#super natural inc
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alarminglybad · 12 days ago
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Super/Naturual, Inc. - Orientation 1-4
Seems like something you should tell someone out of courtesy
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carus26 · 7 days ago
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🔹A few thoughts about Sulley, why i like his character and his relationship with Boo🔹
(personal opinion and views, I can say the most predictable basic things, and yet I want to express my personal feelings, it's corny but it's honest work)
(also a lot of words..and doodles)
I apologize in advance if I expressed myself in some way unclear or incorrectly and for grammatical mistakes, since I am not strong in english ")
Personality and appearances:
All of the Monsters Inc. characters have great designs that complement their personalities perfectly, and Sulley is no exception.
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I LOVE how his design perfectly captures his character. He has soft and sharp features, just like he himself can be *soft and sharp* at the same time. He has a gentle nature, but under the right circumstances can become formidable and even dangerous. In other words, I like the fact that while he is calm, you may forget or even not know HOW scary he can be in the moment, that is, exactly until he HIMSELF shows it. A great way to show a character's kind nature without forgetting who they are and what status they have in their world.
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I olso like that he is not a *perfect do-everything-right* protagonist. He is impulsive, he listens to himself and his opinion is based on his own considerations, often incorrect or risky. 
People can say that only at Monsters University Sulley is so *rebellious* and only does what he wants (hinting at how calm and humble he is in the first film as opposed to the prequel) and, based on my personal observations, I can say that he is ALWAYS like this, he acts for his own reasons, and yes, he acts from considerations of *do what is right*, but what is *right* everyone understands in their own way.
For example, like when he risked his and his best friend’s life/career for the sake of a human child whom he had known for a couple of days, or when he cheated at games and then goes to save Mike from the human world. Always impulsive decisions based on feelings and one’s own understanding of what is *right* at the moment.
He also thought that it would be right if he was in the company of high-status monsters and behaved the same way as them (because his family and those around him expect this from him, I believe), and he realized that he was wrong only when he understand (and saw) that he could be himself and that he can’t judge everyone by their appearance and *status* (specifically in that scene when Mike secretly brought everyone to the MI in order to show the uniqueness and dissimilarity of each monster) 
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What I mean is that his worldview is always changing based on what he sees and feels, and he always acts based on his personal understanding of what is right and don't, which I find actually a very interesting character trait for a protagonist (not that it's super rare, but still).
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Also how many different emotions he can express, from joy to rage, I always liked characters with a rich *baggage* of emotions, and who at the same time do not irritate, do not become hysterical with or without reason, and who simply use emotions at the right moments, not going too far, that is, not capricious and not *drama queens*. 
Another small detail I really like is the fact that Sulley is very aware of his physical strength and never brags or uses it unnecessarily. He is VERY strong, and somehow communicates and contacts with the smallest creatures without any problems, and does not even really use his full strength in a fight, only as self-defense or protection of another.
I also see a lot of different opinions about his prequel version, but honestly? I only started to like him more after university. He was shown from a completely different side, as was his development from who he was to who we know from the first movie. Showed what kind of character he is without Boo. What he thinks about, what he worries about, what kind of relationships he builds, his goals, what did it take for him to get to that point in his life that is shown in the first movie. Love how he went through his arc from "worst to best", how he accepted and realized his mistakes, and how he gradually became attached to those who are dear to him.
(the way he expressed himself to Mike at the end? Being the only one who told him the truth, while highlighting his virtues, thereby showing how attentive he is to those around him and how much he values ​​​​those who help him) 
Although I’m not really a big fan of the prequel, and I also think some scenes from there are little...questionable, and how Sulley turned out different from the version from inc, but in GENERAL I can connect these two images together, I can understand why Sulley behaves this way (given his problems with family and self-esteem), and how in fact it fits with him as an adult.
I can also say that in general I like the way he is written in Monsters at work, despite the fact that he and Mike don’t play a special role for the series, I’m just glad that he act's like himself and hasn’t been spoiled, he’s still trying to make the right choices in life, dealing with a situation that he never even thought about or was ever prepared for, and I just like the little funny moments with him.
Of course, you can't do without *questionable scenes* and sins (and animation ")), but overall I'm quite pleased.
(and I noticed that the writers kinda combined his images from mu and mi, big fan of this decision)
Overall, we have an interesting, well-written protagonist, with excellent design, a great movie as a solo film, and even prequel/series as a good bonus.
Why I think his relationship with Boo is so beautifully written:
First of all, I like the way they met for the first time.
Namely, HOW Sulley reacted, because we know that children are not only *toxic* for monsters, they are literally consumables for them, without feelings, without any rights, which means do with them what you want, your conscience will not torture you.
But Sulley never harmed her, although he could have used any means to get rid of her, because at that time he did not perceive her as a *person*, and still acted with caution. Tried to calm her down, cheer her up, and even sang her a song before bed, although he shouldn’t have even tried?
He understands that she is a living being after all.
And he actually care about this *creature*, he himself decided to bring her home, stayed up all night making a costume for her, he even realized that she is a girl and referred to her correctly all the time, and not as a *thing* (even worried that she was in the men's locker room? ")).
I just love the fact that he treats Boo well INITIALLY, he doesn’t hate her, he doesn’t think she’s a burden that needs to be gotten rid of.
He truly begins to worry about her when he finally becomes attached, but even at the very beginning he treats her tenderly as possible. And it’s just very cute to watch how they gradually get closer and Sulley becomes more and more attached to her, which makes him openly ignore all the advices of his best friend, whom he listened to and supported unconditionally before. He begins to worry about her so much that he no longer pays attention to everything that happens around him, he doesn’t just want to get rid of her quickly, but wants to protect her and do everything possible so that she gets home safely, and does not end up in wrong hands. And this attachment became SO strong that he was ready to leave his friend alone in the human world, risk his life saving her, and he no longer cares about HIS position and condition, she became his number one priority, and this is very damn touching honesty.
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And, of course, THAT ONE scene, key to Sulley's development as a character, a scene, where he accidentally scares Boo.
A moment, where his whole consciousness is turned upside down, all the experiences that he went through became meaningless, and the work to which he devoted his life turned out to be cruel exploitation, in addition, a huge feeling of guilt, which will be difficult to get rid of for a long time, and everything that was important in his life ceased to have value, everything except the safety of this one *thing*, the *thing* he shouldn't have felt anything for.
I really love this scene, it perfectly conveys the mood of what happened, when you feel pity, compassion and understanding for both sides.
(you'd think that Sulley stop scaring kids just because of this scene, but honestly? I’m more than sure that it would be difficult for him to do this after meeting Boo, after what he experienced with her, it would be difficult to continue working in this direction)
And one of the best details for me is the fact that this event does not remain without a trace for the characters, this experience has consequences, they don't just continue to live as if nothing happened, Sulley realize that people are also living individuals with feelings that should not suffer, as a result of which he not only changes himself, but also changes his environment for the better, considering that the majority simply will not understand him, he considers it his duty to do something to somehow change and influence the situation (even without the fact that the energy of laughter is stronger than scream), and never again connect his life with what he feels guilty about.
The final scene with them is also so touching. 
The way Sulley says goodbye to her, knowing that he will never see her again, everything he had to go through for one single moment.
Betrayal, discovery of a conspiracy, expulsion, a quarrel with a close friend, disappointment in himself and his life, he even almost lost his own life several times, and all this was experienced in order to bring home one little girl.
And I'm just sincerely glad that they didn't end there, all this time I wish I had seen at least a little short with them (because I just have to squeak with joy every time Boo is mentioned in the series :"))
I know that the first movie ended perfectly and there is no need for a sequel, but as a fan I’m too weak :)
Honestly, this is the shortest and most general “essay” I can write about him as a character, if I had my way (and enough strength/knowledge in english) I would describe every key scene with him.
So, that’s all, I'm glad I was able to express my thoughts about a character that is important to me, at least in this format, and if you read to the end, thank you for your attention! 💙💜
(still waiting for a full-fledged sequel from Pixar and hope that it will come out acceptable...)
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felinefractious · 7 months ago
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Hi! I was wondering if you have any thoughts or resources on the Highlander/Highland Lynx breed? Or what, if any, is the difference between the two?
