#such a noble cause

[fluxweeed]

for the fanfic ask how about 7?

7. How many ideas for fics do you have right now?

"ideas" is such a broad term omg 🙈 i guess in terms of ideas that i've made scrivener docs for: 9

in terms of concepts that exist only on the microwave plate in my brain: like at least another…6?

[poorly-drawn-mdzs]

None of our hands are clean

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[copypastus]

@sjmvillainweek Day 5- The Villain Wins AU

Or what I wanted to happen during the 'revive Rhys at swordpoint' nonsense. Just winnow out. What are they gonna do?

[bacchuschucklefuck]

forgot to specify on firearm possession when he posted that job ad

[mongeese]

I understand why people do it but using "Kim and Harry would take a bullet for each other" as an expression of their personal closeness is meaningless when canonically, Kim would have thrown himself in front of a bullet to save Harry before they even knew each other. It doesn't matter if Kim likes Harry or not -- they're both officers of the RCM, currently acting as partners, and therefore Kim sees it as his job to protect Harry's life without regard to personal safety. I'd bet Kim expects the same of Harry, at least subconsciously. It isn't about love. It's about duty

[starzzmissthesun]

Older brother made a name for himself with the cops...

[thedoctor-and-donna]

Since Fifteen is Fourteen healed (“healed”) he’s got to have Fourteens memories to an extent (it’s been well established that they don’t really remember the past events that involve two doctors of different times until it’s happened already)

That being said, do you think Fifteen ever calls up Fourteen and is like “hey babes, don’t go to the store today” and Fourteen is freaking out trying to figure out why but Fifteen doesn’t really remember why cause it hasn’t happened yet. It’s just a hunch Fifteen has

Turns out it’s cause Fourteen needs to buy milk for Rose but the milk she drinks is out of stock and it’s a wasted trip to the store

Fourteen phones Fifteen to be like “bruh” and Fifteen is just like “oh yaaaaaa, I remember now. Nothing to worry about tho!”

[orphiclovers]

Sponsors

[ivan-fyodorovich-k]

Throughout my schooling up through undergrad every time we talked about a Red Scare or the Cold War's anticommunism it was invariably framed as a time when the United States lost its collective head and went about unjustly persecuting people for completely made up crimes and loyalties. Like when The Feminine Mystique came up they'd be like "and they even accused Betty Friedan of being a communist! Imagine!"

Thing is though, as I learned later, Friedan had been a member of the communist party. As is often the case. The two people named as members of the Hollywood Ten in this textbook--Ring Lardner Jr. and Dalton Trumbo--were members of the communist party, or at least had been at one time.

And listen, if the argument is that you shouldn't persecute communists, then you should say it. But to frame it like it was insane to think these people were communists in the first place is dishonest.

[quijicroix]

Sorry not to be a camera nerd but in IWTV S2 ep2, 3 and 4 Louis in Paris having a Rolleiflex and a Leica specifically for Armand is so significant to me!!! Two cameras used at the same point in time but not by the same people.

First the Rolleiflex.

For the the Rolleiflex to work- you have to take a lil bow before your subject. This is because the viewing mirror is on top of the camera's body, so to see what the lens sees you have to incline. A lot a photographers said utilising this camera is also showing humility in front of the subject specially in street style photography (Robert Doisneau said that the Rolleiflex is like gathering images and the Leica like hunting for them, he also was convinced that the Rolleiflex was an "ethic of life and art" not betraying the subject you are trying to capture). You have to take your time and bow before them. (showing also the fact that louis struggles with not admiring humans )

Now the Leica

The Leica on the other hand put you on the same level as the model. The mirror is in a more traditional position at eye level. And is more favoured for fleeting subject, at least one street photographer as describe the Leica's style of photo as "hunting" for faces capturing the moment ( i think it's Janine Niépce or Henri Cartier-Bresson but don't quote me on this). It's really interesting that he photographs Armand with it , capture the fleeting aspect of his nature ,he is being hunted or they are hunting together ,and they are equals in Louis's eyes.

The style of photo he is taking in ep 4 is called "Humanist photography".

The mouvement in France was criticised for being a postcard image of paris, cliché, naïve and not political enough. And giving a romantic image of Paris after the tragédie of the WW2. It focuses mainly on people, often doing daily mondain activities, Humanist photography really liked cafés and bars. The paradox was despite the cliché exterior a lot of pictures were of working class people (we can see that in the pics he gives to Daniel in ep 2, louis has a very similar choice of subject mater and view of the world, taking portraits of his working class lovers and of Parisians in restaurants). The goal was to heal post war Paris and to show a new beginning. (echoing louis owns personal struggles of finding his new self and a new lover in paris, but also the rose tinted glasses he has on this time has a tourist)

Also in post war paris this is sososos significant in the history of photographie hahhahha my nerd heart is dying....

[poorly-drawn-mdzs]

Heartfelt Reunion.

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[circusk]

finding yourself

[likesdoodling]

Rozemyne's not having a great day... :)

[piracytheorist]

Oh BOI when I tell you this transition gave me shivers

This is a prime example of why spies like Twilight cannot afford emotional attachment, why their entire survival depends on them ignoring their own internal struggles.

Donovan Desmond is a force to be reckoned with; within minutes of meeting Loid, he shamelessly shares his corrupted views on humanity:

"It is simply impossible to understand what someone else is thinking. People will never be able to understand each other."

And that's why you're using force to bring other nations to their knees?

There you have Twilight; a man who lost everything in a war started by people who had the same way of thinking that Desmond has; a man who has sacrificed his own identity and chances of personal happiness in his mission to never allow others to suffer like he did.

The emotional investment is huge. He doesn't do it just because he thinks it's the right thing to do, he does it because he has first-hand experience of how much pain a war can cause. And he'd rather keep suffering if it means such pain won't be felt again by anyone else.

And yet, through all his internal turmoil, he has to look at Desmond and smile and agree with him. Him acting like the loyal Ostanian citizen who believes the Desmond group cares for the country is nothing compared to this transition. He goes from a man who is haunted by the traumas of his past to a beaming, hopeful man who indirectly endorses violence - the very thing that ruined his and many other people's lives - over understanding among humans

He has to become the exact opposite of what he stands for, become the kind of man like the ones whose actions ruined him. And the ironic depiction is not lost to the audience; his eyes are covered in shadows as we hear his inner thoughts, slowly getting brighter as he prepares his disguise, and finally getting back to the light when he fully dons it.

It's disturbing and it's wrong and it's the opposite of how it should be. Twilight may have made it his life's mission to never act on his emotions, but it's perfectly clear he does have emotions; he's just very good at willingly pushing them aside. And this depiction in that lighting is perfect to show how it's a necessary and conscious depravity of his own self that he has to partake in in order to survive and see his mission through.

It's brilliant. Disturbing, but brilliant.

(Anime only fan here, don't spoil me for the manga)

[papibutch]

starting my campaign for butches in crop tops

[granlance]

"'Twas long ago he earned the name 'hero'...

"He led his retinue, ten Pokémon, against the almighty unknowable.

"In battle did his valiance proclaim at last the strength of humble humankind.

"The great unknowable approved this feat, and to its domain of no place returned."