#story of his life i fear
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watchingwisteria Ā· 2 years ago
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tags i saw on ao3: #Jason tries to fix things and makes literally everything worse #itā€™s okay heā€™s babygirl
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cinamun Ā· 13 days ago
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What are you arguing? | Next
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sometimesmaybespoof Ā· 2 months ago
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When she Half on my Life till I 2
#Spoofsart#Gordon Freeman#halflife2#half life#Alyx Vance#Freemance#PlatonicFreemance#can be seen as romantic if youd like! i like both versions of freemance! ^^ i just personally adore platonic freenance#seriously tho freemance is such an interesting ship ( platonic or romantic ) im gonna yap about platonic freemance cuz i wanna.#SPOILERS AHEAD !!!!#i always like to imagine that when alyx was told about gordon and who he was/what he did during the Resonance Cascade. all of it was a mix#of stories told by civilians and her dad and Kliner and Barney! all painting him as this heroic silent fearless hero who trashed his way out#of black mesa with nothing bu a crowbar! the aliens and HECU feared him yadda yadda yadda! but then when she ACTUALLY MEETS HIM#SEES HIM FOR HERSELF. hes all beaten up on the ground in his civvies and she had to save him from the civil patrol cops šŸ˜­#pathetic little loser meow meow bark woof awwooo whgrhrgrgrgr (im love gordon- )#and she still has that ā€œcelebrity crushā€ ordeal with him#but after hours of fighting alongside him she learns that hes not what the stories painted him out to be#hes just some guy#during ep 2 when youre driving around with alyx. i like to imagine that during every pitstop Gordon just looks around finds nick nacks#thingamajigs and other stuff and shows it to Alyx. like letting his guard down and actually being human instead of in a constant state of#locking in and surviving yknow? anyway where was i? yeah they bond during the roadtrip to whiteforest#small moments of acting like stupid little kids together! and its during these moments that alyx realizes that shes happy with being gordon#s best friend! not a downgrade at all tho#friendships can be just as fun as relationships!#i see romantic and platonic as equals mmkay#anyway where was i?#yeah i drew this on Magma with a good friend of mine ^^ Razzmtazz!!!!#love drawing HL2 it rewired my brain.#love yall even tho i dont post much if at all šŸ˜­#i swear im cooking - gaben
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yukipri Ā· 1 year ago
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Clone File: Morbs (YukiPri OC)
Basic info:
Name:Ā Morbs Number Designation:Ā CC-4413 Generation:Ā 1 (0.9) Rank/Title:Ā Chief Mortician of the GAR, Kamino Chief Mortuary Trainer (former) GAR Affiliation:Ā Entire GAR, primarily stationed with the 212th Attack Battalion Character status:Ā YukiPri Original Character
Disclaimer: Morbs' story will likely make more sense if you've read The Prime Override, as he's introduced with context in this fic. He will also make more sense if you've read about the other 2 clone medics mentioned in this file, Ashe and Stabber.
Backstory beneath cut!
Overview:
Clone morticians are specialists even among medics. Every clone medic knows the basics of how to care for the deceased, but in war, priority must always go to the living. As such, it is common to find only one clone mortician per star destroyer or permanent GAR base, with greater numbers stationed in Tipoca City or various Republic medical centers.
Morbs, or CC-4413, is considered the Chief of this group of medical specialists. He is the originator of the division, and was assigned to develop both the position and the training curriculum of clone morticians in tandem with Asheā€™s primary medical training.
Prior to the start of the Clone Wars and through the early war period, Morbs oversaw the Tipoca City Primary Clone Morgue, which processed all clone bodies. There, he managed biopsies, distribution of cadavers, and the care and processing of all of the bodies of his deceased brothers. He also trained other clone morticians who had completed general medical training prerequisites and were approved by Ashe, as well as future Chief Medical Officers who were required to have completed hands-on training time in the morgue to earn their certifications.
Morbs would have been content to remain in this morgue for life, but as the main body of the GAR prepared for deployment, it became clear that the number of bodies being processed on Kamino would plummet. Morbs was reassigned to the front lines, where his expertise would see more active use, leaving his morgue behind in the hands of his assistants. He primarily travels with the 212th Attack Battalion, but frequently visits medical centers and goes where he is needed.
Background:
Morbs was one of five Generation 0.9 CCs selected by Nala Se to begin the development of the clone medical track. While all subsequent medics are CTs, the Generation 0.9 CCs underwent manual age acceleration, putting them physically ahead of their Generation 1 peers in chronological age. Morbs and his fellow CCs were test subjects used to establish the start of the medical specialization path before their younger brothers were of age to begin that training.
As CCs, they are overqualified for the general medical training that Nala Se is building, and Nala Se quickly turns to using them for other experiments as well. Their unique position as the first experimental medical clones gives Nala Se more oversight over them than any other clones, with far less supervision as well. They are ā€œherā€ clones to test as she pleases.
