by lots of attention from the younger pokémon.

Sugar used to help set up celebrations with everyone. Therefore, he knows the place like the back of his hand!! Or rather knew. Where Skull sometimes has trouble remembering the past, Sugar has trouble not remembering it. He keeps feeling like something should be right here only to find the spot empty or unreachable. He could be of great help to archeologists, but it is very confusing for him. Due to both this and his somewhat poor eyesight, the pokémon surrounding him help him navigate and are very supportive.   They tried to help him recreate some of the older celebrations, but it just isn’t the same without human aid. They all got an A+ for effort though! Which means handmade festival treats for everyone! He knows recipes long gone, but he can't always get every ingredient. What he does manage to make (sometimes with help, as his body does not always do what he wants) is loved by most, except for the bitter medicines he sometimes ends up making.   Sugar can regulate his magic much better than Skull can but he, too, has some wonkiness to his transformations. Namely, his form seems just a little stretched, and if you look closely, you can make out some crystal formations on the left side of whatever creature he’s decided to become. As he practices the transformations more it becomes subtle like glitter, but it definitely is still there. Despite all of this, he actually tends to use a skeletal form as well, in solidarity to his brother. “Look, we match!”  Their memories are hazy, but they definitely remember evacuating everyone from the mountain as it rumbled around them. Any movement in the rocks sets them on edge, and they check the walls for cracks whenever they can. Not finding evidence of current instabilities in the main area combined with the tales of the pokémon currently living there helps to soothe their nerves bit by bit.   Eventually, when they are calmer, they start recalling earlier, far calmer memories: bouts of laughter between siblings, the pride of the youngins who pass their trials, the kindness of a flower handed to them in good faith. And also the rougher, but necessary things: Tussling with each other, mending wounds with bitter recipes, distracting upset children with stories. The rush of fighting off alpha pokémon who encroach on their territory. Sleeping the tiredness off in a warm corner of the temple.   The brothers are quite content now, living with each other and the next generation of pokémon in their glowing mountain. Life is good.