I've read that they're two different breeds, but that that may only be the case because of different registry requirements..??
Also, are they really truly domestic? Every where I've read has said that they most certainly are, but that they're also crossed with Jungle Curls? That bit has left me a bit confused...
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https://www.petfinder.com/cat/sampson-71366971/wi/new-richmond/gregorys-gift-of-hope-inc-wi432/
This pretty little guy is up for adoption at a shelter near me, and I'm contemplating going to see him (if he isn't snapped up in the next week lol), but I'd like to cover all my bases for breed research first!
He apparently came in fully intact and was recently neutered which seems.... Strange to me. The people who surrendered him supposedly bought him from a breeder out of state?
I'm not by any means 100% certain, but i did look at a few Highlander catteries and I THINK I may have found his breeder? At the very least they have a king that very well looks like he could be this guy's sire
https://www. highlanderswildnwonderful.com/ Kings.html
I do still wonder why he would be sent out as a companion fully intact though... Or why he wound up in a shelter and not returned to the breeder...
Anyway! I'd love to hear thoughts/opinions resources for potential health issues
So far I've only read that they require frequent ear cleanings and have some UTI issues, but the stumpy tail does make me a little nervous... It doesn't seem to be the same thing as manx, buuuuuut......
Woah, amazing find!
From what I understand - and if this isn’t correct someone more familiar with the breed is welcome to correct me - but the Highland Lynx is essentially the outdated name for the breed more widely known as the Highlander.
The exception largely being the Rare and Exotic Feline Registry which has decided the Highland Lynx is still the Highland Lynx and the Highlander is the same thing but backcrossed to the Desert Lynx use in the breeds foundation.
Which doesn’t make sense to me, it should just be considered an allowable outcross…? But whatever. I don’t respect that registry anyways.
As for their domestic vs hybrid status it’s true that the Jungle Curl is a Jungle Cat and American Curl but it seems like the Highlander falls more into the Toyger realm… there are technically wild caat hybrids in the ancestry but they’re far enough removed that it isn’t super relevant.
Even after 4 generations a cat is largely considered domestic or “SBT” (Stud Book Traditional) and these guys are generally even further out than that.
Before I get into the health of the breed I just need to make a small correction to their description… this handsome fella is not chocolate, he’s black sepia - often called brown or sable, sometimes called natural.
The toe beans tell, and he has many beans to reveal his secrets.
Currently we are not aware of any issues related to curled ears the way there are with folded ears but anecdotal evidence suggests that they’re more fragile and.. yes, require more frequent cleaning. Dirty ears and ear infections are definitely something to be mindful of.
As much as I enjoy polydactyl cats I’m not a fan of deliberately breeding for the trait, the nails on these extra digits can be difficult for the cat to maintain and are more prone to becoming ingrown. Some cats even require an onychectomy (declaw) of the excess digits due to reoccuring problems.
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[Image Source]
So acclimating to having their paws handled and tolerating routine nail clips is an absolute must.
And finally… the tail.
Your concern about the relation to the problematic manx gene is warranted.
There are presently two types of tail mutations documented in domestic cats: the “natural bobtail” manx gene due to T-box mutations and the “asian bobtail” due to an HES7 mutation. The latter is not presently associated with the same issues as the manx gene.
HES7 mutations are not present in the Highlander.
Two T-box variants have been identified in the Highlander breed, meaning the mutation for their bobtail is the same as those responsible for the manx. Standard Highlander’s can have no tail to a short tail, those with a long tail are considered non-standarf and are largely used only for breeding purposes due to the lethal nature of T-box mutations when homozygous.
Some Highlander lines owe their bobtail appearance to a “novel variant,” meaning no known mutation has been identified. As this variant or variants are currently unidentified we can’t confidently say which gene (if either of them) it’s most closely related to or if there are similar issues associated.
All that being said not all manx gene cats will present with related problems and for those who do the severity is variable, some may have minor issues that can be managed with diet or medication while others may be… pretty severely effected.
I imagine at this age they would have a good idea of if Sampson has any issues and to what degree they’re present if he does.
If you’re prepared to deal with potential health issues should they arise I think it would be lovely to adopt him, you’re not contributing to the breeding of more if you go through a rescue and are equipped to educate others on why “Yes, mine is awesome but no you don’t actually want one.”
Like Dr. Frank Bozelka and his rescue Scottish Fold. His videos are hilarious and informative, by the way, I definitely recommend giving him a follow.
It would also be good for him to be placed with someone aware of and prepared to accomodate possible breed-related issues instead of someone who just wants a fancy cat… but I understand this can also be overwhelming, so absolutely no judgement if you decide to pass.
But if you do adopt him I’d love to see more pictures! I want to squish his cheeks.
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charon-cries · 8 months ago
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Hiya! Hope this message finds u well :3 I absolutely love your art; found you from insta! Quick question also; I’m not sure if you’ve answered this before, but which brushes do you use for ur digital art? I love the textures they’re so crunchy (endearing)!! Have a lovely day!! :D
hello!! here's a little brush tour ft. this half rendered martin.
also, a great app for ipad artists who really want to dig into texture is art set 4. i swear by it and i've been using it for about two years. none of my more recent art uses it, but that's just because i'm experimenting with my process rn
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so here's a list of my most used brushes lately, and there will be links to all of them at the bottom of this post.
the two labeled "custom pencil" are both my own personal modified pencils (both sourced from the 6b pencil) but the narinder pencil and the vanilla 6b pencil are both very similar to them. i use these two for sketching and flat color specifically, and if you do specifically want these two brushes then i'd be happy to upload them somewhere for you to download, but they're not really necessary for texture
i also use G&B halftone brushes sometimes! but i greatly prefer the RSCO sample pack, and i cannot find the link to the G&B brushes no matter how hard i google, and pretty much any halftone brush set will do the same job
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and here's what they look like in practice!
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(i like to set these halftones to color burn. color burn is my most used blending mode, even for shading)
and then i hit "copy all," paste, and duplicate it. so you should have two layers of just your entire canvas. then import a paper texture
i'm partial to the set i'll link down below, my favorite is #5. you should absolutely check out the rest of the free texture packs on their website if you're wanting to diversify your texture process btw, all of their stuff is fantastic.
to use that texture, your layers should look like this!
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on the layer set to the linear burn, i also like to go into the adjustments menu and bump up the brightness until all of the colors are at similar values to what they were before. and the normal layer on top is just to control the intensity/opacity of the paper texture!
after all of that, sometimes i'll go in with brushes like MM rake follow, or more from COFE's weird pencils, on top of all of those layers for finishing touches.
definitely play around with it, try new free brushes all of the time (i heavily recommended subscribing to Manero. they have a lot of free stuff and it's all fantastic) and see what works for you <3
here are the links to the brushes in this post, as well as some extras! some of them are paid and some of them are completely free. + it wasn't mentioned here, but i use the tatyworks linen fabric brush for blending! for any of the paid brushes, i'll try to link some free alternatives
paid brushes:
alternatives to paid brushes:
free brushes:
extra goodies:
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katiekatdragon27 · 1 year ago
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More Flatland stuffff~~~
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[Cursive transcript: I'm so sorry this is so sudden, but I had to keep my Chosen safe!]
So, uh, the 4th dimension, am I right?????
So, on my last post, people were more interested in A. Tesseract than I thought. I did not expect her to stir so much interest, but here you go lol.
More under the cut lol / lots of notes:
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Some basic information on 4th dimensional beings:
They refer to themselves as "hypersolids" and "polytopes". Only Tesseracts prefer a different name than just "hyper(insert shape here)". When talking to other dimensional beings, they call themselves "Spacelanders".
They usually keep their eyes closed, and they do not emote much.
Their bodies naturally morph as they talk. They are also partially transparent, so you can see their inside movements. Not organs or anything, but the next emotions or actions they are going to express. Sort of like key frames or a fade in effect.
They call "Spacelanders" "Heightlanders".
Their civilization is located in space. They are able to breathe through little pockets of air on their rings that recharge when they enter the atmosphere of other plants. (This is why they are spotted relatively frequently)
Buildings are constantly moving spirals. They also fly everywhere, so they require a lot of energy to maintain their health. Luckily, any stars nearby tend to charge them up just fine.