In the depths of her labs, Nala Se conducts experiments that she had been banned from conducting on standard troopers by the contract with the Prime Clone, Jango Fett. Morbs later learns that these tests would be considered ā€œtorture,ā€ and are illegal in the Republic. He and his brothers are tested for the physical limits that clones can reach, including tolerance for exposure to various stimulants such as heat or chemicals, as well as sensory limits such as their maximum threshold for pain. She also experiments with the potential for building up tolerance and even immunity to various drugs and poisons. She takes all of the data she gains and incorporates them into the medical training for the clonesā€”thus, ensuring that her tests still fall under the scope of ā€œdeveloping medical training.ā€
Two of the five CCs perish as a result of these experiments. Ashe is ordered to decommission the third when he fails to meet Nala Seā€™s standards. This leaves Morbs and Ashe as the only survivors of their initial group. They cannot speak of their experiences to anyone else, as Nala Se is the only other witness. Not even Kote knows what they experienced. Between the two of them though, they can never forget that their senior medical positions were earned with blood.
Morbs has always been a quiet but keen observer, and knew from early on that Ashe has reasons for wanting to be in the medical track, and that this is a path that heā€™s chosen and is motivated to push through. Morbs is brought into the Ghostsā€™ plans relatively early, and having had the most first-hand experience seeing just what Asheā€™s position entails, he wishes he could do more to help his brother. However, Morbs is also realistic, and knows that he doesnā€™t have the same passion and dedication driving him. He does what he can, but he canā€™t see himself being the medicsā€™ leader that Ashe is. He feels guilty for not being able to offer to take Asheā€™s place, when heā€™s the only one in a position who could. He tries to make up for it by loyally following him, and doing what he can as a supporter.
In addition to not having the drive, Morbs also feels he is cursed with misfortune. While he excels as a medic and not even Nala Se can find anything lacking in his record, most of the patients that Morbs touches seem to end up dead for reasons unrelated to his skills as a medic.
Heā€™s assigned to oversee a group of cadets, who end up having a fatal genetic mutation that gives them all heart attacks while heā€™s on observation. The wing with patients that he oversees collapses due to an architectural problem, and they all die. Heā€™s conducting a surgery, when the power goes out, and heā€™s unable to save his patient with the tools he has available. He tends to some brothers, who leave his exam room fine, but are killed in a training accident a few hours later. Heā€™s assigned to take over a simple check up, and finds his patient already dead before he enters the room.
Every additional incident makes him increasingly uncomfortable with working with living patients. He knows he has the skills, but it doesnā€™t seem to matter, because most of his patients end up dead anyway. Statistically, itā€™s not impossible, but after a certain point itā€™s certainly improbable, and yet it continues to happen. Clones are rarely superstitious, as they have no cultural basis for it, but Morbs feels that thereā€™s something absurdly wrong with the amount of death that seems to follow him everywhere.
He only feels that heā€™s safe for his brothers when working with those already dead. He canā€™t kill them if theyā€™re dead before theyā€™re even assigned to him. When Nala Se announces that a new mortuary sub-track will be added to the primary medical track, Morbs dives for it because he canā€™t think of a better position for himself. If death follows him, he might as well embrace it.
As he and Ashe are given more access to resources including those from outside of Kamino to help them develop their respective training curriculums, Morbs finds himself increasingly interested in not just the practical aspects of death, but also the more cultural and spiritual elements as well. Itā€™s sparked by his own unluckiness and wondering if others have experienced the same, but is fed by his curiosity when he realizes that most nat-born cultures have different ways of processing death and grief that are deeply engrained in how they handle their dead. Nat-born lives are for the most part extremely foreign and utterly irrelevant to anything clones will likely ever experience, but death is almost universal. Morbs finds this fascinating.
The clones are brusquely told that they ā€œmarch on,ā€ when they die, as Mandalorians do. But why? Where do they march to, with whom? What is waiting there? If that is the inevitable eventual fate of all of them, regardless of Asheā€™s or Koteā€™s efforts, shouldnā€™t it perhaps be Morbsā€™ job as the Chief Mortician to at least consider what happens after?
While Morbs has no answers for the afterlife, he certainly has many thoughts, which he shares with the silent cadavers who he works with. It seems like they can hear him, he thinks, for all that none of his words are spoken out loud.
While sitting in on a Ghosts meeting as they develop code words for their growing underground organization, Morbs mentions off-hand that their brothers who are dead, but arenā€™t, are, ā€œMarching on to join Kote.ā€
Itā€™s not his fault that their overseers failed to really explain what ā€œmarching onā€ means, nor really instill any true understanding of ā€œgloryā€ either. So if they choose to define it for themselves, with ā€œmarching onā€ meaning to join their other brothers (who may or may not be dead), and ā€œgloryā€ as fighting for their brothers, something tangible that they actually understand and care forā€¦well. They are, after all, supposed to die for the glory of the Republic anyway. No one will question the language.
While most of Morbsā€™ brothers are exceedingly practical, and must be, Morbs finds his niche in thinking about the not practical. If having ways of respecting and mourning the dead helps all other sentients, why shouldnā€™t it help them too? Morbs experiments with how he thinks their dead should be treated, and the bodies in his morgue are, as always, his silent audience.
He grows to consider the dead bodies in the morgue ā€œhis menā€ in ā€œhis army.ā€ After all, those who are also marked dead, but are actually just with the Ghosts, are also allowed to ā€œconsider servingā€ despite being equally dead on record. And are not the bodies that he repurposes to hide the missing bodies, the dead whose organs and limbs save the lives of their living brothers, not also serving their brothers? Just because they were unlucky, like Morbs, doesnā€™t mean that they arenā€™t still being helpful, arenā€™t still actively saving their brothers. Because thatā€™s all what any of them want to do: help each other.
Morbs assigns himself their Commander, as he is in charge of them, cares for them, and directs their ā€œcampaigns.ā€ The rows of cold lockers that house their bodies are ā€œbarracks.ā€ He talks to them, praises their missions, and grieves for them when they finally march on to their second deaths via cremation, only after which they are truly gone.
While none of Morbsā€™ students go to quite the same level as Morbs himself in humanizing their deceased brothers, he makes sure that all of them leave his morgue with a firm understanding that even when dead, their brothers are still their brothers. Pieces of his ideology and treatment of bodies linger in all of the medics who handle their dead.
Morbs treats the dead as his men because he wants them to be able to live on just a bit longer, but admittedly thatā€™s not all. Itā€™s something that also helps with his guilt over not being able to assist Ashe in his decommissionings. He canā€™t stop those deaths any more than Ashe can, and he canā€™t even share in the pain of murdering them. But he can promise them, and can promise Ashe, that once their bodies leave Asheā€™s blood-stained hands, that Morbs will welcome them gently to his morgue. That theyā€™ll be treated tenderly, with humanity, and that their existences wonā€™t mean nothing. That if theyā€™re capable of it, Morbs will do whatever he can to ensure that they too can serve Kote before their bodies are gone.
Morbs likes to think it offers Ashe some comfort.
General Info:
Most clones have only ever heard of Morbs, who is extremely elusive. Even after deployment, he rarely leaves the morgue wing attached to medical. Whereas Ashe feels a complicated mixture of self-loathing and knowing that heā€™s unwelcome in other spaces because all other clones loathe him too, Morbs is simple. He likes being with his men, theyā€™re his favorite group of clones. The living get plenty of attention amongst each other. He just is happier with his own men, and prioritizes giving them his own attention.
Heā€™s eccentric and more than a little creepy, but his reputation means that many of his brothers are very curious about him. He has a strict ā€œno one alive past this lineā€ rule at the entrance of the morgue, with very few exceptions, so not even those who try to catch a glimpse of him while visiting medical have much luck. Spotting him outside the morgue is both like an exciting cryptid sighting, but also potentially a bad luck omen. Morbs is oblivious to the excitement his presence causes, as heā€™s usually just in a rush to get back to the morgue.
Morbs is so mysterious that only a very limited handful of his brothers knows how truly odd his habits are. He has an assigned bunk, but ignores it and sleeps in a specially padded cold locker so that he can ā€œsleep in the barracks with his men.ā€ He calls it his favorite bunk, and tells the other medics he wants to rest there when he one day inevitably dies. He will sometimes forget to take care of himself, ignoring his own living needs to eat, drink, exercise, hygiene, etc. until a medic, usually Stabber, drags him out of the morgue to handle it. Stabber thinks Morbs is an example of how truly unfair their genetic enhancements are, because Morbs somehow maintains his solid CC-class physique with essentially zero effort on his part.
Unlike Ashe, who wants to be out in the field, Morbs never wants to leave his morgue for anything. Once he has been relocated into the morgue on the Negotiator, he only steps out when absolutely necessary. He doesnā€™t want to see the sights of the outside galaxy, doesnā€™t want to see the people or try the foods. He thinks all air outside of the morgue that is not optimized for the preservation of clone bodies is distasteful. He especially hates heat, sunlight, and humidity, insisting that it will ā€œcause us to decay faster.ā€
The one exception to this is if there is a morgue, funeral, cemetery, or something else death-related going on. He learned about other culturesā€™ death practices, and heā€™s admittedly still curious about them too, mostly in the context of whether thereā€™s anything else he can do to improve the experience for his men. If the ship is planetside and thereā€™s supposed to be a famous cemetery, he might be seen quickly slinking outside, face completely veiled to avoid exposure to the elements.