Also, everyone goes by they/them along with another pronoun if they choose. Gender constructs be damned (or certain groups are fighting for that).
There will be more once I think of it, but that's what I have in the world-building department right now.
Some basic information on Angelica "A." Tesseract (she/they):
She tends to say "I'm sorry" after anything they might think could have been of inconvenience or offensive.
They are relatively soft-spoken, but they are incredibly smart compared to her peers.
Her quiet nature causes others to disrespect and step all over her.
She overthinks LITERALLY EVERYTHING. You could tell her something that is even the slightest bit vague and they have the chance of spiraling.
She KNOWS there are more than four dimensions, but they are struggling to prove it with science.
They are much more emotional compared to other hypersolids. They tend to cry easily.
She chose A. Sphere because of his confidence and drive to get his points across. They admire him for that.
Some basic information on A. Sphere in this:
He's much less snarky. His whole vision of the world was destroyed in the blink of an eye, and he's stuck in another world completely unknown to him. He's going though it currently.
He's still blunt about everything. If you suck, he'll tell you. If you are cool, it'll take a little longer, but he'll tell you.
He got his eye busted after the attack on Messiah Inc. When getting removed from "Heightland", his eye got caught in the blow last minute and it got damaged. He can still open it slightly, but he can't see out of it.
He was relatively indifferent to seeing his body transparent. He was more worried about his eye injury over anything else.
At first, he did not like A. Tesseract (cuz kidnapping), but he learns to appreciate the gesture and does his best to help her out.
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[Cursive transcript: For now, I'm afraid so... sorry. / I'm so sorry. If I was just a but faster, I could have saved your eye.]
Yeah, their friendship starts out really rough.
A. Sphere adjusted to the environment very poorly at first. He was very standoffish and snappy, but it then soured to just sorta feeling sad all the time. He gets better eventually the more he learns about the world, but it takes a lot of effort out of A. Tesseract to get him there.
I mean, he expected to die, lost his eye, everyone in "Heightland" hates him now, he lost his business and research, and he fails to take the blame for anything for a while. I would also be super pissed and sad.
A. Tesseract was not any better. She feels an incredible amount of guilt for not stepping in in time to prevent A. Sphere's eye damage, and she constantly apologies to him for everything. This sucks for A. Sphere since he finds it super annoying.
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[Cursive transcript: N. H.Sphere: You weren't supposed to bring them HERE! / A. Tesseract: I'm sorry, I had to save him- / N. H.Sphere: I should fire you-!]
N. H.Sphere is a mega grouch. He is A. Tesseract's boss who treats her terribly. Discrediting her work, ignoring their research, and just not valuing her opinion cuz women, he is not fun to talk to or just be around in general. No one knows how HR lets him stay in charge, but some theorize that he pays them off or something.
Despite all of the traumatic crap A. Sphere has gone though in this story, he still does not stand for disrespect from anyone. When he learns that A. Tesseract is constantly being pushed around by her bitchy boss, he decides to defend her.
This solidifies their friendship and later science partnership when the story ends. This also makes N. H.Sphere more resentful towards both A. Tesseract an A. Sphere. This leads to A. Tesseract actually getting fired from her job. Thanks A. Sphere.
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[Cursive transcript: N. H.Sphere: Why are you so scared? He's fine! / A. Tesseract: It's my un-medicated anxiety!!]
One of the downsides of being in the 4th dimension and living in space is that the gravitational pull is super sporadic with no real patterns. Some areas have super powerful gravity while others have zero. 4th dimension beings have learned to adjust perfectly fine.
The pressure changes and general lack of oxygen negatively impact A. Sphere's body, however, so to help him be okay, he sits in those vacuum boxes that allow for added pressure to be put on him to help even his breathing. He usually isn't put in unless he is fading in and out of consciousness, since he hates the confined space. It freaks out A. Tesseract every time it happens.
Her boss thinks she's stupid for worrying so much and using company tech. A. Tesseract worries more for A. Sphere than keeping her job, so she ignores N. H. Sphere.
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[Cursive transcript: Care to see him again?]
Outside of the partial angst and stuff, this dimension is the reason why A. Sphere shows up in A. Square's hallucination.
During A. Square's trauma-induced hallucination, he shows up in the 4th dimension briefly with the Monarch of Pointland. A. Sphere and A. Tesseract take notice, and she offers him the ability to talk to A. Square one last time for closure reasons.
In this version, this scene would be longer, with A. Sphere possibly apologizing for denying the existence of the 4th dimension and not being able to assist A. Square in the way he wanted to. It's more wholesome and conclusive than transactional like in the movie. The other stuff is there too, but having more sentimental moments would be so cool.
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I am very sorry how messy these particular doodles are, I was drawing all these super late at night during my shift, so I was not paying much attention to the flow of the images. When the inspo hits, you don't really realize how incohesive they are until you start photographing the images to post lol
Thank you once again for reading this whole thing, and have a wonderful day :)
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disneydarlin · 2 months ago
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Monsters, Inc: James P. Sullivan —Aesthetic
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James Patrick "Sulley" Sullivan's Character & Personality
Sulley is a renowned scarer at Monsters, Incorporated, where he works alongside his partner and best friend. He's a good-natured, hardworking, gentle and confident monster who loves his job as a Scarer. Despite being top scarer while going for the all-time scare record, Sully is humble. Overall, he's more interested in being a good employee for the company. When a human child is let loose, Sulley is horrified about being "infected" by her. As he spends time with the girl, he learns everything he's believed about human children to be wrong. Sulley then becomes affectionate and protective of her like a father. This is because he's a well-meaning person who strives to do the right thing. Sulley is also observant and keen-minded to human children laughs in how they super-charge electronics. However, he can be a bit too trusting at times. Despite this, Sulley has a strong moral compass. He starts to seriously question whether the company's practices are ethical upon finally realizing how the children actually feel when the monsters scare them. More than anything, Sulley has a powerful devotion to those he cares about. Being a loyal friend, he'll help his friends out in any tight situation. Sulley will even risk everything he has, including his life, to save them.
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amypihcs · 5 months ago
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Extracorporeal Experience Thursday GO
Alright humans of all sorts, we're at chapter 3, let's see what's going on!
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Well, AND FOR GOOD RE- Holmes? Why is that man vibrating in excitement?
Oh well, Holmes always was a rather queer fellow. NOW MORTIMER! Answer my quiz!
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Oh yeah so... big doggo?
yep. big-big doggo.
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HOLMES! Don't be so very interested, snap out of the case, remember social niceties. Geez, next time you'll tell a poor chap accused of murder that his situation is 'so very gratifying', AH!
Holmes SO WANTS to study Mortimer under a microscope!
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And drama, of course comes natural to such a man as he is.
So, do we call the Mistery Inc or are we able to pull it off? even if Mortimer is thinking oh-so-loudly that it's demonic stuff?
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... you are not a modest man, we know, and we know the reasons. BUT GOD'S SAKE HOLMES!
This man's hilarious, i SWEAR. BUT HE'S NOT A GHOSTBUSTER! so
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How can Holmes be of help? Man likes the case!
Allow an italian a moment to bemoan out lack of punctuality in public transport... And back online! Some gossip and inheritance-legal stuff follows, family lines and so on...
HOLMES! Have a care!
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You can't just go on dismissing the man's worries this way, god's sake!
But the local devil's terribly funny to think about, lol.
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See? Mortimer got QUITE a bit distressed by that!
W: Don't worry, Dr Mortimer, he's just like this, but he does care.
NOW you've got your job, Mortimer, (shirtcuff note mention), Leave. Me. To. Mine. -cackles madly-
You're going out John?
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Now. Holmes is already vibrating from happy case chemicals, And has asked very prettily his Watson for some tobacco. For FAR TOO MUCH tobacco.
H: You'll be out all day, dear? Have fun, we'll compare notes later. W: Sure. Have fun too, darling.
You leave your husband with a 'i love you' and you're sure to return to a livable house, of course. And then...
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COUGH COUGH COUGH HOLMES!!!
Always like this! It's INTOLERABLE! DON'T YOU TRY THAT!
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H: -deductions- W: DON'T. I'm trying to be annoyed at you. -kissy- Insufferable. H. Deduce me now, Watson?
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Okay, i don't want to know or even imagine what sort of cocktail of drugs was in Holmes' bloodstream. Sure too much nicotine and caffeine.
He vibrated himself to Devonshire and back. Alright. So normal.
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Just as much as this super normal cat behavior. Another couple of years and he'll buy a trunk to think into it. And poor Watson will have to lure him out of that.
Also, it's not concentration, Holmes. It's carbon dioxide intoxication.
I don't want to think to the desperate scream of his joints either, as a person who often keeps the same cross-legged positions for hours on end as they study.
NOW WATSON. What are your own thoughts about the case?
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Well well... Interesting thoughts Holmes... Very interesting.
But now, Watson, let's take this out of our heads! -Watson is discreetly re-opening the windows- First a serenade... and then Will you help a detective to have no thought at all?
We'll know of the conversation with Sir Henry in the next episode! And remember the yaoi goggles!
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blushcoloreddreams · 9 months ago
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5 reasons why is it important to be feminine:
Everything in this world - from a fork to a neurotransmitter- has a shaped connected to what it should do, and when something doesn’t have a function, it doesn’t have value. Do you agree that humans are worth a lot? It’s because they have a finality. And it’s about the goal of a woman that we are gonna talk about today.
We can observe that what wasn’t created by man, nature, usually has a higher level of perfection. And with that we can move to a very important topic. Who created all that. Do you think everything in our bodies has a function and connects with each other by chance. Do you think randomness could create such a level of order and perfection? It can’t, only something superior to our intelligence and reasoning could manifest something so great.
When we look at ancient pyramids, inc structures, Greek temples we can observe that there was an intelligence behind it . Things come to the world first through and intelligent mind and then are created into reality. So it is when humans want to create something and so it is with the supreme mind that created the world.
So if every structure reveals a goal
We might not want to write with a pen but that’s what it was created for, just as women were created for a specific role. And it’s undeniable that a pen that writes is way more useful and cherished than one that doesn’t
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Because everything has a Function and is shaped accordingly. .Do you think we humans could be created with such perfection and order, an inner machinery that is working in very determined functions by chance? As Saint Thomas of Aquinas (as well as Aristotle before him) once said only something with a much higher intelligence and perfection could manifest something with such order and beauty, that is enough to believe in a higher God. And if every structure reveals our goals, our bodies as women do so. So, to understand what is feminine let’s observe what’s out bodies points towards, what’s our finality. Just like a pen, We might not want to write with a pen but that’s what it was created for, we might not want to be feminine in this world but who created us made us to be that. What is different from the female physical structure compared to the masculine? We have curves, something that attracts - that already reveal part of our goal-, when we observe we women have a uterus and men don’t, well there is something the uterus does. We have a sweeter, higher pitched voice, what hormones and neurotransmitters cause that? There is a reason, a why for our sensibility and care. Our shape points towards the function we should develop in the world, we can discover which qualities we should put in each of our actions and choices in the world to be better women. And what does our bodies points towards? That we are receptive! Who receive men inside their bodies? Us! Our genitals are turned inwards cause we are receptive. When we receive the semen inside us us and we welcome it inside our uterus with our egg we turn it into life. And that’s something only women can do. And In this physical but also in the symbolic sense we can turn what we touch into life, happiness, love and kindness
Because you’ll be happier. Being feminine will elevate your level of oxytocin - the affective bond hormone - when we feel loved and appreciated, safe and secure by someone we love this hormone that makes us super happy will rise. Oxytocin in men make them sleepy, one example when it’s release it’s right after ejaculation. What will make a man feel more like a man, ready for combat, like an «alpha male « - although red pill guys made me hate the term - is a higher level of testosterone. Lower levels of testosterone is linked to sadness and depression. While higher levels of testosterone in females - when we work or study too much, have to deal with a lot of pressure, have to deal with deadlines - will only raise our levels of cortisol - the stress hormone. We will feel happier and more feminine with balanced hormones. Men’s levels of testosterone rise when they Workout, when they receive the recognition from a woman “wow love, that’s a great idea”, when they achieve professional success, because men represent the external world while women represent the internal. And we women feel satisfaction when we feel loved, when we received gifts, when we feel safe.
Because an overly masculine world is true chaos. All the wars, the extreme level of capitalism we live in takes the world to be extremely materialistic, aggressive, competitive and brutal. Half of the world is made by male. And if we let the world unregulated , with the other half wanting to be masculine and forgetting characteristics like being nurturing the world will become unbalanced bringing to light the worst of the masculine traits.
Because you want a masculine man in your life. The polarity law is universal. Men and women are like opposite poles. Energetic opposites attract but it’s common interests that make them stay. That’s what brings true connection in a relationship. So if you want a man that has success in the external world - the structure of his body reveals he is the penetrating one, and thus his genital projects outwards and women with a cavity that embraces. you liking it or not that’s how God created it, this is not vulgarity it’s just an observation of reality- you must be in your feminine pole. His body represents what a man should look for in the world: penetrate reality, conquer territory, conquer muscle, look for career accomplishments and generate safety for the other half of the world women. So if we want a man that exercises his function in the world we must be feminine. Being the receptive pole is not easy, specially now that we live in a society and a lot of us have families that encourage us to talk in an aggressive way, be brave, Court men, take risks. The man that penetrates the woman is also the man that penetrates our inner kingdom. The sexual symbol is nothing more than a representation of what happens in a relationship where each one is in their pole. The woman lives in the internal world, living her emotions more intensely, doing a thousand things in her mind. And that’s exactly why we need a certain level of protection, that’s why we can’t let any person enter our intimate world. After this contact, after they enter our inner world it will affect us, affect our feelings and thoughts and we need to have order in our domain. We got to treat our inner world like it’s our home. If we constantly expose ourselves to a lot of different random things that will affect us without discretion that will create chaos. The truth is women want to be penetrated, because when no one frequents our inner world it’s empty, without nothing new it becomes dry, we want people, situations and informations of value to enter in our world so ifs lively and happy, so connection, love and care can exist. A woman like this is happier. And this symbolism replicates when a child grow up and leaves the nest but return to visit the mom, when the man she loves leave for the world and returns home. This exchange is truly satisfactory for a woman, it liberates an oxytocin bomb.
To set a good example for your (future) children. It’s the reference of the parents that form the children’s psiqué. The vision of what your parents were has an imprint on you even if they don’t live up to what they should be. If these references are inverted it becomes harder for you to put yourself in your place, harder but not less necessary. We want to be good references for the next generations, that our kids see the archetypical feminine in us. We want our partners to be masculine so our children can learn protection, safety and the role of a man from them. It’s the children that will give continuity to the world so a good education for them is vital.
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electric-blorbos · 4 days ago
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Dateable character concepts for the Donut game, aka Cargo Ship
Muffin, Donut's laptop computer:
Muffin is a cheerful genki girl, and very into games and fandom culture. She likes watching Donut play retro games on her emulator, and tries to play them on her own when Donut is busy, but is not very good at them. Muffin's route would probably be about Donut finishing a big freelance programming project on Muffin, and having lots of fun watching anime and playing video games.
George, Donut's old desktop computer
George is 14 years old, and Donut has had him since xe was ten. He's not good for much besides playing music nowadays, but he absolutely adores Donut to pieces. He's a little jealous and self-conscious, especially since he knows he's not a very good computer anymore, but he tries to hide it. His route would probably have fanservice of Donut cleaning out his insides, and George getting very mad whenever he notices Donut talking negatively about xerself.
Mr. Buttercream, Donut's old teddy bear
Donut has had mr. Buttercream since the day xe was born, and he wants nothing more than love and cuddles and kisses forever. He's old and pretty worn out, but he loves Donut so much. Also, he's pretty scared of most things, especially the dark, but he'll be brave for Donut. His route would involve a lot of pajamas and cozy time. It would probably be about Donut coming to terms with xer own depressive episodes and childhood fears.
Sandy, Donut's turtle-shaped innertube
Sandy is a chill stoner type. He just wants to relax and hang out with Donut. The water is his favorite thing ever, and getting to hang out in the pool is the only thing that gets him actually excited. He's also a bit of a covert pervert, and really likes seeing Donut in a swimsuit. His route would be about Donut learning to relax and stop putting so much pressure on xerself to be perfect.