Relationships:
Morbs maintains a close relationship with Ashe, though itā€™s one heā€™ll rarely show in front of others, always maintaining a professional distance if they have company. But Ashe is the only living person that Morbs will seek out for company, always while Ashe is alone. Morbs is the only one who knows the extent of what Ashe suffered during his early training, and had experienced much of it with him. He is concerned about Ashe, but doesnā€™t offer medical help, as he feels Stabber does that enough, and he doesnā€™t trust himself to think of Ashe as a patient; that never ends well. He will instead offer Ashe silent company.
Morbs claims to despise Stabber, especially since heā€™s the one responsible for taking him away from his morgue on Tipoca City and forcing him onto a star destroyer. Because Stabber is the CMO of the 212th, prior to Ashe joining them, Morbs is forced to interact with him the most. Morbs doesnā€™t like Stabber because he considers the other medic, ā€œfar too alive.ā€ Stabberā€™s high energy, movement, and noise levels all grate on Morbsā€™ preference for stillness and darkness. Still, he reluctantly respects Asheā€™s former assistantā€™s skills as a medic, and will follow his orders.
He also wonā€™t admit it, but Stabber was the one who gave him his name. Stabber had a habit of announcing that Asheā€™s work buddy ā€œhas the morbs,ā€ a phrase heā€™d picked up from one of Asheā€™s training resources that he claims means ā€œhas emo vibes.ā€ Stabber liked the sound of the word so much that he began shouting it every time he encountered Morbs, and it ended up sticking. Morbs pretends he doesnā€™t care, but secretly thinks itā€™s fitting.
On the other hand, Morbs has a surprisingly amicable relationship with the Jedi he interacts with most frequently, Obi-Wan. He was very leery of letting Obi-Wan come anywhere near the morgue, not trusting an outsider with his delicate men who are unable to defend themselves. However, Obi-Wan found Morbsā€™ ruminations and philosophies fascinating, and was easily able to bait him into a conversation by expressing interest. Despite being surrounded by war, Morbs often seems strangely detached from it, preferring to speak less about the realities of war and the gears that move it, and more about why various cultures frame death and the afterlife in certain ways. While the conversations are often melancholy in nature, Obi-Wan appreciates the strange normalcy of it, knowing that Morbs would likely have these same questions regardless of whether there was a war. Morbs likewise is invested in hearing about death traditions from an outside perspective.
While the other clones aboard the Negotiator were at first both morbidly fascinated by Morbs, they were discouraged from actually interacting with him because he says things like, ā€œYou should not be in here, unless you are dead. Unless you would like to be dead, in which case I can help you,ā€ or, ā€œOh, well you donā€™t look like youā€™re dying. How unfortunate.ā€ However, they gradually realize that Morbs is not as aloof as he first appears.
He isnā€™t opposed to speaking, as long as itā€™s about his men. They realize that while Morbs refuses to let any curious bystanders or unqualified personel enter the morgue for no reason, heā€™s always eager to learn more about those in his care. Clones who have lost brothers can always count on him wanting to hear about the deceased, and if theyā€™re present in his morgue, Morbs may even allow them to visit. When the first clone brings Morbs some flowers, because he saw that some nat-borns planet-side were laying flowers by the graves of their lost loved ones, Morbs is tickled by the action. Clones are not granted proper graves, and those in Morbsā€™ morgue are still ā€œon duty.ā€ But Morbs creates a little sterilized shrine in a corner of medical close to the morgue, where he collects these offerings and allows his brothers to visit. If the tablet Morbs laid there is turned a certain way, Morbs knows that one of his brothers wishes to speak to him about someone deceased, and he slinks out of the morgue to listen to them.
Because Morbs is the Chief Mortician, he not only processes the bodies that pass in front of his own hands, but he obsessively goes over the reports sent to him by all other clone morticians and standard clone medics, who are in charge of marking all final fatalities. As such, he has the most comprehensive knowledge of all deceased clones. On the rare occasions that they are able to conduct larger, collective remembrances, if Morbs is available, he will often be called to lead them.
Obi-Wan observes that Morbs is acting almost like a priest or other religious leader, but Morbs scoffs at the idea. He has no intention of leading a religion; he just cares about his men.
And all of the clones will join his army, one day.
Appearance:
Morbs wears a modified version of the clone mortician uniform, a black version of the standard softshell white medic uniform. As the Chief Mortician, Morbs wears a longer knee-length version of the uniform, along with a black kama over it to signify his CC status. He also has a rank bar, and red shoulder pieces to show his personal training from Nala Se, like Ashe and Omega. He technically has armor, but heā€™s never worn most of it since his fitting, and he doesnā€™t plan on wearing it either. His men serve without wearing armor, so why should he? If the ship is ever boarded, he intends on going down with his men in the morgue, a plan that no one will allow him to follow through on.
The one piece of armor he does occasionally wear is his helmet, which is a black version of Asheā€™s. He must occasionally process bodies that have been exposed to hazardous conditions, and in these cases, heā€™ll don his helmet for its filtration and advanced sensors. He is so utterly uninterested in his own armor that it was left unpainted, and Ashe decided to paint it black for him, so it can match Morbsā€™ aesthetic preferences. While Morbs never acknowledged the gesture, he shows his appreciation by not protesting when heā€™s told to wear it.