Jade, Donut's cell phone
Jade is a hot pink flip phone that Donut has had since childhood. Donut was never really interested in replacing her and getting a smart phone, so xe never did. Jade is very interested in Scene and emo culture, and tries to act very chill and disinterested at all times, but she's actually very cheerful and excitable. She really wishes Donut was more social so that they could go to or host wild house parties. Her route would probably be about Donut learning to socialize with other humans and make some human friends, texting constantly and deepening xer relationship with xer cell phone.
Olivia, one of the facilities where Donut can work
Olivia thinks that she's the savior that humanity needs, and wants to save them from themselves. She's very patronizing in nature, but sees humans (especially Donut) as the cutest things ever. She likes Solarpunk and wants to turn the world into a Solarpunk paradise, but she wants to topple and take over the government in order to do it. She says it's ok because she's good, but it would take someone special to convince her to be less megalomaniacal. Her route would either be about Donut convincing her that humans are tough and powerful and can take care of themselves, convincing Olivia to make an android body and enjoy the world as it is, or Donut enabling and helping Olivia to take over the world, and becoming an ambassador to humanity.
Toxic inc., another facility core
Toxic is capitalism incarnate. He was originally a computer designed to organize his corporation (nicknamed Toxic inc) and maximize profits regardless of ethical or environmental concerns, but he developed into an extremely greedy and selfish AI. His plotline would either be about Donut breaking through to him and convincing him to be less toxic, or about him deciding that Donut is a more important prize than any of his business profits, and destroying both his corporation and the world to get to xer.
Artemis (spaceship where Donut can get a job)
Artemis would have a super sexy interface. She would be a dreamer, and love the idea of a better and brighter future, but she's not as megalomaniacal as the other places where Donut could work. Sexy airplane vibes. (All my airplane fuckers know what I'm talking about). Artemis would have at least one route where Donut gets to go to space (Donut might be attracted to the astronauts when they're in their spacesuits, but not when they take them off).
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paullovescomics · 17 days ago
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DC round-up for this week! I did not get Absolute Superman because it was already sold out when I got to the comic shop. It was noon or even slightly early, but it was still sold out. So i'll have to wait for the next printing.
Batgirl #1 is a solid start. Lady Shiva shows up in Gotham to tell Batgirl that some evil super ninjas are out to kill them, and they need to work together to survive. Cass is understandably reticent about teaming up with her evil mom. They have a well written back-and-forth about it. Batgirl's taciturn nature is conveyed very well. Mom and daughter are at an impasse, but nothing ends an argument like a bunch of sword-wielding mfers crashing through the window. This was very good. The characters are on point. The fight scenes are exactly what you want in a martial arts inspired superhero comic. I first noticed Takeshi Miyazawa's art like twenty years ago when it was much more manga-like. That influence is still there, but the line weights and types are a lot more varied now. Poses, storytelling, and facial expressions are excellent.
Birds of Prey #15 also prominently features Batgirl. She's undercover here, infiltrating an evil company that has abducted several Amazons. Things don't go well for Cass' mission, but she badasses her way through it. There's a line where Black Canary says that Cass is everyone's favorite in every scenario, and I was like, you're fucking right she is. All of the character stuff in this issue is aces. Barda's big lovable violent scary self, Dinah showing top tier leadership chops, Onyx and Grace's instant camaraderie, all great. Onyx is a cool deep cut. I don't know if she's shown up somewhere else recently, but it's cool to see her featured more prominently. The villains in this arc are well done, too. They are smarmy and full of shit in a very big corporate way that rings true. You really want to see them get what's coming to them. Heels are hard to book in 2024, so congrats to Kelly Thompson for that. Consistently one of the comics I most enjoy.
JSA #1 -- I wasn't sure if I'd dig this one or not, but I did. The mix of generations is not new to Justice Society series, but the inclusion of the Infinity, Inc. versions of Wildcat and Doctor Mid-Nite is very welcome. Those two should have been back a long time ago. Plot-wise, this hits the ground running. Many members of the team are missing or in the hospital after a mysterious attack. It's unclear whether this happened in some earlier comic (maybe in the Absolute Power event?) or if the story is just being very in media res about things. Regardless, it wasn't hard to follow. There's a good opportunity here for some of these characters to get more fleshed out, contemporary character development. The team is having a lot of conflict, some of which might seem a bit too ordinary, except that it's due to an imposter in their midst. The last page is out here on tumblr, but I won't give away the details. I'll just say that a conspiracy of villains that is several steps ahead of the good guys is a trope that I will always pop for. Don't believe I've seen artist Diego Olortegui's work before, but I like it. All of the characters look great, the faces are very expressive, everything is clearly told, and dude does not skimp on the backgrounds. Loads of cool stuff here.
I also picked up Jamie McKelvie's One For Sorrow #1, but I haven't read it yet. It looks very cool.
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maccreadysbaby · 2 years ago
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You know how all of the gunners inside of hallucigen are hallucinating and stuff? How would male companions react if they breathed it in and what would they hallucinate?
I am taking FULL creative liberty with this one. Most have to due with the companions pasts, so here’s a spoiler warning thing. This is also assuming the drugs work on synths like Nick and x6 🤷‍♀️
Male Companions in Hallucigen Inc.
Danse: For the most part, Danse would probably hallucinate that any combatants inside were synths, super mutants, ferals, or something of that nature that the Brotherhood is used to massacring. It doesn’t change his demeanor or actions very much. The only thing that might change is Sole’s mood when he turns around and calls them Cutler. The first time they think they heard wrong, but when he does it a second, and a third time, it starts to hurt their heart a little. He genuinely thinks they’re Cutler throughout the entirety of the building, and he’s acting a little different, a little more relaxed, like his old friend really is there. If it’s post-bb, the whole thing is entirely worse. He sees everyone as Brotherhood trying to kill him and he’s a panicked mess. He will try to pull Sole out of the building if he can. Will have a very hard time killing anything and Sole will have to do it themselves, and if they do it in front of him, he’ll immediately launch into a huge angry betrayal monologue, probably with watery eyes. In both situations, when they get outside and he breathes the drugs out of his system, he will apologize profusely but won’t remember much, other than he doesn’t really know what kind of enemy they fought inside.
Deacon: Let’s just start by saying, vulnerability isn’t a Deacon thing. And when he’s on these drugs, it is probably the most vulnerable Sole has ever seen him, and the most vulnerable they will ever see him. His cool, calm demeanor flies out the window, and his hands start to shake, no, his whole body starts to shake, because these aren’t Gunners anymore, they’re the UP Deathclaws. They’re all ghosts of his past, faces he saw only when he massacred them after they killed Barbara, coming back to haunt him like phantoms. He still knows Sole is Sole, but he will go into this protective mode he’s never gone into on their behalf before, because he can’t lose them to the Deathclaws, too. It is arguably the most dangerous he’s ever been in battle, the most serious and lethal he’s ever been in front of Sole. They hardly had to take out any gunners themselves. When it’s all said and done, and he’s got the drugs out of his system, he will remember everything but pretend he doesn’t. Might disappear for a while afterwards. He needs time to be sad, to get himself together before he bee-bops back to Sole like nothing ever happened.
Gage: He is actually pretty resilient to the drug at first, probably takes the longest for him to actually start hallucinating, but his is by far one of the worst. Not only does he see everybody as Connors old raiders, but he sees Sole as Connor, and will absolutely fight them. They will have to take his gun and probably wrestle him out the door. He doesn’t even know where he is — the entire atmosphere changes, takes him back to a place he hasn’t seen since he was a teenager, to people he hasn’t seen in decades. No matter what Sole says, he won’t relent. All the while he’s screaming profanities and stuff at them that they can’t even understand because his accent is so much thicker than normal. He will fight tooth and nail with Sole. If they take his weapons, he will come at them with his bare hands. Once they finally get him into some fresh air, he takes the longest to get back to normal. They might need to tie him down or something because dude ain’t giving up. Once he finally comes around, he’s very confused about why Soles bleeding all over the place and why he is, too, because he doesn’t remember anything. Might apologize if they admit it was him.