After leaving Kamino, he grows his hair long and wears it loosely tied back, because as a non-combatant, he isnā€™t limited to practical hair styles. The exact length changes constantly as he uses his own hair to create wigs and patches for any of his men who may have had their own hair damaged. He refuses to share his hair with anyone who isnā€™t dead.
He also gets tattooed, two dark lines dripping down his cheeks from his eyes. He saw nat-borns with the look in some funerary documentaries he watched as a cadet. He doesnā€™t know that what he saw was nat-borns with running makeup, but he likes the look because it looks like a trail of permanent black tears on his face. He takes it to be a metaphor that he is always thinking of his men.
Morbs also has deep permanent bags under his eyes. This is due to a mix of him constantly forgetting that he needs sleep, along with him not wanting to sleep because he has so many thoughts to ponder.
While he usually just wears his uniform, he has a veil that he throws over his head whenever he has to step outside of the ship or Republic medical facility for any length of time. He also has an ornamental headdress heā€™s fashioned for special occasions, such as when he has to welcome an exceptionally large number of men to his army, is conducting a field cremation, or is leading a remembrance. The headdress is created from shards of plastoid armor heā€™s had to pull from his men.
Note:
Morbsā€™ designation, CC-4413, was chosen because the number 4 means ā€œdeathā€ in many Asian cultures, due to how it sounds similar to ā€œdeathā€ in many Asian languages, including but not limited to my own Japanese/Chinese cultures. Tetraphobia, or the fear of the number 4, is a thing! The number Thirteen is an unlucky number in other cultures. The number ā€œ4413ā€ felt fitting for this character who is so immersed in death and bad luck!
~~
Related links:
Clone File on Ashe
Clone File on Stabber
OR
Read them all on AO3
~~
PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART.Ā To share, please reblog! Reblogs and comments greatly appreciated!!!
ā€ You can see the rest of my artĀ through the Masterpost pinned to the top of my blog!
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fagulaa Ā· 11 days ago
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Something I really love about the Silt Verses is how, in a world of gods and monsters, how grounded Faulkner's trauma [and relationship with his father] is. Especially as the season moves on, and the stakes amp up [and up] its so unexpectedly piercing to be presented with this exploration of childhood abandonment/negligence, inter-generational trauma, the indignities and stress that comes with unexpected elder care/early onset Alzheimer's. You're so locked in to these grander, more abstract concepts that your defenses are down! Mine were, anyway. TSV is so good at cutting its grand, complex plotlines with simpler [but not shallower] gutpunches, and it just grounds the whole thing.
#the silt verses#other moments on the list#[the list being small but emotionally devistating grounded moments]#include: the lights coming back on in the aftermath of the strike during hayward and carpenters conversation#and you just. intuit the devistation#after all that. after all the fighting and protest. the lights come back on. you can HEAR the screaming in the silence#Faulkner's whole elder care thing with his dad#where he has to reckon with him as a person who made mistakes#and put his own resolution aside to take care of a man he had complex feelings for#also the Faulkner's dad/trawlerman connection is crazy to me its crazy#oh you want to worship the god with the garden do you faulkner#you want to be this gods enterpriter and favorite#what did your father do again?#oh also the god rocket scene#where we are put in the place of a sacrifice#the claustrophobia! the fear! the tinned patriotic speech! the narrowing down to a needle point of the overall themes of the story#the fucking microcosm of it all!#all the sandwhich shop scenes#the whole hotel episode#charity in the pub running for her life because CARPENTER reappears#also love how interconnected everything is#both carpenter and page knowing von#running back into charity#fantastic writing all round it's all so fucking TIGHT my god#the prose is killer the pacing is killer the acting is killer the STRUCTURE is killer#its just a fucking masterclass of storytelling like its just. GREAT#top to bottom.#like the sheer skill involved in making something like TSV#on all levels#is incredible I really do admire it
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thedevilscarnival Ā· 1 month ago
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shout out to daan fear and hunger for being a (textually) male character whom is narratively a woman. orange really hit it out of the park with that one
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lilaccatholic Ā· 10 months ago
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I am once again thinking about the reluctant ruler whose arc justly and correctly includes assuming the throne and taking responsibility for the people set before them