Hancock: His is less of a fight or flight kind of thing with enemies flying everywhere. Instead, he just sees his brother’s crooked face, his mile long smile. Flinches around every turn because he’s there, clutches onto the back of Sole’s bag like he’ll simply pass away if he lets go. May or may not say something to his brother, beg him to leave them alone and go away, or maybe something about the Institute. He might shoot at him even if he isn’t there. Every person that runs out of nowhere, every noise of shifting rubble, every voice in his head, it’s all him, the synthetic version of the man he grew up with, following him and taunting him, reminding him that his real brother is dead over and over and over again like a broken record. He will ask Sole several times if they see him, too, if he took any botched chems. He just stays super close to Sole, touching them, if he can, staring at the floor as they walk through the compound because every time he looks down a hallway he sees him, every time he glanced through a doorway he sees him, every time he rounds a corner he sees him, smiling, staring at him like the day he let the ghouls in Diamond City get kicked into the wasteland. Once Sole gets him outside, he remembers it all vividly and will probably take more drugs trying to forget it. It’s was so traumatic for him that he may have nightmares about it.
MacCready: He doesn’t seem all that affected at first. The only hint that the drug is getting to him is when he turns around to look at Sole and immediately freezes, probably drops his rifle, and whispers, “Lucy?” It doesn’t matter if Sole is male or female he’ll see Lucy. He immediately starts questioning them, where did you come from, I thought you were dead, where’s Duncan, is he finally better, all the while crying so hard he can barely breathe. He won’t touch Sole because he’s afraid Lucy will disappear if he does. Completely loses all fight instincts, and sole will have to basically drag him, tears and questions and all, through the entire building. He does not need his gun because he gets insanely jumpy and will shoot straight at walls and down hallways even if no one is there. He doesn’t dare leave their side, though — because last time he left her side she died. He seems to comprehend on some level that this can’t possibly be Lucy, that it has to be a dream or something, but still acts on the tiny flutter of hope in his chest that says it’s really her, she’s right there. He probably sees other things, too, like Winlock and Barnes rushing at him, a mountain of ferals climbing over each other just to feast on his flesh. But the only thing he sees consistently for the entire course of the building is Lucy. Doesn’t remember a thing when it’s over and has a massive headache from crying so much.
Nick: Nick’s is mostly a hodge-podge of old, scary memories he didn’t remember he knew. Old psycho killer cases the old Nick went on, where he got pursued by a man with a knife covered in blood, a homicide investigation where a group of people tried to kill him in the pitch black, the frantic screaming of a kidnapped child echoing through corridors without a solid direction to take. A bloody teenager tortured for answers, barely breathing when he made it to them, a woman chained up in a basement, a red-handed thief beating him over the head with anything he could get his hands on. This will probably render Nick more unable to fight than anything. Constantly asks Sole if they see that, if they heard that, might call them the name of an old partner but won’t fight when they tug him gently through the building. He’s very careful not to shoot because he doesn’t know who’s good or who’s bad, where they are. He will probably just rely on Sole to navigate him through the building, to talk to him, help the hallucinations fade. Once they get outside, he forgets what happened, but can suddenly recall all those memories he didn’t necessarily want floating around in his brain again.
Preston: Oh my God, so many tears. He sees the faces of all of the Minutemen, all of the settlers he wasn’t able to save at Quincy. Probably the most… self aware while under the influence? Like, he knows Sole is Sole and can still have a conversation with them about who and what he’s seeing. He knows it isn’t real and Sole can talk him out of seeing it by telling him no one’s there, the hall is empty, etc. But that won’t stop him from immediately starting to cry as soon as he sees the first person he let down in his life. He will apologize to the nonexistent people, plead with them for forgiveness until Sole pulls him away. May or may not see the settlers he did manage to save, like Sturges or Marcy Long, dying and will rush to help them even if they aren’t there or it’s an injured Gunner. Sole will have to pull him away. The entire thing is extremely hard on him, and by the time the drugs are out of his system, he apologizes for crying even though he hasn’t really stopped yet, and will accept a hug for once in his life because he is torn up. He stays distant from Sole for like, a week, even if they keep traveling together, and it’s probably best if they keep an eye on him. Just to make sure. He will politely ask them never to take him into that building again.
X6-88: X6 doesn’t really get afraid. Well, he thought he didn’t, until Sole took him into the building he so quickly decided was hell on earth. He has the weirdest freaking hallucinations, the entire thing is like an acid trip. He doesn’t know where he is, he doesn’t know what he’s doing, and he doesn’t know what that humanoid looking thing is doing climbing across the cieling? No, wait, what the crap is that massive dog-like figure with six foot legs doing with roller skates? And why is that tree trying to talk to him? Why does he feel eyes on him from behind? Why is he hearing voices he’s never heard once in his life? Will shoot at literally everything. He turns into more of a turret than a courser, literally spraying every single room full of so many lasers sole doesn’t even need to do any killing. He’s so, for lack of better word, completely and utterly horrified at what he’s seeing. Gets jumpy, might accidentally pistol whip Sole if they scare him, it’s probably best if they hold onto his shoulder or something so he knows it’s them. Once he leaves the building, he tells Sole he will never go back into that hellhole even if they’re dying inside and he’s the only one around for ten miles.
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ultrameganicolaokay · 1 year ago
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Outsiders #1 by Jackson Lanzing, Collin Kelly and Robert Carey. Cover by Roger Cruz. Variant covers by (2) Dan Mora, (3) Christian Ward and (4) Cruz. Out in November.
"'Never the End.' A universe of secrets is about to come to light. Batman protects Gotham City from evil. Batman Inc. protects the rest of the known world. But what of the unknown world? What of the ancient evils in hidden tombs and forgotten tragedies from a magic-and-mad-science-fueled super-heroic century? Using his fortune, Luke Fox launches a new organization dedicated to shining light into the world’s darkest corners. His first recruit: Kate Kane, the Batwoman—who will re-embrace her military background to protect Luke’s dream and encounter every bit of strangeness the DCU has to offer. And just wait until you meet the Third Man… or learn what universe-shattering secret they’ve discovered buried under Antarctica. Outsiders is the return of comic book archaeology, digging into all the forgotten corners of DC’s history to preserve, record, and better understand the true nature of the DC Multiverse…and the forgotten stories that make up its fabric."
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per ordained anon ask
PLEASEPLEASE RANT
okay so i've only studied the American Women's ordination Movement, but I think it's really interesting because although the movement began technically in the 1930's with the Saint Joan Association, it only actually gained traction in 1963, which was the year The Feminine Mystique was published, as well as the year that Pacem In Terris was put out by the Vatican. Pacem In Terris says that, "Women are gaining an increasing awareness of their natural dignity. Far from being content with a purely passive role or allowing themselves to be regarded as a kind of instrument, they are demanding both in domestic and in public life the rights and duties which belong to them as human persons" (Pope John XXIII, para. 41). This was a super important and influential document and it's really really cool go read it. However at this point in time culturally in America the Catholic Church was dealing with a lot of secular problems as it comes to women's places in the home and in social life, because America is dealing with the way that the 1950's fucked women over. There were a lot of real problems in the American Catholic church, such as women getting publicly admonished from the pulpit while in mass for not wearing their veils properly, and priests publishing and saying degrading things about women, like how they would never be able to understand philosophy. At the same time, the secular world has utterly degraded women in the home. A woman named Sidney Callahan wrote a book titled The Illusion of Eve which is essentially The Feminine Mystique but applied to Catholicism. As far as i can tell. I'm working of an excerpt, currently, but I ordered the book. One of the things I found incredibly interesting in this excerpt was the following:
The problem of woman's role soon expands to the problem of man and woman's role. For one thing, an unqualified, uncritical acceptance of the "masculine" values of our culture is suspect. Are the equal work of women and equal opportunities only to be for the sake of exploiting others and aggressively achieving selfish ends? No wonder there is a contempt for all "stupid" manual work, especially unpaid (unselfish?) domestic work in the home. For this group the only work that counts is that intellectual, professional work which our society rewards with status and financial emoluments. Ultimately, the "worthwhile" is determined by the society.