#it's about simba coming back to pride rock it's about aragorn using andĆŗril to fight for middle earth and assuming the throne it's about#hiccup marrying astrid and assuming his role as chief and moses returning to egypt#and it's about irina loving her people so fully that when she claims all of her subjects as hers that chernobog must release them to her!!!#and it's about miryem choosing to stay with the staryk and repair the damage and assume responsibility for the land and people!!!!!#and! it's! about! gen!!!!#it's ALWAYS about gen!!!!#gen who didn't want to be king. who hated being king and only wanted to marry a queen but who obeyed his gods and became a king over kings#who lost his home and half his family and his HAND but who ushered in a new golden age.#and it's about sophos who ran away but who shot the ambassador and took back his kingdom#it's about duty and it's about sacrifice and it's always ALWAYS about doing the right thing even at great personal cost because it's about#submitting to a power higher than your own. of recognizing that the calling on life is one for serving others and having so much more to#answer for than just yourself. it's knowing duty is love is duty#i cant stand stories where the answer is 'give up the throne and reject your duty' because no!!! you dont get it!!!#thats how you get the monsters!!! thats how you get the prince turned into a beast and thats how you get every terrible weak king that#aragorn feared becoming#to accept your throne is to die to self!!! you are no longer you but 'king' or 'queen'#it's like queen mary says to qeii in the crown 'elizabeth mountbatten must die#elizabeth regina must take her place.'#that's terrifying! but it's also everything!!!!#die! to! self! die! to! self!!!!!!#lilac rambles#lilac goes to the movies#lion king#prince of egypt#lotr#spinning silver#the crown#tqt#the queen's thief#httyd
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wanderingibon Ā· 6 days ago
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"Every Mourn Watcher must deal with grief in their own way. "
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iwritenarrativesandstuff Ā· 6 months ago
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literally the easiest way to make someone care about a character and make them feel well-rounded beyond basic traits like personality, sexuality, ethnicity, etc, is to give them an actual character arc, and itā€™s shocking how many people do not seem to fully realize this
you cannot just cram a bunch of tropes. tropes are not the main event, they are tools to tell the story you wish to tell. emotional impact comes from the lead up, so you canā€™t just jump ahead and expect the payoff to work. ā€œI want this character to just ___ already!ā€ but theyā€™re not there yet. thatā€™s where the arc comes in - how do they get there?
and! most importantly, and this is something I really want people to think about when writing - the most important relationship your character should have, always, is with the world and society around them. defining your character purely through their interactions with other characters are, I find, how a lot of female characters end up feeling flat or not engaging with the themes as much as the male characters, and also how queer and non-white characters wind up as devices for other charactersā€™ development instead of being more fleshed out
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kurithedweeb Ā· 6 months ago
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I just learned why Shad hates Irene in canon and knowing what I do now about everyoneā€™s favorite the Matron, I can say with my whole heart,
What the hell, Irene
#I keep coming across audios of Hyria telling Ireneā€™s story too#and I can see why the people of Ruā€™aun love Irene! I see the saint they do in the stories#but I can also see that by the time she got around to Shad she wasnā€™t that person anymore#she was alone because of her power until she came across Shad and I can see how that might develop into clinging onto him with such an#intensity that she sends him to other realms to foster whatever their relationship is and falling in love with him#Shad is the only person Irene has ever known thatā€™s on the same level as her so it makes sense she wants#him as a lover as something more intimate than what they are#but Shad was tired of being feared and hated and so he falls for the one person who acts very positively towards him#all Shad wanted was to be loved. to have a family.#and he got it! he had the love of his life and a beautiful baby girl and even a close group of friends in the Divine Warriors#and when they need the relics to protect the realm he understands that theyā€™re made with human souls and he accepts that#for the sake of the greater good#only for Irene to use their daughter to make HIS relic and not tell him heā€™s using the weaponized version of their daughterā€™s soul#heā€™s obviously furious when he finds out. he confronts Irene heartbroken that she would do such a thing. Why their daughter?#and then she turns the rest of the Divine Warriors (who all worship her) against him#No wonder Shad wants revenge! No wonder heā€™s after every last fragment of his relic he can get his hands on#thatā€™s all thatā€™s left of his baby#Or maybe Iā€™m thinking way too hard about a block roleplay#mcd irene#mcd shad#divine warriors#dropofsunlightextras#mcd rewrite#mcd#aphmau minecraft diaries#minecraft diaries#aphblr
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i-bring-crack Ā· 3 months ago
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Aā€“Aventio TGCF idea?? Wherein Civil God Veritas Ratio meets the infamous Ghost King Aventurine during his first mission cuz cuz likeā€” The "live for me" paralels?!? The one who has all the luck partner as well?!? The villain who was actually not the Villain this whole time!?!? The loving humanity a little too much it causes their downfall !?!?!?