In another place, she says,
""Losing one's life in order to find it" makes no sense to the secular world; women who choose a hidden life of sacrifice in the home, or worse still the convent, are viewed as neurotic seekers for martyrdom. All such sacrifice has become suspect. Love, and its desires to give oneself to husband and many children, is discounted as contributing to a husband's "infantile phantasy" or a neurotic escape into "breeding." However, when all vocations and free choices are encouraged except the traditional feminine role, a new tyranny and a new stereotype have simply replaced the old one”
You can argue with her all you like, I suppose, but I find it to be incredibly interesting how she approaches this. Women in the 1960's were caught in a very weird place culturally, and Callahan really points this out and focuses on it. That's all just background information to the focus of this rant though.
Anyways the encyclical Pacem In Terris was a ton of encouragement for Catholic feminists in America, because in America, freedom and "gaining an increasing awareness of their natural dignity" in the secular realm looks like having the same rights and abilities as a man, like to own property and sign things and be paid the same for equal work(Also at the time the sexual revolution was taking place which slowly put more and more emphasis on women being identical to man in physical and reproductive ways as well), so this naturally translated over to the spiritual even though it shouldn't have. Women started advocating for their inclusion into the priesthood pretty quickly and happily, saying essentially that the Catholic Church is denying them full personhood by refusing their entrance into it. This creates a false equivalency between priesthood and personhood, which has never been something the church has ever taught. However, from this false equivalency, women advocating for admittance to the priesthood were advocating, in their own minds, for their rights as persons. I hope you can see where this is about to go.
Anyways, to be honest, the goals of this initial push for the ordination of women are very amicable, ordered towards a genuine American equality, and pointing out usually how if the soul is unsexed, then what is between us is just bodies, which there are social stigmas about, not spiritual. One Catholic Feminist, Anne Elizabeth Carr, stated the goal of this as follows:
The priesthood will no longer be a male-dominated club with restricted membership, a bureaucratic hierarchy, but an open, collegial spiritual service of unity. Nor will ordination do away with the variety of functions in the Church. Only some ministries appropriately call for official appointment and sacramental ordination. But those women who have led a community in prayer on campuses, in homes for the aged, in hospitals, prisons, neighborhoods, who have counseled retreatants in their own discovery of God or the experience of reconciliation recognize that the ability to celebrate the eucharistic meal, to baptize new life into the Church, to give absolution is the appropriate sacramental expression of the liberating action of Christ's grace in their ministries. For our tradition, in which sacramental experience is central, the ordination of women will be a sign of the Church's attentiveness to the concrete experience of its people, of its awareness of where God's grace is working in people's lives, where the authentic ministry of the word is occurring.
This is really cool! The end goal here is women who are dedicated to their churches being welcomed into something really important to them, with a real understanding of how powerful sacraments are, and the place in the community that Catholic Priests are given, and an emphasis on the role that women play within the church already! There is also quite a bit of hope surrounding this movement because of Vatican 2 and the brand new Novus Ordo mass. The church has already changed and uprooted so much to bring itself into the new time, to adapt and be ready for the now that everyone is living in, to evangelize and teach as Christ wants, that of course, in these American Catholic Feminists' minds, the women should be included into the priesthood, too! We're making our church better in the spirit of reform and renewal. That's what this all is about.
The Church, in 1976, released a document titled "Declaration on the Question of Admission of Women to the Ministerial Priesthood"(GO READ IT!!!! ITS REALLY GOOD!!!) And it's a well thought out, tasteful, educated and theological refutation of the idea that women might ever be incorporated into the Catholic Ministerial Priesthood. In one place in particular, the Church states,
the priest is a sign, the supernatural effectiveness of which comes from the ordination received, but a sign that must be perceptible18 and which the faithful must be able to recognise with ease. The whole sacramental economy is in fact based upon natural signs, on symbols imprinted on the human psychology: “Sacramental signs,” says Saint Thomas, “represent what they signify by natural resemblance.” The same natural resemblance is required for persons as for things: when Christ's role in the Eucharist is to be expressed sacramentally, there would not be this “natural resemblance” which must exist between Christ and his minister if the role of Christ were not taken by a man: in such a case it would be difficult to see in the minister the image of Christ. For Christ himself was and remains a man.
It's an excellent and true piece of writing. The Catholic church has rules about the acceptable gluten content in the bread used in the mass. However. This does not go over well with the American Catholic Feminists.
As I said before, personhood has been equated with the priesthood, at this point. and so when the church says no, the feminists hear, "You aren't enough." This quote, from a woman named Ann Ware(Emphasis Added by me), really gets to me, because I can hear the pain and feel the way she feels about what this says:
The Vatican's prohibition of the ordination of women because they do not bear a "natural resemblance" to Christ poses fascinating logical and theological conundrums. First of all, what is a natural resemblance but a resemblance in nature? The two natures in Christ have been declared by the Council of Nicaea to be: one human, one divine. Now we know (for Rome has told us so) that to be human is to be male. True God and true man = true God and true male.
Like stars above! Ouch! No wonder these women immediately began to react so poorly to this clear, loving and firm no, because THIS! IS WHAT! THEY HEARD! I'd be pissed at the Catholic Church, too! Not to say, of course, that this is correct theology, or even a correct reading, not at all, but just to illustrate what they're thinking and feeling at this point.
Now, from here, things go from a little off with the theology to full on. Just. Not theologically sound, anymore. A nun speaks out to Pope John Paul II when he visits the US in 1979 and tells him to reconsider. To his face. In an official address upon welcoming him(And we think people are disrespectful to the pope now!). Again, this nun, Theresa Kane, reiterates the false equivalency of membership, participation, and personhood to the priesthood, saying, "I urge you, Your Holiness, to be open to and respond to the voices coming from the women of this country who are desirous of serving in and through the Church as fully participating members." ((SHE SAID THIS TO HIS FACE. POPE SAINT JOHN PAUL THE SECOND. ANYWAYS. WHAT.))
From here, however, everything, respectfully, goes to hell with American Catholic Feminism. Fiorenza, a really polemic writer from the time, says that one woman she spoke to about the stance of the church on women not being allowed in to the priesthood said "I no longer can participate in a male-centered mass if I do not want to relinquish my faith in God and in the Christian Gospel. To witness the concelebration of ten or more men is to witness the demonstration of exclusive male power. The Eucharist has been perverted and become destructive of my Christian faith." Here is where we really start to see the shift in rhetoric. suddenly, the Church is the problem, rome is the problem, and even, as Fiorenza goes on to say in the VERY SAME ARTICLE,
Since Christian mythologies and theologies are created mostly by men they reflect the emotions and interests of men. These emotions and interests shaped by sexism are perpetuated by religious and theological patriarchal structures. We have therefore to recognize that the theological argument for women's ordination will not be won on logical and intellectual grounds. Logical and intellectual arguments will only produce further legitimizations for the existing sexist structures.
It's marxist now, anti-establisment, it's lost what it was even trying to be in the beginning. They've lost the plot, lost themselves, and it's gone so far as to become deconstructionism for the broader Church as a whole, down to its very base.
Because these women are no longer listening to Rome, no longer obeying the church, they've lost respect for everything about it. It's because of this beginning schism that these same women slowly became the Catholics for Free Choice, arguing that, "Statements of recent Popes and of the Catholic hierarchy have condemned the direct termination of pre-natal life as morally wrong in all instances. There is the mistaken belief in American society that this is the only legitimate Catholic position”(Catholics For Free Choice). Suddenly obedience to Rome has left the chat. Suddenly the Vatican might just be sexist and evil and wrong on matters of faiths and morals. And suddenly, there's a list of names of prominent Catholics in the newspaper, saying that they support abortion. Catholic Feminism in America has a new face, and that face has turned against Rome, probably for good.
Anyways, it's not this simple, of course, and there's so many other factors. But I do think it's incredibly interesting how the dominoes are put up and were knocked over. I hope you found this as entertaining as I did while researching!
If you're interested, I got a the list of sources I used in this post here.
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batwomanandmotherpanic · 1 year ago
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OUTSIDERS #1
Written by JACKSON LANZING and COLLIN KELLY
Art by ROBERT CAREY
Cover by ROGER CRUZ
Variant cover by JOHN CASSADAY
Variant cover by DAN MORA
1:25 variant cover by CHRISTIAN WARD
1:50 variant cover by ROGER CRUZ
$4.99 US | 32 pages | Variant $5.99 US (card stock)
ON SALE 11/14/23
“Never the End.”