Rant AU in the tags proceed with caution
#Okay to put it into better words:#Veritas having once being a prince wanted to give everyone the prosperity of knowledge and became a civil god in the pursuit of it.#Sadly this backfires in people using that knowledge for their own greed and creating civil wars within it as well as unleashing far more#Destruction upon the land. And the other gods didn't help Veritas in stopping that bc see that's what happens when people overshare info!!#So the aftermath is just pure chaos plus banishment from being a civil god and thrown as this god of war and plague.#800 years passes and he is seen to just still be doing the same things but I a simple term. Teaching people to read and count.#Often times taking up mission and doing research on new pathogens to help cure the sick that can't afford and somehow during a reading#Lecture he gets ascended back to godhood and everyone is like ??? And even he is like ???#Well he doesn't care much about it and just continues to do what he's always done. Except that once in a while he has to take a detour#Mission to deal with ghosts and other malignant spirits. And upon one of those recurrences he finds himself aquaintanced with#The infamous Ghost King Aventurine. Who is mostly feared in heaven due to having beaten the strongest and wisest at their own games. Even#When the odds where fully against him.#As for Aventurine.#His life was harsh but as the prince had given a lot to the people#Not just education but also free them of diseases and sickness. One of which had struck his sister. He liked the prince and wanted to#Follow in giving and protecting the prosperity of the former kingdom. But the good things did not last and his family was struck in between#The many wars that took place. No matter how much refuge Kakavasha and his sister sought no place was ever#Safe enough for them.#He watched the entire world go up in flames yet somehow he could hate the prince-god for it. But rather the people who had started to#Create weapons in his name. The rest of his years he spent it as a warrior slave and then when death reached him he couldn't even go to#The afterlife since he still held so much vigor and wanted revenge to all the people who had turned his land into ashes and his family#Into bones. That is why he became a mourning ghost.#(I didn't want the kakavasha story to be so centered on ratio like it is in tgcf. Because I think it will be fun for the two of them to#Not recognize each other at first after 800 years and then when they do. Rather when aven does he's full on: oh shit it's the cute princeā€”#As for who was the cause of the upheaval in the kingdom and the maker of the weapons. Idk I was debating there being more than just one#Antagonist to have pulled their strings in verita's kingdom as well as be the reason Aven's sister died. So he's more revenge seeking for t#And the genius society as civil gods just spoke to me it for so perfectly. Ling wen as Ruan mei? Yeah exactly.#ratiorine#Aventio#Dr ratio
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clowndensation Ā· 7 months ago
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it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.
and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.
and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"
and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.
it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.
#genuinely THE juiciest way to tell this story#like it's SO good#there's this coy little humor behind the ep#where louis and armand are very much like 'haha okay daniel you've caught us out. you've seen behind the curtain. this is the whole truth'#meanwhile daniel's getting '8 hours on how to avoid the sun and torpedoes'#like it's a faux revelation that completely backtracks all of the progress made at the end of season 1#and even louis's (very touching) moment this episode where he tells daniel the truth#is a very digestible and ultimately non-harmful dive into his past#armand doesn't like it because it's part of a slippery slope of remembrance#but he doesn't actively get in the way of it being told because it's a revealed memory that doesn't ULTIMATELY mean that much#like i'm assuming we're all on deck as far as believing louis doesn't remember the full extent of claudia's death atm.#i could be wrong about that. but like. it is kind of the elephant in the room at the moment#so it's very much a case of armand getting to couch his own fears and attachment in 'doing the greater good for louis'#ultimately who does it serve if louis remembers everything and realizes armand's more negative role in his life?#all that will do is make him miserable. deprive him of the one person in his life who cares for him#better to have a palatable lie than a truth that could leave louis a danger to himself#('as long as you walk this earth i won't taste the fire' <- but she doesn't walk this earth and the reason why is sitting by his side)#isn't it the kinder and better thing to manufacture a world where louis can live with himself?#anyways. teehee. i missed this show so much. <3#iwtv
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recent-rose Ā· 11 days ago
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so abt the end of that 2.7 sunday questline
the concept of luck/chance in particular being referenced like 2 or 3 times, later concluding with a line from wonweek (who i view as sunday's id) about how he's "possessed by that ipc gambler". like that is CRAZY to me. he's really trying to embody these qualities about aven that he admires/values. sunday doesn't even deny it. he just goes on to talk about how failure is the best teacher, that you have to understand what people live/die for to save more lives. that the best way to achieve this is through "personal experience". aka living. it may be a reach but i really feel like the implication here is that he doesn't understand aventurine (because aven has had a life full of experiences the likes of which sunday probably can't even conceive of, duty-bound to penacony as he has been), but that he wants to. like badly. the reason he failed ('lost' to aventurine [and also everyone else LOL]) is his lack of experience with... life, other people, the whole thing.