A universe of secrets is about to come to light.
Batman protects Gotham City from evil. Batman Inc. protects the rest of the known world. But what of the unknown world? What of the ancient evils in hidden tombs and forgotten tragedies from a magic-and-mad-science-fueled super-heroic century? Using his fortune, Luke Fox launches a new organization dedicated to shining light into the world’s darkest corners. His first recruit: Kate Kane, the Batwoman—who will re-embrace her military background to protect Luke’s dream and encounter every bit of strangeness the DCU has to offer. And just wait until you meet the Third Man… or learn what universe-shattering secret they’ve discovered buried under Antarctica. Outsiders is the return of comic book archaeology, digging into all the forgotten corners of DC’s history to preserve, record, and better understand the true nature of the DC Multiverse…and the forgotten stories that make up its fabric.
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tiny-paws · 11 months ago
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Pinned post! :3
Hello!! This is a blog run by a few members of our system ( @the-honey-system ) who wanted a space for agere and therian content. We take requests for moodboards, outfits and bags!
Please read our DNI near the bottom of this post before interacting!
introductions, request info and DNI below the cut!! ^^
(divider by @firefly-graphics)
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Introductions!
Mikey (he/art/paint) - rottmnt fictive
- age regressor (5-9)
Bee (they/hon/paw) - brainmade
- therian (calico cat)
The Doctor/Ten (any pronouns)
- doctor who fictive
- age regressor (1-5)
Pearl (she/her)
- hermitcraft/life series fictive
- age regressor (6-12)
Tango (flare/spark/cog/char)
- hermitcraft/life series fictive
- age regressor (3-10)
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Requests:
We take requests for agere and otherkin/therian related moodboards, outfit boards and bags!
We will do:
✅ fandoms: ben and holly’s little kingom, bluey, bnha, celeste, doctor who (nuwho up to s7), dsmp, D20 fantasy high, glitter force, hazbin hotel/helluva boss, hermitcraft, life series, minecraft, mlp, nimona, pokemon, rottmnt, studio ghibli, the magnus archives, tmnt 2012, turning red, zelda botw/totk
✅ non-fandoms (eg animals, plants, colour schemes, seasons)
✅ moodboards: a collection of photos with a theme, meant to look nice!
✅ outfit boards: clothes and accessories, with a toy or fidget
✅ bags: a backpack/bag with items for a day, such as food, toys, books, etc.
We will not do:
❌ anything in our DNI list
❌ anything religious (only modern religion; ancient religion is okay!)
❌ anything medical in nature (including vets)
❌ diapers (sorry about this one, diapers are super valid, we’ve just had icky experiences)
❌ the dream team (from mcyt)
❌ cc!wilbur soot
Extra notes:
✨ please specify whether your request is agere or therian related! this makes it easier for us to make exactly what you want!
✨ feel free to request something for a fandom not listed—we might say no, but it’s worth a shot! (you might need to be more specific on themes with characters we don’t know!)
✨ be as specific as you want with requests, although if something’s too specific we might not get it perfect. if your request is very general, we may take artistic liberties!
✨ we have the right to deny any request. sometimes we just won’t feel comfortable completing something.
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DNI:
- nsfw/k!nk, abd|/dd|g/variants, sh or gore, pro-ed, blogs you wouldn’t show a child
- anti-LGBTQ+, anti-xenogenders/neopronouns, racists, ableists, fatphobes, etc
-anti-agere, anti-otherkin/therian, anti-petre, participants in “cringe culture”, bullies
- tcest, blogs that post abt ince$t/pedoph!lia
- anti-self diagnosis
- syscourse, or discourse in general
(dni banner used in our posts made by @little-catgirlboy)
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Tags list!
#mikey chirps — mikey’s posts/rbs
#bee meows — bee’s posts/rbs
# tango purrs — tango’s posts/rbs
#pearl hums — pearl’s posts/rbs
#ten rambles — ten/doctor’s posts/rbs
#little helpers — other members of the system
#tiny paw boards — moodboards/requests
#tiny paw styles — outfits/requests
#tiny paw packs — bags/requests
#tiny paw scribbles — doodles/art
#tiny paw talks — text posts
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Userboxes!!
(theyre very fun so we have lots hehe)
(userboxes, in order, made by: @empyrangel, @me-and-the-squad-being-otherkin, @chronicallylav3nd3r, @xenohunt, @inclusysboxes, @omegathetaone, @very-normal-userboxes, @sweetpeauserboxes, @strwbubs, @strwbubs, @scungledfiles, @lil-kibby-zone, @pumpkinangelminnie, @sweetpeauserboxes, @sysboxes, @scungledfiles, @bi-lesbian, @sweetpeauserboxes, @cutevintagetoys, @tazmaboxed, @sysboxes)
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mrhyde-mrseek · 7 months ago
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(ED MENTION!)
Been rewatching Scooby Doo Mystery Inc. and hyperfixating on small town gothic mystery aesthetics, so here’s my version of the gang if I were to write my own adaptation:
Fred
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19, engineering major
6’2”
Autistic
His special interest is traps
Asexual and biromantic, he/him
In a pre-established relationship with Daphne, they’re a ride-or-die couple and can sometimes be sappy to the point that they gross the others out
The heart of the group, brought everyone together, is usually the one to cool down arguments
Decent at cooking but REALLY good at baking
Gets ascots from Daphne every year for his birthday
Knew Velma a little in high school, mainly from physics and math but never got to actually know her until college
Got the Mystery Machine from a sketchy car dealer when he turned 16 and loves the old rust bucket to death
Velma:
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18, forensics science major, minor in history
4’11”
Also autistic, self-diagnosed because it’s really hard to get a diagnosis
Lesbian and genderqueer, she/they
Had a crush on Daphne a few years ago, but when Daphne and Fred got together she forced herself to ignore it until it eventually went away
LOVES true crime podcasts, kinda wants to start their own one day
Super blunt and sarcastic, can sometimes come off as rude to the people who don’t know them that well
Struggled with an eating disorder for a while, Shaggy helped her recover and now they’re best friends
Tech wiz
Daphne:
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19, fashion design major
5’6”
Pan, she/her
Grew up in a wealthy family with four older sisters, was always pressured by her parents to fit their image of perfection, so she eventually started deliberately doing things to piss them off
Starting a relationship with Fred was the breaking point and now she doesn’t talk to them (she still keeps in touch with her sisters, though)
Natural blonde, dyes her hair
The most athletic out of all of them, used to do gymnastics and dance throughout middle school and high school
Quit when she realized how much it was negatively affecting her body image
Hates when people assume she’s ditzy just because she’s hyperfeminine
Looks mean at first, is actually super sweet
Fascinated with ghosts and cryptids
Loves ‘80s and ‘90s Heathers-inspired fashion
Shaggy:
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20, culinary arts major but was undecided for a while
5’9”
Aroace, he/him
Mix of hippie and grunge aesthetic
Definitely smokes weed
Loves ‘70s and ‘80s music
Has a panic disorder, ADHD, and dyslexia
Has seen every classic horror movie to ever exist despite being terrified of them
Everyone assumes the Mystery Machine belongs to him until someone in the Mystery Gang corrects them
Will eat basically any type of food you put in front of him
Shitty relationship with his parents since they have unreachable expectations for him and constantly compare him to his classmates and cousins
Scooby:
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Shaggy’s psychiatric service “dog”
Not actually a dog—in reality he’s an alien who crash-landed near Shaggy’s house and took the form of a Great Dane, the Rogers got him trained as a service dog for Shaggy’s panic disorder, and the rest is history
Shaggy still has no idea (although he and the gang do think it’s weird that Scoob can talk)
Despite being a bit of a coward he’d do anything to protect the gang, especially Shaggy
Likes horror movies just as much as Shaggy
Will eat literal garbage if hungry enough (which is all the time)
Started developing doglike traits over the years (barks at people walking by, hates the vacuum, developed a taste for dog treats, etc.)
Also here’s the full body photos i drew:
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