there's also that interesting line about "if what i once doubted - or even opposed - becomes the force i must rely on in the future... then this time, my true heart will guide the tuning" he then tells wonweek that he will "leave it (the choice) to him". he's going to literally let his heart/instincts guide him. at this point wonweek asks if he's been possessed by aventurine lmao. like. they (wonweek/sunday) view aventurine as someone who follows their heart. meanwhile sunday following HIS heart is fucking emulating aventurine. HELLO. hoyo cooked so insanely with them the whole kitchen burned down
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sieglinde-freud Ā· 8 days ago
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oh im obsessed with this actuallyā€¦ who ever wrote this one i am kissing u on the forehead and hugging you real tightā€¦ inigo is such a loverboy im kkkhhhhhhijnsdnfng
#ann plays awakening#EDITING TO SAY I STARTED TAG VENTING HIT READMORE AT YOUR OWN RISK#anyways#LAST LINE IS A KILLERRRR WOW#ā€˜ann werent you just pairing olivia with tharā€”ā€˜ OLIVIA IS A BUSY WOMAN OKAY#but also i just had this old save file from when i wanted to see pink inigo and decided to get some more supports#im obsessed actually like#ok tag venting time maybe this should be its own post but u guys know who i am#not only does this support in my very educated opinion do a good job at emulating inigoā€™s way of speaking#but i think theres also a very underrated characteristic he has that not a lot of people talk about and its that hes honestly quite morbid#him spending hours talking to and dancing with his motherā€™s grave is very beautiful and moving but it is also not a normal way to grieve#which makes sense because duh nothing about his life is normal but its j like. you know#if robin is his father (and maybe j the normal convo i dont remember) in the hot springs scramble heā€™ll insist upon bringingā€”#severed risen limbs home as a way to remember the peacefulness (lol) of the springs#and he thinks absolutely nothing of it!!#i think he gets attached to things just a little too intensely and because his life is surrounded by death how he expresses that can be#very interesting. and he talks about death all time more than the other kids#bc while a lot of their coping mechanisms are based in fear and the need to instill confidence in themselves (think cyn or gerome or owain#or sev or yarne or noire)#and how their SCARED of death and of loss and adapt different behaviors to act like theyre not (to varying degrees of success)#i think inigo is much more accepting of the fact that death follows him and has made it a normal presence in his life#which is not a good thing it means that he hasnt let himself grieve. he lets death hang over him and follow him instead of pushing back#also guess which one of the awakening trio in fates has the canonical story death. just by the way lmao#anyways bc im writing this in the tags on my phone i cant actually see what the hell ive been saying im j stream of consciousnessing this#but my point is that inigo has a weird fixation on death and dying that stems from his inability to make peace with death and grieve#and i think him idolizing death in this support (this BRILLIANT fan support that made me ill) is so in character and so lovely#i miss him so bad (hes literally in the photos im posting) grghhhrgah#i wuv him :(
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candyheartedchy Ā· 2 months ago
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Not sure how to feel about that last reblog now.
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oceanwithouthermoon Ā· 2 months ago
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why do people pick and choose what definition of canon they use for which situation and then get angry that anyone disagrees with any part of it šŸ˜­
personally, im much less interested in going strictly by the definition that appearances are the things that make canon and much more in what the authors intentions behind those appearances were... and like i feel that i should be allowed to do that without people screaming about how "well this is what i SEE when i watch the show so ur STUPID" LIKE PLEASEEE IM ALLOWED TO THINK DEEPER THAN THAT šŸ˜­
like... if i took EVERYTHING at face value, the scene where aiura tries to fake a lucky feel would just actually be attempted sexual assault šŸ˜­ but its an out of character moment and im 100% sure that the author didnt intend to make her creepy or an assaulter (more likely, it was one of those "sa isnt sa when its by a woman" moments by the author, so its not supposed to come off as sa and instead just her being a sexual person) ... so i dont see her as one šŸ¤·šŸ»ā€ā™€ļø but again, if you see canon as only whats seen on screen then thats what it was, so you cant just like... refuse to see it that way and then get mad that there are similar things that OTHER people choose to do the same thing with just because you dont do it for those particular things
#im not making any sense i fear but its ok im just ranting#this is just my opinion but it honestly just doesnt make sense in most cases to NOT take the authors intention into account#like the aiura thing ? was completely out of character and doesnt make sense in the context of like everything else she does#so imo it doesnt make sense to see it as canon that she tried to sa him#anyway kuniharu is a pathetic loser and some things he does would be abusive irl but im 100% sure he was not INTENDED to be abusive#and it doesnt fit into the story and doesnt make sense with his character and his relationship with kusuo to interpret it that way imo#its okay to see it that way but it wasnt written with that intention and i refuse to be treated like im stupid for going by that#once again my opinion and nobody is stupid or wrong if they disagree#anyway the point is its perfectly valid to enjoy a manga the way U want to#and only u get to decide how YOU interpret it#but you cant pick and choose with no rhyme or reason and then get mad when other people didnt pick and choose the exact same way#you cant just say 'this thing that happened isnt canon because i think it didnt fit but oh oh if YOU guys think THAT isnt canon cuz it-#doesnt fit then ur literally stupid wtf !! whats wrong with u why are you enjoying canon the way YOU choose !!!'#'i chose canon already guys no doubles šŸ„ŗšŸ„ŗšŸ„ŗšŸ„ŗšŸ„ŗ'#'yea this thing happened but it wasnt intended that way... oh but that thing wasnt intended that way but it doesnt count cuz i said so'#you are not the author dawg#saiki k#tdlosk#the disastrous life of saiki k.#meows post
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